Category: Genres

  • Artist Rights Alliance Calls For Tech and AI Developers Not To Devalue Music

    The Artist Rights Alliance (ARA), has issued an open letter supported by more than 200 artists calling on AI Developers, Tech Platforms not to devalue music and undermine artists’ rights. 

    The Artist Rights Alliance (ARA), a non-profit artist-led education and advocacy organization, has issued an open letter that was supported by more than 200 artists calling calling on all AI developers, technology companies, platforms, and digital music services to “cease the use of artificial intelligence (AI) to infringe upon and devalue the rights of human artists”.

    As AI-related threats such as voice cloning, and deep fakes continue to rightfully attract significant scrutiny, the open letter has also shed some light on two related trends that are among the most serious and irresponsible uses of AI, including the use of musical works by AI developers without permission to train and produce AI “copycats”, and also the use of AI “sound” to dilute royalty obligations. 

    “Working musicians are already struggling to make ends meet in the streaming world, and now they have the added burden of trying to compete with a deluge of AI-generated noise,” explains Jen Jacobsen, Executive Director of the ARA. “The unethical use of generative AI to replace human artists will devalue the entire music ecosystem — for artists and fans alike.”

    Read more about the rise of AI in Music and the drawbacks and benefits, as viewed by musicians.

    Part of the open letter published this month by the Artist Rights Alliance, states that, “Make no mistake: we believe that, when used responsibly, AI has enormous potential to advance human creativity and in a manner that enables the development and growth of new and exciting experiences for music fans everywhere…. Unfortunately, some platforms and developers are employing AI to sabotage creativity and undermine artists, songwriters, musicians and rights holders”.

    The letter signed by more than 200 artists including Pearl Jam, Nicki Minaj, Billie Eilish, Stevie Wonder, Elvis Costello, and the estate of Frank Sinatra. “We must protect against the predatory use of AI to steal professional artists’ voices and likenesses, violate creators’ rights, and destroy the music ecosystem. We call on all digital music platforms and music-based services to pledge that they will not develop or deploy AI music-generation technology, content, or tools that undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.” the letter stated.

    This open letter comes in the wake of a growing worldwide debate about the ethical application of AI in music. The state of Tennessee has already strengthened its rights to “right of publicity” by passing the “ELVIS Act.” The state’s Governor Bill Lee announced the Ensuring Likeness Voice and Image Security (ELVIS) Act, a bill updating Tennessee’s Protection of Personal Rights law to include protections for songwriters, performers, and music industry professionals’ voice from the misuse of artificial intelligence (AI) in January. Currently, several US states and the US Congress are debating similar measures.

    Associated with the open letter, the ARA also added that AI poses an “existential threat” to their art in a tweet. Fans can find the full letter signed by singers and songwriters here.

  • Canadian Roots Artist Dave Gunning Welcomes Latest Album with Show at 8th Step at Proctors in Schenectady

    Canadian roots player Dave Gunning has announced a show at 8th Step at Proctors in Schenectady on April 19 to introduce his newest album, The Same Storm.

    Dave Gunning captivates audiences by painting pictures through his heartfelt stories and compelling songwriting, humorous lyrics and stunning musical arrangements. Gunning rapidly amasses fans across Canada and abroad by blending sensitive folk and innovative arrangements to his original songs.

    The Same Storm continues along a similar path similar to its predecessors. The album celebrates moments big and small, lending a voice to the folks that need it most. Dave Gunning uses his musical gift to indulge in a bit of nostalgia, but always with an eye toward the future and the stories it will bring. Gunner never shies away from tougher topics, staying true to the folk music tradition. This includes social and environmental outcries through powerful tunes.

    Gunning’s knack for connecting with audiences is lifelong, preceding the skills and experience he’s earned on the road. Gunning is often referred to as a voice of Nova Scotia. He combines a finely-tuned balance of sincerity and impeccable performance that makes him one of the country’s most engaging entertainers.

    Dave Gunning heads to Addy Theatre at 8th Step at Proctors in Schenectady for a show introducing and celebrating his latest album. The Same Storm is to be showcased with a night of fun, captivating talent. Gunning sets to bring the audience together in a state of love while proudly divulging into the tracks’ wonder.

    The Same Storm marks another career milestone for one of Canada’s most inspiring and accomplished singer-songwriters, a captivating performer currently nominated for two Canadian Folk Music Awards including Best Solo Artist. Self-effacing and very, very funny, he is a master of his craft: his knack for perfectly timed on-stage banter and gracious storytelling has endeared him to audiences and fellow performers alike.”

    – The 8th Step

    Doors for the show open at 7pm, and tickets range from $27-40. For more information on Dave Gunning’s upcoming show in Schenectady on April 19 and to purchase tickets, click here.

  • Grateful Dead Play Their Lone Cortland Show: April 18, 1971

    1971 was an incredibly busy touring year for the Grateful Dead and on this day in April they found themselves in Cortland, NY for the first and only time. The band toured the East Coast extensively all throughout this month, playing a slew of auditoriums, music halls and college campuses as they continued to build their brand.

    With plenty of gigs scheduled in New York City, this show at SUNY-Cortland’s Lusk Field House would be their only one in Central New York and the entire region was clearly on board. Tickets could be purchased in Ithaca, Binghamton and even the Syracuse University bookstore. Those that went were treated to a good one as the Dead would continue to hone their new originals, play an extremely rare cover song and take another one around the block and back.

    The Dead jump off the starting block with a guitar-driven and passionate “Cold Rain and Snow.” The triumvirate of Jerry Garcia, Bob Weir and Phil Lesh are turned up high in the mix and don’t disappoint. After “Snow” comes to end with a flurry of heavy vamping from all involved, and a quick PSA from Garcia harkening someone to come up to the side of the stage, “Me and My Uncle” starts up and gets played in pristine fashion with Weir leading the charge on vocals. The “Bertha” that follows gets the same treatment and shows the band clearly getting nice and familiar with this newer song that only debuted a few months ago.

    Another song fairly new to the live Dead catalog at the time was their cover of “Me and Bobby McGee.” This too gets played with a noticeable comfort and ease with Garcia adding some extra tasteful guitar licks between early verses and Bill Kreutzmann serving as a one-man wrecking crew on drums. A clearly relaxed and engaged Grateful Dead then attempt to honor the Cortland audience’s request to get some spotlights turned off. Lesh comments that this “isn’t the spacecraft assembly building or anything” with Garcia sarcastically intimating that it just might be.

    Pigpen then gets his lone spotlight of the first set and leads the band through a no-frills “Next Time You See Me.” At this point, the band reengages their war with the lighting crew who get caught trying to turn some lights back up. Things get so (comically) animated that Pigpen even gets involved! That’s right, rare Pigpen banter. And this one is a gem.

    Like nothing ever happened, the Dead then close out the first set in Cortland with their now traditional one-two pairing of “China Cat Sunflower” and “I Know You Rider.” The “Rider” starts off at a slightly slower pace but the crystal clear segue is right there and Garcia delivers a hellacious guitar solo before the set ends with a fairly standard run through of “Casey Jones.”

    The second set begins with some heavy wah-wah effects on guitar as “Sugar Magnolia” begins with Weir leading the way on vocals. The psychedelic guitar interplay makes for a brief rousing jam before Weir reels it back in. The next selection is a true Grateful Dead rarity with Garcia taking over on vocals for a cover of Smokey Robinson’s “I Second That Emotion.” It was played by the Dead only seven times ever, with all of them in April of 1971. Although it would later reappear on Jerry Garcia Band setlists in the future. His stirring guitar solo on this one adds just the right amount of soul and shows why.

    The Dead then delve back into their song book of originals and roll through “Truckin’” with the “Up to Buffalo” lyric getting a noticeable hand from the Cortland crowd. This sets the table for the true exploratory jam of the night with a short but joyous romp that features some cohesive interplay between Garcia and Lesh on bass serving as the musical engine.

    The second one comes with the “Hard to Handle” that follows, with Pigpen once again on the mic, delivering one of his signature cover songs. He flies through the verses with ease and typical swagger and then immediately launches into a semi-coherent, bluesy scat-rap hybrid over a bed of steady groove supplied by the band. It’s essentially the Dead backing up Pigpen as he improvises before he exits stage right and the band takes their turn with a veritable funk jam that slowly gets more and more aggressive before coming to a peak.

    The Dead then continue to trot out more of their newer originals that debuted earlier this year at Capitol Theatre in Port Chester. “Loser” features a pair of Garcia guitar solos rich in emotion with the second one played in a perfect tone. “Playing In The Band” follows and while it’s clear the band has the compositional part of this song down pat by now, there’s yet to be any sort of supplemental jam added to it.

    One of the final musical statements from the Dead on this night in Cortland is a massive cover of The Rascals” “Good Lovin’” with Pigpen once again belting out the vocals. Once the lyrics come to an end, almost immediately a one-man “Drums” section begins with Kreutzmann using every inch of the drum kit for several minutes. Instead of moving on to something else, the band jumps right back into the “Good Lovin’” jam and Pigpen reemerges for another stream of conscious-like, bluesy rap with this one exploring various employment opportunities and the “nookie business.” This eventually fades out and the band takes over once more with a brief jam before reshaping it back into the conclusion of the song, serving as one of the true highlights of the show.

    A tame, in comparison, “Uncle John’s Band” then closes out the one and only Grateful Dead show in Cortland, NY. The band would get a few days off after this show and then continue their assault on the Northeast with shows in Providence, RI and Bangor, ME scheduled after that before a legendary run of shows at New York City’s Fillmore East the following week.

    Vist archive.org for a track by track listing of the show.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below

    Grateful Dead – Lusk Field House, Cortland, NY – April 18, 1971

    Set 1: Cold Rain and Snow, Me and My Uncle, Bertha, Me and Bobby McGee, Next Time You See Me, China Ca Sunflower > I Know You Rider, Casey Jones

    Set 2: Sugar Magnolia, I Second That Emotion, Truckin’, Hard to Handle, Loser, Playing In The Band, Around and Around, Good Lovin’, Uncle John’s Band

  • Bad Bunny’s ‘Most Wanted’ Tour Lights Up New York City

    Under the cover of night on April 12, performing a total of 37 songs, not including the orchestra that introduced him at the top of the night before morphing musically into “Nadie Sabe,” Bad Bunny showed fans at the Barclays Center in attendance for his ‘Most Wanted’ Tour that he isn’t going anywhere.

    From opening the show with a full-string orchestra who performed for about 15 minutes of stage time the dynamic backup dancers, Bad Bunny really put on one western and trap inspired show. At one, he exited the stage only to re-enter again on horseback. And yes, it was a real horse.

    The first act consisted of songs mostly from his latest LP ‘Nadie sabe lo sue va a passer manana.’ Bad Bunny changed it up by going back to his trap roots with “Tu No Metes Cabra,” which was released in 2017, followed by “Pa Ti” and “No Te Hagas.” He made sure to greet just about every section of the Barclays Center and accomplished that with a floating catwalk in the center of the arena that slowly spun around the venue. In the final act, Bad Bunny transported fans to the songs that have taken the world by storm, such as his 2023 single with Grupo Frontera, “Un x100to” as well as megahits from 2020’s YHLQMDLG (“Safaera” and “Yo Perreo Sola”) and 2022’s Un Verano Sin Ti (“Efecto” and “Me Porto Bonito”).

    While some fans may have been disappointed to not hear their favourite song, the show ended on a strong note with “Efecto” and “Me Porto Bonito” — both songs whipped fans into a frenzy that felt worth the wait. Bunny closed the show with “WHERE SHE GOES” — and confetti. 

    And the crowd left with the sense they had just seen a true international superstar.

    Bad Bunny Setlist: NADIE SABE, MONACO, FINA, HIBIKI, MR. OCTOBER, MERCEDES CAROTA, CYBERTRUCK, VOU 787, SEDA, BATICANO, Pa Ti, No Te Hagas, Vuelve, Me Mata, Soy peor, Tú no vive así, Chambea, Diles, 25/8, VUELVE CANDY B, THUNDER Y LIGHTNING, GRACIAS POR NADA, UNX100TO, BABY NUEVA, PERRO NEGRO, Safaera, Yo perreo sola, La Santa, La Jumpa, DÁKITI, Efecto, Me Porto Bonito, UN PREVIEW, NO ME QUIERO CASAR, and WHERE SHE GOES.

  • Ophelia’s on Broadway to host Ryan Dempsey and Frends April 19-20

    This weekend in Albany, Ophelia’s on Broadway welcomes Ryan Dempsey and Frends for two musical nights of jam-packed jam band members. The Twiddle keyboardist will be leading a cavalcade of stars on Friday, April 19 and Saturday, April 20.

    Ryan Dempsey and Frends

    On April 19, Dempsey welcomes Mike Gantzer from Aqueous, Vinnie Amico of moe., Joshua West of Annie in the Water, Billy Stark on Bass, as well as a few surprise guests.

    Saturday April 20 finds Frends Vinnie Amico of moe., Billy Stark on bass, Scotty Somerville from Late Shift, Hayley Jane on vocals, Al Schnier of moe., and host Ryan Dempsey.

    Tickets are available here for Friday and here for Saturday.

    Ophelia’s on Broadway is located at 388 Broadway, and is the new name of Parish Public House (formerly Red Square).

  • In Focus: Big Something brings great vibes to Buffalo Iron Works

    Big Something, a well-established group in the Jam Band scene, brought their good time grooves and uplifting vibes to Buffalo Iron Works on April 12.

    big something

    For me, seeing a Big Something show has always been an uplifting experience, and this show was no exception. Right from the start, the energy from the band to the crowd, and vice versa could be felt immediately. And if watching Nick MacDaniels jump and bounce around while playing doesn’t put a smile on your face I don’t know what to say.

    big something

    This show was not a show to miss. From the first song to the last the band was on fire pulling out old favorites and I’m sure new favorites, while flawlessly pulling off a few covers. This is a not to miss band if you have an opportunity to catch them.

    Big Something – Buffalo Iron Works – April 12, 2024

    Set 1: Waves, Tumbleweed, Fearless (Pink Floyd), Clouds, Algorithm, Sundown Nomad
    Set 2: Capt D, Bob and Weave, Head ON / Pill (King Gizzard & The Lizard Wizard), The Mountain, Evil Josh, Song For Us, Plug
    Encore: The Flood

  • Cayuga Chamber Orchestra Announces Brahms and Glière This April

    The Cayuga Chamber Orchestra has announced its third Chamber Series Concert of the 2023-24 season, Brahms and Glière, a program featuring a rich array of musical offerings performed by CCO musicians and friends on April 21 at 3:00 pm at the First Unitarian Church, in Ithaca.

    Cayuga Chamber Orchestra

    The CCO was founded in 1976 and is officially designated “Ithaca’s Orchestra.” Each season includes an Orchestral Series, Chamber Music Series, a Holiday concert, a Family Concert Series, and the long-standing Willard Daetsch Youth Outreach Program, which earned the 2015 Yale Distinguished Music Educator award. In 2017, the CCO added a Youth Orchestra, which offers a high quality symphony orchestra experience for youth in Ithaca and the Finger Lakes region of New York State.

    The concert will include musicians Rhiannon Banerdt, Christina Bouey, Anthony Bracewell, Sarah Chandler, Steven Harmon , Grace Ho, Wendy Mehne, Paige Morgan, Vadim Serebryany, and Taylor Smith.

    The program will feature Glière: Selected Duets for violin and cello, from Op. 39, JÚLIO Medaglia: Belle Epoque in Sud America for woodwind quintet, Grant Cooper: Octagons for clarinet and string quartet, and Brahms: Trio for violin, piano and horn in E-flat Major, Op. 40. “We are eagerly anticipating our next Chamber Series concert,” said Managing Director, Sarah Chandler. “Our musicians performed for sold out houses at our November and January Chamber Series concerts.They love walking out onstage and seeing our enthusiastic audience members filling the seats. Our subscriber base is growing, and we invite you to come to your very first CCO concert!” She added. 

    For more information and tickets, fans can visit CCOithaca.org or contact the Cayuga Chamber Orchestra Box Office at 607-273-8981 or info@CCOithaca.org

  • Band Profile: Count Blastula Brings Groove from Syracuse

    Count Blastula, a funk/jam band from Syracuse have been well over 15 years in the making, and now the group has landed on a killer lineup that is really turning up the heat.

    Count Blastula

    Count Blastula is characterized by a funky, groovy, get-up-and-move style of jamming. They perform enticing originals and covers combined with a dose of magic that propels the group into serious jamming territory. The band brings their talent everywhere from large festivals and theater shows to private events and intimate local bar gigs. Count Blastula bring their own brand of top-shelf homegrown music to events of all shapes and sizes.

    The group displays a diverse full soundscape via a multitude of instruments that can be heard on any given tune, along with a dynamic, and ever-changing flow of rhythms, tones, and arrangements of sounds. Each song by Count Blastula encompasses a unique number of changes and musical movements.

    The current band consists of five members: Adam Fisher on guitar/vocals, Jeremy Walts on bass/vocals, Mike D’ambrosio on keys, and Dave Schlossberg and Dave Donley on percussion. When the group tours, they may add a few others like a saxophonist, or other various instruments.

    The group has released five unique EPs over the last 12 years. Their music is very much inspired by a wide variety of genres. Funk, rock, jam band, jazz, hip hop, country and more are heard throughout the tunes. You can hear inspiration from Grateful Dead, Dave Matthews Band, Charlie Daniels, and Phish from the music.

    Upcoming 2024 Count Blastula Shows

    APR 19 FRI

    Kwartet @The Fitz @ 8:30pm

    Syracuse, NY, United States

    APR 20 SAT

    Trio with Special Guest Mike Dubaniewicz | LIVE @ Oswego Music Hall @ 6:00pm

    Oswego, NY, United States

    APR 27 SAT

    443 Social Club Syracuse NY @ 7:00pm

    Syracuse, NY, United States

    MAY 4 SAT

    Trio + Edgar Pagán @ Maplewood Bar and Grill @ 1:00pm

    Liverpool, NY, United States

    MAY 11 SAT

    Shiftys @ 8:00pm

    Syracuse, NY, United States

    MAY 24 FRI

    LIVE @ Sterling Stage FolkFest 2024 @ 8:00pm

    Sterling Valley, NY, United States

    JUN 14 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    JUN 21 FRI

    LIVE @ Estival Festival @ 10:00pm

    Caneadea, NY, United States

    JUN 23 SUN

    Kwartet Rochester Private party @ 4:00pm

    New York, NY, United States

    JUN 26 WED

    duo @Stout Brewery @ 7:00pm

    Salina, NY, United States

    JUN 28 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    JUN 29 SAT

    Trio | Private Event @ 4:00pm

    Tully, NY, United States

    JUL 13 SAT

    Private party @ 5:00pm

    Syracuse, NY, United States

    JUL 19 FRI

    Light the hotdog sessions at Guilded Club @ 7:00pm

    Syracuse, NY, United States

    JUL 20 SAT

    with Edgar Pagan @ Critz Farms @ 5:00pm

    Cazenovia, NY, United States

    AUG 3 SAT

    Blueberry jam Critz Farms @ 1:00pm

    Cazenovia, NY, United States

    AUG 10 SAT

    LIVE @ Glen Fest 24 | The Glen Haven, Homer, NY @ 8:00pm

    Homer, NY, United States

    AUG 11 SUN

    Middle Ages loading dock @ 4:00pm

    Syracuse, NY, United States

    AUG 17 SAT

    Average Joes JamBand night Baldwinsville NY @ 8:00pm

    Baldwinsville, NY, United States

    AUG 23 FRI

    Live @ Shiftys @ 8:00pm

    Syracuse, NY, United States

    AUG 24 SAT

    Critz Farms @ 5:00pm

    Cazenovia, NY, United States

    SEP 6 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    SEP 20 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    SEP 27 FRI

    Light the hotdog sessions at Gilded Club @ 7:00pm

    Syracuse, NY, United States

    OCT 11 FRI

    Light the hotdog sessions at Gilded Club @ 7:00pm

    Syracuse, NY, United States

    NOV 8 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    NOV 15 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    For more information on the band and their upcoming shows, click here.

  • Bruce Springsteen makes the wait worth it for Albany fans

    On Monday, April 15, “The Boss,” Bruce Springsteen and the E Street band finally returned to a sold-out crowd at Albany’s MVP Arena.

    Bruce Springsteen in Albany, NY – Jarron Childs

    Albany’s show was originally set for September 19 of last year, but because of some health complications, Bruce Springsteen elected to postpone many of his September tour dates. This was his second postponement of the tour. They not only said they were going to make up those dates, but also announced in October, a European leg of the tour.

    The show started promptly at 7:30pm with no opener. Bruce Springsteen and the E Street Band took the stage to a roaring crowd of approximately 17,000 people. He interacted well with the crowd, using many hand gestures to get everyone amped up. Unlike many artists today, Springsteen also had fans sit behind the stage and took time out to perform to them too.

    Bruce Springsteen and the E Street Band tour continues in Syracuse on April 18. If you can’t catch Springsteen live this time around, he also recently released a live album, Songs of Celebration, that is available on all streaming platforms.

    Setlist: Candy’s Room, Adam Raised a Cain, Lonesome Day, Ghosts, Letter to You ,The Promised Land, Atlantic City, Trapped (Jimmy Cliff cover), Spirit in the Night, Hungry Heart, Nightshift (Commodores cover), Racing in the Street, Last Man Standing, Backstreets, Because the Night, Downbound Train, She’s the One, Wrecking Ball, The Rising, Badlands, Thunder Road

    Encore (Part 1): Light of Day, Born to Run, Bobby Jean, Dancing in the Dark, Tenth Avenue Freeze-Out

    Encore (Part 2): Twist and Shout (The Top Notes cover), I’ll See You in My Dreams

  • Future and Metro Boomin Announce ‘We Trust You Tour’ W/ Stop At Barclays Center

    On the heels of back-to-back chart topping albums, Future and Metro Boomin will be bringing live performances to an arena near you after announcing a “We Trust You” North American tour, with a performance at Brooklyn’s Barclay’s Center set for the summer.

    Notably, Future and and frequent collaborator/ producer Metro Boomin took the internet by storm with the release of We Don’t Trust You on March 22, creating plenty of social media fodder with disses to Drake littered throughout the album, including the heavily deliberated Kendrick Lamar verse aimed at Drake and J. Cole. Less than 3 weeks later the duo made more waves with the release of a second, double-album in We Still Don’t Trust You, serving as melodic counter to the heavily trap influenced predecessor. In like manner, the latter is expected to have high first-week numbers in another chart-topping effort from the prolific duo.

    Future and Metro Boomin "We trust You" tour schedule.
    Future and Metro Boomin’s “We Trust You” tour comes to Brooklyn this summer.

    “We Trust Your Tour” Details

    Thus, the duo announce their “We Trust You Tour” that will see them perform throughout the United States along with two notable dates in Canada roughly a month apart, including an August 11 stop in Drake’s hometown of Toronto. Presented by Live Nation, the “We Trust You Tour” begins on July 30 and will see the duo perform 27 dates in roughly a month-and-a-half. Moreover, they will bring the show to the Brooklyn’s Barclays Center with an August 15 date in New York City, before closing out the tour in Canada with a September 9 performance in Vancouver. Other notable stops include performances in Atlanta, Chicago and Los Angeles.

    Presale tickets for the “We Trust You Tour” are available Wednesday, April 17 for Cash App card customers, starting at 10 a.m. local time. Additionally, general sale will begin on Friday at 10 a.m. local time on livenation.com.