Brooklyn-based band TV On The Radio has announced a 20th anniversary edition of their critically acclaimed debut album, Desperate Youth, Bloodthirsty Babes, featuring five bonus tracks to be released on November 15, in addition to a return to live performance to celebrate.
Composed of Tunde Adebimpe, Dave Sitek, Kyp Malone, and Jaleel Bunton, TV on the Radio has developed a reputation that precedes them over their past twenty-plus years as a rock band. Recognized for their eclectic sound and experimental attitude, the band has toured worldwide, collaborated with countless household names, and released a total of five studio albums among a plethora of singles. An act of rebellion by simply existing as a Black indie rock band and a force of sonic exploration, TV on the Radio is truly not to be missed.
Now, just over twenty years since their debut album, TV on the Radio is returning to the public eye for a celebratory re-release of Desperate Youth, Bloodthirsty Babes, featuring five bonus tracks, two of which are unreleased. The first, “Final Fantasy,” is out now and is an early demo of their song “Bomb Yourself.”
Recognized by Rolling Stone as “an immaculate album about disappointment in all its forms” and featured in the book 1001 Albums You Must Hear Before You Die, TV on the Radio’s first album release had made its mark on the world from the start. Saturated with concepts of life, love, and loss through the lens of post-9/11 America and heavy with the tension felt by the youngest generations at the time, Desperate Youth puts visceral emotions into words and words into never-before-heard sound.
In addition to the exciting rerelease, TV on the Radio has announced their first shows since 2019, with multiple nights in New York City at the historic Webster Hall. The band will be in the city on November 25, 26, 29, and 30, with dates in Los Angeles and London to follow. While still a part of the band, member Dave Sitek will be unable to join the tour. Tickets will be on sale Thursday, September 12 at 10:00 AM local time- for more information, visit here.
The full list of dates as well as the 20th Anniversary Edition track list are below.
TOUR DATES
November 25 – New York, N.Y. @ Webster Hall
November 26 – New York, N.Y. @ Webster Hall
November 29 – New York, N.Y. @ Webster Hall
November 30 – New York, N.Y. @ Webster Hall
December 4 – Los Angeles @ El Rey Theatre
December 5 – Los Angeles @ El Rey Theatre
December 7 – Los Angeles @ El Rey Theatre
December 10 – London, UK @ Islington Assembly Hall
December 11 – London, UK @ Islington Assembly Hall
December 12 – London, UK @ Islington Assembly Hall
Atlanta rapper Jeezy has been no stranger to New York City over his decades-long career and his latest tour stop for ‘The Playlist’ in NYC was no different.
The Snowman brought his Playlist Concert Series to a sold-out Irving Plaza on Thursday, September 12, leaving the Big Apple with another memorable evening with one of hip hop’s most engaging performers.
Jeezy brought the house down at Irving Plaza last night with his electrifying Playlist Concert. Fans were treated to a night of unforgettable music and a high-energy performance. Backed up by DJ Ace, the atmosphere was buzzing as Jeezy took the stage, captivating the audience from the moment he appeared. The setlist was a perfect mix of fan favorites and new hits.
With his cohort DJ Ace, he cut through his hit-filled set like a pro. Rolling out classics like “RIP” and “White Girl,” as well as cuts off his 2023 project, Jeezy kept all eyes on him during his set. With an unmistakable voice and swagger, there is really nothing quite like a Jeezy show, and New York City showed the Snowman no shortage of love. In fact, it was one of the most engaged and energetic crowds and we know that NYC is a tough crowd.
In person, Jeezy is an endlessly positive individual. Performing alone, in front of a stark light projection that obscured his features and made him look more like a shadow than a man, he made every effort to highlight the idea that he, the famous rapper, is just like us: the day-job slob who paid for a ticket. He took time to directly engage with and show love to his fans.
In just over an hour, the man ripped through a career’s worth of hits with passion and charisma. He stalked the stage, switching his flow from a barking punk frontman’s delivery especially on “Seen it All” and Recession-era smash “Put On.” Also has NYC engaging in screaming the ad-libs back at him like on Thug Motivation standouts “Standing Ovation” and “Soul Survivor”. If you can, you can still catch Jeezy on tour, tickets here.
Brooklyn Bowl has announced the return of the annual Rosh Hashanah music bash, set to return October 2 and 3. This year marks the event’s 13th year.
Beginning at 7:30 P.M. on Wednesday, October 2 and 10 A.M. on Thursday, October 3, both musically driven services will feature Rabbi Daniel Brenner with musical director Jeremiah Lockwood. Also included are Antibalas’ Jordan McLean and Timothy Allen, drummer John Bollinger, saxophonist Stuart Bogie and Yula Berri on vocals and bass.
Internationally renowned teacher Jane Tuv will also lead a guided meditation at each event. There will also be Torah reading and procession led by Rabbi Brenner, as well as prayer, and shofar blowing. After the services on October 2nd, Brooklyn Bowl hosts a spiritually driven jam session featuring members of the service’s house band as well as additional guests. After services on October 3rd at 12:30 P.M., there is a lunch provided by Blue Ribbon with purchase of a ticket.
All proceeds will support the non-profit organization Shalom Y’all Jams, which works to organize holiday services at non-traditional locations. Brooklyn Bowl was ranked the number one busiest club in NYC in 2017. This celebration of Rosh Hashanah may very well love up to that title this October. You’ll want to get your tickets before they sell out.
To purchase tickets for the Rosh Hashanah music bash at Brooklyn Bowl and to learn more about the celebration, click here.
Country superstar Blake Shelton is bringing his 2025 “Friends & Heroes” Tour to the MVP Arena in Albany March 8, with appearances by Craig Morgan, Deana Carter, and Trace Adkins in addition to special guest Emily Ann Roberts.
American singer-songwriter, television personality, and country music star, Blake Shelton is a household name for fans of today’s country scene. Whether it’s from his 12 albums, his countless singles- 28 of which charted number one, his appearances as a coach on NBC’s The Voice, or his marriage to Gwen Stefani, most are familiar with Blake Shelton’s name.
Born and raised in Oklahoma, Shelton has been pursuing music from the very beginning. Immediately after graduating high school, he moved to Nashville and worked his way up to a production contract with Sony Music. After a short period of work for the company and eventually signing as a singer-songwriter with Giant Records, Blake Shelton released his debut single “Austin”, landing him his first number-one hit on the Billboard Hot Country Singles & Tracks. Three months later, he released his debut studio album under Warner Bros. Records, and the rest is history.
Eleven albums, countless awards, and a long list of other accomplishments later, Blake Shelton is returning to the touring lifestyle just off the heels of his Las Vegas residency for his Friends & Heroes 2025 tour, which showcases just that- the musical works of his heroes and friends in the industry.
Reviving the concept after the initial Friends & Heroes tour in 2019, the 2025 lineup will feature Grand Ole Opry member and Army veteran Craig Morgan, singer-songwriter and active voice for Artist & Creators with Advocacy in Washington D.C. Deana Carter, singer-songwriter, actor, and two-decade Grand Ole Opry member Trace Adkins, and previous member of Blake Shelton’s team on The Voice, rising country star Emily Ann Roberts.
“The ‘Friends & Heroes’ Tour is one of my favorite tours because as a fan, I can’t think of a cooler concert to see. I get spoiled every night seeing these icons come out and do four or five of the biggest hits of their storied careers. And then get introduced to new talent like Emily Ann. I can’t wait.”
– Blake Shelton
Once more, Shelton is partnering with the social platform Propellor to support the work of St. Jude Children’s Research Hospital. Through this partnership, concertgoers can enter to win exclusive experiences and prizes through the Friends & Heroes tour, all while supporting one of the leading research centers for childhood cancer and other life-threatening diseases.
Friends & Heroes will be coming to New York on March 8 at the MVP Arena on Saturday, March 8. Ticket sales will begin Friday, September 13 at 10:00 AM local time. For more details and ticket purchasing, please visit here.
The full list of tour dates is below.
TOUR DATES
February 27 – Lexington, KY / Rupp Arena
February 28 – Knoxville, TN / Thompson-Boling Arena at Food City Center
March 1 – Greensboro, NC / Greensboro Coliseum
March 6 – Newark, NJ / Prudential Center
March 7 – Boston, MA / TD Garden
March 8 – Albany, NY / MVP Arena
March 13 – Greenville, SC / Bon Secours Wellness Arena
March 14 – North Charleston, SC / North Charleston Coliseum
The Brooklyn-based band Shower Curtain has released “benadryl man,” their second single from their upcoming album Words From a Wishing Well, out on October 18.
Shower Curtain, the four-piece band led by vocalist Victoria Winter has become a new fixture in the Brooklyn Shoegaze scene. As a band, they have been steadily releasing music since 2020, with the release of their self-titled EP. Now, four years later, their first album is set to release in October on Angel Tapes/Fire Talk Records. Their sound has evolved quite a bit over this period culminating in an album that contains more introspective lyrics than previous works.
“benadryl man” in particular contains the hauntingly visual lyrics, “He’s hanging out when I’m not around,” Which rather than explaining a ‘nightmare,’ recounts a grotesque mystery; a discomfort to be sure, but one that reflects a disappointing reality instead of a genuine horror. A common theme in these songs is the yearning for a lost innocence left behind in childhood. This is visualized in the music video (see below) for their newest song, which features stuffed animals and tea parties… but make it creepy.
Victoria Winter, says, “‘benadryl man’ tells the story of my issues with sleeping and anxiety. I see a figure sitting on my couch and it prevents me from entering a stage of peace, moreover not feeling safe in my home. The instrumentals are a little sinister and creepy, and I always envisioned having strings on this.”
The songs of Shower Curtain take the principles of the shoegaze sound of the nineties, (particularly reminiscent of those with female vocalists such as Lush or my bloody valentine) but by utilizing the vocals as the lead of the tracks, rather than riffs, it tightens to gap toward pop which brings a distinctly modern feeling.
On Sep 28, they’ll perform at Baby’s All Right in Brooklyn with Winter.
Swing 46 in NYC has announced the special screening of award-winning documentary on the venue, titled “Swing 46: The Last Swingin’ Supper Club.” The airing takes place on October 6 at the jazz club itself.
The famous jazz and supper club Swing 46 prepares to host an honorable screening along with a Q&A session with the filmmaker. The night gives a snapshot of this historic music venue, which has been a home of music, performance, dancing, and memories for decades. The documentary tells the tale of a music venue born out of the retro swing renaissance of the late 90’s, hosting live music, diners, and dancers for nearly three decades.
The COVID-19 Pandemic has taken its toll on this great music venue which features live music six nights a week, acclaimed food, and a stunning atmosphere that has drawn many globally. A portion of the funds raised will benefit Swing 46’s daily operations and expenses helping to sustain this iconic music and supper club.
In addition to providing a home to the New York City Swing Dance Community and world renowned artists, Swing 46 became a beloved tourist destination, welcoming jazz fans and dancers from around the world. If funding does not become available to help this beloved club pay ongoing bills like rent, utilities, payroll to staff, and other necessities, it will not be able to continue to operate. Swing 46 may be forced to close its doors permanently and NYC will lose another precious live music venue.
For more information on the impact and magnitude of the jazz club and to purchase tickets to the October 6 event, click here.
Maybe Sunday officially released their sophomore EP entitled Tabula Rasa on August 23. This follows their debut EP, …Above The Trees released in 2020. This is the band’s first release since the departure of their original vocalist and songwriter.
Hailing from Rome, NY, Maybe Sunday currently consists of Bryan Honeywell on guitar and lead vocals, Nick Mellace on bass, Julie Grogan on keys and Jim Grogan on drums.
Photo Courtesy of Maybe Sunday
When speaking on the release, Grogan states “We like putting out EP’s because we feel we can get the attention of the listener and keep it for fifteen minutes or so.” This holds true as Tabula Rasa’s four tracks clock in at fourteen minutes. The EP was both recorded and mixed by Jeff Aderman at Big Blue North Recording Studio in Utica.
Tabula Rasa tackles themes of life, uncertainty, change and relationships to a backdrop of alternative rock fused with aspects of punk and psychedelia. They cite bands like The Who,The Cure, Genesis, The Replacements and Tragically Hip as some of their main influences. This alternative influence combined with their imaginative lyricism mesh to create the distinct sound that is Maybe Sunday.
Photo Courtesy of Maybe Sunday
They have a home-town EP Release Party on November 9th at Copper City Brewing Company in Rome, NY. The show starts at 7pm. You can find out more at maybesundayband.com
Tabula Rasa is currently available on all streaming services here.
Composer of the Oscar award winning score for acclaimed 2016 film La La Land Justin Hurwitz will be conducting the Wordless Music Orchestra for a once in a lifetime live-to-film concert experience at Carnegie Hall on Saturday, February 1.
For one night only, the Perelman Stage at Carnegie Hall will be hosting award-winning composer Justin Herwitz as he conducts his work for critically acclaimed film La La Land with the Wordless Music Orchestra. A collaboration with Hurwitz Concerts, a company started in 2022 to produce live concerts of Justin Herwitz’s film scores worldwide, the evening is perfect for lovers of La La Land, musical score, and everything in between.
Most known for his work on the La La Land soundtrack that landed him two Academy Awards, A Golden Globe, and a BAFTA, Justin Herwitz is a longtime collaborator with director Damien Chazelle, scoring each one of his films- Guy and Madeline on a Park Bench, Whiplash, La La Land, First Man, and Babylon, with First Man and Babylon each earning him an additional Golden Globe for Best Original Score respectively.
The Wordless Music Orchestra is the house band of New York’s Wordless Music series, founded by Ronen Givony. Presenting contemporary and classical concerts around the world, the Orchestra is composed of some of New York’s brightest young musicians who are incredibly familiar with performances of live scoring, with a repertoire including Barry Jenkins’ Moonlight, Paul Thomas Anderson’s Punch-Drunk Love, and Ryan Coogler’s Creed.
Hurwitz and Wordless Music Orchestra will come together in a swoon-worthy live performance of the La La Land soundtrack in synchronization to the film, which will be shown on a big screen. Beginning at 8:00 PM on Saturday, February 1, this exciting musical movie experience is not to be missed.
Tickets prices are tiered, beginning at $59 plus applicable fees. Sales will begin on Friday, September 13 at 11:00 AM EST. For more information and ticket purchasing, please visit here.
On a gorgeous late-summer evening in the heart of downtown Brooklyn, Anne Erin Clark (better known as St. Vincent) performed a second consecutive sold-out show at Brooklyn Paramount this past Wednesday, September 11.
Touring in support of her seventh studio album dubbed All Born Screaming, released on April 26, Clark not only self-produced the LP featuring a bevy of special guest artists, but also released it on her own Total Pleasure Records label.
St. Vincent | Photo Credit: Michael Dinger
Originally opened in 1928 and having hosted seminal artists the likes of Miles Davis, Buddy Holly, Frank Sinatra and Ella Fitzgerald, the 2,700-capacity Brooklyn Paramount reopened its famed doors this past March after years of restoration, and since doing so, has been a destination spot for industry veterans and rising stars alike.
Brooklyn Paramount Marquee | Photo Credit: Michael Dinger
With a constant stream of genre-spanning musical talent gracing its stage for the last six months, tonight was no different. Providing opening support for St. Vincent on this 12-date tour of North America, which launched in Boston, Massachusetts on September 5, was experimental electronic musician Yves Tumor (born Sean Lee Bowie). Taking the stage at exactly 8:00 pm, the 34-year old musician who was born in Miami, Florida and raised in Knoxville, Tennessee immediately launched into an eleven-song set with a heavy dose of tracks taken from their fifth and most recent studio album titled Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds).
Yves Tumor | Photo Credit: Michael Dinger
A self-taught multi-instrumentalist, Yves Tumor’s atmospheric stage lighting was the perfect accompaniment to their tonal palette – ranging from the sonically atmospheric to vibes of hypnotic trance – interspersed with glam cockiness resembling that of Prince. Exuding a kinetic stage presence and energy rarely seen, Yves Tumor was backed by a trio of extremely talented musicians who delivered the rock neo-psychedelia goods, complete with jangly guitar, looping basslines and a 4/4 drum beat signature.
St. Vincent | Photo Credit: Michael Dinger
Born screaming in Tulsa, Oklahoma, but a New Yorker at her core, I was introduced to St. Vincent a decade ago when she released her self-titled fourth studio album to critical acclaim. Like many of her fans, I was drawn to her melodic, distortion-rich guitar playing. Certainly not underrated, she is often cited as being among the best guitarists of all time, including a nod from Rolling Stone last year. Armed with her Ernie Ball Music Man signature guitar, St. Vincent brought the packed house to its knees on multiple occasions, often with humor:
I have to tell you about the first night that I ever met this woman [touring bassist Charlotte Kemp Muhl]. I went over to her house, and she put an albino snake around my neck. And she said ‘Hey, I’m Charlotte.’ On that same night, I had taken mushrooms for the first time. And then, we walked home at 4:00 in the morning and we were walking by construction, you know, ConEd doing stuff down below. And we were like ‘Hey, can we go down there?’ And the dude was like ‘yeah.’ So, we crawled through the bowels of this city, and I can tell you that the bowels of this city are as beautiful as its face. And let that be said at all of our funerals. I love you so much New York.
St. Vincent
The 100-minute long show featured twenty songs spread across fifteen years of St. Vincent’s discography, with “Birth in Reverse” and “Surgeon” substituted for “Krokodil” and “Year of the Tiger” the night before. The only album not represented in tonight’s setlist was her 2007 debut studio offering Marry Me.
After interacting with lucky fans in the first several rows center stage, falling backwards into their arms, the emotionally charged show culminated soon after with St. Vincent alone onstage for the encore, “Somebody Like Me” (Daddy’s Home, 2021). After the thunderous applause finally subsided, St. Vincent thanked Yves Tumor for opening the night and commenced the final number. Not a minute in, she exclaimed “Oh, I fucked this song, I fucked it so bad. I’m so sorry.” Erupting in a roar of laughter, the fans could not care less about the false start, but St. Vincent did – a testament to her professionalism as a musician. Retreating to her original position beneath the arch-framed stage design, St. Vincent came forth again to the edge of the stage apron and finished the show with style and grace, as if it could have ended any differently.
St. Vincent | Photo Credit: Michael Dinger
Following an appearance at Riot Fest in Chicago, Illinois on September 21, the next leg of St. Vincent’s tour resumes in Dublin, Ireland on October 13, concluding in Southbank, Australia on November 28.
Yves Tumor Setlist: God Is a Circle > Echolalia > In Spite of War > Gospel for a New Century > Jackie > Meteora Blues > Parody / Heaven Surrounds Us Like a Hood > M~~S B~~~~~E > Operator > Secrecy Is Incredibly Important to the Both of Them > Ebony Eye
St. Vincent Setlist: Reckless > Fear the Future > Los Ageless > Big Time Nothing > Marrow > Dilettante > Pay Your Way in Pain > Digital Witness > Sweetest Fruit > Flea > Cheerleader > Broken Man > Birth in Reverse > Surgeon > Hell Is Near > Candy Darling > New York > Sugarboy > All Born Screaming > Encore: Somebody Like Me
The annual New York State Blues Festival has been confirmed and will once again return to the Chevy Court in Syracuse from June 12-14, 2025.
The annual free festival will take place on the New York State Fairgrounds (581 State Fair Blvd Syracuse, NY 13209) in mid-June of 2025. This will be the 32nd edition of the festival. Founded in 1992, every year the festival brings thousands of music fans from around New York and beyond to celebrate blues music and culture.
A diverse line-up of local, regional, and national artists will take to the stage. In the past, acts such as Little Feat, Buddy Guy, Little Steven and The Disciples of Soul, and many more have headlined the festival. A variety of food vendors will be onsite and wine & beer will be sold. Retail & craft vendors will also be set up inside of the festival grounds.
The team behind the New York State Blues Festival has said, “The mission of the NYS Blues Festival is to preserve, protect and promote blues music and culture. The Syracuse, NY festival entertains while educating on the role of the blues in the development of popular music in the US and around the world.”
The lineup for this year has yet to be announced. Learn more about the festival here.
