The Park Theater Foundation has announced the highly anticipated March events which include diverse shows and performers. The Theater will present seven events for this season, complete with several different bands.
Performer Jimi Woodul
The most notable event of the season begins on March 14, with “Park Presents: The Mammals.” The folk/Americana act comes to Glens Falls to get folks stomping their feet to the indie-banjo and fiddle ballads. March 16 sees a St. Patrick’s Day Dinner and Celtic duo, Rakish.
There is a variety of shows and performers scheduled for most of March, from March 8 to 29. Some other performances include The Brit Pack, The Matt Niedbalski Trio, Rochmon Record Club, Jimi Woodul, comedian Atheer Yacoub, and more.
The Brit Pack
The Park Theater Foundation is a non-profit organization dedicated to enhancing the quality of life in the Glens Falls community by providing a venue for quality and affordable entertainment and educational opportunities in the performing arts.
The foundation hopes its upcoming events this March will see an uplift through music and performance. The community will feel a sense of togetherness driven by the wonderful talent and the hospitality of The Park Theater.
The times, dates, and ticket prices for each event vary. Make sure to check out the Park Theater website. For the full 2023/24 performance listing visit parktheatergf.com. The link will provide full menu options, dates, times, and ticket prices. These events are not to be missed.
Larry Campbell and Teresa Williams have announced their new album, All This Time, will be released on April 5. The pair will hit the road in 2024, bringing their music to Saratoga Springs, NYC, Amagansett, and Marlboro.
After releasing the upbeat and twangy song “The Way You Make Me Feel,” the pair shared a glimpse of their enviable love. Campbell reflects on the song’s history, saying, “The lyric was inspired by recalling when I first got together with Teresa. The song, about 40 years old, is as inspiring as ever.”
“The Way You Make Me Feel” pays respect to the legendary gospel quartet guitarist Lyndon Baines with a catchy guitar lick that Campbell wrote after working on a Dixie Hummingbirds record in the early 2000s. The end product echoes the spirit of Johnny and June Cash with a heartfelt and nostalgic ode to courtship.
Teresa shares in Larry’s enthusiasm, emphasizing the humor, groove, and lightheartedness of the album. “I got a brand new couch, and we can watch TV. Put an arm around you — we’ll see whatever you wanna see… Now that’s good flirting!” All This Time is a musical scrapbook of their journey, featuring heavy hitters including Grammy-winner Justin Guip, Bill Payne from Little Feat, and even a cameo by Levon Helm himself.
Larry and Teresa aren’t just dropping The Way You Make Me Feel; they’re hitting the road. These two are set to hop on a North American tour throughout 2024, with stops at Caffe Lena in Saratoga Springs, City Winery in Manhattan, The Stephen Talkhouse in Amagansett, and The Falcon in Marlboro. Moreover, fans will be able to witness the magic of their long-lasting musical partnership as the tour brings an intimate live experience. Find all upcoming tour dates below and on their website here.
Larry Campbell and Teresa Williams 2024 Tour Dates
3/17 – Northampton, MA – Academy of Music Theatre
4/11 – Marlboro, NY – The Falcon
4/16 – Boston, MA – City Winery
4/17 – Fairfield, CT – Stage One
4/18 – Ardmore, PA – Ardmore Music Hall
4/20 – Vienna, VA – Jammin’ Java
4/21 – Pittsburgh, PA – Thunderbird Music Hall
4/23 – Columbus, OH – Natalie’s
4/24 – Detroit, MI – Magic Bag
4/26 – Chicago, IL – Old Town School of Folk Music
Caffé Lena has a storied history in Saratoga Springs starting in 1960, launching the careers of many folk greats including Bob Dylan, Joan Baez, Pete Seeger, and Don McLean. Now, the venue is providing that same feel-good listening experience and great talent, set in their iconic intimate setting. In honor of Women’s History Month, it is important to highlight the women helping make the industry happen. Executive Director at Caffé Lena, Sarah Craig, is one of these women leading in the industry.
Lena and Bill Spencer opened Caffé Lena with a deeply entrenched European influence. Upon the passing of Lena in 1989, the venue was converted to a nonprofit institution, supported by concert revenue, grants, private and corporate donors, and a team of volunteers. Lena started the venue as a way to present deserving talent regardless of fame, emphasizing community over business. Over the years, this theme still sticks with Caffé Lena’s diverse range of programming. Whether in-person or on a live stream, those can enjoy the intimate setting and vibe while garnering the sense of community so prevalent in everything they do.
Sarah Craig has been the Executive Director of Caffé Lena since 1995, a role she earned by applying to an anonymous job posting in the classified section of the newspaper. All it said was, “Nonprofit arts organization seeks full or part-time executive director.” She was the only applicant, and the rest is history.
Photo by Derek Java.
Craig earned her BA in Psychology and Women’s Studies from the University of Vermont, where she developed organizing skills as an activist. “[I was] inspired by two things: my sister’s participation in the Peace Corps in rural Paraguay, which was a huge eye-opener for me, and my own exposure to Liberation Theology in the Catholic Church, which was an important part of my life at the time,” she said. She became interested in gay rights, ecology, and economic justice, working in the sphere of some very effective senior activists, including Bernie Sanders and Roddy Cleary.
After college, she moved to Boston and began canvassing for Massachusetts Peace Action, serving as the Executive Director before eventually going to Caffé Lena. When she first started at Lena, her duties included grant writing, house management, and developing the volunteer and membership base. Now that there are a dozen people on staff, the budget has grown more than 2,000%. She says she spends “about 1/2 of my time booking shows, 1/4 fundraising, and 1/4 developing new ideas and managing the team.”
Caffé Lena takes up most of her time – waking and sleeping. “It’s an outlet for my creative energy, my social energy, and my dreams of saving the world. But, ever since the start of the pandemic, I’ve made a concerted effort to not be all Caffe all the time,” she explained. She is working on a sequel to a novel she finished and started playing the French horn again. She likes to spin yarn and felt, run or X-C ski, and when it’s the season – grow vegetables. She also likes to play online Scrabble with her daughter in NC a few times a week, and explains that was one of Lena’s great passions, “she was a 400 player.”
Sarah Craig speaking at a press conference. Lauren Halligan – MediaNews Group file.
In 2016, the venue underwent $2 million in renovations creating a home for Lena’s celebrated program for decades to come. New additions also included a 100% handicap-accessible space on their second-floor performance space.
Caffé Lena has a wide variety of programming available besides their eclectic mix of performers. In 2020, they launched the School of Music to carry on the folk tradition of music as a social pastime. Children and adults learn in small, friendly groups, mastering a repertoire of folk classics, and write some too. Some more experienced kids have now formed their own band, The Rolling Pebbles.
Folk gets passed along by venues, festivals, camps, places of worship, community groups and families. The School is our investment in this process. We offer activities for toddlers to seniors that are social and musical. It’s the most wonderful thing to sit at my desk and hear 30 senior citizens in the next room jamming away on three-chord songs and just having the best time. Or seeing our youth students developing into righteous little fiddlers and guitarists…There are powerful forces in the world pulling us deeper and deeper into a world of technology, where people are rarely face to face with their community. People are not experiencing social life in the way we’ve evolved to experience it. The School of Music feels like a win for basic, old-school humanity.
Sarah Craig.
Other programs that have been seen at Caffé Lena are The Bright Series – monthly shows featuring artists playing the venue for the first time; Caffé Lena on the Road, where headline artists travel into the community to deliver live music at places such as elderly care centers, recovery groups, soup kitchens, and more; Pride Night; Little Folk Shows – kid-friendly matinees; and so much more.
Since Craig’s time at the venue, she has seen a variety of musicians, with some of her favorites including those that have not risen to widespread fame besides small clubs like Lena. “In that category, I’d cite Jeremy Wallace, Gina Forsyth, and Chandler Travis. Some were real jaw-droppers and indeed they did go far: Anais Mitchell, Billy Strings, 14-year-old Sawyer Fredericks, and Allison Russell, who just won two GRAMMYs.” She went on to say “Our staff gets asked a lot, ‘Who’s your favorite?’ and we all agree: it’s the one we saw last night.”
Bob Dylan with Lena Spencer. Photo by Caffé Lena.
Caffé Lena has a long history in the folk scene but as Sarah Craig pointed out in our conversation, the emergence of Americana music in 2007 replaced some of the singer-songwriters from the ’80s and ’90s. The popularity of folk-rock string bands has stayed strong for nearly 20 years. Since taking the reigns in 1995, she noticed that the Internet has drastically changed many things.
“It completely changed the culture of everything everywhere, but that definitely includes live music,” she explained. “On the positive side, it has greatly facilitated our success in building an audience with eclectic tastes that is willing to explore new music. On the downside, it has radically amped up the way of life at Caffe Lena. Lena used to book her musicians for a full weekend. These days, it’s a different show every night, and bands rush in 2 hours before showtime and hit the road immediately afterward to get to the next gig.”
With events happening almost every day, the venue is busy and booming. Sarah Craig loves the atmosphere of the venue. She loves when the volunteers arrive and start baking cookies and making coffee, and when the “legendary Joe Deuel, Lena’s sound tech for the past one thousand years, starts setting up the mics.” The little moments that she experiences every day are her favorite; turning off the lights at the end of the show and saying goodnight to the iconic venue.
https://youtu.be/ht2zdYvs_wc?si=1krBF-BOObg_R9AH
The music industry is largely dominated by men, but some very decent people love music and enjoy spending their lives with musicians and are not in it for the money. Asking Craig about her experience as a woman in the industry, she said that her experience has overall been good. Despite the fact she isn’t a man, who can get more bookings, she has made it work. Something notable she highlighted was that the nonprofit world, like Caffé Lena, is largely dominated by women, however, the majority of executive directors are men.
Why does she think this is? Sarah explained “Because boards of directors have more confidence in men. The world continues to misread women because women tend not to be swaggering and self-advocating. They just do a rock-solid job, and expect that to be enough. This is something people in supervisory positions need to be conscious of: valuable male workers and valuable female workers don’t necessarily look the same.”
Despite this, working in the music industry is a rewarding experience for her, and many women across the board.
Goodnight Moonshine at Caffe Lena. Photo by Derek Java.
Caffé Lena has an eclectic lineup month after month, full of vibrant musicians and welcoming people. For more information about the venue, visit here.
On February 27, Jason Isbell rolled into Rochester to play an intimate show at Kodak Center. Named after the photo giant that was founded there many moons ago, the Kodak Center offers a beautiful stage that Isbell and his band, 400 Unit, partied on for the crowd of roughly 1900 fans.
Opening the show for Isbell, was Palehound, fronted by El Kempner. They took the stage for roughly an hour and hit some amazing sounds, very reminiscent of Hole, Mazzy Star, or Eve’s Plumb. Kempner, along with Zoe Brecher (drums), Larz Brogan (bass) and Beth (guitar) filled the theatre with subtle lyrics as fans shuffled to their seats.
Playing through original songs such as “Fadin,” “Bullshit,” and “Good Sex,’ Kempner recalled her last visit to Rochester as they played Bug Jar. Talking about how they are fiscally responsible when they travel, she tells of a friend who set them up with accommodations for their visit. A friend of a friend of a friend scenario. Upon arriving at apartment, they were set up with, the band found an empty apartment with 10 air mattresses. Perfect for those who might want to sleep on the floor but aren’t quite committed yet.
Shortly before 9, Jason Isbell and 400 Unit hit the stage to a very welcoming crowd. Starting off with “Save the World”, a song that the sends a very poignant message about the world we live in. While not a very uplifting song, Isbell brought some energy and positive vibes throughout the nearly 2 hour show.
The 400 Unit consists of Sadler Vaden (guitar, vocals), Anna Butterss (bass), Derry deBorja (Keys, accordion, vocals), Chad Gamble (drums, vocals), and Will Johnson (drums, guitar, vocals, gong)
Using his own personal experiences, Isbell has had pretty good success with songwriting, as he has won six of the seven Grammys he has been nominated for. Most recently, the 2023 Weathervanes album won the band a grammy for Best American Roots Song (“Cast Iron Skillet”) and album.
Reflecting on events in the news has also been an inspiration for music. “24 Frames” was one of the more mellow songs played in Rochester. While there is catchy beat to the song, the lyrics are what make you stop and think. Think about life and how it can change in the blink of an eye.
And this is how you make yourself call your mother And this is how you make yourself closer to your brother Remember him back when he was small enough to help you sing
24 Frames – Jason Isbell
The song was written back in 2015 after Jason had heard of a young girl being killed by stray bullet while playing in own yard. These are things you don’t think of, but artists like Jason Isbell will write a song about.
https://youtu.be/_lV-BSYnWPU?si=f8wIZKz_j8sUUQ4P
Adding commentary between songs, Isbell talks about how he has enjoyed his visit to Rochester, saying that he had some stuffed mussels and a patty melt for lunch. It’s odd combination, but to each their own. He went on to talk about the music stores he checked out and found a nice old amplifier.
Coming out for a much-deserved encore, Isbell took center stage for an acoustic version of “Cover Me Up”. This bone chilling song was the opening track to his 2013, Southeastern album and originally written for his now ex wife, Amanda Shires, and his confessing his love for her. In a 2013 NPR interview, he said “…it was hard one to get through, even after not breaking down the first time…”
So girl, leave your boots by the bed, we ain’t leavin’ this room ‘Til someone needs medical help or the magnolias bloom It’s cold in this house and I ain’t goin’ out to chop wood So cover me up and know you’re enough to use me for good
Following the acoustic rendition, the band joined Isbell on stage and finished the encore with “Miles” and “This Ain’t It”. A perfect set to end an amazing evening of Americana Roots.
Setlist: Save the World, King of Oklahoma, Strawberry Woman, Last of My Kind, Super 8, Something More Than Free, Overseas, Speed Trap Town, Alabama Pines, Stockholm, When We Were Close, White Beretta, Honeysuckle Blue, Cast Iron Skillet, 24 Frames, If We Were Vampires, Cover Me Up, Miles, This Ain’t It
Taylor is known for his covers, such as “How Sweet It Is (To Be Loved by You)” and “Handy Man”, as well as originals such as “Sweet Baby James”. The singer is also known for playing the leading role in Monte Hellman’s 1971 film Two-Lane Blacktop.
As a recording and touring artist, James is known for touching fans with his warm baritone voice and distinctive style of guitar-playing for more than 50 years, while setting a precedent to which countless young musicians have aspired. Since the release of his self-titled debut album in 1968, he has sold more than 100 million albums during the course of his successful songwriting and performing career, earning gold, platinum, and multi-platinum awards.
In early 2020, the songwriters hall of famer (2000) released “Break Shot”, a deeply personal and authentic audio-only memoir detailing his first 21 years. In addition, he also dropped American Standard, his 19th studio album, which made him the first musician to have a Billboard Top 10 album in each of the previous six decades and won him the 2021 Grammy Award for best traditional pop vocal album.
James has done a lot of touring in Europe, Canada, and the US in recent years. This summer, he will be joined by his All-star band; Kate Markowitz on vocals, Dorian Holley on vocals, Andrea Zonn on vocals and fiddle, Jimmy Johnson on bass, Steve Gadd on drums, Dean Parks on guitar, and Kevin Hays on keyboards.
James Taylor and his All-Star Band will perform at the Darien Lake Amphitheater, Empower FCU Amphitheater at Lakeview, Bethel Woods Center for the Arts, Northwell Health at Jones Beach Theater and the Broadview Stage at SPAC. Tickets are exclusively available here.
James Taylor and His All-Star Band Tour Dates:
Apr 06,2024 –Tokyo Garden Theater, Tokyo, Japan
Apr 08, 2024 – Mall of Asia, Manila, Philippines
Apr 12, 2024 – Kings Park (Outdoor) Perth, Australia
Apr 13, 2024 – Kings Park (Outdoor) Perth, Australia
Apr 16, 2024 – Margaret Court Arena Melbourne, Australia
Apr 17, 2024 – Margaret Court Arena Melbourne, Australia
Apr 19, 2024 – Entertainment Centre Adelaide, Australia
Apr 21, 2024 – A Day On The Green at Sirromet Winery (Outdoor) Mt. Cotton, Australia
Apr 23, 2024 – Aware Super Theatre Sydney, Australia
Apr 24, 2024 – Aware Super Theatre Sydney, Australia
Apr 27, 2024 – A Day On The Green at Bimbadgen (Outdoor) Hunter Valley, Australia
Apr 28, 2024 – A Day On The Green at Centennial Vineyards (Outdoor) Bowral, Australia
Apr 30, 2024 – Spark Arena Auckland, New Zealand
May 01, 2024 – T.S.B. Bank Arena, Wellington, New Zealand
May 04, 2024 – Neal Blaisdell Center Honolulu, HI, United States
May 05, 2024 – A&B Amphitheater at Maui Arts & Cultural Center Maui, HI, United States
May 29, 2024 – Hollywood Bowl, Los Angeles, CA, United States
May 31, 2024 – Utah First Credit Union Amphitheatre Salt Lake City, UT, United States
Jun 02, 2024 – Red Rocks Amphitheatre Morrison, CO, United States
Jun 03, 2024 – Red Rocks Amphitheatre Morrison, CO, United States
Jun 05, 2024 – Starlight Theatre Kansas City, MO, United States
Jun 06, 2024 – Hollywood Casino Amphitheatre St. Louis (Maryland Heights), MO, United States
Jun 08, 2024 – Ravinia Highland Park , IL, United States
Jun 09, 2024 – Ravinia Highland Park , IL, United States
Jun 11, 2024 – Ruoff Music Center Noblesville, IN, United States
Jun 12, 2024 – Bridgestone Arena, Nashville, TN, United States
Jun 14, 2024 – Simmons Bank Arena North Little Rock, AR, United States
Jun 15, 2024 – Lucas Oil Live at WinStar World Casino and Resort Thackerville, OK, United States
Jun 23, 2024 — Pine Knob Music Theatre Clarkston, MI, United States
Jun 25, 2024 – Darien Lake Amphitheater Darien Center , NY, United States
Jun 26, 2024 – Empower FCU Amphitheater at Lakeview Syracuse, NY, United States
Jun 28, 2024 – Bethel Woods Center for the Arts Bethel Woods , NY, United States
Jun 30, 2024 – Maine Savings Amphitheater Bangor, ME, United States
Jul 01, 2024 – Bank of New Hamphshire Pavilion Gilford, NH, United States
Jul 03, 2024 – Tanglewood Lenox, MA, United States
Jul 04, 2024 – Tanglewood Lenox, MA, United States
Aug 30, 2024 – The Mann Philadelphia, PA, United States
Aug 31, 2024 – Northwell Health at Jones Beach Theater Wantagh, NY, United States
Sep 02, 2024 – Broadview Stage at SPAC Saratoga Springs, NY, United States
Sep 04, 2024 – Hartford Healthcare Amphitheater Bridgeport, CT, United States
Sep 05, 2024 – Hartford Healthcare Amphitheater Bridgeport, CT, United States
Sep 07, 2024 – The Pavilion at Star Lake Burgettstown, PA, United States
Sep 09, 2024 – MGM Music Hall at Fenway Boston, MA, United States
Sep 10, 2024 – MGM Music Hall at Fenway Boston, MA, United States
Sep 12, 2024 – Wolf Trap Filene Center Vienna, VA, United States
Sep 14, 2024 – Wolf Trap Filene Center Vienna, VA, United States
Sep 15, 2024 – Wolf Trap Filene Center Vienna, VA, United States
Long Island’s largest and longest running four-day music and art festival is back with another groovy lineup. The Great South Bay Music Festival will host their 16th anniversary at Shorefront Park in Patchogue, NY. The festival is sponsored by Voodoo Ranger.
The Great South Bay Music Festival in 2019
The elite festival will take place July 18 through 21 and will host a wide variety of artists of many genres. Contemporary and classic rock, jazz, jam, blues, Americana, ska, reggae, alternative and funk will be represented this summer with over 60 featured artists.
Also included in the festival are several draft beer and wine tents, along with a food court of diverse selections. A craft market will also be showcased. The fest will present four very different days of music, with a lineup of headline artists alongside cutting-edge rising stars.
Featured artists include blues-rock legend Joe Bonamassa, Jim Messina of Buffalo Springfield, and phenom guitarist Brandon “Taz” Niederauer. Saturday is Jam Day and continuing the Grateful Dead Live Concert Experience as no one else can, is Dark Star Orchestra. Newly added acts include Start Making Sense, Aqua Cherry, Funkin A, Enrose, Rob Europe, Chris Ruben Band, Lex Grey & Urban Pioneers, Stanton Anderson Band, Imposters, Drop The 4, Chloe Halpin, & IRIEspect.
The Disco Biscuits support with their brand of “Trancefusion”, bridging the gap between electronic music and jam bands. Also appearing is Asbury Park New Jersey’s famed quintet: Dogs In A Pile, Dopapod, psychedelic indie-rocker Karina Rykman and more.
Closing out the Great South Bay Music Festival is legendary rock group YES. Accompanying the Sunday stage is Jethro Tull guitarist Martin Barre, and Talking Heads Tribute: Start Making Sense.
Festival Times:
Thursday, July 18: Doors are at 3:00 pm, fest goes till 10pm.
Friday, July 19: Doors are at 3:00PM, music till 11pm,
Saturday July 20.: Doors are at 1:00pm, music till 11pm,
Sunday July 21: Doors are at 2:00pm with performances till 10pm.
Ticket price includes all concerts and entertainment. Food and beverages not included. Children under 10 are free. For more information on The Great South Bay Music Festival and tickets, click here.
Songwriter Cosby Gibson has released two videos to her YouTube channel to display both her music and the everyday activity of a songwriter. The music and videography are carried out with unique expression and inspiration.
Cosby Gibson is an award-winning performing songwriter who lives near the Adirondack Mountains. She writes unique, original acoustic and folk-style songs on guitar and dulcimer. GRAMMY balloted, and winner Capital District Music Awards for Best Folk Album, 2017 and 2018.
She’s won Dorn Space Arts Award for Music Outreach, 2019, Best Folk Album, 2021, and Outstanding Folk Artist in 2023, and has been a nominee for the Eddies Music Awards for Best Folk Duo in 2023.
Cosby’s first video, “Day in the Life: A Song Writer’s Day Off,” details everyday activity that she participates in. The 15-minute video shows how Cosby creates and practices her music, delving into the ways she recharges and unwinds. The video also emphasizes the means in which she becomes inspired and how nature connects musical idea and artistic expression beautifully.
Gibson is seen in the video performing various tasks like making breakfast, taking in the atmosphere of the outdoors and doing laundry, showing that inspirations can be drawn from all types of activity.
“It’s almost as if Cosby composes from another time; simpler, more honest, more concise, without frivolous self-importance…Follow Cosby’s footsteps through the forest, to a cabin with a stone fireplace, warm and inviting.”
Greg Jackson, Upstate Live
The second video Cosby Gibson posted is a music video for the “The Hollow Crown,” an uplifting folk tale of kings and queens and knights who fought over the “hollow crown.” In the video, Cosby tells the story of how the once sought-after crown, became one that brought upon evil and misfortune. The tune is joyful, with a solemn background.
The tune ends on peaceful notes, and the music video does as well. The hymn is quite catchy and is reminiscent of a story book of sorts.
For more information on Cosby Gibson and to hear some more of her works, click here.
Today marks a somewhat somber anniversary in Grateful Dead history as the band’s second show at their final residency at The Capitol Theater this day in 1971 would be the first of many without drummer Mickey Hart. Racked by depression and guilt from his father stealing money from the band, Hart would take a self-imposed hiatus for several years before rejoining in 1974.
stub via Ed Perlstein
As the Dead prepared for some of their last shows ever at The Cap, they were still treating this a short-term absence. They continued to deliver a string of new songs and material, many of which made their debuts at the memorable show from the night before. The music does not seem to suffer at all and takes on a sleeker, more focused sound with only one drum kit now being used. This show was even selected as one for live release by soundman Dan Healy back in the early 90s but never got officially unveiled until 2007 as Three From The Vault.
Discover Grateful Dead shows from over the years across New York State with our interactive map below
Unsurprisingly, the recording of tonight’s show begins with some on-stage tuning from the Dead. This actually elicits two distinct warm-up/time wasting songs with quick takes on “The Merry Go-Round Broke Down” and “Spring Song.” The end of the latter paves the way for the band to launch right into a show-opening “Truckin’.” It’s a tight and concise jam to start things off that certainly has a little less “thunder” to it thanks the subtraction of one drum kit. The always emotional “Loser” follows with Jerry Garcia taking the lead on vocals and delivering its powerfully somber guitar solo with ease.
“Cumberland Blues” swings the emotion right back the other way with a fun, spirited take fueled by some peppy Phil Lesh-produced bass lines before Pigpen gets his first say of the evening with his signature take on the Elmore James blues classic “It Hurts Me Too.” This rounds out a very similar opening to the show from the night before with the three of the four numbers being repeats.
These kept on coming with the brand new “Bertha” that follows, only the fourth one ever performed after its East Coast debut the night before. Some issues with the early vocals occur on the recording, but they soon get resolved on this fast-paced and energetic take with Pigpen on organ making notable contributions. The second-ever “Playin’ In The Band,” which also debuted last night, comes next although no jam of any merit is produced with the band very much still learning how to tackle this one. The string of repeats gets broken up with an electric take on a song more often associated with acoustic Dead, “Dark Hollow.”
The music does finally stretch out a bit with a 15-minute take on another blues classic “Smokestack Lightning,” with Pigpen once again manning the lead vocals and playing the part of Howlin’ Wolf as only he can. His improvised lyrics and harmonica play in conjunction with some stirring guitar licks courtesy of Garcia provide all the fuel that this first set highlight needs.
The Dead then round out the first set at The Cap this evening with a breakneck “China Cat Sunflower” and “I Know You Rider” that features its traditional seamless segue between the two. The new songs then kept on coming in the second set, beginning with the Bob Weir-led tunes “Greatest Story Ever Told” and then only the third ever known performance of “Johnny B. Goode,” a Chuck Berry cover that would continue to be seen on Grateful Dead setlists throughout the band’s touring career.
After some intricate tuning, a fresh song finally emerges, the brand new “Bird Song,” with Garcia reassuming lead vocals and leading the group through an especially rhythmic early rendition that seems to peter out fairly suddenly instead of being stretched out like it would be in the years to come. This sets the stage for Pigpen to shine once more as then leads the group through the blues-laden and Robert Hunter-penned “Easy Wind.” There would be only two more performances of this vintage Pigpen tune ever played after this one.
Another Dead classic then makes its live debut at the Capitol Theater as the first ever “Deal” is played with Jerry grabbing the reigns once more and leading the band through a rapid take on another soon-to-be live show regular. The second set “Drums” section may be missing one drummer this evening but Bill Kreutzmann handles this, and the rest of the show, with ease and finesse, paving the way nicely into the percussive-heavy opening of “The Other One.” This offers some of the real exploratory playing of the show as Garcia, Lesh and Kreutzmann all seem to lock in, eliciting tribal-like rhythms and patterns in a jam that slowly crescendos.
It comes to a pretty abrupt ending, however, as the Dead seem to want to fit in the second ever “Wharf Rat” before things come to a close. This slows the tempo down significantly as Garcia belts out the emotional lyrics on a another future live show staple. After one last extensive tuning session, which serves as an unofficial encore break of sorts, the band launches into one last cover for the night, a rousing, stretched out take of “Good Lovin’” with Pigpen once more adding his signature style to the proceedings.
The show then wraps up with a standard run through of an “oldie,” in “Casey Jones” as night two of the Dead’s final residency at the Cap comes to a close and the short-lived Mickey Hart-less era of the band begins.
Grateful Dead – Capitol Theater, Port Chester, NY February 19, 1971
Set 1: Truckin’ , Loser, Cumberland Blues, It Hurts Me Too, Bertha, Playing In The Band, Dark Hollow, Smokestack Lightnin’, China Cat Sunflower > I Know You Rider
Set 2: Greatest Story Ever Told > Johnny B. Goode, Bird Song, Easy Wind, Deal, Cryptical Envelopment > Drums > The Other One > Wharf Rat, , Good Lovin’ , Casey Jones
The newly reformed Sublime will headline the eleventh annual Levitate Music & Arts Festival in Marshfield, MA this summer. The festival is scheduled to take place from July 5th through July 7th at the Marshfield Fairgrounds. Joining Sublime at the top of the festival bill is Lake Street Dive, Mt. Joy, Tash Sultana and Dirty Heads, with a wide range of other popular artists filling out the rest of he weekend.
Upon receiving an inside tip that Sublime, the 90s surf-punk icons that defined a generation were rumored to reunite, Levitate organizers moved quickly to arrange that Sublime would take the stage for their first and only live Northeast performance at Levitate Music & Arts Festival. The band features original members Bud Gaugh and Eric Wilson with Jakob Nowell, the son of late founding member Bradley Nowell, assuming front man duties. “Playing our music is the closest thing possible to playing with my old buddy Brad,” noted Wilson recently.
In addition to this very special headlining act, the lineup also includes powerhouse female fronted acts Lake Street Dive and Tash Sultana on Saturday, indie rockers Mt. Joy on Friday, and a star studded dynamic lineup ranging from favorites Dirty Heads to hometown heroes The Elovaters. The virtuosic prowess of performers like Grace Bowers and Cory Wong will also be on full display this weekend. And the authentic Americana of Charley Crockett along with rising starts like Karina Rykman only adds to the incredible and diverse talent at this year’s festival.
Photo credit: Jesse Faatz
Along with the world-class musical talent, Levitate will host an eclectic, eco-driven and family friendly event with a blend of artisan vendors, dozens of local food trucks, and wide ranging experiences from live art installations to kids activities including the return of the kids zone run by Levitate Camp Counselors which encourage creativity and a shared love of the outdoors with the next generation – a value at the very core of Levitate’s mission.
Tickets go on sale Thursday, February 15 at 12 PM ET. Visit www.levitatemusicfestival.com for more information. One percent of each ticket sold will be contributed to the Levitate Foundation, a non-profit whose mission is to cultivate vibrant communities by creating and conserving access to music, art and the outdoors.
A true hootenanny was held in the Catskill town of Olivebridge over February 2-4 at the Ashokan Center’s Winter HOOT. The weekend-long event brought together a diverse crowd of music and arts lovers, taking in the beauty of the Ashokan Center’s idyllic setting, while enjoying sets of music from The Mammals, Lau Noah, Mikaela Davis and Southern Star, Jeremy Schonfeld and many more.
Afternoon Square Dancing – photo by Mickey Deneher
Friday evening’s HOOT festivities started with a delicious dinner shared by Ashokan supporters, family and friends. Jay & Molly delighted a packed audience with storytelling and songs for the duo’s first-ever evening performance at a Hoot. The night concluded with a community jam-along where everyone got a moment to shine and solo in the spotlight with a world-class backup of musical support.
The acoustic stylings of many were heard over the course of Saturday, beginning with Little Roots – music for the kids and parents alike – a Family Square Dance, followed by piano man storyteller Jeremy Schonfeld taking the stage at 2pm. The Evening Bells shared enchanting harmonies in their hour long set, including a unique song from the late Vic Chesnutt.
Mikaela Davis and Southern Star – photo by Mickey Deneher
Rochester’s Mikaela Davis and Southern Star graced the stage for a powerful set of songs, many from their recent release, And Southern Star. A gorgeous set of music unfolded, starting with the first single, “Cinderella,” setting a tone for a smooth, flowing set that varied slightly in tempo but never lost the beauty of harp mixed with a live band including steel pedal, guitar, bass, drums and saxophone. Davis gave a nod to jazz harpist Alice Coltrane, and showed her vocal range on songs “Home in the Country” and “Don’t Stop Now,” the audience of 200 grooving along in their seats. Catch the group on tour with Circles Around the Sun this winter, with shows in Brooklyn, Ithaca and Albany.
With a brisk evening outside, amid fires to warm tots and parents, a set of Catalan guitar music inside featured old-timey songwriter fare from duo Lau Noah. Following this was the crowd being introduced to sponsors of the weekend’s Hoot, naturally in the form of song. “The NYS Music Song” was written last February and performed for the third time ever by The Mammals ahead of their set, in gratitude for NYS Music’s sponsorship of Ashokan Center events.
The Mammals – aptly described on their show poster as “Too rock for the folk show, too folk for the rock show” – were presented as advertised, and as host band, headlined the evening. Full of upbeat Americana and deceptively mellow, The Mammals fall into the Donna the Buffalo subset of the genre, sans accordion.
A brief Pete Seeger history lesson offered an interlude, recognizing the famous former local Hudson Valley resident who wanted to be remembered, above all, for teaching people to sing. With that, the crowd sang along to “I Like the Way it Feels,” to drive home the communal nature of the weekend, giving true surround sound inside the Ashokan Center lodge.
The Mammals – photo by Mickey Deneher
After Storey Littleton’s midnight set, Sunday began with a revitalizing yoga session lead by Sara Trapani – Ashokan’s Development Director – and an Ashokan tradition to sign off every program and camp with a community sing and “Ashokan” Farewell.Â
The Ashokan Center’s Winter Hoot was a rousing success from the smiles on all the faces of all ages across the room each day. Don’t miss the Summer Hoot this coming August!