Category: Electronic

  • Artists FlowPoetry and Noah Lehrman to Release “Flames & Flowers & Steam” Live Album from NYC Tour

    Spoken word artist FlowPoetry and multi-instrumentalist Noah Lehrman have announced the release of their live album slated to release Dec 17.

    FlowPoetry (aka Adam Pergament) is a neo/beat spoken word artist who hails from Madison, Wisconsin. Noah Lehrman is a NYC-native world/fusion drummer and multi-instrumentalist. The two artists were recently on tour in the Northeast when an opportunity arose at Rockwood Music Hall in NYC.

    Upon finishing their July 31 gig, the duo met up with pianist Shoheen Owhady for their second show of the day, a breakout midnight jazz set as a trio. The three talents felt a connection with Adam’s languid words and Noah and Shoheen’s stunning improvisation on “Tonight”, “DripStuck”, and “Get Up Off the Floor”, along with sparkling reimaginations of FlowPoetry classics “Holy Man”, “Garden”, and “Braincells”, topped by a literally show stopping version of “Rachet”- for an audience crawling with electricity.

    Flames & Flowers & Steam is the resultant live album of that late set at Rockwood. The album’s first two singles “Tonight”, an opening incantation that distills the evening’s magic down to its lyrical and experimental essence, and “Drip Stuck”, a romantic meditation on love and loss, are no available on Apple Music, Amazon Music, iTunes, Pandora, Spotify, and all streaming services and digital platforms.

    FlowPoetry and Noah Lehrman’s Flames & Flowers & Steam boasts 11 tracks. Each track more unique and exciting than the last. With sensational wordplay, fantastic musical dynamics, and overall, an intoxicating bunch of melodies, this live album is sure to impress the listener as it did the audience in attendance.

    That show marked the end of a Midwest-East Coast tour that spanned 3,000 miles, 11 cities, 8 states, 6 guests and 2 time zones, and saw the debut of music and improvisations touching on styles spanning jazz to jambands and edm to cosmic cowboy tunes.

    FlowPoetry/Adam is the originator of the lyrical jam poetry form, with over 1800 live US performances under his belt. As a drummer/percussionist, Noah has performed with members of moe., Phil & Friends, RatDog, and more, and he appears internationally as a singer-songwriter. Together they bring a lyrical sense and melodic beats to their song-structures, improvisational explorations, and psychedelic imagery.

    For more information on FlowPoetry and Noah Lehrman’s upcoming live album Flames & Flowers & Steam, click here.

  • Moon Hooch Brings Relentless Energy to Bowery Ballroom

    If you want to rave to a collection of saxophones and woodwinds, then Moon Hooch is the band for you. Yes it’s weird, yes it’s wild, and yes it’s a fun show to dance to. 

    Moon Hooch at Bowery Ballroom 12.7, Photo Credit: Aidan Lukomnik

    On Saturday, December 7, Moon Hooch brought their energetic mix of Jazz and Electronic music to Bowery Ballroom in downtown Manhattan.

    A truly New York sound, Moon Hooch was born when Michael Wilbur (Horns, woodwind, vocals), Wenzl Mcgowen (Horns, woodwind, synth), and James Muschler (original drummer) met at The New School. The band, now with Cyzon Griffin on drums, started playing together as buskers across the city. Often playing in the subway, Moon Hooch was banned from the Bedford Ave L station for bringing in crowds that were dangerously large. 

    Audience Member; Photo Credit: Aidan Lukomnik

    That history of busking can be heard in their music, as the trio at times evokes the guttural sounds of an oncoming train paired with high-pitched notes reminiscent of a closing subway door. They even use found objects, like a traffic cone, on stage as a mute to alter their sound. 

    Photo Credit: Aidan Lukomnik

    On December 7, COFRESI opened for Moon Hooch. The drummer and beatmaker brought together modern techniques (looping, drops, Trap and Dancehall melodies) with samples from hits like, “Ain’t No Sunshine,” “Stand By Me,” “Mr Sandman,” and “It’s Tricky” to create a sound all his own.

    COFRESI Photo Credit: Aidan Lukomik

    As Moon Hooch took the stage, audience members head banged, grinded, and jumped up and down – emphasizing how many different musical sub-cultures came out to see the band. 

    The band’s physicality is impressive, as Michael Wilbur and Wenzl Mcgowen dance throughout a set that’s over an hour while Cyzon Griffin’s rapid drumming holds down the beat. Throughout the set there wasn’t an idle monument with high energy songs one after another, only rarely bringing in classical music phrases to give the audience a breather before the beat drop.

    Photo Credit: Aidan Lukomnik

    At the same time, that lack of idleness has its own drawbacks. After a while, songs in the set started to run together with limited ability to determine where one song stops and the other begins. This run-on of songs was exacerbated by similar musical motifs and almost identical lighting cues that could cause a listener Deja Vu. While the band sometimes threw their hands up to engage the audience, they never stopped to talk to the crowd. Better performance pacing, verbal engagement with the crowd, and breaks between songs would do the band well. 

    Photo Credit: Aidan Lukomnik

    On this tour the band isn’t just bringing their relentless energy, they’re also trying to do good. At each city, the band is auctioning off a (small) tree and giving away all of the proceeds to replant trees across the country. In NYC they also worked with Support and Feed – a food equity organization that works to address challenges in food desserts and provide information on plant-based food.

    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
  • Electro Pioneers Kraftwerk Announces “Multimedia Tour 2025” Kicking Off in March

    German electro legends Kraftwerk has announced their return to North America for the “Multimedia Tour 2025.”

    Kraftwerk multimedia tour

    The tour kicks off on March 6 at Franklin Music Hall in Philadelphia and wraps up over a month later on April 24 in Dallas, TX. The tour sees a total of 27 dates and includes two stops in New York. Kraftwerk dazzles audiences at Kings Theatre on March 13 and the legendary Beacon Theatre on March 14. The “Multimedia Tour 2025” commemorates Kraftwerk’s breakthrough album Autobahn and their first U.S. Tour, which took place in 1975.

    Earlier this year Kraftwerk completed an extraordinary nine-night concert series celebrating 50 years of Autobahn–which was composed, produced, and recorded by founders Ralf Hütter and Florian Schneider in 1974–at Walt Disney Concert Hall in Los Angeles. The shows garnered rave reviews in the press, a compass for what’s in store for the “Multimedia Tour.”

    The multi-media project Kraftwerk was started in 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio in Düsseldorf, Germany, where they conceived and produced all Kraftwerk albums. By the mid 1970’s Kraftwerk had achieved international recognition for their revolutionary electronic ‘sound scapes’ and their musical experimentation with robotics and other technical innovations.

    With their visions of the future, Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, synthetic voices and computerized rhythms, have had a major international influence across an entire range of music genres: from Electro to Hip-Hop, from Techno to SynthPop. In their live performances, Kraftwerk composer, author and producer Ralf Hütter illustrates his belief in the respective contributions of both man and machine.

    KRAFTWERK MULTIMEDIA TOUR 2025 DATES:

    MAR 06 – Philadelphia, PA – Franklin Music Hall

    MAR 07 – Pittsburgh, PA – Stage AE Outdoors

    MAR 08 – Toronto, ON – Massey Hall

    MAR 10 – Montreal, QC – Salle Wilfrid-Pelletier, Place des Arts

    MAR 11 – Boston, MA – Boch Center Wang Theatre

    MAR 13 – Brooklyn, NY – Kings Theatre

    MAR 14 – New York, NY – Beacon Theatre

    MAR 16 – Washington, D.C. – The Anthem

    MAR 17 – Charlotte, NC – Ovens Auditorium

    MAR 19 – Orlando, FL – Steinmetz Hall at the Dr. Phillips Center

    MAR 20 – Miami, FL – Adrienne Arsht Center

    MAR 23 – Atlanta, GA – The Eastern

    MAR 24 – New Orleans, LA – Orpheum Theater

    MAR 25 – Memphis, TN – Overton Park Shell

    MAR 26 – Nashville, TN – The Pinnacle

    MAR 28 – Detroit, MI – Masonic Cathedral Theatre

    MAR 29 – Chicago, IL – The Auditorium

    MAR 30 – Minneapolis, MN – Orpheum Theatre

    MAR 31 – Kansas City, MO – The Midland Theatre

    APR 02 – Denver, CO – Ellie Caulkins Opera House

    APR 06 – Portland, OR – Keller Auditorium

    APR 07 – Vancouver, BC – Queen Elizabeth Theatre

    APR 13 – Indio, CA – Coachella*

    APR 16 – Salt Lake City, UT – The Union

    APR 20 – Indio, CA – Coachella*

    APR 23 – Austin, TX – Bass Concert Hall

    APR 24 – Dallas, TX – Majestic Theatre

    *Festival appearance

    Tickets for “Multimedia Tour 2025 – 50 Years of Autobahn” go on sale to the general public Friday, December 13 at 10AM local. Registration for presale opens today, December 5, and presale begins Wednesday, December 11 at 10AM local. For more information on the tour and to register for presale, click here.

  • In Focus: Disco Biscuits Close Out Fall Tour in Rome and Buffalo

    Just prior to Thanksgiving, the Disco Biscuits wrapped up their final tour of 2024, with shows in Rome and Buffalo. Over the next few weeks, the band enters the studio and have four final shows to close 2024 out.

    Disco Biscuits rome
    photo by Pete Mason

    Held at the Capitol Theatre in Rome, situated just west of Utica, the venue has been open since 1928, originally part of a chain of movie houses and screening films through 1974. The venue reopened in 1985 as the Capitol Civic Center, when live music and theatrical performances were offered in addition to classic films.

    The show in Rome – a first for the band, and at the ‘other’ Capitol Theatre – was a high point from the start, with a 27-minute “Magellan” opening the show. Feeling rarer these days, “Magellan” hit home with the veteran fans in the audience, many of whom made the Upstate trio of shows a weekend adventure.

    With the energy shifting out of “Cyclone,” a peak jam of the first set arose in “Times Square,” before passing the torch to “Bombs,” a once-shelved fan favorite that was brought back in May 2021 thanks to a fan request. “Shelby Rose” rounded out the first frame of music, which was full of songs for the older heads in attendance this evening.

    Set 2 opened with the slow burn of “Fire Will Exchange,” setting forth a 95-minute torrent of music. This opening 25-minute version was patient as it built and ended up giving way to a full version of “Shem-Rah Boo” that clocked in at over a half-hour, “No Rain” tease and all.

    Less than a month old, the Disco Biscuits version of Richard Strauss’ “Also Sprach Zarathrusta” is a hybrid of “Orch Theme” and Phish’s own version, “2001,” but this industrial version of “Also Sprach Zarathrusta” is nothing like what Strauss or your average Phish fan would expect. Darker, heavier and exploring the darkness between ascendent peaks, this “ASZ” in the industrial/classical crossover we didn’t know we needed.

    Sandwiched in between “ASZ” were “No Recollection” and “Catalyst,” each keeping the fire burning in the set, and bringing it to an exultant finish. And with under 10 minutes left to wrap the show up, the band opted to stay old school with “Rock Candy” in the encore slot, and the show ended promptly before 11pm.

    Disco Biscuits rome

    Setlists via Biscuits Internet Project

    Disco Biscuits – Rome Capitol Theatre – Rome, NY – Friday, November 22, 2024

    Soundcheck: The Very Moon -> Sirens Sing

    Set 1: Magellan > Cyclone > Times Square > Bombs > Shelby Rose

    Set 2: Fire Will Exchange > Shem-Rah Boo1 > Also Sprach Zarathustra > No Recollection> Catalyst > Also Sprach Zarathustra

    Encore: Rock Candy
    1 with ‘No Rain’ (Blind Melon) teases

    While NYS Music was not on hand for the Buffalo shows the next two nights, the two shows are each an adventure in their own right. Saturday night’s show features a reworked “Sirens Sing” (formerly, “The Champions”) with an inverted “Munchkin Invasion” in the second set.

    Disco Biscuits – The Town Ballroom – Buffalo, NY – Saturday, November 23, 2024

    Soundcheck: Little Lai, Rainbow Song, Frog Legs

    Set 1: House Dog Party Favor > Grass Is Green 1 > Sirens Sing 2 > Falling 3 > House Dog Party Favor

    Set 2: M.E.M.P.H.I.S. 4 > Trap Door 5 > Pimp Blue Rikki > Munchkin Invasion 1 > Floes

    Encore: Morph Dusseldorf > Feeling Twisted > Morph Dusseldorf
    1 inverted
    2 Reworking/renaming of ‘The Champions’
    3 Tractorbeam Remix (Falling 303)
    4 with ‘Piano Concerto #21 Andante’ (Mozart) teases
    5 1st time inverted

    Sunday’s show was comprised of songs written by Joey Friedman over the last two years, in honor of his 500th show. The full show gives a faint picture of what to expect from the Biscuits time in the studio this month – get a full breakdown here via Relix.

    2024 is nearly in the books and the Disco Biscuits barnburner of a tour is for now, to be continued.

    Disco Biscuits – The Town Ballroom – Buffalo, NY – Sunday, November 24, 2024

    Soundcheck: Park Ave -> Running, Confrontation

    Set 1: To Be Continued > Ring the Doorbell Twice > Country Royale 1 > One Chance To Save The World > Risky Business 1 > Another Plan of Attack 2

    Set 2: The Wormhole > Twisted in the Road 3 > Dino Baby > Another Plan of Attack 2 > One Chance To Save The World > Photograph > To Be Continued

    Encore: Buy The Time > Ring the Doorbell Twice
    1 1st time inverted
    2 dyslexic (ending first, then beginning)
    3 inverted

    Rome Capitol Theatre photos by Dan Bocchino

  • Charli XCX “Brat 2025” Arena Tour Includes Two Dates in Brooklyn

    Avant-pop superstar Charli XCX has announced the “Brat 2025” Arena Tour which currently consists of five dates, two of which see Barclays Center in Brooklyn.

    Pop and electronic superstar Charli xcx has become an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and mainstream with her artistic output. Over the course of a trailblazing career, the multi-hyphenate creative has earned critical acclaim for her innovative style and entrepreneurial spirit and seen her forward-thinking approach reshape pop culture in the process. 

    She released her sixth studio album ‘BRAT’ in June which stands as the most critically acclaimed album of the year and landed at Number 1 on the UK Official Album Chart in October. ‘BRAT’ has well and truly made its mark on the cultural zeitgeist this year; the audacious campaign has seen Charli cause roadblocks around the world with her pop-up ‘PARTYGIRL’ DJ sets, break the internet with viral videos and surprise collaborations with the likes of Billie Eilish, Lorde, Addison Rae, Robyn, Yung Lean, Julia Fox, Chloë Sevigny, and Rachel Sennott and introduce a new tone of green to the social lexicon.

    The album was nominated for the Mercury Prize 2024 while ‘Guess featuring Billie Eilish’ debuted at Number 1 on the UK Official Singles Chart, making Charli the first British artist to land at the top of the charts this year. In October, Charli followed it up with ‘Brat and it’s completely different but also still brat’ – a brand-new version of the critically acclaimed album featuring reimagined takes and innovative reworks of tracks from ‘BRAT’ featuring the likes of Julian Casablancas, Bon Iver, The 1975, Shygirl, Ariana Grande, Caroline Polachek and more.

    The “Brat 2025” Arena Tour kicks off on April 22 at Moody Center in Austin, TX. The tour then wraps up on April 30 and May 1 with two iconic shows at Brooklyn’s famous Barclays Center.

    CHARLI XCX – BRAT 2025 – ARENA TOUR: 

    April 22 – Austin, TX – Moody Center

    April 26 – Minneapolis, MN – Target Center

    April 28 – Rosemont, IL – Allstate Arena

    April 30 – Brooklyn, NY – Barclays Center

    May 1 – Brooklyn, NY – Barclays Center

    For more information on Charli XCX’s “Brat 2025” Arena Tour and to purchase tickets, click here.

  • Man on a Mission: A Glimpse Into The Musical Mind of Ari Joshua

    Ari Joshua is on a mission to release 24 songs in 2024. Over the course of the last ten months, the South African-born, now American-based songwriter has been consistently releasing these singles, some of which contain multiple tracks and several stand-alone remixes. Each release features a unique line-up of all star musicians, including members of Trey Anastasio Band, Medeski Martin & Wood, and Joe Russo’s Almost Dead. 

    Ari joshua
    Photo by Joshua Hitchens – Bolt of Sunshine Photography

    I had the wonderful opportunity to chat with Ari who shined a light into his musical process, spoke on his luminary collaborators and opened up about navigating the music industry and the world he has dedicated his life to.

    “I’m super honored to be at the point in my career where I can share all the art I’ve been making. When I think about my art and the message that I want to give with it – something from the soul – it reminds me of creating an organic garden, planting seeds, and harvesting foods. If you scale it out one can imagine being an artist today is like sending a rocket ship or a satellite into orbit. I feel like once you’re in orbit as an artist, or once your seeds are harvesting fruits,  you can feel like you are achieving your job – each note, each song, has the potential to propel things further. In a way all the legends are in orbit. In order to get up there, to resonate with listeners, you need a tremendous amount of fuel, and it’s a full time pursuit to manifest that.”

    That need to resonate through the music inspired Ari to found The Music Factory, a Seattle-based music school giving lessons to hundreds of kids each week. He is a huge proponent of music education and has continued to grow the school since its inception. Ari has found himself at a point where he is able to take a step back and shift focus on his career being an artist and performer. “After years of juggling duties and taking continuous small steps forward I’ve found myself at a balancing point investing more time into creating meaningful and soul-fulfilling art.” 

    Left to Right: Medeski, Martin & Joshua – Photo by Chris Bittner

    Ari’s first three releases of the year, “Dragon’s Layer”, “Country Stroll” and “Elephant Walk,” feature John Medeski and Billy Martin. These Woodstock, NY recorded country and jazz influenced instrumentals are defined by their laid back grooves and catchy melodies. Ari has spent his life studying diverse artists across all genres and setting the foundation for himself so that he can be both over prepared yet able to let go of everything in the moment. When asked about his process of going into the studio with the high caliber collaborators he shares his body of work with, he makes it clear that he wants to allow the space for them to shine and be who they are. It’s their unique voice that he wants captured in the studio. “There’s a certain kind of magic that comes from not knowing what’s going to happen and knowing that the musicians you’re working with are at a certain point. You’re free to trust the process and provide the space for them to do what feels right, and speaks for them.” These songs feel like an extension of the MMW universe – Medeski, Martin & Joshua. “Country Stroll” and “Elephant Walk” showcase tasteful soloing by all three musical juggernauts. 

    Ari holds the artists he has worked with to the highest regard. No collaboration is the same. No circumstance is the same. Improvisation usually takes the wheel. When working with artists on complete ends of the spectrum, you have to be able to adapt. Some of his collaborators prefer being sent audio and charts prior, while others only care about the moment once they’re all together. “Each person and each group of people that I get to work with is a totally different situation.” He compares this to making a child. “We’re going to go in there [the studio] and we’re gonna mix up our DNA, ideally with good intentions and love, and ideally a good level of pleasure [laughs]. And we’re going to come out with something that’s its own thing – a new creation.”

    Ari’s songwriting knows no bounds. There is truly something for everyone. This is evident with the release of “Elon’s Musk”, his psychedelic, Tipper-inspired electronic single released under the moniker Guitari with ill.gates and Cory Cavazos. Ari’s follow up, “Rare Groove” once again shifts genre and lineup entirely. This funk, R and B-inspired instrumental features Skerik, Grant Schroff and Delvon Lamarr. A recurring theme in Ari’s song writing is his ear-worm melodies, his focus on improvisation and the prominence of organ players. “I am obsessed with really great organ players. There’s just this match made in heaven for me. I really studied that stuff so heavily and I just have this natural gravitation towards it.” “The Clinic” and “Audio Bicycle Day” were also released with the same ensemble. These singles can be categorized by their funky, yet more sinister progressions and feature fantastic improvised solos by all. “Audio Bicycle Day (Suncatchers Version)” is a unique take on the same song but recorded with Joe Doria and Brad Gibson. The Suncatchers Version has a more whimsical, airy quality. He continues this onward trend of eclecticism with his release of “One Dub”, a reggae-inspired instrumental groove that features John Kimock, Andy Hess, and Eden Ladin. There are four remixes of “One Dub” currently available on streaming services. 

    Ari has also worked and recorded alongside Russ Lawton and Ray Paczkowski of Trey Anastasio Band. When talking about his unique songwriting approach when working with different artists, he spoke about how Russ would send drum recordings to Trey over the phone, and then Trey would write parts based on Russ’ recordings. This is the approach that Ari wanted to take in the studio, and he had Russ send him a bunch of demo ideas prior to their session in that spirit. These sessions, which originally took place during the pandemic, resulted in over 25 songs, many of which have yet to be released. “Starlight Mountain” is the first release of the year that features Ari on lead vocals. These emotionally delivered vocals, along with his well-crafted distorted guitar solo are extremely powerful and moving. “The TriCeraphClops” was released with the same all star lineup – dubbed the RAAR Trio. This funky and crunchy instrumental showcases the band’s virtuosity and their chemistry as a unit. 

    Left to Right: Paczkowski, Joshua & Lawton – Photo by Ben Collette

    What you see of Ari’s art is just the tip of the iceberg – “almost 90% of it is underwater.” He relates each piece of music to a blank canvas that he’s constantly revisiting, which could take years, if not decades to complete. “Tagine,” recorded with Marco Benevento and Joe Russo over 15 years ago, is just now seeing the light of day. This psychedelic soundscape takes the listener on a sonic journey through the unknown. It exudes imagery of exploring a distant alien planet. 

    With no slowing down in sight, Ari has recently announced a brand new supergroup, The All’s Eye, consisting of Ben Atkind (Elephant Proof) and Kris Yunker (Bearly Dead) formerly of Goose. The trio fuse boogaloo funk, soulful organ grooves, Afrobeat, bluegrass, and alternative rock. Fresh off a recording session at Carriage House Studios, the trio is set to release a series of singles over the coming months. They just announced their first official run, four dates on the East Coast and will be sharing their latest single “West Hill Road” on November 20th. When taking the deep dive into Ari’s catalog, you may find yourself pleasantly lost in a rabbit hole of musical and auditory goodness – a yellow brick road of art and sound. 

    Left to Right: Atkind, Joshua & Yunker – Photo by Mclee Mathias

    The All’s Eye Fall Tour 2024

    11/20 – The Stone Church – Brattleboro, VT

    11/21 – Zenbarn – Waterbury, VT

    11/22 – TBA

    11/23 – Main Pub – Manchester, CT

    11/24 – Sanctuary – Maynard, MA

    You can directly support and find out more about Ari Joshua at https://arijoshua.com/home

  • Wire Festival Returns to Knockdown Center

    Wire Festival has announced the fourth installment of the world-class techno festival to take place at Knockdown Center from May 16-18, 2025.

    Wire

    In addition to its core programming, Wire also hosts community engagement events such as a series of Talks programmed in partnership with RA. Before the show, an industry meetup event will allow artists, organizers, booking agents, and label owners to connect with each other. Finally, the festival transforms the already-iconic venue with stunning, unique, and commissioned light installations. 2024’s collaboration with France’s Collectif Scale was the most ambitious work yet featured. Additional installations included pieces from NY’s Inner Light and Studio Gum Gum. The festival has grown steadily and organically, moving from strength to strength, creating a space for world-class techno and more amidst a thriving NY ecosystem.

    The beloved, Ambient Stage will make a return in 2025. Introduced in 2023, the Ambient Stqage encourages artists to stretch into the unfamiliar. This year, Wire expanded from its initial two-night template to include a third-day program. Beginning right after the Saturday night rave, the Sunday program will run all the way from early morning through the evening.

    Since 2022, Wire has platformed the most vital underground dance music, highlighting some of the genre’s most esteemed artists, freshest voices, and essential collectives. Previous standout acts include Jeff Mills, Surgeon (live), DJ Stingray 313, and showcases from Mala Junta, Bassiani, Herrensauna, and more. Wire Festival aims to highlight some of the city’s most adventurous artists while finding and sharing new talent.

    Weekend passes are on sale now. Single day passes and lineup will be released in 2025. Learn more and purchase tickets here.

  • Shrines Releases New EP ‘Seasons’

    Shrines, the moniker of Brooklyn-based singer and musician Carrie Erving, self-released a new EP, Seasons, on October 18. The release was celebrated with a show at Brooklyn’s C’mon Everybody several days later on October 23.

    Shrines (Credit: Shrines)

    Labelled loosely perhaps as art pop, any effort at finding a straightforward pidgeon-hole for this work are likely to be confounded. In “Infinite Spring” (the EP’s opener) for example, what begins as brooding and operatic quickly finds itself morphed into rocky and club-adjacent.

    Seasons, produced by Rosana Cabán (Psychic Twin, Cosas Cosas), spans four songs exploring the fragility of the individual seasons. At turns reflective, poppy and celebratory, Seasons documents the collective cognitive dissonance of the fluctuations between celebration and trepidation that arise while living in a time of rapidly escalating climate change. This may feel particularly relevant to those enjoying the 80 degree late-October heatwave.

    The highlight of this work is Erving’s voice. One part classical vibrato, one part pop incantation, Shrines’ singing is given room to breathe with very little manipulation. A hint of reverb is applied just at the right moments to draw out some of the music’s spookiness.

    In Seasons, Shrines’ lyrics suggest that allowing ourselves to savor the present moment may be one of the keys to grappling with the larger challenges of our time. Shrines’ new single and video, “Witch Season,” is her homage to spooky season. With lyrics drawing from themes in Irish traditional folklore, “Witch Season” explores getting lost in the woods, immersing oneself in the unknown, and reconnecting with one’s own wild nature, as the music crescendos into a mysterious, Stevie Nicks coded fever-dream.

    Drawing comparisons to Björk and Sinead O’Connor, Shrines skillfully weaves influences of pop, electronic music, indie rock, and Irish sean-nós (traditional ‘old style’ Irish singing) into her music, delivering shimmering art-pop that The New York Times described as ‘spellbinding.’ 

    Find Seasons on Bandcamp.

  • Arts for Healing: O+ Festival 2024

    Kingston, New York is steeped in history. Once the ancestral lands of the Munsee people, it became a permanent settlement for Dutch colonists in 1652 and designating as New York State’s first capital in 1777.

    Keegan Ales Kingston NY,
    Keegan Ales, O+ Festival 2024

    Fast forwarding to today, this thriving HudsonValley community now serves as the base for O+ (pronounced O Positive), a non-profit organization creating its own history with a unique paradigm: artists exchanging their art for medical care.

    Eat the Cake Band, Keegan Ales, Arts for Healing: O+ Festival 2024
    Eat the Cake Band, Keegan Ales

    From October 11-13th 2024, Kingston hosted O+’s annual festival, now in its fourteenth year. The three-day event raised awareness and funds for the organization, offering an immersive gathering of musicians, writers, dancers, spoken-word performers, and visual artists. In exchange for their contributions, participating artists received healthcare services.

    Kate Pierson Old Dutch Church, Arts for Healing: O+ Festival 2024
    Kate Pierson, Old Dutch Church

    The festivities kicked off Friday night with a parade starting at Keegan Ales. With their three stages, Keegan Ales served as a musical hub, offering a wide range of musical experiences—from metal and rock to hip hop, house, and techno.

    When artists and musicians thrive, so do culture and our communities.

    O+ vision

    The Old Dutch Church, a historical landmark dating back to 1659, anchored the festival in Uptown Kingston. Featured performers Neko Case, Rhett Miller & The All Stars, and Kate Pierson graced the church’s stage. Festivalgoers could purchase wristbands for full access to multiple stages, performance spaces, and presentations, all within walking distance of the church.

    Utility Bicycle Works, Sun Daniels,
    Sug Daniels, Utility Bicycle Works

    One of the festival’s hidden gems was the Utility Bicycle Works stage, tucked away in the back of a local bicycle shop. Though the room was small, it offered an intimate atmosphere that amplified the performances. Philadelphia-based singer-songwriter Sug Daniels bared her soul to a captivated audience. The six-piece band King in Yellow defied the space’s physical limitations with their commanding presence.

    TR33S Keegan Ales back room
    TR33S, Keegan Ales Back Room

    On Sunday night at the Old Dutch Church, O+ concluded with a special screening and panel discussion of The Blair Witch Project which coincided with the film’s 25th anniversary. Moderated by actress and musician Amanda Seyfried, the panel featured director Ed Sanchez and actors Joshua Leonard and Michael C. Williams.

    Rhett Miller and The All Stars
    Rhett Miller and The All Stars

    O+’s vision remains clear: “When artists and musicians thrive, so do culture and our communities.” With fourteen years of Arts for Healing under its belt, O+ is not only adding to Kingston’s legacy but is actively shaping its future.

  • Phantogram Announces 2025 Headline Tour “Running Through Colors” with Stop at Brooklyn Paramount

    Electro-rock duo Phantogram have announced their 2025 headline tour of North America which begins on January 15. The tour begins in Las Vegas, NV and wraps up on February 28 in Hollywood, CA.

    Lauded as an experimental and alternative band and one that’s never been married to a particular genre, Phantogram have continued to alter soundscapes for almost a decade by consistently challenging sound with their signature blend of hard-hitting beats, guitar driven dark psychedelia and electronic pop.  The “Running Through Colors Tour” stops at Brooklyn Paramount in NYC on February 6.

    The band recently released their fifth album, Memory Of A Day via Neon Gold Records. The new album captures that disorienting sense of time travel sparked by a color or song that recalls the most joyful and tragic moments in your life. Alongside the LP, the duo – Sarah Barthel and Josh Carter – have shared their latest single, the driving, and wistful burst of color, “Attaway.”

    Live performances from Phantogram weave together the band’s signature mix of hazy synths, hypnotic guitars, beat-crushing drum machines and mesmerizing vocals. For the bandwriting new music and performing it in front of audiences around the world is their most exciting experience creating together since their early days as a group.

    PHANTOGRAM TOUR DATES

    1/15 – Brooklyn Bowl – Las Vegas, NV

    1/16 – House of Blues Anaheim – Anaheim, CA

    1/17 – SOMA – San Diego, CA

    1/19 – The Van Buren – Phoenix, AZ

    1/22 – House of Blues Dallas – Dallas, TX

    1/24 – ACL Live at The Moody Theater – Austin, TX

    1/25 – House of Blues – Houston, TX

    1/27 – House of Blues – New Orleans – New Orleans, LA

    1/28 – The Hall – Little Rock, AR

    1/29 – Ryman Auditorium – Nashville, TN

    1/31 – Tabernacle – Atlanta, GA

    2/03 – The Ritz – Raleigh, NC

    2/04 – The Fillmore Silver Spring – Silver Spring, MD

    2/06 – Brooklyn Paramount – Brooklyn, NY

    2/08 – The Fillmore Philadelphia – Philadelphia, PA

    2/10 – House of Blues Boston – Boston, MA

    2/12 – Danforth Music Hall – Toronto, ON

    2/13 – Saint Andrew’s Hall – Detroit, MI

    2/14 – Byline Bank Aragon Ballroom – Chicago, IL

    2/15 – The Fillmore Minneapolis – Minneapolis, MN

    2/18 – Fillmore Auditorium – Denver, CO

    2/19 – The Union – Salt Lake City, UT

    2/21 – Moore Theatre – Seattle, WA

    2/22 – Commodore Ballroom – Vancouver, BC

    2/24 – Roseland Theater – Portland, OR

    2/26 – The Masonic – San Francisco, CA

    2/28 – Hollywood Palladium – Hollywood, CA

    For more information on Phantogram and their upcoming 2025 “Running Through Colors Tour,” click here.