Country-folk power couple Chaparelle gave an exciting performance on July 20 for the Woodstock community at Levon Helm Studios.
Chaparelle, fronted by singer and songwriters Zella Day and Jesse Woods, are currently on their first tour together. The two started writing music together a year and a half ago and invited producer Beau Bedford to their early sessions and announced nine tour dates on April 26. They released their first Chaparelle single, “Bleeding Hearts” on June 28.
The song reflects the classic country, slow, cowpoke sound of their homebase, Austin, Texas. The whole band is made up of Texans aside from Day who was born in Arizona, but spent most of her solo career in Los Angeles.
Levon Helm Studios was the perfect intimate venue for Chaparelle’s musical introduction to the Hudson Valley. Day and Woods are used to playing in Texas dance halls so the venue allowed them to have a closer connection with audience members. With only one single out, they performed almost all unreleased songs. “I can’t think of a more magical way to share this music,” Day remarked. The couple had eclectic chemistry on stage and their two voices melted together with impeccable harmony.
Chaparelle gave a sultry Woodstock performance of an unreleased song “Sex and Rage” and even added choreography with an iconic Austin dance move, the cuddle dip. Day sang her song “Girls” from her Sunday in Heaven album. With her iconic tambourine and entrancing vocals, Day has a captivating performance style that sucked her audience in.
One cover that had people singing along was their slowed, folky version of Whitney Houston’s “I Wanna Dance With Somebody.” Chaparelle ended their set with another cover during the encore. “Video Games” by Lana Del Rey was a song that inspired their own writing. Day has previously worked with Del Rey, opening for her a number of times and being featured on her Joni Mitchell cover, “For Free.”
Chaparelle has confirmed they will release an album in the future with the release date to be determined. With 19 dates still left on their U.S. tour, you don’t want to miss this classic country revival duo.
Remaining Chaparelle Tour Dates
JUL 27, 2024: NEWPORT FOLK FESTIVAL NEWPORT, RI
SEP 7, 2024: EVANSTON FOLK FESTIVAL EVANSTON, IL
SEP 26, 2024: BLUE CANOE TUPELO, MS
SEP 28, 2024: EVOLUTION FESTIVAL ST. LOUIS, MO
SEP 29, 2024: RECORDBAR KANSAS CITY, MO
OCT 1, 2024: MERCURY LOUNGE TULSA, OK
OCT 2, 2024: HOUSE OF BLUES DALLAS – CAMBRIDGE ROOM DALLAS, TX
OCT 4, 2024 – OCT 6, 2024: AUSTIN CITY LIMITS MUSIC FESTIVAL AUSTIN, TX
OCT 9, 2024: HOLLYWOOD THEATRE VANCOUVER, BC
OCT 11, 2024: TRACTOR TAVERN SEATTLE, WA
OCT 12, 2024: THE SHOWDOWN PORTLAND, OR
OCT 13, 2024: DOMINO ROOM BEND, OR
OCT 24, 2024: MIDDLE EAST UPSTAIRS BOSTON, MA
OCT 25, 2024: THE SULTAN ROOM BROOKLYN, NY
OCT 26, 2024: SONGBYRD WASHINGTON, DC
OCT 27, 2024: CAT’S CRADLE BACK ROOM CARRBORO, NC
OCT 29, 2024: THE EARL ATLANTA, GA
OCT 30, 2024: BLUE ROOM AT THIRD MAN RECORDS NASHVILLE, TN
Armed with an acoustic guitar, a natural gift for telling stories, and a charismatic way of connecting with people, Langhorne Slim’s sold-out performance at Levon Helm Studios on July 18th, 2024 was nothing short of superb. Drenched in emotion and musical authenticity, it was the type of show that’s both intimidating to write about and impossible to forget.
One that made you feel like you were having a brief brush with greatness and that you were witnessing one of the best performers of our time. Interactive and spontaneous, vulnerable yet hilarious and thought-provoking, anyone who was there will tell you this was about as good as a night of live folk music gets. Complete with a surprise sit-in from Sawyer Fredericks, an impromptu fan-led duet and a veritable reunion with the extended Siegal family, you could simply feel the love inside the cozy confines of Levon’s barn – and it was pure magic.
Langhorne Slim had them hanging from the rafters at Levon Helm Studios on 7/18/24.
Before things officially got started, the house announcer took a moment to reflect on the recent passing of Woodstock folk icon Happy Traum. Noting his longtime connection with the area, both as a frequent participant in the venue’s legendary Midnight Ramble series, as well as collaborations with his famous friends Bob Dylan and Pete Seeger, the entire evening was dedicated to him.
From there we were treated to a short-but-lovely set by the husband-and-wife folk duo of Zach Schmidt and Jackie Berkley, collectively known as Golden Everything. Built on the interplay between Jackie’s uplifting voice and Zach’s seasoned pipes, songs like “No One But You,” and “Remedy” captivated the crowd. Making the most of their allotted time, the couple was also happy to announce they are soon-to-be-parents, while also making a point of thanking their friend, Langhorne Slim, for including them on this run of shows.
Golden Everything opened the show for Langhorne Slim in Woodstock, NY 7/18/24.
Posting on social media prior to kicking off his ‘Politics of Love Summertime Shows,” Langhorne Slim would boldly declare “Take a stand, f*ck the man, explode yer television and go see yer favorite bands.” With his intentions clear, Levon Helm Studios was sold out weeks in advance. Taking the carpeted portion of the floor to a rousing ovation, Langhorne Slim would take a second to adjust to his surroundings. Somehow appearing to make eye contact with just about everyone in the barn before playing a single note, you were drawn to him almost instantly.
Noticing a couple empty seats in the front row, he would joke with the crowd and ask “if we should wait for them?” before starting off with his song “Better Now.” Born Sean Scolnick in Langhorne, Pennsylvania in 1980, he adopted the stage name of Langhorne Slim to keep close to his roots, despite now living in Nashville. Now with seven full-length albums under his belt, Slim would take a moment between songs to talk about his writing process. Mentioning how he typically tries not to use foul language on the records for various reasons, it was a little funny that the last two songs he’s written are laced with “F” bombs. One that particularly struck a chord was called “WTF Is Going On.”
Tell me someone what the fuck is going on, because were living in some fucked up times. We all know we’ve been had and I mean really bad and we all keep coming back for more. Everyone seems sure, but I ain’t sure and I don’t know what the hell is going on anymore. Tell me someone what the fuck is going on, because were living in some fucked up times.
-Langhorne Slim
While it was likely the first time hearing this song for many in the sold-out crowd, nearly everyone knew the next one, “Changes.” Settled in and feeling relaxed, Langhorne Slim would continue peeling back the layers of his life, sharing personal anecdotes and reflections, creating a space that felt less like a concert and more like a gathering of friends. This level of engagement transformed the performance into a shared experience, making every person in the room feel seen and heard.
Speaking off-the-cuff and recounting tales of life on the road and a series of paranormal occurrences at one particular Airbnb, Slim would have the crowd in stiches just by being himself and talking about his journey to get to this moment. After “House of My Soul (You Light the Rooms), Slim would invite his old friend Sawyer Fredericks to the stage for help on the next song, “On the Attack.” A familiar face for many, Fredericks first made a name for himself on the popular NBC hit show The Voice by covering this same song. Coming full circle and performing it together in this Woodstock atmosphere felt special, while Slim would exude after that “the boy still has it!”
Surprise Sit-In: Langhorne Slim (left) was joined by Sawyer Fredericks (right) at Levon Helm Studios on 7/18.
Throughout the set, Langhorne Slim laid bare his soul. In a performance full of tender moments, a pair of tunes that stuck out as particularly moving were “Song For Silver,” a new one describing how the clichés of becoming a Dad are actually real and “Song for Sid,” about his own beloved father. Noting that “I will play this one any chance I get,” the room felt particularly gripped as Slim’s gravelly and heartfelt voice reverberated through the storied barn with gusto and passion. The perfect acoustics even allowing him to step away from the microphone and still be heard while dancing about the stage.
I called a healthcare professional Wanna speak to someone confidentially Don’t know just how I’m feelin’ But I’m feelin’ feelings exponentially
Calm voice started asking questions Said, “Ma’am I was hoping for advice I’m feelin’ lots of feelings Not a single one of ’em feels nice”
She said, “Do you ever think about dying” Said, “No but sometimes I lie”
-Lyrics from ‘Panic Attack’
Another moment that stuck out was Slim’s introduction to the song “Panic Attack.” Written during a bleak time when he found himself alone at age 40 with only his cat, Mr. Beautiful, by his side, Slim talked openly about seeking professional counseling, getting sober, relapsing and the gift of getting sober for a second time. Captured brilliantly on his 2021 album Strawberry Mansion, Slim would also play the albums opening track, “Mighty Soul” before telling a story about meeting a lovely couple in the parking lot earlier that day who claimed they were about to walk the aisle to one of his songs, “Sea of Love.”
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
So touched by this, and knowing how expensive weddings can be these days, Slim suggested we use this occasion to be the ‘real’ celebration. Then inviting Becca, the bride to be, up to the stage, the two would duet on a beautiful rendition of “Sea of Love.” The shock and smile on her face saying it all, it was surely a moment the young lady will never forget. Slim would joke, “When you invite a stranger up to the stage, you never know if they can actually sing.” Luckily for us, Becca nailed it. Afterwards another couple would speak up and say “Sea of Love” was also their wedding song.
Sea of Love: Langhorne Slim invited super-fan Becca up to sing her ‘soon-to-be’ wedding song with him on 7/18/24.
It was around this time Langhorne Slim took the pulse of the room once again and asked if there was anything people were hoping to hear that he hadn’t played yet. With seven records of material to choose from, there was still plenty on the table and the requests instantly started raining down from the balcony in waves. A bit overwhelmed by the response, Slim would do his best to please everyone. Working his way through staples like “Wolves,” “Never Break,” and “Past Lives,” Slim would teach the audience the call and response chorus to “Cinderella,” from 2009’s Be Set Free album which had the whole barn howling with delight to the lyrics of “Do you feel good (I feel alight) / That makes me feel good (outta sight).
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
After commenting on how silly it would be to walk off stage just to come right back for an obligatory encore, Slim had one more surprise up his sleeve. Inviting some very special guests up to join him instead, Slim welcomed local Grammy nominated record producer and multi-instrumentalist Kenny Siegal, along with his extended family, to the stage.
The history here running deep, as Langhorne Slim’s breakthrough album, 2012’s The Way We Move was recorded just down the road at Siegal’s Old Soul Studio in Catskill, a 100-year-old Greek Revival house retooled for recording. Co-produced by Siegal, an astonishing 26 songs were completed in just four days. With the album now considered by many to be a modern masterpiece, it was another magical, full-circle moment when the Siegal’s joined Slim for the cathartic show closer and title track from that album, “The Way We Move.”
All in the Family: The family of producer Kenny Siegal joins Langhorne Slim on stage for “The Way We Move” in Woodstock, NY 7/18/24.
So caught up in the moment, Slim would unplug his guitar and dance around with the youngest member of the Siegal family before wandering all the way up into the balcony to sing along with the ‘standing room only’ crowd. Going out of his way to make sure everyone had a special moment of connection with him, there wasn’t a person there who didn’t walk away from the concert smiling about their brush with greatness.
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
The evening at Levon Helm Studios was more than just a musical performance; it was an intimate exchange of stories and emotions. Delivering both classic hits and new tracks with a fervor that revealed his deep commitment to his craft along with the personal struggles and triumphs that fuel it, when he told the crowd that “he didn’t come all this way to lie to them,” you believed it. Slim’s ability to connect so deeply with people, coupled with his passionate delivery, powerful and distinct voice and thought-provoking lyrics created the perfect recipe for an unforgettable night of music and soul-searching.
Made even more special by the surprise sit-ins and the venue’s rich history, it’s easy to see why Langhorne Slim considers Woodstock one of his favorite places to play. Standing at the door on the way out, I wasn’t quite sure what to say to the man. After shaking hands and sheepishly thanking him for all the great music over the years, I think he knew where I was coming from and he went in for a big ‘ol bear hug. Trading compliments and sweat on a hot summer night at Levon’s barn; the perfect ending to a night I won’t soon forget.
Langhorne Slim | July 18, 2024 | Levon Helm Studios | Woodstock, NY
Setlist: (partial) Better Now, WTF Is Going On, Stealin’ Time, Changes, House of My Soul (You Light the Rooms), On The Attack , Sugar Plum, Song for Silver, Wolves, Panic Attack, Song for Sidney, Long Live Time, Never Break, Mighty Soul, Sea of Love, Get My Kicks, Cinderella, Past Lives.
Encore: The Way We Move (featuring the Siegal Family).
One of England’s most prolific songwriters made a rare stop in Upstate New York on Tuesday, July 16, as Ben Howard performed at the Bearsville Theater in Woodstock.
The historic theater provided a rare, intimate performance for Howard’s fans, who ofter have to seek out larger concert halls and amphitheaters to see the singer-songwriter perform.
The evening kicked off with a 30 minute set by Irish musician John Francis Flynn. Flynn took to the stage by himself, and performed a dramatic set of traditional Irish folk tunes. Performing solo, Flynn would create guitar and drum loops to back his vocals. He even took hand at the tin whistle, noting he had recently lost his previous instrument and was lucky to receive a new one in the mail earlier that day.
At promptly 9pm, Howard and his bandmates took to the stage with a roar from the audience. They would open with “Richmond Avenue”, a slow moving ballad off Howard’s 2023 release, Is It? Initially illuminated by a solo spotlight, dramatic lighting would adorn the stage as the song took shape.
Early in the evening Howard would praise the small town of Woodstock. “It seems quite perfect here”, Howard remarked, noting the band had visited a perfect shop, a perfect vegan restaurant, and the perfect concert venue before joking that he hoped to leave before discovering any dark secrets of the town. In truth, Howard is no stranger to the area, having recorded Is It? at Aaron Dessner’s nearby Long Pond Studio.
https://www.youtube.com/watch?v=EAll4IK6Fig
Through out the set, the theater would become engulfed in ethereal and atmospheric sounds, played to near perfection from Howard and his bandmates. While the band would perform early tracks such as “Promise”, “Small Things”, and “Diamonds”, Howard seemed the most proud of his recent work. Much of the night’s setlist featured tracks off of Howard’s two most recent releases and included songs such as “Follies Fixture”, “Far Out”, and “Days of Lantana”. The tracks were met with warm reception from the audience, and Ben Howard would often flash back a modest smile in return.
It was quite the perfect experience for the perfect town.
Rock singer-songwriter Nicole Atkins announced an East Coast Tour starting in September with a show at Daryl’s House in Pawling, NY. Justin & the Cosmics will serve as support for the entire run.
A prominent figure in rock music for over two decades, Nicole Atkins has been actively touring and producing music since 2002. Mostly inspired by 1960s and 70s psychedelic rock artists like The Doors and The Sundays, she started writing what she termed “a mix of Americana, 60s, and indie rock.” In 2003, Atkins released her first EP, Bleeding Diamonds.
Along with her tour, Atkins is currently working on her sixth studio album. “Now, with a bunch of new songs and a great band and some time before the studio, I can’t wait to figure out what these new songs want to be at the shows!” Atkins says about her upcoming album. “I’ve always wanted to do it that way like I did it before my first record, but now it actually feels like time is on my side and I have some to make it happen.” Her previous album, Italian Ice (2020), was her best-reviewed album to date, drawing rave reviews internationally.
For the last two decades of her career, Nicole Atkins has performed in several festivals and concerts. Halfway into 2024, Atkins has already had an incredible year, opening for both Stevie Nicks and also her friends, The Mavericks, whose new album she is featured on. Now, after remarkable stretches with rock icons and showstoppers, she reemerges with her own headlining tour.
Starting on September 5, Atkins heads to Pawling, NY, for a night in Daryl’s House. Catch her at Woodstock and Ridgewood, Queens, on September 7 and 21, respectively. Atkins’ new album, which is yet to be named, is set to release in 2025.
The full tour dates are listed below. Tickets are available now on Nicole Atkins’ website, linked here.
SEPTEMBER
5 – Pawling, NY – Daryl’s House
6 – Montclair, NJ – Outpost In The Burbs
7 – Woodstock, NY – Levon Helm Studios
9 – Boston, MA – City Winery – Boston
11 – Philadelphia, PA – 118 North
12 – Asbury Park, NJ – Wonder Bar
15 – Manchester Center, VT – Billsville House Concerts
Spillway, a brother duo from Woodstock, made their musical debut on July 9, with their first release, “Are You Having Fun Yet?”
Twin brothers, Aaron and Wyatt Mones have been making music for years as singer-songwriters and multi-instrumentalists. However, this time around, they’re making music under their new project, Spillway. Named after the street they grew up on in Woodstock, the project emphasizes the sentiment of their musical upbringing and collaborations as brothers, even when they live on opposite coasts.
Their new single “Are You Having Fun Yet?”, gives listeners a folky tune mixed with a more universal pop sound and hints of country western. Inspired by the music of artists like Blake Mills, Frank Ocean, and Sufjan Stevens, the song represents the artistic direction of each brother respectively, coming from different perspectives and environments. The song is successful in evoking nostalgia and reflection and truly has appealing features for vast tastes in music.
The new song is Spillway’s first release on Indiana-based independent label, Wally Opus Records. The brothers self-produced the record themselves, having to either work remotely from each other or commute across the country to do so. So far, the song is gaining traction quickly on streaming services for having been out just less than a week. If “Are You Having Fun Yet?” is any indication of what Spillway will produce in the future, fans of folk and indie are going to want to keep them on their radar.
Listen to “Are You Having Fun Yet?” on your preferred streaming platform here.
The legendary British blues band Ten Years After will release their Woodstock performance on streaming and physical media. This release is the first time their Woodstock set has been released as a standalone recording. The album will release on Friday, August 16.
Singer/guitarist Alvin Lee and bassist Leo Lyons rose to local fame in Nottingham, England as the Jaybirds in the early 1960s. Following the addition of drummer Ric Lee and keyboardist Chick Churchill in 1966, the band rebranded themselves as Ten Years After. Throughout the 1960s, the band released four studio albums, including the live LP Undead. This album contained the first rendition of their anthemic hit “I’m Going Home.”
As the band made a name for themselves, they quickly began playing shows across the United States. In July 1969, they broke barriers being one of the first rock groups to perform at the Newport Jazz Festival. Following a summer of cross country touring, the band arrived in Bethel, NY for the Woodstock Music and Art Fair.
Alvin Lee on stage at Woodstock
Ten Years After were slated to perform on Sunday, August 17th: the festival’s third day. Following acts like Joan Baez, Santana, and Long Island’s Mountain, they certainly had a high bar to meet. By the time their 8:15 set began, conditions were gloomy. The sun had begun to set, and rain poured down covering the stage and turning the fields into mud pits. These conditions in tandem with a jet-lagged band seemed to spell disaster for their performance.
However, their set was anything but a disaster. Looking out to the audience, Alvin Lee calmly said “This is a thing called ‘I’m Going Home’… by helicopter!” In no time, Lee’s guitar erupted into a fiery breakneck solo, before the rest of the band joined. The 12 minute long jam seamlessly switched between funky numbers and psychedelic guitar passages enthralling the audience of 500,000. Throughout the live recording, the audience can be heard whistling, hooting, and clapping along illustrating just how captivating their performance was.
Their Woodstock performance and the ensuing 1970 Woodstock film propelled Ten Years After to newfound levels of fame. The concert footage made the then up-and-comers seem like rock gods. Throughout the performance Alvin Lee’s long hair waved in the wind, as Lyon’s headbanged in the background.
Following the release of the Woodstock film, the band’s shows began to grow larger and larger. Soon audiences of all ages were attending their shows, propelling their releases even further up the charts. 1970 also saw the band’s highest chart success with the release of “Love Like a Man,” which reached no. 10 on the UK Singles Chart. This success however worked to destroy the band. Growing arguments and disillusionment with touring slowly ate away at the group. Lee remembered ““You’d walk on stage and people would be shouting for I’m Going Home, which was the last song. I often wonder what the rest of our career would have been like if the Woodstock movie had used another song. As it was, everything became focused on the last song, the high-energy number.”
Following the release of their 1974 record Positive Vibrations, the band broke up. Throughout the 1980s, the band occasionally reunited to play shows like the 1983 Reading Festival. In 1988, the band permanently reunited, releasing four albums and touring – albeit with varying lineups.
Now for the first time in history, the original recording of Ten Years After’s Woodstock set will release to the public. This release features a new remaster of the original 2” multitrack tapes. In addition to streaming platforms, the album will also release on physical media. The album releases as a 2LP, 180gm black vinyl, and single-disc CD. There will also be an independent record store exclusive release on pink tie-dye vinyl. All releases come with liner notes from legendary music journalist Chris Welch.
For more information on the August 16th release of Woodstock 1969, visit the link here.
The Bearsville Theatre complex lit up with excitement and good vibes on Friday, June 28 for a double-headlined show from Ratboys and Water From Your Eyes. The event brought together fans of a multi-genre spectrum and vibrant performances to Woodstock.Â
Ratboys
Chicago indie-rock band Ratboys, are on a break from their tour opening for The Decemberists, which picks back up in July. After which the band, comprised of Julia Steiner, Dave Sagan, Marcus Nuccio, and Sean Neumann, will embark on a fall headline tour. For now, theyâre playing a few headline shows including Friday nightâs juncture with Water From Your Eyes, who then go to Europe and return to the States for a lineup of festivals.
The show served as a standalone experience with both bands, who are currently on their respective tour schedules, coming together for one special show. Fans got to witness the first time the two bands played a show together since 2016. Fans of both bands in the audience blended in with each other seamlessly in this union of rock music.
Water From Your Eyes
As the crowd shuffled into the venue, the first band of the night, alt-rock group Water From Your Eyes took the stage. Singer, Rachel Brown, began by declaring they had lost their voice, however, they along with bandmate, Nate Amos, proceeded to put on an electrifying performance. Each band member brought their own style to the set, making it an enjoyable watch.
Ratboyâs set presented music from old and new albums filling Bearsville Theater with their repertoire of musical approaches. Frontwoman, Steiner, rocked a flying V guitar throughout the show adding flare to their rhythmic indie music. Each tune sonically transitioned into another, with the occasional introduction, making the exhibition of their music look so natural.
Because the room fostered such intimacy between the audience and the bands, the connection was radiant. Attendees were able to interact easily with the band, whether it was while they were on stage or walking around when they weren’t performing. Overall, the casual and welcoming nature of the concert left everyone in high spirits.
Julia SteinerSean NeumannJulia SteinerRachel BrownJulia SteinerRatboysWater From Your EyesRachel BrownRachel BrownSean NeumannRachel BrownDave SaganRachel BrownJulia SteinerRachel Brown
It was an exhilarating homecoming jam for Mikaela Davis at Thursday nightâs show at the Colony in Woodstock. The June 27 show was full of high energy, dancing, and an extraordinary show from a group of versatile musicians.
Davis, originally from Rochester and now based out of Catskill, is currently on a tour of headline shows and festivals opening for Amos Lee. This show was even more significant, marking her return to the Hudson Valley before embarking on a West Coast tour in July.Â
The audience got a taste of what they were about to witness when she joined opener Rich Ruth on stage for a harp contribution. Davis’ harp playing was recently featured on Ruth’s latest release Water Still Flows. Ruth along with his band and Davis, treated the audience to a special collaborative performance.
Another highlight of the night with Mikaela Davis at Colony in Woodstock was the remarkable musicianship exhibited by the band. By crossing genres, they exemplified how a variety of musical backgrounds can come together to create new distinctive pieces of art. It’s not every day there’s a harp and a double-neck bass in the same band. The experimentation allowed for making the environment feel like a jam session where everyone in the room was equal to the performers, witnessing genuine virtuosity.
After spending the last few years playing with legends like Bob Weir and Phil Lesh, it’s no surprise that Davis chooses to cover a Grateful Dead song at most of her shows. Characteristically, she ended the show with the Jerry Garcia tune “Bird Song.” This was an extremely successful way of uniting the room even more, by playing a song loved by everyone with such positive energy.
This fall, guitar icon Yngwie Malmsteen will kick off his 40th Anniversary Tour, taking him nationwide, with four shows in New York.
His first trip brings him to Plattsburgh at the Strand Centre on October 4th, followed by Colony Woodstock in Woodstock on the 10th. Two days later, Malmsteen will visit Buffalo’s Electric City Music Hall, with the tour concluding on November 18 at New York Cityâs Gramercy Theater.
Originally from Sweden, Yngwie Malmsteen was born into a musical family full of opera singers and classical musicians. By the age of 10, he had formed his first rock band with his childhood friend. Eventually, he began experimenting with different genres, musical styles, and techniques. Growing up, he was inspired by the unique playing styles of classical composers like Niccolo Paganini and Antonio Vivaldi, as well as the bluesy ones of Deep Purple founder and guitarist Ritchie Blackmore. Throughout his teen years, he combined the two genres and founded what is known as Neo-Classical Hard Rock.
In 1982, Yngwie Malmsteen came to the United States to kickstart his career. He appeared on multiple albums and performed in the hard rock band Alcatrazz. In 1984, he earned a solo deal and released his debut solo album. Rising Force. Since then, he has recorded over 22 studio albums and earned himself a reputation as one of the greatest electric guitarists of all time.
“I’m very excited to play this tour with all you guys and commemorate the launch of my solo career. It’s been an amazing journey and it still feels like it’s only beginning. I couldn’t have done it without all of you and your support throughout all these years. Looking forward to creating some magic with all of you! More is more!”
Yngwie Malmsteen
The full tour dates are listed below. For more information and tickets, fans can visit here.
Yngwie Malmsteen on Tour:
Sep. 26 – Fort Myers, FL – The Ranch Concert Hall Sep. 27 – Clearwater, FL – Capital Theater Sep. 28 – Mt Dora, FL – Mt Dora Music Hall Sep. 29 – Tallahassee, FL – The Moon Oct. 02 – Charlottesville, VA – Jefferson Theater Oct. 04 – Plattsburgh, NY – Strand Center Oct. 05 – Pawtucket, RI – The Met Oct. 06 – New Haven, CT – Toads Place Oct. 07 – Boston, MA – The Wilbur Oct. 09 – York, PA – Double Barrel Roadhouse Oct. 10 – Woodstock, NY – Colony Woodstock Oct. 11 – Millville, NJ – Levoy Theater Oct. 12 – Buffalo, NY – Electric City Music Hall Oct. 13 – St. Charles, IL – Arcada Theater Oct. 16 – Denver, CO – Oriental Theater Oct. 18 – Tacoma, WA – Temple Theater Oct. 19 – Dalles, OR – Granada Theater Oct. 20 – Portland, OR – Hawthorne Theater Oct. 22 – Roseville, CA – Goldfields Oct. 24 – Los Angeles, CA – Saban Theater Oct. 25 – Anaheim, CA – Grove Oct. 26 – Agoura Hills, CA – Canyon Club Oct. 27 – San Diego, CA – House of Blues Oct. 30 – Oklahoma City, OK – Diamond Ballroom Nov. 01 – Tulsa, OK – Tulsa Theater Nov. 02 – San Antonio, TX – Vibes Event Center Nov. 03 – Austin, TX – Come & Take It Live Nov. 04 – Houston, TX – Warehouse Live Nov. 05 – Dallas, TX – Trees Nov. 07 – Covington, KY – Madison Theater Nov. 08 – Lorain, OH – Lorain Place Nov. 09 – Columbus, OH – King of Clubs Nov. 10 – Leesburg, VA – Tallyho Theater Nov. 14 – Ashland, KY – Paramount Arts Center Nov. 15 – Oakmont, PA – Oaks Theater Nov. 16 – Newton, NJ – Newton Theater Nov. 18 – New York City, NY – Gramercy
Eclectic indie artist, Karina Rykman announced new dates on her 2024 tour, including Bearsville Theater in Woodstock on Sept 14.
Rykman is an artist from NYC who recently released her debut album Joyridein August of 2023. She graduated from NYU and during her senior year, she joined pianist Marco Benevento’s band. Rykman’s talent on the bass even landed her a gig on America’s Got Talent. Her solo career started when she formed her own band with Adam November on guitar, loopers and effects and Chris Corsico on drums.
The band has played alongside acts like Khruangbin, Guster, and The Disco Biscuits and have performed at a number of coveted festivals like Bonnaroo, Peach Music Festival, and Sweetwater 420 Fest.
Joyride mixes the styles of 2010’s rock and Rykman’s unique sound to create a distinct debut album. The songs are co-produced by former Phish member, Trey Anastasio who also plays guitar on five of the tracks.
Bearsville is an intimate theater with a rich history of musical legends such as Bob Dylan, Janis Joplin and Johnny Cash. It was built to be “acoustically perfect” and today, artists come from around the globe to play at the iconic venue.
The general ticket sale starts on June 21 at 10 a.m. To buy tickets you can visit Rykman’s website here.
KARINA RYKMAN – TOUR 2024
JULY
1 – Grand Rapids, MI – Frederik Meijer Gardens *
2 – Detroit, MI – Masonic Temple *
5 – Chicago, IL – Rose on the River Festival †
7 – Marshfield, MA – Levitate Music and Arts Festival †
13 – Atlantic City, NJ – The Peach at the Beach †
19 – Snowshoe, WV – 4848 Festival †
20 – Patchogue, NY – Great South Bay Music Festival †