Category: Needs Category

  • Goose ushers in a new era at Capitol Theatre

    Welcome Cotter! The t-shirts and banners in the crowd at Sunday night’s Goose show echoed the band’s excitement to unveil their new drummer to a sold out Capitol Theatre. It was apparent throughout the show that the band believes Cotter is the perfect fit – the hype did not disappoint.  Peter reminded the crowd that “you only get to play your first show once.”  What a first show for the new Goose drummer and Goose 2.0!

    “Flopener” was a heavy favorite in the comment section for the opener and it made sense.  Energy right out of the gate into a “Rockdale” showcased Cotters’ heavy rhythmic additions. One could not help realizing during the slow parts of “Seekers” that Ben was gone, but a little nostalgia did not get in the way of a truly rocking first set that showcased two new funky songs that will surely stay in the rotation.

    Other than Cotter, two things were apparent: 1) Rick’s new tone with his new setup is fantastic and he is ready for an amazing year and 2) Trevor is way turned up in the mix in the best way. The second set “Pancakes” was probably the jam of the night and the Cap crowd responded. This is going to be a special four-night run- we are so lucky Goose couldn’t wait to show us how much they have been working since Hampton.

    Scott Mendelsohn scores a miracle Goose ticket minutes before doors open at the Capitol Theatre
    A Goose fan displays his “Welcome Cotter” T-shirt outside the Capitol Theatre

    Goose Captiol Theatre – Port Chester, NY 4/7/24

    Set I: Flodown, Rockdale, Drive, Seekers on the Ridge pt.I, Seekers on the Ridge pt. II, Hot Love & Lazy Poet (live debut by Goose), Salt (live debut by Goose)

    Set II: Eminence Front (The Who cover), Pancakes, Creatures, Everything Must Go, This Old Sea, Factory Fiction

    E: Yeti

    Peter hits the stage wearing a Pearl Jam T-shirt
  • In Focus: Disco Biscuits at Town Ballroom in Buffalo

    The Disco Biscuits came to the Town Ballroom in Buffalo over March 30-31 for two nights on their Why We Dance Tour. Just the night before they debuted their new album, Revolution in Motion at Webster Hall in New York City.

    disco biscuits town ballroom

    The Disco Biscuits have a rich history at the Town Ballroom, New York’s most underrated club venue. The room is perfect for the Biscuits as the many levels and circular setup makes a Disco Biscuits show there feel like an mini Bisco coliseum. They’ve played many great shows there and they added another on Saturday, while Sunday’s show was a more laid back affair.

    disco biscuits town ballroom

    On Saturday, the first night of two, you could tell the band was feeling great after a successful and probably pressure filled album release party the night before; as they looked to be in high spirits all night. Even though the previous show was all new songs, they still had enough new material to still have a good mix of old and new. The whole first set was a highlight, and was certainly up there with one of the better sets they’ve played in Buffalo. The room absolutely lost it when Orch Them appeared out of a stellar Buy The Time Jam. As far as second set highlights, Mindless Dribble > Fire Exchange > Confrontation was the meat of the set. It’s pretty hard to top ending a set with Confrontation, the crowd chanted along the words and all was right in Biscoland.

    The Disco Biscuits have been trying their whole careers to blend live instruments and club music together, and it seems like they have finally perfected it in 2024. Besides setbreak, the music on Saturday did not stop once. The whole show was moving and pulsing forward, they didn’t get lost or falter once. Sometimes when bands focus too much on improv it can feel like the band is jamming just to jam, but that was night the case at all. The band played with purpose and direction, something that is hard to do when the majority of the night’s music was improv.

    Sunday night’s show was a little bit of a step back from the previous night’s energy. Maybe the wave of energy crashed the night before, maybe they were in party mode celebrating Jon Gutwillig’s birthday, but they weren’t able to top Saturday. That being said, that’s what you get with improv. They are playing with such consistency nowadays that a show that let off the gas a little bit is still a great night of music. The improv on Sunday oscillated between dark and dirty Biscuits, some throwback trance and some happy Biscuits mixed in. I’m a sucker for happy Biscuits, and after a lot of dark, plodding improv throughout the night, the M1 > Cyclone section really scratched that itch for me.

    The Disco Biscuits are playing lights out right now, so get your ass to a show if you can. They are due back in New York State for 4th of July weekend at their own festival Biscoland, just outside Syracuse.

    Setlists via Biscuits Internet Project

    March 30, 2024 – Town Ballroom – Buffalo, NY

    Soundcheck: Wet, Mr. Don
    Set 1: Buy The Time 1 > Orch Theme 2 > Helicopters > Dino Baby > Rock Candy 3
    Set 2: Bombs > Mindless Dribble > Fire Will Exchange > Confrontation 4 > The Deal 5 > Confrontation
    Encore: Rockafella > Helicopters

    1 with ‘Boom’ (Tiesto with Gucci Mane and Sevenn) samples
    2 with ‘Perfect (Exceeder)’ (Mason & Princess Superstar) samples
    3 ending only
    4 Techno version
    5 1st time inverted

    March 31, 2024 – Town Ballroom – Buffalo, NY

    Set 1: We Like To Party > Spacebirdmatingcall > No Recollection 1 > Pilin’ It High 2 3 > We Like To Party
    Set 2: Jam > Voices Insane 4 > Ring the Doorbell Twice > And the Ladies Were the Rest of the Night 5 > M1 6 > Cyclone > Spacebirdmatingcall
    Encore: Mulberry’s Dream 7

    1 with ‘Sidewindah’ (Gorgon City feat. Flirta D – Interplanetary Criminal Remix) samples
    2 LTP 7/19/23 (50 shows)
    3 Perfume version
    4 unfinished
    5 inverted
    6 with ‘Watermelon Sugar’ (Harry Styles) samples
    7 LTP 7/12/23 (55 shows)

    3/30/24

    3/31/24

  • Saigon & Fredro Tab Legendary Pete Rock to ‘Get Loose’ with Album on The Way

    Hip hop’s golden age comes together as Saigon recruits the legendary Pete Rock for his new single “Get Loose.” Coupled with Swedish, multi-platinum producer Fredro, “Get Loose” is the second single release from Saigon and Fredro’s forthcoming album, The Jordan Era. “I’ve always thought Pete was a dope rapper since “The Creator,” reveals Saigon. “I took the opportunity to get him to step away from behind the boards; where he is most comfortable, and ‘Get Loose’ with me,” he resonates. “With all of the negativity in Hip-Hop, and the world, I just wanted to create something fun with Pete.” 

    Saigon & Fredro team-up with Pete Rock
    Saigon & Fredro team-up with Pete Rock

    After announcing their new album and releasing the first single and video, “Lyrical Genius,” featuring Grandmaster Caz, Saigon continues to pay homage to hip hop’s golden era with this latest release with The Jordan Era‘s production entirely by Fredro. After all, on “Get Loose” the Brooklyn native channels the frenzied, experimental sound of hip hop from the early 90’s, while Pete Rock is at his introspective best. Moreover, the project features guest appearances from the aforementioned Grandmaster Caz and Pete Rock. Along with Big Daddy Kane, Kool G Rap, Grand Puba, Sadat X, Rockness Monsta, Craig G, Ill Skratch and possibly more.  

    Saigon and Fredro’s The Jordan Era album is set for release on May 3 via the iconic Payday Records

  • Young People’s Orchestra To Perform With The Orchestra of the Southern Finger Lakes This March 

    The Young People’s Orchestra will perform side by side with The Orchestra of the Southern Finger Lakes for their “Side by Side Through the Ages” show at the Corning Museum of Glass, One Museum Way in Corning, NY on March 10. 

    Orchestra of the Southern Finger Lakes  Young People's Orchestra

    The Young People’s Orchestra, directed by Margaret Matthews and Gary Chollet, will perform alongside the professional musicians of the OSFL in a moving and challenging suite of music from the Broadway hit West Side Story. They will perform side by side with the OSFL musicians, Hertzog Concerto and Aria Competition winner Riley Hubisz.

    The OSFL will perform the music by Tchaikovsky, Prokofiev, and Bernstein on the March 10 concert while SUNY Corning Community College Theatre students will perform scenes from Romeo and Juliet, a play written by William Shakespeare around 1595, which has inspired numerous creatives throughout the ages. The play was set to music by Pyotr Ilyich Tchaikovsky in 1869 as an overture-fantasy. The play was also set to music as a ballet by Sergei Prokofiev in 1935 and rewritten into two concert suites in 1936. 

    The OSFL is known for supporting the creative and artistic development of students through side-by-side opportunities for middle school, high school, and college students. “March is music in our school’s month, when we invite our local young talent to share the stage with us,” says Toshiyuki Shimada, the Music Director of the OSFL. “The Young People’s Orchestra will sit among the OSFL musicians on stage, for an inspiring highlight in their musical development. We also showcase the winner of our own Hertzog Concerto & Aria Competition, Riley Hubisz, who is a gifted flute student in 11 th grade at Ithaca High School. It is a pleasure to work with Professor Mary Guzzy from Corning Community College and give the theater students the rare opportunity to perform on stage with a professional orchestra.” He added. 

    General admission tickets start at $50 and $15 for College students. Entry is free for all children under 18 while groups of 10 or more receive a 10% discount. Tickets for the “Side by Side Through the Ages” show on March 10 can be purchased through OSFL.org, by calling 607-936-2873, or in person at the OSFL office, 49 Bridge Street, Corning, NY.

  • Cosmic Country Revelry with Daniel Donato at the Westcott Theater

    The Westcott Theater in Syracuse became a pulsating hub of musical energy as Daniel Donato’s Cosmic Country, a genre-blurring jam band with country influences, graced the stage in a nearly sold-out performance that left attendees exhilarated and yearning for more.

    daniel donato cosmic country syracuse

    Recently anointed “Nashville’s new guitar hero,” by Rolling Stone, Donato led the audience through a jammy night of fun showing off sonic influences from the Grateful Dead and Phish to Waylon Jennings.

    daniel donato cosmic country syracuse

    The atmosphere within the Westcott Theater was charged with anticipation even before the first note resonated through the venue. As the lights dimmed, one of the most packed houses the Westcott has seen erupted into cheers, a testament to the fervent following that Daniel Donato and his Cosmic Country collective have cultivated. The energy was palpable as the band took the stage, setting the scene for an unforgettable night of country-infused improvisation and musical exploration.

    The band’s lineup features Daniel Donato on lead guitar and vocals, alongside a talented ensemble of musicians including Nathan “Sugar Leg” Aronowitz on keyboards, rhythm guitar and vocals, Will “Mustang” McGee on bass, and Noah Winner on drums. And they immediately captivated the crowd. It was hard to move around inside the theater the venue was so packed, and when the music started all those people went wild.

    daniel donato cosmic country syracuse

    The band’s chemistry was palpable, with each member contributing to the sonic tapestry in their own unique way. The rhythm section provided a solid foundation, propelling the music forward with a cosmic heartbeat, the bass was hard-charging and in your face while the keyboardist added layers of textures, creating an immersive sonic experience.

    As the night reached its climax, the audience was left in a state of euphoria. Cosmic Country had taken them on a journey, blurring the lines between the earthly and the celestial. The Westcott Theater became a haven where traditional notions of genre were shattered, and the universal nature of music prevailed.

    daniel donato cosmic country syracuse

    The night was a masterclass in musical exploration. Through his exceptional guitar skills, emotive vocals, and a band that seamlessly blended genres, Donato delivered a performance that was both otherworldly and grounded in the roots of country music. Cosmic Country is no doubt on the way up to the top and fans should make sure to catch them at more intimate venues like these while they still have the chance.

    daniel donato cosmic country syracuse

    Daniel Donato’s Cosmic Country – Westcott Theatre, Syracuse – Saturday, February 10, 2024

    Set 1: Why Have You Been Gone So Long?, Cigar Time, Halfway (In Between), Hi-Country, Playing Your Game, Weathervane > Blue Skies > Weathervane, Locomotive No. 9 > Rose In a Garden, Banks of the Ohio, Broadside Ballad > Hangman’s Reel

    Set 2: Passing Storm, Sugar Shack, Luck of the Draw > Sugar Leg Rag, Illusions, Down Along the Cove, Down Bedford, Down By The Riverside, Dance in the Desert

      daniel donato cosmic country syracuse
    1. WFUV’s Ceol na nGael Celebrates 50 Years of Irish Music

      Irish reels and jigs vibrated throughout Symphony Space as WFUV’s Irish music program, Ceol na nGael, celebrated its 50th anniversary. For half a century, Ceol na nGael has provided over 40,000 listeners nationwide with the best in Irish music every Sunday from 12-4pm on 90.7 FM. To celebrate the milestone, the Rogue Diplomats, Celtic Cross, Cillian Vallely and Kevin Crawford of the band Lúnasa, Patrick Mangan, Alan Murray, Séamus Egan of Solas, and Jenna Moynihan performed at Symphony Space located in the Upper West Side on Saturday, January 26. 

      Also present at the anniversary concert was Ceol na nGael’s co-founder Mary Maguire. Maguire was a student at Fordham University in January of 1974 when she and fellow student Gerry Murphy suggested a traditional Irish music segment during one of WFUV’s fundraisers. Murphy and Maguire believed they would have an audience with New York’s expansive Irish community. The two convinced WFUV (Fordham University’s radio station) to give them one hour of airtime. Little did they know that one singular hour on a winter afternoon would turn into a four hour weekly show.

      “We were totally unprepared for how the phones exploded during the first program,” founder Maguire recalled. The one hour of airtime quickly turned into four hours. Eventually, Maguire had to leave the station, or she’d be late to work. Maguire recalled mentioning her workplace on air.  She said, “When I got to my waitressing job, the owners came up to me frantically asking ‘What’s going on?! People have been calling and asking why Mary Maguire had to leave some radio station!’”

      Due to the high demand of listeners across the tristate area for Irish music, Maguire and Murphy were asked to return next week to the station with more Irish tunes. With that, Ceol na nGael, which is Irish Gaelic for “the music of the Irish,” became a staple of WFUV, airing every Sunday from 12-4pm. 

      From left: Ceol na nGael hosts Deirdre McGuinness (01-04) with producer Jen Croke (99-02). Also pictured is Joanie Madden, leader of the group Cherish the Ladies, and host Frank McCaughey (00-01).

      Not only was the show a staple of WFUV, but it quickly cemented itself as a staple within the Irish community. It could be heard from every corner of the house. Former co-host Dierdre Hogan, FCRH ‘98, said, “As I brought laundry in or out, my father was listening from a small radio in the garage. My mom would have it on again upstairs in the kitchen as she tidied and cooked.” 

      Ceol na nGael became a household name in the tristate area due to its human touch. “Anyone can go to YouTube or Spotify and search for a good mix of Irish music,” former host Kevin Quinn, FCRH ‘09, said. “But Ceol na nGael has that very, very important human element that makes it endure for as long as it has.” 

      This human element is seen in the numerous dedications the show takes each and every week. Hosts interact with the listeners on a weekly basis, reading out dedications wishing loved ones happy birthdays or sending out a song in their memory. 

      Former host Elizabeth Flanagan, FCRH ‘05, noted just how important these dedications are, especially when she hosted in the days that followed 9/11. Her co-host Deirdre McGuiness, FCRH ‘04, recalled playing Irish ballads along with the dedications going out to lost loved ones to provide “hope and healing” to all those affected. Flanagan said, “It goes to show how profound our music is, and how it’s there for us on the happiest and the saddest days of our lives.” 

      The music bonded together the tristate’s Irish community, which soon became much more than just a community. It was a family. Family is an essential aspect of Ceol na nGael as the music acts as a gateway for one to connect with their roots. Former host Maggie Dolan, FCRH ‘07, said, “Both my grandparents on my father’s side came from Ireland, Cavan and Mayo. I unfortunately did not get to meet my grandparents. However, through music, and its connection with Irish history, I felt that listening to Ceol nGael brought me a bit closer to my grandparents.” 

      From left: Ceol na nGael producer Liz Noonan with former hosts Colleen Taylor (09-12) and Tara Cuzzi (11-14).

      The music continues to connect listeners to their families, their homeland, and their culture. The music’s lyrics depict various political figures and historic events that shaped Ireland’s cultural and political landscape. Ballads like “The Foggy Dew” depict Ireland’s 1916 Easter Rising; while “The Town I Loved So Well” depicts songwriter Phil Coulter’s experience during the Troubles. 

      This history doesn’t just stay in the past. Listeners can stay up to date with Ireland’s current news every Sunday at 2:00 pm during the show. Reporting straight from Ireland, Louise Williams and Brendan Tier give a seven minute report each on Ireland’s latest news and sports. Every hour, there’s also weekly community bulletin boards to keep listeners informed of local Irish events.  

      Since Ceol na nGael’s start in January of 1974, it has pushed the boundaries to be an active part of the Irish community. The show never just stayed in the studio. It was alive and breathing on the streets of New York and across the nation as the show is now available to stream on wfuv.org. Ceol na nGael has been broadcasted live from Mary O’Dowd’s in Manhattan. Former hosts have introduced bands at concerts, such as Cherish the Ladies at their annual Tarrytown Christmas concert and to multiple bands on the main stage at the Guinness Fleadh at Randall’s Island. Former hosts have also been guest judges for New York’s Rose of Tralee concert, and just this past week on January 20, Ceol na nGael was at the Symphony Space, celebrating its 50th anniversary. 

      Former Ceol na nGael host Eileen Byrne (89-94) conducting interviews on site.

      Ceol na Gael’s 50th anniversary concert started off with a set by the Rogue Diplomats. The Pennsylvania-based band kicked off the show with their rendition of “South Australia” followed by “Step It Out Mary.” The Rogue Diplomats allowed the audience to ease into the show during these first two songs, but by their third song, they decided to grab hold of the audience and up the craic. Bodhrán player Matthew Cullen Breiner sang a witty introduction to “The Star of the County Down,” mentioning all the intricacies of the New York Irish community and even taking a jab at the New York Giants, all of which caused the crowd to erupt in laughter. 

      The Rogue Diplomats continued to add bits of dry humor throughout their performance, as heard in their next song, “The Galway Hooker.” Not even half-way through the first verse of the song, guitarist Patrick Marran laughed and said, “Don’t worry, it’s about a boat! Not what you think it is.” Laughter echoed throughout the crowd. Smiles were etched upon the audience’s faces as they were captivated by the Rogue Diplomats’ comedic and musical talent. 

      The fun of the night carried over into the next act, New York based band Celtic Cross. The band honored Ceol na nGael’s mission to “keep the tradition alive” with their song, “Who I Am.” The song’s lyrics – “I’ll not forget from where we came as I carry on their name” – speaks to remembering one’s roots and honoring one’s history. The song encapsulates what Ceol na nGael stands for and explains why it’s continued for half a century. 

      Celtic Cross continued to honor Ceol na nGael, dedicating their song “Those Were The Days” to all who helped make Ceol na nGael what it is today. It was a perfect song to dedicate as the song gives a direct shoutout to the show. “Ceol na nGael on FUV taught the words to you and me.” The crowd sang along to a song that captures at least one part, if not more, that they can relate to of growing up in New York’s Irish community. Celtic Cross rode the audience’s high-energy and continued with a fast-paced reel, titled “Mason’s Apron,” before concluding the concert’s first act.

      From left: Former hosts Ryan Slattery (17-20), Allie Small (23-present), Maggie Peknic (20-23), and Patrick Breen (19-22).

      There was a short intermission before the second half. The second act started with welcoming past hosts from 1974 to 2024 onto the stage. Out of the 40 past hosts, over 30 were able to make the concert. Seeing all the hosts on stage was truly like taking a screenshot of history. They represented 50 years of dedication to the preservation of traditional Irish music. It’s a feat not easily accomplished, especially when considering all of Ceol na nGael’s hosts were former Fordham students, and let’s just say, getting up early on a Sunday morning in college isn’t as easy as it seems. 

      The music then resumed with lovely tunes from Cillian Vallely and Kevin Crawford of Lúnasa, Patrick Mangan, and Alan Murray. Their melodic tunes created an otherworldly escape. A highlight was a tune titled “Sinead Maire’s,” which Vallely wrote for his daughter. The tune’s tin whistle starts off leisurely, slowly picking up pace before being joined by the uilleann pipes and fiddle. 

      Before the last act performed, short videos by Joanie Madden of Cherish the Ladies and Brian Warfield of the Wolfe Tones were played. Both musicians expressed their regrets of not being able to make the concert but wanted to make sure Ceol na nGael and its listeners knew just how vital the station was to their lives and their music. A live version of the Wolfe Tones’ “Streets of New York” was then played. Not a week goes by on Ceol na nGael without this song being played. It’s a fan favorite, and the audience confirmed that fact. They sang along to the song, waltzing up and down the aisles as if the Wolfe Tones were truly there in-person performing live. 

      The night then concluded with a beautiful set by Seamus Egan of Solas, who was accompanied by Alan Murray and Jenna Moynihan. Throughout the set, Egan told stories of his journeys before playing tunes from his 2020 album Early Bright

      At the end of his set, Egan was joined on stage by all of the acts. The stage became packed with various instruments as the opening notes to “Dirty Old Town” were played. The audience got up, sang, danced, and clapped along. And like all good Irish sessions, the concert ended with a fast-paced reel. 

      But the celebrations didn’t end with the last note. They continued into the next day in the studio. Previous hosts were invited back to the Fordham campus in WFUV’s studio to help host the show. Each host got to play one of their favorite Irish songs or tunes and share stories of their time on air. To listen to Ceol na nGael’s special 50th anniversary show that aired on January 21, head to WFUV’s archives by clicking here. 

      The celebrations then concluded with a big cheers, or as one would say in Irish Gaelic, a big sláinte to Ceol na nGael’s 50 anniversary with wishes for it to continue for 50 more years! Over the next 50 years, new hosts will take over the show. They’ll bring their own musical tastes and stories. They’ll teach the next generation and continue to keep the tradition alive, just as current hosts Allie Small and Matt Cuzzi do. To listen to Ceol na nGael, tune into 90.7 FM or WFUV.org every Sunday from 12-4pm for the best in Irish music. 

    2. New Ella Fitzgerald Biography Details Singer’s Influence on American Songwriting

      Since Ella Fitzgerald’s passing in 1996, there’s now a major biography that shows the depth of her character and her lasting impact on American Music.

      Written by Judith Tick an authority on American music and women in music, Judith is professor emerita at Northeastern University with award winning books and articles on music to her credit.

      Ella Fitzgerald

      Ella Fitzgerald throughout her life, was a very private person, giving little information about herself and her troubled youth. With Tick’s book the author has managed to incorporate new information and new little known material on Ella’s life and cultural contributions. Tick has been able to achieve this through sources unavailable to past biographers, notably from resources of the 1930s and 1940s such as African American newspapers, some digitized as recently as 2010.

      The author lovingly explains her mother’s love for Ella’s music, her mother’s being born within a year of Ella and the author’s home as she grew up being filled with the music of Ella Fitzgerald, providing a base of life long admiration for the singer which is demonstrated in the author’s writing of her subject.

      Tick concentrates on the theme of “becoming” and “transformation” in Ella’s life as inspiration for writing the book after reading an Ella interview where the singer explains how SongBooks marked a turning point in her musical creativity.

      The biography comprehensively demonstrates Ella’s moxie and mettle in the extraordinary success she achieved from troubled beginnings to international fame. 

      Overcoming poverty, misogyny and racism, Ella Fitzgerald was instrumental is raising the status of female vocalists within the music business. From the 1930s to the 1950s Ella was pursuing mainly jazz singing in clubs and ballrooms. In the 1960s jazz pop evolved as was bossa nova’s popularity with Ella also experimenting with soul and new songwriters, smartly finding a way to appeal to younger audiences. “Across her entire career, the artist was always becoming Ella Fitzgerald,” the author notes. It would be a 60 year career.

      This book differs from prior books on Ella Fitzgerald with the author focusing on three neglected aspects of her life and work: early career, private life and her reception as an artist.

      After her brief childhood in the south, Ella moved to Yonkers where we think of her beginning her career in music. By the time Ella was 9, she was called ambitious and self reliant by her teachers. At age 10, she declared to friends that she would be famous.

      While her mother worked as a cook and a laundress, she managed to supply Ella with piano lessons. The author chronicles Ella’s New York neighborhood and childhood, her early ambitions richly detailed from newly digitized newspaper sources, and describing the New York social club scene that Ella started venturing into.

      One of Ella’s first performances featured in New York Age was her song and dance routine at Twentieth-Century Club in Tarrytown, where she was starting to become known as “the gypsy of song.”

      While trying to earn money to help her family’s finances after her mother’s car accident, Ella became truant from school and was arrested. 

      Labeled “ungovernable”, she was sentenced to 5 years at the New York Training School For Girls in Hudson. In the 1930s the school originally had a good reputation with studies in music and he arts.

      As an adult, having been asked in Lenox, Massachusetts by two visitors from Hudson about her time there, Ella gave this response: “I loved singing and playing the piano a little. Harmony was my tough problem, but there was a wonderful woman at the Hudson training School who helped me out. We worked together for hours until we had real, wonderful harmony. It was really Helen Pitcher who started me out and gave me my first taste for success.”

      “I want you to feel love, just like you were a loving person, not just because I’m a singer”

      Ella Fitzgerald

      When asked to return in the 1960s as a distinguished alumna, Ella unfortunately declined recalling some very negative experiences she also had endured at the Hudson school, which included segregation and not being allowed in the school’s choir. A choir she did “sing her heart out” in was at the Hudson Zion AME Church.

      In this book, the author cites the New York Times article credited with breaking the story of Ella’s time at the Hudson school and her interview of Hudson’s Russ Immarigeon on his research pertaining to Ella’s time in Hudson.

      By 1934 Ella was back in Yonkers and it is still a mystery as to how she got there. 

      The Apollo in Harlem soon became a haven of creativity to her with its lack of segregation, starting her again on her lifelong journey to greatness as a powerful female in music.

    3. Cayuga Chamber Orchestra Announces Mozart and Schumann Chamber Series Concert

      The Cayuga Chamber Orchestra will hold its second Chamber Series Concert of the 2023-24 season, Mozart and Schumann, a program featuring gorgeous trios by CCO musicians and friends.

      The CCO was founded in 1976 and is officially designated “Ithaca’s Orchestra.” Each season includes an  Orchestral Series, Chamber Music Series, a Holiday concert, free Family Concerts, and the long-standing  Willard Daetsch Youth Outreach Program, which earned the 2015 Yale Distinguished Music Educator  award. In 2017, the CCO added a Youth Orchestra, which offers a high quality symphony orchestra  experience for youth in Ithaca and the Finger Lakes region of New York State.

      Cayuga Chamber Orchestra Mozart

      The concert will showcase musicians, Sarah Chandler (clarinet), Kyle Armbrust (viola), Charis DiMaras (piano), John Lathwell (oboe), Taylor Smith (bassoon), Andrew Zhou (piano), Christina Bouey (violin), Rosie Elliott (cello), and Yoon Lee (piano).  

      We are eagerly anticipating our next Chamber Series concert. Our musicians performed to a sold out house at our November Chamber Series concert, at the First Unitarian Church. We also nearly sold out our performance of Handel’s Messiah at Ithaca College’s Ford Hall in December. There is nothing like walking out onstage as a musician and seeing a house full of enthusiastic audience members. Our subscriber base is 1/3 larger this year, and we are finding more and more new people giving our concerts a try. We invite you to make this your first CCO experience!

      Managing Director, Sarah Chandler

      PROGRAM 

      MOZART: Trio in E-flat Major, K. 398, Kegelstatt, for clarinet, violin and piano 

      FRANÇAIX: Trio for oboe, bassoon and piano 

      Intermission 

      SCHUMANN: Piano Trio No. 1 in D minor, Op. 63 

      For more information on tickets for the Mozart and Schumann concert, visit CCOithaca.org or contact the Cayuga Chamber Orchestra Box Office at 607-273-8981

    4. Palace Sessions go Live starting Jan. 13 with The E-Block

      The Palace Theatre and Mirth Films have announced the return of the Palace Sessions with a free performance by The E-Block, to be held at the Palace Theatre on Saturday, January 13 at 7pm.

      This performance is free and open to the public, and will be filmed live for a future airing of The Palace Sessions.

      photo by Jarron Childs

      The E-Block is a 5-piece indie R&B band based in Upstate New York, blending the acoustic warmth of singer-songwriter music with an ice-cold rhythm section informed by modern R&B. With a deep bag of influences and free-flowing style, The E-Block has earned a reputation as a unique live act in the Capital Region scene.

      The Palace Sessions is a live music series featuring some of our favorite regional & national acts performing in different spaces within the historic performing arts center. The Palace Sessions was conceived in 2020 through a partnership with the City of Albany & Mirth Films as an outlet to provide live music to the Capital Region (and entertain ourselves!) during a time when venues were closed and raise money to support the Palace Theatre. Now, The Palace Sessions lives on with free live performances in the Palace Lobby, open to the public and aired online.

      Past Palace Sessions performers include moe., Eastbound Jesus, Annie in the Water, Thomas Nicholas, Moriah Formica, and more…

      Enjoy past episodes of the Palace Sessions online . Tickets, while free, are available .