Brooklyn-based alternative-rock band The Amatory Murder has announced the release of their latest single “Crazy in a Coffin (On a Saturday Night).” The single releases ahead of their “Dreamers & Screamers Tour” which helps raise money for Hurricane Helene relief.
“Crazy in a Coffin (On a Saturday Night)” which releases on October 10 is an upbeat, Halloween-inspired groove with jazz roots and will be available on all streaming platforms. The tour sees a total of six confirmed dates beginning in Marlinton, West Virginia on October 24 and wrapping up in Harrisburg, Pennsylvania on November 16. Along the way, the tour plans to stop at Area 140 First Bar in NYC on November 1. Shows on October 28 and November 17 are to be determined.
The band is heavy alternative but also employs textures of grunge, punk, pop and metal. Joining The Amatory Murder on their tour for select dates are special guests Sins of Eden, Vicki’s Dream, and Hand of the Tribe. The tour’s main theme is to help raise money and awareness of the devastation and loss caused by Hurricane Helene. The band plans to gain enough traction to supply each affected venue with the tools they need to leverage their businesses. The Amatory Murder has created a GoFundMe to raise funds for the residents and businesses ravaged by Hurricane Helene along our tour route.
The Amatory Murder “Dreamers & Screamers Tour” Dates:
Oct 24 – Marlinton, WV – Discovery Junction
Oct 25 – Duluth, GA – Sweetwater Bar & Grill
Oct 26 – Knoxville, TN – Scruffy City
Oct 27 – Asheville, NC – 27 Club
Oct 28 – TBD – TBD
Nov 1 – New York, NY – Area 140 First Bar
Nov 16 – Harrisburg, PA – JB Lovedraft’s MicroPub
Nov 17 – TBD – TBD
Buying tickets means donating to the cause – Hurricane Helene relief. Don’t wait, jump on it now. For more information on the upcoming “Dreamers & Screamers Tour” and to purchase tickets click here. To hear some of The Amatory Murder’s music including their latest single “Crazy in a Coffin (On a Saturday Night),” click here.
New York founded band Vampire Weekend played two shows at MSG in New York City on Friday, October 5th. “We’ve been looking forward to this the entire tour,” said frontman Ezra Koenig on the first night. This show marks the final quarter of the band’s ongoing tour in support of their latest album, Only God Was Above Us.
Vampire Weekend performs at MSG in NY. Photograph by David Reichmann (@davidpresspass)
Billy Joel Cover band Turnstiles opened for Vampire Weekend both nights, with additional support from Mark Ronson for the first show, and the Brothers Macklovitch for the second.
Ezra Koenig of Vampire Weekend performing at MSG in NY. Photograph by David Reichmann (@davidpresspass)
The second show was a rare Sunday matinee, which ended at 4PM sharp. During the second show, Ezra commented, “I didn’t know if this would be a good idea, we ended kind of late last night. But I think I like it.” The crowd cheered in response. Ezra would also go on to describe the backstory behind some of the band’s songs throughout the shows.
Turnstiles open for Vampire Weekend at MSG in New York. Photograph by David Reichmann (@davidpresspass)
Vampire Weekend performed with their signature brand of intellectual lyrics and intricately produced tunes. They played vast set lists each night, with nearly a two-hour long main set, covering their five beloved studio albums.
Each night featured a number of covers, including a rendition of Billy Joel’s “Scenes from an Italian Restaurant,” which featured a dinner scene performance behind the band as they played. Each show featured some pyrotechnics and a big blast of confetti at the very end of the encore.
In the past, the band often took fan requests at the end of the shows, but for this tour Ezra told the crowd they would only accept songs that weren’t theirs. So after the main set, the band came back on stage and asked the crowd to hold up signs, notepads, and scream out song suggestions, which the band attempted with varying levels of success. Covers included Fall Out Boy, Billy Joel, bruce Springsteen, and a handful of others.
You can follow Vampire Weekend “Only God Was Above Us” Tour here, and listen to their music here. Photo gallery by David Reichmann below.
Hailing from the UK, Wasia Project has quickly become one of the most exciting indie bands on the rise. The sibling duo Olivia Hardy and William Gao (along with drummer Luca Wade and bassist Tom Pacitti), fuse together jazz, classical, and indie pop, creating a sound that is as soothing as it is emotionally charged. With heartfelt lyrics and lush arrangements, the band has won over a dedicated fanbase both in the UK and overseas.
The Show
On Monday, Sept 30, night one in NYC of the “Isotope Tour” kicked offâ and it did not disappoint. The show began with an atmospheric interlude, “Isotope,” which set the mood for an introspective and emotional night. Wasia Project then launched into “My Lover Is Sleeping”, immediately captivating the crowd with Olivia’s dreamy, tender vocals. The audience was buzzing, absorbing every word, as the band poured their hearts out on stage.
A key standout moment was “Petals on the Moon,” which had the entire venue jamming to William’s piano solo. The duo’s chemistry on stage is undeniable, and their shared musical bond radiated through every track, but especially on “Burning Eyes Are Calling” and “How Can I Pretend,” where Olivia’s emotive voice soared over William’s intricate piano melodies.
“U R So Pretty” was an emotional high point in the set, with its delicate lyrics and vulnerability. The song had the crowd cheering, resonating deeply with everyone in the room. The night’s energy took a shift with “My Vine” and “Cover,” with Olivia’s vocals floating effortlessly over lush instrumentals.
The band’s raw emotion, combined with their experimental soundscapes, made for a captivating debut performance in New York City. If you missed them this time, be sure to catch Wasia Project soon âthey’re just getting started, and their future looks incredibly bright.
Setlist: Isotope (Interlude Intro), Is This What Love Is, My Lover Is Sleeping, U Deserve, Petals on the Moon, How can I pretend, Burning Eyes Are Calling, Takes Me Back Home, Remember When, U R So Pretty, My Vine, Cover, To Get Better, Somebody Come Through, Tell Me Lies
Folk unit and twin brothers Spillway have released their second single to date, titled “Indiana.”
Having found a way to communicate with the world through music together when they were young, twin brothers Aaron and Wyatt Mones have been Spillway since long before the moniker came to them. Named in reference to Spillway Road, the street that was home to the small garage they began their musical journey in, Spillway grew their professional musical skills by playing and producing for other artists for several years- eventually amassing a total of five million streams to their credit.
Now split geographically between New York and Los Angeles, the two singer-songwriter and multi-instrumentalists bridge their physical distance with their mutually engrained passion for music and creating. Melding nostalgic folk pop sounds with whimsical and idiosyncratic lyrics, Spillway offers their poetically packaged belief that music communicates more than simple words ever could.
Spillway’s debut single “Are You Having Fun Yet?” was released earlier this summer and has amassed over 130,000 streams to date in the span of just three months. With achingly raw lyrics and an unapologetically human sonic touch, it’s no wonder why Spillway has seen such success so early in their professional career.
The duo’s newest release, “Indiana,” is rooted in its namesake. A snapshot of modern Midwestern life, “Indiana” encapsulates Spillway’s immediate impression and experience of the state after less than 24 hours spent in the flatlands of Southwestern Indiana that their label, Wally Opus Records, calls home. Channeling the stories and daily lives of the people they had just met, Spillway layers acoustic guitar, brushed drums, and gentle vocals to create a sonic encapsulation of warm, folksy routine.
In just shy of three minutes, the brothers paint the midwestern life in all of its shades so vibrantly that it brings the listener into their conversations being had with the locals around them. With such vivid sonic imagery, it’s no wonder why they’ve described “Indiana” to be their favorite piece to come out of at least the past two years of songwriting.
The official music video for “Indiana” coincides with the track’s release and reflects the listening experience perfectly. With frames of the duo in the Wally Opus recording studio spread throughout scenic, mellow moments in the nature of the midwest, the video’s warm tone and nostalgic attitude weave yet another layer into the deeply human moments Spillway seeks to capture.
“Indiana” is out now- listen here. To learn more about Spillway’s work and future plans, visit their website here.
sweet93, the moniker of New York City-based guitarist and vocalist Chloe, excitedly shares her latest single, “what’s true?” Her first release of the year continues to establish sweet93 as a project destined for exponential sonic growth.
The track is a swirling shoegaze lullaby that rocks the listener back and forth. sweet93 embodies the hazy, drifting summers of the early 90s – a time when the lullabies of Slowdive and the sweetness of Mazzy Star ruled the alternative rock scene. Based in NYC, Chloe’s songs are the soundtrack to a waking dream.
“what’s true?” holds an intensely soothing aura around it that captivates listeners and brings them to a kind of lo-fi dreamscape. The track is relaxing yet uplifting, calming yet refueling, spacey yet grounding. With the release of this single, sweet93 plans to embark on her first US tour with support from her friend and collaborator, Porches.
SWEET93 LIVE US TOUR DATES:
OCTOBER
15 – Cambridge, MA – The Sinclair
16 – Washington, DC – The Atlantis
17 – Philadelphia, PA – Underground Arts
18 – Durham, NC – Motorco Music Hall
19 – Atlanta, GA – The Masquerade
21 – Nashville, TN – Exit/In
22 – Chicago, IL – Lincoln Hall
24 – Saint Paul, MN – Amsterdam Bar and Hall
25 – Kansas City, MO – recordBar
26 – Omaha, NE – Reverb Lounge
28 – Denver, CO – Bluebird Theater
29 – Salt Lake City, UT – The Urban Lounge
31 – Portland, OR – Wonder Ballroom
NOVEMBER
1 – Vancouver, BC – Hollywood Theatre
2 – Seattle, WA – Barboza
6 – San Francisco, CA – Bimbo’s 365 Club
7 – Los Angeles, CA – The Fonda Theatre
9 – Phoenix, AZ – Valley Bar
12 – Dallas, TX – Dada Dallas
13 – Austin, TX – Antone’s
15 – Birmingham, AL – WORKPLAY
16 – Indianapolis, IN – HI-FI
20 – Brooklyn, NY – Brooklyn Steel
“‘what’s true?’ changed shape several times before I realized what I was actually trying to say. I spent days in my room trying to tell some version of a story, when in reality I was struggling with understanding reality at all… Lately I’ve been filled with more questions than answers, like when nothing is real and no one’s around – what’s actually true?”
Chloe aka sweet93
For more information on sweet93’s new release and upcoming tour, click here.
New Hope Club, the British trio comprised of George Smith, Blake Richardson, and Reece Bibby, have been charming fans worldwide since 2015. Their infectious guitar-driven pop and catchy choruses quickly made them standouts in the pop music scene. Their 2020 self-titled debut album solidified their status, with hits that have defined their sound and energized audiences everywhere.
Now, they’re back with new music, including their latest single “Trouble in Paradise,” which is out now, with more music on the horizon.
New Hope Club at Baby’s All Right by: Yisroel Teitelbaum (@thebigpic.inc)
Beyond music, Richardson is gearing up to play a young Paul McCartney in the highly anticipated Beatles biopic, Midas Man.
Richardson’s casting has fans buzzing with excitement, eager to see how he continues expanding his creative reach.
The Show
On a warm night, New Hope Club took the stage at Baby’s All Right, turning the intimate venue into a buzzing cauldron of energy. This show gave NY fans an intimate, up-close experience with the trio in one of the city’s coziest venues.
As soon as the band hit the stage, the atmosphere was electric. They opened the night with the crowd favorite “Worse,” instantly igniting the room. The trio’s tight harmonies and infectious energy had the crowd dancing, singing, and smiling from the first note.
Throughout the night, the band treated fans to a mix of their biggest hits and some sneak peeks of what’s to come. They performed their newest track “Trouble in Paradise,” and the crowd responded with in an excited frenzy. The song, packed with their upbeat rhythms and smooth vocals, was an instant hit and gave a taste of the new, New Hope Club.
Richardson, with his effortless charisma, led the crowd through the set. The crowd interaction made the show feel intimate and personal, the boys exuding a chemistry that can only come from years of friendship and performing together.
A highlight was “Who Do You Think You Are?” where their vocal harmonies captivated the crowd, swaying together. The boys performed “Let Me Down Slow,” prompting the crowd to join in a massive singalong that echoed throughout the room.
Closing the night with the explosive “Permission,” New Hope Club left Baby’s All Right on a high note. As the band waved goodbye, the crowd chanted for an encore, not quite ready for the night to end.
New Hope Club proved from start to finish why they’re one of the most exciting young bands today. Their blend of charm, talent, and crowd interaction created a memorable night for everyone in attendance.
Looking to the Future
For those who missed the magic at Baby’s, make sure to catch them next time they’re in NYC. With new music and a movie debut ahead, the band’s future success promises to be even bigger. Don’t miss out!
Synonymous with quirky lyrics and dreams of being rich, The Barenaked Ladies brought their “In Flight” tour to Rochester on Wednesday, October 2. Passengers on this tour are fellow 90’s alt-rock band, Toad the Wet Sprocket.
Toad the Wet Sprocket
Quietly gaining a strong following since 1986, Toad the Wet Sprocket has released seven studio albums and has had solid success on the pop charts with hits like “All I Want,” “Good Intentions,” and “Walk on The Ocean”. Playing for about 45 minutes, Glen Phillips and crew serenaded the sellout crowd as they filed to their seats to see the Canadian headliners.
Jamming through a 12-song set, lead singer Phillips is joined on stage by Dean Dinning on bass and rhythm guitar, Todd Nichols on guitar and mandolin, Josh Daubin on percussion, and Jonathan Kingham on keys.
After a brief delay in set up, Barenaked Ladies took the stage for nearly 2,000 fans shortly before 9pm. Starting out with “One Night” and 2003’s “Testing 1,2,3,” Ed Roberston and team were quickly thrown off script as there were more issues with sound, mostly with Jim Creegan’s bass. Luckily for them and the enthusiastic audience, BNL kept the show going as if nothing was wrong. Some ad-libs, a little magic trick and banter with bandmates paired with a less scary rendition of Michael Jackson’s “Thriller” kept the fans entertained.
With the sound issues taken care of, Robertson along with Tyler Stewart on drums, Jim Creegan on bass, and Kevin Hearn on keys rocked through their 19-song set, with tracks from nearly every album, dating back to 1992’s Gordon.
With nobody exempt from the wit of Robertson, including Robin the sound guy, “History Of Everything” theme from the Big Bang theory began with a jab at the opening band. While thanking Toad The Wet Sprocket for being on tour, he brags that although they are amazing in their own right, they don’t have a TV theme song.
Having been around for over 30 years, many like myself, will recall a time when fans would bring in boxes of Kraft Macaroni and Cheese to heave during the set, as they belted out “If I Had a $1,000,000.” Those days are long gone, but the days of fan screaming out lyrics remain. With some guidance from Robertson, tonight was no different. Right on cue, the crowd gave BNL exactly what he wanted, minus the dijon ketchup.
If I had a million dollars We wouldn’t have to eat Kraft Dinner But we would eat Kraft Dinner Of course we would, we’d just eat more
Rounding out the classic, quirky set, the guys came out for a two song encore of “Tonight is The Night I Fell Asleep at The Wheel” and “Lovin Life.” The latter couldn’t have been better song to end the night, speaking about lovin’ the life you have and making the most of it, no matter what happens.
Nearly 40 years, 17 studio albums, and millions of downloads later, Barenaked Ladies are still the goofy band from Canada that loves to have fun on stage and can make even a rough start (thanks, Robin) turn into a night of improv and laugher from start to finish. Make sure you go check them out if you haven’t already seen Barenaked Ladies.
Toad the Wet Sprocket setlist: Come Down, California Wasted, Inside, Transient Whales, Nanci, Good Intentions, The Moment, Walk on The Ocean, Nightingale Song, Something’s Always Wrong, Fall Down, All I Want
Barenaked Ladies setlist: One Night, Testing 1-2-3, Thriller (M. Jackson cover), For You, The Old Apartment, Big Back Yard, Boomerang, Just Wait, Toe to Toe, Brian Wilson, Fifty for a While, Aluminum, Pinch Me, Odds Are, History of Everything (Big Bang Theory theme), One Week, If I Had $1000000, Tonight Is The Night I Fell Asleep at The Wheel, Lovin’ Life
Ed Robertson – Barenaked LadiesBarenaked LadiesKevin Hearn – Barenaked LadiesHearn and RobertsonTyler Stewart – Barenaked LadiesJim Creegan Barenaked LadiesTyler Stewart – Barenaked LadiesEd Robertson – Barenaked LadiesKevin Hearn – Barenaked LadiesTyler Stewart – Barenaked LadiesKevin Hearn – Barenaked LadiesJim Creegan Barenaked Ladies
Tuesday, October 1st saw The Red Clay Strays and The Glorious Sons make a stop at Brooklyn Paramount on their “These Moments Tour,” playing a sold-out show to almost 3,000 fans.
The Glorious sons are a rock band based in Ontario with Brooklyn Paramount their first show on the “These Moments Tour,” singing their most popular songs and sharing the story’s behind creating each song with each other.
The Glorious Sons were the perfect opening act as few fans knew them prior, but after hearing them live, the audience was drawn in by songs like “My Poor Heart” and “Pink Motel” and became new Glorious Sons fans.
The Red Clay Strays are a country rock from Mobile, Alabama who gained popularity with their hit single “Wondering Why,” a song about the bands commitment to their music and success and the toll it has taken on their romantic relationships. The song opens with the stark contrast between the protagonists and two lovers upbringings. The chorus shows the amount of love this person has for the protagonist as they just sit back and allow the band members to follow their dreams, all left “Wondering Why.” Red Clay Strays have since put out another album and have been touring around the world sharing their unique music.
Brandon Coleman (lead singer) shared a story of them previously performing at Brooklyn Paramount to a very small crowd, yet this time performing to a sold-out crowd. Throughout the show you could see the band’s passion for the music they are creating together, each song having a meaning and backstory related to the band’s history.
The Glorious Sons Setlist: My Poor Heart, White Noise, Josie, Mama, Mercy, Mercy, Kill the Lights, S.O.S (Sawed Off Shotgun), Ruby, Pink Motel
The Red Clay Strays Setlist: Ramblin’, Moment of Truth, Stone’s Throw, Disaster, Good Godly Woman, Heavy Heart, Between the Lines, Drowning, Devil in my Ear, Sunshine, Ghosts, I’ll Drown in My Tears (Sonny Thompson Cover), No one Else Like Me, I’m Still Fine, Doin’ Time, Will the Lord Remember Me, God Does, Moments, Wondering Why, Don’t Care
Get ready, Jimkata fans! The Psychedelic super pop jam band is back with a fresh new single, “Off The Rails” that’s set to be the soundtrack of your fall.
Known for their electrifying blend of indie rock and synth-driven beats, Jimkata has been a staple of the indie music scene, and their latest track doesn’t disappoint. The single offers a glimpse into their upcoming album, Running In Place which is released Friday, October 4th and is packed with the band’s signature energy and fresh new vibes.
To celebrate the release, Jimkata is hosting an Album Release Party Friday at Asbury Hall aka Babeville in Buffalo, and you won’t want to miss it! This is your chance to catch them live, hear your favorites plus hits off the new album, and experience the magic that only Jimkata can deliver. Big Something is opening the show.
NYS Music spoke to Jimkata ahead of the show and album release.
NYSMusic: What kind of themes or stories are fans going to hear on this new album? Did anything unexpected inspire you guys this time around?
Jimkata: I think as musicians and individuals we’ve all been navigating our way through a lot of changes and challenges the last few years. We started working on this album as a three piece, sort of doing what we could here and there while touring and Packy and Aaron becoming new fathers, while also trying to fund the process entirely independently. It hasn’t always been easy the last few years but it feels like a “pressure makes diamonds” type of situation. In that time, we added Cooper into the band full time on bass/synths and have been discovering a new sound or really, just advancing it to a new level. It’s hard to sum it up musically or lyrically since I think it’s pretty diverse between songs but I know for sure I pushed myself into some new territory at times while writing and recording this one. There were plenty of unexpected “aha” moments.
NYSMusic: If you could describe the new album in three words, what would they be? What kind of wild ride can Jimkata fans expect?
Jimkata: Full Spectrum Jimkata. We chose to incorporate both studio and live tracks to try to encompass where we’re at right now. It felt natural to end the album with the live stuff since this process began with a lot of isolated sessions, often just one or two of us working on a demo at home or with a producer. Then after playing a bunch of shows on the fall tour, building some chemistry on stage between the four of us, we knew we needed to get all of us in a room to work on the remaining new songs as a band and capture the vibe. I think the emotion of our songs gets amplified at shows because of the energy in the room and we wanted to show what that currently sounds like literally but also channel that into the studio stuff too.
NYSMusic: How do you decide which older songs to include in the setlist alongside the new tracks? Are there any fan favorites you always keep in rotation?
Jimkata: Sometimes it’s by fan request. Someone messages us about wanting to hear a certain song one night and we say, yea lets do it. Sometimes it’s something one of us brings up in a rehearsal. Like, “Hey what about this song?”. Sometimes we feel like we need a certain tempo or vibe at a specific time in a set and there are a few that always seem to do the trick. Its kinda tough because we have so many to choose from now but we’ve been embracing the whole catalog a lot more these days. We definitely know which songs seem to be clicking with the crowd but are always testing out new ideas or further enhancing an old song.
NYSMusic: Any songs on the new album that ended up surprising you or going in a completely different direction than you thought?
Jimkata: Almost all of them but probably the song Running in Place was the big surprise. It came together after a frustrating day in the studio where we seemed to be losing creative steam on a different song. We thought about what kind of song we needed vibe wise to round out the album and it just wasn’t it. Jocko (producer) asked if I had any other demos laying around and I rifled through a bunch of song ideas for them and the immediate reaction to Running in Place (aka ‘Spirals’) from everybody was, “Yea this one!”. We were getting really close, if not already past the deadline we gave ourselves so I went home and finished writing the song over the weekend and sent it around to everybody. We went back in and tracked it in a day and overnight we had this brand new tune that didn’t exist a week ago. Lyrically we felt like this idea of Running in Place resonated with how we felt about life lately- working your ass off trying to keep up with everything and in some ways feeling like you’re moving forward but other times like you’re just running on a treadmill.
The middle section on “Off the Rails” was also an unexpected moment of inspiration. We stumbled into the breakdown section while playing it live in the studio. Then weeks later, I’m driving there to record vocals, listening to the song, and I come up with this vocal idea. It’s almost insane sounding and we wanted to lean into that unhinged character. I really enjoyed yelling like a crazy person in the vocal booth, something I’m not sure I’ve done before but clearly was exactly what I needed to do and is probably a more accurate portrayal of how stressful life has been at times in the last few years for me. “
NYSMusic: What’s one piece of advice you’d give to upcoming and inspiring indie artists trying to find their voice and grow their audience in today’s music scene?
Jimkata: We don’t really know what to tell anyone since it seems like today’s landscape is very different from the one we started with and even the “professionals” are always trying to figure out what the hell is going on. However, we’ve seen a lot of things come and go in a short amount of time and things change, but some things remain true. Obviously social media is important, but I’d say don’t forget to just get out there and play a show, a party, whatever. Get together with friends and jam, go to shows and meet other musicians, other bands. Don’t be afraid to make mistakes, suck, mess up in front of people, write songs you might not like later. Just laugh and learn from it. With a world of talented people on a screen in our pockets it can be intimidating and feel like maybe you’ll never be “good enough” to put yourself out there. But music is art, expression. It’s not always about technical ability although that’s important too. It’s about expression and having fun and sharing an experience with others not just on a screen, but in person.”
The turnout was overwhelmingly young at Webster Hall on Wednesday, October 2, for Duster, a heavy, depressing-sounding (in a good way) band that initially released music at a time when most of the audience was in grade school.
Their debut album, Stratosphere, was released in 1998, at least five years before most of the hands gripping the stage barrier, marked by black X’s for audience members under 21, were born.
As Duster’s set time approached, OG Duster fans and veteran concertgoers who skipped the opener began to fill in GA behind a wave of younglings. Shoegaze is the new dad rock, with bands like Duster, Slowdive, and My Bloody Valentine ballooning in popularity with the under-25 crowd, arguably eclipsing their initial popularity.
Duster has a perfect grip on the audience’s attention, purposefully subdued, choosing when to cater to the audience. After the first two songs, young voices called out from the crowd, “Turn up your mics. We can’t hear you!” From the stage, Canaan Amber replied softly and succinctly, “No.” As the show continued, the overhead lights faded, and only the LED screen behind them remained, silhouetting them against pulsing and swimming colors.
The term “shoegaze” can only describe the textural aspect of Duster’s music and leaves out the most gripping part of their sound: tempo. Often called slowcore, a subgenre interested in intensely slow tempos, head banging here is more like nodding with the slow heartbeat of drums and droning guitars.
Duster seems to pull the tempo even harder live than on the studio recordings, often leaving the audience leaning in before finally reaching the climax of the songs. Injecting a burst of energy for but a moment, and yet, when each song concludes, the audience erupts, held in stasis until one intensely gratifying moment. It’s an exciting feeling that is very different live versus listening at home. Now, Duster makes their way through the midwest until they reach California for two shows at the beginning of November to conclude their tour.
