It takes hours of tireless work to become an overnight success. Word to the wise: it takes 10 years for anyone to truly begin to see results. Nobody exemplifies this more than Buffalo’s first poet laureate, Jillian Hanesworth. Recently, she won an Emmy for her poetic efforts in conjunction with the Buffalo Bills.
Augustus Clarke and Jillian Hanesworth pose with their 2024 Sports Emmy received at Frederick P. Rose Hall in New York City [Marc Bryan-Brown Photography]
Before she began working with the Bills, Hanesworth poured in countless hours to conquer the struggle and pursue her truth. Born and raised in Buffalo – Hanesworth grew up within an artistic community where all walks of life embodied their roles to preserve art for generations to come.
The way that Hanesworth approaches art provides a refreshingly humble perspective. In the grand scheme of things, she views herself as a voice not the voice. Her voice is important, insofar, as it amplifies the voices of those around her, as well.
“You don’t have to be a known artist to be an artist.”
-Jillian Hanesworth
Perhaps, this humility and sacrifice toward her craft is the reason why more people are starting to hear about this phenomenal woman. Her firm dedication to uplifting those in need of knowledge without feeling any sense of entitlement strikes the perfect balance for this creative artist.
Purpose Plus Passion
Hanesworth’s multilayered approach to art, activism and advocacy make her an incredible social change agent. She reimagines justice with poetry and timely demonstrations – she does not wear a crown or sit on a high horse – she sees these actions as the service she owes to her community.
Hanesworth proves that the art of traditional storytelling is so important. Hanesworth shares her story so well as an artist. Buffalo’s first poet laureate and a familiar face for those suffering from Buffalo tragedies – Hanesworth set out to make a difference in her community.
As the founder of Literary Freedom she hosted pop-up bookstores in conjunction with her Buffalo Books program. Initially, she set out on a mission in Buffalo to increase the literacy rate for young scholars within her community.
She put a plan in place and aimed to raise $10K to reinvigorate 10 libraries. Shortly after she launched a GoFundMe, KeyBank in Buffalo met her fundraising goal to revamp selected libraries in Buffalo by putting local artwork on the walls and local authors on the shelves.
Grind Don’t Stop
As she put her nose to the grindstone and continued to do the Lord’s work – people began to notice her efforts. Shortly after the racially motivated shooting at Tops in Buffalo, the Bills asked Hanesworth if she could create something to help the people heal.
As life goes on, Hanesworth continues to find herself in situations to infuse lasting change. Those who set out to achieve something greater than themselves will ultimately find reward. From the jump, this woman set her sights on community literacy improvement and from there she has worked with several notable organizations who have given her a vehicle to move her message.
Hanesworth stepped into the artistic space with the right mentality and made moves according to her mission. Once people start to gravitate toward your art, it is not just about you anymore. Once your art and story arc take on a life of its own, you must ensure that you continue to double down on the reasons why you started.
Meet Little Stranger: an eclectic musical duo hailing from Charleston, South Carolina, originally rooted in the vibrant city of Philadelphia. The band is known for their unique blend of indie rap pop, infusing funky distorted guitar riffs with soulful trumpet and saxophone melodies. Their dynamic sound and playful stage presence have captivated audiences across the country, establishing them as a notable act in the contemporary music scene.
When it comes to genre-blending and innovative soundscapes, Little Stranger stands out as a trailblazer in the indie music world. The Charleston-based duo, originally from Philadelphia, has carved a niche for themselves with their eclectic mix of indie rap pop, a fusion that combines the raw energy of hip-hop with the melodic charm of indie pop and the vibrancy of live instruments.
Roots and Formation
Little Stranger is the brainchild of John and Kevin Shields (no relation), two musicians whose artistic synergy has led to the creation of a distinctive sound that defies conventional genre boundaries. Their journey began in Philadelphia, where they honed their craft and developed a unique musical identity before moving to Charleston. The relocation infused their music with a fresh perspective, adding layers of Southern charm to their already dynamic style.
The hallmark of Little Stranger’s music is its infectious energy and playful spirit. Their songs often feature funky distorted guitar riffs, complemented by trumpet and saxophone backups that add a soulful touch to their sound. Tracks like “Coffee & a Joint” resonate deeply with their audience, offering relatable themes wrapped in catchy melodies. Their music is not only aural but also visual, with their live performances characterized by vibrant, playful antics and an engaging stage presence.
New Single and Upcoming Album
The duo recently released their new single “Sofia” off their upcoming album Sat Around Trippin, set to be released on June 28. “Sofia” is a groovy track that deals with a breakup in typical Little Stranger fashion, featuring quick-witted lyrics that poke fun at both their ex and themselves. The song’s playful yet introspective tone perfectly encapsulates the band’s unique approach to songwriting.
Little Stranger’s live shows are a testament to their reputation as performers who know how to entertain and connect with their audience. At events like the Governors Ball, they have wowed crowds with their high-energy sets and whimsical stage antics. Kevin’s humorous quips, such as “everything’s legal so you can do whatever you want today” and playful banter about the attractiveness of the crowd, create an atmosphere of inclusivity and fun.
Headline Tour
Adding to their excitement, Little Stranger is embarking on a headline tour that includes stops at Brooklyn Bowl in Williamsburg and Buffalo Iron Works in Buffalo. This tour promises to bring their energetic performances and distinctive sound to a wider audience, further solidifying their presence in the music scene.
Looking to the Future
With a growing fanbase and a string of successful performances, including their recent set at Governors Bal 2024, Little Stranger is poised to continue their ascent in the music world. Their commitment to innovation and their ability to blend genres seamlessly ensures that they remain at the forefront of the indie music scene.
In a musical landscape often dominated by mainstream sounds, Little Stranger brings a refreshing change with their indie rap pop fusion, proving that creativity and originality still have a significant place in the industry. As they continue to evolve and push the boundaries of their sound, fans can look forward to more exciting music and unforgettable live performances from this dynamic duo.
New York holds a special place in the history of music, spawning countless superstar artists and musical movements. It is no wonder then, that New York has a host of institutions meant to celebrate its important relationship to music. Across New York State, there are a number of Music Halls of Fame, many of which celebrate the musical heritage of their region. Others instead celebrate entire genres that originated in New York. Let’s explore New York’s Music Halls of Fame, their histories, and what they contain.
Locations of New York State’s Music Halls of Fame
New York City Metro
Long Island Music and Entertainment Hall of Fame
The Long Island Music Hall of Fame (LIMEHOF) is an organization aiming to preserve and celebrate Long Island’s musical heritage. Inspired by this emergence of Long Island, music historian Norm Prusslin and Rich L Hommedieu founded the Hall in 2004. They were quickly joined by Jim Faith and others. LIMEHOF inducts artists, producers, venues, and radio stars from Suffolk, Nassau, Queens, and Kings counties. Located in Stony Brook, the hall of fame occupies an 8,800 square foot building, which also contains a museum dedicated to Long Island Music History. The museum houses instruments, memorabilia, and awards won by some of its inductees.
The exterior of the Long Island Music Hall of Fame
Starting in the 1970s, Long Island slowly began to emerge as a hub of music. Local bands like Zebra and Twisted Sister slowly began to conquer rock radio airwaves in the 1980s. Soon, by the early 2000s, Long Island had become home to its own music festivals, such as the Great South Bay and Long Island Bluegrass festivals. As Billy Joel said in his induction to the hall of fame, “people began to recognize that the âLong Island Soundâ wasnât just a body of water.” Inspired by this emergence of Long Island, music historian Norm Prusslin co-founded the hall of fame in 2004 with Rich L. Hommedieu.
Since its founding, the hall of fame has inducted over 120 figures, who originated or lived on Long Island. Genre pioneers like punk-rockers the Ramones, and hip-hop legends Run-DMC were among the first inductees. The hall of fame also recognizes nationally-known stars, like Billy Joel, Paul Simon, and Louis Armstrong for their success and influence. Induction, however is not just limited to artists, with execs, producers, and important venues also having spots in the hall of fame.
The lobby of the hall of fame museum
The hall of fame is also involved in music education, and community involvement. The museum facilities host a theater that showcases local artists, film screenings and music workshops. In addition to inductions, the hall of fame also awards the Harry Chapin award to artists and organizations dedicated to humanitarian causes on Long Island. Past inductees have included Steven Van Zandt, and the Long Island Cares food bank. The organization also awards annual high school scholarships, and recognitions for Long Island high school orchestras.
Hip Hop Hall of Fame
The Hip Hop Hall of Fame is an organization founded in 1992 that is dedicated to the preservation of hip hop as a cultural art. The organization specifically recognizes hip hop’s role in promoting socio-economic empowerment and urban development. In addition to recognizing artists instrumental in hip hop’s foundation, the organization places a special emphasis on community involvement through charity, and education.
A photo of the inaugural inductees in 1995, with Hip Hop Legends Grandmaster Caz, Mr. Magic, Founder JT Thompson, Kool DJ Red Alert and Ez AD
New York holds a key place in the development of hip hop as a genre. Hip Hop was born in the Bronx, with many citing its origins in an August 11, 1973 party held by DJ Kool Herc. His use of two turntables to play extended instrumental funk breaks shaped the sound that would become the basis for hip hop. Since its birth, New York has spawned countless superstars, including Notorious B.I.G., Nas, and Jay Z. It is no wonder why the Hip Hop Hall of Fame is based out of New York City.
The hall of fame’s inaugural induction ceremony was held at Sylvia’s restaurant in Harlem in 1995. Since then, BET has nationally broadcast annual induction ceremony and concert every November to celebrate Hip Hop History Month. Inductees include rappers, DJs, b-boys, and producers. The organization currently has no physical location, but that will soon change. The Hip Hop Hall of Fame is constructing a massive complex in the heart of Manhattan. The entertainment complex will host the hall of fame, museum, a hotel, and stores for visitors. The hall of fame museum will contain memorabilia, and interactive exhibits for each of its inductees. The physical facilities are expected to be completed in late 2026 to early 2027.
A digital rendering of the museum’s planned exhibits
The hall of fame holds community involvement and education as a key tenet of its mission. As a result, it offers a host of scholarships, grants, and music industry mentoring programs for inner-city youth. In addition, the organization invests in efforts to register voters, empower local businesses, and provide job training. This is all part of the organization’s belief that hip hop culture can be a positive influence in fixing many of the problems that plague the inner-city.
Brooklyn Jazz Hall of Fame and Museum
The Central Brooklyn Jazz Consortium founded the Brooklyn Jazz Hall of Fame in 1999. Its goal is to recognize musicians who had an impact on the cultural landscape of Brooklyn through both musicianship and community involvement. This hall of fame places specific focus on artists whose work has been overlook in comparison to other commercially successful jazz musicians.
The hall of fame’s origins can be traced to the Central Brooklyn Jazz Consortium, an alliance of venues, community organizations, and musicians. The Consortium places special emphasis on the preservation of jazz as a piece of Brooklyn’s culture, using activism and education to aid in this mission. Specifically, the consortium works to ensure there are accessible, and affordable music shows and programs for Brooklyn’s underserved communities. As part of this mission, the Consortium hosts an annual Brooklyn Jazz Festival.
The Consortium’s Jazz Hall of Fame is currently an online entity. Its creators however hope that it can one day have a physical location. The envisioned location would contain interactive displays, educational facilities and a performance center. The hall of fames inductees include singers, instrumentalists, composers, and bandleaders. Some notable inductees are Lena Horne, Freddie Hubbard, and Max Roach.
The Brooklyn Jazz Hall of Fame presenting an award to flautist Herbie Mann
The Hall of Fame is also dedicated to giving back to the community, and promoting jazz to youth. As a result, they award the annual Deacon Leroy Apple Young Lion Award. The hall of fame presents this award to a young Brooklyn musician with exceptional jazz skills.
American Theater Hall of Fame
The American Theater Hall of Fame is the only organization that recognizes lifetime achievement in American theater productions. Earl Blackwell, James M. Nederlander, Gerard Oestreicher and L. Arnold Weissberger founded the hall of fame in 1970 in Manhattan. The organization’s mission is honor the past history of theater, celebrate present productions, and encourage future involvement in the arts.
The hall of fame is located in the Gershwin Theatre in the heart of Broadway. It takes the form of large gold lettering embossed on the walls of the theater’s entrance. The Gershwin Theatre also houses a small museum dedicated to hall of fame inductees. The second floor lobby houses 22 exhibition cases displaying memorabilia from past inductees. Individual donations, and ticket sales from the theater fund the hall of fame’s memorial and events.
Since its first induction ceremony in 1972, the hall of fame has honored hundreds of performers, composers, and directors. To be eligible for induction, someone must have performed for over 25 years, and have at least 5 Broadway credits. Each year, a committee of 275 critics and hall of fame members votes on candidates, inducting the top 8. In terms of musicians, the hall of fame has inducted famous composers and conductors such as George Gershwin, and Leonard Bernstein.
The hall of fame hosts an annual induction ceremony and Gala at the Gershwin Theatre each January. Leaders of the Broadway industry frequently attend the ceremony. Each year’s induction ceremony is videotaped and stored at the New York Public Library for Performing Arts at Lincoln Center.
Bronx Walk of Fame
Bronx Borough President Fernando Ferrer founded The Bronx Walk of Fame to honor the achievements the Bronx’s residents. The Walk of Fame came as part of a larger plan to uplift the spirits of the borough’s residents, and improve the external image of the Bronx. Today, the Walk of Fame takes the form of a 23 block long corridor along the Bronx’s Grand Concourse. Along the concourse, street signs celebrate celebrities who were born or lived in the Bronx.
An aerial view of the Bronx’s Grand Concourse – home to the Walk of Fame
The bright yellow street signs along the Walk of Fame celebrate not only honorees, but the borough as a whole. One side displays an image of the Bronx County Courthouse, the center of government for the borough. The other illustrates art deco storefronts, hinting at the vibrancy of commerce in the community. Since the Covid-19 pandemic, the signs were redesigned, placing a larger emphasis on the inductees name, removing the building illustrations.
Each year, the Bronx Borough President, Tourism Council, and Overall Economic Development Corporation vet a series of candidates, before selecting inductees. There is an unveiling ceremony at the County Courthouse, where the signs are displayed for one year, before relocation to the Grand Concourse. The annual Bronx Ball celebration also honors Walk of Fame inductees.
The Walk of fame includes a number of musicians, spanning many genres and decades. Hinting to the Bronx’s importance to hip hop’s birth, a number of rappers, like Slick Rick and Kurtis Blow have signs along the concourse. Additionally, the Walk of Fame also honors the smooth voices of Luther Vandross, Bobby Darin, and Jerry Vale. The Bronx has historically been a hub for Latin music in the US, so many musical inductees have roots in this genre. Willie Colon, Johnny Pacheco, and Joseito Mateo are just a few salsa and merengue musicians honored on the Walk of Fame.
Ertegun Jazz Hall of Fame
The Ertegun Jazz Hall of fame is an organization dedicated to honoring luminary minds of Jazz. The hall’s name comes from Atlantic Records co-founder Nesuhi Ertegun, whose label released many seminal jazz records. Jazz at Lincoln Center founded the hall of fame in 2004 to celebrate the definitive artists that have shaped jazz.
“The Ertegun Jazz Hall of Fame will provide a center where the lives and the artistry of the greatest jazz musicians will be celebrated, and where people will come to learn about jazz, something to which my brother devoted his life’s work”
– Ahmet Ertegün
Today, Lincoln Center’s Frederick P. Rose Hall houses the interactive hall of fame. The hall includes a 14-foot video wall, interactive kiosks, and touch-activated virtual plaques. In addition, the hall’s architecture itself is a celebration of jazz instrumentation. The facilities make use of cork, wood, and brass, that are key materials of jazz instruments.
A 60 person panel, including artists, and scholars from 17 different countries works to select inductees. The inaugural 2004 induction included legends like Miles Davis, Jelly Roll Morton, Louis Armstrong, and 11 others. Jazz legends, including Herbie Hancock presented awards to inductees’ family members and friends.
A Display of Hall of Fame inductees in the Frederick P Rose Hall
Capital Region
Eddies Music Hall of Fame
The Thomas Edison Music Hall of Fame, colloquially known as the Eddies Hall of Fame began in 2019. The mission of the hall of fame is to celebrate individuals from the Capital Region who have made a significant impact on the music industry. Their contributions can be national or local, drawing a great diversity of inductees.
The Eddies Music Hall of Fame unveiling ceremony
Jim Murphy and Sal Prizio created the Eddies in 2018 as part of Proctor’s Collaborative. The collaborative is a collection of Capital Region theaters, music schools, and other organizations to push music education and economic development in the area. Each year, the organization hosts the Eddies Awards to recognize musicians of the Capital Region, and induct hall of fame members. The first ceremony was held at Schenectady’s Proctors Theatre, and saw 1,250 attendees.
Since its establishment, the Eddies Hall of Fame has taken physical shape in Saratoga Springs’ Universal Preservation Hall. The venue houses a wall of plaques honoring each inductee, with a screen of rotating videos telling their life stories.
Exterior of Saratoga Springs’s Universal Preservation hall
The hall of fame celebrates not only musicians, but also songwriters, producers, journalists and execs who have impacted the industry. To be eligible for induction, candidates must have spent part of their lives in the Capital Region, and had a music career longer than 20 years. The inaugural class of 2019 only had two inductees: Celtic star Kevin McKrell, and folk singer Ruth Pelham. Since 2019, the hall of fame has expanded to include 40 inductees.
Dance Hall of Fame
Marylou and Cornelius Vanderbilt Whitney founded the National Museum of Dance and Hall of Fame in 1986. The organization’s mission is to cultivate appreciation of musical arts, especially dance, in the larger community. The hall of fame additionally partners with the Saratoga Performing Arts Center (SPAC) to aid in arts education.
A restored bathhouse in Saratoga Spa State Park houses the hall of fame and museum. The museum contains memorabilia from some of the most famous dance artists of all time. Photographs, videos, personal artifacts, and costumes are just some of the objects displayed. Additionally, the hall of fame takes the form of golden plaques with the images and biographies of inducted embossed onto them.
From 1987-2019 the hall of fame annually inducted members who left a lasting impact on the dance industry. This has included many musicians, including singers, and composers. 2009 saw the induction of the King of Pop Michael Jackson for his chart-topping dance songs, and choreography. In addition, classical ballet composers such as Igor Stravinsky hold a place in the hall of fame.
The future of the Dance Hall of Fame has been uncertain since the Covid-19 pandemic. The museum remains temporarily closed since 2020, being taken over by SPAC in the meantime. SPAC and museum board member Anthony Ianniello has said that SPAC is working to reopen the museum to the public, with more information being available soon.
Central New York
NYS Country Hall of Fame
Cortland’s Country Music Park & Campground hosts the NYS Country Hall of Fame. Local musician Merlin Reynolds envisioned a hall of fame to recognize the Western artists of New York. In 1984, Reynolds with the help of Loretta and Dr. John Eckel purchased the current property to create the hall of fame.
The Country Music Hall of Fame’s Opry Barn
Located directly off NY-13, the property’s A-frame house hosts the hall of fame. The property contains a hall of fame, and hall of honor, which takes the form of commemorative plaques on the building’s walls. In addition, the property hosts a museum dedicated to country artists from Nashville and New York. The museum has memorabilia, instruments, and costumes from legends like Willie Nelson, and Tammy Wynette. Hall of fame and museum admission is $3 per person, with admission by appointment only.
In addition to the museum, the hall of fame hosts a vast campground for visitors. The campgrounds have guests lodgings, bbq pits, horseshoe courts, and a performance space. The performance hall, called the Opry Barn, has a 150 sq foot stage, hardwood dance floor, and kitchen for visitors. It is also home to the annual hall of fame induction ceremony.
One wall of the Hall of Fame, featuring plaques and memorabilia
Induction into the NYS country hall of fame first requires induction into the organization’s hall of honor. Honorees must have been born or lived in New York, and performed country music for over 10 years. Each year, 3 members of the hall of honor are elevated into the hall of fame at the annual induction dinner dance. In addition, the organization’s lifetime achievement and horizon awards are presented at this event. This ceremony takes place the last Sunday of October. Since its inception, the hall of fame and hall of honor have inducted over 200 musicians.
SAMMY Hall of Fame
Since 1993, The SAMMYS awards have celebrated the music scene of Syracuse and Central New York. Since its inception, the awards have included an annual induction into the SAMMYS hall of fame.
Carolyn Kelly’s induction into the SAMMYS Hall of Fame in 2023
The first SAMMYS Hall of Fame induction took place at Syracuse’s Landmark Theatre in 1993. Since its founding, the annual ceremony has become the largest music event in Syracuse, drawings hundreds of musicians and guests each year. The hall of fame currently has no physical location, and takes the form of this honor at the annual awards. In addition to awards, the ceremony features live performances from local artists and honorees.
The hall of fame recognizes musical artists and organizations from Syracuse who have left a lasting impact on the music industry. Since its start in 1993, the hall of fame has inducted over 100 artists, venues, and publications. The first artist inducted was jazz trombonist Spiegle Wilcox in 1993. In addition, the SAMMYS also recognizes a select few with lifetime achievement awards. Lifetime achievement honorees include legends like Lou Reed, and Ronnie James Dio.
Oswego Music Hall of Fame
Nancy Spereno and the Oswego Harbofest board established the Oswego Music Hall of Fame in 1990. In the words of the organization, they honor artists “who have kept Oswego dancing, singing, and smiling for years.” Following the 1990 awards, the Hall of Fame went on hiatus until its revival in 2015. For the past nine years, the hall of fame has honored local artists at its annual induction ceremony.
The hall of fame’s inaugural induction honored Joseph Spereno, Charlie Davis, Dick Workmen, Jimmy Gannon and Dick Fellows. These men were recognized for laying the groundwork of Oswego’s music scene, as well as their dedication to the community. Then Mayor John T. Sullivan also presented them with keys to the city at the 1990 Harborfest celebration. Following a 15 year hiatus, the hall of fame was revived with the sole induction of Joseph P. Spereno. Spereno worked as agent for legends like Isaac Hayes, ELO, Tom Petty, and others. He was also honored for his dedication to charities fighting AIDS, and funding music education. The hall of fame now awards the “Joseph P. Spereno Hall of Fame Award,” which is the highest honor at the annual ceremony.
2023 Oswego Music Hall of Fame inductee John McConnell
The Oswego Music Hall of Fame has no permanent location, but takes the form of an annual induction dinner each October. The annual ceremony features hall of fame inductions, live music performances, and the awarding of the organization’s annual Joseph P. Spereno Scholarship. The scholarship recognizes a local youth who wishes to pursue a career in music.
Western New York
Buffalo Music Hall of Fame
The Buffalo Music Hall of Fame is an organization dedicated to preserving and promoting the diverse musical heritage of Western New York. Rick and Marsha Falkowski founded the hall of fame in 1983 to honor the musicians and cultural achievement of Erie, Niagara, Allegany, Cattaraugus and Chautauqua counties. The hall of fame not only includes international superstars, but also regional figure’s who shaped the music industry in Buffalo.
Following its founding, Niagara Falls’ Hard Rock Cafe housed the hall of fame in a dedicated room. The room displayed memorabilia and artifacts from the hall of fame’s inductees. For years, the hall of fame hoped for a standalone location to house a performance space, displays, plaques, and memorabilia. This dream came true in 2021, with the opening of a physical space in Buffalo’s Black Rock neighborhood.
Each year, the hall of fame announce its nominees at a midsummer press conference, with official induction taking place at its annual October gala. The 2023 induction gala took place at Buffalo’s Seneca One Tower, with an induction concert taking place the next night. Induction is based on longevity in Western New York, community service in music, music education/mentoring, charitable contributions, recording status, and production credits.
Since its founding, the hall of fame has inducted hundreds of honorees spanning countless genres. Some standouts include funk legend Rick James, pop icons Goo Goo Dolls, and jazz fusion band Spyro Gyra.
The hall of fame partners with many local Buffalo organizations to give back to the community. They often collaborate with Music to Remember WNY, and the annual Juneteenth celebration. Additionally, the hall of fame offers annual scholarships for students who study and perform music.
Niagara Falls Music Hall of Fame
The Niagara Falls Music Hall of Fame is an organization dedicated to preserving and honoring the musical heritage of the Greater Niagara Falls area. The organization inducts individuals, groups, and businesses that have left a lasting impact on the local, national, and international music scenes.
The hall of fame currently has no physical location, but has held induction ceremonies since its founding in 2017. As part of the inductions, an annual ceremony and concert is held, with the 2024 edition set for October 23.
The hall of fame allows members of the community to nominate individuals, groups, and venues for induction. The nominees are then evaluated based on their impact on the local community, not necessarily their popularity. Nominees must have a definite connection to the region, and a noticeable impact on music or community service. Inductees include everyone from the MacKenzie Highlanders Pipe and Drum band to rock guitarist Frank Grazanti.
The MacKenzie Highlanders play at the 2023 Niagara Falls Music Hall of Fame induction
In addition to induction, the hall of fame offers an annual Dr. Sam Morreale Award. The award recognizes a musician, promoter, or fan who has shown unparalleled dedication to music in the community. The award’s namesake is Dr. Sam Morreale, a dentist, music historian, and reedist, who served Niagara Falls’ music community for over 70 years.
Rochester Music Hall of Fame
The Rochester Music Hall of Fame began in 2009 to recognize the immense talent, and promote appreciation of Rochester’s music scene. The hall of fame recognizes not only Rochester, but much of Western New York, including Monroe, Orleans, Genesee, Wyoming, Livingston, Ontario, Yates, Seneca and Wayne counties.
In 2009, local musician Karl LaPorta wrote an op-ed in Rochester’s Democrat and Chronicle newspaper envisioning an institution to honor the city’s musicians. Seeing an immensely positive community response, LaPorta assembled a committee, including media, politicians, and musicians, to found the hall of fame.
The exterior of the Eastman School of Music’s Miller Center
The hall of fame made a great stride in 2018, opening a physical location in Rochester’s Miller Center. It now shares the building with the Eastman School of Music‘s Sibley Music Library. The hall of fame holds regular events for the community, including book talks and signings as part of its “Books Backstage” events. In addition, since 2019 âThe Grove Place Jazz Project” sees jazz performances from music school students each Tuesday evening.
Since 2012, the hall of fame has inducted yearly honorees, including musicians, radio hosts, venues, and philanthropists. Rock legends like Foreigner’s Lou Gramm and The Beach Boys’ Al Jardine, as well as Jazz icon Cab Calloway are among the inductees. The class of 2024 includes producer and YouTube star Rick Beato for his role in online music education. The hall of fame awards each inductee with a trophy in the shape of a gold treble clef designed by award-winning artists Mark McDermott.
The hall of fame remains dedicated to giving back to the Rochester community, offering a host of outreach programs. They offer a school outreach program to educate students on music history, opportunities in the music industry, and the hall of fame’s activities. Live music performances often accompany these talks. In addition, the hall of fame awards an annual Douglas Lowry award scholarship to a local high school senior wishing to pursue a career in music.
National Comedy Hall of Fame
The National Comedy Center in Jamestown, NY houses the newly established Comedy Hall of Fame. The hall of fame is the first one in the country to honor legends of stand-up comedy. The mission of this hall of fame is to honor inductees, provide education on comedic arts, and explore the role of comedy in American history.
The National Comedy Center, which houses the Comedy Hall of Fame
A 2022 Netflix special titled “The Hall: Honoring the Greats of Stand-Up” launched the hall of fame, acting as its first induction ceremony. The ceremony was hosted by current comedy icons, like John Stewart, John Mulaney, and Dave Chappelle, who honored inductees, as well as comedians who had recently passed. At this inaugural ceremony, four comedy legends were inducted, including Richard Pryor, George Carlin, Joan Rivers, and Robin Williams.
John Mulaney presenting at the first induction into the Comedy Hall of Fame
A brand new wing of the National Comedy Center will house the hall of fame will contain interactive exhibits, archives of rare performances and interviews, and memorabilia from inductees. The National Comedy Center began in 1996 as the Lucille Ball-Desi Arnaz Museum before its rebranding in 2018. On its 37,000 sq foot grounds, the museum invites upwards of 60,000 annual visitors to explore exhibits ranging from vaudeville to internet memes. In addition, the organization has hosted sets by famous comedians, such as Jerry Seinfeld and Trevor Noah. Congress designated the museum as an official US cultural institution in 2019. The museum is located in Jamestown, NY, the hometown of I Love Lucy star Lucille Ball.
Statewide
New York Blues Hall of Fame
The New York Blues Hall of Fame is a subsection of the national Blues Hall of Fame, founded in 1999. Its mission is to preserve the legacy of the blues through local induction ceremonies across New York States. These ceremonies bring artists, fans, and contemporaries together to recognize inductees’ musical prowess. The hall of fame places special emphasis on those who have gone overlooked, tirelessly perform for passionate audiences.
The Recognition of Jeff Pevar as a Master Blues Artist at the 2016 induction ceremony
The hall of fame currently has no physical location, but has an extensive e-museum on their website. The website contains a gallery of videos and photos honoring its inductees. Additionally, the e-museum hosts pages on local blues histories, and defining bands and artists of the genre. On top of this, it also provides information on local blues jams and events across the state.
Whereas the national Blues Hall of Fame began in 1999, the New York edition had its first induction ceremony in 2011 in Middletown. The hall of fame hosted 24 induction ceremonies through 2016, traveling to NYC, the Hudson Valley, Albany, and more.
In its induction ceremonies, the Blues Hall of Fame honors great artists, photographers, venues, and more. Some honorees of note are Taj Mahal in 2016, Shemekia Copeland in 2013, and Allman Brothers Band drummer Jaimoe also in 2016. The Hall of Fame awards honorees a certificate recognizing them as either a legendary, master, or great blues artist.
Riot Fest has announced the lineup of its 2024 festival, along with a new venue and adventure experience, “RiotLand.” The festival is located in Chicago and, for the first time, will be held at the SeatGeek Stadium in Bridgeview.
This year, over 90 performers will take the stage over the span of three days. From September 20 through the 22, Riot Fest brings a top-tier lineup of punk-rock and alternative powerhouses and a fun, fully immersive theme park to the village of Bridgeview.
Headlining performances include hometown favorites Fall Out Boy, who make their first return to Riot Fest since their performance in 2013, Beck with special guest Pavement, and a reunion show from metal legends Slayer, who will be closing out the festival on Sunday, September 22.
This year, Riot Fest hosts about 90 different artists, ranging from some of the biggest names in rock to up-and-coming artists. Rock band NOFX will be celebrating their last hoorah with Riot Fest, putting on show-stopping performances for the entire weekend. Something Corporate will play their first Chicago show since 2010. Attendees will also get to experience the reunion of the iconic hip-hop group Public Enemy. Also making a comeback this year is Slayer, who will be closing out the show on Sunday. Fans can also witness a rare live performance from Dr. Dog, who retired from full-time touring in 2021.
For fans of reggae and ska, The Marley Brothers, featuring Ziggy, Stephen, Julian, Ky-Mani, and Damian, are performing a full Bob Marley tribute set along with original music. The full album plays this year are The Offspring playing “Smash,” Manchester Orchestra playing “Cope,” and Mastodon performing their classic, “Leviathan.”
For the first time, Riot Fest will also be including the aforementioned “RiotLand,” an immersive “Choose Your Own Adventure” experience. Activities include a casino, a gay punk and dance club, carnival games, and more. RiotLand also features a wide variety of concessions, including the World’s Largest Festival Bar, Professor Pizza, and Nihilist Arby’s. RiotLand features fan favorites from years past, including the Wedding Chapel, the Riot Pop!!, Skate Ramp, free arcade games, Professor Pizza, the rock-n-roll circus freak show Hellzapoppin Circus, mini golf, and more.
Founded in 2005 by Mike Petryshyn and Sean McKeough, Riot Fest showcases the best and biggest names in the alternative rock scene. In the almost 20 years since its inception, the fest has brought in crowds of thousands each day. This year, the festival expects to draw in approximately 50,000 people each day.
Tickets are now on sale for Riot Fest 2024 and can be purchased through the festival’s website. Options for 1-day, 2-day, and 3-day tickets are all available.
Following his recent international success, Mexican rapper Sante Fe Klan announced his upcoming “Blanco y Negro” Tour, with special guests That Mexican OT and Aleman. The tour takes him across the United States, including a stop at the Prudential Center in Newark, New Jersey.
Hailing from Guanajato, Sante Fe Klan has dedicated the last seven years to becoming the face of music in Mexico. With his passionate lyricism, creative flow, and elements of traditional Mexican music, it is no wonder Santa Fe Klan has been dominating the Mexican hip-hop scene.
Since 2017, he has released ten albums and topped the country’s charts year after year. His growing international popularity has acquired quite a diverse fanbase, stretching from fans in Mexico and Latin America to the United States. His international success is seen through his most recent album, “TODO,” which includes guest features from hip-hop legend Snoop Dogg and Latin pop powerhouses Peso Pluma and Duki. Over the years, the rapper has performed in several festivals within Mexico, including the Tecate Pa’l Norte music festival in Monterrey, and the Vive Latino festival in Mexico City.
After years of dominating Mexico’s music industry, Santa Fe Klan brought his energetic and exciting stage presence to the United States earlier this year. In March, The South by Southwest Festival in Austin, Texas, was his U.S. festival experience, where crowds were stunned by his dynamic, fun, and electrifying performances. In April, he made his Coachella mainstage debut and sold out two separate weekends, solidifying his spot as one of Mexicoâs most prominent artists.
Santa Fe Klan performs at Coachella – Arturo Holmes/Getty Images for Coachella
This summer, Santa Fe Klan announced his “Blanco y Negro” Tour, named after his highly anticipated upcoming album. With this nationwide tour, U.S. fans can finally experience his showstoppers performed live. International fans can finally join the rapper in some of the country’s most renowned venues, such as the Smart Financial Center in Houston, and the Prudential Center in Newark. With this tour, Santa Fe Klan promises to deliver unforgettable moments for new and longtime fans.
All tour dates are listed below. For more information, fans can follow the artist here.
TOUR DATES:
Fri Jul 26 Salt Lake City Maverik Center
Sat Jul 27 Las Vegas, NV Bakkt Theater at Planet Hollywood Resort & Casino
Fri Aug 02 Sacramento, CA Golden 1 Center
Sat Aug 03 Palm Desert, CA Acrisure Arena
Fri Aug 09 Fresno, CA Save Mart Center at Fresno State
Sat Aug 10 San Diego, CA Cal Coast Credit Union Open Air Theatre
Fri Aug 16 Los Angeles, CA Crypto.com Arena
Sat Aug 17 San Jose, CA SAP Center
Fri Aug 23 El Paso, TX UTEP Don Haskins Center
Sat Aug 24 Phoenix, AZ Talking Stick Resort Amphitheatre
Sun Aug 25 Anaheim, CA Honda Center
Fri Aug 30 Ridgefield, WA RV Inn Style Resorts Amphitheater
Sun Sep 01 Auburn, WA White River Amphitheatre
Thu Sep 26 Newark, NJ Prudential Center
Sat Sep 28 Bristow, VA Jiffy Lube Live
Fri Oct 04 Charlotte, NC PNC Music Pavilion
Sat Oct 05 Duluth, GA Gas South Arena
Sat Oct 12 Milwaukee, WI BMO Pavilion
Fri Oct 18 Miami, FL FPL Solar Amphitheatre
Sun Oct 20 Tampa, FL Yuengling Center
Fri Oct 25 Hidalgo, TX Payne Arena
Sat Oct 26 Laredo, TX Sames Auto Arena
Fri Nov 01 Houston, TX Smart Financial Centre at Sugar Land
The 2024 Songwriters Hall of Fame 53rd Annual Induction and Awards Dinner once again took New York City by storm on the evening of June 13, 2024.
Opening with remarks by SHOF Board Member and Show Committee Chair Evan Lamberg, the Gala recognized and honored the immeasurable impact of some of the most legendary songwriters of our time.
NEW YORK, NEW YORK – JUNE 13: Carrie Underwood speaks onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
The evening was a dazzling spectacle as musical icons Hillary Lindsey, Timothy Mosley p/k/a Timbaland, Dean Pitchford, Bill Berry, Peter Buck, Mike Mills, and Michael Stipe p/k/a R.E.M., and Walter Becker and Donald Fagan p/k/a Steely Dan were inducted into the Songwriters Hall of Fame. Master songwriter and multi-award-winner Diane Warren received the prestigious Johnny Mercer Award, and 4X GRAMMY award-winning recording artist SZA received the Hal David Starlight Award. The night also followed the posthumous induction of legendary country songwriter Cindy Walker to the SHOF for her remarkable contributions to the world of music in a special tribute held at a SHOF Master Session in Nashville.
NEW YORK, NEW YORK – JUNE 13: Trey Anastasio performs onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
The Songwriters Hall of Fame Induction and Awards Dinner, year after year, is a stunning night full of spectacular moments honoring the art of songwriting. The evening kicked off with a special performance of Irena Cara’s “Fame,” performed by 2024 Abe Olman Scholarship recipients Rodney Chrome, Molly Kate Kestner, Sierra “Spirit” Kihega, Ava Liv Mabry, and Matilda Marigolds. 4X GRAMMY award-winning recording artist Deniece Williams then took the stage to begin the induction of Oscar-winning and multi-GRAMMY and Tony-nominated songwriter Dean Pitchford. Williams performed her 1984 hit “Let’s Hear It for the Boy” of Footloose fame, which had the whole crowd clapping to the rhythm. Multi-award-winning actor Kevin Bacon and musician Michael Bacon, who together form The Bacon Brothers, then continued the party, bringing the house to their feet for an electrifying performance of “Footloose” that put Kevin Back in the dancing shoes of his former role. The brothers then inducted Dean, saying his writing has “inspired all of us to reach for our dreams.” Following his induction, Dean performed “Once Before I Go,” a piano-backed, emotional retrospective, fitting for such a momentous occasion.
Renowned manager Irving Azoff began the honors for Steely Dan, naming them “among the best bands ever” and claiming that “their records will be recognized as iconic for the rest of time.” Singer-songwriter and lead guitarist of Phish, Trey Anastasio, then took the stage to perform a medley of Steely Dan hits. The funk-infused “Kid Charlemagne” blended seamlessly into the famous riffs of the timeless, swinging groove of “Reelin’ In the Years.” Trey then inducted Donald Fagan and Walter Becker, stating that together, “they created a body of work that defied categorization – masterful, thought-provoking, elegantly melodic songs filled with beautifully flawed, deeply human and believable characters.”
Songwriters Hall of Fame Chairman, Rock & Roll Hall of Famer, and 6X GRAMMY award-winning musician Nile Rodgers took the stage next to honor SZA with the Hal David Starlight Award, which is presented to young songwriters making a significant impact in the music industry with their original songs. Nile praised her abilities as a composer, which “manage the amazing feat of being ethereal and keeping it real at the same time.” The 4X GRAMMY award-winning recording artist then performed an intimate, acoustic performance of her hit “Snooze” from her breakthrough sophomore album SOS, and claimed that receiving this award “validates [her] entire career.”
NEW YORK, NEW YORK – JUNE 13: (L-R) Carrie Underwood, Clive Davis and Diane Warren attend the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
Next to the stage was 8X GRAMMY award-winning country superstar Carrie Underwood who kicked off the induction for Hillary Lindsey with a powerful performance of “Jesus Take the Wheel” from her debut album Some Hearts. Carrie bestowed the title “queen of modern Nashville songwriting” to Hillary and 4X GRAMMY-winning musician Keith Urban joined her on stage for the induction. Hillary then performed a stripped down medley of the songs she penned, with a rendition of Lady Gaga’s “Million Reasons” which turned into a duet with Keith Urban joining her for “Blue Ain’t Your Color,” his electric guitar perfectly complimenting her bared-down acoustic melodies.
NEW YORK, NEW YORK – JUNE 13: Timbaland speaks onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
4X GRAMMY-winner and SHOF inductee Missy Elliot took the stage next to induct her frequent collaborator and friend Timbaland, crediting the fellow 4X GRAMMY-winning rapper and producer with “changing the cadence of hip-hop.”
NEW YORK, NEW YORK – JUNE 13: Timbaland conducts onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
On his induction, Timbaland claimed it to be the “best award [he] could ever get,” before he performed a victory lap of the hits that brought him here, energizing the room with a medley of “Big Pimpin’,” “Pony,” “SexyBack,” “Get Your Freak On,” “Drunk in Love,” “Promiscuous,” and “Suit & Tie.”
NEW YORK, NEW YORK – JUNE 13: (L-R) Mike Mills, Michael Stipe, Bill Berry and Peter Buck, of R.E.M., perform onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
R.E.M. had the last induction of the evening, led by 6X GRAMMY award-winning singer, songwriter, and actor Jason Isbell who performed the band’s 1987 song “It’s the End of the World as We Know It (And I Feel Fine).” With his guitar in overdrive, the high energy, quick-flying alternative rocker lit up the room. The band then performed for the first time together in 15 years, playing their multi-GRAMMY award -winning hit “Losing My Religion,” which enthralled the audience with a mesmerizing, mandolin-driven performance.
NEW YORK, NEW YORK – JUNE 13: Michael Stipe, of R.E.M., perform onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
The program neared the finale with the presentation of the Johnny Mercer Award to Diane Warren, the highest honor bestowed by Songwriters Hall of Fame. Multi-award-winning songwriter, SHOF inductee, and Johnny Mercer Award recipient Paul Williams presented the award, claiming “A.I. worries about Diane Warren.” GRAMMY and EMMY award-winning singer and songwriter Andra Day put on a rousing performance of her Oscar-nominated song “Stand Up for Something” from the 2017 film Marshal, with her soaring vocals giving the evening wings.
On accepting her award, Diane stated “songwriting isn’t something I do, it’s who I am and what I live and breathe for every day of my life.” 5X GRAMMY award nominee El Debarge then closed out the evening, performing “Rhythm of the Night,” Diane’s first hit song,coinciding with the song’s 40th anniversary and bringing the room to their feet, stomping and clapping as the ceremony closed with a bang.
If there’s an irrefutable truth about the hip hop ecosystem is that it caters to the youth. Much like Wu Tang Clan‘s popular mantra, hip hop really is for the children. After all, since its inception, rap music has long resembled youthful cosplay in a reflection of one’s environment and beliefs. From the Village People attire of Afrikaa Bambaataa and crew, to crack era MC’s putting on their best street hustler ensemble, hip hop’s rise came as a change of pace from the conforming hymns of jazz & soul music.
Hip hop’s ethos was ever-changing before settling on what we see today.
With the golden era rappers of the ’80’s and ’90’s acting as vanguards for artistic representation, rap music — thought to be a fad more than a respected art form — was brought to new heights with inventive forms of story-telling. Albums like Paid In Full, Criminal Minded, It Takes a Nation of Millions to Hold Us Back, The Score, 36 Chambers, Ready to Die, Illmatic and many more transformed the movement from frantic, counter-culture and youthful exuberance, into dissectible urban diaries.
After all, at its peak the literary elements warranted examination much like a James Baldwin poem. The raw anger, angst and imagery, for better or worse, is the product of socio-economic plight which demanded thought-provoking conversation. Ultimately, as its popularity soared, hip hop took the form of an uncouth political candidate with an in-your-face bravado as it pandered to the roar of a pent-up generation wanting its voice heard.
Controversy Sells
Soon enough label execs began cashing in on the latest trend. And subsequently conscious raps made way for more abrasive lyrics with a focus on aggressiveness and over-the-top hubris. In the end hip hop’s bouncy beats and mercurial nature made kids and young adults a prime market.
Growing Pains
Nonetheless, rap music’s raunchy and explicit nature fit right in with the late 80’s and ’90’s ethos of violence and erratic behavior, a time where pop culture’s biggest stars struggled to exist as functional human beings. However, unlike other genres, rappers don’t string together guitar solo’s or sing beautiful high notes. They become stars by selling you themselves, or who they say they are. Thus in a world where “Money, Cash, Hoes” is the modus operandi, they became caricatures, while typecasting themselves artistically for record sales.
Truthfully I wanna rhyme like Common Sense But I did 5 mill’ â I ain’t been rhyming like Common since
-Jay – Z, “Moment of Clarity”
And as the business of hip hop grew rappers became spokes in a wheel. With the formula for success as redundant as it is profitable. Your typical major label rapper consists of a charismatic individual with inner-city cultural norms, armed with the gift of gab and quick-witted use urban of idioms. Equipped with the latest fashion and jewelry, yet lacking the tools for artistic transcendency. Thus, after some time, many rappers become frozen in their distinct era, becoming human time-capsules. And in an ever-changing world, the sound of hip hop has done a complete 180, going from rigid boom bap to fluid and experimental, which continuously leaves rappers feeling dated .
Where Do We Go From Here?
Fundamentally, when your target audience’s prefrontal cortex has yet to form, it leaves little room for character development. For instance, sitcoms on Disney Channel or Nickelodeon only last about 3 seasons — as it doesn’t make sense to develop characters and shows that will eventually age out of their demographic. In hip hop, very few rappers get the opportunity to mature their sound and if they do, it is almost always well past the point of commercial appeal. Consequently most promising rap careers tend to mirror that of a once-great NFL running back. For every Peyton Hillis, Jay Ajayi and Todd Gurley, there is a Blocboy JB, Makonnen and Desiigner, amongst many, many more.
Can you spot the difference?
Under those circumstances older acts that wish to maintain relevance must evolve (or de-volve) as their sound must have a Benjamin Button like trajectory, consistently aging down to make way for the new norm. It’s why a megastar like Drake perpetually stays tapped in to younger, underground artists, often employing younger acts to aid in his creative process. Because, despite his best efforts to present a contrary image, Drake doesn’t think like a teen or young adult.
Even the big 3 have to adapt to hip hop’s revolving landscape
Similarly, J. Cole’s latest track “Grippy,” a remix of Cash Cobain’s hit-record “Dunk Contest,” is in accordance with this phenomenon. The “No Role Modelz” rapper’s attempt at the”sexy drill” sound has quickly become social media fodder, with Cole sounding out-of-touch while letting Nas down in the process. Hell, even the likes of Kendrick Lamar needed an easily digestible follow-up to the critically-acclaimed To Pimp A Butterfly. 50 years in the making, hip hop is firmly entrenched in a civil war between old and new.
On To The Next One
However, despite all the constant rethoric regarding “OGs,” in hip hop, make no mistake, the youth set the pace. With every 40 plus occupier of the culture ready to placate their younger counterparts in a means to avoid the poignant rays of “old head” that would leave them outside the club of relevancy. For this reason rappers and media personalities alike must duck, dodge and weave in the never-ending battle for the fountain of youth.
Youth is akin to a superpower in rap’s revolving landscape
Yet, sadly, this leaves many legends of the genre outside the scope of musical relevancy. And for better or worse, the ageism in hip hop only affects the talent, the faces that you see. The ones you don’t are the one signing the checks and profiting from it all. Yet when a legend like Method Man feels out of place in an ecosystem he once thrived in, it serves as an eye opener to the hip hop’s cyclic nature. Moreover, as we’re firmly in the streaming era, maturation in hip hop is once again on the back burner. As artists look for their next Tik Tok hit and viral moment, there is no time to look back and appreciate the past (unless there’s a sample to be had), as hip hop is perpetually on the lookout for the next trend.
Building buzz boils down to the person who strikes awe within fans. The one who puts people in seats and keeps them on their feet. An individual that rejects all societal constructs when it comes to traditional musical approaches goes by the name of Mach Hommy. Much of the time he creates masterpieces without any features except for his latest album, #RichaxxHaitian.
You might have seen a Mach Hommy vinyl on a Viceland show with 2 Chainz. Furthermore, the quality of music certainly magnifies the enjoyment for any listener. This man proves his brilliancy within bright pockets of sound sampling.
Discussion about Mach Hommy as the only man capable of licensing lathe cut technology to cut grooves into vinyl rather than press.
Speaking the Homily
Mach weaves intricate textures and interwoven patterns within each record. Realistically, nobody within any sector – underground, mainstream, drill – raps smoother than Mach Hommy and collaborators alike.
You may have heard Mach Hommy mentioned within the same breath as Your Old Droog [YOD]
YOD, Mach and Tha God Fahim share the DUMP mentality. Every great artist pushes themselves through a phase where they become comfortable being uncomfortable. Each one of these three artists pushed through a time where they released multiple projects within one year. Hence, they DUMPed on the game given the quality in relation to timespan.
Mainly, Mach Hommy plays a pivotal role within any room. His collaborations with Your Old Droog firmly reject traditional musical methods with nonconformist demeanors. From the sounds of it, Droog stayed independent thanks in great part to wisdom imparted by the omnipotent DUMP Gawd himself – Mach Hommy.
The most fascinating elements become illuminated when Mach Hommy comes near the function. Details are normally what many people fail to recognize. Crucially, tonal perception and vocabulary determines the depth by which a listener comprehends wordplay.
Details by way of Tyron de Harlem chronically affect the timeline by which this author discovered Mach Hommy. Normally, one journalist sees another journalist taking ATV rides with an artist yet to reveal his face and they tend to take a look. Insofar, the pen of this author understands and circulates wisdom as well.
This album deserves an archival article/zine concept.
Basically, this collection of songs starts off with great amplitude of tribal type hymnals. As it progresses, the sound really transfixes the audience. Here are a few tracks that proved rewind worthy.
Mach Hommy [L] in the studio with Black Thought [R]
Rewind Worthy Tracks off #RichaxxHaitian
“Sur Le Pont d’Avignon [Reparation #1]” was produced by Conductor Williams and serves as a calm coastable record. This track sets the tone for transition as the seventh track amidst a collection of exotic tunes.
“RichaxxHaitian” produced by Kaytranada radiates as an absolute bop.
“Lon Lon” – “He said my DNA wasn’t royal he’s a peasant.”
“Guggenheim Jeune” – “Hommy smilin at your maker I spearheaded my kind with more lines than a comet in the sky you had to pay us.”
“Copy Cold” – “State of the art business ain’t that stupendous.”
Mach opened up this album for features and it paid off in a major way. Shouts go out to an artist who uplifts his community, empowers others and knocks down doors for himself and everyone in his camp.
Governors Ball 2024 kicked off bright and early for Day 2 on Saturday, June 8, continuing the party from Day 1 at Flushing Meadows Park. Once the gate reopened to the masses, music fans ran to stake out their spots in anticipation of all the talent Saturday had to offer.
TV Girl, Governors Ball 6/8/2024. Photo by Anna Downs
On the IHG Stage, Little Stranger from Charleston, SC delivered a funky, high-energy set with distorted guitar riffs and vibey trumpet and saxophone backups. Their indie rap-pop style shone through in songs like “Coffee & a Joint,” resonating well with the crowd. The playful and fun performance featured futuristic yet relaxed synth sounds, with lead vocalist Kevin Shields joking, “everything’s legal so you can do whatever you want today, I heard it from the governor himself*.” Their set was full of banter, hyping up later acts like Sexxy Red and keeping the audience engaged and entertained. *Ed. Note: New York State’s Governor is Kathy Hochul.
Telescreens, Governors Ball 6/8/2024. Photo by Josh Sobel
The GovBallNYC Stage saw a dynamic start with New York City-based indie rock band Telescreens played a hometown show that drew out a dedicated early crowd. Fans went hard in the pit during “Don’t Feel Nothing,” and the band expressed excitement about finally playing their first festival after seven years together. The set closed with a circle pit and moshing, capturing the raw energy of the fans.
Quarters of Change, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Following up, Quarters of Change, whose experimental alternative rock blended seamlessly with melodic hip hop, setting a high-energy tone for the day. Following them, Jessie Murph captivated the audience with her unique country pop sound, delivering heartfelt performances that resonated deeply with fans.
Jessie Murph, Day 2 Governors Ball 6/8/2024. Photo by Lucas Kurzweil
As the sun began to set on Day 2 of Governors Ball 2024, Hippo Campus took over the IHG Stage, bringing their indie pop folk sound to life. The Minnesota band delivered a series of hits including “Ride or Die,” “Everything at Once,” and “Bad Dream Baby.” Their witty banter, including comments like “your parents may not love you but Hippo Campus loves you,” endeared them to the crowd, creating a fun and lively atmosphere.
Riovaz, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Over at the GoPuff Stage, Riovaz kept the momentum going with an engaging set, while Bakar’s performance stood out with his cover of “Dancing in the Moonlight,” and powerful renditions of “3 Nights” (a Dominic Fike cover), “Stop Selling Her Drugs,” and “Hell N Back.” His experimental indie rock sound had the crowd hooked from start to finish.
Doechii, Day 2 of Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Doechii took the GoPuff Stage by storm with a fiery hip-hop/rap set, featuring viral hits like “Bitch I’m Nice,” “Crazy,” “What it Is,” and the song that put her on the map, “Yucky Blucky Fruitcake.” She also introduced the crowd to her unreleased track, “Sweat,” showcasing her versatility and leaving fans eager for more.
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sexyy Red continued the hip-hop/rap vibes, delivering a performance full of attitude and energy, while P1Harmony made history on the IHG Stage as the first Kpop boyband to ever perform at Gov Ball. Their electrifying set included songs like “Emergency,” “Everybody Clap,” “Heartbeat Drum,” “Killin’ It,” and “Back Down,” captivating a dedicated audience with their synchronized choreography and powerful vocals.
Carly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Carly Rae Jepsen brought a burst of energy to the GovBallNYC Stage, drawing fans from all corners of the festival grounds. Her performance of “Call Me Maybe” sparked a massive sing-along that echoed across the festival grounds, while a mix of older favorites like “I Really Like You” and newer hits like “The Loneliest Time” showcased her enduring appeal. Carly even ventured into the crowd, amplifying the excitement and connection with her fans.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina Carpenter drew one of the largest crowds of the day on this very same stage. Her performance featured a mix of hits like “Feather,” “Vicious,” and “Already Over,” complemented by talented backup dancers and heart-themed stage decor. Her heartfelt introduction to “Already Over” highlighted her appreciation for New York’s unique musical culture, stating, “New York is one of the best cities in the world to play music because you’ve figured music out in a way that hasn’t been studied by science yet.” This sentiment resonated deeply with the audience.
Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina’s set showcased a wide range of her musical repertoire, from heartfelt ballads to high-energy pop hits. Fans of all ages, from young teens to older adults, were enthralled by her performance. Before singing “Fast Times,” she urged the audience to “Throw your phones in the river, I want you to be present,” encouraging everyone to fully immerse themselves in the moment.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
One of the most iconic moments however, came before “Because I Liked a Boy.” Sabrina asked the crowd to chant “I’m a slut” on the count of three, creating a powerful, unifying experience. She also teased her upcoming album, Short and Sweet, exciting fans with the promise of new music. The set concluded with a playful faux exit before her signature song “Nonsense.” The crowd eagerly awaited her return, and Sabrina delivered with a unique, city-specific ending that left the audience buzzing.
21 Savage, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
The Killers closed out the night with a stellar rock performance. Celebrating 20 years of coming to New York, they delivered classics like “Jenny Was a Friend of Mine” and “Read My Mind.” A fan summed it up perfectly, saying, “this is some real ass rock and roll.” The night ended on a high note with “Mr. Brightside,” leaving everyone in awe of the surreal experience.
Gov Ball continues tomorrow with a jam-packed Day 3 with acts including Chappell Roan, Renee Rapp, SZA, Kevin Abstract, and much much more. Stay tuned for more of our recaps for Gov Ball 2024!
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas KurzweilQuarters of Change, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilDoechii, Governors Ball 6/8/2024. Photo by Lucas KurzweilJessie Murph, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil21 Savage, Governors Ball 6/8/2024. Photo by Lucas KurzweilCarly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Governors Ball 2024 took off bright and early on Friday, June 7, launching their second year at the new festival site at Flushing Meadows Park. By the time “New York’s biggest party” opened the gates at 11:45am, music fans had been lined up for hours in anticipation of Friday’s biggest names.
Durry, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
On the GovballNYC Main stage, School of Rock Queens delivered an energetic and diverse cover-filled performance with a setlist that included “Beat It”, “Voulez-Vous”, “I’m Not Okay”, and “Locked Out of Heaven”. The show featured a diverse cast of characters, including a unique tambourine player, and showcased a myriad of covers led by different female vocalists for each song. Following them up, Minnesota rock band Durry delivered a high-energy performance that captivated the audience from start to finish. Their gritty guitar riffs and powerful vocals resonated through the venue, creating an electric atmosphere.
School of Rock Queens, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Early on over at the GoPuff stage, fans were treated to Long Island locals Arcy Drive. They brought their unique blend of rocky indie beach vibes to the stage with a standout performance. Featuring a pioneering female drummer, the band infused their set with a laid-back yet energetic atmosphere. They captivated the audience with a mix of their signature sound and the debut of a mysterious new song from their upcoming album. Right after their set, Qveen Herby dazzled the audience with her striking look and vibrant sound, seamlessly blending hip-hop and pop elements. Her sharp lyrics and dynamic stage presence had the crowd hooked from the first beat.
Qveen Herby, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Following Qveen Herby, the atmosphere shifted once more as Yung Gravy took to the GoPuff stage, sporting a floral detailed suit that perfectly matched his new era. He delighted the crowd with “certified Gravy Classics” like “Betty (Get Money)” and “Welcome to Chili’s,” alongside fresh, unreleased tracks (including “Back On The Horse” and “Lone Ranger”) from his upcoming country-inspired album. During “Oops!!!,” he playfully switched the usual lyric “Tracy with the ass?” to “Tracy from Queens?” in a nod to Gov Ball’s enthusiastic audience, making the performance even more memorable.
Yung Gravy, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Over at the IHG Stage, British pop girl group FLO delivered a performance reminiscent of The Cheetah Girls, complete with stunning vocal runs and harmonies that could go on for days. They brought their set to a triumphant close with their iconic track “Cardboard Box,” leaving the crowd buzzing for when Teezo Touchdown took over.
Teezo Touchdown, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
His electrified set kicked off with “Careful” that was both visually and musically captivating. With a floral-stylized microphone in hand, he delivered a powerful rendition of his hit “SUCKA!” and brought the metaphorical house down with a unique cover of Tyler, the Creator’s “RUNITUP.”
Arcy Drive, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Back over on the GovBall NYC Stage, Ryan Beatty’s performance was a seamless blend of smooth modern rock and indie pop, showcasing his undeniable star potential. With a voice like silk, he captivated the audience, even using a theremin-like instrument to add a unique touch to his set. Sporting his signature headphones, he dedicated a song to his longtime fans, saying, “This one’s for the OGs, if you’ve lasted this long, bless you.” To quote the great Ryan Beatty himself: “We’re just getting started”.
Ryan Beatty, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
As the day kept chugging along, the energy built throughout the festival grounds. Back on the GovBallNYC Main Stage, Dominic Fike rocks up with a performance full of memorable moments and musical highlights. He made his grand entrance with his sister Apple on his shoulders, marking his second Gov Ball appearance. Rocking cool shades and bleached eyebrows, Dominic declared, “NY I am inside you,” and complimented the city’s beauty, especially its women, which sent the crowd into a frenzy.
Dominic Fike, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
He reminisced about filming a music video in New York with Paul McCartney for “The Kiss of Venus” and kept the energy high with playful banter. He praised the crowd, saying, “this place rules, you guys are cool as hell,” before performing “Mona Lisa” from Spider-Man: Across the Spider-Verse, humorously pointing out his brother in the crowd, telling people to “throw sh*t at him”.
Dominic Fike, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Dominic’s voice shone through as he introduced new tracks from his EP 14 Minutes, including “coast2coast” and “misses.” He shared a vulnerable moment about creating “misses” during a low point, expressing gratitude to his fans for boosting his self-confidence: “Thank you for instilling some self-confidence in me.”
Post Malone, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
As the sun set and the energy peaked, Post Malone absolutely brought down the house with his masterclass in blending classical elegance with modern rock energy. The set began with a captivating cello intro, featuring intricate strings that seamlessly transitioned into electrifying guitar shredding, setting the stage for an unforgettable experience.
As soon as the opening string chords resonated, festival-goers sprinted from all corners of the grounds to witness the spectacle. The moment Post walked up, the night sky exploded with fireworks and intense pyro, amplifying the crowd’s excitement and creating a visually stunning backdrop for his electrifying set, a fitting end to Day 1 of Governors Ball 2024.
Post Malone, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
Day 2 starts back up at noon on Saturday, with sets from Sabrina Carpenter, The Killers, Hippo Campus, 21 Savage, and TV Girl. Stay tuned this weekend for more Gov Ball coverage.
Teezo Touchdown, Governors Ball, 6/7/2024. Photo by Lucas KurzweilSchool of Rock Queens, Governors Ball, 6/7/2024. Photo by Lucas KurzweilSchool of Rock Queens, Governors Ball, 6/7/2024. Photo by Lucas KurzweilRyan Beatty, Governors Ball, 6/7/2024. Photo by Lucas KurzweilQveen Herby, Governors Ball, 6/7/2024. Photo by Lucas KurzweilDurry, Governors Ball, 6/7/2024. Photo by Lucas KurzweilArcy Drive, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil
