Category: Rock

  • Remembering John Lennon on the Anniversary of His Death

    John Lennon on December 5, 1980:

    “Give peace a chance, not shoot people for peace. All we need is love. I believe it. It’s damn hard, but I absolutely believe it… We’re carrying that torch, passing it from hand to hand, to each other, to each country, to each generation. That’s our job.

    There is no better way to capture the whit of music legend and galactic dreamer, John Lennon, than amidst his own words. In hindsight, a dramatic quote proves ever important on the icon’s 40th death anniversary. His words spark a flame in young and old, seasoned and aspiring; to carry on a tradition, to be one, to share your quirks through this thing we call music. It’s why you’re here, reading.

    Three days later, Lennon was shot dead in the archway of the Dakota apartment building, in New York’s upper west side. Living with wife Yoko Ono, and inseparable, they were on their way back from a recording session when Lennon was pointlessly gunned down.

    John Lennon 40th Anniversary
    John Lennon – December 5, 1980.

    “Welcome to the inner sanctum!”

    Lennon’s words in comparrison were wilful, he knew exactly what he was doing. Even pro-Beatle Lennon, wanted to get away from any grounds on his blooming self exposition. It’s a continuous flow of self exploration that Lennon created over. It seems overly introverted, yet Lennon learned about himself in a roundabout, extroverted way. “We write lyrics, and I write lyrics that you don’t realise what they mean until after… like ‘Walrus.’ The whole first verse was written without any knowledge, and ‘Tomorrow Never Knows‘— I didn’t know what I was saying, and you just find out later.”

    As we delve into Lennon interviews over the years it is clear why he has reached monumental stature. According to Writer Jonathan Cott, Lennon was unlike almost any other artist, “he allowed himself to be interviewed at crucial points in his life in order to reveal and, perhaps, define for himself where he was in his world,” Shadow In The Night.

    Jann Wenner said his interview with Lennon was “The most important, and the peak, of the whole concept of the Rolling Stone Interview. He [Lennon] went all the way to the theory of it, to the hilt.” Wenner never did another one, except with the Grateful Dead’s Jerry Garcia.

    John Lennon 40th Anniversary
    John Lennon’s Self Portrait elusive in value, yet monumental in pop-culture.

    Mark Chapman, a troubled American “Beatles fan” had travelled from Hawaii to NYC. After Lennon kindly signed his copy of Double Fantasy, Chapman would seek out the star and fire five hollow-point bullets from a .38 special revolver. Four hit Lennon in the back. Chapman claimed he was angered by Lennon’s lifestyle and public statements, thus remained at the scene, reading The Catcher in the Rye until he was arrested. Lennon was pronounced dead on scene. The world was devastated.

    Yoko: There’s no bullshit.

    John: There’s no bullshit.

    But, this was bullshit.

    It wasn’t until ten years ago that these last interviews began to see light. With each passing year Lennon would grow stronger in our hearts. His music, and moreover, his philosophy would continue to inspire for generations to come.

    “Ive never claimed divinity. I’ve Never claimed purity of soul. I’ve never claimed to have the answer to life. I only put out songs and answer questions as honestly as I can, but only as honest as I can—

    John Lennon, Dec. 5, 1980.

    With earlier Rolling Stone interviews, on Sept. 17 and 18, 1968, John Lennon was much less raw in his response. His light and airy nature was apparent, walking around the room of his apartment, singing “Hold Me Tight,” and sitting on the floor to chat, despite two hours’ sleep.

    Still distinctively Lennon, he remised about his past and heightened personal nature of his work. Lennon is direct. It’s wasn’t a child’s feeling, it was mine. “It was writing about my past, so it does get the kids because it was me at school, my whole bit,” on “Good Morning, Good Morning,” and the same with “Penny Lane.”

    “We really got into the grove of imagining Penny Lane— the bank was there, and that was where the tram sheds were and people waiting and the inspector stood there, the fire engines were down there, it was just reliving childhood.”

    “I don’t like the Blood, Sweat and Tears shit. I think all that is bullshit. Rock & roll is going like jazz, as far as i can see, and the bullshitters are going off into that excellentness which I never believed in and other going off… I consider myself in the avant grade of rock & roll.”

    Here John begins, and was the only to explicitly, demystify his Beatles persona. “We were like kings of the jungle back then,” and later on when asked if Lennon would take it all back he says: If i could be a fuckin’ fisherman, I would. If I hat the capabilities of being something other than I am, I would.

    Love, love, love
    Love, love, love
    Love, love, love
    
    There's nothing you can do that can't be done
    Nothing you can sing that can't be sung
    Nothing you can say, but you can learn how to play the game
    It's easy
    
    Nothing you can make that can't be made
    No one you can save that can't be saved
    Nothing you can do, but you can learn how to be you in time
    It's easy

    A mass of John Lennon interviews is worth the read. Don’t listen or analyse too much, just be free in the moment like he was. Put a record on and recount Lennon’s LSD trips, gripes with The Beatles, his love for Yoko and pure artistic outlook on the world. It’s enlightening.

    John Lennon is the musical equalizer. He says it how he sees it, and sadly he unexpectedly paid for those words 40 years ago today. The simple minded Lennon (in principle) fancied classic rock like “Spirit in the Sky,” and was “influenced by acid and got psychedelic, like the whole generation, but really, I like rock & roll, and I express myself best in rock.

    “Because that’s what’s happened, all these songs just came out of me. I didn’t sit down to write. They all came out , like the best work that anybody ever does, wether it is an article or what, it’s just the best ones that come out.”

    The dream is NOT over.

    Why Can’t Lennon be alone, without Yoko?

    I can be, but I don’t wish to be. Theres is no reason on earth why I should be without her. There is nothing more important than our relationship, nothing. We dig being together all the time, and both of us could survive apart m but what for? Im not going to sacrifice love, real love for any… 🙂 …

    John Lennon 40th Anniversary
    Rest In Peace John Lennon: to the one you loved most and to a world you continually inspire.

    Months earlier marked Lennon’s 80th birthday. On October 9, a live stream from London’s Hard Rock Hotel celebrated the 2nd annual Dear John concert. The event supported a heartfelt charity, War Child U.K., an organization that helps impoverished families across war zones throughout the world.

    Blurred Vision frontman, Sepp Osley, hosted the virtual show featuring tributes from Peter Gabriel, Richard Curtis CBE, Maxi Jazz of Faithless, Lindsay Ell, PP Arnold, Lawrence Gowan (Styx), Andy Fairweather Low, KT Tunstall, Larkin Poe, John Ilsley of Dire Straits, Nick Van Eede (Cutting Crew), Mollie Marriott and Laura Jean Anderson.

  • Styx and Kevin Cronin Announce “Brotherhood of Rock” Tour, Stops in Syracuse and Saratoga

    Rock legends Styx and Kevin Cronin of REO Speedwagon have announced their upcoming “Brotherhood of Rock” tour. The tour sees two dates in NY including Empower FCU Amphitheater in Syracuse on July 14 and SPAC in Saratoga Springs on August 12.

    Kevin Cronin brotherhood of rock styx

    Styx and Kevin Cronin have one of the strongest brotherly bonds spanning 25 years, especially since they’ve crossed paths on the North American concert trail along with the occasional joint festival concert. Fittingly, next summer they’ll join forces for the sixth time for their “Brotherhood of Rock” tour, along with special guest Don Felder of the Eagles.

    The seven men comprising Styx – James “JY” Young (lead vocals, guitars), Tommy Shaw (lead vocals, guitars), Chuck Panozzo (bass, vocals), Todd Sucherman (drums, percussion), Lawrence Gowan (lead vocals, keyboards), Will Evankovich (mandolin, guitars), Terry Gowan (bass, guitar, vocals)—have committed to rocking the Paradise together with audiences far and wide, and each one of them is committed to making the next show better than the last. Styx draws from over five decades of barn burning chart hits, joyous singalongs, and hard-driving deep cuts.

    Like a symphony that builds to a satisfying crescendo, a Styx set covers a wide range of stylistic cornerstones. From the hunker-down fortitude of all that is the “Blue Collar Man,” to the majestic spiritual love for a special “Lady” from an individual yearning for true connection as a “Man in the Wilderness” to a regal reach-for-the-stars bravado of “Come Sail Away” to the grainy all-in gallop of that rugged “Renegade” who had it made, the band draws on an unlimited cache of ways to immerse one’s mind and body in their signature sound.

    Styx in 2012

    For his first solo summer outing, iconic vocalist and hit songwriter Kevin Cronin’s band features the same multi-talented lineup that toured America in 2024 as REO Speedwagon. Cronin continues to be joined onstage by lead guitarist Dave Amato and drummer Bryan Hitt, who have played in REO Speedwagon since 1989.

    Cronin began fronting REO Speedwagon in 1972, delivering a newly melodic sound, and setting the stage for the explosive HI INFIDELITY (1980). Fueled by massive hit singles “Keep On Loving You” and “Take It On the Run,” the RIAA Diamond Award-certified album remains a high-water mark for rock bands. He has written number one hits such as “Can’t Fight This Feeling,” and “Roll With the Changes,” “Time for Me to Fly,” “Don’t Let Him Go,” and “In My Dreams.”

    Kevin Cronin

    DATE               CITY                            VENUE

    Wed 5/28          Greenville, SC               Bon Secours Wellness Arena

    Sat 5/31            Tampa, FL                    MIDFLORIDA Credit Union Amphitheatre

    Mon 6/2            Jacksonville, FL            Daily’s Place

    Wed 6/4            Austin, TX                     Germania Insurance Amphitheater

    Fri 6/6               The Woodlands, TX       The Cynthia Woods Mitchell Pavilion presented by Huntsman

    Sat 6/7             Ridgedale, MO              Thunder Ridge Nature Arena

    * Mon 6/9          Denver, CO                   Fiddler’s Green Amphitheatre

    Wed 6/11          Salt Lake City, UT         Utah First Credit Union Amphitheatre

    Fri 6/13             Concord, CA                 Toyota Pavilion at Concord

    Sat 6/14            Bend, OR                     Hayden Homes Amphitheater

    Sun 6/15           Ridgefield, WA              RV Inn Style Resorts Amphitheater

    Sat 6/28            Albuquerque, NM          Isleta Amphitheater

    * Mon 6/30        Colorado Springs, CO   Ford Amphitheatre

    Wed 7/2            Kansas City, MO           Starlight Theatre

    Sat 7/5             Birmingham, AL            Coca-Cola Amphitheater

    Sun 7/6             Alpharetta, GA              Ameris Bank Amphitheatre

    Tue 7/8             Charlotte, NC                PNC Music Pavilion

    Wed 7/9            Raleigh, NC                  Coastal Credit Union Music Park

    Fri 7/11             Virginia Beach, VA         Veterans United Home Loans Amphitheater

    Sat 7/12            Bristow, VA                   Jiffy Lube Live

    Mon 7/14          Syracuse, NY                Empower Federal Credit Union Amphitheater at Lakeview

    Tue 7/15           Bridgeport, CT              Hartford HealthCare Amphitheater

    Fri 7/18             Gilford, NH                    BankNH Pavilion

    Sat 7/19            Mansfield, MA               Xfinity Center

    Sun 7/20           Holmdel, NJ                  PNC Bank Arts Center

    Fri 8/1               Dallas, TX                     Dos Equis Pavilion

    Sat 8/2             Brandon, MS                 Brandon Amphitheater

    Mon 8/4            Franklin, TN                  FirstBank Amphitheater

    Wed 8/6            Richmond, VA               Allianz Amphitheater at Riverfront

    Fri 8/8               Camden, NJ                 Freedom Mortgage Pavilion

    Sun 8/10           Burgettstown, PA          The Pavilion at Star Lake

    Tue 8/12           Saratoga Springs, NY    Broadview Stage at SPAC

    Wed 8/13          Toronto, ON                  Budweiser Stage

    Fri 8/15             Noblesville, IN               Ruoff Music Center

    Sat 8/16            Clarkston, MI                Pine Knob Music Theatre

    Tue 8/19           Cincinnati, OH               Riverbend Music Center

    Wed 8/20          Cuyahoga Falls, OH      Blossom Music Center

    Fri 8/22             St. Louis, MO                Hollywood Casino Amphitheatre

    Sat 8/23            Tinley Park, IL               Credit Union 1 Amphitheatre

    Sun 8/24           Milwaukee, WI              American Family Insurance Amphitheater

    * Not a LN Show

    Kevin Cronin brotherhood of rock styx

    For more information on the upcoming “Brotherhood of Rock” tour and to purchase tickets, click here.

  • Grateful Dead Close Out Their Lone Felt Forum Run: December 7, 1971

    For their final East Coast shows of 1971, The Grateful Dead played a four-night run at the Felt Forum in New York City. December 7 marks the fourth and final one of these shows during a still transitional era for the band. Drummer Mickey Hart left the group earlier in the year and the Dead were still in the process of integrating new keyboardist Keith Godchaux who joined them in September.

    Original keys player and founding member Pigpen had also recently rejoined the group after a stint in the hospital. With the band now at full strength, they unleashed a chock full two sets of music on this evening that showcased their full potential, paving the way for their legendary Europe ’72 Tour that would follow a few months later. This show in particular was deemed so good that it would later go on to become an official Dave’s Picks release, serving as Volume #22 in the series. It sees the band at their finest, mixing up a healthy blend of rock, rhythm, and blues along with a little holiday cheer.

    grateful Dead Felt Forum
    Grateful Dead Felt Forum 1971 Dave’s Picks

    The last show of the Felt Forum run of ’71 begins with “Cold Rain and Snow,” a song that had established itself as a common opener in this era of Grateful Dead. Garcia delivers a couple of pristine guitar licks with new keyboardist Keith Godchaux providing timely fills on organ. The newest member of the band then moves over to piano as Bob Weir takes over on vocals for a quick yet feisty “Beat It On Down The Line.” With the band seemingly warmed up on a couple of classic numbers, Pigpen then takes over on lead vocals for the first time with the fairly new “Mister Charlie,” a song that debuted just a few months ago at the Yale Bowl which would be played every night of this run and for good reason. His sultry singing combined with some more vintage Garcia guitar play make for a soulful combination that, alas, doesn’t stray too far.

    The first extended play of the evening is another fairly new song that actually debuted at the same show, “Sugaree.” Garcia and Godchaux exhibit more great chemistry early on with each taking a nominal solo and bassist Phil Lesh locking down the bottom line in style throughout. An even newer song that would remain a staple of live Dead shows for their entire career then follows in “Jack Straw,” another one that made an appearance at all four shows of the run. Godchaux’s work on piano compliments Weir’s vocals perfectly and the band eases through this classic number that seems to pick up speed from start to finish. After a quick introduction from Lesh, Pigpen then returns to center stage for his typical rambunctious take on “Next Time You See Me” that includes a couple of ripping solos on harmonica. The joy that the Grateful Dead get in playing this blues cover is nearly palpable.

    This carries right over into another one of the new batch of songs, “Tennessee Jed,” which has Weir and Garcia harmonizing nicely on the choruses. Another song that would remain on set lists for years, this one is peppered with an extra bluesy guitar solo from Garcia that’s dripping with flavor. After Weir leads the Dead through a lively “El Paso,” things slow down considerably with the “Brokedown Palace” that follows which gets a considerable round of applause from the Felt Forum crowd at the onset. It’s a true group effort with Lesh joining in on some vocal harmonies and another typically tender, yet brief, solo from Garcia.

    With the Dead no strangers to a Chuck Berry cover, afterwards they get in the holiday spirit and bust out a cover of “Run Rudolph Run,” a song they would only play a handful of times ever this month. It’s classic 12-bar blues with Pigpen, naturally, on lead vocals for a quick song that’s melodically similar to Berry’s “Little Queenie.” The band then stays in blues cover mode with a rare take of “You Win Again,” a ballad first sung in 1952 by Hank Williams which made its live debut just last month and would never be played again after 1972. The first set then wraps up with a couple of Grateful Dead classic originals starting with a fiery “Cumberland Blues” that sees Lesh leading the way with spirited bass play and Godchaux delivering a flurry of chords on piano. That troublesome train conductor “Casey Jones” then caps off a jam packed first set that seems to cover all the bases.

    grateful Dead Felt Forum

    With the bar set high from a rollicking first set, the momentum carries right over into the second set with a powerful opening 1-2 combination of “Sugar Magnolia” and “Ramble On Rose” that sees Weir and Garcia passionately belting out the vocals on each, respectively. The torch is then passed back over to Pigpen who leads the band through yet another classic cover, this time it’s Jimmy Reed’s “Big Boss Man.” Another soulful harmonica solo serves as the bridge to some more bluesy guitar licks delivered by Garcia on this one. A lightning quick take on the new “Mexicali Blues,” another song that found its way onto the set list all four nights, then precedes a silky smooth rendition of “Brown Eyed Women.”

    This sets the stage for the last Pigpen-centered song of the evening and the most extended “jam” of the show – a 12-minute enthralling cover of Howlin’ Wolf’s “Smokestack Lightning.” Pigpen’s iconic singing and harp play mesh perfectly with Garcia’s blues-driven guitar stylings and the band takes their time on this one, stretching it out nicely. Sadly, this is the second to last version the Dead would ever play with Pigpen, a founding member of the band. The “I been gone so long” lyrics sang in repetition towards the end of the song hit especially hard knowing that.

    grateful dead felt forum

    This is followed up by a rather mellow take, compared to later standards of “Deal” another fairly new song in the band’s catalog that made its debut at Port Chester’s Capitol Theatre earlier that year. This is succeeded by “Truckin’,” a song the Dead played at every show of that vaunted Capitol Theater run earlier in the year and one that finally sounds like it’s starting to develop an identity and jam capabilities thanks to the addition of Keith Godchaux who shines on the organ on this rendition.

    The second set then comes to a triumphant finish with the classic closing sequence of “Not Fade Away” > “Goin’ Down The Road Feeing Bad” > “Not Fade Away.” Bill Kreutzmann on drums makes his presence felt early and often on “Not Fade Away” which elicits a truly blissful jam of sorts that flows effortlessly into the beginning of “GDTRFB.” For an encore, the band breaks out one last song from the new batch, “One More Saturday Night.” It would only be the second time ever used in this spot, one that it would soon become commonplace for the rest of their storied career, closing out the fourth and final show Dead show at Felt Forum in grand fashion.

    Grateful Dead – Felt Forum, New York, NY – December 7, 1971

    Set 1: Cold Rain and Snow, Beat It On Down The Line, Mister Charlie, Sugaree, Jack Straw, Next Time You See Me, Tennessee Jed, El Paso, Brokedown Palace, Run Rudolph Run, You Win Again, Cumberland Blues, Casey Jones

    Set 2: Sugar Magnolia, Ramble On Rose, Big Boss Man, Mexicali Blues, Brown Eyed Women, Me and My Uncle, Smokestack Lightning, Deal, Truckin’, Not Fade Away > Goin’ Down The Road Feeling Bad > Not Fade Away

    Encore: One More Saturday Night

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below

  • Billy Joel and Stevie Nicks Announce Joint MetLife Stadium Show

    Music legends Billy Joel and Stevie Nicks have announced a single tri-state appearance in a joint show at MetLife Stadium in August.

    billy joel stevie nicks

    Rock and Roll icons in their own rights, Billy Joel and Stevie Nicks’ careers are genuinely unparalleled. 

    The Piano Man himself, Joel is a New York native and is considered one of the most beloved recording artists in history, being the sixth best selling recording artists and the fourth best selling solo artist with a grand total of 160 million records sold worldwide. 

    Joel is one of the most engaging and best-selling live acts of all time with a monumental 150 shows performed at Madison Square Garden alone in what is regarded as one of the greatest arena runs in history.

    photo by Myrna Suarez

    Beloved for both her membership and vocal contributions to Fleetwood Mac and her whimsical solo singer-songwriter works, Stevie Nicks is a walking legend. Having been the first woman inducted into the Rock & Roll Hall of Fame twice, Nicks has captivated audiences for decades now with her deft storytelling and sharp songwriting skills.

    With a collective 220 million albums sold under her belt, Nicks is a continuous inspiration for those in the industry and beyond, mentoring younger performers to this day.

    The two iconic musicians will be bringing the best of their musical careers to the MetLife Stadium stage on Friday, August 8. Their first and only tri-state appearance together, the show promises to be an unforgettable once-in-a-lifetime event.

    In addition to the evening being the first of its kind for the duo, August 8 will mark Joel’s first time in East Rutherford since he performed at Continental Airlines Arena in 2002, and Nicks’ return to North Jersey for the first time as a solo act since June of 2012.

    Tickets for the Billy Joel and Stevie Nicks one-time-only show at MetLife Stadium will go live on Friday, December 13 at 10:00 AM. 

  • Interpol sells out NYC for their 20th Anniversary of “Antics.”

    There’s something about anniversary shows that really gets a crowd going. Pressed against each other in the pit, hands swaying, chanting in time to favorite songs. What better way to celebrate 20 years of Interpol’s Antics than a 3-day sold out show at Brooklyn Steel? Longtime fans gathered for opening night on December 3. Ready to revel in the gritty, driving force of rich guitar playing and powerful lyricism.

    Lead guitarist Daniel Kessler, of Interpol

    Around since 1997, Interpol was formed under New York University doors, beginning with lead guitarist Daniel Kessler, frontman Paul Banks and drummer Greg Drudy. Their post-punk sound has become a staple amongst New Yorkers, emerging as a key rock revivalist of the early 2000s. In hopes to sound sleek and mysterious, they derived their name from The International Police Association, signing with Matador Records in 2002. Now, Interpol has played at a multitude of venues across the world, joined by Sam Fogarino on the drums.

    Interpol's frontman Paul Banks, preforming at Brooklyn Steel

    With white sheer curtains draped across the front, a hush fell over the crowd as Interpol took stage a few minutes past 9:15pm. Opening with “Next Exit”, the band remained obscured. The crowd focused on projections of their silhouettes, jumping back and forth across the curtains. Once their second song, “Evil” reached crescendo, the lighting crew scrambled into the photo pit. The crew pulled back the expansive white sheet to reveal the band, dressed to the nines in black tailored suits.

    After every song, fans whooped and hollered, dazed by the thick smoke and dramatic strobe lights. Lush storytelling balanced out catchy choruses, pairing with intricate guitar riffs to make a visually immersive performance. Their iconic color scheme of black, white and red alongside a sharp typeface held true. Non stop energy created through intriguing lighting choices and special effects.

    As Interpol performed fan favorites such as “C’mere” and “Rest my Chemistry” the crowd pushed forward to the edge of the barricade, unable to peel their eyes off of the stage. By the time the 21 song setlist came to a close, the venue was absolutely packed. Reveling in the rush, fans lingered in the pit, chatting excitedly while sharing videos and treasured moments. 

    Interpol – Brooklyn Steel – Tuesday, December 3, 2024

    Set 1 (Antics): Next Exit, Evil, Narc, Take You on a Cruise, Slow Hands, Not Even Jail, Public Pervert, C’mere, Length of Love, A Time to Be So Small
    Set 2: Pioneer to the Falls, No I in Threesome, The Rover, Rest My Chemistry, My Desire, Roland, Lights, All the Rage Back Home, Obstacle 1
    Encore: The New, PDA

  • New York Series: “The Dakota” by Christine Lavin – Remembering John Lennon Through Song

    The date Dec. 8, 1980 will be remembered infamously throughout history as the night John Lennon was shot outside his New York City apartment. The Beatles member and songwriter was returning home from the Record Plant recording studio with his wife Yoko Ono, fresh off their recently released collaborative album, Double Fantasy, when tragedy struck.

    Left: John Lennon, Right: Christine Lavin – photos via CNN and Fleming Artists

    Lennon was shot four times in the back and was pronounced dead on arrival at the hospital. Fans mourned his death afterwards gathering outside The Dakota, the apartment building where he lived and outside of which he was killed.

    Double Fantasy, album by John Lennon and Yoko Ono, released 1980
    Double Fantasy, album by John Lennon and Yoko Ono, released 1980

    Four years later, Lennon’s tragic murder was recalled by Christine Lavin, a long-time folk singer-songwriter and guitarist in her song, aptly titled “The Dakota.” 

    Newspaper headline in Liverpool Photo, Dec. 9th, 1980 via rarenewspapers.com
    Newspaper headline in Liverpool Photo, Dec. 9th, 1980 via rarenewspapers.com

    The song is the final track on her 13 song, self-produced album, Future Fossils, released in 1984. “The Dakota” was actually written a year or two following Lennon’s death, the song inspired by Lavin being stuck in rush hour traffic in NYC as “Imagine” happened to play on the taxi radio. 

    Album art for Fossil Fuels by Christine Lavin, released 1984
    Album art for Fossil Fuels by Christine Lavin, released 1984

    Lavin never actually mentions Lennon by name in the song, alluding to his death primarily through her imagery of the events that unfolded outside of the Dakota. Lavin spent much of her professional career playing venues in New York City and lived only a few blocks away from the Dakota at the time Lennon was killed. 

    To see one of her musical idols, murdered in a city she called home, was shocking she said in an interview with NYS Music. “That night is burned into my memory,” she said. “To this, day I can’t walk near the scene of the crime without thinking about it.”

    In her song, the building serves as an unmoving reminder of that horrific night, a symbol of senseless death that is difficult to escape.

    John Lennon and Yoko Ono outside the Dakota - Photo via Getty Images
    John Lennon and Yoko Ono outside the Dakota – Photo via Getty Images

    The chorus finds herself reflecting on the night of Lennon’s death with soft emotion and heartbreak as Lavin sings:

    “Every time I see the Dakota, I think about that night.
    Shots ringing out, the angry shouts,
    A man losing his life.”

    “The Dakota” – Christine Lavin

    The closest Lavin comes to referencing Lennon himself is by quoting one of his most popular and enduring songs, “Imagine.” In a unique twist however, Lavin takes the familiar, hopeful tune and bitterly exposes the unrealistic idyllic world, Lennon so vividly painted. 

    I don’t believe in coincidence
    So why then on the radio
    Did an old familiar voice
    Echo back from not so long ago?
    “Imagine all the people
    Living life in peace.”
    Well, it’s hard to do
    When you are on this blood-stained street.

    “The Dakota” – Christine Lavin

    Lavin’s grief and anger over the famed singer’s unnecessary death reaches its peak at this point, the bridge and climax of the song. The lyrics play out like a conversation with herself, as a harmony of voices sing Lennon’s famed lines, and Lavin replies with her honest answer.

    Album art for Imagine by John Lennon
    Album art for Imagine by John Lennon

    “It was just the way I felt at the time,” Lavin explained. “Imagine is so optimistic but it’s almost too optimistic in ways when we think of how the world is today. And it is harder to [be optimistic] when your on that street because to think the man that wrote those lines had such a tragic and violent end doesn’t make sense. Its such a contradiction.” 

    Still, Lavin said she tries to use her power as a songwriter to find a glimmer of light in a dark situation.

    “As songwriters anything we can right that can help us to overcome the dark side of our nature I think we owe to the world,” she said. “It’s acknowledging the world we live in, but knowing we can do better and that it is our duty to do better.”

    Lavin said the decision not to mention Lennon’s name in the song was purposeful – she didn’t want to look like she was exploiting the situation. Quite the contrary, Yoko One ended up publishing Lavin’s lyrics in a book she edited about John Lennon.

    Memories of John Lennon by Yoko Ono, the book Lavin's song is featured in
    Memories of John Lennon by Yoko Ono, the book Lavin’s song is featured in

    As the song continues, Lavin reflects further on her anger, asking for peace of mind.

    I wish I had the answer
    To the simple question, ‘Why?’

    I wish I could take these bitter thoughts
    And just shake them from my mind

    “The Dakota” Christine Lavin

    In what would be Lennon’s last interview before his death, he talked with a crew from RKO Radio in his home in the Dakota. Eerily enough, at one point during the conversation, Lennon pondered themes of death and getting older.

    “When we were kids, 30 was death, right?” he said. “I’m 40 now and I feel just … I feel better than before.” He later added, “I consider that my work won’t be finished until I’m dead and buried and I hope that’s a long, long time.”

    The Dakota as seen from Central Park West - Photo via Wikipedia
    The Dakota as seen from Central Park West – Photo via Wikipedia

    Even in 2022, memories of Lennon’s death haunt the state of New York. Although, The Dakota has undergone extensive renovations, it still maintains its signature gothic architecture and remains home to numerous celebrities, thanks to its prime location facing Central Park.

    Lennon’s killer, now 67, also lives, albeit behind bars at the Green Haven Correctional Facility in New York. Just this September, he was denied parole for the 12th time. Yoko Ono, has historically sent a letter to the parole board every two years to request her husband’s murderer remain in prison, CNN reported.

    Despite the painful reminders, Lennon’s legacy and hope for a better world persists long after his death as well.

    An annual tribute concert is held in Lennon’s name in NYC bringing together famous musicians and celebrities in a night of song and remembrance. Proceeds also go to supporting songwriting programs in elementary schools. One selected artist is also awarded with the John Lennon Real Love Award, this year given to Joan Osborne.

    Joan Osborne to receive this years John Lennon Real Love Award
    Joan Osborne to receive this years John Lennon Real Love Award

    Lavin’s final lyrics capture the conflicting emotions around wanting to forget the tragedy but remember Lennon’s greatness as she closes out the chorus singing:

    “Well, it’s something we shouldn’t dwell upon
    But it’s something we shouldn’t ignore
    Too many good men have been cut down
    Let’s pray there won’t be any more.”

    “The Dakota” – Christine Lavin

    John Lennon is memorialized in “Strawberry Fields,” a section of Central Park across the street from the Dakota that Yoko Ono landscaped in honor of her husband.

    Strawberry Fields, Central Park - photo via centralpark.com
    Strawberry Fields, Central Park – photo via centralpark.com

    Watch the music video for “The Dakota” by Christine Lavin on Vimeo below and stream Lavin’s Music on Spotify here.

  • Spafford Announces Spring 2025 Run

    Spafford has just announced the first details of their 2025 Spring Tour which comes on the heels of an extensive winter run set to start later this week. The much anticipated run includes stops at iconic venues throughout the Northeast and will feature special guest The Jauntee on select dates. Spafford Spring Tour includes two New York dates as well. The second stop of the tour will be in Saratoga Springs on March 14 with a show at Putnam Place. Four days later the meteoric jam band will visit Buffalo Iron Works on March 18.

     The tour also features a first time visit to the ski-mecca town of Killington, VT with a show at the Pickle Barrel.  It later wraps up with a three-night residency at Soundcheck Studios in Pembroke, MA, from April 3-5.

    Tickets go on sale Friday, December 6 at 10 AM local time through spafford.net where additional information can also be found.

    Spafford Spring 2025 Tour Dates:

    March 12-13: Broad Brook Opera House – Broad Brook, CT

    March 14: Putnam Place – Saratoga Springs, NY

    March 15: Aura – Portland, ME

    March 16: Pickle Barrel – Killington, VT

    March 18: Buffalo Iron Works – Buffalo, NY

    March 19: Beachland Ballroom – Cleveland, OH*

    March 20: Mr. Smalls – Millvale, PA*

    March 21: Moontown Brewing Company – Whitestown, IN

    March 22: Thalia Hall – Chicago, IL

    April 3-5: Soundcheck Studios – Pembroke, MA

    (* w/ The Jauntee)

  • Trey Anastasio Will Resume Solo Tour in 2025

    Phish guitarist Trey Anastasio is once again going out on a solo acoustic tour in 2025, his first one in three years. The tour starts on March 8 in Springfield, MA at Symphony Hall and will cover a large swath of the Midwest and Southeast regions of the country through early April. It includes one New York gig on March 12 in Rochester at Kodak Hall at Eastman Theatre. See all tour dates listed below.

    Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – check venues for on-sale times. For complete details, please see trey.com/tour.

    TREY ANASTASIO – SOLO ACOUSTIC TOUR 2025

    MARCH

    8 – Springfield, MA – Symphony Hall

    9 – Boston, MA – Wang Theatre at Boch Center

    11 – Wilkes-Barre, PA – The F.M. Kirby Center

    12 – Rochester, NY – Kodak Hall at Eastman Theatre

    14 – Columbus, OH – Mershon Auditorium

    15 – Milwaukee, WI – Riverside Theater

    16 – Nashville, IN – Brown County Music Center

    18 – Chicago, IL – Orchestra Hall

    19 – Kansas City, MO – Uptown Theatre

    21 – New Orleans, LA – Saenger Theatre

    22 – Birmingham, AL – Alabama Theatre

    23 – Nashville, TN – Ryman Auditorium

    26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts

    28 – Clearwater, FL – Ruth Eckerd Hall

    29 – Savannah, GA – Johnny Mercer Theatre

    30 – Charleston, SC – Gaillard Auditorium

    APRIL

    1 – Knoxville, TN – Tennessee Theatre

    2 – Greenville, SC – Peace Concert Hall

    4 – Washington, DC – Warner Theatre

    5 – Red Bank, NJ – Count Basie Center for the Arts

  • Troy Story Podcast Revisits 1978 Bruce Springsteen Concert at RPI

    In the most recent episode of Troy Story: A Podcast for the Collar City, Times Union Sports Columnist and writer Joyce Bassett revisits her first Bruce Springsteen show. The journalist revisits their experience at the RPI Houston Field House on November 12, 1978, when Bruce Springsteen and the E Street Band performed for lucky Trojans and Engineers.

    bruce springsteen troy

    The concert was part of the band’s Darkness on the Edge of Town tour which crisscrossed the United States and Canada between May 1978 and January 1979. In the audience that night was 16-year-old Joyce Bassett—now an award-winning sports columnist and writer with the Times Union—who saw Bruce in concert for the very first time at the RPI Field House in Troy, just a mile away from her house in the city’s Frear Park neighborhood.

    The show started with seats in the back rows but by the night’s end, Joyce was on her friend Patty’s shoulders in front of the stage, reaching out to The Boss.

    bruce springsteen troy

    During the episode, Joyce reflects on her memories of the Troy show and setlist, her first date with now-husband Mike seeing Springsteen in Buffalo in 1980, meeting Bruce in 2016, her favorite Springsteen show of the 40 she’s attended during the last 46 years, and how the RPI concert sparked a lifelong love of Springsteen. 

    The episode also features audio from the Troy concert, available via a bootleg recording called “Prove It All Night: Bruce Springsteen Live in Troy,” courtesy of JEMS—a tapers collective that began in the early 1970s responsible for this and countless other bootleg recordings of shows that have circulated by traders and later via the internet.

    Troy Story: A Podcast for the Collar City, is a monthly oral history podcast produced and hosted by John Salka, who has served as Communications Director for the city of Troy and advisor for two mayors. Salka brings a firsthand perspective to the recent history of Troy amid developing strong relationships with community leaders, business owners, and residents.

    The next multi-episode chapter looks back at Metallica’s first and only show in the Collar City when the band’s Damaged Justice tour took over the RPI Houston Field House on March 15, 1989. Episodes will feature world renowned drummer and Capital Region resident Jason Bittner (Shadows Fall, Category 7), former RPI student and concert security staff Eric Haskins, and then-high school student and Metallica fan Kevin O’Connell. All three attended the show that night in 1989 and share their recollections of the gig.

    The full episode covering Bruce Springsteen’s performance at RPI in Troy is available on Apple PodcastsSpotifyYouTube, and all major podcast platforms.

    Bruce Springsteen and the E Street Band – RPI, Houston Field House, Troy – Sunday, November 12, 1978

    Setlist: High School Confidential, Badlands, Streets Of Fire, Spirit In The Night, Darkness On The Edge Of Town, Independence Day, The Promised Land, Prove It All Night, Racing In The Street, Thunder Road, Jungleland, Rave On, Fire, Candy’s Room, Because The Night, Point Blank, Mona > She’s The One, Backstreets, Rosalita (Come Out Tonight), 4th Of July, Asbury Park (Sandy), Born To Run, Detroit Medley, Quarter To Three

  • Jess Novak Announces Upcoming EP WOMAN

    Syracuse-based multi-instrumentalist and singer-songwriter Jess Novak has announced her newest release WOMAN, slated for December.

    jess novak the joke

    With a sharp electric fiddle, impactful vocals, and an enrapturing sound, Jess Novak is a musical force to be reckoned with. Having performed on stages from California to the likes of New York City’s own The Cutting Room in solo, duo, or band formation, Novak has played over 150 shows each year and has an impressive count of twelve original album releases under her belt- and a published book to boot.

    In addition to her own musical endeavors, Novak is the founder and presenter of the F.I.R.E. Festival, an acronym for females inspire, rock, empower. Hosted for the first time in 2022, the annual F.I.R.E. festival continues to highlight and empower female artists, musicians, and business owners across the industry.

    Returning for her 13th release since debuting as an artist in 2013, Jess has announced the WOMAN EP slated for release this December. A call to action for women as well as a celebration of those who take a stand in the face of seemingly daunting odds, WOMAN will feature two original songs in addition to a surprise cover of a Taylor Swift track.

    Made in partnership with the producer and engineer behind her last EP Sonrise, Justin Spaulding, WOMAN is a promising fan to the already burning flame that is female empowerment.

    “I felt like I needed to capture the spirit of the [F.I.R.E. Festival] in a song, specifically combining the words ‘fire’ and ‘woman.’ I did in this song, but didn’t expect the timing to be so meaningful. I want to give faith and inspiration to women who are standing up for themselves and others all the time.”

      – Jess Novak

      Jess Novak has also teased a music video publication coinciding with the release of WOMAN. While no further information is available on this exciting development, you can keep up to date on all of the latest updates on WOMAN and beyond on Jess’ official website here.