Category: Jam/Progressive

  • Math Rock Trio Peaer Return After Five Years with Single “Just Because”

    Math-rock trio Peaer has announced their return to music after five years with the release of single “Just Because.”

    NYC-based math rock trio Peaer return with their new single, “Just Because.” It’s their first new offering since 2019’s A Healthy Earth, which earned raves from fans and media alike. A drop-tuned, four-on-the-floor thumper that crescendos with a moment of headbanging catharsis, the track is a perfect blend of Wish-era The Cure’s glittery rhythms and the melancholic post-rock emo of American Football.

    The band will also be making its live return with their first show in nearly a year this Saturday, November 16, in Brooklyn at Baby’s All Right alongside Pet Fox. “Just Because” is the fruit of their focus — a soaring introduction to Peaer’s new era and a tantalizing promise of what else lies ahead.

    Peaer began in earnest in 2014, when Katz sought to blend his love of windy math rock with contemplative slowcore. From this sprang 2014’s lo-fi, home-recorded album the eyes sink into the skull, released digitally via Bandcamp with Katz taking on all of the instrumentation himself. From there the idea of Peaer evolved, and while touring on 2016’s self-titled LP (Peaer), Katz joined forces with now long-term close-collaborators Jeremy Kinney (drums, engineering) and Thom Lombardi (bass, vocals).

    The trio came together to write and produce 2019’s aforementioned, critically acclaimed A Healthy Earth, which they quickly followed up with The Hands and Feet Turn Blue (2019) — an Eyes companion album featuring reworked songs, demos, and remixes. 

    For more information on Peaer and to hear their new single “Just Because” click here.

  • In Focus: Monkeys on Ecstasy (moe.) Take Over Middle Ages in Syracuse

    moe. fans flocked to the Middle Ages Concert Hall in Syracuse on Friday, November 15 for the first of two consecutive sold-out performances by Monkeys On Ecstasy.   

    Perhaps one of the more poorly kept secrets in the music industry, Monkeys on Ecstasy serves as the pseudonym for jam-rockers moe.  The alternatively billed shows allow the band to perform more intimate clubs and concert halls, harkening back to their early years.  The lucky recipient this time around was the Middle Ages Concert Hall.  The band, now entering their 35th year, recently announced their 14th studio album, Circle of Giants, would be released on January 31, 2025 and would be backed by an extensive U.S. tour.  

    On Friday, fans filled the area in front of the stage well before the band’s scheduled 8pm start time.  As show-time approached, a nearly impassible wall of fans stretched beyond the listening room and out into an adjacent bar area.  The excitement and energy of the audience was palpable, as their legion of fans traded stories of their previous moe. concerts.

    Shortly after 8pm the band took to the stage and opened with their rendition of Pink Floyd’s “Interstellar Overdrive”.  The slow building instrumental would culminate in a full-blown rocker, show casing the traits which make moe. great, with upper tier orchestration as each band member took their turn at adding layers of improvisation.  The track would weave in the moe. original “Zed Nought Z” before returning to the outro of “Interstellar Overdrive”.  In all the sequence would last over 20 minutes.  

    The band would play two sets on Friday, with each set pushing beyond 90 minutes.  Set two featured the improv-heavy rocker “Timmy Tucker” garnering full-on audience participation on the chorus.  As the night approached midnight, the evening would come to a close. Fans poured out into the Syracuse streets, celebrating what they had just witnessed and already eagerly anticipating what could be in store for night two.

    Monkeys On Ecstacy – Middle Ages Concert Hall, Syracuse – Friday, November 15

    Set 1: Interstellar Overdrive > Zed Nought Z > Interstellar Overdrive, Brent Black, In Stride, Bat Country, She, Space Truckin’
    Set 2: Shoot First > Timmy Tucker, Bring You Down > Lazarus > Skitchin’ Buffalo > Skitchin’ Buffalo Reprise > Recreational Chemistry
    Encore: Light up or Leave Me Alone

  • Revamped “All Good Now” Releases 2025 Lineup

    All Good Music Festival has launched a revamped festival, All Good Now, and has announced their 2025 lineup, slated to grace stages at Merriweather Post Pavilion from June 14-15, 2025 in Columbia, Maryland.

    Ten years gone, All Good Music Festival is being reimagined as All Good Now, blending the legacy of the original festival with an iconic venue and an exciting lineup, capturing the timeless energy that brought thousands together for nearly two decades.

    The official All Good Now lineup is a carefully curated mix of bands from All Good’s past and present. Returning artists from the original lineup include Joe Russo’s Almost Dead, The String Cheese Incident, The Disco Biscuits, moe., Pigeons Playing Ping PongKeller Williams, and The Bridge. They are joined by Goose, Lawrence, Molly Tuttle & Golden Highway, Daniel Donato’s Cosmic Country, Neal Francis, Dogs in a Pile, and Eggy, promising a celebration that spans the full evolution of the jam band and grassroots music scenes.

    In the days leading up to the festival, All Good Presents will host a series of All Good Now Pre-Parties at popular venues across Baltimore and Washington, D.C. These pre-parties highlight All Good Presents’ deep ties to the local live music scene, allowing fans to catch favorite acts like STS9, Andy Frasco & the U.N., Moon Hooch, Sam Grisman Project, and The Bridge at beloved venues including The Anthem, 9:30 Club, The Atlantis, and The 8×10.

    Set within the scenic Symphony Woods, Merriweather Post Pavilion has hosted the biggest names in live music, including Grateful Dead, Jimi Hendrix, Phish, and countless others. Merriweather has hosted 150 festivals, from Lilith Fair to Virgin Mobile’s FreeFest to Warped Tour to All Things Go. Known for its 40-acre natural oasis, Merriweather is a historic hub for music lovers, conveniently located between Baltimore and Washington, D.C., offering one of the best festival environments in the country.

    All Good Now represents the next evolution, bringing the All Good spirit to these iconic stages, and particularly to the historic Merriweather Post Pavilion, where fans will feel the magic and memories of past festivals reborn in a new, vibrant format. Tickets for All Good Now, along with hotel packages, VIP options, and full ticketing packages, will go on sale Friday, November 22. VIP packages include exclusive access to elevated viewing areas, premium food and beverage options, private lounge areas, and additional amenities designed to enhance the festival experience.

    For more information on the upcoming All Good Now festival and to purchase tickets, click here.

  • Dark Star Orchestra Fall 2024 Tour Features 7 NY Dates

    Grateful Dead cover band Dark Star Orchestra (DSO) has announced their Fall 2024 tour which sees 11 dates in the northeast including 7 dates in NY.

    Dark Star Orchestra Fall Tour

    Performing to critical acclaim for over 25 years and over 3100 shows, Dark Star Orchestra continues the Grateful Dead live concert experience. Their shows are built off the Dead’s extensive catalog and the talent of these seven fine musicians.

    On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience. By recreating set lists from the past, and by developing their own sets of Dead songs, DSO offers a continually evolving artistic outlet within this musical canon.

    Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations. DSO offers much more than the sound of the Grateful Dead; they truly encapsulate the energy and the experience. It’s about a sense of familiarity. It’s about a feeling that grabs listeners and takes over. It’s about that contagious energy…in short, it’s about the complete experience and consistent quality show that the fan receives when attending a DSO show.

    Dark Star Orchestra Fall Tour

    Dark Star Orchestra Fall 2024 Tour Dates:

    Nov 15, 2024 – The Capitol Theatre – Port Chester, NY

    Nov 16, 2024 – The Capitol Theatre – Port Chester, NY

    Nov 17, 2024 – MJN Convention Center – Poughkeepsie, NY

    Nov 20, 2024 – Rome Capitol Theatre – Rome, NY

    Nov 21, 2024 – Broome County Forum Theatre – Binghamton, NY

    Nov 22, 2024 – House of Blues Boston – Boston, MA

    Nov 23, 2024 – College Street Music Hall – New Haven, CT

    Nov 26, 2024 – Stage AE – Pittsburgh, PA

    Nov 27, 2024 – Penn’s Peak – Jim Thorpe, PA

    Nov 29, 2024 – The Paramount – Huntington, NY

    Nov 30, 2024 – The Paramount – Huntington, NY

    For more information on Dark Star Orchestra’s upcoming Fall 2024 tour and to purchase tickets, click here.

  • In Focus: LaMP at Lark Hall

    LaMP – Russ Lawton, Scott Metzger, and Ray Paczkowski – performed at Lark Hall on Saturday, November 9 at Lark Hall in Albany with special guest Oobleck.

    LaMP at Lark Hall

    LaMP is the trio of drummer Russ Lawton, organist Ray Paczkowski, and guitarist Scott Metzger. Lawton and Paczkowski have been performing music together since the late 1990s, before joining together in Trey Anastasio Band. The sound of LaMP infuses Metzger’s telecaster melodies into the synergy of ‘Russ and Ray’ from Soule Monde, creating a funky night of music, every time.

    NYS Music photographer Conor McMahon was on hand to capture the evening of LaMP at Lark Hall. The band will be at the Towne Crier in Beacon on Friday, November 22, and Brooklyn Bowl the following night.

  • Pigeons Playing Ping Pong Bring the Funk to Empire Live with Kendall Street Company and Lee Ross

    Pigeons Playing Ping Pong returned to Albany on Friday, November 8 for a performance at Empire Live, which featured the second Albany performance by Richmond, VA outfit Kendall Street Company.

    On this blustery evening, Kendall Street Company brought the crowd to attention with a full band sound chocked with the influence of jam and alt rock from the late 1990s. A cover of ZZ Top’s “La Grange” was a key energy-driver, followed by an odd yet fun final song performed in the persona of a German band, Sauerkraut. Catch them at the Westcott Theatre on December 5 and Mercury Lounge December 21-22.

    After a 30 minute break, Pigeons Playing Ping Pong – singer/guitarist Greg Ormont, guitarist Jeremy Schon, bassist Ben Carrey, and drummer Alex Petropulos – took to the stage for an opening funk trio of tunes to start the night, “Henrietta,” “Live It Up,” and Red Hot Chili Peppers’ “Around The World.” The quartet who formed in 2007 at University of Maryland are workhorses pushing well into their 17th year with no signs of slowing down. Sustained funk jams were moderated by mixed improv that was anything but formulaic.

    A little something for Star Wars fans, “The Imperial March” was sandwiched inside “White Night,” and for giant ape fans, “King Kong” followed. A crowd ranging widely in ages from Gen X to Gen Z was dancing along to every song, grinning when the thumping rhythm section vibrated the floors of Empire Live.

    Frequent collaborator, saxophonist Lee Ross, joined the band for “J-Town” and stuck around as Jake Vanaman (Kendall Street Company) joined on sax for “F.U.” Driving rock peaks from “Feed the Fire” gave way to “Julia,” which while chill to start, embarked into a surprisingly complex jam to end the set. An encore of “Fun in Funk” was the last piece of the puzzle for Pigeons Playing Ping Pong this evening in Albany.

    Pigeons Playing Ping Pong – Empire Live, Albany – Friday, November 8, 2024

    Setlist: Henrietta > Live It Up > Around The World, White Night > The Imperial March > White Night, King Kong, My Own Way, Distant Times, J-Town* > F.U.*^, Feed The Fire, Julia
    Encore: Fun in Funk
    * w/ Lee Ross on alto saxophone
    ^ w/ Jake Vanaman (Kendall Street Company) on tenor saxophone

  • moe. Announces “Circle of Giants” Album, Shares Single “Ups and Downs”

    moe. has announced the release of their 14th studio album, Circle of Giants, with the Upstate New York band embarking on a year of celebration that includes the band’s 35th anniversary.

    Circle of Giants gives a nod to moe.’s enduring resilience and musical evolution over decades of highs and lows, bringing a fresh sound infused with introspective lyrics, coupled with masterful instrumentation and dynamic energy.

    moe Circle of Giants

    To celebrate, moe. has today released the album’s first single, “Ups and Downs,” a relatable take on the ups and downs of relationships, blending honest lyrics with an infectious groove.

    “Ups and Downs” dives into the highs and lows we all face, capturing the rollercoaster of emotions in a way that feels both personal and universal. It’s a track that hits close to home while keeping the energy high. Rob Derhak shares more on the song’s origins:

    ‘Ups and Downs’ came about from an experiment I conducted during the pandemic in 2020. There was a lot of uncertainty about our future, and the touring music business was especially uncertain. Stuck at home, and left to my own devices, I began working on my home digital recording setup.

    I came up with the idea of trying to write songs for people, and ‘Ups and Downs’ was one of those songs. It began with a conversation and a story. A man wanted me to write a song for him that could help express his feelings for his wife and their relationship. He wrote an email about how they met, but what struck me most was when he said, ‘Like anyone else, we’ve had our ups and downs.’ Once I read that, my mind opened up, and I was able to draw from my own experiences in personal relationships, and thus, the song ‘Ups and Downs’ was born.”

    Bassist Rob Derhak

    Circle of Giants also marks the debut of keyboardist Nate Wilson on a moe. studio release. Having joind the band in 2023, Wilson contributed two tracks to the album, “Yellow Tigers” and “Giants,” showcasing dynamic songwriting and adding a fresh dimension to moe.’s signature sound. Tracks like “Yellow Tigers,” as well as “Band in the Sky” and “Living Again” embody a passion and perseverance that has defined moe. for over three decades.

    In the spirit of celebration, moe. has also launched a pre-order for a reissue of their beloved holiday album, Season’s Greetings on festive red, white, and green pinwheel/splatter vinyl. The album bundle, including limited-edition holiday merchandise, is available now on moe.’s official website.

    To coincide with the album release, moe. will embark on an extensive winter tour beginning at the Aladdin Theater in Portland, OR on Thursday, January 30th. The tour spans the U.S., hitting fan-favorite cities and iconic venues. Continuing their commitment to mental health awareness, $1 from each ticket sold will benefit Backline, supporting mental health resources for touring musicians and their families.

    A special Artist Presale will open on Wednesday, November 13th at 10am local time (Password: CHEERS35YRS), followed by a Local Presale on Thursday, November 14th. Tickets go on-sale to the public this Friday, November 15th at 10am local time. For more information and to purchase tickets, please visit moe.org.

    VIP packages and individual show upgrades are available for an additional $100 (plus fees) in select cities, including Portland, OR, Seattle, WA, Crystal Bay, NV, Solana Beach, CA, San Francisco, CA, Frisco, CO, Denver, CO, and Philadelphia, PA. For these select markets, moe. will offer a “Cheers to 35 Years VIP Experience,” an unforgettable opportunity for fans to connect with the band. Each VIP package includes one General Admission ticket. an intimate pre-show performance, Q&A session with the band members, exclusive VIP merchandise gift, commemorative VIP laminate, merchandise shopping prior to public entry, and early entry into the venue.

    Tickets on-sale this Friday, November 15th at 10am local time. For more information and to purchase tickets, please visit moe.org

    moe. 2024-25 Tour Dates
    Friday, November 22-Saturday, November 23 – Sunshine Hootenany – Brookville, FL*
    Saturday, December 7-Wednesday, December 11 – The Mexico Incident – Puerto Morelos, MEX~
    Thursday, January 30 – Friday, January 31 – Aladdin Theater – Portland, OR
    Saturday, February 1 – Neptune Theatre – Seattle, WA
    Monday, February 3 – Crystal Bay Club Casino – Crystal Bay, NV
    Wednesday, February 5 – Thursday, February 6 – Belly Up – Solana Beach, CA
    Friday, February 7 – The Bellwether – Los Angeles, CA
    Saturday, February 8 – The Fillmore – San Francisco, CA
    Tuesday, February 11 – Commonwealth Room – Salt Lake City, UT
    Thursday, February 13 – Strings Music Pavilion – Steamboat Springs, CO
    Friday, February 14 – 10 Mile Music Hall – Frisco, CO
    Saturday, February 15 – Sunday, February 16 – Gothic Theatre – Denver, CO
    Thursday, February 27 – Wellmont Theater – Montclair, NJ
    Friday, February 28 – Saturday, March 1 – Brooklyn Bowl – Philadelphia, PA
    Sunday, March 2 – Mr. Smalls Theatre – Millvale, PA
    Wednesday, March 5 – Jefferson Theater – Charlottesville, VA
    Thursday, March 6 – The Ritz – Raleigh, NC
    Friday, March 7 – Neighborhood Theatre – Charlotte, NC
    Saturday, March 8 – The Eastern – Atlanta, GA
    Monday, March 10 – Charleston Music Hall – Charleston, SC

    *with Karina Rykman and Dogs in a Pile
    ~with String Cheese Incident, Daniel Donato, Chromeo and more

  • Albany Phish Shows Raise $4 Million for Divided Sky Foundation

    It has been just over a week since Phish played three shows in Albany, raising $4M from ticket and merchandise sales, as well as live stream fees, all to support the Divided Sky Residential Recovery Foundation and the recently opened facility in Ludlow, VT.

    Phish
    photo by Conor McMahon

    The non-profit addiction recovery organization started by Trey Anastasio has set a $10M fundraising campaign goal to support the facility through capital improvements, future property acquisitions, increasing staff and ensure a scholarship fund that remains accessibly to anyone in need, regardless of their ability to pay.

    “It’s hard to put into words how grateful we are to Phish and their fans for this generosity. But this isn’t about words–it’s about action. And because of these concerts, we will be able to help many more people take charge of their lives and to recover from addictions.” 

    Melanie Gulde, Program Director and co-founder of Divided Sky

    Watch the video below for an overview of the Divided Sky Residential Recovery Program featuring testimonials from Anastasio, Gulde, guests, alumni, and staff.

    This type of fundraising haul is not atypical for Phish. In 2023, Phish performed two benefit concerts at SPAC, raising over $3.5M for flood recovery efforts in Vermont and Upstate New York and welcoming special guest Derek Trucks. There are also two Phish charities – the band’s Waterwheel Foundation and the fan-based Mockingbird Foundation – have both raised millions of dollars for local causes and charities since their inceptions in the late 1990s (Ed. note: I am on the Board of Directors of Mockingbird Foundation, supporting music education across the country.)

    The hometown show feeling provided a unique buzz in the air to the pre and post-show festivities, for although Phish was here in 2018, the mid-week shows were marked by cold and rain, and aren’t the most memorable shows the band has played on South Pearl Street.

    https://www.youtube.com/watch?v=PofMFlw8MJI

    The mellow anxiety of seeing so many people at the hometown venue fed into the buzz, a unique combination as a trio of shows were upon the crowd. Friday night’s show paid tribute to Phil Lesh, who passed away earlier that day, and the band brought out the jams early as well as throughout a huge second set.

    Saturday night opened with “Possum,” just as the Saturday show in 2000 began, and a well rounded set highlighted by “Stash,” “Tube” and “Bathtub Gin” laid the groundwork for an action packed Set 2. From “Disease” onward, there was hardly a moment to breathe, let alone be distracted by Game 2 of the World Series, until late in the set during “Lonely Trip” where the unfortunate few who looked up at TVs near the bar had to suffer for the only letdown of the weekend. The “Dave’s Energy Guide” tease in Fuego (around the 9-minute mark) was just one highlight of this set, where deep improv driven by Page McConnell aided in keeping fans as dialed in as the band was.

    By Sunday, where the banner hanging in the rafters would need to change from 16 to 19 shows, this friends and family affair started with shout-outs contained in the lyrics to “Heavy Things” and the newer “What’s Going Through Your Mind.” A bust-out of “Access Me” followed, along with spooky jams in “My Friend, My Friend” and an intense, never-ending jam in “Kill Devil Falls.”

    https://www.youtube.com/watch?v=MguC2nYEK7U

    For the five-song second set, “Everything’s Right” led the way for a 16-minute installment, followed by “Chalkdust Torture” going beyond the 23-minute mark, and “Mercury” – complete with a restructured intro – following suit. A breather from “Wading in the Velvet Sea” gave way to the original McConnell Vida Blue number, “Most Events Aren’t Planned” which has found a second life since appearing during Phish’s Baker’s Dozen.

    https://www.youtube.com/watch?v=-9w1K0pIncw

    To close the run, you might have expected “Divided Sky” but that would mean Phish doing something predictable. Instead, a four song encore, punctuated by the opening “Gotta Jibboo” (shout out to Albany’s Jibboo Crew!), with “Waste,” “Bug” and “Character Zero” closing the run of three incredible and charitable concerts.

    Now, for those who attended the shows, you knew the cause was charitable given the month of rumors preceding the announcement of the shows, but there were times when the local media might have otherwise not known. The initial news of the concert announcement was shared of course, but when Albany County Sheriff Craig Apple sent out his press release noting a total of four arrests from the concert weekend, this is where the local media in Albany (like WTEN) could have made a small effort to tie the charitable aspect of the shows to the minor number of arrests (with around 50,000 tickets sold, that’s a ridiculously small percent of attendees – if they even were – at 0.008%) or go a step further and compare these few arrests to other local concerts held at MVP Arena.

    Running pat-on-the-back news makes sense for Sinclair-owned WRGB, but the disservice begins with ignoring the purpose behind these shows, which supports those most affected by opiate addiction, by eschewing the steps taken by the other 99% of attendees to these shows that supports the treatment center in Ludlow, VT.

    Beyond that, three concerts in a row at MVP Arena are an economic boon to the city, with sold out hotels across the region, full restaurants and bars on Pearl Street, and Downtown Albany seeing a busy weekend of tax revenue coming into the region, much from out of state. These tax dollars from music tourism are a real thing that continue revitalization efforts in the local economies of music destinations like Albany; whether the local media wants to investigate this angle remains to be seen.

    WNYT’s Zach Richter gave ample coverage to the shows with a focus on the Divided Sky Foundation, one that presents the cause as tied to the band through Anastasio’s recovery journey since his 2006 arrest in Whitehall brought him to sobriety. But when the arrests are shared in a Monday segment, no connection between the two is made.

    The Times Union did not run the story on the arrests, instead opting for a brief review and gallery of the shows, a true look at the shows with a focus after the fact on the charity side of the shows. Why is the TU the outlier here, when all the information on the shows is readily available to anyone seeking the answer? But therein lies the rub – you have to want to seek out more than what is spoonfed to you. Otherwise, you’ll eat anything they feed you.

    With $4M raised from the shows, I would challenge these outlets to find out what other bands and artists out there do anything similar, and focus on the benefits of these shows – in and out of the arena – rather than the few bad apples.

    You can support the Divided Sky Foundation by picking up merch from the shows, or visit the website directly here

    Less than two months to go until Phish celebrates their 16th New Years Eve at Madison Square Garden. Get more info here.

  • In Focus: Reprise Recreates Classic Albany 97 Phish Show

    There are cover bands and tribute bands, and then there are bands who take the tribute to another level. One of those bands is Dark Star Orchestra, who recreate classic Grateful Dead shows in their entirety, as they were once performed. Enter Reprise, a band that does for Phish what DSO does for the Dead – but with the added bonus of not only playing a classic Phish show from the town/area they’re playing in, they also make it a point to have the show be as accurate as possible to the original performance, in terms of song length, antics, commentary, and even interplay between band members and crew.

    reprise
    Photo by Chris Bobillo

    On Saturday, November 2 at Lark Hall in Albany, Reprise – Cal Kehoe (Pink Talking Fish – guitar), Scott Chasolen (The Machine, Ulu – keys), Chris DeAngelis (Kung Fu, The Breakfast, RAQ, The Machine – bass) and Adrian Tramontano (Twiddle, Kung Fu, The Breakfast, RAQ, Marble Eyes, Mihali – drums) – brought to life one of Albany’s classic Phish shows, calling back to December 13, 1997, the Fall 1997 tour closer.

    reprise
    Photo by Chris Bobillo

    For me, this was not only my first Reprise show, but they were recreating the first Phish show I ever saw live. While my memories from that show are limited to “Sample in a Jar,” “Good Times Bad Times,” the lights going out during “Hood” and the cacophony of ‘bringing the Dude’ during “Mike’s Song,” I have relistened to that show more times than I can count. The tour closer stands out in one of Phish’s greatest tours, and begged for regular relistening to see what I missed that night when I was still a noob.

    The show is chock full of jams, some rarities and new songs (for 1997) and some silliness that you only find at a Phish show when the band is dialed in and wrapping up a tour. I know this show by ear, and without looking at the setlist, let the show play out as it originally did just under 27 years ago, seeing what surprises were in store, but more importantly, how well Reprise did their homework on the recreation of the improvisation within the show.

    To that end, as students of this particular show, they nailed the assignment with flying colors. The “Ya Mar” was played to nearly the same length as the original 18+ minute jumping off point for the show, including the end of the jam that never really ended the song proper. A good chunk of the first set beyond that may appear on paper to be pedestrian, but the tempo of the “Theme From the Bottom” ending, the 11-minute “Vultures,” and the thrilling “Tube” that gave way to a set closing ball of energy in “Good Times Bad Times” gave an ebb and flow to the show that lines up with the original show, no complaints registered.

    reprise
    Photo by Chris Bobillo

    The second set opening with “NICU” kept that free-flowing vibe going out of setbreak (were these the same length of time as well? A good question for manager Tom Marshall.) and into “Punch You in the Eye,” which never lets down but especially never in the second set. With dancing in “The Landlady” from Kehoe and DeAngelis, the full recreation is there, all the way down to the sudden intro of a ’97 “Ghost,” which is the jam of the night in both cases, overlooked for the “Mike’s” that follows, but still worthy of inspection.

    Then again, that “Mike’s Song” is one of the odder things to catch at your first show, especially having no idea who this ‘Dude’ was they were suggesting to bring to the stage. The weirdness that Phish, and now Reprise, feed to fans amid an improv-vehicle is the launching point for the most furious part of this jam. By the time the weird returned in “Catapult,” wrapped up in a “Weekapaug Groove,” the set had flowed with the same ‘final show of the tour, all jams must go!’ intensity, wrapping up with a “Harry Hood” that saw the lights turned off, only a disco ball illuminating patrons and the stage.

    reprise
    photo by Pete Mason

    The encore of “My Soul” paired with the sentimental “Squirming Coil” closed the night as Kehoe, DeAngelis and Tramontano walked off stage to cheers while Chasolen closed the song on piano, before departing the stage to cheers from a dedicated audience who hung on for every note of the show.

    The only way this could have been more accurate (beyond the setbreak timing) is if an oddball opening act – ala J. Willis Pratt and Bionic, who opened for Phish this evening in 1997 – were to have performed ahead of Reprise.

    Even though you can never go back and see your first show a second time, no matter how many times you relisten, Reprise offers the next best thing – four top notch musicians who do their homework, nail the songs and jams and master the interplay of Phish with self-assured panache.

    Reprise plays Northampton, MA on December 19, 2024, recreating a classic show from the area. Tickets and more info here.

    Setlist via Phish.net

    Reprise – Lark Hall, Albany – Saturday, November 2, 2024 – recreating Saturday, December 13, 1997

    Set 1: Ya Mar[1] > Axilla[2] > Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube, Good Times Bad Times
    Set 2: NICU > Punch You in the Eye > Ghost > Mike’s Song[3] -> Llama, When the Circus Comes, Weekapaug Groove -> Catapult -> Weekapaug Groove, Harry Hood
    Encore: My Soul, The Squirming Coil
    [1] Unfinished.
    [2] Contained Axilla II ending.
    [3] Chants to “Bring in the Dude.”

    Ya Mar was unfinished. Mike’s Song included Foxy Lady quotes from Fish and some memorable vocal interplay from the band that included a chant to “Bring in the Dude.” During Hood, Trey asked Chris Kuroda to turn off the lights for a Blackout Jam and the audience responded with a shower of green glowsticks. The opening act was J. Willis Pratt & We’re Bionic.

    Photos by Chris Bobillo

  • Circle of Life: The Magic Beans and Squeaky Feet Bring Psychedelic Sounds to Life in Albany Rager

    On Thursday, October 24th, The Magic Beans and Squeaky Feet graced the stage at Lark Hall in Albany, unofficially kicking off an exciting “Phish weekend” with a vibrant and inspired set that encapsulated their unique blend of funk, rock, and psychedelic sounds.

    Performing to a rowdy crowd of enthusiastic music lovers, the show was a testament to the Beans’ growth as a band and their deep connection to the jam band community as a whole. Serving up a thrilling journey through their ever-expanding discography, the evening played out like a fairytale for those looking to dance the night away.

    The Magic Beans kicked off a storybook weekend in Albany on 10/24/2024.

    Kicking off the story proper with a lively opening performance was Squeaky Feet.  Planting the seeds for the memorable night with their energetic, prog-rock inspired grooves and dynamic on-stage presence, the Denver, CO based band also brought along some local pride in the form of guitarist Colin Shore, who formerly played in Albany underground favorite Mister F.  Joined on guitar by Greg King, bassist Jimmy Finnegan, drummer Kevin D’Angelo and keyboard player Brian Keller, Squeaky Feet commanded your attention from the very first note of “Hyrule Temple.”

    Local Pride: Guitarist Colin Shore performing with Squeaky Feet in Albany 10/24/24.

    Locked in and firing on all cylinders, the band really opened things up for exploration on a 16-minute version of “Never Break.” Displaying all kinds of technical skills and chops for days, the near 20 minute “Pantomime,” the opening track from the bands 2023 debut album Cause For Alarm, would reveal itself as the centerpiece of the set. Seamlessly shifting from patient, multilayered improvisation to segments of infectious trance fusion, to triumphant, soaring peak solos that made it all but impossible to stand still, Squeaky Feet played like a well-oiled machine that really listens to what each other is doing.

    Paying homage to their biggest musical influence, one of the most memorable highlights was the bands lengthy tease of Umphrey’s McGee’s “Booth Love” sandwiched inside a sprawling, 20 minute set closing “Premonition.” Drawing in the listener, then peppering them with an explosion of sound and skill, Squeaky Feet showed exactly why they are an emerging force to be reckoned with.

    Squeaky Feet opening for The Magic Beans at Lark Hall 10/24/24.

    After a brief intermission, it was finally time for the Capital Region return of The Magic Beans. Steadily making a name for themselves on the national circuit since their formation in 2010, the Beans have long shown an appreciation for the Albany area, likely due to the fact bassist Chis Duffy grew up in nearby Guilderland.  Along with Duffy, The Magic Beans are comprised of charismatic lead guitarist/vocalist Scott Hachey, keyboard wizard Casey Russell, and drummer Cody Wales.

    Blasting off with a 16 minute “Kid Rocket” opening jam, The Magic Beans quickly established their intentions to take Lark Hall to the stratosphere. The laid back, synth-heavy flow of RevHall would seamlessly transition into a lengthy “Handshake or Hug” jam, showcasing the bands’ ability to weave together diverse influences into an engaging musical journey.

    The Magic Beans performing at Lark Hall Albany on 10/24/2024.

    From here, Scott Hachey would switch out his electric guitar for an acoustic one on the foot-stomping, country tinged “Footprints in the Rain,” before taking the audience on a jazz odyssey through “Do Your Thing.” With the energy in the room growing and the dance floor widening out, perhaps the most impressive sequences of music would come next as a funky 13-minute rendition of “Night Games” would beautifully segue into a standout version of “Dr. Bubbleman,” before returning to the last verse of “Night Games” to complete one hell of an epic jam-sandwich. The crowd was particularly energized during this part of the show, losing their minds to the pulsating rhythms and infectious grooves The Magic Beans have become known for.

    Circle of Life: Magic Beans bassist Chris Duffy grew up in Guilderland, NY..

    One of the most unexpected highlights of the night was a surprise cover of “Circle of Life” from The Lion King soundtrack. Channeling his inner Elton John, this song was particularly potent for bassist Chris Duffy who sang it.  Growing up just one town away, the storybook night felt like a homecoming of sorts for the man with the mohawk, coming full circle after more than a decade of touring with the Beans. Infused with their signature flair, the beloved Disney classic was transformed into a danceable anthem that had the audience singing along to every word, bridging the gap between nostalgia and modern psychedelia.

    Scott Hachey and Casey Russell performing with the Magic Beans in Albany, NY 10/24/24.

    Keeping the positive, life affirming vibes alive, the Magic Beans would offer up the title track of their 2019 album “Off Leash” next, taking the crowd on a spirited, 16-minute funk-fueled ride and ultimately confirming that “This is the part where you feel good.”  Saving up perhaps the grooviest tune of the night for last, a stellar version of “Handcuffs” achieved a massive climax that left fans with their jaws on the floor and fully appreciative of the Beans’ undeniable talents. 

    While it seemed like the show was just about over based on the venue’s weeknight curfew, the adoration for the band was real and sustained and could not be denied. Answering the call for more, The Magic Beans would return to the stage for one last flight to the cosmos with an otherworldly “Space Cadet” to complete the mission and send fans into Phish wondering how any band could top this fantastically fun and inspired performance. The perfect start to an unforgettable weekend in Albany.

    Magic Beans | October 24, 2025 | Lark Hall | Albany, NY

    Setlist: Kid Rocket, Rev Hall > Handshake, Footprints, Do Your Thing, Night Games > Dr. Bubbleman > Night Games, Circle of Life, Off Leash, Handcuffs

    Encore: Space Cadet

    Squeaky Feet | October 24, 2025 | Lark Hall | Albany, NY

    Setlist: Hyrule Temple, Never Break, Pantomime, Premonition