Category: Brooklyn

  • Usher To Bring Nationwide “Past, Present, Future” Tour to New York 

    Usher has announced his nationwide “Past, Present, Future” tour, featuring four nights at Barclays Center on Sept. 6, 7, 9, and 10.

    The tour announcement comes just days ahead of the multi-platinum-selling artist to headline the Apple Music Super Bowl LVIII Halftime Show on Feb. 11 at Allegiant Stadium in Las Vegas. 

    With the new tour dates, Usher will also release his ninth studio album titled Coming Home on February 9. Coming Home is the singer’s first solo album in nearly eight years since Hard II Love (2016) and his first studio album in six years since A (2018), marking the longest gap between the two albums. The album will be his first independent album and will feature collaborations with Burna Boy, Summer Walker, 21 Savage, Latto, The-Dream, H.E.R, Pheelz, and Jungkook from BTS.

    The “Caught Up” singer first released his self-titled debut album in 1994 at the age of sixteen and rose to fame in the late 1990s following the release of his second album My Way (1997). His third album, 8701 (2001), saw continued success with the number-one singles “U Remind Me” and “U Got It Bad”, as well as the top-three single “U Don’t Have to Call”. It sold eight million copies worldwide and won the artist his first two Grammy Awards as Best Male R&B Vocal Performance in 2002 and 2003. 

    In addition to music, Usher has made numerous TV and film appearances, including as a Guest judge on Star Search in 2003 and also the iconic cameo as himself in the 2019 film Hustlers directed by Lorene Scafaria. He holds an entire strip club in his thrall, his song “Love in the Club” playing as he lavishes attention on the dancers. His 2022 NPR Tiny Desk Concert gained over 20 million views, making it one of the series’ most popular installments.

    Since he made his professional debut, Usher has achieved nine No. 1 singles and released eight studio albums. His 2004 hit track “Confessions Part II” was crowned by Rolling Stone as the “best R&B song of the 21st century.” His 2004 album Confessions, achieved the highest certification from the Recording Industry Association of America, Diamond, as it surpassed 10 million sales in 2008, which made him the first and last R&B artist since Stevie Wonder, whose 1976 album Songs in the Key of Life was certified in 2005, to receive this distinction. He’s also the last Black artist in any genre to achieve this.

    Tickets for his “Past, Present, Future” Tour will begin on February 7. Additional pre-sales will be available  throughout the week ahead of the general on-sale beginning on February 12 at LiveNation.com

    Usher: Past Present Future North America Tour Dates:

    Tue Aug 20 – Washington, DC  – Capital One Arena

    Wed Aug 21 – Washington, DC  – Capital One Arena ADDED DATE

    Fri Aug 23 – Baltimore, MD – CFG Bank Arena ADDED DATE

    Sat Aug 24 – Baltimore, MD – CFG Bank Arena

    Tue Aug 27 – Boston, MA – TD Garden

    Wed Aug 28 – Boston, MA – TD Garden ADDED DATE

    Fri Aug 30 – Philadelphia, PA – Wells Fargo Center

    Sat Aug 31 – Philadelphia, PA – Wells Fargo Center ADDED DATE

    Mon Sep 02 – Toronto, ON – Scotiabank Arena

    Tue Sep 03 – Toronto, ON – Scotiabank Arena

    Fri Sep 06 – Brooklyn, NY – Barclays Center

    Sat Sep 07 – Brooklyn, NY – Barclays Center

    Mon Sep 09 – Brooklyn, NY – Barclays Center ADDED DATE

    Tue Sep 10 – Brooklyn, NY – Barclays Center ADDED DATE

    Thu Sep 12 – Detroit, MI – Little Caesars Arena

    Fri Sep 13 – Detroit, MI – Little Caesars Arena ADDED DATE

    Tue Sep 17 – Denver, CO – Ball Arena

    Wed Sep 18 – Denver, CO – Ball Arena ADDED DATE

    Sat Sep 21 – Los Angeles, CA – Intuit Dome

    Sun Sep 22 – Los Angeles, CA – Intuit Dome

    Tue Sep 24 – Los Angeles, CA – Intuit Dome ADDED DATE

    Wed Sep 25 – Los Angeles, CA – Intuit Dome ADDED DATE

    Sat Sep 28 – Oakland, CA – Oakland Arena

    Sun Sep 29 – Oakland, CA – Oakland Arena

    Fri Oct 04 – Dallas, TX – American Airlines Center

    Sat Oct 05 – Dallas, TX – American Airlines Center ADDED DATE

    Mon Oct 07 – Austin, TX – Moody Center ATX

    Tue Oct 08 – Austin, TX – Moody Center ATX ADDED DATE

    Fri Oct 11 – Miami, FL – Kaseya Center

    Sat Oct 12 – Miami, FL – Kaseya Center

    Mon Oct 14 – Miami, FL– Kaseya Center ADDED DATE

    Thu Oct 17 – Atlanta, GA– State Farm Arena

    Fri Oct 18 – Atlanta, GA – State Farm Arena

    Sun Oct 20 – Atlanta, GA – State Farm Arena ADDED DATE

    Tue Oct 22 – Charlotte, NC – Spectrum Center

    Wed Oct 23 – Charlotte, NC – Spectrum Center ADDED DATE

    Fri Oct 25 – St Louis, MO – Enterprise Center ADDED DATE

    Sat Oct 26 – St Louis, MO – Enterprise Center

    Mon Oct 28 – Chicago, IL – United Center

    Tue Oct 29 – Chicago, IL – United Center

    Thu Oct 31 – Chicago, IL – United Center ADDED DATE

  • Lucius Wraps up “Wildewoman” Anniversary Tour in Brooklyn

    On Saturday, February 3, 2024, Lucius returned home to a sold-out crowd at Brooklyn Steel. At the grand finale of their highly anticipated “Wildewoman, The Anniversary Tour,” fans poured into the venue with palpable enthusiasm. Opening act Jeff Taylor kicked off the festivities, setting the stage for the iconic duo’s entrance.

    lucius Wildewoman

    Originating from Brooklyn, Lucius, the indie band and songwriting duo composed of Jess Wolfe and Holly Laessig, curated a series of select shows to commemorate the album’s tenth anniversary that catapulted them to stardom. Returning to their roots in the city where it all began, the night held special significance for the band and their devoted fans. With multiple critically acclaimed albums under their belt and collaborations with esteemed artists such as Harry Styles, Roger Waters, and John Legend, Lucius has solidified their place in the music industry.

    With vibrant hues and bold colors, the audience matched the band’s dynamic energy as the lights dimmed. The anticipation had almost reached a breaking point before they stepped out onto the stage. Made more magical by a beautiful set design, mirrors enveloping the band and reflecting back out onto the audience, the connection between the audience and the band was undeniable as the beginning notes rang out. The evening featured an array of highlights that included a special sit in by long time friend and collaborator, Louis Cato. The band also took time to read aloud letters from fans, each one recounting the impact of their music on their lives. The band played through “Wildewoman” in its entirety, interweaving a few other special songs into the setlist.

    Taking an immersive turn, Lucius ventured into the crowd for their encores, symbolizing the evening’s themes of unity and celebration. Amidst the audience, they delivered an emotionally charged rendition of “Two of Us On The Run” and a fitting Beatles cover of “Goodbye.” As the evening concluded and the band navigated back through the crowd, a sense of nostalgia intertwined with excitement lingering for Lucius’ next move.

    Setlist: Woman, Right Down the Line, Wildewoman, Turn It Around, Go Home, Tempest, Hey Doreen, Nothing Ordinary, Housewarming, Dusty Trails, Until We Get There, Wild Heart, Dont Just Sit There, Stranger Danger, Ice Cream, Monsters, It Doesn’t Matter Anymore, Wonderful, How Loud Your Heart Gets, Genevieve

    Encore: Two of Us on the Run, Goodbye

  • The Massive Memoir From a Glorious Star, “My Name Is Barbra”

    “You knew instantly that she was an original,” Alan Bergman. For those who have waited a lifetime for this memoir, it was worth it. For all who were uncertain it would ever happen, arriving just before holidays 2023, finally in her own words, Barbra Streisand sets the record straight on her private and public life in My Name is Barbra.

    The EGOT winner chronicles her 60 year career with honesty, poignancy, humor and questioning. Her achievements have made her legendary, which includes 46 GRAMMY nominations.

    barbra streisand

    In addition to her fabulous music career, Barbra Streisand was also the first woman to write, produce, direct and star in a major motion picture. She is also the only recording artist in history earning number one albums over six decades.

    New York is where it began, growing up in Brooklyn, on to Catskills summer camp which she hated, Summer Stock at Malden Bridge Playhouse at 15, the Cecilwood Theatre in Fishkill, then her beginnings in New York Nightclubs. Later on with success, Hello Dolly! would film scenes in West Point and Garrison, then scenes from The Way We Were were shot in Schenectady

    Singing as a start, was a way to earn a living. Early on, success came from the musical and film versions of Funny Girl.

    From her early career and throughout it, Barbra Streisand’s talents were often overshadowed by society’s labels pertaining to beauty and unfair comments directed towards her. She serenely handled this and carried on with creativity, not letting it defeat her. Thankfully by the time she reached twenty, some would refer to her looks as “pharaonic” “Nefertiti” and “Babylonian Queen” appreciating the beauty that she so obviously had in addition to her immense talent and drive.

    barbra streisand
    The cover of My Name is Barbra

    As she mentions straightaway beginning the memoir, the negativity pertaining to her appearance was disheartening. As she also points out, it would stick with her throughout her career.

    She had been asked to write her memoir for so long, finally deciding it was time to set things straight and correct any misconceptions lingering about her.

    Her memoir is an inspiration to anyone that doubts following their dreams, because success “actually makes you more of who you really are” she states.

    Like with so many talented and creative people, perhaps Barbra Streisand’s journey into music and theater stemmed from early dissatisfaction with everyday life being unfulfilling. At 14, journeying into Manhattan seeing marquees everywhere showed her seemingly “endless possibilities.”

    Movies showed her a world “so much more vivid and alive than anything I was experiencing.” Barbra recalls the excitement of her first play Teahouse of the August Moon at Malden Bridge Playhouse where she performed with her best friend. She refers to that time as a “glorious summer.”

    A local newspaper gave her performances great reviews, bolstering her confidence. Not unlike Ella Fitzgerald, she declared on the playground that one day she would be famous.

    It was in the Catskills at 13, that her mother was told about a studio where you could make your own record; Barbra and her mother would then go to Nola Studios in December 1955 to do that. She recalls how inspirational that experience was for her. One of the memoir’s themes is that of honesty. 

    Barbra Streisand gives us a compelling glimpse into the creative process of her movies and albums, her journey from struggle to star, along with personal anecdotes on her friendships and romances. Life includes loss, and loss is another of the memoir’s themes with what comes across as the pain of losing her father while she was so young and some of her close friends and colleagues.

    When once asked: “How do you hold a note so long?” “Because I wanted to” was her response.

    Barbra Streisand has received the American Film Institute’s Lifetime Achievement Award, the Kennedy Center Honor, the National Medal of Arts, France’s Légion d’Honneur, and America’s highest civilian honor, the Presidential Medal of Freedom. She founded The Barbra Streisand Women’s Heart Center at Cedars-Sinai, raising awareness for more research into women’s heart disease.

    The Streisand Foundation, which she established in 1986, has supported national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues, and nuclear disarmament. In 2021 she launched the Barbra Streisand Institute at UCLA, dedicated to finding solutions to the most vital social issues. 

  • Coachella 2024 Lineup Includes 5 NY Artists, Lana Del Ray to Headline

    Coachella’s 2024 lineup will include five artists from New York between all three days of both weekends. Among these artists includes Lana Del Rey, who also headlines the festival along with Tyler the Creator and Doja Cat.

    Lana Del Rey, born in Manhattan, will be the opening performer on Friday, April 12 and 19. The Bronx native Ice-Spice and Brooklyn-based indie-pop band The Drums will perform at the festival on Saturday, April 13 and 20. Performers on Coachella’s final nights include Brooklyn-born Bebe Rexha and rock band Taking Back Sunday from Long Island.

    Cover of Lana Del Rey’s latest album, Did You Know There’s a Tunnel Under Ocean Blvd. Credit: YouTube Music.

    Grammy-nominated singer Lana Del Rey was born in Manhattan, and raised in Northern New York State. In 2005, Del Rey moved to New York City to pursue a career in the Music Industry. Her self-titled debut studio album was released in 2010, and her second studio album, Born to Die (2012), put the New York native on the map. Since then, Del Rey has released a total of nine studio albums, most recently 2023’s Did You Know There’s a Tunnel Under Ocean Blvd, and has been nominated for and won several awards. Currently, the singer is up for four Grammy Awards at the 2024 Ceremony, including Album of the Year and Best Alternative Music Album for her latest release.

    Ice Spice during an Interview discussing a collaboration with Nicki Minaj. Credit: Billboard.

    Born and raised in the Bronx, rapper Ice Spice is a young and emerging artist in the music industry, and this year will be her first time performing at the Coachella festival. Her debut extended play, Like, was released in 2023, and her debut studio album, Y2K, is due for release this year. The rapper also collaborated with English singer and record producer on the song “Boy’s a Liar.”

    Jonathan Pierce, founder and last remaining member of The Drums. Credit: Bandcamp

    Indie pop band The Drums was initially formed in 2008, by Jonathan Pierce and Jacob Graham as Goat Explosion, and later added Adam Kessler and Connor Hanwick. Graham exited the band in 2016, and since then Pierce has operated The Drums as a solo project. The Drums’ self-titled debut album was released in 2010. Since then, The Drums’ has released six albums, most recently Jonny (2023.)

    Cover of Bebe Rexha’s third studio album, Bebe. Credit: beberexha.com

    Brooklyn native Bebe Rexha first found success as a songwriter, with credits on Eminem’s single “The Monster” as well as other songs for Shinee, Selena Gomez, and Nick Jonas, among others. Her debut studio album, Expectations, was released in 2018, and was preceded by its lead single “I’m a Mess.” One week before the release of Expectation, Rexha performed live 2018 Summer Jam Music Festival, the same day on which “I’m a Mess” was released. Since then, she has released three albums, most recently 2023’s Bebe, and has been nominated for and won several awards.

    The Members of Taking Back Sunday, from left to right: Mark O’Connell, Jesse Lachey, Shaun Cooper, and Adam Lazzara

    Taking Back Sunday was formed in November 1999 by guitarists Eddie Reyes and Jesse Lachey in the Long Island town of Amityville. The band is currently made up of four members, John Nolan (lead guitar, keyboards, vocals,) Adam Lazzara (lead vocals,) Mark O’Connell (drums, percussion,) and Shaun Cooper (bass guitar.) Their debut studio album, Tell All Your Friends, was released in 2002, and their eighth and most recent work, 152 (2023,) was their first studio in seven years since 2016’s Tidal Wave.

    Visit the Coachella website for tickets. Read the full 2024 Coachella Music and Arts Festival lineup below, which includes five artists from New York.

    Friday, April 12 and 19:

    Lana Del Rey

    Adriatique

    Anotr

    Anti Up

    Ateez

    Ateez

    Ben Sterling

    Bizarrap

    Black Country, New Road

    Blond:ish

    Brittany Howard

    Chappell Roan

    Chloe

    Cimafunk

    Cloonee

    Clown Core

    Deftones

    Eartheater

    Everything Always

    Faye Webster

    Gorgon City

    Innellea

    Justice

    Ken Carson

    KEN CARSON

    Kevin De Vries x Kolsch

    Keyspan

    Kokoroko

    L’imperatrice

    Late Night Drive Home

    Lil Uzi Vert

    Lovejoy

    Mall Grab

    Miss Monique

    Narrow Head

    Neil Frances

    Peggy Gou

    Peso Pluma

    Sabrina Carpenter

    Sid Sriram

    Skepta

    Skin On Skin

    Son Rompe Pera

    Steve Angello

    Suki Waterhouse

    The Beths

    The Japanese House

    TInashe

    Tyla

    Upchuck

    Yoasobi

    Young Miko

    Saturday, April 13 and 20:

    Bar Italia

    Bleachers

    Blur

    Blxst

    Brutalismus 3000

    Charlotte De Witte Presents Overdrive

    Depresion Sonora

    Destroy Lonely

    Dom Dolla

    Erika De Casier

    Flo

    Gesaffelstein

    Girl Ultra

    Grimes

    Hatsune Miku

    Ice Spice

    Isoknock

    Jon Batiste

    Jungle

    Kenya Grace

    Kevin Abstract

    Kevin Kaarl

    Kimonos

    Le Sserafim

    Mahmut Orhan

    Mandy Indiana

    Maz

    Militarie Gun

    Oneohtrix Point Never

    Orbital

    Palaca

    Palaca

    Patrick Mason

    Purple Disco Machine

    Rate

    Rebuke

    Reinier Zonneveld

    Saint Levant

    Santa Fe Klan

    Skream & Benga

    Spinall

    Sublime

    The Adicts

    The Aquabats

    The Blessed Madonna

    The Drums

    The Last Dinner Party

    The Red Pears

    Thuy

    Tyler the Creator

    Will Clare

    Young Fathers

    Âme X Marcel Dettmann

    Sunday, April 14 and 21:

    88 Rising Futures

    Adam Ten X Mita Gami

    Anyma

    AP Dhillion

    Artbat

    Atarashii Gakko!

    Barry Can’t Swim

    BB Trickz

    Bebe Rexha

    Bicep Presents Chroma

    Boy Harsher

    Carin Leon

    Carlita

    Coi Leray

    DJ Seinfeld

    DJ Snake

    Eddie Zuko

    Eli & Fur

    Feeble Little Horse

    Flight Facilities

    Folamour

    Hermanos Gutierrez

    J Balvin

    Jhene Aiko

    JJUUJJUU

    Jockstrap

    John Summit

    Joplyn

    Khruangbin

    Latin Mafia

    Lil Yachty

    Ludmilla

    Mdou Moctar

    Nav

    Olivia Dean

    Renee Rapp

    Taking Back Sunday

    Tems

    The Rose

    Tita Lau

    Two Shell

    Victoria Monet

    YG Marley

  • Brooklyn In Focus: The Forefront of American Music and Art Culture

    The music and art scenes in Brooklyn hold a rich and diverse history that plays a fundamental role in shaping American music culture. Music and art cohesively work together to display emotion, purpose and influence one medium on the other, with the ability to connect communities of people from different backgrounds and cultures through audio and visual languages. Brooklyn’s music and art scenes bring unify the borough with diversity, a melting pot and continually at the forefront of American culture.

    The West Indie Day Parade

    Now, and in decades prior, music and art have become a way of life to the rhythm of Brooklyn, one that is kept alive and running by successive generations of immigrants and transplants from across the world and nation. The power of creativity is not just about entertainment, but about sparking a community to create change, awareness, freedom and unity, becoming a culture that exists as a city’s heartbeat.

    The culture of art exploded in the early 1980s from street art, which put the spotlight on local talent, including TAKI 183 who entangled the graffiti movement, highlighting the power of making a statement and pushing extensive boundaries. In the 2000’s, the Brooklyn art scene got hotter with the digital age and the use of technology as a tool to present digital born art, increasing our understanding of unique characteristic features. Artists began collaborating and the rise of art hubs allowed for universal creativity. Today, art in Brooklyn is accessible and continually celebrated.

    Music records the collective and diverse history of Brooklyn, spanning across genres and generations. In the 1920‘s, jazz became the central sound, evolving and influencing numerous genres to this day. By the 1960s and 70s, the borough became a hub for soul, funk and R&B, and by the 1990’s, the growth of hip hop culture continues national influence today. By the 21st century, the rise of music festivals including BRIC, Afropunk, Brooklyn Folk and Brooklyn Hip-Hop festivals – as well as dozens of cultural and smaller music festivals, parades and events – continuing to bring the borough together through all walks of life.

    The West Indie Day Parade

    The West Indian Day parade has become one of New York’s major cultural celebrations and takes place on Labor Day to parade down the eastern parkway. West Indian culture trace their ancestors back to the Caribbean, where the island takes pride in multifaceted colorful dances, parties, and annual carnival celebrations.

    With vibrant sequins and feathers, the parade highlights an extraordinary range of people and places that show all walks of life and the importance of unity. Caribbean art has become a diverse reflection of culture, seen in their costumes and elaborate face masks in a wide variety of styles inspired by natural and spiritual cohesive elements. The colorful traditions of Carnival and rich presentation of cultural identity has a boundless impact on the art that emerges through the historical parade that showcases pride, heritage, culture and the importance of identity.

    Cultural identity has served as a catalyst for artistic expression, defined by music and art, allowing artists to explore their roots and traditions that serve as an intertwined visual language, creating a narrative that speaks to people of all ethnicities, religions and backgrounds.  Not only does the West Indian Day parade attract a community for the annual celebration, it celebrates a bigger purpose of honor, respect, and support from the borough.

    The Brooklyn Record and Arts Fair

    The Brooklyn Flea Record and Art Fair – held on Saturday, September 30, 2023 at the Marsha P. Johnson State Park – celebrated 12 years of vinyl treasures with over 40 labels, record stores and collectors. The impact and resurgence of vinyl records on the music industry has revolutionized the creation of music, distribution, consumption, and ultimately helped acknowledge the value of the music community. Vinyl allowed music to become more accessible, enabling a visually captivating and engaging representation that highlights a deeper appreciation for the overall experience of music. 

    The record fair celebrates the unity of both mediums, a way for people of all ages to come together to see vendors that also value the evolution of music over the ages. Including alternative, indie, rock, metal, jazz, classical, pop, blues and much more. Artists and music enthusiasts come together to appreciate the tangible experience of holding a physical record that connects them to the roots of music, enhancing the auditory experience that keeps the love for music alive. 

    Art and music go hand in hand, sharing a relationship that evokes an emotional response and involves elements of rhythm, harmony and texture that coexist with one another. Music and art are tools for communication, ingrained into the fabric of our society, our relationships and can be understood universally beyond culture and language.

    The harmony between the two share narrative moments, they inspire and influence one another, that create a unique dynamic that allows music and art to become part of the culture. Art and music share an intertwining relationship that cohesively evokes emotions, community and promote creativity. Building a culture as seen in Brooklyn permits an exploration of identity, communication and reflects symbiosis between the two art forms.

  • Monarch Releases Cathartic Rock Single “If You Ask Me”

    monarch’s If You Ask Me is unapologetically raw, with a refreshing theme of self-ownership. The clear-cut language adds intensity to the song’s powerful message- stressing the resistance to give in to outside influence or control.

    monarch if you ask me
    Photo by, @pawprints777 on Instagram

    Lyrically, the song takes us to the aftermath of boundary-pushing chaos in a compelling way. The relationship between the lyrical skill and instrumental intensity elevates the overall experience that the song brings. 

    Based in Brooklyn, rock group monarch formed in 2021. This spirited band has always gone beyond the limits of musical expression, captivating audiences with their powerful performances. With a reputation for powerful live performances, this group is a noteworthy act that will leave a mark on the local music scene. Monarch has plans to take the stage all over NYC in 2024 and amaze a wide range of audiences with their electrifying energy. 

    Sarah hopes the song lyrics and feel can bring comfort to those who can, regrettably, relate to this kind of circumstance. The song should also let listeners know that “they’re not alone in the feeling of feeling taken advantage of”. Sarah adds, “I had trouble writing a song of this essence, our music isn’t typically ‘angry’ in this sense, so I had trouble at first going into that headspace. Although it is part of my story, we created a powerful song out of it.”

    “I wrote the lyrics for this song after the countless times someone has crossed my boundaries, made me uncomfortable, someone being too touchy etc. On the other hand you shouldn’t have to teach someone how to respect people and their space.”

    -Sarah Michelle Lee (Vocalist)

    If You Ask Me is more than just a song; it’s an experience that guides listeners to a place where chaos and order clash. 

    Discover more from monarch here.

  • A Night of Glam and Groove with Baby Tate at Baby’s All Right

    Wednesday, January 24, intimate Brooklyn venue Baby’s All Right turned into a wild, fun, vibrant showcase of rap, R&B and Jersey club music. Serving as the first New York stop of her Sexploration Tour, Baby Tate pulled out all the stops to make sure this was one of her best shows yet.

    Cookie Kawaii’s infectious beats at 10 PM set the perfect tone, as the crowd danced and sang along, creating an electric atmosphere that intensified throughout the night.

    At 10:45 PM, DJ Sky Jetta took over the turntables, smoothly transitioning energy between acts. The venue transformed into a pulsating dance floor, with attendees fully immersed in the music.

    The long-awaited moment unfolded at 11 PM when Baby Tate graced the stage, treating the audience to hits like “Hey Mickey!”, “Grip,” and “I Am.” Her vibrant performance showcased undeniable talent, and the room surged with energy as fans showered her with appreciation.

    Baby Tate

    In a surprising and delightful twist, Baby Tate brought out drag performers during intermissions, adding an extra layer of glamour and entertainment. The synergy between the performers and the crowd was magical, creating an inclusive space for everyone to express themselves freely.

    As the night unfolded, the venue metamorphosed into a glittering wonderland, the audience enthusiastically embracing the interactive elements of the show. Excitement filled the air, and the atmosphere exuded pure joy and celebration.

    Baby Tate

    Baby Tate’s Baby Tate’s Sexploration Tour at Baby’s All Right was a triumph of music, self-expression, and community. Energetic performances and drag interludes etched unforgettable moments into the memories of attendees. Brooklyn pulsated with the spirit of Baby Tate, embodying her bold, vibrant artistry.

    Visit Baby Tate’s official website for more details about her ongoing tour.

    https://www.youtube.com/watch?v=D0eNOYDoci0
  • Boojum Go Through the Looking Glass for Debut Performance

    The New York City psychedelic rock scene gained a formidable new entrant when Brooklyn-born Boojum took the stage for their first-ever show on Saturday, January 20.

    Performing at the combination music venue/recording studio at Brooklyn’s Firstlive, the four-piece band of Chris Mackin (guitar/vocals), Josh Santiago (guitar/vocals), Sarah Elaz (bass/vocals), and Dan Shein (drums) debuted twelve original songs, with lyrics by poet and translator Tom Mackin. 

    Boojum was born out of a unique one-night-only event at New York’s Brooklyn Bowl that saw Elaz join the Beatles jam band Walrus (Mackin, Santiago and Shein) for a performance inspired by Lewis Carroll’s Alice in Wonderland. Refining that original music and doing away with the theatrical trappings of the “Walrus in Wonderland” show, Boojum’s debut was musically focused, showcasing a creative abundance across an inspired two-sets that kept attendees rapt with refreshing original jams. 

    While the strength of Tom Mackin’s songwriting was apparent when the audience insisted on an unprompted call-and-response during “Vanish Away,” the highlight of the evening was the original “The Mouse.” This bass-driven funky groove led the audience into a fist-pumping “Oysters” to close the first set. When the band retook the stage attendees were treated to another series of originals, peaking with the grooving “Looking Glass House.”

    The full technical capabilities of Firstlive were also on display Saturday night, with Boojum not only leaning into the jam-scene trend of offering a multi-camera live stream of the show but also using the performance to begin recording an inaugural live album.

    In recording their debut EP live, Boojum heightened the atmosphere with added excitement for attendees. The decision to eschew the controlled environment of a studio for the spontaneity and vibrancy of a live performance demonstrated confidence in craft and a belief in the power of the band’s live presentation. 

    Boojum’s debut performance is sure to leave a lasting impression when the inaugural show turns into a full album this spring. Their next performance is at The Sultan Room on March 16. The show will feature dancers, visuals, and guests with the band performing wonderland inspired songs from their forthcoming EP and more. Tickets are on sale now.

    Boojum – Firstlive, Brooklyn – January 20, 2024

    Set 1: Cheshire Cat, Vanish Away, Pig Baby , Vorpal Blade, The Mouse > Oysters 

    Set 2: Mr W. Rabbit > Snark 1, Looking Glass House > Sundial, Caterpillar Hookah

    Encore: Mad Tea Party

  • Magic City Hippies Perform at the Brooklyn Bowl for Winter Tour

    On Thursday, January 18, Miami’s alternative funk band Magic City Hippies performed at the Brooklyn Bowl in continuation of their ongoing winter tour featuring opening artists, The Palms and Josh Fudge.

    magic city hippies

    The Palms formed in Los Angeles in 2015, and have become commendable in today’s independent musical landscape. Some of their top hits include “Breakin’ Up,” “Push Off,” and “All4you,” from their 2016 EP Sway.

    Josh Fudge is an Oklahoma-born multi-instrumentalist who mixes modern vibrancy with alternative indie-pop that feels nostalgic. He is able to bring people together and creates an intimate, homegrown sensation throughout the crowd.

    magic city hippies

    Magic City Hippies are originally from Miami and first dubbed themselves Robby Hunter Band before being renamed back in 2015. They began self producing in 2013 when their first self-titled EP was released. Over the years, their sound has evolved while utilizing loop pedals and incorporating elements of electronic indie rock with a strong emphasis on groove.

    The band consists of lead vocalist and guitarist Robby Hunter, drummer Pat Howard, and guitarist John Coughlin. Some top hits include “Limestone” and “Fanfare” from the Hippie Castle EP and “Queen” and “Water Your Garden” from most recent album Water Your Garden.

    magic city hippies

    Overall, their energetic live performance put on quite the show, blending a mix of psychedelic pop and funk groove while receiving both fan and critical attention during their musical success. Thursday night saw a youthful exchange between the artist and the crowd, cementing a memorable fifth night as part of their winter tour. MCH’s next pit stop is in Boston as we look forward to seeing what’s in store for the  band’s evolution in the psych-funk music scene. 

  • Umphreys McGee (Brooklyn) Steels The Show

    On Thursday, January 19, Umphrey’s McGee made a triumphant return to New York with the kickoff of a two-night run at Brooklyn Steel. As part of their 2024 tour, the versatile band took the stage amidst a buzzing crowd eager for a musical journey.

    Originating from South Bend, Indiana, Umphrey’s Mcgee has built a devoted fanbase in New York. They make frequent stops all over New York State – nearly every year in January, plus festival appearances – and it’s easy to see why. Early in the set, they dedicated a song to a friend in attendance celebrating their impressive 515th show. 

    The audience, unassuming yet in sync with the band’s vibe, engaged with each other while maintaining palpable excitement, with all eyes fixed on the stage. Opening with the crowd pleaser, “There’s No Crying In Mexico,” the night unfolded with a diverse array of songs and sounds, showcasing Umphrey’s Mcgee’s unique interpretation of the “jam band” concept. From psychedelic to progressive to punk, they seamlessly navigate various musical styles, demonstrating an undeniable chemistry among the bandmates.

    The second set started with an electrifying cover of LCD Soundsystem’s “Tribulations” and concluded with a playful nod to Tenacious D’s “Kielbasa.” After leaving the stage, the band returned for an encore, bidding the audience farewell until the following night at Brooklyn Steel, followed by another one at Brooklyn Bowl. Their journey continues nationwide until the end of April, promising more musical adventures to fans across the country.

    Setlists via All Things Umphrey’s

    Umphrey’s McGee – Brooklyn Steel – January 19, 2024

    Set 1: There’s No Crying In Mexico > 40’s Theme, Half Delayed > 1348 > Hourglass, Get In The Van, Sociable Jimmy, Seasons > 1348

    Set 2: Tribulations > Nothing Too Fancy > Cemetery Walk > Cemetery Walk II, Rocker Part 2, Ringo > Kielbasa-> Ringo[1]

    Encore: The Weight Around > Nothing Too Fancy

    [1] with Kielbasa (Tenacious D) tease

    Umphrey’s McGee – Brooklyn Steel – January 20, 2024

    Set 1: You Got the Wrong Guy > Pure Saturation > The Floor, Red Tape, Night Nurse > Bridgeless > Glory, Let’s Dance

    Set 2: Escape Goat > Out of Focus, Staircase, The Silent Type, Push the Pig[1] > Puppet String

    Encore: The Linear[2] > Bridgeless

    [1] with Jake on keys
    [2] with Sailing (Christopher Cross) quotes

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