With his newest EP “look at me but through me” set to release on April 5, Brooklyn’s electronic sensation Bad Tuner is back with a bang.
Photo by Anna Koblish
With NPR Music comparing him to the legendary Daft Punk, it’s understandable why excitement for this release is high. The six tracks on the EP offer a different window into Bad Tuner‘s world. There is something for all fans of electronic music, ranging from glitchy hyper-pop flares to gritty and booming 90s Big Beat sounds, with samples from all over the world.
“Maybe so,” the second track, offers us a preview of Bad Tuner’s impressive abilities. The track is an instant hit on the dance floor thanks to its breakbeat drums, rhythmic piano riff, repeating bell lead, and a sampled Soukous Congolese vocal. Bad Tuner says, “I wanted a song that would evolve into absolute chaos towards the end. I tried a few different arrangements of the song, landing on this one.”
Bad Tuner is no stranger to success, having gained recognition from notable figures in the industry such as Pete Tong and making waves on BBCRadio1. With sold-out performances and tours with artists like Polo & Pan and TOKiMONSTA, he has earned his spot in the electronic music industry.
Keep an eye out for April 5 and preorder “look at me but through me.” In the meantime, crank “maybe so” and learn more about the world of Bad Tuner.
Bad Tuner’s “look at me but through me” Tracklist:
Brooklyn-based alternative/post-punk group Castle Black recently released their latest single titled, “Heart Can’t Feel.” The single is off of the band’s upcoming album, The Highway at Night.
Castle Black is an ever-evolving thunderstorm of sound on a backdrop of captivating hooks and edgy soundscapes. Castle Black draws elements from punk, post-punk, grunge, alternative and new-wave music. The band sees the release of their first full length album, The Highway at Night in June.
The single, “Heart Can’t Feel” is the second released single off the album. The group has released six EPs since 2015. Castle Black hopes to reach new heights with the release of their first full-length album.
“Heart Can’t Feel” begins with captivating chords, vocal tones, and immediate action. The song has strong influence from a band like Hole. The fierceness of the vocals, the upbeat yet grungy sound, and the song structure are very reminiscent of Hole and other alternative bands from that era.
The riffs throughout the song catch the listener right away and refuse to stay static. The track is certainly very post-punk in its vocals, grunge in its tone, alternative in its pace and instruments, with a bit of a new-wave aura to it. Castle Black does an excellent job here of crafting a catchy, punchy, and fun piece of music.
To give “Heart Can’t Feel” a listen and to learn more about the minds behind the music, click here.
Chyna Streetz loves the process. Through various life experiences she continues to learn and grow. Money comes and money goes but lost time on Earth could never be earned back. Abundantly, the hours in the studio and on tour continue to pay dividends for this NYC-based emcee.
Her latest body of work, From Hell to Chanel showcases just how far she has come since her first project in 2018. After experimenting with different sounds – Chyna now sets her sights on accomplishing feats according to her own timetable.
“Even if the wounds heal, the scars left still show.”
-Judas Kiss by Chyna Streetz & Tiona Deniece
Less worried about what others see fit for her – this artist formerly known as Chy the Empress embodies her lane in the underground East Coast hip-hop scene. Amazingly, strides from the likes of Westside Gunn and Rome Streetz have turned underground hip-hop damn-near mainstream. Label it however you wish – real rap is back on the map and Chyna Streetz pushes her pen to the forefront.
With conceptual storytelling and divine lyricism – everyone better recognize what Chyna Streetz means to hip-hop. From Hell to Chanel (entirely produced by 183rd( illuminates the struggles this woman went through. The determination to prove herself shines very brightly on this tape.
On Bernadine’s Rage she refers to herself as a, “Goddess in the likeness.” In the very next line she proclaims she is, “Tight she had to write this.” Therefore, these two lines together make for an excellent set of opening lines.
Right from the beginning of Bernadine’s Rage – she lets us know that she is a supreme being as those who have utmost confidence are recognized sooner than those who only half-step their way to the goal. Next, being ‘tight’ means she might have been upset she had to write this which portrays growth and shows that she will take any steps necessary to become the best version of herself.
New York is a Nationality
All credit due to the Empress and her efforts – the moment she transformed into Chyna Streetz drove her to become a different animal within the same beast. Spending time with her man Rome Streetz has propelled her lyricism, uplifted her stage presence and given her the bravery to use her past as a turning point for the future.
When Chyna was 17 she went away for robbery in the first degree. She served roughly six years altogether between Bayview Correctional Center and the ‘Staying Out Program’ in Manhattan. Hurricane Sandy ravaged much of Bayview Correctional Center and it is now being renovated into affordable housing.
“Rolled the dice on life and found out time cannot be bought.”
-Judas Kiss
Chyna preaches to live and maintain in the ways that work for you. Do not let outside influence or external gratification dictate the path you know you must walk. Evidently, within the core of every soul – you will find what direction you must choose. Now, take the steps to walk the road less traveled en route to fulfillment of your destiny.
Some ways in which Chyna found self-realization comes from internal strength and stepping outside of her comfort zone. Nonetheless, building confidence from within and surrounding herself with truly talented people have led her to become a difference-maker within the game.
Key Tracks: Matrimony, Sirens Lullaby, Judas Kiss
Stream her latest collection here and write the author on IG and let him know which one you’re rocking with the most.
After years of eager anticipation, the historic Brooklyn Paramount Theater reopened its doors to music enthusiasts on Wednesday, March 27, with a spectacular concert featuring reggae icons Damian and Stephen Marley. Part of their highly anticipated 2024 Traffic Jam Tour, the event delighted fans with a night of rhythm, melody, and cultural celebration.
A Brief History of the Brooklyn Paramount Theater
Originally opened in 1928, the Brooklyn Paramount Theater stood as a beacon of entertainment in the heart of New York City. With its stunning art deco architecture and state-of-the-art facilities, the theater quickly became a beloved landmark, hosting a plethora of performances ranging from live music acts to film screenings.
Like many historic theaters, the Brooklyn Paramount faced periods of decline and neglect over the years. By the late 1960s, it had ceased operations as a theater and was repurposed for various other uses, including a disco club and a basketball arena. Despite efforts to revive it, the theater remained largely dormant for decades, with its grandeur fading into memory.
The Renovation Project
In recent years, a dedicated group of preservationists and investors embarked on a mission to restore the Brooklyn Paramount Theater to its former glory. Drawing inspiration from its illustrious past, the renovation project aimed to breathe new life into the venue while preserving its historic charm.
Through meticulous restoration efforts guided by archival research and architectural expertise, the theater underwent a remarkable transformation. From refurbishing the ornate façade to upgrading its sound and lighting systems, no detail was spared in the quest to revive this cultural gem.
The Grand Reopening Concert
The reopening of the Brooklyn Paramount TheaterSetlist: was a momentous occasion, eagerly awaited by both locals and music enthusiasts from afar. And what better way to kick off this new chapter in the theater’s history than with a performance by two of reggae’s most influential figures?
Damian and Stephen Marley, sons of the legendary Bob Marley, graced the stage alongside their band, offering a mesmerizing display of their musical talent. Set against the backdrop of the newly renovated theater, the duo delighted the audience with a dynamic setlist.
The Music
Damian and Stephen Marley chose songs from their popular collection to create a setlist that pleased both longtime and new fans. They performed tunes about unity, love, and social justice, along with some catchy melodies. Some standout songs from the concert included”Welcome to Jamrock,” “Could You Be Loved,” “Exodus,” “Medication” “The Mission,” and “Rock Stone.” Each song transported the audience on a musical journey, infusing the Brooklyn Paramount Theater with the vibrant spirit of reggae and honoring the legacy of their famous father.
A Night to Remember
As the music ended and applause filled the air, it was obvious that the reopening concert at the Brooklyn Paramount Theatre was a big success. For those in attendance, it wasn’t merely a concert but rather a joyous celebration of culture, community, and the unifying power of music.
Damian and Stephen Marley – Brooklyn Paramount – Wednesday, March 27, 2024
Setlist: Big Youth – Intro, 10,000 Chariots, The Traffic Jam, So Much Trouble in the World, All Night, Pimpa’s Paradise, Still Searchin’, Tight Ship, It Was Written, Cast The First Stone, Jah Army, Medication, The Mission, Love and Inity / Punky Reggae Party, Jamming, Is This Love, Rock Stone, Road To Zion, Welcome to Jamrock, Exodus, Could You Be Loved
GRAMMY Award-winning duo Twenty One Pilots announced the details for their biggest global headline tour, The Clancy World Tour, coming to Barclays Center on Sept. 18, 2024.
The duo shared their new song “Next Semester,” from their highly-anticipated forthcoming album, Clancy, which will be released on May 17 via Fueled By Ramen. Having amassed over 33 billion streams worldwide and over three million tickets sold across global headline tours, the Columbus, OH-based duo of Tyler Joseph and Josh Dun have established themselves as one of the most successful bands of the 21st century and redefined the sound of a generation.
They even notched dozens of multi-platinum certifications and claimed a spot in the Guinness® Book of World Records. Historically, their quadruple-platinum breakout LP, Blurryface, took flight as “the first album to notch a RIAA Gold or Platinum certification for every one of its songs,” while Vessel followed suit. They are one of only 18 artists to earn multiple RIAA Diamond certifications, going Diamond with “Stressed Out” and “Heathens.” 2018’s Platinum-certified Trench extended the concept from Blurryface with the platinum singles “Chlorine,” “My Blood” and the GRAMMY Award-nominated “Jumpsuit.” They followed Trench with their Gold-certified LP Scaled And Icy, achieving “the biggest opening week for a rock album in 2021” by capturing #1 on the Billboard Top Rock Albums and Top Alternative Albums charts and crashing the Top 3 of the Billboard 200.
Photo credit: Ashley Osborn.
Last month, Twenty One Pilots returned with news of Clancy and released the album’s lead single “Overcompensate” alongside an accompanying video. The track rocketed up the Alternative Radio chart, currently sitting at Top 5, and made a massive impact upon launch as it welcomed listeners to the band’s immersive world of Trench.
Clancy is currently available for pre-order in two limited-edition deluxe box sets, four vinyl variants with additional retailer exclusives, an exclusive CD + Journal Book and a Cassette + Photocard Wallet, and much more.
Fans can participate in an official artist presale for tickets beginning on April 2 with all remaining tickets available during the general sale at 10 AM on Friday, April 5. For tickets and complete details for Twenty One Pilots’ The Clancy World Tour visit here.
Twenty One Pilots Clancy World Tour Dates
August 15, 2024 Denver, CO Ball Arena
August 18, 2024 Salt Lake City, UT Delta Center
August 21, 2024 Portland, OR Moda Center
August 22, 2024 Seattle, WA Climate Pledge Arena
August 24, 2024 Oakland, CA Oakland Arena
August 25, 2024 Sacramento, CA Golden 1 Center
August 27, 2024 Los Angeles, CA Intuit Dome
August 28, 2024 Los Angeles, CA Intuit Dome
August 30, 2024 Phoenix, AZ Footprint Center
August 31, 2024 Las Vegas, NV MGM Grand Garden Arena
September 3, 2024 Austin, TX Moody Center
September 4, 2024 Houston, TX Toyota Center
September 6, 2024 Dallas, TX American Airlines Center
September 10, 2024 Duluth, GA Gas South Arena
September 11, 2024 Orlando, FL Kia Center
September 13, 2024 Raleigh, NC PNC Arena
September 14, 2024 Philadelphia, PA Wells Fargo Center
September 15, 2024 Baltimore, MD CFG Bank Arena
September 17, 2024 Newark, NJ Prudential Center
September 18, 2024 Brooklyn, NY Barclays Center
September 20, 2024 Boston, MA TD Garden
September 25, 2024 Montreal, QC Bell Centre
September 27, 2024 Toronto, ON Scotiabank Arena
September 28, 2024 Cleveland, OH Rocket Mortgage FieldHouse
September 29, 2024 Detroit, MI Little Caesars Arena
October 1, 2024 Chicago, IL United Center
October 2, 2024 Chicago, IL United Center
October 4, 2024 Columbus, OH Nationwide Arena
October 5, 2024 Columbus, OH Nationwide Arena
October 8, 2024 Indianapolis, IN Gainbridge Fieldhouse
October 9, 2024 Nashville, TN Bridgestone Arena
October 10, 2024 St. Louis, MO Enterprise Center
October 12, 2024 Minneapolis, MN Target Center
November 17, 2024 Auckland, NZ Spark Arena
November 19, 2024 Melbourne, AU Rod Laver Arena
November 21, 2024 Brisbane, AU Brisbane Entertainment Centre
Award-winning artist Maxwell has announced The Serenade North American tour which will make a stop at Barclays Center in Brooklyn on September 25, and at Prudential Center in Newark, on October 6
Over the course of more than 20 years, Maxwell has skillfully captured the attention of music enthusiasts by releasing five studio albums that were all well-received as gems in their own right. When the soul singer released Maxwell’s Urban Hang Suite, his highly regarded Columbia-debut in April 1996, it completely changed the genre of soul music. The singer-songwriter and record producer Maxwell, will be joined by special guest two-time Grammy winner and R&B powerhouse Jazmine Sullivan and a rising singer-songwriter October London. Maxwellâs return to the road, with the Serenade Tour marks a reunion with Jazmine Sullivan, who joined him on his Maxwell 08 Tour.
Jazmine Sullivan’s 2008 debut album Fearless, debuted at number one on Billboard’s top R&B/Hip-Hop albums chart and was nominated for seven Grammy awards, including Best R&B Album and Best New Artist. Sullivan’s natural talent to write songs that beautifully convey the experiences of so many women -especially Black women, was evident in her debut single, “Need U Bad.” Sullivan has a poetic vulnerability that gives many listeners the impression that she has been studying their journals.
Also joining the Serenade North American tour is October London, Indiana-based rising star in the music industry. London is a singer-songwriter and producer who just finished his first US tour. His engaging album The Rebirth of Marvinhonors the legendary Marvin Gaye, and the catchy track “Back to Your Place” shot to the top of the R&B radio charts and went on to dominate charts across the country, spending an incredible two weeks at the top of the iTunes R&B Soul Charts. After obtaining a contract with the legendary Snoop Dogg in 2016, October London is still breaking new ground in modern music, mesmerizing audiences with his extraordinary skill and limitless imagination.
Tickets for The Serenade Tour will go on sale on Friday, March 29 at 10 AM via musze.com
Maxwell The Serenade Tour Dates
9/14 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
9/15 – Tampa, FL – Amalie Arena
9/17 – Greensboro, NC – Greensboro Coliseum
9/20 – Hampton, VA – Hampton Coliseum
9/21 – Baltimore, MD – CFG Bank Arena
9/24 – Philadelphia, PA – Wells Fargo Center
9/25 – Brooklyn, NY – Barclays Center
9/27 – Atlanta, GA – State Farm Arena
9/28 – Birmingham, AL – Legacy Arena at the BJCC
9/29 – Nashville, TN – Bridgestone Arena
10/1 – Louisville, KY – KFC Yum! Center
10/3 – Charlotte, NC – Spectrum Center
10/4 – Washington DC – Capital One Arena
10/6 – Newark, NJ – Prudential Center
10/9 – Indianapolis, IN – Gainbridge Fieldhouse
10/10 – Chicago, IL – United Center
10/11 – Detroit, MI – Little Caesarâs Arena
10/13 – St. Louis, MO – Enterprise Center
10/16 – Memphis, TN – FedEx Forum
10/18 – Houston, TX – Toyota Center
10/19 – New Orleans, LA – Smoothie King Center
10/20 – Dallas, TX – American Airlines Center
10/23 – San Diego, CA – Viejas Arena
10/25 – Oakland, CA – Oakland Arena
10/26 – Las Vegas, NV – Bakkt Theater at Planet Hollywood
Brooklyn-based DJ Bad Tuner has shared a new rhythmic single “repeat to fade” ahead of his EP Look At Me But Through Me, set to release on April 5.
With the single release and an EP announcement, Bad Tuner has also shared that he will perform a string of live shows this spring with a live show at the Elsewhere Hall in NYC on April 19. This will be Tuner’s return to the Brooklyn’s Elsewhere rooftop as he sold out the venue in May of last year.
His new single “repeat to fade” is also accompanied with a music video directed by a Baltimore-based cinematographer Patrick Elmore. Tuner’s”repeat to fade” is an anthemic house song, with immense bass and a brutally rhythmic percussion presence that moves in sync with the seductive vocals screamed back by high-pitched harmonies. The house single is a vibrant party song ideal for those who dare to be courageous on the dance floor, with vocals that have an alien air to them, while the percussion acts as an anchor to Earth.
Tuner shows an innate sense of depth and a distinctive style all his own in his new EPLook At Me But Through Me. The six-track EP incorporates unique twists on modern conceptions of UK garage, the sleek and deceptively syncopated productions of the lo-fi house scene, and glitchy hyperpop flourishes. Each of the six tracks embrace entirely eclectic soundscapes, becoming a portal into their individual, wondrous worlds. Look At Me But Through Me EP is set to release on April 5 via Foreign Family Collective / Ninja Tune.
Tuner’s new single “repeat to fade” is available to stream everywhere. Tickets and more information for the live dates and the artist can be found here.
Bad Tuner Live Dates
April 5 – (EP Release Show) @ Listening Room, Chicago, IL
On Saturday, May 18, the Sound Mind Music Festival proudly returns to Brooklyn for its sixth year. This festival isn’t just about entertainment, it’s a powerful platform for raising awareness about mental health.
Since the beginning, this festival has been more than just a lineup of acts; it has inspired improvement and offered hope. Over the years the festival has become a must-attend occasion rooted in the belief that music has therapeutic qualities. Sound Mind Music Festival creates a safe space where music and conversations about mental health coexist harmoniously. Attendees are asked to look into the relationship between music and mental wellness through live performances, panel discussions, and interactive workshops.
Beyond the music, the festival provides a wide range of experiences meant to nourish the body and the mind. Folks can take part in mindful breathing workshops, movement and yoga classes, and a dance party with DJ sets at House of Yes. Additionally, look forward to the afterparty with DJ White Shadow at Elsewhere directly after the event.
SHAED – Photo by Cody Ackors
Moreover, the festival aims to make a difference. The proceeds will support the Sound Mind Center, crafting transformative healing experiences through music and sound.
DJ White Shadow
In essence, the Sound Mind Music Festival teaches understanding, empathy, and healing; it offers hope in a world where mental health illnesses have become more common. Get tickets here.
Multi-faceted alt rock band Slow Fiction have released their enticing new single “Monday” ahead of the band’s live performance at No Fun venue in Troy on March 27
Brooklyn based band Slow Fiction consists of five members that bring together amazing performances, distinctive songwriting and innovative vocals delivered by their lead vocalist Julia Vassallo. Their new single “Monday” is a first single from the band’s upcoming EP record Crush set to be released on May 24 via So Young Records.
Emerging within a music community shattered by lockdowns, Slow Fiction was woven together from a tapestry of friendships from hometowns and college connections. As boundaries disappeared and audiences expanded, the band became closer, utilizing the changes to play around with their content and achieve ever-greater and more powerful heights.
Inspired by the raw, sweeping fuzz of bands like Sonic Youth and The Jesus and Mary Chain, the finished composition is a sonically explosive piece of work. A familiar guitar sound from the 2000s meets cutting edge modern angst to produce a sound that is both nostalgic and enticing. The band was liberated as their confidence increased through their live performances, and they used all they had learned to start working on “a lot more cohesive and bigger sounding” project.
Slow Fiction is fast making a name for themselves as one of the most captivating and intriguing live performers coming out of New York’s thriving scene at the moment. Their new EP goes over and above to demonstrate their potential by combining nostalgic overtones with unquestionably heavy emotional content and stark realities. The band is slowly becoming one of the most intriguing artists to come out of the current music scene because of their skillful blending of personal suffering with a wide range of musical inspirations and dreamy, euphoric tones.
Following the announcement of their new EP Crush, and the release their new single “Monday” which was accompanied by a visualizer that features a footage taken out the window of a NYC subway, the band has also announce a slew of upcoming tour dates, including a stint at SXSW and shows supporting Hinds and Sprints.
To learn more about the band and pre-save their new EP, fans can visit here and Tickets for their tour can be found here.
The Ghost Club’s concert at Elsewhere, as part of “The King Whatever Tour,” was a riveting display of indie rock energy and resilience. Led by the enigmatic frontman Domenic Dunegan, the five-piece band delivered a performance that was as emotionally charged as it was musically compelling.
Despite facing a momentary setback when Domenic accidentally hit his head while standing up on the bar, he soldiered on with unwavering determination, embodying the band’s ethos of perseverance against the odds.
From the moment they took the stage, The Ghost Club commanded attention with their incisive songwriting and sharp commentary on themes of masculinity, self-reflection, and resilience. Hits like “Creature of the Shadows” and “I Feel Fine” had the crowd entranced, while live debuts of “It’s Your Call” and “I’m Sold” showcased the band’s willingness to push boundaries and explore new sonic territories.
A defining moment of the evening came during their cover of Black Sabbath’s “War Pigs,” where Domenic’s electrifying stage presence and raw emotion electrified the audience. Despite his injury, he continued to deliver a mesmerizing performance, captivating the crowd with every lyric and melody.
As the night progressed, The Ghost Club treated fans to a string of live debuts, including the poignant “If I Fell (Don’t Wait Here for Me)” and the anthemic title track “King Whatever.” Closing out the set with the haunting ballad “Don’t Let Go,” Domenic and the band left an indelible mark on everyone in attendance, proving that they are a force to be reckoned with in the indie rock scene.
Overall, The Ghost Club’s performance at Elsewhere was a testament to their resilience, passion, and unwavering commitment to their craft. Despite facing challenges along the way, they delivered a show that was both powerful and unforgettable, leaving fans eagerly anticipating their next performance.
Stay tuned for their upcoming album “King Whatever” set to release ahead of this summer!
Setlist: Creature of the Shadows, All I Know, It’s Your Call (Live Debut), I’m Sold (Live Debut), I Feel Fine, War Pigs (Black Sabbath cover), Sucker, Two Steps Ahead, If I Fell (Don’t Wait Here for Me) (Live Debut), Hate Me Too, King Whatever(Live Debut), Same Graves, Don’t Let Go
