White Plains born and New York City-based singer-songwriter Sabrina Monique has released her debut album Itâs Not Me, Itâs You.
Born and raised in Brewster, Sabrina Monique has been performing to brighten othersâ days since the beginning. Living with her single mother and grandparents in a tense environment, she quickly realized how much value there is in the power entertainment holds over someoneâs emotions, and before long she was skipping high school classes for auditions in New York City.
Moving into an apartment in Manhattan at 17 with 12 other girls, Monique was determined to see her dreams through- and that she has. While auditioning, performing at the iconic Ellenâs Stardust Diner, and developing her personal sound, Sabrina auditioned for American Idol 2020 and landed herself a feature on the showâs nineteenth season.
While incredibly exciting, this opportunity proved to be challenging. Her entry into the pop industry came with subsequent body image issues as she felt the pressure to fit the âpop star idealâ. Emotionally tense and creatively stifled, the 2020 pandemic that put the world to a halt offered Monique a unique opportunity to create without inhibitions.
âI wrote everything I held in my bodyâit was like a faucet you couldnât turn off.â
– Sabrina Monique
Tucked away in a Nashville studio, the songs seemed to just flow out of her. These tracks would eventually become her newly released debut album, Itâs Not Me, Itâs You.
A collection of dance songs, ballads, and seething guitar-heavy tracks, Itâs Not Me, Itâs You is a powerful series of battle anthems. Artistically liberated both in personal creativity and industry restraint, Monique tackles and gives voices to the stories of women fighting sexism, body imaging, the patriarchy, and the archaic stereotypes perpetuated throughout the music industry.
Tracks like her debut single âIt Was Always Youâ take heartbreak and wrap it into an upbeat reggaeton-inspired dance-pop anthem, while âLove Again Unpluggedâ strips the layers of production and pretense down to their most raw forms in a vulnerable show of emotional honesty and growth.
âI needed to write this album to move forward. Itâs been cathartic for me, and it represents stepping into my power. I pick my producer. I write my own music. I am the captain of my ship.â
– Sabrina Monique
A stunning collection of songwriting with contributions from hand-picked producers, Itâs Not Me, Itâs You is an admirable show of raw emotion and poetic ponderings from the mind of Sabrina Monique.
To learn more about Sabrina and keep up to date on her latest ventures, visit her official website here.
Jessie Murph brought an electrifying energy during her tour stop at the historic Landmark Theatre in Syracuse. With fans wrapped around the block, they were treated to an unforgettable night filled with emotions and powerhouse vocal performance that left them wanting more.
The night opened with Big Yavo, an emerging artist from Alabama who delivered a set with southern charisma and sounds. His blend of hip-hop and rap had the crowd dancing on their feet, primed for what was to come, setting the perfect tone for Jessieâs entrance.
The historic Landmark Theatre, with its architecture and old-world charm, was the perfect venue for Jessieâs soulful vibe. The 20 year-old Alabama native began her music career by sharing heartfelt covers and original songs on social media platforms, where her voice quickly gained widespread attention.
Now, sheâs made her place as a force in contemporary pop/country and R&B, captivating audiences with her unapologetically honest storytelling. Performing hits like “High Road,” “Sip,” “Pray” and “Heartbroken” had the crowd singing every word along making the Landmark echo with energy.
Her breakout hit âHigh Road,â a collaboration with Koe Wetzel, dove into themes of resilience and facing personal battles. This track blends her emotive vocals with Wetzelâs gritty, country-rock influence, creating a unique crossover fans have welcomed with open arms.
Another highlight of her career is âHeartbroken,â her collaborative hit with Diplo and Polo G, which blends electronic beats with her signature raw lyrics. This songâs success further cements her as a versatile artist capable of thriving across different musical landscapes.
On Monday, November 11, Song City held its monthly concert, a multi-genre songwriter showcase held at the Waiting Room in Troy.
These concerts have a unique set up unlike any other. The artists are seated in a circle in the center with the audience around them. The singer/song writers then take turns sharing a song along with a bit of information about the songs story, or their writing process.
November artists at The Waiting Room in Troy included Honeysuckle, Sofia Corts, Micheal Francis McCarthy, and Dom Romano (Scotchka). These artists are all Capital Region locals. However, they weren’t all of the same genre.
Honeysuckle, based out of Saratoga Springs, consists of Holly McGarry and Chris Bloniarz. Honeysuckle has performed all across the country including many music festivals such as Lollapalooza and The Newport Folk Festival.
Sofia Corts, an 18-year-old pop singer from Albany, is currently attending Berklee School of Music on a Full Scholarship, and also performed at the 2024 Tulip Festival.
Micheal Francis McCarthy is an “American Roots” musician which blends delta blues, traditional folk, early country and more. He sang three songs, each one telling a personal story, including his young daughter’s curiosity, phone addiction, and a song that labeled hate as a cancer detrimental to society.
Dom Romano, an artist from Clifton Park, is the lead singer in the Albany-based band Scotchka. Their style is considered surf rock and are compared to many popular bands like the Arctic Monkeys and The Killers.
Overall, Song City creates a perfect atmosphere for new artists to share more than just their music. The intimacy of the venue allows them to feel closer to their audience and also connects them to their fellow artists. During the show we heard the artists discussing their different writing processes, complimenting each other’s styles, and even helping each other when there were microphone issues during a song.
Be sure to follow Song City to see the upcoming artists and concerts to hear new artists the second Tuesday of every month.
NYC-based singer-songwriter Ren Genevieve has released her latest single “forts,” an extremely intimate track that illustrates the cycle of growing up and outgrowing relationships. “forts” delves into themes of nostalgia, sadness, and the heartfelt yet inevitable nature of change and growing up.
âfortsâ is the feeling one gets when they are deep in reminiscing about being a child and how it is to navigate life as a full-time adult. The track draws listeners in, tugging at their heartstrings and allowing them to connect with their deepest emotions. Ren Genevieveâs approach to songwriting and storytelling is what makes her stand out amongst many, âfortsâ is a prime example of her mastery. With its expressive and deep-seated lyrics, the track hits home for many listeners, while presenting a relatable angle on the struggles of adulthood and how it re-molds past connections people had. With the blend of soul-touching melodies and soft vocals, Genevieve captures all the elements perfectly.
Born in Boston and raised in New York, Michigan, and Bermuda, Genevieve has always been one for the arts. Genevieve started singing, acting, and dancing at a young age, her college years at NYU were what pushed her to pursue writing and sharing her music. She made a name for herself back when her single âI Like You (I Think)â dropped in February 2022 which was then followed by her second single âtongue-tiedâ in November 2022. Her first few projects were created to share with her friends and family, however, she took the idea and ran with it to perfect her producing skills. Genevieveâs singles helped pave her way as an ardent introduction to her story.
For more information on Ren Genevieve’s music including her latest single “forts” click here.
Sammy Rae & The Friends brought soulful vocals, upbeat rhythms, sweet horns, and a genre-crossing show to Terminal 5 on Friday, November 8. Most importantly, they brought heartfelt joy and community to a packed venue when it was so needed – less than a week after the most contentious election in recent history.
Fresh off their first full studio album Something for Everybody, Sammy Rae & The Friends made a New York homecoming at Manhattanâs Terminal 5 for two nights on November 8 and 9. This isnât the first time the band has toured in New York, having finished their CAMP world tour in Buffalo earlier this year, but it is the first time theyâve been back to showcase their new album.
Sammy Rae & The Friends appeal has grown exponentially since they formed in New York City, and played their first 30-person gig, as Sammy Rae said from the stage. The singer moved to the City in her late teens, originally intending to study music. She ended up playing at venues around the city and building her own network of musicians who would later become the eponymous âfriendsâ in her band.
Smoke Ring, followed by Sub-Radio, opened the show, with the latter jumping onto the stage from their first note. The Washington DC-based Indie-pop band kicked, high jumped and sang soring lyrics for an action-packed hour before Sammy Rae & The Friends came on.
Showcasing that âFriendsâ isnât just a name and community isnât just an ideal, C-Bass Chiriboga, Sammy Raeâs drummer, replaced Michael Pereira, Sub-Radioâs drummer, with just four days’ notice since the latter was stuck out of the country. Throughout their set, Sub-radio and C-Bass created a safe space for queer teens highlighting the importance of music for those finding themselves, especially after an âincredibly hard week.â
As soon as Sammy Rae & The Friends stepped on stage, they exploded with energy, joy, and hope. Building on Sub-Radioâs message, early in the set, Sammy Rae highlighted that governmental policies may come and go but that community and radical joy will build true strength. The rest of the show expanded that message both on stage and in the audience. More than most front people, Sammy Rae shares the spotlight with her band, physically moving to the back of the stage to let her horn section riff off each other, her guitarists take the spotlight, and even letting her bassist solo with a standup bass. A string quartet even joined the band, so did Jacob Jeffries who was in from Los Angeles.
Their message of joy and community didnât end at the stage. Throughout the audience, lyrics were yelled, fans danced, and Sammy Rae & The Friends encouraged it all – allowing fans to feel everything they needed. At one moment, as Sammy Rae saw members of the audience crying, she stopped the show, saying, âI see so many of you crying, and youâre so beautiful.â The singer then asked audience members to turn to their neighbors and tell them that they were beautiful.
As the night wore on, the band ended by bringing all their stored energy to bear, thanking their hometown audience with massive solos, sending the audience off with one more moment of joy.
Setlist: Friends Intro >Thieves, The Feeling, We Made it, Jackie O, Cool Douge, No Rule Book > Winds Intro, I Get It Now, David, Call Ya Back, Good Time Tavern, Luck of the Draw, Good Life Medley, State Song, Hold the Line, Coming Home Song
Sammy Rae & The Friends will be on tour in the northeast through December before going to Europe in February 2025. Notably, The band has committed to making their entire tour as environmentally friendly as possible, working with Headcount across the U.S. to register voters, and donating one dollar of every ticket sale to local LGBTQ organizations in each city they play.
Tour Dates:
Nov 11, 2024 Ulster Performing Arts Center Kingston, NY
Nov 12, 2024 Academy of Music Theatre Northampton, MA
Nov 13, 2024 Academy of Music Theatre Northampton, MA
NYC-based musician, producer and multimedia artist Stranger Cat has announced her sophomore album Slow Jam Love Letters To My Body In Pieces due out November 15 on North Street Records.
The resonant forthcoming album allowed the artist to feel it all. Putting the pieces of their body back together, both physically and emotionally, produced a collection of work that required careful reflection and complete surrender. Confined to a bed, the ten tracks that emerged was an accumulation of the pain, frustration and yearning for a brighter future. The result is a cornucopia of orchestral synth pop with layered vocals, sparkly synths and 808 beat driven dance parties.
The project’s first single, out now, “Witness” is a raw, lush pop song that came together in a particularly painful period. The “Witness” lyric video captures the desire to be seen and the beauty of capturing one’s joy. While the track was created amidst deep pain, the video is a chance to display the artist on the other side. Recorded at the historic Guillaume Tell studio where everyone from Radiohead to Serge Gainsbourg recorded, the final vocals were done on vintage mics, and the musician played all the additional instruments heard on the track including: B3 organ, electric and grand piano, the echo effects and more.
Stranger Cat is Brooklyn-born, Miami-based vocalist, producer, composer, light artist, video maker, DJ, dancer, and sound healer Cat Martino. She has collaborated with the likes of Sufjan Stevens, Sharon Van Etten, Son Lux, Lucius, and The Shins and as well as supporting Empress Of, Marissa Nadler, and performing at iii Points Festival and Art Basel in Miami. Stranger Cat’s self-produced, vulnerable second album, Slow Jam Love Letters To My Body In Pieces, sees the artist surrender, only to find beauty in her own healing. Its first single, “Witness” is out now, and the full project is due out November 15.
In The Wilderness, the artist’s soulful electronic art-pop debut album, arrived in 2015. Earlier this year, Stranger Cat collaborated bringing captivating vocals to author and musician’s Scott Guild’s debut albumPlastic: The Album which now has over 250K streams across platforms. Despite such substantial setbacks in recent years, Stranger Cat is more than ready to bring her healing second album into the world, one that turns her isolation into hope and pain into power.
For more information on Stranger Cat and her upcoming album Slow Jam Love Letters To My Body In Pieces, click here.
K-Pop global sensation SEVENTEEN delivered two unforgettable nights of captivating performances, stunning costume changes, and lighthearted antics to New York’s own UBS Arena as a part of their SEVENTEEN [RIGHT HERE] World Tour, celebrating the group’s accomplishments and current endeavors alongside their international fanbase.
Photo: PLEDIS Entertainment
Since their last US tour in 2022, 13 piece K-Pop powerhouse SEVENTEEN has seen a skyrocketing level of success. The first Korean Pop act to headline Lollapalooza Berlin and perform on Glastonburyâs iconic Pyramid Stage, the group is no stranger to making and breaking records- they are, after all, the group responsible for the best selling K-Pop album of all time at more than six million sales with their release FML.
Currently embarking on their SEVENTEEN [RIGHT HERE] World Tour, the group looks back on what they have accomplished thus far and forwards into the exciting future ahead of them as they span venues across the United States and Asia- including New Yorkâs very own UBS Arena in Belmont.
This tourâs two nights in Belmont marks the groupâs fourth visit to the New York area, especially exciting for SEVENTEEN member and New York native Vernon who has noted that his memories of the city are especially precious as they are tied to touring with his group and being able to return to his birthplace time and time again thanks to the groupâs global fanbase.
October 25 marked the first of two nights SEVENTEEN was to spend in New York, and the anticipation for the night could be felt well before the show had commenced- as all seasoned K-Pop fans will tell you, the concert truly begins hours prior. The closer to the venue, the more it was possible to pick out fellow Carats- that is to say SEVENTEEN fans (named in reference to the carats that make a diamond shine)- decked out in elaborate, fabulously curated, and sometimes even handmade outfits alongside positively glowing faces as they anticipated the show to come.
The themes for the nightâs outfits were rather distinct- the first party donning seventeenâs signature color palette of pink, blue, and white, the second dressed in black and pops of sparkling red in reference to the group’s recent release âMaestro,â and the third subtle- or not so subtle- nods to fanbase favorite moments and inside jokes, including but not limited to member Hoshiâs passion for tigers and iconic âHorangaeâ claw pose and the now infamous black, red, and white jacket worn by two competitors on group-forming competition show Boys Planet where they performed SEVENTEENâs âHOTâ.
Outfits are only the beginning of the concert necessities, however. Carats carrying both official and custom pickets depicting the fanâs favorite member or a celebratory slogan, the groupâs official light stick either freshly purchased or bedazzled to the gods, paper banners from fan projects with encouraging messages written in Korean for the members to see, and homemade goods for any and everyone lovingly referred to as âfreebiesâ filled the halls of UBS, the merchandise and food lines a fanbase mixer and the concourse a runway.
Inside the Arena, the pre-concert sparkle was in full effect. Carats were excitedly syncing their light sticks for the corresponding light show to come, posing for photos, and exchanging even more freebies (I was gifted an adorable custom SEVENTEEN at UBS Arena photo card from a lovely blue t-shirt and face glitter clad duo as they made their rounds), singing along to the music videos playing and most noticeably- dancing.
Photo: PLEDIS Entertainment
For the uninitiated, dance is its whole own beast in K-Pop. Almost every single release comes with corresponding choreography that some fans will learn to the point of recording in fully produced videos or forming a group dedicated to covering their favorite artistsâ moves.
SEVENTEEN in particular shines on the dance floor. The groupâs dedicated performance unit includes members Hoshi, Jun, The8, and Dino, though it truly isnât difficult to describe the entire group as a set of all-rounders- that is, artists who have mastered the dancing, singing, and rapping aspects of their career.
Just prior to the SEVENTEEN [RIGHT HERE] tour kicking off, it was announced that members Jun and Jeonghan would not be participating. As of September 26, Jeonghan began his mandatory South Korean military service, and Jun is currently exploring acting opportunities in China. While heartbroken, fans took the loss in stride, their presences felt in the arena throughout the night with pre-recorded vocals playing during their parts and accompanying visuals depicting the group as the full roster of thirteen. The two were sorely missed but present all the same.
As SEVENTEEN took the stage, the energy was electric. Wonwoo sang the opening line to “Fear” as the ring of backup dancers around him collapsed to the ground, the production leaning into full-on theatrics right off of the bat.
The red screen behind those on stage already split down the middle to reveal the remainder of the members stood upon a pyramid of stairs, their silhouettes a striking visual. By the time the full group had united on the main stage, fireworks had been set off and lasers were in full effect, setting an exciting precedent for the rest of the evening.
Captivating performances of “Fearless”, “MAESTRO”, “ASH”, and “CRUSH” followed with intermittent VCR interludes paired with an introductory ment from each member that established a communal excitement for the remainder of the show.
Photo: PLEDIS Entertainment
The first section of the night was concluded with a VCR that allowed for the first of many costume changes, which led directly into a series of unit songs that allowed each set of members show off their specialized skillset. First up was the hip-hop/rap line comprised of S.Coups, Wonwoo, Mingyu, and Vernon with “Water” and “MONSTER”, the former featuring an absolutely addictive bit of choreography in the final chorus and the latter feeling perfectly timed for a show just over a week prior to Halloween.
Photo: PLEDIS Entertainment
Once “MONSTER” wrapped, it was time for the performance/dance line to shine. Members Hoshi, The8, and Dino took the stage to perform the effortlessly smooth track “Rain” that emphasized the trioâs fluidity and body control and “Lilili Yabbay”, named after the verbal counts the dancers used to memorize the track’s choreography.
Photo: PLEDIS Entertainment
The vocal line- Woozi, Joshua, DK, and Seungkwan, took the stage after to perform “Candy” and “Cheers to youth”, the former perfect for a waltz in the rain and the latter a glitteringly nostalgic track that opened with corresponding confetti cannons and featured various polaroid photos of the members throughout the years behind them- a lovely testament to how far the group has come and yet another heartwarming nod to Jun and Jeonghan.
Introducing the next stage was a VCR depicting the group playing ping pong, showering one another in feathers during a pillow fight, and generally just enjoying one anotherâs company over a warm, homely backdrop. A metallic time machine-like structure delivered the group back on stage where they resumed their activities: lounging on bean bags, attempting a badminton rally, and playing basketball, the groupâs familial rapport on full display.
The following performance of “Oh My!” was intermittently paused to allow the members to tease one another, attempt a shot at the basketball hoop, and generally just mess about on stage. It was almost surreal to observe their banter live after seeing the same rappport on their web variety series GOING SEVENTEEN, which in turn proved that yes, they are genuinely that silly in person.
In a dramatic turn of events just prior to the final chorus, the members turned to the time machine only to find it had malfunctioned⌠and dropped them in the middle of the jungle. Various dancers emerged from the stage in inflatable costumes and engaged the members in an over-the-top dance battle that had the audience at the edge of their seats between bouts of laughter.
SEVENTEEN has made it clear that they donât take themselves too seriously, and itâs no wonder why- they donât feel the need to. The sillier moments like an inflatable costume dance battle are counterbalanced with their flawless performance and sharpened skills that speak for themselves in a way that culminates in an air of effortless entertainment. The group knows theyâre talented, and because of this have no qualms leaning into the silly and absurd.
“Oh My!” was followed by a series of lighthearted tracks including personal favorite “Snap Shoot” and the ever-vibrant “God of Music,” closing out the third section of the show.
Other tracks performed after a costume change into a palette of effortlessly stylish neutrals include the groupâs recent release “LOVE, MONEY, FAME” in collaboration with DJ Khaled, the strikingly impactful “MARCH” that had pyrotechnics for days, and arguably one of the groupâs most successful releases, “Super”.
As is tradition for most if not all concerts, the end of “Super” marked the point in which the artist would make a casual goodbye and the audience would put on an act of pretending there isnât an encore to be anticipated ahead of them- however, SEVENTEENâs encore comes with terms and conditions. In order to determine the encore stageâs length, fans must first prove themselves through the power of dance.
Cheers were heard throughout the stadium as the cameras panned from one fan to the next, dancing their hearts out to other fan favorite tracks absent from the set list, and lo and behold, the members re-appeared in their final outfits of the evening to perform “Adore U”.
Photo: PLEDIS Entertainment
Now came time for the time-honored SEVENTEEN tradition that every Carat dreams of experiencing at least once in their life. The real end of the show comes in the form of “VERY NICE”, or “AJU NICE” as it’s colloquially known, a track released on SEVENTEENâs first album repackage. “AJU NICE” is iconic, “AJU NICE” is eternal, and “AJU NICE” is never ending- literally. The beginning of the song is a standard performance, the chorus exciting and bright, and then the members pivot to a dance battle with an audience member or pass the mic off to a fan near the barricade to sing a line or two, and plot twist- youâre right back in “AJU NICE”.
All of this to say night one in New York wrapped with a total of eight “AJU NICE”s that felt so complete as a conclusion there was no need for the pretense of elongated will-they-wonât-they departures, as SEVENTEEN had left everything out on the floor, just as Carats had from their seats- something “AJU NICE” made sure of. The perfect bow on the evening, night one of SEVENTEEN in New York had come to a close.
Photo: PLEDIS Entertainment
An absolute tour-de-force in live performance, SEVENTEEN is not a group to be overlooked regardless of whether or not you’ve ventured into the K-Pop world before. Perfectly balancing precise skills and unbelievable vocals with incredibly down to earth attitudes and a clear, genuine love for bringing their music to the stage, SEVENTEEN is a refreshing class act that knows they’re talented and isn’t afraid to be themselves all the same.
Setlist: Intro + Fear / Intro + Fearless / MAESTRO / Prelude + ASH / CRUSH / Water / MONSTER / Rain / Lilili Yabbay / Candy / Cheers to youth / Intro + Oh My! / Snap Shoot / God of Music / HOME / Intro + LOVE, MONEY, FAME (feat. DJ Khaled) (English Ver.) / MARCH / SUPER / Adore U / ’bout you / Campfire / VERY NICE
Shrines, the moniker of Brooklyn-based singer and musician Carrie Erving, self-released a new EP, Seasons, on October 18. The release was celebrated with a show at Brooklynâs Câmon Everybody several days later on October 23.
Shrines (Credit: Shrines)
Labelled loosely perhaps as art pop, any effort at finding a straightforward pidgeon-hole for this work are likely to be confounded. In “Infinite Spring” (the EPâs opener) for example, what begins as brooding and operatic quickly finds itself morphed into rocky and club-adjacent.
Seasons, produced by Rosana CabĂĄn (Psychic Twin, Cosas Cosas), spans four songs exploring the fragility of the individual seasons. At turns reflective, poppy and celebratory, Seasons documents the collective cognitive dissonance of the fluctuations between celebration and trepidation that arise while living in a time of rapidly escalating climate change. This may feel particularly relevant to those enjoying the 80 degree late-October heatwave.
The highlight of this work is Ervingâs voice. One part classical vibrato, one part pop incantation, Shrinesâ singing is given room to breathe with very little manipulation. A hint of reverb is applied just at the right moments to draw out some of the musicâs spookiness.
In Seasons, Shrinesâ lyrics suggest that allowing ourselves to savor the present moment may be one of the keys to grappling with the larger challenges of our time. Shrinesâ new single and video, “Witch Season,” is her homage to spooky season. With lyrics drawing from themes in Irish traditional folklore, “Witch Season” explores getting lost in the woods, immersing oneself in the unknown, and reconnecting with oneâs own wild nature, as the music crescendos into a mysterious, Stevie Nicks coded fever-dream.
Drawing comparisons to BjĂśrk and Sinead O’Connor, Shrines skillfully weaves influences of pop, electronic music, indie rock, and Irish sean-nĂłs (traditional âold styleâ Irish singing) into her music, delivering shimmering art-pop that The New York Times described as âspellbinding.â
Justin Timberlake and The Tennessee Kids rolled into Buffalo on October 21st and performed at the KeyBank Center for a night filled with dancing and singing.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
DJ Andrew Hypes kicked off the evening, energizing the crowd with a mix of songs that had everyone singing and dancing. He played hits like “Donât Stop Believing,” “This Is How We Do It,” and classic *NSYNC tracks to get everyone excited for Justin.
As soon as Justin Timberlake took the stage at the sold-out KeyBank Center, the arena erupted with excitement. The intro for “Memphis” began playing, accompanied by a video montage of Justin and soundbites playing in the background of Justin’s career. The montage culminated in Justin singing a portion of “Memphis.” When he reached the line, âIâm everything you thought I was, it was everything I thought I was,â he rose to the center stage alongside The Tennessee Kids. He quickly transitioned into “No Angels.” From the get-go, Justin showcased his impressive dance moves and maintained constant engagement with the audience throughout the show, utilizing the entire stage.
About 30 minutes into the performance, after singing “Cry Me A River,” Justin took a moment to read some signs held by fans and interact with the crowd. He even took a selfie with a fan’s phone while wearing a Bills hat. The energy in the arena was electric, thanks to Justin, The Tennessee Kids, and the enthusiastic audience.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
At the halfway point of the show, Justin and The Tennessee Kids moved to the B stage to connect with fans at the back of the arena. They performed several songs, including “Suit and Tie,” “Until The End of Time,” an acoustic version of “Selfish,” and “What Goes AroundâŚComes Around.” Justin then made his way back to the main stage, performing “Canât Stop The Feeling” on his way and ending the set with “Rock Your Body” and “Sexy Back.”
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
One notable absence from this Buffalo show was the floating platform/wall that Justin had at previous performances, which displayed graphics throughout the concert. During the encore song “Mirrors,” he typically would be strapped into some wires and appear atop this floating platform. However, the lack of this feature did not hinder his performance in Buffalo at all; you would never have known if you werenât aware of its presence at other shows.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
Electronic artist Porter Robinson made another career milestone with his performance at Red Rocks on Wednesday, October 16. After his summer release of his third album SMILE! đ the producer announced his first ever world tour. Denver was one of Porterâs last North American stops before he takes off to other continents.
Photo Credit: Maddie McCafferty
Young artist Ericdoa opened up this beautiful night at Red Rocks. This Connecticut-based musician produces a fun yet angst-ridden mixture of hyper-pop, emo-rap, and trap. His stage design was so playful giving off the vibes of a bedroom from the 2000s. His energy was infectious as he was giggling with crowd and jumping on the bed on stage for his debut at this dream venue.
Photo Credit: Maddie McCafferty
As Porter Robinson has grown throughout the years so has his style in music. Listening to his discography might take audiences on a span of musical genres, but what remains consistent is Porterâs ability to invite nostalgia through his music. He as always been an artist who looks to make people feel and confront emotions throughout his set.
Photo Credit: Maddie McCafferty
This tour the artist brought his live band on stage to take his synth-pop tunes to a new level. Porter started off the night blasting confetti and a performance of âKnock Yourself Out XD.â The whole set in the mountains that night was a journey through Porterâs albums. He sectioned his set into three to highlight his three albums.
Photo Credit: Maddie McCafferty
Through Porter’s Tunes
He began with his latest release playing songs like âEasier to Love Youâ and âMona Lisa.â The artist decided to get intimate with the crowd by asking them to collectively put their phones down and just experience one song wholeheartedly. Porter and his band then covered MGMTâs famous hit song âKids.â It was such a youthful moment seeing everyone be fully present and dancing with each other on the rocks.
Photo Credit: Maddie McCafferty
Going into the second segment of his set, it was dedicated to his 2021 album Nurture. A portion of this section was a piano medley. The artist stripped back a handful of songs giving the audience a touching acoustic session. Some of those songs included, âSweet Timeâ and âGet Your Wish.â
Finally for the third segment of Porterâs set he took it all the way back to his famous 2014 album: Worlds. This album is so special to so many of his listeners which is why Porter brought a longtime fan on stage. Lots of touching moments happened at the tail end of this set including performances of âDivinityâ and âGoodbye to a World.â
Photo Credit: Maddie McCafferty
A Night to Remember
It was so special to be at Porterâs Red Rocks show that night. Especially considering his first ever performance there was 10 years ago when he opened up for Skrillex. Some fans in the audience had even shared theyâd attended that show so long ago. It just goes to show a testament of the artistry Porter Robinson possesses and even with his musical changes he is still able to bring an energetic crowd together.
Photo Credit: Maddie McCafferty
If you are ever in the Colorado area you must put Red Rocks on a must live music venue to experience. A Red Rocks show is like no other. Upcoming shows include Daily Bread on October 27 and Of The Trees on November 9. Get your tickets here!
Porter Robinson – Red Rocks, Morrison, CO – October 16, 2024
Set 1: SMILE! đÂ
Knock Yourself Out XD, Perfect Pinterest Garden, Kitsune Maison Freestyle, Year of the Cup, Easier to Love You, Is There Really No Happiness?, Mona Lisa, Kids (MGMT cover), Everything To Me, Russian Roulette
Set 2: Nurture
Wind Tempos, Musician, Something Comforting, Everything Goes On, Unfold, Get Your Wish, Trying to Feel Alive / Look at the Sky, Do-Re-Mi-Fa-So-La-Ti-Do, Sweet Time, Lifelike, Get Your Wish
Set 3: WorldsÂ
Sea of Voices / Sad Machine, Divinity, Fresh Static Snow, Hollowheart, Language, Goodbye to a World, Sad Machine