Category: Genres

  • Gooseberry Release Debut Album “All My Friends Are Cattle”

    Indie Brooklyn band, Gooseberry, have released their debut full-length album titled, All My Friends Are Cattle.

    Gooseberry
    Gooseberry continue their buzz with the release of their debut album, All My Friends Are Cattle.

    Gooseberry, formed in 2019, is a band which takes inspiration from genres such as alternative rock, indie, and blues to craft their sound. Asa Daniels (guitar, vocals), Evin Rossington (drums), and Will Hammond (bass) form the group and have played major venues across the east coast including, Baby’s All Right, the Knitting Factory, and The Bowery Ballroom in NYC.

    Since the release of their 2022 debut EP Broken Dance, the trio has received praise from editorials such as Under the Radar, Ones to Watch, and more. In April, Gooseberry announced their debut full-length album, All My Friends Are Cattle. The album was released on Sept 6 and has been steadily growing in popularity since its release. The band has been on tour leading up to the release of the album over Aug and Sept, including four dates in New York.

    “We are super fortunate to call a lot of really great – and buzzing – NYC bands our friends. We feel ourselves part of that community and eternally grateful for being welcomed with such open arms. Our hometown has truly shaped what this band has become.”

    Asa Daniels

    The ten-track album was recorded at Precision Sound Studios in New York City with an all-star production team including, Grammy-winner James ‘Jimmy T’ Meslin (Dream Theater, John Petrucci, Rush), Grammy-nominated engineer Colin Bryson (Zach Bryan, J Balvin, Willow Avalon), who served as producer and recording engineer (reprising his role from the Validate Me EP). They were joined also by Grammy-winner Phil Joly (The Strokes, Lana Del Rey, Daft Punk) who mixed the record, and Jennica Best (Colatura) who mastered it. The band’s “honorary fourth member” Dan Janis of Baked Goods, provided saxophone and flute for a handful of tunes.

    The album begins with “Kikiyon,” a harder, driven track with an instantly recognizable riff that pays homage to many classic rock songs over the years, most notably The Kinks’ “You Really Got Me.” The solo on that song in particular has a distinct feeling to it that sounds much different than what is in vogue. As the album runs on, the songs grow softer and softer ending in the reverb-soaked “Start Over.”

    Though powered by heavy 90s alternative influences, the standout tracks on the album are the gentler, simpler songs, like “Cherry Blossoms,” which remind listeners of artists like Jack Johnson. It is through these tracks that Gosseberry reveals who they can be.

    The album contains a multitude of interesting musical ideas, most notably, the feature of the distinctive blare of the saxophone especially on “All The Same.” Many songs have clear Nirvana, Bush, and other 90’s alt inspiration, but the vocals on the record bear a recognizable similarity to more contemporary pop groups. As with many young bands, Gooseberry is still attempting to find their own sound.

    The kaleidoscopic image on the cover is representative of the entire album in more ways than one. With just a glance, you see a menagerie of colors and feelings, each one notably different from its counterparts. While interesting for a moment, a deeper look renders the full image fractured and without a clear cohesion through all parts. Yet still briefly pretty.

    Key Tracks: Cattle, Cherry Blossoms, One of the Good Ones.

    Gooseberry will play the Richmond Music Hall in Richmond VA on Oct 3 and at the Shakori Hills Grassroots Festival, in NC on Oct 5.

  • A Night of Horror and Heavy Metal: Rob Zombie, Alice Cooper, Ministry and Filter Rock PNC Arts Center

    On Saturday, September 7, the PNC Bank Arts Center in New Jersey was treated to a powerhouse lineup of rock and industrial legends, featuring Filter, Ministry, Alice Cooper, and Rob Zombie. The diverse crowd, a mix of metalheads, goths, and rockers, gathered for a night of electrifying performances, each act bringing its signature style and energy to the stage.

    Filter Opens with Grunge-Industrial Anthems

    Filter kicked off the evening, setting the tone with their grunge-tinged industrial sound. Opening with “You Walk Away,” the band immediately captured the crowd’s attention. Their setlist included fan-favorite hits like “Take My Picture” and the iconic “Hey Man, Nice Shot,” which sent waves of nostalgia through the audience. Richard Patrick’s intense vocals and the band’s tight instrumentation delivered a strong start, with plenty of sing-alongs and headbanging from the early crowd.

    Ministry took the stage next, delivering a relentless barrage of industrial metal. Al Jourgensen and company wasted no time diving into their gritty catalog with tracks like “Stigmata,” “Just One Fix,” and the iconic “Jesus Built My Hotrod.” The band’s machine-like precision and pounding beats had the crowd entranced, while Jourgensen’s snarling vocals added an extra layer of chaos to the performance. With their dark, aggressive sound and pulsating light show, Ministry left a lasting impact, keeping the energy at a fever pitch for the next act.

    Alice Cooper’s Theatrical Horror Show Steals the Spotlight

    The legendary Alice Cooper, at 76 years old, proved he’s still the undisputed king of shock rock. Entering the stage through a massive “Banned in New Jersey” newspaper, Cooper launched into “Lock Me Up,” immediately immersing the crowd in his signature blend of rock and theatrical horror. Backed by a stellar band, Cooper’s set was filled with classic hits like “No More Mr. Nice Guy,” “I’m Eighteen,” and “Poison,” each song complemented by a dizzying array of visual spectacles.

    From impaling a paparazzo to draping a boa constrictor around his neck and battling a Jason Voorhees-style monster, Cooper’s showmanship was on full display. The crowd was particularly captivated by “The Ballad of Dwight Fry,” where Cooper, in a straitjacket, met a chilling end at the guillotine – only to return for an explosive rendition of “School’s Out” to close out his set. His energy, despite his age, was awe-inspiring, leaving fans thrilled and cheering for more.

    Rob Zombie’s Horror Extravaganza Caps Off the Night

    Rob Zombie closed out the night with his high-octane, horror-infused set. Bursting onto the stage with “Demon Speeding” Zombie’s performance was a technicolor feast for the eyes, featuring scenes from his horror films and retro visual effects flashing behind him. The crowd was treated to a wild ride through Zombie’s discography with songs like “Living Dead Girl” and “Superbeast.”

    Though longtime guitarist John 5 was absent, having joined Mötley Crüe, Zombie’s current lineup – Mike Riggs on guitar, Rob “Blasko” Nicholson on bass, and Ginger Fish on drums – delivered a blistering performance that kept the energy sky-high. Zombie’s stage presence, with his high kicks and dramatic flair, kept the crowd engaged, dancing, and screaming for more until the very end.

    Rob Zombie Setlist: Demon Speeding, Super Charger-Heaven, Feel So Numb, Well, Everybody’s Fucking In A UFO, What Lurks on Channel X?, Superbeast, The Lords of Salem, Dead City Radio and the New Gods of Supertown, The Triumph of King Freak, Drum Solo, The Satanic Rites of Blacula, More Human Than Human, Living Dead Girl, Thunder Kiss ’65, Dragula

    Alice Cooper Setlist: Lock Me Up, No More Mr Nice Guy, I’m Eighteen, Under My Wheels, Billion Dollar Babies, Hey Stoopid, He’s Back, Snakebite, Feed My Frankenstein, Poison, Guitar Solo, Black Widow Jam, Ballad of Dwight Fry, Killer/I Love the Dead, Elected, Schools Out

  • Albany Symphony Announces Water Music NY: More Voices Festival

    The Albany Symphony has announced the Water Music NY: More Voices Festival, a mini concert series celebrating underrepresented voices to commemorate the bicentennial of the Erie Canal’s completion.

    Water Music NY: More Voices Festival

    Two-time Grammy award winners and the most ASCAP awarded orchestra in America, the Albany Symphony is highly respected and admired for their blend of classical orchestral performances, lesser-heard masterworks, and a diverse selection of works from the leading and emerging voices of this generation.

    Led by Music Director David Alan Miller, the Symphony brings a world-premiere or recent composition to every single one of their performances. In addition, they host a multi-day American Music Festival that celebrates both established and emerging living composers, a family series and holiday concerts that are both an active collaboration with youth performing arts groups, and an array of award-winning education programs, including the Symphony in Our Schools program that introduces musicians to the classroom for interactive music education.

    With a history of bringing new voices to light like theirs, the Albany Symphony’s newest endeavor, Water Music NY, only makes sense. Inspired by the orchestra’s original 2017 Water Music NY Festival, the project is a three-year venture expanding upon the original musical tour down the Erie Canal. Now, with more resources and bigger pictures in mind, the Symphony is uplifting underrepresented voices including those of women, immigrants, people of color, and indigenous peoples.

    “We believe that by commissioning brilliant new works by some of the most compelling composers working today, and challenging them to look at the Canal through fresh eyes, the music they create will spark dialogue, expand perspectives, and energize canalside communities on what the Canal represents, and what it can become.” 

    – David Alan Miller

    In collaboration with the New York State Canal Corporation, this fall’s Water Music NY: More Voices programming includes five free pop-up concerts, featuring small ensembles of Albany Symphony musicians and vocalists along the path of the Erie Canal, highlighting the 524 mile system’s past, present, and future.  

    Performances will occur at the Lock Tenders Tribute Monument in Lockport, Old Lock 36  (near  Lock 17) in Little Falls, Schoharie Crossing State Historic Site in Fort Hunter, Waterloo (Livestream only), and the Montezuma Audubon Center at the Montezuma Wetlands Complex. In addition to in person attendance, each concert will be available to view online via livestream. Featured composers Daniel Bernard Roumain, Clarice Assad, Francisco del Pino, Dai Wei, and Juhi Bansal will all have their works premiered at these venues along the Canal.

    Daniel Bernard Roumain’s piece, Agrarian and Liquid, was the result of a partnership with librettist Marc Bamuthi Joseph. The piece highlights the relationship between the Erie Canal and abolitionist and freedom fighter Harriet Tubman.

    Francisco del Pino’s piece, Orenda, is inspired by the concepts of place and connectedness with nature through a continuous stream of motion under which things change imperceptibly over time, just as with bodies of water. Floating above the piece is a vocalist chanting words from the Oneida Nation’s motto: good mind, good heart, strong fire.

    Clarice Assad’s piece and world premiere, Earth and Water, explores themes of environmental change, human progress, and the relationship between nature and civilization as it is rooted in the Erie Canal’s construction. Concepts for the composition emerged from a conversation with celebrated Mohawk storyteller, teacher, and writer Kay Olan.

    Dai Wei will perform a livestream exclusive show featuring a piece exploring the journey of Chinese merchant Oong Ar Showe who adeptly navigated the social and economic landscape of 19th century America, emphasizing the key role the Erie Canal played in facilitating interregional trade.

    Juhi Bansal’s piece Refuge will wrap the mini-concert series in the thriving expanse of marshes belonging to the Montezuma Wetlands Complex.

    For more information on these performances and how to attend/watch virtually, please visit here

    The full list of performances is below.

    Water Music NY: More Voices Festival Mini-Series Dates

    Thursday, September 26, 4:00pm

    Lockport Flight of Five in Lockport, NY – Lock Tenders Tribute Monument

    Friday, September 27, 4:00pm

    Little Falls, NY, Old Lock 36, near Lock 17

    Saturday, September 28, 4:00pm

    Schoharie Crossing State Historic Site, Fort Hunter, NY – In partnership with New York State department of Parks, Recreation and Historic Preservation

    Friday, November 1, 4:00pm

    Waterloo (LIVESTREAM ONLY)

    Saturday, November 2, 4:00pm

    Montezuma Audubon Center at Montezuma Wetlands Complex, Savannah, NY – In partnership with Montezuma Audubon Center

  • Dua Lipa Announces Additional 2025 Tour Dates, Including Two Nights at Madison Square Garden

    Pop sensation Dua Lipa announces additional dates for her worldwide Radical Optimism Tour, which includes two nights at Madison Square Garden in 2025, on September 17 and 18.

    Dua Lipa Tour promotional artwork

    About Dua Lipa

    To the younger pop-consuming generations, three-time GRAMMY and seven-time BRIT Award winning global pop sensation Dua Lipa needs no introduction. Since signing a record deal in 2014, she’s released hit after hit. Her fifth overall single “Blow Your Mind (Mwah)” became her first entry on the US Billboard Hot 100 at 72, followed by her self titled first album that became her first ever number one in the UK, and the first female solo artist to top that chart since Adele’s “Hello” in 2015. 

    With this release, her career skyrocketed. Followed by countless top ten charting tracks, appearances at major festivals, becoming Spotify’s most streamed woman of 2017 in the UK, and countless award nominations. In January of 2018, Dua Lipa broke records once again by receiving five nominations at the Brit Awards, becoming the first female artist to do so ever.

    Thus, after an extensive list of other successes, singles, reissues, and remixes, Dua Lipa is touring with her most recent release, Radical Optimism. Released on May 3, 2024, the album went number 1 in 11 countries, and became the biggest album to debut from a UK artist in 2024. Moreover, hailed as a “joyous blast of pop savvy” by Variety and “an album of ear candy” by New York Times, Dua Lipa will be bringing her electrifying new release to the stage beginning this fall.

    About Radical Optimism Tour

    Kicking off with the previously announced dates in Asia, The Radical Optimism Tour will be arriving in New York City on September 17 and 18, 2025 at Madison Square Garden. Ticket sales will open to the public on Friday, September 20 at 10:00 AM. For more information and ticket purchasing, please visit here.

  • Australia’s Paul Kelly Comes to Le Poisson Rouge on October 14

    It’s been close to a decade since Paul Kelly – Australia’s finest export this side of wombats – has played in the U.S., and he’s coming to le poisson rouge in New York City this fall in support of his brand new album Fever Longing Still set for release on November 1.

    paul kelly le poisson rouge
    Photo Credit: Joe Brennan

    Lovingly dubbed the Land Down Under’s Bruce Springsteen, Kelly’s new LP is a throwback to poetic love, with its title coming from a line in Shakespeare’s “Sonnet 147,” whose writing has thrilled and inspired Kelly ever since schooldays.

    Fever Longing Still Album Art

    Paul Kelly’s Le Poisson Rouge show is at 7:30 pm, with doors at 6:30 pm and are on sale here. Support will be provided by Paul Kelly’s nephew, singer-songwriter-guitarist Dan Kelly.

    Other tour stops currently include the Teragram Ballroom in Los Angeles, California on October 7, followed by an appearance at the Austin City Limits Festival on October 11.

    Watch the official video for “Taught By Experts” below.

    1. In Focus: Buzzcocks at Irving Plaza on September 11

      Buzzcocks made a stop in NYC at Irving Plaza on Wednesday, September 11th as part of their recent North American tour. The show included opening performances by Native Sun and Lovecrimes. The crowd inside Irving Plaza spanned generations, all eager to support the UK band’s U.S. return.

      Hailing from Bolton in the United Kingdom, Buzzcocks has made frequent stops in NYC since their formation in 1976. The inspiration behind the band’s sounds have New York origins, with late frontman Pete Shelley citing The Velvet Underground being part of inspiring the band’s formation.

      Buzzcocks’ music was said to be ahead of its time, with songs alluding to subject matter that was considered taboo during the period of their formation. This led the band to be seen as a driving force of the Manchester punk scene. Buzzcocks has gone on to perform with many legends from the early era of New York punk and CBGB, including opening for Blondie in 1978. 

      With lead vocalist Pete Shelley’s passing in 2018, Steve Diggle has led the Buzzcocks vocals while also continuing on guitar. Diggle has continued on the high energy and humor that Shelley brought to Buzzcocks performances.

      On Wednesday night, Buzzcocks played a setlist spanning 50 years of the band’s discography, including songs from their most recent 2022 album “Sonics In The Soul.” The current line-up consists of Diggle on vocals and guitar, Danny Farrant on drums, Chris Remington on bass, and Mani Perazzoli touring on guitar. 

      Buzzcocks continues on their North American tour with stops in Pittsburgh on September 14th and House of Blues in Cleveland on September 15. Starting September 22nd, Buzzcocks will embark on a US tour with Descendants throughout early October

    2. Clutch & Rival Sons’ “The Two-Headed Beast” Tour brings duel rock and roll to College Street Music Hall

      After a successful tour opening in Brooklyn, Clutch and Rival Sons brought their duel headlining tour dubbed “The Two-Headed Beast” tour to the College Street Music Hall in New Haven, Connecticut.

      Joining the two bands was the Orange County California band, Fu Manchu. The night was summed up perfectly by Rival Sons lead singer Jay Buchanan when he said “What a rock and roll evening it’s been.” Clutch closed the evening playing the entirety of Blast Tyrant. It’s always cool to see when artists play their records all the way through.

      The rock and roll festivities started when the doors opened at 6:30 and fans began to file into the theater. When Fu Manchu jumped on stage, fans had parked themselves in front or upstairs to witness the headbanging set. Despite Fu Manchu only playing for half an hour, they left their mark on the audience. Their heavy set featured new songs off their new record The Return Of Tomorrow as well as classics.

      The powerful quartet featured the duo of Scott Hill on vocals and guitar along with Bob Balch on guitar. Also, Scott Reeder was behind the drums kits with Brad Davis at stage right on the bass. The band created such a heavy sound that fans in the audience could feel the power through their speakers. They were so heavy that they could feel the thumping in their chests during the 30-minute set.

      As is tradition with co-headlining tours, it was Rival Sons’ night to play as the middle band. With the lights dimmed, the five-piece band slithered on stage and jumped right “Mirrors.” For the entire time that they were on stage, they blew away the audience with amazing guitar chords and excellent songwriting.

      It’s amazing that during the show, Buchanan didn’t lose his voice. His powerful screaming left the entire crowd in awe. While Buchanan pranced around the stage in his bright red, Scott Holiday was dressed and looking as cool as ever. Holiday was suited up with a beautiful teal jacket, hat, sunglasses and scarf. It made him look like the perfect rock and roll outlaw. Throughout the night, his guitar tech would continue to bring out colorful guitars that would sound just as they looked, amazing.

      Rival Sons played a total of 13 songs that spanned their discography. They showed their versatility when they jammed during “Open My Eyes” and played a ballad off their 2014 record. Fans got their money’s worth at this point as it was easy to tell that Rival Sons is a tightly rehearsed band. They didn’t miss a beat and had a stage chemistry that was apparent to the audience with each passing song.

      Joining Buchanan and Holiday on stage was Dave Beste on bass, Jesse Nason on keyboards and Mike Miley on drums. Miley was drumming so hard that you could see how sweaty he was while on stage.

      As the night slowly got later, fans refused to go anywhere until Clutch played their entire record. It wasn’t till after 9:30 hit until they hit the stage but, like Rival Sons, the minute they started their first song, there was no turning back. Their set felt like a train that would not stop. The constant rhythm of their music and their high level of energy made for a great night of music.

      Like with any hard rock band and a general admission audience, mosh pits are bound to happen. During Clutch’s set, one did appear. But, in one moment between songs, lead singer Neil Fallon announced to the crowd that there were “young people against the barricade.” He that they were able to continue to mosh but to be respectful of the people around them. What Fallon said is what a true lead singer should do. It was a very respectful move on his behalf. The moment certainly won over a few fans who might have stayed after the Rival Sons set.

      During the set, Fallon was the only member of the band to come within three inches of the edge of the stage. Throughout the entire night, he was running back and forth from one side to the other giving it his all. Bassist Dan Maines and guitarist Tim Sult flanked drummer Jean-Paul Gaster on both sides and didn’t move for the entire show. Sult shredded the entire time and stared down at his guitar barely looking up once as if he was possessed by his guitar.

      Their set was amazingly heavy, a perfect blend of rock music. With each song coming to a close, the entire place erupted with joy and filled the theater. Their style of hard rock was the perfect way to end the night. People excited the College Street Music Hall with smiles on their faces. It’s not very often that acts will play an album of theirs front to back and straight through. So when they do, it’s an extra special night.

      Clutch & Rival Sons “The Two-Headed Beast” tour is not to be missed. Between Rival Sons’ classic 1970s rock and roll style and Clutch’s hard rock, despite their styles being different, they make for a spectacular night. Despite the tour not swinging back into New York, fans need to try and catch them on one of their other upcoming dates. This late summer/fall tour is one to be remembered for both styles of rock meeting in the middle for a night of thrilling music between multiple bands.

      Fu Manchu Setlist: Eatin’ Dust, Evil Eye, Hands of the Zodiac, Hell on Wheels, King of the Road, Loch Ness Wrecking Machine, Saturn III

      Rival Sons Setlist: Mirrors, Nobody Wants to Die, Tied Up, Sleepwalker, Too Bad, Get What’s Coming, Open My Eyes, Pressure and Time, Feral Roots, Where I’ve Been, Do Your Worst, Electric Man, Secret

      Clutch Setlist: Mercury, Profits of Doom, The Mob Goes Wild, Cypress Grove, Promoter (of Earthbound Causes), The Regulator, Worm Drink, Army of Bono, Spleen Merchant, (In the Wake of) The Sollen Goat, Subtle Hustle, Ghost, (Notes From the Trial of) LACurandera, Burning Beard, Slaughter Beach, Nosferatu Madre, D.C. Sound Attack!

    3. Story Screen Cinema to host Mark Perro of The Men for Live Score of “Nosferatu”

      Mark Perro, co-founder of punk group The Men, will create an original, live musical score for the 1922 silent horror classic Nosferatu on Saturday, October 12 at Story Screen Cinema in Hudson, NY.

      Mark Perro of The Men Story Screen Cinema
      Mark Perro of The Men

      Perro, a multi-instrumentalist, vocalist, and songwriter, co-founded The Men, known for their genre-blending sound that spans punk, rock, and experimental music.

      The evening is co-presented by Upstate New York-based film programmers Sleepover Trading Co., who will create an exclusive retro clip show featuring vintage trailers, commercials and other oddities that will
      play before the feature. Based in Catskill, Sleepover Trading Co. is dedicated to retro VHS, toy and comic culture with the goal of recreating your perfect childhood sleepover, and are known for their custom made clip shows, presenting screenings of cult classic films throughout the Hudson Valley.

      I’ve known Mark since The Men were a three piece playing the back room at Tommy’s Tavern. We are very excited for him to bring the noise to one of the world’s most famous silent films.

      Sleepover Trading Co. co-founder Rob Ribar

      This unique event is part of Story Screen’s month-long Story Scream HorrorShow X series, celebrating all things spooky and cinematic in the month of October. The live scoring also marks Perro’s first live score, having released nine albums and four EPs with The Men, including 2023’s New York City and 2024’s Manhattan Fire.

      Story Screen Cinema The Men
      The Men

      Nosferatu, directed by F.W. Murnau, is an unauthorized adaptation of Bram Stoker’s Dracula, and continues to one of the most unsettling vampire films ever made. Portrayed by Max Schreck, the bald, spidery vampire has influenced countless incarnations throughout contemporary cinema in the century following its release. Famed critic Roger Ebert said of Nosferatu in 1997, “To watch F.W. Murnau’s “Nosferatu” (1922) is to seethe vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in clichés, jokes, TV skits, cartoons and more than 30 other films. The film is in awe of its material. It seems to really believe in vampires.”

      The screening and performance will take place at Story Screen Cinema, a community-focused movie theater located at 160 Fairview Ave, Hudson, NY. Story Screen also offers a full array of food, cocktails, non-alcoholic drinks and local beers plus an extensive pinball and arcade game collection. Known for its creative programming and love for cinema, Story Screen Cinema brings together film lovers and casual viewers alike for unforgettable experiences.

      For more information and tickets, visit www.storyscreenhudson.com.

      Additionally, the Crandell Theatre in Chatham, will go back to its roots on Friday, October 4 at 7 pm and screen Nosferatu with musician and silent film historian Ben Model accompanying the film on theater organ, brought in for one very special night, allowing the audience to experience the film just as it sounded upon its original release in 1922. Tickets are $25 and $20 for members.

    4. In Focus: The Headhunters at The Hamilton Live

      The Headhunters kicked off their fall tour in Washington, DC at The Hamilton Live on Wednesday, September 11, with a few classics from seminal Herbie Hancock albums, as well as new originals off their latest album, The Stunt Man.

      They last played The Hamilton for a monthly residency from January through September 2019, and are now back on tour for a few more dates in the US, followed by a two-week European tour.

      Headhunters

      Spear-headed by the fiery chops of drummer, Mike Clark, founding percussionist Bill Summers added his remarkable rhythmic skills, with Big Chief Donald Harrison on alto sax, Kyle Roussel on keyboards from the Preservation Hall Jazz Band, and Chris Severin on 6-string bass from the Neville Brothers. The Headhunters band was created in 1973 to thrust Hancock’s explosion into jazz fusion. They continue to carve new paths in musical exploration. Bill Summers reminded fans, “We’re not musicians, we are physicians; we heal people.” Donald Harrison showcased his sax brilliance on “Butterfly”, and throughout the night.

      A charming moment occurred when Bill Summers demonstrated how he uses a beer bottle as a sort of flute on “Watermelon Man,” which originally recorded back on Hancock’s debut 1962 album, Takin’ Off. The song was re-arranged on Head Hunters in 1973, with the beer bottle iconically reimagined as a percussion instrument. 

      Summers announced at the start of “Chameleon” that it was their 50th anniversary (since The Headhunters re-recorded it in 1973), then quipped, “we only had one rehearsal, but it’s going to be alright.” After Chameleon, Summers introduced their two guest musicians, Morgan State University students Shawn McNeil and Brian Moten on sax and trumpet, respectively.

      One of the most accomplished drummers of all times, New York resident Mike Clark has played on at least 50 to 60 albums, and thousands of live shows across the world for over 6 decades. He’s played or toured with Albert King, Wayne Shorter, John Scofield, Gil Evans, and dozens of other musical legends and pioneers. Few drummers are as influential or experienced, or as musical. Bill Summers is also a living legend, having played with Hancock, and other musical pioneers, such as Sonny Rollins, Quincy Jones, George Benson, Stevie Wonder, Nina Simone, and Sting, on roughly a hundred albums, and TV soundtracks.

      The Headhunters roll up the coast to play an outdoor show at Times Square on Sep 12, and will be playing the Nola X North Fork Festival in Cutchogue, NY on Sep. 13. After a few more tour dates in Seattle, Portland, and Eugene, they will return back east for Hampton Roads, Virginia, on Sep. 28, followed by a European tour, kicking off in Norway on Oct 8 and ending in Warsaw, Poland on Oct. 19th.

      Headhunters 2024 Fall Tour Dates

      Sep 13 – Nola X North Fork Festival – Cutchogue, NY
      Sep 17 & 18 – Jazz Alley – Seattle, WA
      Sep 19 – The Get Down Music Festival – Portland, OR
      Sep 21 – The Jazz Station – Eugene, OR
      Sep 28 – The Phoebus Jazz Festival – Hampton Roads, VA
      Oct 8 – Cosmopolite Scene – Oslo, Norway
      Oct 9 – On the Rocks – Helsinki, Finland
      Oct 10 – Loppen – Kobenhavn K, Denmark
      Oct 12 – Stockholm Jazz Festival – Stockholm, Sweden
      Oct 14 – Gretchen – Berlin, Germany
      Oct 15 – Blue Note – Milano, Italy
      Oct 16, 17 – Muxiekclub N9 – Eeklo, Belgium
      Oct 18 – New Morning – Paris, France
      Oct 19 – Jassmine – Warszawa, Poland

    5. The FMs Release Joy Division Cover

      Following the announcement of their next album, 51122, NYC-based punk rock band The FMs have released the album’s first single, a cover of Joy Division’s “A Means to an End”.

      The FMs Joy Division

      Formed by founding members Matte Namer and Frankie Rex in 2016, The FMs’ foundations and legacy thus far are unapologetically punk and unapologetically queer. Brought together by the shared experiences of coming out as transgender and shared adoration for synthesizers, the two realized their debut LP Machinacene Epoch, released in 2017. The band’s performances quickly took on the same counter-culture personality their sound contained- forming a tight knit community around their SVBVERT shows on a ferry boat in the industrial canals of Bushwick, where they would continue to perform and produce in the years following.

      After the success of their commitment to a more traditional approach to music making with their first release and 2,000 hours in the studio, The FMs had created their next double-LP, PINK + BLACK. With its own personality, PINK + BLACK marked a softer and more personal point in the duo’s sound. Tragically, prior to the release of such a deeply personal labor of love, Rex passed away from a fentanyl overdose. This aching loss put a pause on the project, but two years later Namer decided to release the work posthumously- ultimately, not even death could stop Frankie Rex’s voice from being heard. 

      After the release of PINK + BLACK and recognition from names including the GLAAD foundation, Namer reformed the FMs in Ithaca, introducing trans musicians Bubba Crumrine on guitar, Basim Hussain on synth and keys, and Nick Scollard on drums. PINK + BLACK and the new line up made their debut at the first- ever Frankie Fest, a tribute to Frankie Rex and fundraiser for Chosen Family Law Center.

      The FMs Joy Division

      The FM’s upcoming release, 51122, is another tribute to Rex- the title corresponding with May 11, 2022, the day they passed. A nod to one of the founding duo’s favorite bands, as well as Rex’s favorite song of theirs, A Means to an End is the lead single of the album. 

      Composed of demos recorded years prior, the album’s producer David Werner simplified and elevated the track, doing both the original song and Rex’s voice justice. Containing likely some of the final recordings of their vocals that will be released, A Means To an End and the FM’s upcoming album is not a quiet goodbye to Rex- it is a bold reminder to the world that they will not be forgotten, immortalized both by their own voice and their band’s never-ending love.

      It’s also a bit somber being the last music that I think will ever be released with Frankie’s incredible, powerful, unique voice. I think there’s something about that that makes me remember they are really gone, like an orchid blooming from a coffin nail. 51122 is the date Frankie passed away, but is also a type of symbol in a way, or perhaps a word. I’m not sure what that meaning is yet, perhaps the orchid needs to grow.”

      – Matte Namer

      Following the release of 51122 this November, The FMs will celebrate with a record release show in New York City. More details will be revealed shortly. To keep up to date, visit their website here.

      To pre-order or pre-save 51122, please visit here.