Category: Rock

  • Soulshine at MSG: A Night of Music, Unity, and Hurricane Relief

    On Sunday, November 24, Madison Square Garden hosted the Soulshine Concert, a powerful evening of music and charity dedicated to hurricane relief and recovery.

    Net proceeds from the event supported the SOULSHINE Concert Fund at the Charlottesville Area Community Foundation, benefiting non-profits aiding communities in North Carolina and Florida heavily impacted by recent storms. At the heart of the event was Warren Haynes, renowned for both his musical talent and commitment to philanthropy.

    Through ticket sales, merchandise, sponsorships, and donations, the event raised over $4.5M for the Soulshine Concert Fund, which will distribute funds to a variety of organizations on the ground in North Carolina and Florida.

    While Haynes played a pivotal role in curating the lineup, the concert was a collaborative production by Dayglo Presents and Live Nation, delivering an unforgettable night of performances for a worthy cause.

    A Star-Studded Lineup

    The concert began with an intimate acoustic performance of “Soulshine” by Warren Haynes and Dave Matthews, setting the tone for the night with heartfelt emotion. The baton was then passed to Goose, whose electrifying set featured collaborations with some of the biggest names in music. Highlights included:

    • “Give It Time” with Robert Randolph
    • “Hungersite” with Derek Trucks
    • “Baby Don’t You Do It” with Susan Tedeschi and Derek Trucks
    • “The Way It Is” (a Bruce Hornsby cover) with Dave Matthews

    The collaborative spirit continued as Haynes joined forces with Tedeschi and Trucks for a moving acoustic rendition of “700 Houses”, a song with deep emotional resonance.

    The stage then welcomed the Warren Haynes Band, who delivered a fiery set punctuated by guest appearances:

    • “Man in Motion” with Trombone Shorty
    • “This Life as We Know It” with Robert Randolph
    • “Shakedown Street” with Joe Russo
    • “These Changes” with Derek Trucks
    • A show-stopping “Whipping Post” featuring Trucks and Russo

    Next, Susan Tedeschi and Dave Matthews delivered an acoustic version of “Angel from Montgomery”, honoring John Prine’s timeless legacy.

    Nathaniel Rateliff & the Night Sweats Bring the Party

    The soulful energy of Nathaniel Rateliff & the Night Sweats followed, featuring crowd favorites like “Look It Here”, “You Worry Me”, and “Call Me Whatever You Like”.

    The set crescendoed with Mavis Staples joining for a heartwarming rendition of “Friendship”, culminating in a raucous performance of “S.O.B.”, with Robert Randolph and Trombone Shorty adding their flair.

    Closing Acoustic and Dave Matthews Band Finale

    Warren Haynes and Dave Matthews returned for a poignant acoustic segment, performing:

    • “Carolina on My Mind”
    • “Southern Accents” with Derek Trucks
    • “Waste” with Trey Anastasio

    Finally, Dave Matthews Band headlined the evening with a dynamic set, launching with “The Weight”, featuring Susan Tedeschi, Nathaniel Rateliff, and Trey Anastasio. The band delivered a mix of classics and collaborations, including:

    • “Rapunzel”
    • “So Much to Say” into “Too Much”
    • “Jimi Thing” with Trombone Shorty
    • “Brick House” with Trombone Shorty
    • “Lie in Our Graves” with Trey Anastasio
    • A beautiful rendition of the Allman Brothers’ “Melissa” with Warren Haynes, Derek Trucks, and Trey

    The grand finale brought all the night’s performers back on stage for a powerful rendition of “Come Together”, symbolizing the unity and purpose of the evening.

    A Night to Remember

    The Soulshine Concert was more than a musical extravaganza—it was a testament to the power of music to bring people together in the face of adversity. With its all-star lineup and heartfelt performances, the event left an indelible mark on attendees while raising much-needed funds for hurricane relief.

    As Warren Haynes has proven time and again, music can shine a light in even the darkest times, and the Soulshine Concert at MSG was a beacon of hope for those in need.

    https://www.youtube.com/watch?v=M3AShLeNf2Y
  • 8th Edition of Salt City Waltz Celebrates the Music of The Band at Homer Center for the Arts

    The Salt City Waltz returns this year to Homer Center for the Arts for its eighth edition, celebrating the music of legendary rock group The Band.

    Salt City Waltz

    With over 40 performers, Salt City Waltz is a virtual who’s who of all-star Central New York talent. The 2024 edition will bring a few fresh faces and several new musical numbers to the show. As always, the vibe will transform the room into a 1970’s Winterland Ballroom and transport concert goers to a different time and space. It’s a beautiful, special show that feels like no other, you simply have to come and experience it for yourself. Be there November 30, as tribute is paid to one of the greatest acts in Rock & Roll History, The Band.

    The Salt City Waltz; A Homegrown Celebration of the Music of The Band. Features Syracuses’ Los Blancos joined by Scott Ebner, Mark Westers. Special guests the Salt City Waltz Ensemble w/Gary Frenay, Cathy Lamanna, Chris Eves, Jonah Smith, Joe Whiting, Mark Hoffman, Liz Friedel, Maureen Sheriden-Henesy, Donna Colton and Joanna Jewett. There are over 30 Guest performers including Andy Comstock, Bill Ali, George Rossi, Ronnie Leigh, Steven Cali, Joe Altier, Pete McMahon, Rex Lyons, and special appearance by the Levon Helm Studio Horns.

    Salt City Waltz

    Homer is a community of artists, art lovers, music makers, and creators. The Center for the Arts is well known for hosting national music concerts, but also features film screenings, a community theater program (Center Players) and showcase artwork by regional, national, and international visual artists in the art gallery. The Center also hosts classes, workshops and programs throughout the year, and adds to the economic vitality of Central New York. The facilities are available to other community organizations and individuals for a variety of educational purposes, events and private functions.

    For more information on this year’s Salt City Waltz, the Homer Center for the Arts, and to purchase tickets, click here.

  • David Gilmour Enthralls New York City with 5 Nights of ‘Luck and Strange’

    It was a great week for Pink Floyd fans when David Gilmour enthralled the crowds at Madison Square Garden for five nights. The five city, 20+ performance tour in support of his latest album, Luck and Strange concluded with these five magnificent nights at MSG.

    Gilmour’s previous visit to the Big Apple in 2016 was a three-night spectacle unto itself, befallen upon Radio City Music Hall and Madison Square Garden. With the imprint those shows left on the city it’s no surprise that three nights sold out in a flash with two additional nights added to satiate the ticket demand.

    “5 A.M.” served as the perfect opening for the evening, lending an ambience for Gilmour’s signature guitar sound to break through like a beam of light. Those first few notes seemed enough to already leave people lost for words on what they were in for the rest of the evening. The true spectacle of the shows were his iconic guitar solos – a roaring jam in “Fat Old Sun,” the melodic monologue of “Marooned,” a wailing lamentation concluding “In Any Tongue,” the helpless reminiscence of “High Hopes,”  and of course, the unforgettable denouement of “Comfortably Numb.” It is easy to converse with fellow Pink Floyd fans which is the “best” or most “profound,” but in the context of Gilmour’s live shows at The Garden there can be no debate as his guitar work was so masterfully presented in each of his solos.

    Luck and Strange was released only a few weeks before he began his tour in Rome, Italy, which gave a limited period for fans to listen to the new material before seeing the shows. It made sense that a few of the new songs had a less boisterous response compared to mainstays from the Pink Floyd catalogue. However, the entirety of Luck and Strange made it into the setlist unlike 2016’s Rattle That Lock which featured just a few songs from the album in that tour. It was very respectable to see the inclusion of the full album when so many fan favorites from Pink Floyd’s history could be selected.

    Gilmour structured his two sets with a perfect blend of his new songs and later Pink Floyd era songs, along with a few quintessential songs from Dark Side of the Moon, Wish You Were Here, and The Wall. Weaving of the new songs with familiar territory created an exciting and refreshing concert experience for hearing the entirety of a brand new album.

    Gilmour’s touring band was nothing short of a compliment of talent to each other and to Gilmour himself. His long-time collaborator, Guy Pratt (on bass), has worked with Pink Floyd since the A Momentary Lapse of Reason tour and also toured with Nick Mason’s A Saucerful of Secrets band showcasing the early years of Pink Floyd. Gilmour’s daughter, Romany Gilmour, took lead vocals on “Between Two Points” (a Montgolfier Brothers song) and sang beautifully on an acoustic, stripped-down version of “The Great Gig in the Sky,” demonstrating the forging of a musical legacy on stage within the Gilmour family. Completing the lineup are Greg Phillinganes and Rob Gentry on keyboards, Adam Betts on drums, Ben Worsley on guitar, Louise Marshall on piano/vocals, and the Webb Sisters; Hattie Webb on harp/vocals, and Charley Webb on guitar/ukulele/vocals.

    Just as he did at the conclusion of his three 2016 shows in NYC, Gilmour bid the crowd goodnight after thunderous applause, remarking “…we hope to see you again soon.” That statement came true eight years later in 2024, so the door may be open for a few more shows down the road. Until then, let’s remember those nights as priceless musical treasures.

    Set 1: 5 A.M., Black Cat, Luck and Strange, Speak to Me, Breathe (In the Air), Time, Breathe (Reprise), Fat Old Sun, Marooned, A Single Spark, Wish You Were Here, Vita Brevis, Between Two Points, High Hopes

    Set 2: Sorrow, The Piper’s Call, A Great Day For Freedom, In Any Tongue, The Great Gig in the Sky, A Boat Lies Waiting, Coming Back to Life, Dark and Velvet Nights, Sings, Scattered

    Encore: Comfortably Numb

    Photos by Rob Tellerman

  • In Focus: Razor Braids return to Troy

    For the first stop of their Weekend Get Away tour, Razor Braids returned to No Fun in Troy on Thursday, November 21.

    Photo by Jarron Childs

    The queer femme rock trio has had quite the year since their last visit to the Capital Region. They’ve opened for Spoon Benders, released four music videos, and brought back cassettes? Razor Braids released six singles, five of which ended up on their sophomore album ‘Big Wave.’ They are a talented group of musicians who bring a unique vibe and visual to indie rock.

    Photo by Jarron Childs

    Though they were the headliner, in typical No Fun fashion, they did not close out the show. They were the second of 3 acts to take the stage. Razor Braids dawned their signature all red outfits for this show. They played a 45 minute set to a modest crowd of about 50 young adults. There was great chemistry displayed on stage between the band members.

    Notable moments was in an anecdote before playing “JR” lead vocalist and bassist, Hollye Bynum, said the song was about “a s***ty dude” she once dated. A person in the crowd then yelled out “we are all someone’s s***ty dude,” which brought about great laughter among the crowd. Before the end of their set, the members of Razor Braids celebrated the birthday of their drummer Brian.

    Screenager at No Fun

    Razor Braids was preceded by a 30 minute set from Screenager out of New Jersey. They were succeeded by local artist, Toriendofstory, with Canella.

    Razor Braids‘ next show will at the Meadows in Brooklyn on December 1st.

    Razor Braids Setlist: Not Dead, Not Yet, Nashville, B26, Sharpe Ave, Drugs, JR, Berate Me, 42

  • Tokyo Police Club Play Final US Show at Irving Plaza

    Tokyo Police Club performed their final show on US soil at Irving Plaza on Thursday, November 20. This was night two of the group’s NYC run for their farewell tour. Opening the show was fellow Canadian indie rock band Born Ruffians. 

    Both Born Ruffians and Tokyo Police Club got their start in Ontario, Canada in the early 2000s. In between songs, Born Ruffians’ Luke Lalonde reminisced on the bands coming up together at the same time. Now getting to perform together on Tokyo Police Club’s final tour, it feels like a bittersweet, full-circle ending. The band has been making their way throughout the US this fall, playing two nights at Irving Plaza before continuing to Canada to finish off their tour.

    Starting their set, Tokyo Police Club played a run through of their 2010 album Champ, followed by additional songs from their nearly two decade discography. The night was filled with nostalgic banter as Dave Monks reminisced on moments the band has experienced together throughout their career. He spoke about performing in New York City for the first time in 2006 and the feeling of stepping out of a rental car to play Mercury Lounge as well as their performance on Letterman.

    Friends since the 4th grade, Tokyo Police Club has amassed a large fan base since choosing to form a band in 2005. With their first EP released in 2006, A Lesson In Crime, they entered the indie rock scene. Coming into the early 2000s, we saw an “indie rock renaissance.” The band was welcomed in, quickly performing festivals with other quintessential bands from this era including Modest Mouse and Death Cab for Cutie.

    Tokyo Police Club will be continuing “The Final Tour” with a run of sold-out shows throughout Ontario, Canada through the end of November. These shows will be the last shows the band plans to play together. At this time, the band has no plans to reunite.

    Setlist: Favourite Food, Favourite Colour, Breakneck Speed, Wait Up (Boots of Danger), Centennial, In a Cave, Juno, Graves, New Blues, Simple Dude, Pigs, Hang Your Heart, Toy Guns, Hands Reversed, End of a Spark, Bambi, Frankenstein, Argentina (Parts I, II, III), Nature of the Experiment, Citizens of Tomorrow, Shoulders & Arms, Listen to the Math, Tessellate

    Encore:The Harrowing Adventures Of..., Ready to Win, Cheer It On, Your English Is Good

  • Moshing to Telescreens at Webster Hall

    You want a rock concert? A mosh-pitting, floor-bouncing, head-yelling, crowd-surfing rock show? That’s exactly what Telescreens brought to Webster Hall on November 19. Hometown fans crowded the 1,500-person Grand Ballroom and for a few hours were swept up in the power of rock. 

    Telescreens Credit Aidan Lukomnik

    Telescreens formed after frontman and lead guitarist Jackson Hamm moved to New York to attend the Clive Davis Institute of Recorded Music. There he met keyboardist Josiah Valerius and bassist/keyboardist Austin Brenner in 2016. The final member of the band, drummer Oliver Graf, joined the other three in 2019 – adding to their explosive sound. The band started playing gigs around the city before COVID-19 but was forced to stop because of the pandemic. Since their return to live touring, they’ve played Austin City Limits and Governor’s Ball

    Telescreens Credit Aidan Lukomnik

    On Tuesday, hometown bands Skorts and Kareem Rahma & Tiny Gun opened the show. Skorts amped the crowd up with head-banging energy and a light show with more than enough fog to fill the room. The one problem was Skorts’ drummer hidden in a wall of mist. Following Skorts, the multi-hyphenate singer/ comedian/ interviewer Kareem Rahma came on stage with his trademark sunglasses – which he never took off. Playing off his success as a video creator, the band’s song “Content Machine” got the audience jumping as the singer poked fun at his other jobs.  

    Kareem Rahma Credit Aidan Lukomnik

    By the time Telescreens came on, the audience was ready, and a moshpit formed almost immediately. Within the first two songs Jackson Hamm jumped from the stage into the crowd to re-form the pit in the middle of the room. Once he was back on stage, moshing started again, and the floor of the ballroom roiled like the ocean – visibly shaking and bouncing from the audience’s movement. 

    Throughout the night, Hamm encouraged the audience to lose themselves to the music, asking them to “take this as an opportunity to push yourself a little out of your comfort zone.” The lead singer also admonished wallflowers who weren’t engaging with the music, “You on the sides, why do you wanna be so fucking cool?” 

    Jackson Hamm reforms the Moshpit, Credit Aidan Lukomnik

    It’s clear that Hamm believes in the power of rock. Throughout the set, the singer and guitarist worked up a sweat and, at one point, said: This [Rock and Roll] is like a religion. You have to believe it will make you feel better. You’re not supposed to stand there with your arms crossed. You’re supposed to move your feet. You’re supposed to get your heart rate up. 

    Telescreens, Credit Aidan Lukomnik

    As the night wore on, mosh pits formed and closed, and dozens of people crowd surfed, egged on by Hamm, who said, “Keep crowd surfing, that shit feels good, I promise.” As crowd surfing escalated, Webster Hall had to call in extra security to ensure everyone was safe.

    A crowd surfer, Credit Aidan Lukomnik

    Telescreens ended their set with Hamm ripping chords, jumping from the stage to the crowd and back (again), and the band leaving it all out for their hometown fans. 

    Telescreens Credit Aidan Lukomnik
    Telescreens Credit Aidan Lukomnik
    Telescreens Credit Aidan Lukomnik
    Telescreens Credit Aidan Lukomnik
    A crowd surfer, Credit Aidan Lukomnik
    A crowd surfer, Credit Aidan Lukomnik
    Credit Aidan Lukomnik
    Skorts, Credit Aidan Lukomnik
    Skorts, Credit Aidan Lukomnik
    @Alukomnik
    Skorts, Credit Aidan Lukomnik
    Skorts, Credit Aidan Lukomnik
    Skorts, Credit Aidan Lukomnik
    Kareem Rahma & Tiny Gun, Credit Aidan Lukomnik
    Kareem Rahma & Tiny Gun, Credit Aidan Lukomnik
    Kareem Rahma & Tiny Gun, Credit Aidan Lukomnik
  • Harrison Lipton Releases Post-Breakup Soft Rock Single “On My Own”

    Brooklyn-based soft rock/indie artist Harrison Lipton has released his latest single “On My Own” which masks post-breakup sadness with cheeky humor.

    harrison lipton

    Musical jack-of-all-trades Harrison Lipton releases his cheeky new breakup anthem “On My Own” via Amuse. The facetious, 70s-inspired dad rock song uses the all too familiar coping mechanism of poking fun at inherent sadness to make it through the day. His voice full of smooth earnestness, Lipton ushers listeners towards the greener grass on the other side. Harrison Lipton is a 30-year-old singer, songwriter and producer. The Brooklyn artist’s musical flair resides in the intersection of indie, R&B and 70s soft rock.

    Now with the focus shifted to his own releases, Lipton unveiled “Synchronized Swimming,” with its captivating accompanying music video, back in September. Exploring romance coyly nestled within the metaphor of synchronized swimming, listeners witness Lipton’s proven songwriting and production talent in raw form. Complete with dusty piano, laid-back Khruangbin-like drums, and an underwater guitar solo, the final touch is the perfect pairing of background vocals from MICHELLE’s Layla Ku. “On My Own” keeps building the world “Synchronized Swimming” started, putting forth a distinctly clean and modernized late 70s aesthetic.

    harrison lipton

    Lipton prides himself on fully realizing a track from start to finish, leading the charge with songwriting, producing, and mixing, as well as creative direction. Lipton’s music is a product of his singular imagination, presenting a style that is sincere, authentic and all his own.

    His music has been featured in NPR and Early Rising as well as on numerous editorial playlists such as Apple Music’s Late-Night Menu and Spotify’s Fresh Finds and Chill Vibes. Now focusing on new singles leading toward a larger project, Lipton emerges as a promising and unique voice, blending soulful vocals with singular and catchy production.

    For more information on Harrison Lipton and to lend an ear to some of his recent works, click here.

  • Legendary Rockers Blue Öyster Cult Share Live Performance Video for “The Alchemist”

    Legendary rock band Blue Öyster Cult has announced the release of a live performance video for 2020 track, “The Alchemist.”

    Riding the triumphant success of their 50th Anniversary celebration, Blue Öyster Cult is rolling into the release of ‘50th Anniversary Live – Third Night,’ the final installment of the live album celebrating the band’s 50th Anniversary. This electrifying performance, which includes the band’s third album ‘Secret Treaties’ performed back-to-back, is set to hit the shelves on December 13, 2024, and promises to be a spectacular follow-up to the band’s historic three-night stint at Sony Hall in NYC. Today, in anticipation of the album’s release, Blue Öyster Cult share a new live performance video for “The Alchemist”.

    Blue Öyster Cult’s legacy spans over five decades, captivating fans with intelligent hard rock loaded with classic songs. Hailing from Long Island, NY, the band is renowned in the hard rock and heavy metal scene for their pioneering work, earning both critical acclaim and commercial success. Cited as a major influence by acts like Metallica, BOC boasts a timeless catalog, including iconic tracks like “(Don’t Fear) The Reaper,” “Godzilla,” and “Burnin’ for You.” The creative vision of the original core duo, Donald “Buck Dharma” Roeser and Eric Bloom, is complemented by Richie Castellano, Danny Miranda, and Jules Radino, forming a powerhouse lineup.

    As the band embraces its status as a ‘classic rock’ phenomenon, they continue to create vibrant work, offering a refreshing alternative to mainstream trends. With a relentless touring schedule and the critically acclaimed 2020 album The Symbol Remains which contains “The Alchemist,” Blue Öyster Cult remains an enduring force, ready to ignite the stage once again with the upcoming release of 50th Anniversary Live – Third Night. With the release of a live performance of “The Alchemist,” the band celebrates their 2020 success along with the anticipated success of their upcoming 50th anniversary live album.

    For more information on Blue Öyster Cult, their upcoming works, and to watch their live performance of “The Alchemist,” click here.

  • “Songbird” An Intimate Biography of Christine McVie by Leslie-Ann Jones

    Two years after her passing, we finally have a bio of Fleetwood Mac’s beautiful songstress.

    Also an artist and sculptor, Christine McVie was a master at crafting sunny seventies perfect pop songs despite experiencing quite a bit of loss through life and despite her leanings towards blues in her early days as a musician in London. In contrast to some of her band mates known for their songs infused with the pain of relationships ending, Christine’s songs predominately were about the hopes and joys of love. The official video of Love Shines from the 1992 album 25 Years – The Chain; Fleetwood Mac’s 50 Years is a perfect example of that.

    fleetwood mac

    Over My Head, from their 1975 self titled album was the song played on American radio that really brought Fleetwood Mac to our attention in a big way after various line-up changes and started Fleetwood Mac’s quick ascension up the charts and into history as one of the world’s favorite and best selling bands of all time; a song she was quoted as saying was in part, about Lindsey Buckingham. By 1977 they would be the biggest band in the world.

    Starting with Chicken Shack in her teens during the 60s, Christine had to endure traveling and playing in some pretty seedy places in the UK and Germany first. Paying off, it earned her 1969 and 1970’s Female Vocalist of the Year in a Melody Maker Reader’s Poll. 

    Some speculate that the sublime Songbird, perhaps her best known and signature song from the Rumours album, may have been about her mother and processing loss. This song is said to have come to her in a flash of inspiration, she had said frequently that she had no idea where it came from, but that it was an almost spiritual experience, having been delivered to her. If listening to the song now with that perspective, the song does take on an almost spiritual and very emotional meaning.

    We have in her own words, what it was like to tour so much and for long with this book. 

    To many, Fleetwood Mac had the coolest existence; their excessive appetites and habits are legendary; they lived together at some pretty interesting manor houses over several countries while making albums, some of which were reputed to be haunted. Musicians who come from nothing and rise beyond their wildest dreams are fascinating to read about.

    The author’s lively language is engaging and indicative of the friendship she had with Christine McVie, along with her extensive knowledge of the music scene of the 1950s to the 1970s in London. Christine had also been speaking about writing a memoir, but it was not to be before her passing. The author, Leslie-Ann Jones has been featured on television music documentaries, and has also written biographies of John Lennon, The Rolling Stones, David Bowie and Freddie Mercury.

    In this book, many often overlooked details of Christine’s solo work are discussed, such as her 1985 cover of Elvis’s Can’t Help Falling in Love for the movie A Fine Mess.

    As the author had personal access to Christine over the years, the book has first hand knowledge of areas of the musician’s life that fans will find interesting. Credited many times as being the peacekeeper of the band, except for one episode of violence, the details of that scenario at Christine’s house are laid out. Photos of her English manor house and the renovation project that Christine embarked on after being in the states for 28 years, as well as how she spent some of her free time and with whom she socialized, show another side of her creativity.

    Little known details of Fleetwood Mac’s dynamics and betrayals are included to delve into; the difficulties in being married to someone in the same band as her for example.

    Before being interested in John McVie, Christine had first been enamored with Peter Green, who unfortunately dealt with the consequences of imbibing hallucinatory substances. 

    Christine has been on record for stating that Dennis Wilson of the Beach Boys was the love of her life, and that ill-fated romance and her reaction upon learning of his death are detailed here in Christine’s own words, as well as the songs she wrote about him.

    Fleetwood Mac was a group of creatives who made music magic. As we continue to mourn the loss of a gifted musician and songwriter, her legacy is her music being with us forever and continuing to be loved by newer generations.

    “I want to be with you everywhere.” 

    And she always will be.

  • Louisiana Child Releases Gritty Debut Single “Cocaine Cowboy”

    Rock unit Louisiana Child has released their debut single, a gritty Old West and rock ‘n roll fusion track titled “Cocaine Cowboy”.

    Louisiana Child

    Louisiana Child is a gritty powerhouse of a rock unit based out of Toronto that blends the kick of southern rock, the swing of blues, and the tone of country into a dynamic sound of foot-stomping and head-banging that leaves a long-lasting impression full of raw energy.

    Comprised of Daniel Theriault on vocals and guitar, Ricky Theriault on drums and backup vocals, Jean-Marc Lanteigne on lead guitar, and Chris Moore on bass, Louisiana Child is currently working away on their debut EP in collaboration with seasoned producers and mixing engineers George Panagopoulos and Mark McCaster, the former being widely recognized for his work with Audioslave, Red Hot Chili Peppers, and the legendary producer Rick Rubin. These music industry powerhouses bring a wealth of expertise and experience to Louisiana Child’s already promising sound.

    The first product of the project to go public and Louisiana Child’s debut single comes in the form of “Cocaine Cowboy,” a hauntingly gritty track that follows the internal battle of a man facing his demons.

    Painting the image of a haunting Old West setting through rounded blues-y guitar tones, a sharp country-tinged vocal punch, and lyrics that tell the tale of a lone vagabond, Louisiana Child explores the concepts of temptation towards things that are inherently destructive, namely drugs and alcohol.

    Mastered by Ted Jensen of Sterling Sound, “Cocaine Cowboy” marks a promising beginning for Louisiana Child, establishing a distinct sense of storytelling and carefully crafted sound as they enter the rock scene with a bang.

    This track is just the beginning for the band- to learn more about Louisiana Child, stay up to date with their latest endeavors, and keep an eye out for future shows, follow their official Instagram and Facebook pages.

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