The Athens Performing Arts Corporation (APAC) has announced its the lineup for its annual Summer Concert Series. The series will feature eight weekly concerts beginning on July 19th. The Summer Concert series will host performances including jazz, funk, and tributes to classic groups.
Athens is a quaint village in the Northern Catskills that is home to a little under 2,000 people. Located at the heart of Greene County, the village is just West of Hudson, and a short 30 minute drive South of Albany. With a history dating back to 1665, the village is home to many historical sites and a rich arts scene.
At the head of the arts scene is APAC, which is dedicated to spreading music to Athens’ residents. For almost two decades, APAC has hosted free yearly concerts in Athens Riverfront Park. As founding member Rick Suranno said “Our main goal from day one was to bring something different and to keep it free. We wanted national touring acts, although we started with all of my friendâs bands for years, we knew what our goal was.”
APAC has achieved that goal, with the Athens Summer Concert Series continuing into 2024. The series will feature eight weeks of Friday concerts lasting from July 19th to September 6th. All concerts will take place in Athens Riverfront Park from 7-9pm.
Sonny Landreth will kick off the Summer concert season with a July 19th performance. Landreth or “Louisiana’s King of Slydeco” has graced the blues world with his slide guitar prowess for over 50 years. Across his 18 solo albums, Landreth has received awards from the Americana Music Association and Blues Music Awards.
Toronto’s Bywater Call will ring in the second week with a July 26th concert. The seven-piece blends southern soul, roots, and blues to create their award-winning sound. The band won the 2024 UK Blues Award for best international artist, with European media hailing singer Meghan Parnell as one of the best voices in blues today. In 2023, the band toured across 10 countries, and shared the stage with legendary guitarist Joe Bonamassa.
August 2nd will feature a tribute to the music of the Dave Matthews Band. This will be followed by an August 9th concert by Vanessa Collier. Collier is an award-winning vocalist and saxophonist. Her music blends jazz, blues, soul, and rock. On top of multiple Blues Awards, legends like Buddy Guy have praised Collier’s musical ability.
British bluesman Matt Schofield will perform at the series’ August 16th concert. Throughout his 30 years of performing, Schofield has become one of the most influential guitarists of his generation. His brand of British Blues, which incorporates jazz and funk elements, has taken him everywhere from Tokyo to Texas. Schofield is a 3x “British Blues Guitarist of the Year” winner, and was ranked in the “Top Ten British Blues Guitarist of All Time” by Guitar & Bass Magazine.
August 23rd will feature a show by Beginnings, the foremost Chicago tribute band. The New York-based seven-piece has performed across the country since their founding in 2002. Beginnings is dedicated to creating the most authentic Chicago experience, bringing accuracy and intensity. An August 30th tribute to Creedence Clearwater Revival will follow this concert by Beginnings. APAC has not announced the final concert of the series taking place on September 6th.
Athens Summer Series Schedule
7/19 – Sonny Landreth
7/26 – Bywater Call
8/02 – The Dave Matthews Tribute Band
8/09 – Vanessa Collier
8/16 – Matt Schofield
8/23 – Beginnings
8/30 – Creedence Revived
9/06 – Final Show TBA
Concert-goers can bring lawn chairs to sit on during concerts. Athens Riverfront Park is located at 1 Water Street, Athens, NY. For more information, visit the APAC website here.
Four decades since its creation, the Grey Fox Bluegrass Festival has not just survived but flourished. The beloved five-day celebration of all bluegrass music is set to return to Oak Hill, NY, this summer, from July 17â21.
The Grey Fox Bluegrass Festival is one of the oldest continuously running bluegrass festivals in the U.S. Now, the festival is celebrating its 40th anniversary and the 16th year of Oak Hill as its home. Throughout its many years of operation, Grey Fox has grown into a community essential, now being a foundational annual event for locals in the Oak Hill area. For anybody who enjoys bluegrass music, or even just live music for that matter, Grey Fox Bluegrass Festival should be on your list of New York’s summer festivals to visit.
One of Grey Fox’s specialties is the variety they put into every year’s lineup. “We want to have a wide and diverse lineup. We consider ourselves a really big umbrella to bluegrass and roots music,” said Grey Fox Festival Executive Director Mary Burdette. Don’t come to Grey Fox expecting just traditional bluegrass. There’s so much more to discover. “We do embrace all sorts of bluegrass, from traditional to contemporary, jamgrass and jazzy,” Burdette said.
One of the most diverse groups coming to Grey Fox this year is the South Korean bluegrass band Country GongBang. Country GongBang won the International Band Performance Grant in 2023, which gave them the financial assistance they needed to tour in the U.S., with the Grey Fox being one of their stops. Country GongBang’s unique take on contemporary bluegrass music with a mix of English and Korean vocals has already garnered them international attention, with the group already playing festivals in Japan and France. The quintet is set to play Thursday, Friday and Saturday at Grey Fox.
Le Vent du Nord, a French-Canadian folk band, is another standout in the lineup. The seasoned quintet, with more than 2,500 performances all across the globe, has an upcoming album that will celebrate their 20th anniversary as a band and “promises to be a vibrant testament to their evolving artistry.” Shows from Le Vent du Nord often include elements of audience participation and should be a must-see for anybody at Grey Fox looking for a lively set.
Wyatt Ellis, a 14-year-old bluegrass prodigy, is a show that any and all true bluegrass fans can’t miss. Ellis, who played at the Grand Ole Opry just eight months ago, has already garnered major attention in the bluegrass community. His debut single, “Grassy Cove,” even went to #1 on the Bluegrass Today charts. “He’s an old soul in a young body,” Burdette said. Ellis is set to play at Grey Fox on Saturday, the 20th.
On top of the festival’s lineup, every year the Grey Fox Festival designates an artist or group as that year’s artist-in-residence, who will spend the festival bouncing between different stages, playing with other artists on the setlist. This year’s artist-in-residence is Grammy-nominated all-women string band, Della Mae.
Della Mae has long been closely associated with Grey Fox, with one of their first gigs ever being at the festival nearly 15 years ago. Celia Woodsmith, the guitarist and vocalist of Della Mae, even met her husband at Grey Fox. “They love, love, love Grey Fox, and we’re really excited to have them,” Burdette said.
While the music is certainly the highlight of the Grey Fox Bluegrass Festival, there’s much more that comes with the experience.
The festival is held on the scenic Walsh Farm in Oak Hill, NY, right next to Catskill Creek. There is ample space for both quiet camping and picker’s paradise camping, where you can expect after-midnight jammin’, along with the six separate performance stages. All the other essentials, like first aid, security and information booths, are present as well. A map of the full grounds can be found here.
Grey Fox has been held at Walsh Farm for 16 years, so naturally, the grounds have become special to those who come every year. With the festival itself celebrating its 40th anniversary, enough time has passed that generations of families have grown while attending Grey Fox. “One year I sent our media team out to find a good story, and they stopped at this campsite, and there was an infant, parents, grandparents and a great-grandmother all at that campsite, and they’d been coming all those years,” said Burdette.
A massive appeal of Grey Fox and one of the reasons why multiple generations of families can all come together is the festival’s family-friendly nature. Besides the billed artists, which people of any age can enjoy, kids have an entire stage dedicated to them, Family Stage. The Family Stage is home to a myriad of child-friendly activities, including tie-dying, instrument making, nature crafts, yoga for kids, family concerts, dances, sing-alongs, storytelling, puppetry, ventriloquism, movies and more. “We also have a bluegrass academy for kids, and we’ve had as many as 120 kids from ages eight to 17 learning to play, sing and perform bluegrass music,” Burdette said.
For those who have never been to the Grey Fox Festival, there isn’t too much to worry about. Take the time to learn the lay of the land. There’s no reason to rush, so get acquainted with the stage layouts and where all the other essentials are. “If you don’t really know the music that much, you can just kind of wander around, and you’ll hit something that you love,” Burdette said. No matter where you go on the grounds, music and good times will be happening, so the specifics are not too important.
The music even continues throughout the night, with countless families and groups jamming out in the picker’s paradise camping sections seemingly endlessly. According to Burdette, people will usually be jamming until 6 a.m.
And if the atmosphere gets the best of you and you think about joining in, you’re in luck. The Slow Jam Tent, which runs Thursday, Friday, and Saturday, is primarily for musical novices and features beginner instrumental classes, vocal workshops, and slow jams meant to help anybody with any level of experience. “Every day, all day long, they’re teaching people how to play, and then how to jam, and how to take solos if they’re ready. How to be in the background if they’re not, and just how to play well with others. The people around the campgrounds are just really, really friendly,” Burdette said.
So if you’re looking for a culture-filled music festival with something for all ages, look no further than the Grey Fox Bluegrass Festival this July.
See below for lineup.
Full Lineup:
Della Mae (Artist-in-Residence) Del McCoury Band Molly Tuttle & Golden Highway Yonder Mountain String Band The Steeldrivers Hawktail The Travelinâ McCourys The Gibson Brothers Sister Sadie I Draw Slow Shadowgrass Sam Grisman Project Wyatt Ellis Darol Anger & Bruce Molsky Charlie Parr The Mammals SCYTHIAN Chris Jones & The Night Drivers Pine Leaf Boys Charm City Junction Casey Driessenâs Red Shoe Stringjam Brennen Leigh The Faux Paws Joe Newberry Twisted Pine Mike+Ruthy (of The Mammals) Pictrola Zoe & Cloyd Unspoken Tradition John, Trish & Quickstep Jim Gaudet & The Railroad Boys Mark Gamsjager & The Lustre Kings Mild Goose Chase Niamh Parsons & Graham Dunne Country GongBang The Cross-Eyed Possum Rachel Sumner & Traveling Light Into The Fog The Clements Brothers Berklee American Roots Music Showcase
Tickets to the full festival with camping are available here. Single-day tickets will be available soon as well.
Mr. Jive has cooked up a 12 song showcase worthy of a glance from a wider audience, titled, Hurry Up Please It’s Time”
Opening with “Monsters Write Pretty Songs,” Buggy immediately announces “Good luck,” with a thickly stacked vocal on top of the meandering rhythm guitar that jolts and grabs attention. The crispy blend of gospel and Doobie-esque backing vocals weave a soft takeoff before eventually punching the opening notes of “Scheherazade of Schenectady.” The first single off the record is appropriately verbose, as it touches on principles of fiction writing and brings up the heat after the smooth opener.
Relaxedly defiant, “Don’t Quit Your Day Job,” hints of the prog influence to come later in both “The Music is Beside the Point,” and “The Calendar is a Liar.” Distorted and stanky, the song that garnered the NPR shoutout from Bob Boilen and Bobby Carter somehow still gives front porch rocking chair vibes while hiding a middle finger attitude behind a content and fulfilled smile.
In “Another Song I Ain’t Allowed to Sing,” Buggy Jive offers reminders of his emotional range and musical intent while slowing down the pace, but featuring right-up-front lead vocals and an ocean of harmonies that keep the energy flowing. This range and intent returns in spades on “Autumn Is Burning.” The mid-album walking groove breaks out major key on a bridge change that feels like a full breath after the intentionally dark verse progression. While “Old Man Screams at Sky,” hits more like a barnhouse dance party than gospel groove, those dynamic controls and natural chord voicings remain steady and present.
“Ignore Them Fools,” and “Alpha the Beta,” both ooze confidence, with the former feeling like a class in session and the latter like a player on the field in action. “Alien Robot Love Song About Love,” and “Hurry Up Please It’s Time,” the final two tracks of the album, lay heavy wet grooves that drag the listener deep into the songwriters’ pocket lyrically and musically.
The entire work displays an adventurous attitude as a musician and a deep sensibility surrounding vocals that act as an homage to his influences, both perceived and expressed. Buggy Jive took a big swing on this record, and his dedication and emotion are both easily seen and felt throughout.
This fall, guitar icon Yngwie Malmsteen will kick off his 40th Anniversary Tour, taking him nationwide, with four shows in New York.
His first trip brings him to Plattsburgh at the Strand Centre on October 4th, followed by Colony Woodstock in Woodstock on the 10th. Two days later, Malmsteen will visit Buffalo’s Electric City Music Hall, with the tour concluding on November 18 at New York Cityâs Gramercy Theater.
Originally from Sweden, Yngwie Malmsteen was born into a musical family full of opera singers and classical musicians. By the age of 10, he had formed his first rock band with his childhood friend. Eventually, he began experimenting with different genres, musical styles, and techniques. Growing up, he was inspired by the unique playing styles of classical composers like Niccolo Paganini and Antonio Vivaldi, as well as the bluesy ones of Deep Purple founder and guitarist Ritchie Blackmore. Throughout his teen years, he combined the two genres and founded what is known as Neo-Classical Hard Rock.
In 1982, Yngwie Malmsteen came to the United States to kickstart his career. He appeared on multiple albums and performed in the hard rock band Alcatrazz. In 1984, he earned a solo deal and released his debut solo album. Rising Force. Since then, he has recorded over 22 studio albums and earned himself a reputation as one of the greatest electric guitarists of all time.
“I’m very excited to play this tour with all you guys and commemorate the launch of my solo career. It’s been an amazing journey and it still feels like it’s only beginning. I couldn’t have done it without all of you and your support throughout all these years. Looking forward to creating some magic with all of you! More is more!”
Yngwie Malmsteen
The full tour dates are listed below. For more information and tickets, fans can visit here.
Yngwie Malmsteen on Tour:
Sep. 26 – Fort Myers, FL – The Ranch Concert Hall Sep. 27 – Clearwater, FL – Capital Theater Sep. 28 – Mt Dora, FL – Mt Dora Music Hall Sep. 29 – Tallahassee, FL – The Moon Oct. 02 – Charlottesville, VA – Jefferson Theater Oct. 04 – Plattsburgh, NY – Strand Center Oct. 05 – Pawtucket, RI – The Met Oct. 06 – New Haven, CT – Toads Place Oct. 07 – Boston, MA – The Wilbur Oct. 09 – York, PA – Double Barrel Roadhouse Oct. 10 – Woodstock, NY – Colony Woodstock Oct. 11 – Millville, NJ – Levoy Theater Oct. 12 – Buffalo, NY – Electric City Music Hall Oct. 13 – St. Charles, IL – Arcada Theater Oct. 16 – Denver, CO – Oriental Theater Oct. 18 – Tacoma, WA – Temple Theater Oct. 19 – Dalles, OR – Granada Theater Oct. 20 – Portland, OR – Hawthorne Theater Oct. 22 – Roseville, CA – Goldfields Oct. 24 – Los Angeles, CA – Saban Theater Oct. 25 – Anaheim, CA – Grove Oct. 26 – Agoura Hills, CA – Canyon Club Oct. 27 – San Diego, CA – House of Blues Oct. 30 – Oklahoma City, OK – Diamond Ballroom Nov. 01 – Tulsa, OK – Tulsa Theater Nov. 02 – San Antonio, TX – Vibes Event Center Nov. 03 – Austin, TX – Come & Take It Live Nov. 04 – Houston, TX – Warehouse Live Nov. 05 – Dallas, TX – Trees Nov. 07 – Covington, KY – Madison Theater Nov. 08 – Lorain, OH – Lorain Place Nov. 09 – Columbus, OH – King of Clubs Nov. 10 – Leesburg, VA – Tallyho Theater Nov. 14 – Ashland, KY – Paramount Arts Center Nov. 15 – Oakmont, PA – Oaks Theater Nov. 16 – Newton, NJ – Newton Theater Nov. 18 – New York City, NY – Gramercy
Eclectic indie artist, Karina Rykman announced new dates on her 2024 tour, including Bearsville Theater in Woodstock on Sept 14.
Rykman is an artist from NYC who recently released her debut album Joyridein August of 2023. She graduated from NYU and during her senior year, she joined pianist Marco Benevento’s band. Rykman’s talent on the bass even landed her a gig on America’s Got Talent. Her solo career started when she formed her own band with Adam November on guitar, loopers and effects and Chris Corsico on drums.
The band has played alongside acts like Khruangbin, Guster, and The Disco Biscuits and have performed at a number of coveted festivals like Bonnaroo, Peach Music Festival, and Sweetwater 420 Fest.
Joyride mixes the styles of 2010’s rock and Rykman’s unique sound to create a distinct debut album. The songs are co-produced by former Phish member, Trey Anastasio who also plays guitar on five of the tracks.
Bearsville is an intimate theater with a rich history of musical legends such as Bob Dylan, Janis Joplin and Johnny Cash. It was built to be “acoustically perfect” and today, artists come from around the globe to play at the iconic venue.
The general ticket sale starts on June 21 at 10 a.m. To buy tickets you can visit Rykman’s website here.
KARINA RYKMAN – TOUR 2024
JULY
1 – Grand Rapids, MI – Frederik Meijer Gardens *
2 – Detroit, MI – Masonic Temple *
5 – Chicago, IL – Rose on the River Festival †
7 – Marshfield, MA – Levitate Music and Arts Festival †
13 – Atlantic City, NJ – The Peach at the Beach †
19 – Snowshoe, WV – 4848 Festival †
20 – Patchogue, NY – Great South Bay Music Festival †
Jandek, one of the most mysterious and hyper-productive legends of the lo-fi folk/outsider music movement, is slated to make a rare appearance at one of the Hudson Valley’s most unique performance venues, Widow Jane Mine, on Saturday, July 20 at 7 pm.
The recently-formed PlayTime Presents is producing the event. According to its founder, Jeff Economy, PlayTime is “an evolving entity dedicated to presenting unlikely music, film and media events in New York’s Hudson Valley.” PlayTime’s most recent event was a fundraiser for local radio institution WGXC-90.7/Wave Farm featuring a collaboration between the famed “culture jammers” Negativland and video artist Sue-C at the Greenville Drive-In.
Jandek is the musical project of Sterling Smith and his Corwood Industries, a record label operating out of Houston, Texas. Since 1978, Jandek/Corwood Industries has independently released over 125 albums/DVDs of unusual, often emotionally dissolute folk, rock, and blues songs without ever granting an interview or providing any biographical information. Jandek often plays a highly idiosyncratic and frequently atonal form of folk, rock, classical and blues music, at times using an open and unconventional chord structure. The name “Jandek” refers specifically to the musical project. www.corwoodindustries.com
“As a documentarian, writer, music video maker and occasional performer, I’ve had one foot planted in the music world since the late ‘80s,” says PlayTime’s Jeff Economy. “Part of my agenda with PlayTime is to give something back by putting on events that might not have happened otherwise.
“Despite being an active recording artist since at least 1978, Jandek remains one of the most intriguing and mysterious figures in all of music,” continues Economy. “They’ve been performing in public sporadically since 2004, but it seemed that a local show was a remote possibility at best. I extended an invitation knowing that a great venue was available and to my surprise, they accepted. With Jandek’s spectacularly wide range of music and Widow Jane’s unique space, this event is a perfect representation of our creative mission.”
Widow Jane Mine is a circa 19th-century natural cement mine housed on the 22-acre Snyder Estate in Rosendale, N.Y. The cavernous room and pillar construction create a natural amphitheater, one with amazing acoustics and unobstructed views due to the sloping floors. Audiences of up to 500 face the stage with a pond as a backdrop and light filtering in from four openings to the outside. The venue, which has presented music, theater, raves, poetry readings and other events for over 40 years, is managed by the Century House Historical Society a 501(c)(3) organization dedicated to the preservation of the local history of Rosendale, New York and of the Natural Cement industry.
It was a hometown throwdown with an added twist for Spafford Saturday night. Playing the third show of their summer tour at The Colony in Woodstock on June 15, it notably featured Mike Gantzer of Aqueous filling in for Spafford guitarist Brian Moss as he continues dealing with the effects of a brutal crash the band was involved in earlier this spring. More than the sum of its parts, the show must go on and it did, yielding a most memorable and unique night of improvisational jams.
Mike Gantzer of Aqueous filled in for Spafford guitarist Brian Moss during the Woodstock performance on 6/15/24.
The quaint counterculture community of Woodstock was bustling with activity in the hours leading up to the show. Colorful, vibrant and welcoming, the main drag was covered in pride flags and business was booming at the numerous mom-and-pop gift shops, galleries, and gastropubs around town. The energy in the air felt like a throwback in time, reminding me of the neighborhood block parties when I was young and everything felt safe. Prior to showtime, early attendees at The Colony were treated to the delightful Americana sounds of The Jack Grace Band on the back patio stage. It was inside on the Ballroom stage, however, where the real magic was about to take place.
Spafford performing at The Colony in Woodstock, NY 6/15/24.
Fresh off their first gigs together in Rochester and the Northlands Music Festival, this incarnation of Spafford hit the ground running hard. With a schedule that includes 10 shows in 11 days, don’t let anyone tell you touring life is easy. Consisting of bassist Jordan Fairless, drummer Nick Tkachyk and keyboardist Cory Schechtman, the Spafford members humbly welcomed and thanked guitarist Mike Gantzer for joining them on this run of shows. Easing into things with an opening improvisational groove, it was around 17 minutes in when the band landed on the first actual Spafford song of the night, the explosive fan favorite “It’s a Bunch.”
Performing with man down, Spafford looked to Mike Ganzter to man up on 6/15/24.
Playing with a man down, it was here when Gantzer really stepped up and cut loose first the time, announcing his presence with swagger and authority, showcasing his undeniable ability as a player. Emoting with passion and simultaneously shredding his sparkling blue Gibson axe with the best of them, let’s be clear, no one can “replace” Brian Moss, but it was around this part of the show when you realized this was an unprecedented kind of Spafford experience. That we were witnessing something special and not only were things going to be just fine, they were going to be absolute fire.
Leaning heavily on bassist Jordan Fairless to handle the majority of vocal duties on this run, Saturday night at The Colony took on extra special significance for him. After celebrating his wedding anniversary two days prior, it was not only a homecoming for Jordan, but a full-on family reunion as well. With his beautiful wife and daughter in attendance, every time the local Woodstock resident stepped up to the mic you could see the sparkle in his eyes as he sang out to them. Touching and beautiful, the first time we’d hear it was on “Lonely,” a song written years ago and has emerged as one of the bands biggest jam vehicles.
It was a hometown throwdown for Spafford’s bassist Jordan Fairless who lives in Woodstock.
Clocking in just shy of the 20-minute mark, it was the clear standout of the first set and just seemed to hit a little harder given the circumstances of this particular night. Jordan’s soothing vocals carried over into the bluesy come down of “Shake You Loose” from 2022’s Simple Mysteries and would send the audience burning straight through intermission.
Met a man in New York and he had no time for me.
His New York minutes, they were ticking away.
But I’m not gonna give up, no I’ll just keep on standing here.
Waiting for that day…when we all say.
You don’t have to be lonely. Look no further, you can hold me.
And I will hold you till you’re not lonely.
We’ve got each other, and I’ll be on your side till the morning comes.
-Lyrics from “Lonely”
Prior to the start of the second set, the unofficial fifth member and band namesake, Chuck “Spafford” Johnson who would treat the audience to a reading of his poem “Would Etal.” A privilege to hear one of “Chuck’s Dreams” in person, his purpose with the band cannot be overstated. Aside from being a published poet, Johnson has also penned the lyrics for several of the bands most beloved songs, including “My Road, My Road,” “The Postman,” and “Slip and Squander.” He’s also the man primarily responsible for running the free Spafford live streams on YouTube and doing what some might call “God’s work.” Fans can’t thank him enough.
Chuck’s Dream: Lyricist Chuck “Spafford” Johnson read his poem “Would Etal” during set break on 6/15/2024.
Returning to the stage for round two, Spafford wasted no time putting the pedal to the metal by opening with “Diesel Driver,” a song that many fans have now come to associate with the aforementioned crash in March that still lingers over the band. It’s exploratory jam would segue nicely into the new and highly danceable Corey Schectman space-funk instrumental “Machine Elves” that had the entire room moving and grooving. Another sentimental moment came next as Fairless sang the blues based “Home (One Place I’ll Never Be). Dedicating the song to his wife two days prior, here he was able to sing it to her in person and just down the street from where they now live.
Spafford performing at The Colony in Woodstock, NY 6/15/24.
Playing up the novelty of Jordan’s homecoming, the undisputed jam of the night evolved next in the form of a near 30 minute version of “Leave the Light On,” a song first played by the band in 2012. This time, however, it seemed to take on a whole new level of maturity. Listening intently to each other and exchanging glances, the creativity flowed between the four musicians on stage. Largely anchored by the handiwork of drummer Nick Tkachyk, you would never know this lineup has only played a few shows together.
Mike Gantzer performing with Spafford at The Colony on 6/15/24.
Finding some limits and pushing through them, the playing was relentless and the improv was intense. With Gantzer pouring every ounce his of passion and spirit into the performance, you know somewhere out there Brian Moss is smiling knowing he made the right call. Feeling more comfortable with each passing show, you can see the healthy respect these guys have for each other and the budding friendship that’s blooming.
It’s so cold at night, and I pretend that it’s all right.
But I keep your candle burning in the window.
Leave the light on for me lady.
So in the darkness I can find my way home.
Leave the light on for me lady.
Let me know that I’m not alone
-Lyrics from “Leave the Light On”
Holding court near the merch stand with a small group of people listening intently, Gantzer opened up about the challenges of learning such intricate material in such a short time. While comparisons to Moss are inevitable and both players are among the scene’s elite, it’s not quite as turn-key when it comes to the type of improvisation Spafford is known for. Making it clear that he was honored to get the call and that he’s feeling a bit of pressure to deliver the goods, he humbly noted he “can’t play the songs like Brian does, that he can only play like himself.” Feeding off the crowd’s energy and hoping to send it all the way back to his friend, it’s fair to say Uncle Mike met all expectations and exceeded them in Woodstock.
Mike Gantzer performing with Spafford at The Colony on 6/15/24.
Returning to the stage for a brief encore, Jordan would address the crowd once again, thanking them for coming out to the show and thanking Gantzer for his incredible job filling in. After planting the homecoming seeds all night long, Spafford would finally spit them out with the lone cover and final song of the evening, a tasty take on Herbe Hancock’s “Watermelon Man.”
Mike Gantzer will remain with the Spafford through the remainder of the month before the band reevaluates. Following a scheduled run through Colorado and an appearance at the 4848 Festival in July, East Coast fans won’t need to wait long to see Spafford again. They’ve just announced a number of new tour dates in August that includes a stop at Lincoln Hill Farms in Canandaigua, linking up with red-hot New York jammers Annie in the Water. As for the future of guitarist Brian Moss, no one seems quite sure when he’ll return to the fold. Requesting privacy at this time, we here at NYS Music wish him all the best and hope the healing power of music starts working its magic soon.
Spafford | June 15, 2024 | The Colony | Woodstock, NY
Set1: Jam > It’s a Bunch > Lonely, Shake You Loose.
Set 2: Diesel Driver > Machine Elves, Home (One Place I’ll Never Be) < Leave the Light On.
Kommuna Lux, the acclaimed ‘Odesa Urban Folk’ band from Ukraine, is set to embark on a 30-city US charity tour this Summer, blending thrilling Klezmer and Ukrainian folk music to raise funds for humanitarian causes back home.
Just as the streets of their hometown of Odesa are rich with nostalgia and a diverse, bohemian Black Sea coastal vibe, Kommuna Lux’s melodies are filled with dazzling rhythms, refreshing anarchy, and plenty of joie de vivre! These conservatory-trained musicians combine traditional Klezmer, Balkan, and Urban Chanson, with a dash of Ukrainian Folk and inject it with rocket fuel for a high-energy Big Band sound from the bygone days of speakeasies and rum runners.
The first stretch of the tour will bring this unique ensemble to leading venues in the Hudson Valley, Upstate New York and New York City. Performances will including Drom in NYC (June 21), Live at the Falcon in Marlboro (June 23), The Levitt/AMP Concert Series in Utica (June 24) and Ithaca’s Unitarian Church (June 25).
Leading Kommuna Lux is Bagrat Tsurkan, whose hot buttered voice and nonstop energy compel everyone to the dance floor. The remaining band, Volodymyr Gitin (clarinet), Oleg Vasianovich, (accordion), Andrei Okhramovich (trumpet), Yaroslav Besh (trombone), Viktor Kirilov (acoustic guitar), and Sergei Poltorak (percussion), miraculously manage to play with perfection while creating equally dizzying energy on stage. Watch an example of their live show here.
Kommuna Lux has been fundraising at their shows since 2022 and raised $16,000 in donations on their fall 2023 US tour. They created KMLX, a 501-c3 charity, after their first US tour, ensuring that 100% of donations received at their concerts are used for humanitarian aid. Virtual donations can be made on the website kmlx.org
The Ashokan Center, located in Olivebridge, NY, announced the lineup for the twelfth rendition of their Summer Hoot Music and Nature Festival. From August 23 through the 25, attendees can enjoy an array of activities, including parades, music workshops, nature walks and hikes, petting zoos, and more.
The festival will also feature live performances from local, regional, and nationwide musicians, comedians, and other performers.
Nestled deep within the Catskill Mountains, The Ashokan Center has dedicated more than five decades to the conservation, protection, and preservation of New York’s forests. As a non-profit retreat center, they host a variety of programs and community engagement activities. Most notable are their Music & Dance camps, an opportunity for people of all ages to engage in their favorite activities and collaborate with one another. The Ashokan Center’s unique educational offerings explore natural science, history, environmental issues, arts and music, and writing through programming for children and adults.
In February 2013, Mike Merenda and Ruth Ungar planned a festival to raise awareness for the Center. The plan was to create a fun, engaging space for all ages to enjoy the culture and nature of the Catskills. Over 400 people attended the first Winter Hoot, but that was only the beginning.
During the summer of that year, the team built two outdoor stages on “Hoot Hill,” giving the festival its name. This launched the Summer Hoot Music and Nature Festival we know today, which has brought in crowds of over 1,200 attendees year after year.
In addition to raising money for the Ashokan Center, the Hoot aims to invite locals and visitors alike to gather in the mountains for a friendly, upbeat celebration of the unique culture, community, and beauty of the Hudson Valley and Catskills region.
“The Hoot is a way to share the joy and freedom I was privileged to experience in my own childhood at Ashokan, and keep the party going for generations to come.”
Ruth Ungar Merenda
In addition to live music on two stages on Ashokan’s Hoot Hill, the Hoot Music and Nature Festival offers a wide range of programming for the entire family. All-day activities for children in the Kids Zone, including daily kids’ parades, will be hosted all weekend long. Music workshops, blacksmithing demonstrations, morning gong baths with Love Waves, yoga classes, guided hikes to Ashokan’s historic Cathedral Falls, and an all-hours Jubilee Jam Tent are merely just a few examples of the exciting weekend planned.
The full lineup and information for the Summer Hoot Music and Nature Festival are listed below. For more information, visit here.
Summer Hoot 2024 Lineup
THE MAMMALS are Indie folk ambassadors and songwriting ninjas featuring Hoot producers, Ruth Ungar & Mike Merenda. The band is known for its high-energy shows, original repertoire, and Americana sound. Their music blends old-timey, vintage pop, and contemporary folk.
TUBA SKINNY is a New Orleans-based traditional jazz street band. Known for their interpretations of early jazz, ragtime, and blues music from the 1920s and 1930s, they have recently branched into other genres such as traditional New Orleans soul and R&B. Their instrumentation includes cornet, clarinet, trombone, tuba, tenor banjo, guitar, frottoir, and vocals.
STEVE POLTZ is a Canadian-American singer-songwriter and guitarist. He is a founding member of the indie-rock band the Rugburns and collaborated on several songs with singer Jewel, including the 1996 single “You Were Meant for Me”, which reached number 2 in the US.
BRIDGET KEARNEY is a Brooklyn-based musician and songwriter. She is a founding member of the band Lake Street Dive and winner of the 2005 John Lennon Songwriting Contest in the Jazz category.
JAY UNGAR & MOLLY MASON have contributed immense vision and hard work to preserving the Ashokan Center and its music and nature programs. From organizing big-picture development to playing “Home Grown Tomatoes” and “Ashokan Farewell” for visiting 5th graders nearly every week, their leadership and love of Ashokan helped to preserve the land and a “safe place to try new things” for thousands of adults and children to experience yearly.
THE BIG TAKEOVER is a seven-piece band from New York’s Hudson Valley known for their original music that blends Jamaican pop genres like reggae, ska, and rocksteady. The band blends their own unique sounds with those of Motown, retro soul, and R&B. Jamaican-born singer and songwriter Nee Nee Rushie leads the band.
NAIIKA SINGS is a Brooklyn-based Hoot favorite known for soulful performances and creative, dynamic performances that engage any audience. A variety of genres, including R&B, folk rock, pop, world music, and jazz influences her music. Naika Sings surely stands out in a crowd. Join them for their performance at the Summer Hoot and Music Nature Festival.
JEFFERY BROUSSARD & THE CREOLE COWBOYS is a Creole & Zydeco group from Louisiana. One of the most influential accordionists and vocalists in modern Zydeco music, Jeffery Broussard continues to be one of the genre’s most dynamic performers. Join them for an unforgettable night of Zydeco music.
SETH BERNARD & JORDEN HAMILTON are a beloved singer/songwriter and hip/hop-influenced duo from Michigan. They perform original music on electric guitar and cello, combining classical music with a hip-hop influence to create a unique, fun, and original sound.
GUACHINANGOS is an energetic Latin-American ensemble from NYC fusing Mexican son jarocho with Colombian cumbia and other rhythms.
LAURAL MASSÉ & VINNUE MARTUCCI are a Hudson Valley-based vocal and piano jazz duo. As the founder of the band Manhattan Transfer, Massé toured worldwide and appeared on TV. Vinnue Martucci teaches jazz history part-time at the State University of New York at New Paltz. He accompanies Massé on a monthly live show on WAMC in Albany.
THE CITY STOMPERS are a percussive Appalachian dance troupe from New York City that will bring their dance performance to the Toshi stage and invite attendees to join in the evening square dance in the Pavilion.
ARM-OF-THE-SEA THEATER is an inventive, larger-than-life, storytelling troup focused on eco-educational stories and themes. Through visual storytelling and great live music in original works of mask and puppet theater, Arm of the Sea Theater has dedicated nearly 3 decades to family-friendly, creative environmental storytelling.
CAROLINA MAMA is an Argentinean songwriter. A graduate of prestigious arts programs at Buenos Aires’ Universidad Nacional del Arte and NYC’s New School of Jazz and Contemporary Music, Carolina also records and tours with Samir LanGus and the GRAMMY-nominated vocal group ROSA.
DAVID & JACOB BERNZ are a son-father duo from Beacon who have been performing throughout the Hudson Valley for many years. David is known for his tribute to The Weavers (Work O the Weavers) and as a two-time Grammy award-winning producer for Pete Seeger albums, Pete Seeger at 89 (2008) and Pete Seeger and the Rivertowns Kids (2010). Together David and his son Jacob sing original material and new versions of older tunes blending modern and traditional sounds.
GASLIGHT TINKERS is a band from Brattleboro, Vermont, known for their high-energy, danceable shows that blend traditional New England fiddle music with global rhythms. Their sound is a joyful, exciting journey with unexpected textures and turns. The band draws inspiration from their musical backgrounds in traditional folk, Caribbean, Celtic, and rock, creating a delightful blend of genres that are simply unforgettable.
BRENDAN DANIEL is a founding member of Town Meeting from New England. As a harmonica prodigy, Brendan Daniel is surely a performance you will never forget. His rich voice and skilled harmonica playing are a sight unlike any you have seen before.
NATE THE GREAT is a master juggler, musician, and comedian who is hilariously fun for the entire family. Join him at the Summer Hoot for a fun-filled magic and comedy show!
As the Grateful Dead found themselves in between tours in the early summer of 1982, side projects were apparently the name of the game in order to stay musically limber. And a new music venue in South Fallsburg, NY was more than happy to have them. Jerry Garcia Band kicked off a string of shows in the Northeast at Music Mountain on a co-bill with Bob Weir’s Bobby and the Midnites. This new venue in Sullivan County at a revamped hotel lodge that never quite made it actually played host to the first permissible concerts in the area since Woodstock in its very brief existence.
One of the last of the few shows ever played here was this heralded Jerry Garcia Band show on this day in 1982 that’s loaded with classic cover song selections and a few JGB “originals.” This particular iteration of the band features some of Garcia’s closest and longtime collaborators playing together and it certainly comes through in the sound. Bill Kreutzmann, his Grateful Dead cohort, is on drums with John Kahn manning the bass guitar. Longtime JGB member Melvin Seals is joined on keys by Jimmy Warren. And Julie Stafford and Liz Stires provide the backup vocals.
Jerry Garcia Band ticket stub – June 16, 1982
The show begins with a vintage take on Smokey Robinson’s “How Sweet It Is,” a staple in the Jerry Garcia Band songbook. A sizzling early guitar solo sets the stage for responses from Melvin Seals and Warren on keys with everyone in the band getting a chance to shine right from the start. The harmonized vocals add a layer of authenticity to this cover. Bill Kreutzmann then starts up the next number on the bass drum by himself as the rest of the band patiently merges into the beginning of “Catfish John,” a much lesser known cover song that JGB has also made one of its own. Garcia takes the wah pedal/effect out for a spin much to the delight of the Music Mountain crowd with the rhythm section maintaining a steady pocket of groove throughout. After some fun interplay with Seals, Garcia then fires in one last funky guitar solo on this well cooked “Catfish.”
Music Mountain – South Fallsburg, NY
In the three-spot is another Jerry Garcia Band regular, “That’s What Love Will Make You Do.” Originally credited to Little Milton in 1971, the song was played numerous times by Legion Of Mary, an all-too-brief previous side project of Garcia’s from the 70s that also featured Kahn, Martin Fierro on saxophone and flute along with Merl Saunders on keys. Their familiarity with this number comes through in spades as Garcia and Saunders take turns ripping through their respective solos on another groove-heavy funk vehicle that has Music Mountain in full swing.
Things finally cool off a bit with “Valerie,” a Robert Hunter-penned song that would go on to appear on Garcia’s Run For The Roses which would be officially released later this year. It’s got elements of “Loser” woven throughout and all the feel of an early 70s Dead song dressed up in a JGB jacket that fits perfectly in this spot. And, of course, it wouldn’t be a Grateful Dead-related show without a nod to Chuck Berry and the band takes care of this in the form of a ripping cover of “Let It Rock” that sees Garcia unleashing another bevvy of scintillating guitar runs. This funnels right into a set-closing “Deal” that’s as tight as any GD version with the harmonized backup vocals from Stires and Stafford adding some additional flavor to it.
A spirited Music Mountain crowd welcomes the Jerry Garcia Band back for a second set that starts with another cover, this time it’s “(I’m A) Road Runner,” a song first recorded by Junior Walker and the All-Stars in 1965. This would become another JGB live show staple throughout the years. Seals and Garcia get into some heavy interplay on this one as the the band stretches this “pop” hit into a fun, relaxed jam. “Love In The Afternoon” then follows, another Robert Hunter-penned song that first appeared on Garcia’s Cats Under The Stars album from 1978, his first LP using the band name Jerry Garcia Band and his first LP on the Arista label.
The real meat and potatoes of the second set, and perhaps the show itself, is the “Don’t Let Go” that comes next. It’s a near 20-minute joy ride of deep funk and some of the more exploratory jamming of the evening. The rhythm section of Kahn and Kreutzmann is hard at work once again and develop a deep groove that Garcia plays off of effortlessly. With Seals adding additional layers of sound atop it all, it makes for a lively jam that’s rife with musical cohesion and craftsmanship. Almost suddenly, the rest of the band then eases up that allows for a brief Kreuztmann drum solo that then turns into a bass duel with Kahn before Garcia slowly reenters the mix. It’s a loose, acid jazzy type jam that’s one of the show’s true highlights.
Although there would be no traditional encore tonight, the rest of the set almost feels like one, starting with a super slow take of The Band’s “The Night They Drove Ol’ Dixie Down.” With the tempo dialed down to an absolute crawl, this gives one of the last Garcia guitar solos of the night some added poignance and emotion. The beautiful backup vocals from Stires and Stafford certainly doesn’t hurt either. The show then comes to a close with “Run For the Roses,” the title track of the soon to be released album and another classic Garcia-Hunter collaboration. And with that, Jerry Garcia band puts the finishing stamp on one of the last shows to ever take place at the ill fated Music Mountain.
An apparently rain-soaked show from Bobby and the Midnites that went well into the night then followed – check out the audio here.
https://www.youtube.com/watch?v=uE27loWjRq0
Jerry Garcia Band – Music Mountain, South Fallsburg, NY – June 16, 1982
Set 1: How Sweet It Is (To Be Loved By You), Catfish John, That’s What Love Will Make You Do, Valerie, Let It Rock > Deal
Set 2: (I’m A) Road Runner, Love In The Afternoon, Don’t Let Go, The Night They Drove Ol’ Dixie Down, Run For the Roses
