Category: News

  • New Joni Mitchell Compilation to Include New York Recordings

    On October 4th, Joni Mitchell will release a new compilation titled Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980). This compilation traces Mitchell’s musical evolution between the releases of Hejira and Mingus.

    Included in the four-disc record are three sets of live and studio recordings from New York performances by Joni Mitchell.

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

    Born in Alberta, Canada, Joni Mitchell quickly emerged as one of the brightest lights in the folk genre. By 1969, her sophomore album Clouds cemented Mitchell as a folk icon, buoyed by songs like “Chelsea Morning” and “Both Sides Now.” Throughout the 1970s, Mitchell evolved her sound, further incorporating elements of jazz into her songs.

    While albums like Court and Spark dabbled with genre fusion, 1976’s Hejira fully realized this concept. Partnering with legendary jazz bassist Jaco Pastorius, Mitchell crafted songs that sounded leagues away from her prior folk work. Fittingly, this album is where Joni Mitchell Archives, Vol. 4 begins. Following this release was a period of unrivaled innovation by Mitchell. On 1977’s Don Juan’s Reckless Daughter and 1979’s Mingus – a collaboration with jazz great Charles Mingus – Mitchell fully embraced elements jazz fusion. 

    This album is the 12th release by the Joni Mitchell archives. The Grammy-winning series includes previously unreleased live recordings and studio outtakes. The multi-disc set features recordings hand-picked by Mitchell herself. The compilation’s tracks were salvaged and remastered from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Among the recordings are live recordings from Mitchell’s time with Bob Dylan’s Rolling Thunder Revue in 1975, and Anti-Nuclear Rally. Across the album’s tracks are collaborations with jazz greats like Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.

    Joni Mitchell and Jaco Pastorius at the 1979 Berkeley Jazz Festival

    The compilation album additionally features three sets recorded in New York. First is a performance from the Nassau Coliseum in Uniondale, NY from February 20, 1976. The album only features one song from this performance. While it came as part of the tour for Hejira, the album features a recording of “For Free” from 1970’s Ladies of the Canyon

    Secondly are alternate versions of tracks from the 1978 Mingus sessions. The sessions were recorded at Greenwich Village’s legendary Electric Lady Studios. Originally commissioned by Jimi Hendrix, the studio was a recording hub throughout the 1970s. On top of Joni Mitchell, Stevie Wonder, Led Zeppelin, and David Bowie all recorded at the studio. The album features alternate versions of “Sweet Sucker Dance”, “A Chair in the Sky,” and “Sweet Sucker Dance” from these sessions.

    Joni Mitchell at Forest Hills Stadium 8/25/79

    The final New York recording comes as part of Mitchell’s August 25, 1979 performance at Forest Hills Stadium in Queens. The recording features tracks from Hejira and Mingus, which highlight Mitchell’s innovation during the period. Also featured in this recording are selected tracks from prior albums like “Big Yellow Taxi” and “Free Man in Paris.” 

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) releases on October 4th as a 6 CD set. Also releasing is an abridged 4LP vinyl release, featuring Mitchell’s personal favorite tracks. The compilation includes never-before-seen photos and liner notes by director Cameron Crowe. The liner notes include an exclusive interview with Mitchell with anecdotes from this period of her career. 

    Following the album’s release, Mitchell will headline the “Joni Jam” on October 19-20th. These performances at the Hollywood Bowl will feature a number of special musical guests. 

    Rhino Records will release Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) on October 4th, 2024. For more information on how to preorder the album, visit the link here

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) New York tracks

    Live at Nassau Coliseum

    Uniondale, NY, February 20, 1976

    19. For Free

    Mingus Sessions

    Electric Lady Studios, New York, NY

    Recorded & Mixed by Henry Lewy & Jerry Solomon

    3. Sweet Sucker Dance (Vocals & Drums Version – Take 5)

    4. A Chair in the Sky (Early Alternate Version – Take 6)

    5. Sweet Sucker Dance (Early Alternate Version)

    Live at Forest Hills Tennis Stadium

    Queens, NY, August 25, 1979

    Recorded by Joel Bernstein from PA mix by Ed Wynne

    7. Big Yellow Taxi

    8. Just Like This Train

    9. In France They Kiss On Main Street

    10. Coyote

    11. Edith and The Kingpin

    12. Free Man In Paris

    13. Goodbye Pork Pie Hat

    14. Jaco’s Solo/ Third Stone From The Sun

    15. The Dry Cleaner From Des Moines

  • The Sembrich Announces Exciting Mid-August Events

    The Sembrich, Bolton Landing’s historical museum and music venue, announced their mid-August event schedule. Featuring violin guitar duo ArcoStrum, a James Joyce inspired opera, and an acclaimed Polish violinist, the Sembrich has an exciting month ahead.

    The Sembrich boasts a variety of musical events, a museum with a rich history, and indescribable natural beauty. Whether it’s a new museum exhibition or their annual music festival, The Sembrich always offers something to look forward to.

    On August 17, acclaimed Polish violinist Kinga Augustyn will perform at The Sembrich. Augustyn will perform a program of Polish masterworks, including Saint-Saëns’ “Introduction and Rondo Capriccioso,” Op. 28, Kreisler’s “Three Old Viennese Dances” and Polish masterworks by Henryk Wieniawski and Grażyna Bacewicz, accompanied by Alla Milchtein.

    Richard Wargo, The Sembrich’s artistic director, said, “Kinga was a part of our 2021 festival ‘Nature and Music,’ when she delighted listeners with nature-inspired violin melodies… This year’s performance promises an elegant evening with the celebrated musician and renderings of several rarely performed violin masterworks here in the Adirondacks.” Tickets are available at the following link.

    Award winning instrumental duo ArcoStrum will bring their exhilarating mix of music from around the world to The Sembrich on August 21. Guitarist TY Zhang and Violinist Strauss Shi met at Julliard, and discovered a personal and musical chemistry that would enhance their charismatic stage performances and immense technical proficiency. Committed to pushing boundaries, ArcoStrum creates a one of a kind performance by combining personal compositions with traditional Chinese instrumental music and 21st Century rock. Tickets are available here.

    Karina Rodriguez

    The James Joyce inspired musical At That Hour, Act One will be performed on August 24. Composed by Richard Wargo, the opera draws inspiration from Joyce’s poetry and prose. Wargo is an experienced composer who has drawn from literature before, namely when composed an opera inspired by classic Anton Chekov. Wargo has also served as the Sembrich’s Artistic Director and Composer-In-Residence since 1991, and write the opera as part of The Sembrich’s centennial anniversary. Tickets are available here.

    A video about The Sembrich’s centennial celebration is available below.

  • Buffalo Unites Against Newly Imposed “Amusement Fee”

    At the start of August 2024, Buffalo announced the enforcement of an “Amusement fee” on all ticketed events. This announcement was met with immediate backlash from venue owners, local politicians, and musicians across the city. Now, the city has placed a pause on fee collections, seeking other methods of raising revenue. This whole saga still raises some questions: Why did Buffalo implement such an unpopular policy and what is the best way forward?

    Letters sent to venue owners alerting them of the amusement fee. Source: Investigative Post

    The first question is: Why did Buffalo decide to enforce this unpopular amusement fee? The simple answer is that the city is in desperate need of money. Buffalo currently has a $40 million budget gap that it needs to fill. The city’s current budget adopted on July 1st, depends heavily on a 4.2 percent hike in property taxes and an increase in garbage collection fees. An additional $32 million in federal pandemic relief money, and nearly $15 million from the city’s reserves supplement these taxes. Past attempts to raise revenue, like a 9% tax hike in 2023, have all failed to fix this issue. Despite attempts to raise money, the city’s Control Board still identified over $131 million in potential shortfalls within the next four years. Due to this, Buffalo has attempted to raise money anywhere possible.

    The city decided that the best way to tackle these fiscal issues was to enforce an archaic law. The law was the obscure Chapter §75-1. Amusements Classifications of City code, also known as the “Amusement fee.” The law allows the city to charge fees for amusement licenses on all ticketed events. This not only includes music, but also “lectures, exhibitions, theater, sports, comedy…and other shows that charge a fee for entry.” In correspondence to venue owners, the city included a schedule of fees based on show size. For example, an event with tickets below $25 would have an additional $55 fee. Larger events, with tickets over $100, would likewise have higher fees, upwards of $350. 

    Critics of the law have pointed out its outdated nature. As Assemblymember Jon D. Rivera and Senator Sean Ryan noticed the law includes language referring to “minstrel shows,” and “kinetoscope” exhibitions. As this language implies, the city has not enforced the law in living memory. Many venue owners felt blindsided by its enforcement, never having to pay the amusement fee previously. 

    State Senator Sean Ryan (center) is one of the amusement fee’s major opponents

    While the city has only newly enforced this law, increased event fees are not uncommon in the city. In 2019, the city proposed a surcharge on all events held at city-owned venues. This proposal would have taxed tickets on a sliding scale, ranging from $.50 to $3.50. 

    Following the enforcement of the amusement fee, musicians and venue owners immediately fired back. Many pointed out that this new fee would cost venues tens of thousands of dollars each year. Not only would these fees put venues at financial risk, but they would waste owners’ time. As Babeville’s operator Scott Fisher pointed out “The burden [is] not only the money, but the time that our staff would have to spend making sure we’re compliant.” If venues fail to comply with event licensing, they could face fines from the city. 

    Musicians have likewise pointed out the harm on music fans. Buffalo-based musician Dave Thurman speaking to WIVB said “We are talking about asking somebody to pay a $30 ticket instead of a $20 ticket.” These amusement fees threaten to put Buffalo’s music scene at risk, dissuading people from attending concerts due to the elevated prices. As Thurman continues, he noted how this also hurts local business, “Well, that’s probably going to cut into the bar owners’ receipts at the end of the night too, because that person isn’t going to spend that much more.”

    Some have also criticized the law as misguided. Riverworks CEO Bill Casale said that money is better off “being reinvested into our facilities and investing into our communities, into our staff and our people.” Instead the city is using “taxes that they want to summon us with that we are unaware of with no notice.” The financial data backs up these points. In 2023, only .01% of the city budget came from event fees. Additionally, in the past 15 years, the city has raised less than $27,000 annually from these fees. 

    Buffalo Riverworks – one of many venues impacted by the amusement fee

    Alongside musicians’ criticisms have been those from Buffalo’s elected officials. At the forefront of the anti-amusement fee push are Assemblyman Jonathan D. Rivera and State Senator Sean Ryan. Ryan has stated that the city’s budget shortall “isn’t a problem that can be solved with quick fixes, and Buffalo can’t afford to keep kicking this can down the road.” He additionally points out that “Reviving an obscure amusement fee to plug budget gaps is the same type of short-term thinking that got the City into this mess in the first place.” Ryan believes that fees like this distract city officials from dealing with serious problems. “Buffalo’s leaders need to permanently scrap this fee and stop trying to put this burden on the backs of small business owners when they should be working on solving the root issues that got us here.”

    Assemblyman Rivera likewise pointed out the fee’s threat towards Buffalo’s unique character. Rivera stated that Buffalo needs to “Find a suitable way to improve the City’s finances without sacrificing the vibrant cultural and economic landscape that makes Buffalo unique.” This sentiment was echoed by Scott Fisher of Buffalo’s Asbury Hall. At a local press conference, he said “I have an idea of how to help Buffalo – find a way to raise the city’s population from 280,000 to 380,000 people by making it a friendlier place to live and enjoy the culture, instead of simply nickel-and-diming that culture toward the brink of extinction.”

    Asbury Hall’s Scott Fisher has been critical of the amusement fee

    The response to the amusement fee goes past criticism, with some local politicians seeking solutions. Buffalo Common Councilman Joe Golombek told Buffalo Rising that he “look[s] forward to working with [his] colleagues in the Common Council and the City administration to find a solution that is both equitable and consistent.”

    As a result of the backlash against the amusement fee, actions have already been taken to solve the issue. As of August 7th, the city of Buffalo has placed a temporary pause on amusement fee collections. This move has already gained praise from local venue owners. Jason Hall of Sportsmens Black Rock said to ABC7, “I’m very happy that the city came together really quickly to solve what would have been a real problem to businesses like mine.” Additionally, Venu’s Tim Walton added “It shows they are listening to businesses, shows they’re willing to work with small businesses.”

    While a pause has been implemented, the fight is not over according to local politicians. Both Rivera and Ryan have called for a permanent termination of amusement fee collections. WNY music journalist Jeff Miers reports “They vowed to fight side by side with our community of music venues to make this cessation permanent.” For now, this fight will have to wait, as the Common Council is on recess for the remainder of August. As Councilman Golombek pointed out “We can’t change anything until September…but we are very open to doing that.”

    This saga begs new questions for the future, specifically regarding how the city will deal with its budget shortfalls. As shown by the swift and unanimous backlash against the amusement fee, any new taxes on live events seem unlikely for the near future. As Common Council President Christopher P. Scanlon stated, any future moves would have to “ensure these vital venues and our arts and cultural scene continue to thrive and remain assets to our city and region.”

  • NYC Avant-Garde Theatre, The Kitchen, Announces Its 2024 Season

    New York City’s experimental and avant-garde theatre, The Kitchen, announced its programming for the Fall 2024 season. This season combines works from multiple disciplines and collaborations between several institutions and artists, bringing an exciting new collection to their temporary Westbeth Artists Housing stage.

    the kitchen

    Founded in 1971, The Kitchen has provided New York City with exceptional artists, from dancers to muralists and painters. For the last five decades and throughout multiple different venues, it has been a place where the abstract and avant-garde can shine.

    Currently situated in the Chelsea neighborhood in Manhattan, this season includes collaborations with longtime partners Protect the Peace with PROTECT THE PEACE: we, INSURGENT, The Kitchen’s Longest-Running Series, Dance and Process, Code Switch: Distributing Blackness, Reprogramming Internet Art, The Kitchen’s first traveling exhibition, and more.

            The full schedule is listed below. Tickets and more information can be found on their website, linked here.

            The Kitchen Fall 2024 Programming Schedule

            The Kitchen in Focus at 47 Canal
            47 Canal (59 Wooster St 2nd floor, New York, NY 10012)
            September 4–14 and September 20–October 26, 2024
            Gallery Hours: Tuesday-Saturday, 10am-6pm, and by appointment

            PROTECT THE PEACE: we, INSURGENT

            The Kitchen at Westbeth

            September 6, 2024, 6-9pm

            Tickets: Sliding scale $10-30; Tickets on sale August 15

            Dance and Process: Rena Anakwe, ms. z tye, and Ogemdi Ude

            The Kitchen at Westbeth

            Performances: September 20–22, 2024; Time to be announced in early September

            Tickets: Sliding scale; $10-30

            Community Action Center: The Soundtrack

            Site: The Kitchen at Westbeth

            Date: October 8, 2024, 7pm

            Tickets: Sliding scale; $10-30

            Code Switch: Distributing Blackness, Reprogramming Internet Art
            Site: Schomburg Center for Research in Black Culture [Fall 2024] and Museum of
            Contemporary Art Detroit [Spring 2025]
            Dates: October 15 – December 19, 2024, and April 25 – September 7, 2025
            Schomburg Gallery hours: Free; Monday – Saturday, 10am-6pm

            NIC Kay: The last gasp of the angry white man

            Dia Chelsea, co-presented in partnership with Dia Art Foundation

            October 12, 2024, 5:30pm

            Tickets: Free with RSVP; Reservations open on August 15 via Dia’s website

            JJJJJerome Ellis: Aster of Ceremonies

            The Kitchen at Westbeth

            November 7, 2024, 7pm

            Tickets: Sliding scale; $10-30

            Meredith Monk. Calling Catalogue Launch Party

            The Kitchen at Westbeth

            November 13, 2024, 7pm

            Tickets: Free with RSVP

            Lines of Distribution

            The Kitchen at Westbeth

            November 21, 2024–January 18, 2025

            Regular gallery hours: Wednesday–Saturday, 12–6pm

            Opening weekend programming, including performances and artist roundtable: November 22–23 (Details, tickets, and times to be announced)

          • Woodstock Creator Michael Lang’s House Goes up For Sale

            Woodstock co-creator Michael Lang’s Mount Tremper house is now on the market. His 17-acre property is currently listed for $2.43 million. This sale comes one week before the Woodstock Festival’s 55th anniversary. 

            Image from Brown Harris Stevens

            Michael Lang was one of the most legendary concert promoters in history due to his work organizing Woodstock 1969. Born in Brooklyn in 1944, Lang moved to Southern Florida in 1967 where he began setting up shows. His first claim to fame was the 1968 Miami Pop Festival, drawing Jimi Hendrix, Frank Zappa, and more. 

            Following this success, Lang returned to his home state of New York to set up an even larger festival. Billed as “The Woodstock Music and Art Fair, An Aquarian Exposition,” the festival would take place over three days in Bethel, NY. Across its “three days of peace and music,” Woodstock drew nearly half a million attendees. On top of this, legendary performances by Jimi Hendrix, Crosby Stills Nash & Young, and Joan Baez quickly placed Woodstock in the history books. 

            After the success of Woodstock ‘69, Lang continued to promote concerts for decades. Among his other shows were the Woodstock ‘94 and ‘99 festivals. On top of these events, Lang had planned Woodstock ‘19 to celebrate the festival’s 50th anniversary. However, logistical issues forced the event’s cancellation. Besides for festival planning, Lang worked to book countless legendary artists on their own. Madonna, Bruce Springsteen, and Outkast are just some of the acts that Lang booked over the years. 

            Michael Lang
            Michael Lang at Woodstock ’69, Photo by Henry Diltz

            While Lang’s legendary Woodstock festival took place 40 miles from its namesake town, Lang’s property was much closer. The estate, known as Happy Brooks, is located in Mount Tremper, only a 20 minute drive from Woodstock. Lang called this 17-acre estate home for 45 years, before his death from lymphoma in 2022. 

            From its construction, Happy Brooks always had a connection to the arts. Built in 1929 for artist G. Adolph Anderson, the estate has consistently housed visual artists and writers. When Lang purchased the house, he vowed to keep its original structure intact. The main house retains its original layout, with four bedrooms, a library, office, kitchen, and dining room. The house’s rooms look out onto the same Catskill Mountains that acted as the backdrop for the Woodstock ‘69 Festival. In addition to the main house, Lang’s property houses two separate guest cottages. On top of the manmade structures, the property features a pond, meadows, and natural mountain scenery. 

            Now, 45 years after Lang’s purchase, this piece of music history is back up on the market. With Woodstock’s 55th anniversary approaching on August 15th, it is important to highlight the life and work of Michael Lang, who made it all possible. While the asking price for Happy Brooks is a whopping $2.43 million, some lucky person could soon call this legendary property home. 

          • What Happened to Troy’s Nighthawks Block Party?

            In June 2024, Troy’s sixth annual Nighthawks Block Party was abruptly canceled. The event, which had become a yearly staple of music and charity, cited growing disagreements with the city’s mayor Carmella Mantello. This begs the question of what exactly happened to the event?

            Home of the Nighthawks Block Party

            For six years, Troy-based restaurant Nighthawks has hosted an annual block party fundraiser. This event plays into the restaurant’s mission to “feed our friends and community with the best quality ingredients and love.” On top of food and drinks, the block parties featured special performances from local bands and artists. Most importantly, however, was Nighthawks’ dedication to serving the community. 

            Each year’s block party raised funds for a different local charity, tackling different issues facing Troy. In 2021, Nighthawks partnered with Unity House to fight growing gun violence throughout the Capital Region. The event featured performances from Coal Palace Kings, Brule County Bad Boys, the Wand-ers, and DJ Mercy, and anti-gun violence speakers. 

            With the overturning of Roe v. Wade in 2022, Nighthawks turned its focus towards reproductive rights. They partnered with Upper Hudson Planned Parenthood to raise awareness of their services. On top of informational sessions and refreshments, the event featured performances from the Brule County Bad Boys and The Men Who Loved Music. 

            Brule County Bad Boys were set to play at the 2024 Nighthawks Block Party
            Brule County Bad Boys

            2024 was supposed to mark Nighthawks’ sixth year serving the Troy community. For the block party, Nighthawks had partnered with Joseph’s House. The Joseph’s House nonprofit seeks to provide non-judgmental services to unhoused people across the Capital Region, with outreach, shelter, and emergency support services. The event also planned to feature performances from Brule County Bad Boys and The Men Who Loved Music, with guests, Barbie Barker, Slik Nik, and Big Unity Band. 

            However, just before the event was supposed to be held on June 22nd, Nighthawks’ owners announced its cancellation. Nighthawks’ co-owner Josh Coletto cited policy from the mayor’s office as the sole reason for the event’s cancellation. At the center of the dispute is Troy’s newly-elected Republican mayor Carmella Mantello. Coletto cites greatly increased fees from the mayor’s office as the prime cause for the event’s closure. 

            Whereas for past block parties total permit fees amounted to $45, the new administration charged the restaurant nearly $1,500 for 2024. Alongside the increased fees, the mayor’s office also required an additional police presence for the event, amounting to an additional $750. This had not been an issue in the past, with community volunteers helping to control crowds each year. The city has defended its decision to charge what they deem reasonable for events like this. 

            These new costs come alongside increased rhetoric against live music events from Mayor Mantello’s office.

            During her 2023 campaign, Mantello ran on quality of life issues for Troy. However, these issues have included an assault against the city’s live music venues. During the mayoral debates, Mantello cited outdoor music at Slidin’ Dirty’s as problematic for the city’s residents, insinuating noise complaints from live music were driving residents from the area. As mayor, she has implemented increased restrictions on live music.

            The October 2023 mayoral debate between Republican Carmella Mantello and Democrat Nina Nicholas

            For instance, the mayor’s office has altered zoning ordinances, changing the endtime for live music from 11 to 9pm. This stark change not only starves Troy’s residents of local arts, but also threatens small businesses that depend on earnings from live music events. Locals have begun to speak out against this new policy, with a July 22nd Downtown Troy Neighborhood Group meeting discussing the issue. The discussion came to the conclusion that the current policy is deeply flawed, with a more equitable process needed to ensure both neighborly respect and economic growth. No representatives from Mantello’s office attended the meeting.

            In reference to the Nighthawk’s block party, Mayor Mantello has cited this ordinance as the reason for the dispute. She said “What we have said is it’s 9:00pm. It’s a good time to start wrapping it up. And the permit is obviously at the discretion of the city.” This issue of noise ordinances seems to be what the mayor’s office is sticking to, ignoring concerns of increased permit fees. Mantello said, “We can’t pull Nighthawks out and say ‘We will waive these fees. We’ll not have our police officers at the event’ because it is across-the-board.”

            Referring to this cancellation, Mantello stated to News10, “We are trying to create a thriving energetic city of Troy.”

            This begs the question: how does canceling one of the most anticipated music and charity events help energize the city?

            Troy residents have taken to online forums to express their anger with this decision. On the r/Troy subreddit, user Dadvito3hunna wrote “I’m legitimately bummed about this one. My girlfriend and I love going to this event and supporting its cause.” User kettleofhawks added “This is absolutely absurd – this event is what makes Troy special, brings everyone together and supports a good cause. Adding a $750 fee for police protection that no one wants or needs is extortion, especially for a charity event.”

            The 2024 Nighthawks block party expected crowds of over 500. However, as a charity fundraising event, they cannot shoulder the new permit fees.

            Now, with the party’s cancellation, Joseph’s House will not receive any of the expected donations from the fundraising event. Despite this, Nighthawks is still looking into other future fundraising options alongside Joseph’s House. This event’s cancellation raises concerns for the future of live music events in Troy, and whether they will be able to shoulder the burden of Mantello’s new restrictions. 

          • Jazz in the City Visits Historic South Side Syracuse

            The August Jazz in the City concerts returns to the historic south side of Syracuse for a celebration that has become a long tradition. The Blacklites, a local powerhouse soul band formed over 50 years ago, will appear for the 20th time at Jazz in the City, at the same Dunk & Bright furniture location on South Salina Street.

            Mayor Ben Walsh will be on hand along with other dignitaries to award the band with a proclamation recognizing their half century-plus as an urban cultural resource. Walsh said, “The Blacklites have been a staple in the Syracuse music scene for over 40 years. I’m thrilled that they continue to bring high-energy performances for listeners of all ages to Jazz in the City and look forward to recognizing them this year with a proclamation at what will be another can’t-miss event.”

            1Accord Line Dance, a growing “dance for health” group founded by Kristle Lemmones in 2010, will open the show. All will be invited to dance with them until the Blacklites appear on the Leadsafe CNY stage at 7 p.m. on August 8th, to perform a two-hour concert.

            The Jazz in the City “concert fair” events take place throughout the summer in neighborhoods across the city. As a mobile public health effort unique to American cities, they present America’s music surrounded by multiple healthcare and family service providers, plus food and craft vendors.

            Title sponsor Syracuse Community Health provides a team of healthcare professionals as the centerpiece of a healthcare village. As an incentive to be screened and interviewed for individual and family health needs, those going through the SCH tent will receive $5 New York State Lottery scratch-off tickets. Additionally, everyone attending always receives free “goodie bags” filled with information provided by the attending healthcare village providers.

            An audience of over 1,000 is expected at the concert, which has always been one of the biggest draws of the series. It’s become one of the biggest family-friendly social events of the summer, thanks to the generosity of the Bright family, and of course our many other sponsors, led by SCH and Community Bank.”

            Don’t miss Jazz in the City tonight in Syracuse with The Blacklites.

          • JAM: A Documentary Chronicling the Iconic Phish Traffic Jam, Released for 20th Anniversary

            JAM, a documentary about the well-known 2004 traffic jam that happened due to masses of phans driving through Vermont to catch the at-the-time last Phish show ever, was released to the public on August 5, nearly 20 years after the legendary event.

            Phish Traffic Jam

            Releasing almost exactly 20 years after Phish’s farewell show in Vermont, JAM is a 30-minute documentary short film chronicling the epic 2004 traffic jam in Vermont, where tens of thousands of Phish fans struggled through days of gridlock, resulting in one of the most profound traffic jams in history.

            When Phish announced that their August 2004 shows in Coventry, Vermont, would be their last ever, it was a no-brainer to expect record levels of fan turnout. What wasn’t expected, though, was the severe rain that ravaged Vermont throughout the weeks leading up to the shows. Even with the rain, thousands and thousands of fans still made the trip to Coventry, but another issue arose: those making the trip directly caused one of the most iconic traffic jams ever. The overwhelming number of cars backing up Interstate 91 eventually reached a dead halt, which led to many fans simply leaving their cars on the side of the road and trekking to the venue.

            For those who were able to get there, the grounds were so covered in deep and thick mud, making everyday tasks like eating and cleaning oneself a massive challenge. But despite all of the adversities Phishheads faced, thousands still showed out, making one of the most iconic weekends not only in rock history, but in all of music history.

            Photo © John Crouch

            JAM features on-camera interviews with attending fans, including Aron Ralston (renowned outdoorsman and motivational speaker), retired Vermont State Police Seargent Bruce Melendy (key figure in managing the crisis), concert promoter Dave Werlin, spokesman Adam Lewis and Matt Maxwell of Maxwell’s Neighborhood Farm (concert venue).

            The film is based on extensive footage recorded by Alex Daltas, a longtime Phish fan since age 16. His
            video footage is believed to be the most comprehensive account of the traffic jam, enhanced by
            retrospective interviews and archival footage collected over two decades. Witness history’s most powerful traffic story, taking you back to a time before smartphones when the love of music burned brightest.

            JAM debuted with advance screenings at the Coventry Community Center on August 2nd and 3rd and released fully to the public on August 5. JAM is available to buy and rent here.

          • Trevor Noah Hosts Two-Night Event in Celebration in NYC of New Book, “Into the Uncut Grass”

            Best-selling author and comedian Trevor Noah has announced he will return to New York City to host a two-night celebration of the publication of his latest book, Into the Uncut Grass. The book will be released on October 8.

            In the meantime, he will be hosting his events at the Beacon Theatre in Manhattan on release day, and at Kings Theatre in Brooklyn on October 9.

            trevor noah

            During these celebrations, Trevor Noah plans to do more than just party. Joining a moderator on stage, he offers a deep dive into the essence of his latest work.

            Trevor is the author of the 2016 #1 New York Times bestseller Born a Crime: Stories from a South African Childhood, a memoir depicting the hardships of growing up mixed-raced in apartheid South Africa. His storytelling ability caught the attention of readers of all ages, adapting the bestseller into a young readers’ version in 2019. This year, he’s back with another testament to his storytelling abilities with his latest book, Into the Uncut Grass.

            However, unlike Born a Crime, Trevor Noah’s latest book is a work of fiction rather than a memoir. Trevor’s new book is a gorgeously illustrated and moving modern fable for readers of all ages about forgiveness, acceptance, and the secret to solidarity. Inspired by classic children’s fables like Alice in Wonderland and The Little Prince, he adjusts these longstanding stories to fit his own personal experience, as well as

            “Few memories in my life bring me more joy than the first few books I read as a child,” says Trevor Noah. “Either with my mom or reading alone, those simple stories shaped so much of how I saw the world. I hope this story can bring a little bit of that same joy to readers of all ages.”

            General on-sale for these celebrations begins on Friday, August 9 at 10 am local. Tickets are available with this link here.

          • Woodstock Photographer Henry Diltz Hosts Anniversary Galleries

            Woodstock photographer, Henry Diltz, is hosting Woodstock: 3 Days of Peace, Love & Music with Morrison Hotel Gallery in New York on Aug. 11. In light of the 55th anniversary of Woodstock ’69 and the 30th anniversary of Woodstock ’94, MHG is showcasing photos from each of the three festivals all of which Diltz, the official photographer for them, was present for.

            Morrison Hotel Gallery Woodstock: 3 Days of Peace, Love & Music

            For the first time ever, Morrison Hotel Gallery is exhibiting a series of photos documenting the three festivals from the perspectives of many mixed-generation photographers. Special host, Henry Diltz, makes the event all the more special as such a prominent figure in music and festival photography.

            Diltz captured the ’60s folk music scene with some of the most iconic portraits and album covers. As the man behind the Morrison Hotel, Crosby, Stills, and Nash, and Sweet Baby James album art, it’s only fitting that he presents an exhibit full of his work as well as the work of those who succeeded him. His work is the lasting blueprint for music photographers today.

            The original Woodstock 1969 was very organic, all peace and love, we just made it up as we went along. Woodstock 1994 was a bit more planned, it was at an abandoned Air Force base. This was the first Woodstock where there was crowd surfing… it hadn’t been thought of yet in ’69! I took so many photographs of people up above the crowd being passed around. Woodstock will always be the festival that had all the biggest and the best music of its time.

            Henry Diltz

            The photos start with the original festival and show how it evolved through the years, reflecting the changes in not just music, but society. Other featured photographers include Danny Clinch, Joseph Cultice, Sam Erickson, Elliott Landy, Lisa Law, Ken Regan, Amalie R. Rothschild, and Rowland Scherman. Additionally, the exhibit provides a special glimpse of different artistic perspectives on the same events.

            The special exhibit will have two bi-coastal grand openings. Prior to the New York opening on Aug. 11, Diltz will also be in attendance at the Aug. 8 opening in West Hollywood. The galleries are available to the public, and on show until August 20.

            The New York exhibit of Woodstock: 3 Days of Peace, Love & Music will be held at the Morrison Hotel Gallery at 116 Prince Street. To RSVP for the opening visit morrisonhotelgallery.com.

            https://www.youtube.com/watch?v=j-DvJHxMEa4