Singer-songwriter Sarah De Vallière’s deeply personal concept album, The Healing, was released on June 7.
The album is a genre blending, ten song project that explores De Vallière’s grief and trauma during a harsh time in her life, including divorce and Covid-19 lockdown. Members of the Rochester Philharmonic Orchestra collaborated on the album giving its unique blend of classical and Jazz, paying homage to De Vallière’s background in music. The Healing is jazz-inflected Americana.
De Vallière is a classically trained pianist and graduate of Berklee college of music. Although she moved to Rochester in 2018, she grew up in Providence, RI, always surrounded by music. Her father was a pastor and therefore her upbringing in the church had a big impact on her musical development. She played piano in the congregation multiple times a week and she was writing her own compositions by the time she was a teenager.
In 2024, De Vallière released four singles, all of which will appear on the upcoming album. “All is Not Lost,” her most recent single is more upbeat and uplifting than her earlier repertoire. As the title suggests, the song depicts the confidence she regains through her trauma. The Healing exposes De Vallière’s beautiful piano compositions as well as sharp vocals. Her voice has a light feminine sound that can be compared to that of Karen Carpenter or a Disney Princess.
On May 31, the album premiered at Tones Studios, a new recording studio outside of Rochester, NY, which gave fans an opportunity to meet the artist herself and be the first to hear The Healing.
After The Healing is released, Sarah De Vallière will perform in small venues around the greater Rochester area. You can find her music on all streaming platforms.
Winners for the 2024 Annual Drama Desk Awards were announced on Monday, June 10 at NYU Skirball Center with Tony Award Winners Sutton Foster and Aaron Tveit hosting the evening’s ceremony.
In keeping with the Drama Desk’s mission, the nominators considered shows that opened on Broadway, Off-Broadway, and Off-Off Broadway during the 2023-2024 season for this year’s awards. Shows were eligible with 21 or more unique live performances.
The Drama Desk Awards are the only major New York City theater awards for which productions on Broadway, Off Broadway, and Off Off Broadway compete against each other in the same categories. David Barbour and Charles Wright are The Drama Desk co-presidents.
As was the case last year, all performance categories are gender-free. The updated gender-free categories are: Outstanding Lead Performance in a Play, Outstanding Lead Performance in a Musical, Outstanding Featured Performance in a Play, and Outstanding Featured Performance in a Musical. Thus, each of these categories had twice as many nominees as the former gendered categories and these categories have two winners each.
What sets the Drama Desk Awards apart is that they are voted on and bestowed by critics, journalists, editors, and publishers covering theater, honoring all aspects of New York’s professional theater.
The Drama Desk was founded in 1949 to explore key issues in the theater and to bring together critics and writers in an organization to support the ongoing development of theater in New York. The organization began presenting its awards in 1955, and it is the only critics’ organization to honor achievement in the theater with competition among Broadway, Off Broadway, and Off-Off Broadway productions in the same categories.
2024 DRAMA DESK WINNERS:
(winners are highlighted and starred)
Outstanding Play
Infinite Life, by Annie Baker, Atlantic Theater Company
Jaja’s African Hair Braiding, by Jocelyn Bioh, Manhattan Theatre Club
Mother Play, by Paula Vogel, Second Stage Theater
***Stereophonic, by David Adjmi, Playwrights Horizons
Swing State, by Rebecca Gilman, Goodman Theatre
The Ally, by Itamar Moses, The Public Theater
Outstanding Musical
***Dead Outlaw
Illinoise, Park Avenue Armory
Lizard Boy, Prospect Theater Company
Teeth, Playwrights Horizons
The Connector, MCC Theater
The Outsiders
Outstanding Revival of a Play
***Appropriate, Second Stage Theater
Doubt: A Parable, Roundabout Theatre Company
Philadelphia, Here I Come!, Irish Repertory Theatre
Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Uncle Vanya, OHenry Productions
Outstanding Revival of a Musical
Cabaret at the Kit Kat Club
Gutenberg! The Musical!
***I Can Get It for You Wholesale, Classic Stage Company
Outstanding Lead Performance in a Play
Nicole Cooper, Macbeth (an undoing), Theatre for a New Audience, Rose Theatre, and Royal
Lyceum Theatre Edinburgh
William Jackson Harper, Primary Trust, Roundabout Theatre Company
***Jessica Lange, Mother Play, Second Stage Theater
Rachel McAdams, Mary Jane, Manhattan Theatre Club
Tobias Menzies, The Hunt, St. Ann’s Warehouse and Almeida Theatre
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
***Sarah Paulson, Appropriate, Second Stage Theater
A.J. Shively, Philadelphia, Here I Come!, Irish Repertory Theatre
Juliet Stevenson, The Doctor, Park Avenue Armory
Michael Stuhlbarg, Patriots
Outstanding Lead Performance in a Musical *(There are 3 winners in this category as it includes a tie)*
Andrew Durand, Dead Outlaw
Santino Fontana, I Can Get It for You Wholesale, Classic Stage Company
Brody Grant, The Outsiders
***Brian d’Arcy James, Days of Wine and Roses, Atlantic Theater Company
***Maleah Joi Moon, Hell’s Kitchen
***Kelli O’Hara, Days of Wine and Roses, Atlantic Theater Company
Liam Pearce, How to Dance in Ohio
Gayle Rankin, Cabaret at the Kit Kat Club
Ben Levi Ross, The Connector, MCC Theater
Ricky Ubeda, Illinoise, Park Avenue Armory
Outstanding Featured Performance in a Play
Brittany Adebumola, Jaja’s African Hair Braiding, Manhattan Theatre Club
Marylouise Burke, Infinite Life, Atlantic Theater Company
Michael Esper, Appropriate, Second Stage Theater
Marin Ireland, Uncle Vanya, OHenry Productions
Will Keen, Patriots
***Celia Keenan-Bolger, Mother Play, Second Stage Theater
Conrad Ricamora, Oh, Mary!
Sheila Tousey, Manahatta, The Public Theater
Bubba Weiler, Swing State, Goodman Theatre
***Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Outstanding Featured Performance in a Musical
Shoshana Bean, Hell’s Kitchen
Natalie Venetia Belcon, Buena Vista Social Club, Atlantic Theater Company
Outstanding Sound Design of a Musical *(3-way tie)*
Jason Crystal, Suffs
Kai Harada and Joshua Millican, Dead Outlaw
***Nick Lidster for Autograph, Cabaret at the Kit Kat Club
***Cody Spencer, The Outsiders
***Walter Trarbach, Water for Elephants
Outstanding Wig and Hair
J. Jared Janas and Cassie Williams, Sally & Tom, The Public Theater
Charles G. LaPointe, Suffs
***Nikiya Mathis, Jaja’s African Hair Braiding, Manhattan Theatre Club
Nikiya Mathis, The Harriet Holland Social Club Presents The 84th Annual Star-Burst Cotillion in
the Grand Ballroom of the Renaissance Hotel, New Georges and The Movement Theatre Company
Robert Pickens and Katie Gell, Stereophonic, Broadway Production
Outstanding Solo Performance
Michael Cruz Kayne, Sorry for Your Loss
Madeleine MacMahon, Breathless, Theatre Royal Plymouth
Wade McCollum, Make Me Gorgeous!, The True Story of Kenneth “Mr. Madam” Marlowe,triangle productions!
Robert Montano, SMALL, Penguin Rep Theatre
***Patrick Page, All the Devils Are Here: How Shakespeare Invented the Villain
Unique Theatrical Experience
A Eulogy for Roman, Through the Tollbooth Co.
A Simulacrum, Atlantic Theater Company
ADRIFT: A Medieval Wayward Folly, Happenstance Theater
I Love You So Much I Could Die, New York Theatre Workshop
***Grenfell: in the words of survivors, St. Ann’s Warehouse, National Theatre, and KPPL Productions
Outstanding Fight Choreography
Michael G. Chin, Warrior Sisters of Wu, Pan Asian Repertory Theatre
***Cha Ramos, Water for Elephants
Steve Rankin, The Who’s Tommy
Outstanding Adaptation
***An Enemy of the People, by Amy Herzog
Macbeth (an undoing), by Zinnie Harris, Theatre for a New Audience, Rose Theatre,
and Royal Lyceum Theatre Edinburgh
The Comedy of Errors, by Rebecca Martínez and Julián Mesri, The Public Theater Mobile Unit
The Doctor, by Robert Icke, Park Avenue Armory
The Hunt, by David Farr, St. Ann’s Warehouse and Almeida Theatre
The Whole of Time, by Romina Paula, Joben Studios
Outstanding Puppetry
Matt Acheson, Hotel Happy, Houses on the Moon Theater Company
Adrian Kohler and Handspring Puppet Company, Life & Times of Michael K, St. Ann’s Warehouse,
Baxter Theatre Centre, and Düsseldorfer Schauspielhaus
***Ray Wetmore, JR Goodman, and Camille Labarre, Water for Elephants
David Valentine, Poor Yella Rednecks, Manhattan Theatre Club
SPECIAL AWARDS
Ensemble Award
The cast of Stereophonic – Will Brill, Andrew R. Butler, Juliana Canfield, Eli Gelb, Tom Pecinka, Sarah Pidgeon, and Chris Stack – who execute David Adjmi’s hypernaturalistic text with extraordinary care and precision, while also performing Will Butler’s music with the freshness and life that makes us believe we are witnessing, first-hand, the creation of a new American classic.
Sam Norkin Off-Broadway Award
Cole Escola, who both wrote and stars in one of this season’s biggest hits Off Broadway, Oh, Mary! Following in the long legacy of queer artists who write themselves into American history, Escola’s new “gay fantasia on national themes” is a hilarious reminder of why we must continue to interrogate our past.
ADDITIONAL SPECIAL AWARDS
How to Dance in OhioAuthentic Autistic Representation Team – Sammi Cannold, Nicole D’Angelo, Becky Leifman, Ava Xiao-Lin Rigelhaupt, Liz Weber, and Jeremy Wein – for their steadfast support of autistic theatermakers, and their strides toward true accessibility for neurodiverse individuals both on and offstage.
Lighting designer Isabella Byrd, whose self-described technique as a “darkness designer” has earned her a cache of nominations and awards in the United States and abroad. During this season, Byrd illuminated two Broadway shows done in the round, An Enemy of the People and Cabaret at the Kit Kat Club. Off Broadway, her spotlight on quiet, small-scale stories both enchanted us in Primary Trust and mesmerized us in Infinite Life, with a parking-lot sky that marked the passage of time.
Lady Irene Gandy, for career achievement. A press agent extraordinaire for over five decades, Lady Irene has always demonstrated her passion, dedication, and love for theater. A Broadway producer and Sardi’s honoree, she is a zealous advocate for inclusion, diversity, and equity in the arts.
SHOWS WITH MULTIPLE WINS
(*notates a show that received a special Drama Desk Award, which is part of the win count)
7 *Stereophonic 4 Water for Elephants 3 Appropriate, *Cabaret at the Kit Kat Club, Dead Outlaw, Hell’s Kitchen 2 *An Enemy of the People, Days of Wine and Roses, Mother Play, Suffs, The Outsiders
Syracuse is set to welcome My Morning Jacket and Nathaniel Rateliff & The Night Sweats at Empower Federal Credit Union Amphitheater at Lakeview on Tuesday, September 24 for the 2024 Eye to Eye Tour.
My Morning Jacket, Palace Theatre, October 2023 – photo by Daniel Bocchinno
My Morning Jacket and the non–profit REVERB are partnering on these fall headlining tour dates to reduce the environmental footprint of their tour and take action on the climate crisis, as well as on the co-headline tour with Nathaniel Rateliff & The Night Sweats.
In addition to a comprehensive tour sustainability program and fan Action Village at each show, the bands will be supporting REVERB’s climate portfolio which funds projects that measurably reduce greenhouse gas pollution, address climate justice, and directly decarbonize the music industry.
Fresh off an amazing sold-out four-night stand at San Francisco’ CA’s legendary Fillmore Auditorium, My Morning Jacket have announced four fall 2024 headline shows, with special guests S.G. Goodman (September 30th and October 1st) and Jade Bird (October 3rd and 4th).
MY MORNING JACKET FALL 2024 HEADLINE SHOWS SEPTEMBER 30 – Savannah, GA – Johnny Mercer Theatre * OCTOBER 1 – Knoxville TN – Tennessee Theatre * 3 – Richmond VA – Maymont + 4 – Cleveland OH – Cain Park Evans Amphitheater + * w/ Special Guest S.G. Goodman + w/ Special Guest Jade Bird
MY MORNING JACKET // NATHANIEL RATELIFF & THE NIGHT SWEATS EYE TO EYE TOUR 2024 SEPTEMBER 10 – Wilmington, NC – Live Oak Bank Pavilion at Riverfront Park 12 – Charleston, SC – Credit One Stadium 13 – Charlotte, NC – PNC Music Pavilion 14 – Alpharetta, GA – Ameris Bank Amphitheatre 16 – Jacksonville, FL – Daily’s Place 18 – Nashville, TN – Ascend Amphitheater 19 – Nashville, TN – Ascend Amphitheater 24 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview 26 – Philadelphia, PA – TD Pavilion at the Mann 27 – Columbia, MD – Merriweather Post Pavilion 28 – Raleigh, NC – Coastal Credit Union Music Park
Husbands at Governors Ball 6/9/24. Photo by @itchyeyephotos
Husbands kicked off the day on the IHG Stage with their indie rock sound characterized by distorted guitars and a dancey vibe. The crowd couldn’t help but boogie along, setting a lively tone for the rest of the day.
Elyanna, the Palestinian-Chilean singer-songwriter, captivated the audience with her soulful voice and unique blend of Middle Eastern and Latin influences. Her performance was a beautiful display of cultural fusion, offering a refreshing and authentic experience to festival-goers.
Elyanna at Governors Ball 6/9/24. Photo by Lucas Kurzweil
G Flip rocked the IHG Stage with their energetic performance. The highlight of the set was when Lauren Sanderson made a surprise appearance, joining G Flip on stage and sending the crowd into a frenzy. Their chemistry and stage presence created a memorable and electrifying atmosphere.
G Flip at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Baby Queen made her U.S. festival debut on the GoPuff Stage with a high-energy set that included “Quarter Life Crisis,” “I Can’t Get My Shit Together,” and “Buzzkill.” Her performance, marked by shredding on a pink guitar, was both raw and empowering. She hyped the crowd by asking, “Who’s getting drunk today? Well, this is a song about getting fucked up,” before launching into “Raw Thoughts.” Baby Queen’s message, “I want you all to remember you can be whatever you want to be,” resonated deeply with the audience.
Malcom Todd at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Malcolm Todd brought a wave of nostalgia by opening with the iconic iCarly theme. His set featured chill vibes and impressive guitar solos, including a memorable performance of TLC’s “Waterfalls” on the catwalk. He expressed his excitement to open for Chappell Roan and wished everyone a “Happy Pride Month,” sharing his love for the community.
Kevin Abstract at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Also on the Gopuff stage, Kevin Abstract – known for his work with Brockhampton – delivered an introspective and engaging performance. His set was a mix of humor and heartfelt moments. He engaged with fans by reading signs, including quirky messages like “I’m severely constipated” and “gays only event.” His performance included solo tracks “Empty” and “Tennessee,” as well as Brockhampton favorites “BUZZCUT” and “STAR,” creating a dynamic and engaging set.
Chappell Roan at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Chappell Roan’s performance was one of the most anticipated of the day. Fans chanted her name for five minutes before she took the stage, dressed as the Statue of Liberty. Her set began with “Femininomenon,” followed by “Naked in Manhattan” and “Super Graphic Ultra Modern Girl.” She said, “Today I am in drag of the biggest queen of all,” referring to her Statue of Liberty outfit.
Chappell Roan at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Chappell used her costume to deliver a powerful message, quoting the inscription on the Statue of Liberty: “Give me your tired, your poor, Your huddled masses yearning to breathe free.” She elaborated, “That means freedom and trans rights, freedom and women’s rights, freedom for all people in oppressed territories,” giving meaning and symbolism beyond just being a “NY Icon.”
After a costume change to match her band’s taxi print, she debuted a new song, further thrilling the crowd. Before performing “Casual,” she explained her outfit change and showed off boots emblazoned with “1-800-ROAN” and checkered gloves. The set concluded with the fan-favorite “Pink Pony Club,” leaving the crowd ecstatic and chanting her name long after she left the stage.
Rapp’s setlist included “Poison Poison,” “Bruises,” and “Pretty Girls,” during which she prompted the crowd, “If you’re a pretty girl, put your hands up!” She engaged warmly with fans, including a heartfelt interaction with a fan named Sam: “What’s your name, baby?” she asked. “Well, Sam, I need you to hear me when I say you’re one of the prettiest girls out here.”
Introducing her band members, Rapp quipped, “Seldom will I celebrate a man, but today I will.” She wrapped up her performance with “Tummy Hurts” and “In the Kitchen,” dedicating the latter to theater kids and describing it as her “theatrical ballad.” She closed her set with an exuberant shout-out: “Can I get a round of applause for lesbians?” and did a funky little dance, leaving the crowd with smiles and a sense of unity.
Peso Pluma at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Peso Pluma brought his signature style to the GoPuff Stage, delivering a performance that resonated deeply with fans. His set was marked by powerful vocals and a commanding presence, leaving a lasting impression on the audience.
Don Toliver at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Don Toliverâs set on the GoPuff Stage was a high-energy affair, featuring new and familiar hits. He debuted his new song “Tore Up,” which was met with enthusiastic approval from the crowd. Other highlights included performances of “Bus Stop,” “Smoke,” and “Attitude,” showcasing his versatility and charisma.
Chappell Roan at Governors Ball 6/9/24. Photo by N Bradley
SZA closed out the festival on the GovBallNYC Stage with a breathtaking performance. Her setlist included fan favorites such as “Low,” “Normal Girl,” “Kiss Me More,” “Snooze,” “Kill Bill,” and “The Weekend.” Each song showcased her incredible vocal range and emotional depth. The audience was mesmerized by her soulful renditions and the raw emotion she brought to each performance.
Day 3 of Governors Ball 2024 was a testament to the power of live music to bring people together, celebrating diversity, creativity, and the sheer joy of performance. Each artist brought their unique energy to the stage, leaving fans with memories to cherish until next year’s festival.
With 2024 come and gone, we can start speculating about next year. The choice to continue at Flushing Meadows Park was a major success. The lushness of the park continues to prove to be the perfect venue for this festival; with large fields and thick trees providing shade to camping festival goers.
Building buzz boils down to the person who strikes awe within fans. The one who puts people in seats and keeps them on their feet. An individual that rejects all societal constructs when it comes to traditional musical approaches goes by the name of Mach Hommy. Much of the time he creates masterpieces without any features except for his latest album, #RichaxxHaitian.
You might have seen a Mach Hommy vinyl on a Viceland show with 2 Chainz. Furthermore, the quality of music certainly magnifies the enjoyment for any listener. This man proves his brilliancy within bright pockets of sound sampling.
Discussion about Mach Hommy as the only man capable of licensing lathe cut technology to cut grooves into vinyl rather than press.
Speaking the Homily
Mach weaves intricate textures and interwoven patterns within each record. Realistically, nobody within any sector – underground, mainstream, drill – raps smoother than Mach Hommy and collaborators alike.
You may have heard Mach Hommy mentioned within the same breath as Your Old Droog [YOD]
YOD, Mach and Tha God Fahim share the DUMP mentality. Every great artist pushes themselves through a phase where they become comfortable being uncomfortable. Each one of these three artists pushed through a time where they released multiple projects within one year. Hence, they DUMPed on the game given the quality in relation to timespan.
Mainly, Mach Hommy plays a pivotal role within any room. His collaborations with Your Old Droog firmly reject traditional musical methods with nonconformist demeanors. From the sounds of it, Droog stayed independent thanks in great part to wisdom imparted by the omnipotent DUMP Gawd himself – Mach Hommy.
The most fascinating elements become illuminated when Mach Hommy comes near the function. Details are normally what many people fail to recognize. Crucially, tonal perception and vocabulary determines the depth by which a listener comprehends wordplay.
Details by way of Tyron de Harlem chronically affect the timeline by which this author discovered Mach Hommy. Normally, one journalist sees another journalist taking ATV rides with an artist yet to reveal his face and they tend to take a look. Insofar, the pen of this author understands and circulates wisdom as well.
This album deserves an archival article/zine concept.
Basically, this collection of songs starts off with great amplitude of tribal type hymnals. As it progresses, the sound really transfixes the audience. Here are a few tracks that proved rewind worthy.
Mach Hommy [L] in the studio with Black Thought [R]
Rewind Worthy Tracks off #RichaxxHaitian
“Sur Le Pont d’Avignon [Reparation #1]” was produced by Conductor Williams and serves as a calm coastable record. This track sets the tone for transition as the seventh track amidst a collection of exotic tunes.
“RichaxxHaitian” produced by Kaytranada radiates as an absolute bop.
“Lon Lon” – “He said my DNA wasn’t royal he’s a peasant.”
“Guggenheim Jeune” – “Hommy smilin at your maker I spearheaded my kind with more lines than a comet in the sky you had to pay us.”
“Copy Cold” – “State of the art business ain’t that stupendous.”
Mach opened up this album for features and it paid off in a major way. Shouts go out to an artist who uplifts his community, empowers others and knocks down doors for himself and everyone in his camp.
This summer, Freedom Park will hold their annual concert series from June 19 through Aug. 21, bringing 26 free shows to Scotia.
Kicking off the summer of concerts is a Taylor Swift Singalong featuring singer-songwriter,SydneyWorthley, on Wednesday, June 19.
Whether you’re a ‘Swiftie’ or not, this is sure to be a fun-filled way to open our season.
Cathy Gatta, Freedom Park Foundation Board President and Entertainment Director
This season, Freedom Park is welcoming 10 new acts ranging from party bands to classic rock, including Local 11, Roxy & The Rollers, and Reese Fulmer & The Carriage House Band.
Additionally, Soul Provider will play on Friday, June 28 during the town’s fireworks display. Triffid 2.0 will also play, bringing a revival of the Upstate New York 1980s band on Aug. 10. On the following night, the BWC Jazz Orchestra will perform a tribute show in memory of late Freedom Park visionary, Dennis Madden. Screaming Orphans make their return to Scotia to close out the season on Aug. 21.
“We’re also excited this year to offer an Improv Night with Schenectady’s Mop & Bucket Company, promising an evening filled with spontaneous humor, audience participation, and lots of fun. Don’t miss this unique opportunity to see some of the best local talent in action, delivering a night of laughter and creativity,” added Gatta.
Shows are offered every Wednesday, Saturday, and Sunday at 7 PM located at the outdoor amphitheater on Schonowee Avenue, Scotia across from Collins Park. All performances are rain or shine.
This season’s concerts are presented by Jumpin’ Jack’s Drive-In, and media partners B95.5 FM, The Daily Gazette, and Discover Schenectady.
Moreover, the Freedom Park Foundation is powered by the support of local businesses, the Village of Scotia, and Freedom Park memberships. With the addition of grants from the Schenectady County Arts & Culture Grant and Town of Glenville, and audience donations, attendees can experience a wide variety of shows free of charge while supporting local musicians.
Freedom Park Scotia Summer 2024 Concerts
June 19: Taylor Swift Singalong with Sydney Worthley
June 22: Big Fez & The Surfmatics
June 23: Music Company Orchestra
June 26: Capital District Youth Pipe Band
June 28: Soul Provider
July 6: The Rogues
July 7: SUNY Schenectady Jazz Faculty Combo
July 10: Cryin’ Out Loud!
July 13: Alex Torres & His Latin Orchestra (6:30 Learn to Salsa)
July 14: Improv Night with The Mop & Bucket Co.
July 17: Grand Central Station
July 20: Local 11
July 21: Reese Fulmer & The Carriage House Band
July 24: The Refrigerators
July 27: Get Up Jack
July 28: The Lustre Kings
July 31: Skeeter Creek (6:30 Learn to Line Dance)
Aug. 3: The Seth Tucker Band
Aug. 4: Bluz House Rockers
Aug. 7: Harvest & Rust ~ Neil Young Tribute
Aug. 10: Triffid 2.0
Aug. 11: The BWC Jazz Orchestra (6:30 Learn to Swing Dance)
Owego’s Strawberry Festival will run from June 13 to 15 with a 5K, a block party, a parade, various musical acts, and a lot of strawberries.
Over the past 42 years and in many forms, the community of Owego has worked together to bring the Strawberry Festival to fruition and make it the spectacle it is now. In its current form, the celebration takes place over 3 days, two venues, and 27 performances.
Thursday, June 13
At 5 PM the festival will begin with a Rock and Run. The event consists of a one-mile kidsâ fun run starting at 5:15 as well as a 5K Run and Walk starting at 6 PM. The event held at Hickories Park in Owego, is presented by Tioga State Bank and the Historic Owego Marketplace. Hi-Way Fruit Market and The Dean Goble Band will play during throughout the day.
For more details and to sign up for the race, visit here
Friday, June 14
At 5 PM, the festival will move to downtown Owego for the Block Party. There will be musical acts throughout the day on three different stages. Namely, the Nate Gross Band, fronted by Nate Gross, a Syracuse Area Music Award recipient, will play the Courthouse Stage at 6:30 PM. Following the Nate Gross Band is Stone Senate. The band, who are returning to the Strawberry Festival will hit the stage at 8:15.
Other performances will include bands, Foggy Maloon, Making The Band, Crossing the Line, and others. Additionally, there will be other forms of entertainment including jugglers, busking, and the Kidz zONe, hosted by the Owego Nazarene Church. The Courthouse Square will have the Wine & Beer Tasting Tent open from 5:30-8:30 PM
Afterwards, A firework show sponsored this year by the Pumpelly Estate will take place in Draper Park at 9:30 PM.
Stone Senate
Saturday, June 15
At 9:30 AM the annual parade will begin. Coordinated by John Loftus, and led by Grand Marshals Jim Raftis Sr. and Dick Franz, the parade will travel through Downtown Owego. The celebrations will include Hose Teams, Inc., Owego Little League, and veteran organizations.
After the parade, music will begin at 11 AM with 17 acts playing throughout the day across four stages, with additional shows at the M&T Bank Lawn, Pumpelly Estate, and Belva Lockwood Inn Lawn. The bands include Randy McStine with a 3-hour performance, the Waverly High School Band, Junkyard Heights, and many others.
 Nate Gross – Photo by Hajo Müller.
The complete lineup of music and events can be found at www.owego.org
Music legends united for the first time on Saturday, June 8, as Billy Joel welcomed Phish guitarist Trey Anastasio during his 149th lifetime show at Madison Square Garden.
Photo Credit – Myrna Suarez
For two guys who have performed at MSG more than any others – 149 times for Joel, and at least 89 times for Anastasio between Phish and TAB shows (not including guest appearances for either) – you’d think the collaboration was bound to happen, eventually at least. So the night before Billy Joel says farewell to MSG with his 150th career performance and the end of his monthly residency.
Photo Credit – Myrna Suarez
Billy welcomed Trey to the stage for “Sleeping with the Television On,” with Anastasio riffing on Eric Clapton’s “Layla,” getting Joel to join in for the ending sequence.
Photo Credit – Myrna Suarez
Later in the encore, Trey was invited back up for the encore, joining in gleefully on “You May Be Right” and Led Zeppelin’s “Rock and Roll.”
Governors Ball 2024 kicked off bright and early for Day 2 on Saturday, June 8, continuing the party from Day 1 at Flushing Meadows Park. Once the gate reopened to the masses, music fans ran to stake out their spots in anticipation of all the talent Saturday had to offer.
TV Girl, Governors Ball 6/8/2024. Photo by Anna Downs
On the IHG Stage, Little Stranger from Charleston, SC delivered a funky, high-energy set with distorted guitar riffs and vibey trumpet and saxophone backups. Their indie rap-pop style shone through in songs like “Coffee & a Joint,” resonating well with the crowd. The playful and fun performance featured futuristic yet relaxed synth sounds, with lead vocalist Kevin Shields joking, “everything’s legal so you can do whatever you want today, I heard it from the governor himself*.” Their set was full of banter, hyping up later acts like Sexxy Red and keeping the audience engaged and entertained. *Ed. Note: New York State’s Governor is Kathy Hochul.
Telescreens, Governors Ball 6/8/2024. Photo by Josh Sobel
The GovBallNYC Stage saw a dynamic start with New York City-based indie rock band Telescreens played a hometown show that drew out a dedicated early crowd. Fans went hard in the pit during “Don’t Feel Nothing,” and the band expressed excitement about finally playing their first festival after seven years together. The set closed with a circle pit and moshing, capturing the raw energy of the fans.
Quarters of Change, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Following up, Quarters of Change, whose experimental alternative rock blended seamlessly with melodic hip hop, setting a high-energy tone for the day. Following them, Jessie Murph captivated the audience with her unique country pop sound, delivering heartfelt performances that resonated deeply with fans.
Jessie Murph, Day 2 Governors Ball 6/8/2024. Photo by Lucas Kurzweil
As the sun began to set on Day 2 of Governors Ball 2024, Hippo Campus took over the IHG Stage, bringing their indie pop folk sound to life. The Minnesota band delivered a series of hits including “Ride or Die,” “Everything at Once,” and “Bad Dream Baby.” Their witty banter, including comments like “your parents may not love you but Hippo Campus loves you,” endeared them to the crowd, creating a fun and lively atmosphere.
Riovaz, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Over at the GoPuff Stage, Riovaz kept the momentum going with an engaging set, while Bakar’s performance stood out with his cover of “Dancing in the Moonlight,” and powerful renditions of “3 Nights” (a Dominic Fike cover), “Stop Selling Her Drugs,” and “Hell N Back.” His experimental indie rock sound had the crowd hooked from start to finish.
Doechii, Day 2 of Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Doechii took the GoPuff Stage by storm with a fiery hip-hop/rap set, featuring viral hits like “Bitch I’m Nice,” “Crazy,” “What it Is,” and the song that put her on the map, “Yucky Blucky Fruitcake.” She also introduced the crowd to her unreleased track, “Sweat,” showcasing her versatility and leaving fans eager for more.
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sexyy Red continued the hip-hop/rap vibes, delivering a performance full of attitude and energy, while P1Harmony made history on the IHG Stage as the first Kpop boyband to ever perform at Gov Ball. Their electrifying set included songs like “Emergency,” “Everybody Clap,” “Heartbeat Drum,” “Killin’ It,” and “Back Down,” captivating a dedicated audience with their synchronized choreography and powerful vocals.
Carly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Carly Rae Jepsen brought a burst of energy to the GovBallNYC Stage, drawing fans from all corners of the festival grounds. Her performance of “Call Me Maybe” sparked a massive sing-along that echoed across the festival grounds, while a mix of older favorites like “I Really Like You” and newer hits like “The Loneliest Time” showcased her enduring appeal. Carly even ventured into the crowd, amplifying the excitement and connection with her fans.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina Carpenter drew one of the largest crowds of the day on this very same stage. Her performance featured a mix of hits like “Feather,” “Vicious,” and “Already Over,” complemented by talented backup dancers and heart-themed stage decor. Her heartfelt introduction to “Already Over” highlighted her appreciation for New York’s unique musical culture, stating, “New York is one of the best cities in the world to play music because you’ve figured music out in a way that hasn’t been studied by science yet.” This sentiment resonated deeply with the audience.
Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina’s set showcased a wide range of her musical repertoire, from heartfelt ballads to high-energy pop hits. Fans of all ages, from young teens to older adults, were enthralled by her performance. Before singing “Fast Times,” she urged the audience to “Throw your phones in the river, I want you to be present,” encouraging everyone to fully immerse themselves in the moment.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
One of the most iconic moments however, came before “Because I Liked a Boy.” Sabrina asked the crowd to chant “I’m a slut” on the count of three, creating a powerful, unifying experience. She also teased her upcoming album, Short and Sweet, exciting fans with the promise of new music. The set concluded with a playful faux exit before her signature song “Nonsense.” The crowd eagerly awaited her return, and Sabrina delivered with a unique, city-specific ending that left the audience buzzing.
21 Savage, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
The Killers closed out the night with a stellar rock performance. Celebrating 20 years of coming to New York, they delivered classics like “Jenny Was a Friend of Mine” and “Read My Mind.” A fan summed it up perfectly, saying, “this is some real ass rock and roll.” The night ended on a high note with “Mr. Brightside,” leaving everyone in awe of the surreal experience.
Gov Ball continues tomorrow with a jam-packed Day 3 with acts including Chappell Roan, Renee Rapp, SZA, Kevin Abstract, and much much more. Stay tuned for more of our recaps for Gov Ball 2024!
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas KurzweilQuarters of Change, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilDoechii, Governors Ball 6/8/2024. Photo by Lucas KurzweilJessie Murph, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil21 Savage, Governors Ball 6/8/2024. Photo by Lucas KurzweilCarly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
ALP has officially released Grateful: The Music Plays The Band, a new 17-track album that features classic Grateful Dead songs covered by many of their friends. It contains selections played by familiar names like Oteil Burbridge and Dark Star Orchestra but also ALO, Doom Flamingo, and more.
Proceeds from this LP will benefit The Grateful Guitars Foundation, a nonprofit charity that obtains world-class musical instruments for people who seek to carry on the tradition of jam band music into the 21st century and beyond.
Grateful features longtime and newcomer bands influenced by the music of the Grateful Dead, committed to expanding the group’s sound in various musical directions – from live grooves to Afrobeat to sultry synth-driven pop. But there’s also touches of vintage Grateful Dead as well, with a track from David Nelson Band, a former New Rider of the Purple Sage and longtime cohort. See below for a full track listing.
Founded by Andy Logan in 2019, the Grateful Guitars Foundation not only serves to put guitars in the hands of musicians in the community but also supports music instruction in schools to seed the next generation of talented players. To capture the tones of specific eras of Grateful Dead concerts, Logan worked with luthiers across the country to build a library of models of every guitar played by Jerry Garcia and Bob Weir from 1965-1995.
Logan then loaned these instruments out to bands doing recreation shows, most notably to Phil Lesh & Friends at Terrapin Crossroads in 2015 and 2016. Logan himself also owns two historic pieces of Grateful Dead memorabilia – “Alligator,” a Fender Stratocaster Garcia played by Jerry Garcia 1971 to 1973 (so-named because of a sticker on it), and the Martin D-28 with which he recorded “Ripple.”
“These instruments should be played, not mounted on a wall,” says Logan. “I wanted to share them with the fans and players who have loved the Grateful Dead, so that the jam scene is enlivened by their unique tones and historical significance.”
Grateful: The Music Plays The Band can be found on all streaming platforms here and to learn more about The Grateful Guitars Foundation visit gratefulguitars.org.
Grateful: The Music Plays the Band tracklist:
1. “Jack Straw” – Dark Star Orchestra
2. “Friend of the Devil” – David Nelson Band
3. “Peggy-O” – Alex Jordan & Friends
4. “Candyman” – Katie Skene & Andrea Whitt
5. “They Love Each Other” – ALO
6. “One More Saturday Night” – BERTHA: Grateful Drag
7. “Loser” – Michael James Wheeler
8. “Touch of Grey” – Doom Flamingo
9. “So Many Roads” – John Kadlecik
10. “Music Never Stopped” – Cubensis
11. “China Cat Sunflower > I Know You Rider” – La Horsa Bianca
