NYS Music 2024

Category: Genres

  • Dynamic Hip Hop Duo Gumbo Release New Album Along with Chuck D and Black Lives Matter Grassroots Merch Collab

    Dynamic hip hop duo Gumbo — consisting of Caro Adé and Danger — continue to fight the power with the release of their debut album, Stir The Pot. Moreover, the duo have joined forces with the iconic Chuck D of Public Enemy on behalf of Black Lives Matter Grassroots to create a unique blend of music and activism. Furthermore, this partnership, encapsulated by the mantra “art + cause = community,” aims to make a meaningful impact on social justice through the universal language of music & art.

    Cover art for Gumbo's debut album "Stir The Pot."
    Gumbo are keeping conscious hip hop alive with their debut album

    All in all, Gumbo are keen to keep conscious hip hop alive and their recruitment of Chuck D speaks to their values. After all the “Fight the Power” rapper has long used his music for purposes of social justice, unity and to spread uncomfortable truths. In light, Gumbo tabbed Chuck D for a collaboration on “All True” as the lead single for Stir The Pot.

    Gumbo’s New Merch

    Additionally, their social justice efforts have led them to collaborate with Black Lives Matter Grassroots and Chuck D to release a limited and exclusive merchandise collection during both celebrations for Black History Month and National Jazz Music Month (March/April). This exclusive collection is selling for $30 and will feature a specially designed t-shirt curated by renowned stylist Tony Magnetic and artwork by Tristan Childs.

    Gumbo exclusive merch collab with Black Lives Matter Grassroots
    Those who purchase the merchandise using the QR code will get exclusive access to “Stir The Pot.”

    Uniquely, those who purchase the merchandise using the QR Code will get immediate access to Stir The Pot. Creating an immersive experience for fans, connecting them directly to GUMBO’s groundbreaking music and their cause. Notably, a share of the proceeds from this exclusive merchandise release will be to support Black Lives Matter Grassroots. 

    We believe in the power of music to bring people together and amplify important messages. This partnership with Chuck D/Public Enemy and Black Lives Matter Grassroots is a testament to the transformative potential of art when combined with a meaningful cause.

    – Cado Adé and Danger

    Moreover, Gumbo, Chuck D, and a representative from Black Lives Matter Grassroots stopped by Sway’s Universe to discuss the latest social justice efforts and the reason behind their activism. This culminated in a riveting live performance of “All True” by Cado Adé and Danger where their passion for their cause could be seen first hand. Stir The Pot is available for streaming on all DSP’s.

  • Too Many Zooz returns home to conclude “Retail Therapy Tour”

    Brass Power House group Too Many Zooz returned to the scene where it all began on Saturday, April 6 as the trio concluded their self titled album tour in epic fashion.

    Retail Therapy is the band’s first album in almost five years, and we had the opportunity to ask one of the bands founding members, Matt Muirhead, about their new album, life for a band that’s been together for 10 years, and what’s next for the acclaimed trio.

    too many zooz

    The album came together more than a year ago now…generally I think our goal was just to create as much as possible, and then spend the following months trimming the fat and deciding what we wanted to keep and sculpt out, and what to get rid of.

    Matt Muirhead, Too Many Zooz
    too many zooz

    Songs like “Subway Devil Blues” off their latest work and their previously released “Subway Gawds,” the roots of Too Many Zooz can be traced 10 years back to the bustling music scene in the NYC transit system, they all met as working musicians in the subway system. Despite their continued success, the band’s iconic brass and beats sound can still be heard echoing through the tunnels as they busk regularly to this day.

    The subway is where we came from. It shaped our music and us as people equally. We’re very grateful for the people of New York for loving us and supporting us to this day. 

    Matt Muirhead, Too Many Zooz
    too many zooz

    The band consists of Leo Pellegrino, David “The King of Sludge” Parks, and Matt Muirhead. They self describe their sound as “brasshouse”, and appropriately so. Leo and Matt bring brass of varying tempos while The King of Sludge provides the perpetual beat. The vibe transcends labels as it encorporates a fusion of jazz and percussion with EDM house music. Asking about their songwriting style and process, Matt said the following:

    There isn’t a set formula for us-every song is different and how they come to fruition is seemingly unique each time. Of course, over the years you start to develop habits as writers, but we try to approach each song as its own and give it the love and energy it deserves.

    Matt Muirhead, Too Many Zooz
    too many zooz

    The evening at Brooklyn Bowl opened with a strong solo performance by Michael Wilbur, a long time collaborator and frequent guest star. Joining TMZ shortly after his own set, Michael was featured on Retail Therapy, and he has toured alongside them with his own band, Moon Hooch. Michael was not the only guest of the evening, as the band brought out a dynamic percussion duo that brought the evening to a whole new level.

    …for me, collaboration is the thing that excites me most about the creation process…. there’s nothing more dismal than sitting in a studio by yourself . Collaborations are such a special and beautiful thing and each one is new and different so for me, I was thrilled to be able to have so many friends on the project. 

    Even within Too Many Zooz internally, I think what makes our bands sound so unique is the inherent creative collaboration between just the 3 of us- we all have different backgrounds and experiences and we believe in a musical democracy where those sources of inspiration can intertwine, sprout, and grow into something beautiful.

    Matt Muirhead, Too Many Zooz
    too many zooz

    Too Many Zooz went viral in 2014 when a passerby recorded their performance at Union Square Station. Whether it’s their distinguishable sound, or Leo P’s classic showmanship, its clear that they have captured the publics attention, converting viewers into passionate fans. They regularly tour around the country, in the festival circuit, and play abroad. From inside the subways, to venues to around the world, their connection to the fans is undeniable.

    I love our fans and am endlessly grateful for them and their support. It blows my mind sometimes how lucky we are to have such loyal fans that continue to show love all these years later. On stage, our connection is immediate . We’re definitely a band that feeds off of energy. If the crowd is crazy, the show will probably be that much crazier. Off stage, we’ve been fortunate to meet some really cool, funny, interesting people who happen to be fans of us and generally speaking I feel confident in saying that our crowds are some of the more accepting, welcoming, and warm people I’ve ever had the chance to play for 

    Matt Muirhead, Too Many Zooz
    too many zooz

    Being on the road and playing music together for so long, life and art are bound to blend together. When asked about what their biggest challenge as a band was, Matt reflected “This band as been an enormous learning experience in regards to working with people and truly understand teamwork.”

    I was a kid when we started this band and I look back and laugh at who I was. Next to my parents and loved ones, I’ve learned more about myself and who I want to be from Leo and Sludge than anyone in my life. They have been and continue to be monumental sources of inspiration to me on and off stage

    Matt Muirhead, Too Many Zooz

    Retail Therapy is out now and is available for streaming. For fans who missed out on their tour, you can catch them this summer as they join Coheed & Cambria and Primus on select dates this summer. Tickets are on sale now.

    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz

  • The Ashokan Center in Olivebridge to Host its First Earth Fest April 21

    The Ashokan Center in Olivebridge, NY announced their first-ever Earth Fest hosted on April 21 from 12 to 4pm.

    Earth Fest Ashokan Center

    Earth lovers of all ages are invited to the Ashokan Center for a variety of family-friendly and planet-focused activities. This includes a birds of prey demonstration, hands-on educational workshops, story readings, nature crafts, art-making activities, guided hikes, and live music presented by Shokoloko.

    Ravensbeard Wildlife Center will host an educational birds of prey demonstration at 12:30pm spotlighting their rescued and rehabilitating birds. Ravensbeard provides wildlife rehabilitation for injured, ill and orphaned animals in order to return them back to the wild.

    Earth Fest Ashokan Center

    Earth Fest features a guided hike around Cathedral Gorge. The trail passes relics of the recent and prehistoric past, including a 19th-century water mill, a 130-year-old covered bridge, and a glacial gorge, before it ends at a 80-foot waterfall. Folks can enjoy this day filled with art, music, nature, and food regardless of financial situation.

    No one will be turned away for lack of funds, but any donation is appreciated. The Ashokan kitchen plans to serve savory vegetarian dishes to all. Various workshops are in store including Ink Making and Drawing with Natural Materials, Patching & Upcycling Clothes, and Nature Art. These workshops are hands-on and are encouraged for people of all ages.

    For more information on Earth Fest 2024 on April 21 and to select tickets, click here.

  • Remembering Mister Cee The Finisher, One of Hip Hop’s Great Connectors

    In the formative years of hip hop, where the DJ reigned supreme, skill was the only testament to success. And if that world remained Mister Cee’s name would be commonplace in contemporary folklore. However, much like the rest of the entertainment industry, the glory goes to whomever fans see holding the mantle. Hip hop resembles the sports world in that sense. The MVP trophy holder gets all the credit, no matter the invaluable contributions of coaches, trainers and lesser-known role players.

    In like manner, if an album goes number 1 then the name on the cover has accomplished a great feat. Notwithstanding, hip hop much like sports is a collaborative effort. One rapper can’t make a great album. It takes a team of producers, engineers, marketing experts and much more to propel a body of work to critical-acclaim. However, before any rapper reaches that point they need someone to believe in them and connect them to the industry.

    Embed from Getty Images

    Mister Cee The Hip Hop Purist

    This is where Bedford-Stuyvesant native and hip hop purist Mister Cee made his greatest contributions to the game. In the world of hip hop, Mister Cee–born Calvin LeBrun on August 17, 1966–was a connector. Someone who was a fan of the genre and pushed it forward several times over. Although, his talents as a DJ were second-to-none. Ultimately he was “the finisher because, you know, after he plays, the party’s over. You can’t go on after him,” according to Peter Rosenberg, protege and Hot 97 cohort of the legendary DJ.

    Thus, in a sense his meticulous mixes featuring rare freestyles and album cuts was a microcosm of his overall presence within hip hop. After all DJ’s aren’t inherently creators, hip hop emerged from the turntable masters putting soul records together in a rhythmic, uptempo groove. Nonetheless, the connections made with sampling and knowing which records sounded best for scratching set the stage for hip hop.

    Mister Cee The Connector

    Alongside the other proprietors of hip hop’s golden era, Mr. Cee lived and bled the genre and along the way served as a connector for two of hip hop’s most influential acts. Beginning with Big Daddy Kane, who Mr. Cee connected with in high school and served as a DJ for beginning in the late ’80’s. With his connections to the Juice Crew, the fabled hip hop collective — spearheaded by producers Mr. Magic and Marley Marl — who introduced several legendary acts to the scene including Big Daddy Kane, Mr. Cee had successfully helped one of hip hop’s revered lyricist get on. As a testament to this, Mr. Cee notably featured on Big Daddy Kane’s classic debut album on the track “Mister Cee’s Master Plan.”

    Moreover, the one known as “The Finisher” is widely recognized as the man who connected the Notorious B.I.G. with Puff Daddy and what eventually became Bad Boy Records. The rest as they say is history, but history’s nuance is rarely discussed. Hence, Mister Cee’s contributions to the career of arguably the greatest rapper ever remains stuff of legend. Yet, as he kept his ear to the streets as a local celebrity, he became known for showcasing rising acts. Along the way he came across the Notorious B.I.G. — who at the time went by Biggie Smalls– and connected him to the industry while also serving as an early producer for the legendary rhymer.

    So Cee would definitely want me to credit Biggie’s first DJ, who was a guy named 50 Grand. And while Biggie and 50 Grand were working on a demo, doing their thing, Mister Cee was the DJ who was actually connected to the industry. He was the one who could get him different places, and he played the connector for Biggie. Sometimes it’s more complicated than rapper and DJ or artist and DJ, whatever it may be. There are these other people who play roles, and Cee was a connector for Biggie Smalls.

    – Peter Rosenberg, via NPR

    Furthermore, as he settled into his role as a tastemaker for hip hop, he enthralled listeners with his “Throwback at Noon” mixes on Hot 97. Which then became a staple of the lives of fellow hip hop enthusiasts. As his legend grew his moniker of “The Finisher” felt more apt than ever. With the April 10 passing of Mister Cee, hip hop lost one of its purists, someone who selflessly pushed others and the genre forward. As hip hop grew from local neighborhood parties to a worldwide phenomenon, Mister Cee’s contributions as one of the genre’s vanguards must not be forgotten.

    Like, you knew you were listening to a guy who believed in every word that he was saying. But one thing that has to be stressed – I have never – in my now 30 years of DJing, I have never known a more meticulous, prepared deejay than Mister Cee

    – Peter Rosenberg

  • Bas concludes North American Tour at Irving Plaza

    Talk about saving the best for last, On April 9, that was the case for Dreamville’s Bas as he stopped at the famed Irving Plaza in New York City for the last stop on his ‘WE ONLY TALK ABOUT REAL SHIT WHEN WE’RE F*CKED UP’ North American Tour.

    bas tour

    The show featured three openers: Blxckie, Reuben Vincent, and Hoosh. Each opener each played for around 20 minutes, giving a taste of their style and sound. This shorter set times and the overall quality of the openers worked really well for getting the crowd ready for Bas to take the stage. It was obvious that Bas picked musicians he respects and enjoys listening to to open for him, something emphasized by a story he told about first hearing Blxckie’s music while in South Africa during his set.

    bas tour

    Bas graced the stage under a red glowed ambience and sintilating sounds of his live band. Bas was particularly good at interacting with and engaging the crowd. The show kept a great energy with the crowd getting into songs from We Only Talk About Real Shit When We’re Fucked Up and Bas’ back catalog. Bas brought backing vocalists who really filled out his live sound and added a sense of harmony to the performance. These vocals were such a nice touch that really show his attention to detail in putting together a performance.

    The show ended with Bas inviting a fan up to rap J. Cole’s verse on his song “Lit.” Clearly energized, the fan selected from the crowd excitedly performed with Bas. Longtime collaborator and Dreamville leader J.Cole popped onto the stage to the surprise of the fan and the crowd. Cole went on to finish the song with the fan and perform “H.Y.B.” with Bas and his classic smash hit ‘No Role Modelz’ rounding out a great night of music and vibes.

    Setlist: Light of my Soul, Home Alone, 179 Deli, Black Jedi, Choppas, Yao Ming, Diamonds, Methylone, Dopamine, Ricochet, Clouds Never Get Old, Night Job, Khartoum, Risk, Decent, U-Turn ft. Blackie, Passport Bros, Boca Raton, The Jackie, Paper Cuts, Dr. O’blivion, Wait on Me, H.Y.B., Costa Rica, Down Bad, Tribe and Lit.

    bas tour
    bas tour
    bas tour

  • In Focus: Suzanne Vega at The Egg

    Many know of Suzanne Vega for her infamous tunes such as “Luka” or “Tom’s Diner,” but they may not know that she’s been a New York native since she was two-and-a-half years old and that her brand new world tour just launched here in Albany.

    The tour, titled “Old Songs, New Songs, and Other Songs,” is in celebration of a new album she teased throughout her live performance. No word on a title or release date as of yet, but she did perform new songs and announced on-stage that it should be out late this year, if not early next year.

    The stage of The Egg itself was dressed simply, with no fluff. A stool, two guitars (one with quite the pedalboard), and some mics. Suzanne Vega walked out and was accompanied by Guitarist Gerry Leonard.

    Wearing a black pantsuit and a welcoming smile, Suzanne Vega walked to the microphone and graciously accepted the applause the Albany crowd enthusiastically gave. Taking a small bow and putting on a black top hat, she started in by leaning into the ‘old’ with tunes like “Gypsy” and “Small Blue Thing” and weaving back and forth in time throughout her catalog, reminding us of her soft, soulful, yet powerful voice and one-of-a-kind musical storytelling.

    suzanne vega

    In between songs, she takes moments to talk to the audience and the intimate setting of The Egg is perfect for it. She tells the stories behind some of her songs and gives more insight to who she wrote them for and why. imparting a personal touch into the show and sheds light on things in her life, especially a specific camp counselor with whom she worked alongside at another nearby camp many years ago. Before letting any story get stale, however, Suzanne gets to the music and delivers.

    Gerry Leonard’s smooth and airy, guitar blended with Suzanne’s acoustic guitar and vocal accompaniment seamlessly as he turned his solo instrument into a soundscape by employing looping pedals to sustain melodies and rhythms. This was best exemplified by the final song of the set “Tom’s Diner” where a makeshift drum beat was created and looped while guitar plucks melodically assisted.

    In addition to his glowing performance on Tuesday, Leonard also co-wrote Vega’s 2014 album Tales from the Realm of the Queen of Pentacles and has worked with other talented musicians such as David Bowie, Roger Waters, and Duncan Sheik.

    suzanne vega

    Suzanne Vegas world tour will continue on to the Kupferberg Center for the Arts in Flushing, NY on September 27 and at Old Dutch Church in Kingston, NY on October 4.

    suzanne vega
    suzanne vega
    suzanne vega

  • mgk and Trippie Redd Debut new EP “genre : sadboy” at Irving Plaza

    On a rainy April evening, April 2, 2024 to be exact, mgk and Trippie Redd brought their brand new EP genre : sadboy to the Irving Plaza stage for its first ever live performance.

    A week prior, the pair got fans excited by releasing a video for their song “lost boys,” as well as a short documentary about their time creating the album. Tickets to the show were free and given to fans through a raffle and needless to say that mgk and Trippie fans showed out on Tuesday night, packing the house. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    The two opened up the show performing the first five songs off of their new tracklist. The album gives catchy choruses while maintaining a sad tone. Through their words the two artists explore their personal experiences with drugs, relationships and depression. Although the EP is brand new, mgk and Trippie’s longtime fans already knew all of the words. 

    Trippie Redd (back left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    After the first five tracks, the Ohio native artists started taking turns performing some of their solo music. Trippie Redd started things off with his 3x platinum track “Taking a Walk,” and mgk followed with “PRESSURE.” They then went back and forth one more time with Trippie performing “Wish,” and mgk performing “dont let me go.” Although short, the throwback portion of the show provided a nice reminder to what these two established artists have accomplished in the past.

    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.

    Following their four track throwback session, mgk and Trippie Redd continued with the next four tracks of their EP which all helped showcase both artists use of soft tones and dreamy, but also dark, fairytale-like sounds. mgk and Trippie then brought back some more of their old music, with mgk performing “my ex’s best friend,” “all I know,” and “Candy,” all with the crowd at full energy, screaming every word back to mgk. Trippie sang a beautiful rendition of “Fuck Love” his 2017 that he created alongside XXXTENTACION. 

    mgk at Irving Plaza. Photo by Lucas Kurzweil.

    With only one track from the EP unsung, the artists started to go back and perform some songs for the second time. They repeated “lost boys” and “beauty” before mgk invited a fan, who had a message on his phone saying he could rap “el Diablo” faster than him, onto the stage. mgk and the fan went bar for bar together rapping the song, and then had a warm embrace at the end before the fan left the stage. Then mgk and Trippie performed “time travel” and “struggles” off of their new EP, for a second time. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    To close out the show, mgk performed “Wild Boy” with some acapella verses, as well as “I Think I’m OKAY.” Finally, mgk and Trippie performed the only song off of “genre : sadboy” that had yet to be played, “summer’s gone.” At the end of the song the two artists dropped down off of the stage to greet the fans at the front barricade, before finally departing. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    Setlist: lost boys, beauty, time travel, struggles, suddenly, Taking a Walk, PRESSURE, Wish, dont let me go, half dead, hiding in the hills, no more, who do i call, my ex’s best friend, Fuck Love, all I know, Candy, lost boys, beauty, el Diablo, time travel, struggles, Wild Boy, I Think I’m OKAY, summer’s gone

    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.
    mgk at Irving Plaza. Photo by Lucas Kurzweil.
    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.
    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.

  • The FMs Announce Queer Rock Festival, “Frankie Fest” at Coney Island

    Rock group The FMs have announced the upcoming “Frankie Fest” music festival honoring the late Frankie Rex in Coney Island this May 11. The festival sees a stellar lineup of NYC queer bands and performers and marks the festival’s inaugural opening.

    Frankie Fest The FMs

    The event will also serve as the record release party for PINK + BLACK and features the first performance from The FMs in over four years – and the first-ever without Frankie. Frankie Fest highlights a range of cutting-edge, NYC-based queer performers showcasing indie rock, goth, riot grrrl, punk, metal, and more. Featured acts include Pink Velvet Witch, Jordan Fiction, Villains, Llynks, The FMs, Frida Kill, Miss Cherry Delight and more.

    Their sophomore double album was completed the moment the pandemic started. It is now making its release after the tragic death of singer Frankie Rex in 2022. The material highlights the group’s love of analog synthesizers combined, ethereal guitars and takes a more emotionally dynamic turn. This contrasts their debut album spanning themes from sexual irreverence, the nature of dreams and human connection, to hope for the future of gender freedom.

    Frankie Fest The FMs

    The show begins May 11 in Coney Island. Doors for the show open at 4pm and music lasts until 10pm. The FMs will release PINK + BLACK on May 10.

    To learn more about Frankie Fest and to purchase tickets, click here – to learn more about The FMs and to stay up to date on the group’s upcoming release, click here.

  • Lotus Boogies Down Hard with Friends at The Capitol Theatre

    Lotus brought along Blendmode to open up their Capitol Theatre show on Saturday, April 6, along with Eli Winderman from Dopapod & Jonathon Grusauskas of lespecial.

    lotus capitol theatre

    Blendmode really go the night going with their unique, bass heavy, danceable groove.

    lotus capitol theatre

    Lotus played a special show featuring guitar dueling between Tim Palmieiri & Johnny from lespecial. Winderman fit in well adding his unique synth sound to the Lotus soundscape. The set was filled with groovy jams and some face melting solos. The second set included a memorable Radiohead cover, “Airbag.”

    lotus capitol theatre

    Lotus – Capitol Theatre, Port Chester – April 6, 2024

    Set 1: Middle Road, Expired Slang, Tar Pits, Marquee Moon, Debris, Shimmer and Out

    Set 2: Opus, Reed, It’s All Clear to Me Now, Flower Sermon, Airbag, Wax

    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre
    lotus capitol theatre

  • The Suicide Disease Announce Latest Single “Descent”

    Long Island-based grunge band The Suicide Disease announced the release of their latest single, “Descent,” released on April 12.

    The Suicide Disease

    The track is a reminder that even in the darkest of times, there is always a glimmer of light to hold on to. The Suicide Disease continue to be a beacon of hope for those navigating through their own personal battles. The theme is accompanied by gritty instrumentation and haunting melodies showcasing their signature sound. 

    The Suicide Disease saw success in their previously released tracks “Flood” and “War.” The band hopes to see even greater success with the release of “Descent.” With its raw energy and emotive lyrics, the anthem of resilience and perseverance speaks to life’s struggles and the importance of pushing forward in the face of adversity. This major theme is common in the band’s writing and performance.

    The Suicide Disease

    The group showcases their pop-grunge sound, which is carried by their emotional vocals, punching drumbeats, and rugged, chuggy riffs. Hailing from Mastic, Long Island, The Suicide Disease utilizes their locale of depressive-beach as an outlet for creativity and sees nodes of bands like The Cure, Chevelle, and Fallout Boy. They simultaneously inhabit the spirit of bands like My Chemical Romance and Three Days Grace with the loud, in-your-face emo sound. “Descent” stays true with these sounds and inspirations and holds something inspiring yet dark in their writing.

    “Descent is the dark path we take when we are constantly thinking about the macabre.  Wanting someone back from the dead and not moving forward with your life because of it. It’s as bad as trying to dig up a body, you’re just digging up the past. And the message here is that death is final – so loved ones would tell you to live on.”

    Jay Francis – Lead Vocals

    Stream “Descent” by The Suicide Disease on all platforms here. Be sure to stay up to date on the band by checking out their socials. Click here to listen to their other music via Spotify.