The Town Hall, located in the Theater District in Manhattan, announced the 125th season of Peoples’ Symphony Concerts, including performances by the Juilliard String Quartet, The Knights, Paul Lewis, among others. Additionally, Allison Loggins-Hull and David Lang will premiere new works.
On Sunday, May 19, Frank Salomon will be presented with the Friend of the Arts Award in recognition of his contributions to New York Arts. Salomon served as director of Alexander Schneider’s New School Concert Series for fifty years. His love for classical music began in childhood, when his family subscribed to the Chamber Music series at the Town Hall.
As an adult, Salomon worked as the manager of the Peoples’ Symphony Concerts for over 50 years. Richard Goode, a performer with PSC, said of Salomon, “his feeling for the human values inherent in great art, continue to find an ideal environment in the warmth and surprising intimacy of The Town Hall”.
The Peoples’ Symphony concerts have offered New Yorkers affordable access to classical music since 1900. The Symphony offers exposure to established masters and promising young artists. At under $60 per concert season ($10 per concert), Peoples’ Symphony Concerts are an excellent option for affordable live music. Peoples’ Symphony also offers concerts in the Washington Irving Campus one block from Union Square.
The Salomon Series will showcase the beauty of chamber music while paying tribute to Frank Salomon. Performances will take place from October 2024 to March 2025. Paul Lewis will perform the Complete Schubert Piano Sonata on October 27. The Knights Orchestra will be performing Mozart, along with a new composition by Allison Loggins-Hull on December 8. The Town Hall will ring in 2025 with the performance of a mystery pianist on January 26. February 2, Raphaël Feuillâtre will make his NYC debut with performances of Bach and his contemporaries. Baritone Benjamin Appl and pianist Shai Wosner will pay tribute to Dietrich Fischer-Dieskau on February 16. Finally, on March 30, the Juilliard String Quartet will make their PSC debut.
The BMI Jazz Composers Workshop has announced that its 35th annual summer showcase will be held on June 5 this year.
The event, which is free and open to the public, is scheduled for 7:30 pm at The Marjorie S. Deane Little Theater in Manhattan at 10 W 64th St. It aims to showcase the best big band and jazz orchestra compositions that have been produced in the workshop throughout the year.
The performances will feature the BMI/New York Jazz Orchestra, a 17-piece modern repertory ensemble made up of leading New York musicians, performing eight new compositions that have been developed this season. The annual Charlie Parker Jazz Composition Prize and Manny Album Commission will be awarded to one of these new works. Additionally, the BMI Jazz Composers Workshop will also feature a new commission from last year’s prize winner, Joseph Herbst.
The orchestra will be led by Musical Director Andy Farber, who returns for his eighth year, alongside Assistant Musical Director and three-time GRAMMY-nominee Alan Ferber. Farber teaches jazz composition and arranging at The Juilliard School in New York and has written arrangements for legendary artists including Shirley Horn and Jon Hendricks, as well as symphony orchestras including the Boston Pops Orchestra.
Ferber currently teaches composition and arranging at NYU and Montclair State University and directs the NYU Jazz Orchestra. He’s an award-winning trombonist, a multi GRAMMY-nominated composer/arranger and a band leader with nine recordings under his name. As a recording artist, he’s played on over 150 albums, and has collaborated with a broad range of artists that includes Esperanza Spalding, Miguel Zenon, Paul Simon, Sufjan Stevens, and Dr. Dre.
BMI is delighted to announce the return of the Jazz Composers Workshop Summer Showcase, partnering once more with our exceptional directors Andy and Alan. Each year, we eagerly anticipate gathering to enjoy the extraordinary compositions crafted throughout the year and to honor another deserving recipient of the Charlie Parker Prize.
~ Patrick Cook, BMI Senior Director of Jazz & Musical Theatre
The 25th Annual Charlie Parker Jazz Composition Prize will be awarded to the writer of the best new work composed in this year’s BMI Jazz Composers Workshop, determined by three judges: David Berger, Don Braden and John Fedchock. This year’s winning composer will also receive the Manny Albam Commission, named in memory of the Workshop’s co-founder and longtime musical director, to compose a new piece for the 2025 showcase.
Following a 26 year hiatus, NYC alternative band, The Bogmen have returned with their third album In My Kingdom. The Bogmen will release In My Kingdom on May 31.
Singer Billy Campion and brothers Billy and Brendan Ryan formed The Bogmen in 1990, united by a love of alternative, soul, and afrobeat. The group toured clubs, colleges, and venues around the NYC metro, forging a devoted cult following. Their 1994 debut Life Begins at 40 Million produced by Talking Heads keyboardist-guitarist Jerry Harrison, propelled The Bogmen into stardom. Throughout the 90s, they toured with legends like Shane McGowan, The Barenaked Ladies and Patti Smith, selling out national venues across the country.
Despite their success, the band broke up in 1998, citing frustration with the music industry and creative differences. For the next two decades, the band members’ lives were marked with hardship. Brendan Ryan’s wife died in the 9/11 attacks and other members continued to struggle with addiction and the music business. Despite this hardship, the band continued to sporadically reunite for live shows and EPs before breaking up again. The pandemic ironically brought the group back together, with its members falling back on music to cope with the chaos of lockdown. Following the loss of a close friend, they reunited to write a host of new songs. Those pandemic-era songs make up their new album In My Kingdom.
In My Kingdom is an ambitious collection of tracks, blending alternative, pop, and country. The album’s lyrical themes highlight a wiser Bogmen, tempered with age. Themes tackle ideas of looking back at your youth, wanting to connect with nature, and wanting to get out in the world. With this mature instrumentation and lyricism, The Bogmen return at the top of their musical game.
The album begins slowly with the title track “In My Kingdom.” The track eases in with a spoken word intro, building a utopian setting for the rest of the album. Singer Billy Campion invites the saints, prophets, and Gods of various religions into his kingdom, setting the stage for the album’s more introspective mood. The track slowly grows into a smooth rock song propelled by warm synths and clean guitars. The lyrics reflect the band’s return during Covid, discussing hope for the future in a world full of anxiety. With this opener, The Bogmen prove that they still have the groove of their debut, but with more mature lyricism to propel them into this new era of their career.
The standout of the album is single “Summer of Soul”, a triumphant announcement of the band’s return. Crafted during the height of Covid, and inspired by the isolation and loss of a friend, the track contains heavy lyricism. Campion sings “One thing that I love is being born again, out here on the sea. You need a helping hand, so throw me the rope, I promise not to hang myself.” Despite dark lyrics, the song is overall hopeful for a reemergence into the world, appreciating life’s beauty. A dreamy reverb guitar and piano intro, and lush instrumentation throughout really make this anthem stand out.
The album’s rich lyricism and genre bending aren’t restricted to its singles. “Life on the Ranch” is a track deeply indebted to the outlaw country of Marty Robbins and Johnny Cash. With a driving acoustic backing, aided by clean electric guitar and horns, the song is a real pleasure to listen to. Its lyrics cleverly parallel someone running from their problemsnwith a Western bandit running from the law. Another great track was “Pandemic Blues.” Despite its name, the track is not blues, but rather a motown-inspired soul tune, driven by catchy horns. The song uses Covid-19 as a metaphor for being alone in love. The narrator wishes he could just walk out the door to find love, but is instead trapped dancing alone in his room. Album tracks like these illustrate the Bogmen’s success in cross-genre experiments and deep lyricism.
The Bogmen close out the album with a re-recording of “Raga” from their debut album. This remake is truly jubilant, crafting a celebratory, vibrant atmosphere around it. Incorporating Latin rhythms, choral vocals, and dancy instrumentation, the song is a really enjoyable sendoff. If anything, this song illustrates the band’s growth more than any other, matching the energy of the original but with more fleshed-out production and instrumentation.Overall, In My Kingdom is a testament to The Bogmen’s musical staying power, retaining the energy of their 90s output, but with clear signs of growth.
The Bogmen will release their return album In My Kingdom on Friday, May 31st, 2024. To accompany its release, they will perform a release show at Manhattan’s Irving Plaza. The show, set for May 30th at 7:00 PM, will feature The Bogmen accompanied by Indie-Rockers Pan Arcadia. In addition, The Bogmen have released music videos to accompany the album’s three singles, which can be viewed at their youtube page here.
More information on the release of In My Kingdom and future shows can be found at The Bogmen’s website here.
The Dead Daisies released their brand-new single, “Light ‘Em Up,” on May 10, 2024. The tune – which is the title track of the upcoming album – features John Corabi on lead vocals. This marks the first time since 2018 that Corabi has been on a studio recording with the band.
Corabi originally departed on good terms from the band in 2019. He was replaced by “The Voice of Rock,” Glenn Hughes. That all changed in the spring of 2023 when Corabi returned to the band ahead of a United States tour. Prior to joining The Dead Daisies, Corabi had been in bands like The Scream, and Union and was Vince Neil’s replacement in Mötley Crüe.
The band has announced a United States tour that will span the month of June before heading to Europe. The band’s first show of the tour will be at Racket NYC in New York City.
Before the band’s opening night of the tour, John Corabi joined Michael Singer to discuss rejoining the band, life on the road and Muscle Shoals Studios.
This year’s Drama Desk Awards will honor Nathan Lane and André Bishop for their contributions to New York City theater on June 10. André Bishop will receive the William Wolf Award, and Nathan Lane will receive the Harold S. Prince Award.
The Drama Desk Awards have brought theater critics and writers together since 1949. The Awards began in 1955 to honor New York’s theater, including productions on and off-Broadway. The Awards’ impartiality is a source of pride for the organization, with 100 theater critics, reporters, writers, and arts editors voting on the winners.
Nathan Lane’s prolific career through film, television, and theater has earned him the Harold S. Prince Award. Honoring the legendary director, the Harold S. Prince Award recognizes lifetime achievement in theater. Lane has performed in 25 Broadway productions, including Guys and Dolls, The Addams Family, and most recently, Pictures from Home.
As longtime artistic director and producing artistic director of Lincoln Center, André Bishop has produced multiple significant projects. During his 33-year tenure at Lincoln Center, Bishop worked with leading playwrights, composers, and lyricists. As Playwrights Horizons’ creative director, Bishop also produced three Pulitzer Prize winning plays.
The Awards will be hosted June 10th at the NYU Skirball Center, 556 LaGuardia Place. Tickets for the event are limited, but a request can be submitted through the following link.
Kathleen Turner announced the nominations for all the Drama Desk Awards on New York Live.
The South Street Seaport Museum and Gaia Music Collective have announced the first event of Blue Mind Fest: a one-day choir event set to take place tomorrow. This will be the first of a series of performances throughout the year that focus on the impact that water has on our lives. These programs that will run throughout the year promise to focus on education, well-being, and sustainability.
The Gaia Music Collective, based in Brooklyn, is dedicated to creating accessible spaces for music making. In accordance with the theme, singers of all levels are invited to sing the song “Water” by singer songwriter Tyla. In light of Gaia’s dedication to inclusivity, singers of all levels are welcome.
This first event of Blue Mind Fest will begin with a rehearsal in the hull of the 1885 ship Wavertree. As the experience progresses, the choir will move to the main deck to perform. The South Street Seaport Museum features collections of art, galleries, and artifacts preserving New York’s history as a port city. The Seaport Museum offers excellent opportunities to learn about New York’s history as a port city. PIX11 News explored the South Seaport Museum and discussed its mission with the museum president.
Proceeds from Blue Mind Fest will be split between the Gaia Music Collective and the South Street Seaport. Tickets start at $1, but a donation of $11-$30 is suggested. This event will be held on Saturday, May 18, from 3-6 PM. Advanced registration is required, and a beverage is included with the ticket.
Legendary musician Graham Nash will be bringing his “Graham Nash – More Evenings of Songs and Stories” tour to the Stern Auditorium/Perelman Stageat the historicCarnegie Hall on Tuesday, October 1. Set for an 8:00 p.m. start time, Nash, a founding member of both The Hollies and Crosby, Stills and Nash, will be performing a body of work spanning over six decades that includes a litany of monumental recordings.
Graham Nash to bring ‘More Evenings of Songs and Stories’ tout to Carnegie Hall
Additionally, the Carnegie Hall audience will be treated to a special guest in Judy Collins, whose own legendary body work spans more than seven decades. In light of his special performance tickets have already gone on sale on the Carnegie Hall official website. Ticket prices range from $69, $89, $99 and $149.
Judy Collins’ legendary career has seen her remain active for over seven decades
Moreover, Nash offered a preview to the midtown-Manhattan venue’s crowd making an unannounced appearance at Crosby, Stills, and Nash tribute concert at New York’s Carnegie Hall on Monday, May 13. Although Nash wasn’t officially on the bill, he came out at the end of the night to perform a moving rendition of “Our House.”
For his part, Nash is a two-time Rock and Roll Hall of Fame inductee who has seen rock history unfold at some of its seminal moments. After all the Blackpool-bred musician began making history during the launch of the British Invasion with his work with CSN, while perfecting his craft during the birth of the Laurel Canyon movement a year later. An extraordinary Grammy Award winning renaissance artist – and self-described “simple man” – Nash has contributed a wealth of songs to the soundtrack of our lives. Moreover, the “I Used to Be a King” singer is a two-time inductee into the Songwriters Hall of Fame, for his work with CSN and his work as a solo artist.
Similarly, the eternal Judy Collins has inspired audiences with sublime vocals, boldly vulnerable songwriting, personal life triumphs, and a firm commitment to social activism throughout her extensive career. In the 1960s, she evoked both the idealism and steely determination of a generation united against social and environmental injustices. Five decades later, her luminescent presence continues to shine brightly as new generations bask in the glow of her iconic 55-album body of work, and heed inspiration from her spiritual discipline to thrive in the music industry for half a century.
Up-and-coming singer-songwriter Nikita Lev has released her new single “We All Die Anyway” on May 15. This single comes in the leadup to a new EP and her first European tour in the fall.
Lev’s musical instincts began at a young age. Coming from a family of chamber musicians, music surrounded Lev since childhood. As a result, during her youth on the Upper West Side of Manhattan, she quickly picked up piano and flute.
Nikita Lev
By the time her family relocated to Westchester, she had learned guitar and begun writing songs. Lev says “I always know what I’m going to say first and the melody comes later,” using her musical chops to back up her deep lyrical narratives. To date, Lev has written over 200 songs that are “evocative, relatable, universal, yet ambiguous.”
Lev’s music has quickly gained renown from both radio and print media. Her debut single “Elegance” was highlighted by both SiriusXM and MTV’s Spankin’ New. Additionally, publications like the LA Music Review and Earmilk have showcased Lev’s songs.
Her new single “We All Die Anyway” is a highlight of the indie folk genre. Lev is accompanied by gentle fingerpicked guitars, trip-hop influenced drums and eerie synths. This dreamy instrumentation backs up Lev’s soft, emotional vocals and mature lyricism. The song tackles a relationship gone cold, and the feelings that accompany having to leave someone you cared about. Her meaningful and clever songwriting is reminiscent of indie icons like Lana Del Ray, and Phoebe Bridgers.
This single comes just after her May 10 release of the music video for “Now I Think Of You Unspeakably.” The song’s lyrics touch on the pains of being in love with someone who does not feel the same. Driving drums and growing distorted guitars back up the song’s heavy lyricism, adding an edge to the acoustic instrumentation. The video features Lev dancing around a bonfire in a winter scene. Its atmosphere matches with the instrumentals and lyrics that all aid in a simultaneously warm yet icy feeling. Michael Rees directed the video, following collaborations with Charli XCX and The Kid LARoi.
This new single is just the start of a busy Summer and Fall for Lev. Later this year, she will release her first EP, titled Clearly Misunderstood. The EP’s songs will tackle the theme of the conflict between adult responsibilities and youthful independence. In November, Lev will depart for Europe for a tour stopping in Berlin and Vienna.
For more information, visit Nikita Lev’s website here.
This September, author Daniel Rachel will stop in Manhattan and Saugerties to celebrate the US release of his book Too Much Too Young. Akashic Books will release the British best-seller for American audiences on June 4th.
Too Much Too Young: The 2 Tone Records Story is a definitive history of the British Ska scene of the 1970s and 80s. The book discusses Ska’s Caribbean island origins, and how British Youth conquered the airways with it throughout the 1980s. This 2 Tone scene was a multi-racial movement using ska as a vehicle to fight racism, right wing extremism and other social issues of Thatcher-era England.
Rachel’s book is a modern classic of music history, receiving praise from critics and musicians alike. The book features interviews with members of legendary ska groups, like The Beat, Madness, and The Specials, giving it a very grounded, informative and intimate feeling. Additionally, the book features an introduction by Pauline Black, lead singer of the 2 Tone band The Selecter.
A brilliant book and a fitting account of one of British culture’s most epochal moments.
Nothing is left out of this definitive book.”
– The Wire
Before his writing career, Rachel had a fruitful music career. He began as lead singer of the Birmingham Britpop group Rachels Basement, before launching a successful solo folk-pop career. Since 2013, Rachel has focused on his writings, which have covered topics throughout British music history. Whether they are about Ska, Britpop or David Bowie, his books have garnered much critical praise. Too Much Too Young has been especially successful, being named book of the year by The Sunday Times, Louder Than War and many other publications.
To celebrate the release of his book in the US, Rachel is planning a cross-country book tour. The tour is set to begin on August 23 in Los Angeles, featuring an interview with Specials guitarist Lynval Golding. This book tour includes two New York locations, with stops in Saugerties and Manhattan. On Monday, September 9, the tour will stop at Saugerties’s Orpheum Theatre. On Thursday, September 12, the tour will stop at Rough Trade’s NYC store in Manhattan’s Rockefeller Center.
For more information on the book’s release and tour dates, visit the Akashic Books website here.
On a crisp April 24 evening at Bowery Ballroom, music enthusiasts gathered to witness Australian singer-songwriter Blake Rose grace the stage on his headline tour for his latest album, Suddenly Okay.
Nashville’s own Max McNown’s stripped-down set, featuring just two guitars and a harmonica, captivated the audience. While McNown’s genre is notably more country than Rose’s sound, this did not stop fans from swaying to the beat – his set quite literally set the perfect tone for the night.
Blake Rose opened his electrifying set with the energetic “Rollerblades”. An electric guitar hung around his neck as Rose went back and forth from the strings to the keys and back to the microphone. Rose’s infectious energy filled the venue, igniting an excitement among fans. The setlist was a blend of old and new, showcasing Rose’s evolution as an artist. “Dizzy”, a track familiar to many from its appearance on The Late Late Show, enraptured the audience and even involved them in clapping along to the kick drum. Transitioning seamlessly between songs, Rose treated fans to a selection of older, well-loved tracks from his 2021 project, A World Gone By, each one eliciting cheers of appreciation from the crowd.
Rose revisited older favorites as well, delighting original fans with a nostalgic trip down memory lane. It was during the latter part of the set that Rose truly connected with his audience, venturing into the heart of the crowd for an unplugged rendition of “Ordinary People”. The crowd parted as the musician adorned in just his acoustic stood on a platform to sing along with only his strings.
As the night at Bowery Ballroom reached its crescendo, Rose performed his up tempo tracks including “Suddenly Okay”, “Never Let Go” and of course the anthemic “Lost”, arguably his most beloved song. Blake Rose’s magnetic stage presence and dynamic energy was enjoyable and authentic. New York would be happy to have him again.
