Rochester born singer-songwriter, producer, and harpist Mikaela Davis has announced a solo and acoustic tour throughout the northeast, including four stops in New York State.
Multi-talented vocalist, producer, songwriter, and harpist Mikaela Davis has been making waves since her initial release Delivery in 2018. Graduating from the Crane School of Music with a degree in harp performance, Davis bends the rules of genre and sound to her will with each release as she melds her classical training with 60s pop melodies, psychedelia, and driving folk rock.
Since her debut in the industry, Davis has shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive, and Circles Around the Sun alongside her band members Alex Coté, Cian McCarthy, Shane McCarthy, and Kurt Johnson.
photo by Daniel Bocchino
Mikaela’s upcoming endeavor, however, takes on a less explored and much more personal shape- she has announced a series of six shows throughout the northeast that will feature John Lee Shannon of Circles Around the Sun on the guitar, herself, and her harp. The stripped-back series of six evenings on some of the northeast’s most beloved stages will allow for Davis’ harp background to shine even brighter.
Experimenting with new ideas as well as reimagining some old, she will be making appearances in Albany, Homer, Kingston, and Rochester over the course of the tour’s run in a string of special shows that fans new and old will not want to miss.
Tickets for Davis’ upcoming tour are on sale now, including shows at Ophelia’s in Albany on November 19, the Center for the Arts of Homer on November 20, Senate Garage in Kingston on November 23, and ARTISANworks in Rochester on November 24. For more information and ticket sales, visit her website here.
Mikaela Davis Solo Tour Dates
November 19: Ophelia’s – Albany, NY
November 20: Center for the Arts of Homer – Homer, NY
In a statement posted to his official Instagram account, it has been announced that Phil Lesh has passed away at age 84. An innovator on the bass, beloved member of The Grateful Dead, and Rock and Roll Hall of Fame inductee, Lesh’s career of over 60 years in the spotlight is one of both major industry success and a profound legacy as a beloved band member, idol, loved one, and friend.
Born on March 15, 1940, Phil Lesh’s passion for music ran deep. Raised in Berkeley, CA, Lesh first started as a violinist, making the switch over to the trumpet in high school in addition to participating in the school’s musical extracurricular programming. Under the tutelage of conductor of the Golden Gate Park Band, Bob Hansen, Lesh’s interests expanded into free jazz and unconventional classical music.
His interest in the trumpet would carry through into his college years at the College of San Mateo, where he played with and wrote arrangements for the school’s band. His decision to transfer sophomore year to the University of California in Berkeley would become a historic one, as he would soon befriend his future bandmate and keyboardist Tom Constanten.
Photo: dead.net
Lesh’s years at UC Berkeley correspond with his time spent volunteering for local talk and music radio station KPFA as a recording engineer. His new connections to the music world forged a seemingly unlikely friendship between the bluegrass banjo player Jerry Garcia and, at the time, classically-inclined Lesh. Garcia had been looking for a bassist for his new band the Warlocks, and a few shows into their career he extended the invitation to Lesh, who had never played the instrument before- and the rest is history.
Many credit Phil’s unfamiliarity with the instrument as being the reason behind his revolutionary sound. Unlike learning through conventional means that often carried standards and preconceived notions of rights and wrongs, Lesh developed his skill on the bass “on the job,” relying upon his classical roots to educate his performance.
“As bass players, we walk a line between holding down the foundation and finding the freedom to be melodic. No one embodied this balance like Phil; it was astounding. His playing had a mesmerizing power, and his melodic lines floated like birds dancing through endless clouds and rainbows.”
– Mike Gordon, Phish
Lesh performed alongside the Warlocks wholeheartedly as the final member to round out the group, and just over a year after their first show the unit had rebranded to the iconic Grateful Dead moniker. Early on in the band’s career, Lesh’s experimentation was a point of tension between the group and their record label, but neither Lesh nor his bandmates were ever shaken by the critique.
Complimenting Garcia’s guitar solos and the songs’ instrumentals, Lesh pioneered a sound that didn’t subject bassists to being nothing more than a time-keeper. Exploring melodies, solos, and techniques such as the Bach counterpoint all while rooting himself to the tempo, it cannot be underscored enough how excitingly revolutionary Lesh’s playstyle was for bassists and listeners alike.
Throughout the Dead’s career, Phil’s unending passion for jazz and avant-garde music continually bled into their collective sound, including key introductions to the works of jazz saxophonist John Coltrane and composer Charles Ives whose influence can be recognized throughout their discography.
After the loss of Garcia in 1995, The Grateful Dead decided to go their separate ways- at least formally. Lesh would go on to perform for years alongside Grateful Dead offshoots The Other Ones and The Dead in addition to his personal unit Phil Lesh and Friends and music legend friends like Bob Dylan, with whom he co-headlined two tours.
Reuniting with his bandmates in 2009, the remainder of the Grateful Dead toured throughout the summer, and in the fall of the same year Lesh founded the band Furthur with Bob Weir. Another new pursuit came in the form of Terrapin Crossroads, a music venue in San Rafael that Lesh ran for just under ten years. Terrapin Crossroads hosted the full Phil Lesh and Friends band and his sons Grahame and Brian countless times over the years, among several other acts.
2014 saw the disbandment of Furthur and Lesh’s wrap on touring full time, however he just couldn’t shake live music. Performing with Phil Lesh and Friends as well as the Terrapin Family Band countless times and appearing in select festivals and venues over the years, Phil’s adoration for his craft and seemingly innate need to create music for the world could be felt in each and every performance he gave.
“Anyone I’ve ever seen that interacted with Phil loved him. He was kind and real and present in ways that few people are. Connected to the here and now, and yet transcendent at the same time. This aspect of Phil Lesh was also a part of his bass playing. He was both rooted and soaring at once.”
– Derek Java, NYS Music
Beyond his incredible list of achievements and admirable legacy as a musician, Lesh was above all a loving husband and father, and a kind, giving soul. Phil and Jill, his wife, ran their Unbroken Chain Foundation charity together. He frequented benefit concerts and advocated for organ donor programs after undergoing liver transplant surgery, and was a survivor of prostate and bladder cancer. Phil will not only be remembered for his once-in-a-lifetime skill or revolutionary mind, but above all for his genuine heart and unrelenting kindness towards every single person he encountered.
In the Lesh family’s official post, they state,“He was surrounded by his family and full of love. Phil brought immense joy to everyone around him and leaves behind a legacy of music and love.” The Lesh family has requested that fans respect the family’s privacy at this time.
On a crisp fall day full of anticipation for Phish’s return to Albany, a mist hung over the pre-show festivities with the news of the passing of Grateful Dead bassist Phil Lesh. The chatter of whether this would be noted or honored by Phish – when, and how – was debated by fans gathered around South Pearl from Beaver St. to Hudson Ave.
photo by Conor McMahon
Those conversations were quickly put to rest with the opening notes of “Box of Rain,” Phish’s first ever performance of the Lesh and Robert Hunter penned tune, and the first time for the four members to cover the Grateful Dead in more than 26 years (not including Bob Weir’s 2016 Nashville sit-in)
And with that, the show was off and running. Following the emotional “Box of Rain,” Phish dropped “The Moma Dance” into a traditional second slot, followed by a boisterous “Free.” The flow was set early with this trio of tunes as the first three-night Phish run in Albany was underway.
photo by Conor McMahon
A mellowing “Dirt” gave way to “Wolfman’s Brother,” which Lesh notably performed a stellar version with Phish in April 1999 at the Warfield Theatre in San Francisco. “No Man in No Man’s Land” and a deep “Theme From the Bottom” filled in next, with “Steam” and “Sand” closing the first set.
Setlist art by Coventry Phish
The second set began just before 10pm with a nearly 10 minute “Blaze On” (9:59 to be exact), giving way to the one of the biggest jams of the night in “Piper,” with a “Carol of the Bells” tease in “Piper” bringing Christmas a little early to the Capital Region.
photo by Conor McMahon
Segueing from a steady “Piper” jam into “Light,” the second set vehicle of “Tweezer” kept the improv-heavy set flowing, dipping into “The Wedge,” and a pair of songs perfect for Halloween, “The Howling” and “Monsters.” And while “Backwards Down the Numberline” could have closed the set, a fan on the rail very likely influenced the closing rocker found in “Carini.”
photo by Conor McMahon
An encore that kept the show rolling close to midnight began with “Sleeping Monkey,” the first in more than two years. Just when you think they’d wrap things up with “Tweezer Reprise,” the opening riffs of “Ghost” appeared, pushing the expected encore into the realm of the unexpected, finally seguing into “Tweeprise,” just as Freddie Freeman ended Game 1 of the World Series with a grand slam. Not the ending Yankees fans wanted, but a celebration nonetheless for Phish fans in Albany or home on the couch.
photo by Conor McMahon
Phish continues their run on Saturday night. Get the scoop on what to do before and after the shows here.
Box of Rain made its Phish debut after the passing of Phil Lesh earlier in the day. Carol of the Bells was teased in Piper. Mike teased the bass line from Shakedown Street in The Howling. This show was a benefit for Divided Sky Foundation.
Phish – MVP Arena, Albany, NY – Saturday, October 26, 2024
Set 1: Possum, Sigma Oasis > Back on the Train, Nothing, Stash, Bouncing Around the Room, Tube > Bathtub Gin, More
Set 2: Prince Caspian > Down with Disease[1] > Ruby Waves > Fuego > What’s the Use? > Golden Age > Lonely Trip, Harry Hood
Encore: Golgi Apparatus > Slave to the Traffic Light
[1] Unfinished.
Trey teased Rainy Day Women #12 & 35 during Back on the Train and In Memory of Elizabeth Reed during Stash. Nothing was played for the first time since June 1, 2022 (118 shows). Down With Disease was unfinished. Page teased The Little Drummer Boy at the end of Harry Hood. This show was a benefit for Divided Sky Foundation.
Phish – MVP Arena, Albany, NY – Sunday, October 27, 2024
Set 1: Heavy Things, What’s Going Through Your Mind, Access Me, My Friend, My Friend, My Sweet One, Limb By Limb, Mountains in the Mist, Kill Devil Falls, Walls of the Cave
Set 2: Everything’s Right > Chalk Dust Torture, Mercury, Wading in the Velvet Sea, Most Events Aren’t Planned
Encore: Gotta Jibboo, Waste > Bug > Character Zero
Access Me was played for the first time since August 31, 2019 (185 show gap). Trey teased We’re Off to See the Wizard during Limb By Limb. Stash was teased during Chalk Dust Torture. This show was a benefit for Divided Sky Foundation.
The Strand Theatre in Hudson Falls has a large schedule of shows for the coming months. From late October to late December, the venue plans to present shows for all walks of life.
The mission of Hudson River Music Hall Productions, Inc. is to create community through music and the related arts. They accomplish this goal through their venue, the Strand Theatre, at 210 Main St., Hudson Falls, NY. Since its first production on December 19, 2010 in the former Washington County Courtroom, The Strand Theatre has brought over 150 events per year to the public; live music, art gallery openings, dance seminars, theatrical productions, private gatherings and many more opportunities for the community to gather through the arts.
The theatre presents all genres of music from rock to folk, country to classical, jazz and world music, modern pop and more. They mostly host music events, but also 6-10 theater productions and 6-10 dance performances per year, monthly classic films, a World Cinema Series, Silent Film Festival, a weekly open mic, lectures and more. This fall to winter 2024 season at the theatre is no different.
For the coming months, The Strand Theatre hosts at least 50 new events within its walls. These shows range from folk and rock tributes to concert film, ensemble performances to movie screenings, dance shows to instrumental showcases, and so much more. The events hold a wide array of genres for all types of music enjoyers: rock, jam/progressive, world & reggae, pop, R&B, hip-hop, metal, classical and more.
Strand Theatre Hudson Falls has a 350-seat auditorium with a 32’x24’ stage for music performance, dance, theatre production and film, a professional concert sound system, a 9’ Steinway concert grand piano, a WiFi coffee shop, an art gallery/lobby and education/rental space. There’s simply a little something for everyone.
Barry Goudreau’s Engine Room
The Strand Theatre 2024 Schedule
10/22 – Prog Night with: Lifesigns, Mike Keneally Trio with Gregg Bendian and Teddy Kumpel, 7:30pm, doors at 7pm, $35/general admission, $50/orchestra section, VIP Post concert meet and greet for an additional $25 10/24- Artimus Pyle Band – a tribute to Ronnie Van Zandt’s Lynyrd Skynyrd, 7:30pm, ARTIMUS PYLE BAND Honoring Ronnie Van Zant’s Lynyrd Skynyrd, $50/floor level, $40/lower balcony, $30/upper balcony 10/25 – E1 Presents Raise Your Hands – a tribute to Bon Jovi, $25/balcony, $30/floor, $50 VIP Front Row 10/26 – Neil Diamond Tribute with Rich Ortiz! 7:30pm, $25/floor seats, $20/Balcony 10/27 – Monsters of Rock Band, 80’s hair metal, 3pm, $20/adults, Kids 12 and under are free, Costume Contest too! 10/28 – Lobby show – Jared Curtis, 7pm, free admission 10/30 – Movie: Rocky Horror Picture Show with shadow actors from SUNY Adirondack Theatre Club 11/1 – David Cross and Larks’ Tongues Band plays King Crimson 1972-74, $50/orchestra section, $35/general seating. 11/2 – Ernie LaRouche Band, 8pm, hosted by Mark Abodeely, Journey’s Escape album in its entirety and more, opener Nocturne Troubadours at 7:30pm featuring Marc Clayton and Tania Halko-Susi, 11/3 – North Country composer’s concert hosted by Catherine Reid, 3pm, 11/4 – Lobby Concert-Elizabeth Conant and band, pianist/singer/songwriter 7pm, free admission 11/7 – Thursday Showcase: Polar Identity, atmospheric rock, 7:30pm, $5 11/8 – Jethro Tull’s Martin Barre – a Brief History of Tull, 8pm, $60/Orchestra Section, $50/lower level, $40/lower balcony, $30/upper balcony. 11/9 – Manticore – a tribute to Emerson Lake and Palmer, 7:30pm, $25 11/10 – The Bob Cats – Rock ‘n’ roll salute to Bob Dylan with Jerry Marotta and friends, $25/floor, $20/balcony 11/11 – Lobby Concert-The Newells, family acoustic quartet-guitars/vocals, 7pm, free admission 11/12 – Movie Night – Sweet Dreams, 7pm, free admission 11/14 – World Cinema Series – Gojira, (Japanese), 7pm, free admission 11/15 – Strange Magic – a tribute to Electric Light Orchestra 11/16 – Barry Goudreau’s Engine Room, former Boston guitarist plays Boston and more, 8pm, $35/orchestra section, $30/floor, $25/balcony 11/17 – Jonathan Newell, classical chamber works, 3pm, $20/general, $15/seniors&veterans, $10/students 11/18 – Lobby Concert – Warren Sieme, acoustic guitar/vocal 11/20 – PAKT – with PERCY JONES – bass ADAM HOLZMAN – keyboard KENNY GROHOWSKI – drums TIM MOTZER – guitars, electronics, progressive rock improv. $25 11/21 – Thursday Showcase: Kaleb Dingmon, opening acts TBA, Pop/R&B/Hip-Hop, 8pm, $5 11/22 – Creedence Clearwater Revival Tribute with The Fortunate Sons, 8pm, $25 11/23 – Aquanett, 80’s Rock Night!, $20/in advance, $25/day of show 11/24 – The Cosmic American Music Circus w/ The Lazy Suns, The Bluebillies, The Zorbas Trio, 3pm, $15/10 11/25 – Lobby Concert-Kevin Maynard and Ana Maynard, 7pm, free admission 11/26 – Movie Night – Miracle, 7pm, free admission and free popcorn 11/27 – Patsgiving: Benefit Concert for The Pat Nolan Scholarship Fund 11/29 – E1 Presents Kisstory – Kiss Tribute in full make up 11/30 – Mark Abodeely’s 4rd annual Thanksgiving Spectacular 12/2 – Lobby Concert: Marc Vincent, 7pm, free admission 12/5 – Thursday Showcase: Petra and Sola: The Painter and the Poet 12/6 – Across The Pond – Beatles Tribute, 7:30pm, $15/general admission, $5/students 12/7-Stephanie Schnieder Voice Studio Recital 12/7 – Seven Wonders – a tribute to Fleetwood Mac, 12/8 – Professor Louie and The Woodstock Horns play the music of The Band 12/9 – Lobby Concert- Art-n-Shawna, 7pm, free admission 12/10 – Movie Night – Somewhere In Time, 7pm, free admission and popcorn 12/12 – Thursday Showcase: HaHa Events presents Rockin’ For Christmas 12/13 – The McKrells Christmas Show, 12/14 – The Bluebillies Ol’ Time Christmas Revue, $15 general admision. $12 seniors/students. Start time 7:00 PM 12/15 – Lake George Community Band 12/16 – Lobby Concert – Johnny Clifford, 7pm free admission 12/20 – Movie Night – It’s a Wonderful Life, 7pm, free admission, 12/21 – Rock This Town – an oldies show of 50’s&60’s rock and pop and a salute to Brian Setzer and The Stray Cats 12/27 – Beyond Purple – tribute to Deep Purple, Rainbow, Dio and Whitesnake featuring guitarist Jimi Bell, 8pm 12/28 – Storm Front – Billy Joel Tribute, 8pm, presented and hosted by Mark Abodeel
For more information on The Strand Theatre’s upcoming events and to purchase tickets to any of the shows, click here.
Sometimes an intimate theater experience can deliver just as big of an impact on a live music fan as a massive arena setting can. Murray’s Law, acoustic duo Brian Murray and Jimmy Law from well-loved jam band Dogs in a Pile, delivered just that, a larger than life sound and overall experience inside the small and cozy Swyer Theatre of The Egg on Sunday evening in Albany, New York.
Superstition strikes as to never miss a sunday show, especially when you can catch such great talent steps away from your apartment. The October 20, 7pm show started just minutes after, with a very gracious and thankful Murray and Law to those in attendance. The small theatre held a tiny but extremely devoted crowd, already releasing cheers and woos of support, eager to hear what the artistic duo had in store. Incredible sound, for one, was obvious almost at an instant and rang true through the two-set night.
Playing as a stripped down acoustic duo made a truly pleasant listening experience, as fans were able to better focus and dial in on the intricacies of their individual sounds as musicians, and further amplified by the quality of sound in the room. They traded on and off between impressively fast and fun fingerpicking to hard and steady jamming in front of a simple setup of a few tall candles, beautiful, colorful mosaic lamps and endless guitar pedals that eventually lent the audience some fun reverb bouncing off the walls of the Egg.
The night’s setlist was a carefully, and well crafted arrangement of DIAP tunes, covers from american folk and country greats and favored jam bands. John Hartford’s “Joseph’s Dream” opened up the show with easy listening before dropping into the intricate fingerpicking, or “travis picking” stylings of Merle Travis’ “Cannonball Rag”. The already amped up audience got to sample a new Dogs tune titled “Look Johnny II”, sandwiched right in between an expected and wanted Grateful Dead cover, “Jack-A-Roe,” where Law’s raw vocals shined, and an impressive rendition of Jim Croce’s “Walkin’ Back to Georgia.” A collective appreciation swept over the room and while most stayed seated, groups towards the back just couldn’t contain the groove, surrendering, dancing and loudly applauding through the night.
With a nod to the venue being titled the Egg, Murray joked the nut of his guitar fell off and had to be assembled back together like humpty dumpty just seconds before walking on stage. Lighthearted fans joked in response that we got a two-for-one concert/comedy special deal. After a quick break, the guitarists continued to excite the crowd in set two with their own ‘Go Set”, the Dead’s “Cosmic Charlie” and “Lazy Susan,” a new track Murray penned in Nashville, during a time he just so happened to meet Lucas Nelson. A personal highlight of the show was the heartfelt cover of recently deceased Kris Kristofferson’s “Sunday Morning Coming Down,” and Murray’s emotional vocals that accompanied it. Encore came to wrap up the special evening with a double header of Trey Anastasio Band’s “Ether Sunday” and the Allman Brothers’ “Soulshine.”
With Dogs in a Pile riding high popularity waves in the current scene and a ever-growing Dog Pound of fans, it was a true treat to be able to experience such a remote setting bursting at the seams with talent in musicianship and appreciation by both the duo and fans alike. Be sure to catch the full Dogs in a Pile group at Putnam Place in Saratoga for their New Year’s Run!
10/20/24 Murray’s Law at the Egg , Albany NY Setlist
Set 1: Joseph’s Dream, Cannonball Rag, You Didn’t Hear It From Me, Today, A Thing Called Love, Wildflower, Jack-A-Roe, Look Johnny II, Walkin’ Back To Georgia, Mr. Banker, Shenanigans
Set 2: Go Set> Cosmic Charlie>Go Set Ending, Lazy Day, Lazy Susan, Sunday Morning Coming Down, Burning Daylight > No Excuses > New Shoes> Power Trip
Get the scoop on what to do before and after Phish during their three-night run in Albany over October 25-27!
photo by Dave DeCrescente
Formed in 1983 through flyers across the University of Vermont’s campus, Phish has had a career of steady incline for more than four decades. Amassing more than eight million sales in the United States, 14 studio albums, a seemingly endless list of live shows under their belt, and their own record label named JEMP records, Phish is a legendary psychedelic-rock-jam fusion to be reckoned with.
Comprised of members Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell, Phish has accomplished what most bands have not in the face of multiple group hiatuses and solo endeavors- a legacy as one of the most influential jam bands that spans the first four decades of their achievements thus far and extends well into the prospective future.
With roots in the Northeast, Phish’s connection to New York can not be understated. The band has performed 83 shows in Manhattan’s historic Madison Square Garden to date, surpassing Elton John in 2023 to become the second most frequent musical act to grace the Garden’s stage behind record-holder Billy Joel.
The metro area hasn’t been the only one to experience the magic of Phish’s live performance, however. The group has traveled up and down the entire state, a feat highlighted in our three part series exploring their endeavors in Albany in particular over the course of several decades. Read part one, two, and three here.
Albany has hosted Phish countless times over the course of their career, making it one of few cities they still frequent where fans can track their progression as a band over the course of their visits to the area. Beginning in Albany at the city’s oldest bar Pauly’s Hotel to a crowd of 30-40 fans back in 1989, Phish has worked their way up to a three night stay at the MVP Arena this October 25-27.
In a historic announcement, Phish will be playing their first ever three show run in which 100% of the concert and merchandise profits will go to the Divided Sky Foundation. Established in 2020 during the Beacon Jams, Divided Sky Foundation dedicates themselves to building and supporting a non-clinical residential recovery program that recognizes that addiction is a disease and not an absence of willpower.
Colloquially known by its original name of Knickerbocker Arena, the MVP Arena will be host to Phish and thousands of devoted Phish heads over the course of the exciting and deeply meaningful weekend. For those in attendance, there’s a lot to know about attending the shows and everything in between for the weekend of Phish! But don’t worry- we’ve got you covered.
Primarily, the shows themselves- be sure to check the Arena’s extensive list of policies including bags and prohibited items on the event’s page before you leave home here.
Once at the venue, there are multiple entrances depending on which is nearest you. The main entrance faces Market Street, but if using the MVP Arena parking lot, visitors can use the arena entrance on level three. The Beaver Street entrance provides another route into the arena itself as well.
In addition to attending an unforgettable evening- or evenings- of live music, there’s plenty to see and do in Albany, Phish adjacent and beyond. Fans may find themselves enjoying a grilled cheese at the “Cheesiest Phish Pre Party,’ or adventuring through the Albany Capital Center for the 2024 Dead Man’s Hand Tattoo Expo that spans the duration of the weekend.
Looking for events to explore on a particular day? Read the day-by-day breakdown of the weekend of Phish below.
FRIDAY: OCTOBER 25
Prior to the opening evening, Gratefully Yours will be performing a free pre-show at the casual food and live entertainment venue Ophelia’s at 4:00 PM- only two blocks from MVP Arena. Later that evening the band will return to the stage for a $20 post-show performance with doors at 10:00 PM and a start time of 11:00 PM.
In addition to Gratefully Yours, The Big Dig Live will host a free groovy afterparty at The City Beer Hall with doors at 10:30 PM and a start time of 11:00 PM, and Lark Hall will be hosting The Jerry Dance Party with DJ Jerrbrother. Doors open at 11:00 PM and tickets are $15 in advance or $20 at the door.
SATURDAY: OCTOBER 26
Day two will open with a variety of events including a Divided Sky Foundation pre-show hosted by The WaterWheel Foundation, a PhanArt hometown art show and live music event, and another morning set at Ophelia’s that will loop back around for the evening post-Phish.
A Divided Sky Foundation pre-show event hosted by The WaterWheel Foundation will take place on the 26 prior to the event, a benefit exclusive to ticket holders who purchased the package alongside their ticket or ticket request.
If tickets to the Divided Sky Foundation pre-show aren’t in your hands, don’t worry. There’s plenty more to explore in the area, like the PhanArt Show at the Palace Theatre. In association with Mirth Films, PhanArt presents some of the scene’s best known artists as well as some of the area’s rising stars. From 12:00 to 5:00 PM, attendees can collect exclusive art and apparel, enjoy live music from acts like Kale and Sweeping Views, and treat themselves to free Ben & Jerry’s Phish Food as courtesy of Lark Street Ben & Jerry’s.
Annie In The Water will be the artist in residence at Ophelia’s for October 26, with a free acoustic set pre-Phish and two electric sets after the show at 10:00 PM with tickets at $20.
Saturday’s after parties also include acts like the Beau Sasser Trio, Adrian Tramontano, and Justin Hendricks coming together for a free show at The City Beer Hall with doors at 10:30 PM and show at 11:00 PM, and the Dude of Life Band alongside special guest Ella Fishman at the Empire Underground starting at 11:15 PM. Partial proceeds from the Dude of Life Band’s after party will benefit the Waterwheel Foundation with tickets priced at just under $34.
In addition to these incredible acts, The Jerry Dance Party with DJ Jerrbrother will return for one more night to wrap Saturday evening at Lark Hall in partnership with DayGlo and Nectar. Tickets are priced at $15 in advance or $20 at the door.
SUNDAY: OCTOBER 27
The weekend of Phish will conclude on the 27th. While there isn’t anything Phish-y to attend outside of the final performance that evening, the Albany Comic Con will be hosted at the Polish Community Center just a fifteen minute drive away from MVP Arena. Tickets are $10 online or at the door all day Sunday.
Kicking off an exciting three-show residency at Ophelia’sin Albany, it was a big night for Bridgeport, CT’s Big Shrimp on Thursday, October 17.
Rising from the ashes of the beloved buzz band Baked Shrimp following their surprise breakup earlier this year, the reimagined and reinvigorated group returned to the stage bigger, hungrier, and as it turns out, funkier than ever. Joining Big Shrimp on the bill and also making their Ophelia’s debut was NYC’s space rock juggernaut Escaper.
Big Shrimp played the first of a 3-show residency at Ophelia’s on 10/17/24.
Taking place on the same storied stage Goose headlined 5 years to the day prior, Guthrie Bell Productions has long made it a priority to bring the freshest and most exciting stars of tomorrow to the Capital Region today. With a legendary track record of spotting talent and creativity early, simply put, when Greg Bell books a band for a three-show residency, you know they must have something special going for them. A testament to the burgeoning music scene around Albany and with a community of dedicated fans and venues supporting local and independent acts, the atmosphere at 388 Broadway prior to the show felt ripe for discovery and growth.
Kicking off the evening with an exceptional set of exploratory and soaring jams was New York City’s Escaper. Comprised of Will Hanza (Guitar/Vocals), Phil Kadet (Keyboard/Vocals), Sam Crespo (Drums), and on this night, Josh Carter sitting in on bass for Luke Bemand (Lespecial), Escaper wasted no time setting the controls for the sun, opening things up with a sprawling and richly textured rendition of “Open Sky.” As the Albany faithful quickly took notice of the bands larger-than-life sound, the floorspace slowly began filling in with dancing fans eager to surrender to the music and immerse themselves in a night of soulful, sonic soundscapes and spontaneous expression. Rewarded for their curiosity with a pair of unreleased new songs, Escaper would keep the positive momentum going with “Fantasy” and “Chance.”
Escaper kicked the evening off proper with with an explosive set of jams in Albany on 10/17/24.
As the band pushed themselves through the technicality of their compositions, you could tell from the expressions on their faces they were enjoying this ride and creating this unique blend of music together. Captivating the audience with a hybrid of atmospheric soundscapes, intricate guitar work, tight rhythms and pulsating basslines, perhaps no song encapsulated Escaper’s vibe more beautifully than “Spaceship.” With its distinct hook and stunning keyboard work by the fully stretched out Phil Kadet, the song provided the biggest improvisational vehicle of the set. Brandishing a scarf and his beautiful red Gibson guitar, Will Hanza looked like a bonafide rockstar here and played like one too, uncorking his biggest and most impressive solo of the night during the song’s peak. Hyping the crowd for what was still to come, Escaper would close out with “No Strings” before joining the fans on the floor and dancing along to the high-octane grooves about to be served up by the arrival of Big Shrimp.
Escaper’s Will Hanza took Ophelia’s to the stratosphere on 10/17/24.
No stranger to Albany, the former members of Baked Shrimp have been playing at venues around the area for years now. This time though, it would be a whole different creature. Joining up with founding crustaceans Jared Sage Cowen (Guitar/Vocals) and Jager Soss (Drums/Vocals) are new additions Max Perrotti (Bass/Vocals) and Matt Takesh (Keyboard/Vocals), completing a dynamic transformation from a power trio to an edgier and more versatile, progressive-rock juggernaut. Playing only their 5th show together under the Big Shrimp moniker, the night proved to be a launching pad for both the band and the long-time fans who still weren’t quite sure what to expect out of the band’s newfound identity.
Big Shrimp played the first of a 3-show residency at Ophelia’s on 10/17/24.
Immediately putting any worries at ease with some “Words of Wisdom” to get things cooking, you could instantly hear the impact of Matt Takesh’s keyboard playing. Adding a whole new level of filth to the bands already funky sound, the excitement continued to build as the band worked their way through “Tired Eyes,” before turning vocal duties over to charismatic drummer Jager Soss for a throwback nod to the Baked Shrimp original tune, “Smoke ‘Em If You Got Em.”
While a few in attendance seemed to take the song literally, things on the floor continued to heat up with the appropriately titled “Tango” providing enough cause for some to dance as if their life depended on it. The freedom of the venue allowed for this kind of uninhibited behavior, as fans moved to the grooves, embodying the spirit of the jam band ethos: a celebration of community and creativity, creating an immersive experience that felt both intimate, expansive and genuine.
Jager Soss performing with Big Shrimp during their Ophelia’s debut on 10/17/24.
One of the most notable moments from night 1 of Big Shrimp’s residency would come next with the debut of a new original called “Nuclear Fruit.” Successfully taking the song out for its maiden voyage, it is now forever etched in musical history that it was first played at Ophelia’s. Changing up the pace a bit, the bluesy ballad “Painting Pictures” by Matt Takesh gave everyone a chance to catch their breath a bit before virtuoso guitarist Jared Sage Cowen stole it away again with one of the most stunning and emotive solos of the evening. The seamless transitions between songs and the hypnotic interplay between musicians kept the audience enraptured, highlighting Big Shrimps’ ability to blend different musical influences into a cohesive sound.
Big Shrimp’s Jared Sage Cowen dug deep into his bag of tricks on Night 1 in Albany 10/17/24.
Proving he’s not here to be your ordinary guy, Cowen would dig even deeper into his bag of tricks for an extraordinary rendition of “Ordinary Guy,” yielding some of the funkiest, most cathartic and most primal energy of the set. With catchy melodies, impressive solos, complex arrangements and shifting tempos and moods, the band kept you on your toes and bobbing your head the entire show. Throwing in one last surprise before bringing the evening to a close, Big Shrimp would revisit their roots once again by playing fan favorite “Chop Suey” from their previous entities final self-titled studio album.
Watch fan shot footage of Big Shrimp performing “Chop Suey” during Night 1 of their Albany Residency 10/17/24.
As the night drew to a close, the crowd’s enthusiasm was palpable, with chants for an encore echoing through the bar. The sense of connection among fans and performers alike was a reminder of the magic that live music can create. After receiving the subtle nod of approval from promoter Greg Bell, Big Shrimp would send fans home happy with a nostalgic cover of the “Peter Gunn Theme,” complete with Taylor Swift “You Belong with Me” teases, bringing night 1 of their Ophelia’s residency to an official end.
If you missed this incredible night, mark your calendars for their next show in two weeks when Big Shrimp return for their highly anticipated Halloween Extravaganza on October 31st. Featuring a surprise theme along with two sets of music and a costume contest with prizes, whether you’re a seasoned jam band lover or just looking for a ghoulishly good night of music and dancing, Big Shrimp is sure to deliver an unforgettable treat that will not disappoint. If their previous Halloween performances are any indication, NYS Music can tell you now, this will be a special show you don’t want to miss.
Big Shrimp | 10-17-2024 | Ophelia’s | Albany, NY
One Set: Words of Wisdom, Tired Eyes, Smoke ’em If You Got ’em, Tango, Nuclear Fruit (1), Painting Pictures, Ordinary Guy, Chop Suey.
Encore: Peter Gunn Theme (2).
(1) Debut; Original
(2) Big Shrimp Debut; Formerly performed as Baked Shrimp.
Notes: This was night one of Big Shrimp’s three-night residency at Ophelia’s in Albany, NY in Fall of 2024. “Peter Gunn Theme” contained “You Belong with Me” (Taylor Swift) teases.
Escaper | 10-17-2024 | Ophelia’s | Albany, NY
Setlist: Open Sky, Fantasy, Chance, Spaceship, No Strings.
This is Part 2 of a series looking at the history of Phish in Albany. Read Part 1 and Part 3 ahead of Phish’s return to the Capital District and MVP Arena.
The anticipation that builds on South Pearl Street outside the Knick/Pepsi/Times Union Center/MVP Arena is one that you don’t find many places where Phish plays in the Northeast. Streets are closed to all but pedestrian traffic, parking garages are popping off, local businesses are packed with customers and fans mill about from Shakedown to the bars and all points in between.
With five shows in the books in Albany so far in their career, Phish returned for seven more shows before the end of the decade and firmly made their mark for playing some of their best Fall shows here. While it was not called The Knickerbocker Arena after the 1995 show, the new branding of The Pepsi Arena was a moniker that did not stick – we just called it The Knick (and some of us still do) – even still that it’s now the Times Union Center. Whatever we call it, we know it’s home to some delicious Phish going back more than two decades. All setlists via Phish.net.
Art by Drew Suto
December 12 and 13, 1997
Back in 1997 when Phish was on the road destroying America, they wrapped up their legendary tour in Albany, as close to home as the boys from Burlington could get. And for two nights, they continued to raise the bar for performances in the Capital District, wrapping up the tour with two shows that featured stand out jams and memorable band antics.
Starting the first night off with a “Funky Bitch” that stretched out a bit and was followed with a “2001” that lasted nearly 11 minutes was par for the course back then – nevermind waiting until mid-Set 2 for that funky disco dance party – two songs in and you were getting down. Keeping the cow funk going with “Camel Walk” and an extended “Taste” were the appetizers ahead of a 16 minute “Tweezer,” where Trey and Mike built the anticipation right out of the intro. That first five and a half minutes of this “Tweezer” is furious, and the rest a big bowl of funk-icing. The ambiance on the outro led into “Train Song,” which begat “Character Zero,” the new yet familiar rocker that was locking in its place as a set closer.
“Saw it Again,” a new song for 1997 cracked the second set and drives in with pure rock and roll and a Zeppelin-esque jam that emerged as it grew closer to the monstrous 20 minute “Piper” that followed, complete with slow build (remember the days?). This furious “Piper” bursts out and like an energizer bunny it just doesn’t stop. Finally when the jam does subside softly, it works into a serene “Swept Away” -> “Steep” combo. “Prince Caspian” picked up speed again and headed toward more Zeppelin acid-rock right up to the last 90 seconds, where it starts to drift off into space before Trey returns with a penultimate “Izabella,” one of the few times it has been played, but somehow one of the nine played in 1997. Can you imagine? Nine “Izabella’s” in a single year? “Tweezer Reprise” would drain the final drop of energy out of the crowd, and for an encore, the early years of “Guyute” shone bright with a huge cheer from the crowd at the opening notes, and a furious “Antelope” with a “Buried Alive” tease thrown in for good measure.
Set 1: Funky Bitch -> Also Sprach Zarathustra > Camel Walk, Taste > Bouncing Around the Room, Tweezer > Train Song > Character Zero Set 2: Saw It Again[1] -> Piper > Swept Away > Steep > Prince Caspian > Jam -> Izabella > Tweezer Reprise Encore: Guyute, Run Like an Antelope
[1] Extended jam.
The second night was my first Phish show, and I definitely wish I appreciated the opening 18-minute “Ya Mar,” but I came here for “Sample” and stayed for the lights-out “Hood.” Much like the night before, the beginning of the show would set the tone for the night, with a crowd pleasing “Axilla” and “Theme From the Bottom” to follow. The first set, to a newcomer, was non threatening and a nice way to ease into a Phish show. On relisten, this set is full of fan favorites, tunes that in 1997 were chased, and had a wonderfully funky ending with “Tube” and a rockin’ “Good Times Bad Times.”
Set two though was where Phish left it all on the table and left no stone unturned, starting with “NICU” and “Punch You in the Eye,” and a long dark “Ghost” just to get things started. And just as a “Ghost” jam is finding its end, Trey rips a “Mike’s Song” out of the ashes and lays a little extra mustard on to get it going. Just as the lyrics are wrapped up, this “Mike’s” becomes the thing of legend, deep bass lines and dark tones from the band precede the call to ‘Bring the Dude,’ which brought the crowd along for a wild ride while the band continued to ‘Bring the Dude’ in their pocket of this jam. I remember looking around, wondering where this ‘dude’ was going to emerge from, only to have the jam pick up speed and eventually work into “Llama.” The “Weekapaug Groove” has a tight “Catapult” inside, and Trey asking Kuroda to dim the lights for “Harry Hood” made the final moments of this final set of Fall 1997 as memorable as possible. The “My Soul” and “Squirming Coil” encore were on point, tying the show, and tour, together nicely. A hometown show is a great way to start a life of Phish and I’m glad my friend Mike gave me a ticket for this show. A few hundred shows later and I’m always looking back on this show with a smile.
Set 1: Ya Mar[1] > Axilla > Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube,Good Times Bad Times Set 2: NICU > Punch You in the Eye > Ghost > Mike’s Song[2] -> Llama, When the Circus Comes, Weekapaug Groove ->Catapult -> Weekapaug Groove, Harry Hood Encore: My Soul, The Squirming Coil
[1] Unfinished.
[2] Chants to “Bring in the Dude.”
November 25, 1998
In many ways, 1998 was an extension of the groundbreaking 1997 tours that Phish played, starting with The Island Tour in April and finding their way through the summer and a fall that already had produced a full show of Velvet Underground’s “Loaded” and Pink Floyd’s “Dark Side of the Moon.” This show from the Pepsi Arena the night before Thanksgiving is a diamond in the rough and overlooked for the three night run in Worcester that followed the holiday.
Taken on face value, you might see “Roggae,” “Lifeboy,” and acoustic versions of “Sleep” and “Driver” in the first set and think this was a snoozer, but you’d be wrong. The show opens with a one-two “Punch You in the Eye”/”My Soul” combo before getting nestled into that first set groove with “Roggae” before “AC/DC Bag” picks things back up again. The rare “Lifeboy” can’t be argued with here – you might only have had six chances to hear it since 1998 – and the 20 minute “David Bowie” that follows hits all the marks. A couple of acoustic numbers to right the ship before “Good Times Bad Times” shows up for the second show in a row at The Knick
For the second run in a row, the crowd was treated to a huge “2001” and randomly, a “Golgi Apparatus” to follow, to open the second set. “Drowned,” “Caspian” and “Piper” flowed together seamlessly, a mid-set trio that set the stage for “You Enjoy Myself,” and why not keep the tramps out there for an out of left field “Been Caught Stealing?” A fiery “Llama” was once again found in Albany, and for an encore we were treated to the fourth, and final (so far) version of The Beatles’ “Something,” fan favorite “Guyute” and surprisingly, an acapella version of “Free Bird” which is still etched in my mind for the perfect cap to this high caliber show.
Set 1: Punch You in the Eye > My Soul, Roggae, AC/DC Bag > Lifeboy, David Bowie, Sleep[1], Driver[1], Good Times Bad Times Set 2: Also Sprach Zarathustra > Golgi Apparatus, Drowned -> Prince Caspian > Piper, You Enjoy Myself, Been Caught Stealing > Llama Encore: Something > Guyute, Free Bird
[1] Trey on acoustic guitar.
October 9 and 10, 1999
The saying is, ‘If it’s not broke, don’t fix it, right?’ Well Phish opened up their next stop in Albany with “Punch You in the Eye” and after a quick “Wilson,” jumped into “Guyute,” which they apparently love to play here. The 20 minute “Ghost” keeps up the tradition of those long first jams that Albany shows are a known for.
It is in Set 2 where “Limb by Limb” got spacey and again, a “2001” emerges, and here is where we find the theme to Phish in Albany – long jams and repeated fan favorites. In the second set, the first three songs along combine for 45 minutes, followed by “Waiting in the Velvet Sea,” then a young song in the mix to mellow things out after a hot opening combo like that. “Simple” and “Loving Cup” close the set with “Slave” filling into the encore slot nicely. It’s a good thing they brought out fan favorites tonight, because the next night was a different story.
Set 1: Punch You in the Eye > Wilson, Guyute, Ghost -> Free, Sparkle > Possum Set 2: Limb By Limb > Also Sprach Zarathustra[1] > Down with Disease > Wading in the Velvet Sea, Simple, Loving Cup Encore: Slave to the Traffic Light
[1] Trey on keys.
Poster by Jim Pollock
For the end of their Fall 1999 tour, an album listening party for the soon to be released Farmhouse broke out in the first set. I won’t sit here and shame this set – it’s great, but that night it was a handful of new songs couples with some jams and a “Stash” at the end that was like the lot burrito I had that night – it didn’t sit very well. But for set 2, things went a little deeper, opening with a Jam that found its way into “You Enjoy Myself” without a vocal jam, “Prince Caspian” and “Train Song.” By the time the band got to “Bathtub Gin” they were in full rock star mode, and the “Character Zero” to close things out made for a well rounded if not slightly awkward setlist. “Contact” in the encore was fitting, and paired with “Misty Mountain Hop,” these four Vermonters were itching to get in their cars and head to the Green Mountains for six weeks of recording, rest and relaxation before heading out on tour in December with their eyes set on a millenium bash in Florida.
Set 1: Farmhouse, Gotta Jibboo, Heavy Things, First Tube, Dirt, Vultures, Stash Set 2: Jam > You Enjoy Myself[1] > Prince Caspian > Train Song, Bathtub Gin, Character Zero Encore: Contact > Misty Mountain Hop
[1] No vocal jam.
September 8 and 9, 2000
There is something to be said about tour openers in Albany – they are rare, but they are very, very good. The variety found in the show that kicked off their final tour before hiatus is remarkable, and on relisten, it gives a sampling of Albany shows past, and what we can look forward to when Phish opens up their Fall 2018 tour. A debut of Bob Marley’s “Mellow Mood” should be enough to get the juices flowing, and its the “Limb by Limb” and “Ghost” that follow that pick the pace up and give you an idea of the potential in store this night, and this tour. The next seven songs all blow by with relative ease before another big “Taste” emerges and “Golgi” closes the set out. Kicking off Set 2 with a tough “Birds of a Feather” precedes the Tony Markellis penned “Windora Bug” debut and an 18 minute “David Bowie,” and the blues tune “Back at the Chicken Shack.” A 16 minute “Bathtub Gin” paired with its own ambient jam with Fishman on vacuum and Trey on drums is that taste of 1.0 that you don’t find these days. Another show closing “Character Zero” wrapped up the show, with “Fire” in the encore slot.
Set 1: Mellow Mood[1], Limb By Limb, Ghost, Bouncing Around the Room, The Horse > Silent in the Morning, Saw It Again, NICU, Glide, Axilla, Taste, Golgi Apparatus Set 2: Birds of a Feather, Windora Bug[1], David Bowie, Back at the Chicken Shack, Bathtub Gin > Jam[2] > Character Zero Encore: Fire
[1] Phish debut.
[2] Fish on vacuum and Trey on drums.
When you know it’s the last time you’ll see a band for a while, you make the most out of it, and that was the C.W. for fans that I rolled to this show with. I would see them once more this fall in Darien Lake, but for many, this was the end of the line for the foreseeable future – no one knew how long this break would be for, so rather than chance it, Albany packed the Pepsi Arena for the second night in a row. Opening with a “Possum” built off the anticipation from outside was the start to the night we needed, and deserved. A jam out of “My Friend” found its way into “Gumbo,” and then into “Maze,” so after four songs, this set was already following in the footsteps of past shows. “Boogie On,” “Roggae,” “Guyute” and “Antelope” as the second half of the set just kept raising the bar for what was possible this tour.
Opening with the new fan favorite “Gotta Jibboo” for a lengthy jam to start the set was a nice pairing to the “Possum” that opened the night. After a brief and rare “The Curtain,” a 20 minute “Sand” stood out as the jam of the night, partially because little that followed would compare. Michael Ray, of Sun Ra and Cosmic Krewe fame, would join the band on trumpet for “Makisupa Policeman,” “Cars Trucks and Buses,” and “Funky Bitch,” and while this was by no means Kid Rock sitting for the second half of a set later that tour, it did take the energy from earlier in the set and cast it aside. I never understood why Ray didn’t stick around for “Cavern,” which has a perfect fit for horns. And so for an encore that somehow had no discernable “You can feel good” ending lyrics, “Harry Hood” still clocks in at 17 minutes, with some lucky fans on the stage to enjoy it up close while Ray and Trey laughed it up as the jam came to a close.
Set 1: Possum, My Friend, My Friend[1] -> Jam > Gumbo -> Maze, Boogie On Reggae Woman, Roggae, Guyute, Run Like an Antelope[2] Set 2: Gotta Jibboo > The Curtain > Sand[3], Makisupa Policeman[3] > Cars Trucks Buses[3] > Funky Bitch[3] > Cavern Encore: Harry Hood[3]
[1] No “Myfe” lyric.
[2] Tom Marshall spoke the lyrics to Antelope.
[3] Michael Ray on trumpet.
And there you have it – seven performances by Phish from 1997-2000 that featured a few 20 minute jams, some bust outs and debuts, and a whole lot of rock n roll. Phish has a wonderful tradition of playing hot shows in Albany and with this being one of only 5 stops this Fall, you know they’ll be bringing the heat to the fans next week.
This is Part 1 of a series looking at the history of Phish in Albany. Read Part 2 and Part 3 here.
On October 16 and 17, 2018, Phish performed their 16th and 17th shows in Albany, a town that has played host to the band for nearly 30 years. Their long and storied history in New York’s capital dates back to when they were a mere bar band hungry to be heard, and their upward trend of success in their early career can be clearly tracked based on venues they played in the city as the years went on. There are very few cities that Phish still plays where you can track their progression as a band, and get a full snapshot of who they are/were by only listening to shows played in that city.
From the goofy bar band to the machine gun, rockstar days of Trey to cowfunk grooves, you can find almost any kind of Phish by listening to shows they played in Albany, and thankfully for us, that story is far from finished. We take a step back and remember the life-changing shows that took place in the city years before to (somehow) get even more excited for what’s to come.
Pauly’s Hotel, 5/11/1989
The first time Phish came to Albany, they performed to a crowd of 30-40 at Pauly’s Hotel, Albany’s oldest bar, dating back to the Civil War, and served as a home for Union soldiers returning from the conflict. While there is no known setlist for this show, Mike’s notes revealed that his bass was stolen out of the band’s truck (JEMP) at the loadout and never seen again.
Phish fans were few at the time, since this was their first trip to the Capital District from their roots in Burlington, so many in attendance were experiencing Phish simply because they were the band on the bill that night. Pauly’s has a history of music nearly every single night of the week, so you can stop in for a beer and catch a wide variety of musical acts for a small cover charge.
Pauly’s Hotel
Two fans who experienced Phish for the first time this night did so by design, and by accident. John Boeheim of Pawling, NY, was a SUNY Albany student at the time and heard of Phish from a Deadhead friend who went to Union College. Pauly’s was a short walk from his Ontario St. apartment and cover was only $5. John recalls the band playing “You Enjoy Myself” due to the trampolines that were used (likely with minimal effort by Trey and Mike with such a low ceiling above the stage), as well as “La Grange” and “Fee,” because a megaphone was used that night by Trey. There was a lot of banter from the band but no level of anticipation in the building – few, if any, had seen Phish before.
John recently went to Pinks NYC on the Lower East Side of Manhattan for a stream of the shows at Dick’s Sporting Goods park over Labor Day weekend. The experience left an impression on him – “These guys can still draw me to a tiny bar, with people new and unfamiliar, and this is happening at numerous bars around the country. What they are today compared to what they are then, the stream was just a step above couch tour where being 2,000 miles away didn’t damper the enjoyment.”
For John, it was like seeing a bar band, and that first night he may not have written down the setlist but they did have Junta tapes for sale, which he purchased, along with his friend Linda Lawrence, who was also seeing Phish for the first time, but unintentionally.
“I didn’t go to Pauly’s to see them, I went to the bar for beers with a friend who worked at WROW with me in promotions. I was about to drive across the country and live music wasn’t the plan tonight. We sat at the bar and maybe 25-30 people were there, There was crappy weather that night and the rumor was that Mike’s bass was stolen after the show.
“I picked up the Junta cassette from the merch table and I remember them playing “Divided Sky” because they were talking about the Rhombus and I had no idea what that meant. When I listened to Junta, I remembered that part of the show.”
“My first thought influence-wise was that Zappa was an influence of theirs. When Trey talked I thought his voice sounded like Zappa’s and that stuck out in my mind. I got a Zappa feeling about the compositional feel of how they played, and they were weird and goofy. The lyrics were obscure like Mothers of Invention but they were more zany lyrics than Mothers. I liked the jamming parts a lot.”
Palace Theatre, 11/20/1992
After a two year break from New York’s capital, the next time Phish returned their following had grown considerably, affording them to move out of the bars and into theaters. The Palace Theatre opened in 1931 as a “talkie” movie theater which presented vaudeville acts in between pictures. The modern incarnation of the theater opened up in 1989, just a few years before Phish’s first visit, with a capacity of 2,900.
Late into one of their heaviest touring years as a band, Phish came out firing on all cylinders with a high speed “Axilla”, and kept the pace up the entire show with a classic setlist that could have only been played in 1992. The first set highlights include a soaring “Reba,” a then rare extended “Stash” with Linus and Lucy teases, and a playful, unfinished “David Bowie” with a cover of Johnny Cash’s “I Walk the Line” breaking it up and multiple “Ring of Fire” teases tossed in for good measure.
Trey and Mike, Albany 92
The band showcased their compositional abilities in the second set with strong renditions of “Fluffhead,” “You Enjoy Myself,” and “Harry Hood” sprinkled throughout. Following “Hood”, in true early Phish fashion, the band made sure to embarrass Fishman by bringing him front and center with a cover of “Hold Your Head Up” which led to a playful rendition of Syd Barrett’s “Love You.” The band ended the second set with a little help from The Dude of Life who sang “Self,” a song he would record with the band a couple years later. Toss in an acapella “Amazing Grace” and a rocking cover of Led Zeppelin’s “Good Times, Bad Times” and you’ve got yourself a stew.
Mark Durham can recall what the scene was like that night:
“The scene was typical for a Phish show; not too busy outside. There was a parking lot or two that had some folks hanging by the back of their cars, but no “shakedown” yet. It was tiny compared to anything they did later at the Pepsi Arena, but a little busier than the smaller shows. I was still able to walk in the back door showing no ID by saying that I was looking for a friend.”
“The crowd seemed a bit more organic and less frat like. They were still growing, and it seemed that if you didn’t like their music you just didn’t go. That being said, there were still plenty of chompers- just fewer and more spread out.”
“It was just amazing seeing them at the Palace. You know why it’s called that as soon as you walk in. I always felt that Phish played to the venue as well. With their more intricate performances being at places like the theater, and their edgier, harder playing was at the bars. When they got to the palace, they didn’t disappoint.”
Trey mentioned the Dude of Life in Suzy. Stash contained Linus and Lucy teases. Memories and Sweet Adeline were performed without microphones. Trey called Mike “The Man in Black” after I Walk The Line. Bowie was unfinished and included multiple Ring of Fire teases as well as a Jimmy Olsen’s Blues tease from Trey and a Simpsons signal in the intro. Chalk Dust and Tube contained Buried Alive teases from Trey. After Lengthwise, Trey wished a happy birthday to “Curtis” and then briefly teased Curtis Loew. Self (first since November 8, 1991, or 118 shows) featured The Dude of Life on vocals.
Palace Theatre, 5/5/1993
Less than six months after their debut show at the Palace Theatre, Phish returned to the capital district to play two sold out shows that are still highly regarded today. The first of which shares similarities with their 1992 Palace debut in the sense that the first set featured an extended “Stash,” The Dude of Life made a guest appearance, and “Amazing Grace” was performed acapella as an encore, but other than that they sound like a different band.
Mike Jenkins recalled what it was like being a Phish fan at this time, and how it changed:
“The early 90’s shows the relationship between the band and the fan base seemed more intimate. If you look at the ’93 setlist posted all of them have at least 1 song, usually in the 1st encore slot, where they performed acapella without miss. I don’t know if they could pull that off today. Not what they are doing now is better or worse, it’s all about perspective (ie. secret language vs. the woo).”
“Most fans held dear the “best kept secret”, “you don’t know what you’re missing”, and “you get it, or you don’t” vibe. As the band became more polarizing and popularity gained, as expected, the proportion of fans really into the music vs. attendees who wanted to be able to say they went to a show grew. The band and the legitimate fan base grew > grew apart > back together again > It’s all over > Holy Sh!t is this really happening > Growing pains > They’re Baaaaack!!! Personally, I am grateful for the 25+ year relationship I’ve had with this band and it’s fan base. It’s been the primary soundtrack of my life.”
Other than an explosive “Stash” the first set of 5/5/93 is relatively standard, though many of the songs performed were off their new album Rift, and thus never heard by many in attendance. Although the set was not out of the ordinary for 1993 standards each song was well-played with extra energy, and featured some interesting setlist calls, such as the “It’s Ice > Glide > Maze” before ending the set on a fiery “Golgi Apparatus.”
The second set is where things begin to get real interesting, real fast. It opens with an incredible segue fest of “Runaway Jim -> My Friend, My Friend -> Manteca -> My Friend, My Friend” which showcases the band’s ability to weave in and out of songs at will. They took no time to slow down with joyful renditions of “Poor Heart” and “Weigh” before giving the audience a chance to join in with “Big Ball Jam.”
If there was anything people would vividly remember from this run however, it’s the “You Enjoy Myself -> Jam” that closes the set. The stage was lined with musicians as The Dude of Life and the Aquarium Rescue Unit (at least Apt. Q-258 aka Jeff Sipe on drums, Oteil Burbridge on bass and vocals, and Jimmy Herring on guitar) took the stage for a bombardment of sound that just keeps giving and giving. After an acapella “Amazing Grace” in the first slot of the encore the band wasn’t finished messing around as they tossed the jazz classic “Take the A Train” square in the middle of a raging “Cavern.”
Tom Gazda recalled his experience at the show:
“5/5/93 was my second Phish show. During this time frame the band was playing a lot of Rift at shows and that was great for someone new to the band. With this being only my second Phish show, the whole “Big Ball Jam” had me like, “What the hell is this?” in the most positive sense. This seemed so far out the realm of what a rock band typically did. The YEM had a whole mess of additional people join them on stage (who I later learned was ARU and the Dude of Life). I got the sense I was supposed to know who they were, though I didn’t. I remember this going on forever and I actually found it to be slightly boring after a while.”
Phish – Palace Theatre – May 5, 1993
Set 1: Rift, Guelah Papyrus, Foam, Sparkle, Stash, Bouncing Around th Room, It’s Ice > Glide > Maze, Golgi Apparatus
Encore: Amazing Grace[4], Cavern > Take the ‘A’ Train > Cavern
It’s “Ice” contained a tease of “Pop Goes the Weasel” from Page and “Maze” contained Mission: Impossible theme teases from Page. The beginning of “My Friend” featured Trey on acoustic guitar. Trey dedicated “Ya Mar” to Sue on her birthday. “Ya Mar” subsequently included a “Two Princes” tease. YEM contained a “La Marseillaise” tease from Page and “Yield Not to Temptation” teases, did not contain a vocal jam, and was unfinished. The jam after YEM featured “The Aquarium Rescue Unit,” “the Dude of Life,” and Fish on vacuum. Amazing Grace was performed without microphones. The soundcheck’s Funky Bitch Blues contained a Funk #49 tease.
Palace Theatre, 5/6/1993
After wowing the crowd night one, Phish returned to the Palace for a second night where they did just as much damage to the historic building. They came out swinging with a hot “Chalkdust Torture” featuring “Lazy” by Deep Purple teases, a building “Mound” and dissonant “Split Open and Melt” to get the crowd amped. They continued the set with a handful of 1993 standards then broke away from the norm with a secret language filled “Possum” before welcoming up violinist Dick Solberg for an anything but standard “Lawn Boy.” The fun continued as they invited Jeff Walton to sing and play guitar with them as they closed the set as a sextet in true bluegrass fashion with “Why You Been Gone So Long,” “Tennessee Waltz,” and “I Been to Georgia on a Fast Train.”
Albany 93 Palace Theater
The second set opened with an energetic “Suzy Greenburg” followed by a must-hear version of “Tweezer.” The melodic hose jamming in “Tweezer” is what dreams are made from as they jammed on Aerosmith’s “Sweet Emotion” and The Dude of Life’s “Crimes of the Mind” before settling down to a relatively “Tela.” If the “Tweezer” didn’t do it for you, then the “Mikes Song” that follows should do the trick as the band morphs into a jam out of The Beatle’s “Ob-La-Di, Ob-La-Da” with Dick Solberg reentering the stage before a clean segue back down south with “Rocky Top.”
Thomas King recalled what it was like being in attendance for the jam:
“One of my most memorable concert experiences is the -> from Mike’s to Ob-La-Di.I was fourth row in front of Mike, locked in on Trey…until Trey started vanishing. Then the people in front of me started vanishing. The smoke machines were billowing like Mt St Helens, but the sound was so clear. I could barely see my friends next to me- and then, the strobe lights!! During that -> I felt an ecstatic combination of utter freedom with a healthy dose of disorientation. I felt like anything could happen, and the band could do everything they wanted.”
It wouldn’t be right to go an entire run without Fishman taking the spotlight following a classic “Hold Your Head Up” moment. He dedicated “Crackling Rosie” to Neil, who was on tour, before the band concluded the set with Jeff Walton joining them for a unique version of “That’s Alright Mama.” They concluded the run with an acapella “Sweet Adeline” followed by “Contact>Tweezer Reprise” to remind everyone that despite all the fun, they could still rock.
Tom Gazda vividly remembered his experience from the night:
“5/6/93 was an amazing experience for me. The secret language in Possum was very intriguing. I really liked when Dick Solberg and Jeff Walton came out, and the songs they sang. It was as if the show I was seeing was briefly interrupted by a very different, yet also very cool bluegrass/old time country concert. The Big Ball jam, again, was very cool to be a part of as we were on the floor. I remember Page’s ending solo in Squirming Coil really floored me; I couldn’t believe how good it was.”
“But the highlight of the night was the “Ob-La-Di,-Ob-La-Da” during Mike’s. I remember it to this day. They were jamming hard in Mike’s and they were bouncing on the trampolines. Then the smoke machines kicked out the thickest roomful of smoke I’ve ever experienced and then the strobe lights turned on. We were dancing hard in the aisle, about 25 rows back on Mike’s side, jumping up and down along with the band and freaking out to effect the strobe lights created in the smoke that had engulfed us by this point. Then Trey started playing “Ob-La-Di,-Ob-La-Da” and it was nothing sort of magical, one of those moments when time sort of slows down and you get that weird sense of your body being half-numb. 25 years and 70-something shows later, and it remains one of my top Phish experiences, and really, one of my top life experiences. I love thinking about it.”
“Then Fishman came out and playing the hand crash cymbals, lead the crowd on a sing-along of Crackin Rosie, another thing that was so far from what I’ve ever experienced a rock band do. “Why the hell doesn’t every band do shit like this, it’s fun as hell!!!” As an encore they played an unamplified barbershop version of Sweet Adeline, yet another part of this show that was so unique (and cool). I walked out of the show in a state of a punch-drunk euphoria only to end up on the sidewalk next to the theater, between the building and band bus. I saw Page walking out and got to shake his hand and awkwardly told him “Loved the end of Squirming Coil” as only a stoned-out college kid could. We spoke with Jeff Walton for a while who was drinking a beer on the sidewalk and who seemed a bit punch drunk from the experience as well. Then we hung out with Mike a bit, shook his hand and got to hear him explain to a bass-playing girl some of the tricks on how to play the bassline to Split Open and Melt (he admitted it was Trey who wrote the bassline). As walked back to the car I remember me and my buddy Al seriously kicking around the possibility of us driving to New Hampshire for the show that Saturday night (the legendary 5/8/93 show). Listening to this show when it was released as part of the LivePhish series, I strongly regret not going to this show.”
“One the things that really struck me about this band Phish that I couldn’t get over was how different their shows were from the shows I’ve grown used to seeing. Growing up in Queens and having pretty permissive parents, I got to see a lot of arena shows, mostly at MSG and Nassau Coliseum (Shit, the second show I ever saw was the mind-bending 1987 Pink Floyd show at MSG as a wide-eyed 16 year old.) Walking into Phish I was accustomed to what a typical large scale rock concert was like. So, I was quite taken by all the stuff Phish did that was different than that – the trampolines, never-the-same-setlist, next-level lighting that worked so amazing with the music being played, the big ball jams, the non-amplified acapella songs, 2 sets, the secret language, meeting the band outside the gig, the idea that any song can go anywhere on any given night, etc. And while the music was such high energy and reached out and grabbed me like nothing else had before, I also really loved that they punctuated it with elements that was designed to be straight-up FUN.”
Phish – Palace Theatre – May 6, 1993
Set 1: Chalk Dust Torture, Mound, Split Open and Melt, The Horse[1] > Silent in the Morning > All Things Reconsidered >Llama, Fluffhead, Possum[2], Lawn Boy[3], Why You Been Gone So Long?[4], Tennessee Waltz[5], I Been to Georgia on a Fast Train[5]
Set 2: Suzy Greenberg > Tweezer, Tela > Uncle Pen, Big Ball Jam, The Squirming Coil, Mike’s Song -> Ob-La-Di, Ob-La-Da Jam -> Rocky Top[3], Hold Your Head Up[3] > Cracklin’ Rosie[3] > Hold Your Head Up[3], That’s Alright Mama[5]
Chalk Dust Torture contained Lazy (Deep Purple) teases from Trey. The Horse featured Trey on acoustic guitar. Possum contained Simpsons, Key Change, and All Fall Down signals. Why You Been Gone So Long, Tennessee Waltz, I Been To Georgia On A Fast Train and That’s Alright Mama were all Phish debuts. Lawn Boy, Why You Been Gone So Long, Rocky Top, both HYHUs, and Cracklin’ Rosie featured Dick Solberg on violin. Tennessee Waltz, I Been To Georgia On A Fast Train, and That’s Alright Mama featured Solberg on violin and Jeff Walton on acoustic guitar. Why You Been Gone So Long also featured Walton on vocals. Tweezer included a Sweet Emotion tease and a jam on Crimes of the Mind. Mike’s Song contained Cheap Sunglasses teases. Rosie was “dedicated to Neil, who’s on tour now!” Sweet Adeline was performed without microphones.
Knickerbocker Arena, 12/9/1995
Following a year away from New York’s capital, Phish returned in the winter of 1995 to deliver one of the most memorable jams of their career. Far too big to play the Palace again, they relocated to the Knickerbocker Arena (now the Times Union Center) where they played a sold out show to more than 17,000 fans (quite the leap from the 2,900 person venue across town.) The show took place during a full-blown blizzard, causing many fans to either not make it or have issues getting in and out, but stories to last a lifetime.
The first set began with a thrilling “Maze” followed by the new favorite “Theme From the Bottom.” Overall the set does not stand out much in the grand scheme of December 1995, but the entire set was played with restlessness and vigor. Filled with fresh songs from 1995 such as “Free” and “Billy Breathes,” the band used the set as an opportunity to show their growth in songwriting from their last Albany visit and fire up the crowd.
Like all shows during the 1995 Fall Tour, the second set began with an audience chess move (chosen by Antelope Greg Phelps) which continued the tour long game of chess between the band and the audience. “Timber (Jerry The Mule)” opened the set with a sick, demented jam that is often largely forgotten in the grand scheme of things, but absolutely worth checking out. “Wilson” follows next and Trey has fun with the Gamehendge standard by incorporating the soundbites of a Beavis and Butthead doll during the intro. A short, funky “Gumbo” follows before the band embarks on arguably the jam of the year in “You Enjoy Myself.” Anyone who is at all interested in Phish and hasn’t heard this jam needs to check it out immediately as this soaring, 34 minute masterpiece epitomizes the machine-gun sound Trey has perfected in 1995 before transitioning to a delicate and hilarious “silent jam” with Shaft quotes and a vocal jam featuring the Beavis and Butthead dolls once again.
After playing one of the most insane jams of their career, why wouldn’t the band take a break with the Page-led lounge classic “Lawn Boy?” “Slave to the Traffic Light > Crossroads, Sweet Adeline” ends the set with a defiant force that only 1995 Phish can produce. They victory lap with a then uncommon “Loving Cup” and send the crowd back into the blizzard with their minds lost somewhere in the storm clouds above.
12/9/95 was Vincent Alfonsi’s second show, and recalls it well. When asked about his experience he had this to say:
“12-9-95 was my 2nd show; epic YEM with Silent Jam. I already had a long history of great times at the Knick with the Dead. At the time I lived in Malta (just south of SPAC) during the week and West Hartford, CT on the weekend. Work was in Albany, but my friends were all still in CT so that’s where I went to party. As a result, the day of the show I was driving back up to Albany with 2 of my friends from West Hartford; one being my oldest friend of all. It should have been a 1:45 minute ride, but it took almost 5 hours to get there on account of the blizzard and all.”
“We Got there just in time for a slice of pizza before entering the show, and sat in the 200’s behind Fishman. The section was half empty, and very chill. Because of the blizzard we had rows to ourselves. I was enough of a noob to not recognize many songs that were standards, but the jams certainly weren’t lost on me. I was just making the transition from Jerry to Trey at the time. I’ve always felt if the entire crowd has to make extra effort, like standing in the rain or driving through snow, the band puts a little extra into it themselves, and they did. They played great. The Silent Jam was one of the funniest spur of the moment things I’ve ever seen at a show, and I left knowing that I was indeed a Phish fan. That show locked it in, and essentially cost me thousands of dollars in future ticket, webcast, CD, gear and download purchases.”
Adam E. was also in attendance and had this to say about his hazy experience:
“I am from Clifton Park, NY and had been going to the Knick for various shows since 1991. 12/9/95 was my 14th Phish show overall but first time in my “hometown” venue. Since then I’ve seen Phish at the Knick/Pepsi 8 times and it’s still one of my favorite places to see them. Having only seen Phish 4 times in Summer 95 I was excited for the three fall tour shows I had tickets for (Albany, Lake Placid x2). I was an undergrad in Plattsburgh at the time and my buddies and I drove down to Albany the day of the show. The pre-show scene in Albany is always pretty raucous and that day was no exception. It was cold/snowy and I recall the McDonalds on the corner of Madison and S. Pearl was overrun with the Phish crowd. It was a festive, friendly scene all around. The show itself was fantastic, lots of energy. Interestingly, the only vivid memories I have from inside the venue are the Beavis and Butthead doll quotes during Wilson, and the YEM silent jam. Otherwise I recall walking out of there on a cloud, knowing it was a good show.”
Phish – Knickerbocker Arena – December 9, 1995
Set 1: Maze, Theme From the Bottom > NICU > The Sloth > Rift, Bouncing Around the Room, Free, Billy Breathes, Dog Faced Boy, Chalk Dust Torture
Set 2: Timber (Jerry The Mule), Wilson[1] > Gumbo, You Enjoy Myself[2], Lawn Boy, Slave to the Traffic Light > Crossroads, Sweet Adeline
Encore: Loving Cup
Wilson and the YEM vocal jam featured quotes from a talking Beavis and Butthead doll. YEM also included a silent jam and a quote of the theme from Shaft.
On Saturday, October 26 from Noon to 5pm, PhanArt, in association with Mirth Films, will hold a hometown Art Show and Health & Wellness Event at the Palace Theatre in Albany
Featured during the show is New Paltz band Kale for the October edition of Palace Sessions Live.
Located just a 0.5 mile walk down Pearl Street from the MVP Arena (where Phish will perform for three nights) PhanArt at the Palace will feature dozens of artists and vendors from the Capital District and across the country from the greater Phish community.
Presented alongside Mirth Films, PhanArt will host artists and vendors offering a great deal of art, clothing, home goods, music inspired memorabilia and much more from dozens of small businesses, in addition to a Health and Wellness fair on the Second Floor of the Palace Theatre. There attendees will find Reiki, aerial yoga, interactive art, healing circles, psychedelic integration and much more.
Confirmed artists and vendors include Perpetual Hang, Scotty Radford Art and Design, BLURD Glass, YouEnjoyMyVegan, Ethereal Honey, Blazinâ Donuts, Fiddle and Feather, Unusual Conclusions, The Overhead View and many more.
Kale, a genre-blending indietronica jam trio from New Paltz, will be playing 2 sets during the afternoon, along with music from Sweeping Views in between performances. Kale combines a love of danceable electronic rhythms, soaring melodies, and energetic hooks into an improvisational channel that allows for deep exploration of the musical cosmos.
The Palace Theatre is located at the corner of Clinton and North Pearl Street, just a half mile walk to MVP Arena, where Phish will perform each evening from October 25-27.
The first hometown PhanArt show at Albanyâs historic Palace Theatre takes place on Saturday, October 26 from 12-5pm. Admission is free as always!
The first set began with a thrilling “Maze” followed by the new favorite “Theme From the Bottom.” Overall the set does not stand out much in the grand scheme of December 1995, but the entire set was played with restlessness and vigor. Filled with fresh songs from 1995 such as “Free” and “Billy Breathes,” the band used the set as an opportunity to show their growth in songwriting from their last Albany visit and fire up the crowd.
12/9/95 was Vincent Alfonsi’s second show, and recalls it well. When asked about his experience he had this to say:
Adam E. was also in attendance and had this to say about his hazy experience:
