Elliot Moss is a multi-instrumental singer and producer from NYC. His latest LP How I Fell is an emotional novel of his ups and downs as not only a musician but simply as a human. The 11-track LP boasts a variety of vibrant sounds coming together to form a meaningful, colorful, mix of musical talent.
The alt-pop album How I Fell begins with the floaty, intimate song “Altitude.” The track has ethereal vocals by Elliot, a punchy, powerful drumbeat, sprinkled saxophone pieces, layered guitars, and harmonies as well. The song reaches a powerful climax and then begins its soft descent before its ending.
“Lazy” and “Hearts Lose” keep a solid, chill, relaxed vibe in the musical journey that is this album. Autotuned vocals and low-vibration backing instrumentals keep the atmosphere melancholy but hopeful sounding.
“Magic” begins the same as the last two, down and relaxing. The tune later turns into a very alt-pop or pop-rock sound, showcasing Elliot Moss’s creative range. The remaining songs reflect this as well.
Elliot chose to add a variety of sounds to this album; the alternative heavy pop sound, the ethereal, floaty sound, the soft melodic down style, and other variety of sounds can be heard throughout.
How I Fell by Elliot Moss gives vibes of Sam Smith, with his vocal style, instrumentation, and the genre alone, as well as Tame Impala, The Score, and perhaps Green Day.
This album is a clear reflection of Elliot’s up and down moments as a musician and just as a person.
To learn more about Elliot Moss and to get your ears on How I Fell, click here.
The newly reformed Sublime will headline the eleventh annual Levitate Music & Arts Festival in Marshfield, MA this summer. The festival is scheduled to take place from July 5th through July 7th at the Marshfield Fairgrounds. Joining Sublime at the top of the festival bill is Lake Street Dive, Mt. Joy, Tash Sultana and Dirty Heads, with a wide range of other popular artists filling out the rest of he weekend.
Upon receiving an inside tip that Sublime, the 90s surf-punk icons that defined a generation were rumored to reunite, Levitate organizers moved quickly to arrange that Sublime would take the stage for their first and only live Northeast performance at Levitate Music & Arts Festival. The band features original members Bud Gaugh and Eric Wilson with Jakob Nowell, the son of late founding member Bradley Nowell, assuming front man duties. “Playing our music is the closest thing possible to playing with my old buddy Brad,” noted Wilson recently.
In addition to this very special headlining act, the lineup also includes powerhouse female fronted acts Lake Street Dive and Tash Sultana on Saturday, indie rockers Mt. Joy on Friday, and a star studded dynamic lineup ranging from favorites Dirty Heads to hometown heroes The Elovaters. The virtuosic prowess of performers like Grace Bowers and Cory Wong will also be on full display this weekend. And the authentic Americana of Charley Crockett along with rising starts like Karina Rykman only adds to the incredible and diverse talent at this year’s festival.
Photo credit: Jesse Faatz
Along with the world-class musical talent, Levitate will host an eclectic, eco-driven and family friendly event with a blend of artisan vendors, dozens of local food trucks, and wide ranging experiences from live art installations to kids activities including the return of the kids zone run by Levitate Camp Counselors which encourage creativity and a shared love of the outdoors with the next generation – a value at the very core of Levitate’s mission.
Tickets go on sale Thursday, February 15 at 12 PM ET. Visit www.levitatemusicfestival.com for more information. One percent of each ticket sold will be contributed to the Levitate Foundation, a non-profit whose mission is to cultivate vibrant communities by creating and conserving access to music, art and the outdoors.
The LOVE ROCKS NYC 2024 benefit concert for God’s Love We Deliver has announced its star-studded lineup – happening live from the historic Beacon Theatre on Thursday, March 7.
LOVE ROCKS NYC launched in 2017, and has since raised more than $30 million to date and helped fund more than three million meals for New Yorkers in need. The benefit concert highlights God’s Love We Deliver’s mission of providing meals and nutrition counseling for people living with severe illness in the New York Metropolitan area. The not-for-profit was founded in 1985 as a response to the AIDS pandemic, now serving people living with more than 200 different diagnoses, home-delivering more than four million medically tailored meals to more than 14,700 individuals last year.
The concert is executive produced by iconic international fashion designer John Varvatos, NYC Douglas Elliman real estate broker and prominent concert producer Greg Williamson, and esteemed concert/events producer Nicole Rechter and is hosted by Conan O’Brien, Tracy Morgan, and Jim Gaffigan.
For the eighth anniversary, the LOVE ROCKS NYC 2024 all-star lineup, led by Music Director and Band Leader Will Lee (The CBS Orchestra), will feature The Black Keys, Hozier, Nile Rodgers, Tom Morello, Don Felder, Bettye Lavette, Joss Stone, Allison Russell, Emily King, Marcus King, Lucius, Larkin Poe, Trombone Shorty, Luke Spiller (The Struts), Quinn Sullivan, Bernie Williams and more announced soon.
The past seven LOVE ROCKS NYC benefit concerts have featured outstanding music stars, including Keith Richards, Jon Bon Jovi, Dave Matthews, Robert Plant, James Taylor, Joe Walsh, Emmylou Harris, Warren Haynes, Ziggy Marley, Cyndi Lauper, Heart and John Mayer Trio, Andra Day, Sara Bareilles, Leon Bridges, Nathaniel Rateliff, Maggie Rose, Ledisi, The War and Treaty, and more.
The outstanding house band will include Steve Gadd (James Taylor, Paul Simon), Shawn Pelton (Saturday Night Live), Larry Campbell (Levon Helm, Bob Dylan), Eric Krasno (Soulive, Phil Lesh & Friends), Pedrito Martinez (Bruce Springsteen, Sting, Camila Cabello), Jeff Babko (Jimmy Kimmel Live), Michael Bearden (Lady Gaga) and a six-piece horn section.
God’s Love We Deliver pre-sale tickets go live on Thursday, February 8 at 10:00 am ET, and public tickets go live on Friday, February 9 at 10:00 a.m. ET through www.ticketmaster.com. For more information, please visit here.
New York City based musician Jed Luckless recently released his brand new album, Multiply on December 29, 2023.
Photo Courtesy of Jed Luckless
This marks Jed’s third solo record; his first solo studio release in over 8 years. His most recent, Roll Over debuted in the fall of 2015. Multiply features 9 songs all written and performed by Luckless. A musical savant, Luckless can be heard on lead vocals, background vocals, guitar, bass, keyboards and drums.
Photo Courtesy of jedluckless.com
Multiply blends familiar elements of folk and rock with traditional country and blues to create a fresh new sound. Luckless’s classical guitar style introduction on “Luna”, or his country blues playing on “Ungratefully Dead”are just two examples of the sonic exploration that is Multiply; seamlesslyweaving through different styles, moods and time signatures.
Luckless is a very descriptive songwriter and lyricist, thoughtfully painting the scenes and emotions his songs portray like an empty canvas. This, paired with his lighthearted, playful-like story telling approach, provides him the foundation to tackle some heavy thematic concepts. Themes of the inevitability of time, inward self reflection and the overcoming of personal obstacles just begin to scratch the surface. “Live for today” is the message repeated by Luckless at the end of “Own”, a beautifully crafted ballad given an additional layer of depth and flavor by Jed’s percussion work.
Luckless joins artists like Prince and Paul McCartney, who are known for recording all the tracks on some of their past records. From the harmonized vocals on “Time & Tide”, to the distorted guitar solos on “Latest Craze” and the title track “Multiply”, to the featured organ on “Latest Craze”, Luckless’s multi-instrumental talent and musical expertise is on full display throughout.
Jed’s live band, The Jed Luckless Band (JBL), perform his original work, including his latest release, Multiply. Jed can also be seen performing live with acts Clueless Wallob and Star ‘69, a Phish and Grateful Dead tribute respectively. You can catch Jed Luckless live at Odeen’s at Spins in Carmel, NY on Wednesday, February 28th starting at 7:00pm.
You can also directly support Jed at his website where Multiply is available now for just $10! Every order includes the following: Jed Luckless Multiply CD (signed by Jed Luckless), signed guitar pick, bonus CD or Download Sticker (while supplies last) and other Surprise Mystery Items (like posters, cards, shirts, etc!)
Multiply is currently available on all streaming services [here].
Jonathon Linaberry’s stage name, The Bones of J.R. Jones, conjures a haunting image that sets a melancholic tone fitting for the depths of his latest album, Slow Lightning. Linaberry’s first full-length release in five years, and the deluxe version, out February 9, plunges listeners deeper with covers of Bruce Springsteen’s “My Hometown” and a Bones of J.R. Jones original “Out For Blood.”
Linaberry’s cover of Springsteen’s 1985 hit “My Hometown” sets a clear expectation for the mood of the fourteen-track album. A heavy song to begin with, Slow Lighting’s producer Paul Kolderie substitutes lap steel for Roy Bittan’s Nord synthesizer, adding an atmosphere of pastoral mournfulness that makes sense for an artist from the farmlands of Delhi, New York. The wailing lap steel leads to a cinematic arrangement that rolls out of speakers in a dense fog.
Strong arrangements are a hallmark of Slow Lightning. The album sounds larger, and if you close your eyes, it’s easy to imagine a larger room of musicians playing whatever they have on hand, from steel top resonator guitar to a washboard. From its sound alone you would never expect that the titular artist is just one man, that is a credit to expert production from Linaberry and Kolderie who created a seamless soundscape for the album
“Blue Skies” exemplifies this bucolic folk sound. Through a reverberating banjo twang Linaberry’s echoes lyrics that come to a tragic climax of despair, overcoming a prayer for better days and blue skies. In the video for his 2023 Tiny Desk Contest Submission, Linaberry is joined by dual backup vocalists Hannah Milnes and Maggie McDowell who add a harmonic nature to the song.
With the exception of a few tempo-pushing moments, this is not an album you will dance to. While the album’s opening track, “Animals” has an upbeat, soulful groove, these songs sound more fitting for contemplation than celebration. A long drive through a sun-soaked countryside is a fitting place for this album, which presents itself as too dour to be enjoyed over a few drinks with some friends.
Slow Lightening is an album loaded with heartbreak. The lyrics echo with lovesick despair through lines like ‘All my love, Pouring out of my eyes, Is drowning me tonight’ on “Heaven Help Me” and ‘You ain’t good for me, And you ain’t ever gonna be, But I ain’t through with you’ from “I ain’t through with you.”
Misery Loves Company spoke Mephastophilis, so there must be a catharsis in repeating “love is the kind of thing that will keep you warm” alongside strangers. Maybe at Bones of J.R. Jones broken hearts come together to reform. Linaberry’s skillful guitar playing and melodic delivery certainly give you reason to believe.
Tickets for The Bones of J.R. Jones tour are available now.
On Saturday, February 3, 2024, Lucius returned home to a sold-out crowd at Brooklyn Steel. At the grand finale of their highly anticipated “Wildewoman, The Anniversary Tour,” fans poured into the venue with palpable enthusiasm. Opening act Jeff Taylor kicked off the festivities, setting the stage for the iconic duo’s entrance.
Originating from Brooklyn, Lucius, the indie band and songwriting duo composed of Jess Wolfe and Holly Laessig, curated a series of select shows to commemorate the album’s tenth anniversary that catapulted them to stardom. Returning to their roots in the city where it all began, the night held special significance for the band and their devoted fans. With multiple critically acclaimed albums under their belt and collaborations with esteemed artists such as Harry Styles, Roger Waters, and John Legend, Lucius has solidified their place in the music industry.
With vibrant hues and bold colors, the audience matched the band’s dynamic energy as the lights dimmed. The anticipation had almost reached a breaking point before they stepped out onto the stage. Made more magical by a beautiful set design, mirrors enveloping the band and reflecting back out onto the audience, the connection between the audience and the band was undeniable as the beginning notes rang out. The evening featured an array of highlights that included a special sit in by long time friend and collaborator, Louis Cato. The band also took time to read aloud letters from fans, each one recounting the impact of their music on their lives. The band played through “Wildewoman” in its entirety, interweaving a few other special songs into the setlist.
Taking an immersive turn, Lucius ventured into the crowd for their encores, symbolizing the evening’s themes of unity and celebration. Amidst the audience, they delivered an emotionally charged rendition of “Two of Us On The Run” and a fitting Beatles cover of “Goodbye.” As the evening concluded and the band navigated back through the crowd, a sense of nostalgia intertwined with excitement lingering for Lucius’ next move.
Setlist: Woman, Right Down the Line, Wildewoman, Turn It Around, Go Home, Tempest, Hey Doreen, Nothing Ordinary, Housewarming, Dusty Trails, Until We Get There, Wild Heart, Dont Just Sit There, Stranger Danger, Ice Cream, Monsters, It Doesn’t Matter Anymore, Wonderful, How Loud Your Heart Gets, Genevieve
On February 2, Annie Trezza provided the tunes and ensued the grooves at Arlene’s Grocery, a Lower East Side treasure. From the most eastern point of New York State, Annie and her band descended into the city from Montauk, bringing their east coast surf-rock demeanor with them in blue suitcases, fur coats, and their soulful sound.
Bass rattled the vintage infrastructure of Arlene’s as Annie prepped her stage. She twirled around her staple acoustic and a sky blue electric-guitar perched behind the microphone, sipping a Tecate and dancing to the pre-show tunes. Huddled on stage was the Arlene’s grocery drum set, a bass guitar, and a pedal set that her bandmates fiddled with. Friends and family members of the band milled about the tight-spaced room, and curious New Yorkers in search of live music filed down the stairs into the pit.
Annie and her whole crew made their way onto stage. “Hey everyone! We track from the east end, AKA Montauk – the coolest place on Earth!” She wore a memorable coat with fur trimmed cuffs, velvet cowboy boots, bell bottoms, and a cowboy hat. Her style matched her sound, as she strummed her band into play.
After her first couple of songs, Annie Trezza introduced her band: Jack Marshall on the steel guitar, Andrew Winthrop on the drums, and Kevin L. on the bass. Their stage presence was commanded by Annie’s charisma, and they gelled together seamlessly. After the song “Ave. A,” Annie was excited to play her song “Summer//Winter,” which can be heard in the neo-western thriller “The Last Victim” on Hulu.
With drinkable influence from iconic artists like The Doors and Fleetwood Mac, and more modern-scale groups like Houndmouth or The Growlers, Trezza has combined classic riffs and the jam-band groove with her own poetry and life-style flair.
Each song threaded a narrative with unique lyrics. In the span of the mere hour long set, we were pulled from New York City, to Montauk, to Florida, to the French countryside. With strong influences from the ocean, surfing, relationships, and the seasons changing, Trezza holds an earthy and empathetic discography.
Their set deserved more time, for the storytelling between songs had to be nipped in order for Annie to perform the entirety of her setlist. Trezza acknowledged the time passing, “ All of these songs have a story, and I do like to ramble…” The crowd replied, “Ramble on!” The collective reference to Led Zeppelin couldn’t be missed.
A story that seemed to resonate with the audience was that behind her song “French Countryside.” Sleeping in the room next door to the person you’re in love with. The song had a tremendous build that mirrored the feeling of emotional climax – when feelings can no longer be contained and the body becomes an emotional well.
The bridge warranted dancing and Annie’s pal Kate grooved front and center. She bounced around the rim of the stage, and her energy encouraged others to move their feet. Annie invited the audience to fill in the dance floor. Bodies pushed towards the stage and the motion met the music.
“Alright, that was the acoustic set. We’re gonna go surfing again!” Annie swapped her acoustic guitar for her electirc as she geared up for the last couple of surf-inspired songs “Surf Crush,” and “Pitted.” “This song is about surfing, the greatest thing in the world! We’re in New York City, let’s get pitted!”
“Pitted” was the final song of the evening, and it ended the night on a high note. Once the show concluded, Annie hung around the Arlene’s chatting with her audience. Her artistry as well as her connective nature was genuine.
Indie-rock Sam Roberts Band has announced they are embarking on a major North American tour with support from Grand Public, JayWood, Altameda, Miina, Brandon Wolfe Scott, Brandon Wolfe Scott, Art d’Ecco, and Social Creatures.
The North American tour features a stop at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16.
SAM ROBERTS BAND
Budweiser Stage, Toronto. August 19, 2021.
Photo by Dustin Rabin – 2853
Canadian based Sam Roberts first released his debut in 2002, following a popular independent demo recording he had made in Montreal. Before that point, he had been a violin player who eventually moved on to guitar and started a rock band with his friends. In 2003 he released his first full-length album, We Were Born in a Flame. The Certified Double-Platinum selling album was a huge hit in Canada and won the Juno Awards for Album of the Year, Rock Album of the Year, and Artist of the Year. The artist continued to release hit albums for the remainder of the decade, like in 2006 he released Chemical City which became Platinum-certified andLove at the End of the World in 2008 which became Gold-certified and each album winning him the Juno for Rock Album of the Year.
Sam Roberts Band continue to deliver their legacy of hit singles to take over the airwaves. The band’s legendary live show has seen them performing around the world including Australia, Japan, and other extensive tours through Europe and North America and brought them to festivals such as Bonnaroo, Austin City Limits, Lollapalooza and Bumbershoot, and alongside giants like the Rolling Stones and AC/DC.
With the tour announcement, the band also celebrated the release of their new LP, Adventures of Ben Blank. The new LP is also the singer/songwriter Sam Roberts’ eighth album, and 5th under the Sam Roberts Band moniker. The new record takes a twangy and conceptual turn, seeing Roberts embody the titular character, a lone wolf type with a hardened exterior that slowly fractures as the album runs on.
Sam Roberts Band will perform at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16 and fans can find tickets here.
SAM ROBERTS BAND TOUR DATES
2-Feb-2024 Montreal, QC, Théatre Beanfield w/ Grand Public
3-Feb-2024 Ottawa, ON, Bronson Centre w/ Grand Public
8-Feb-2024 Kitchener, ON, Centre in The Square w/ JayWood
9-Feb-2024 Toronto, ON, History w/ JayWood
10-Feb-2024 London, ON, London Music Hall w/ JayWood
16-Feb-2024 Buffalo, NY, Town Ballroom w/ Altameda
17-Feb-2024 Detroit, MI, St. Andrew’s Hall w/ Altameda
23-Feb-2024 Victoria, BC, The Capital Ballroom w/ Miina
24-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott
25-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott
27-Feb-2024 Kelowna, BC, Kelowna Community Theatre w/ Brandon Wolfe Scott
29-Feb-2024 Calgary, AB, Southern Jubilee Auditorium w/ Art d’Ecco
1-Mar-2024 Edmonton, AB, Northern Jubilee Auditorium w/ Art d’Ecco
2-Mar-2024 Red Deer, AB, Red Deer Memorial Centre w/ Art d’Ecco
14-Mar-2024 Philadelphia, PA, Underground Arts w/ Social Creatures
15-Mar-2023 Washington, DC, Union Stage w/ Social Creatures
16-Mar-2024 New York, NY, Le Poisson Rouge w/ Social Creatures
Meet Me @ The Altar, the vibrant and genre-defying trio, is redefining the punk and pop-punk scene with their electrifying energy and empowering anthems. With lead vocalist Edith Victoria, guitarist Tea Campbell, and drummer Ada Juarez, the band’s dynamic sound reflects their diverse influences and shared passion for breaking barriers in the music industry. Hailing from different corners of the U.S., MMATA found their common ground, and swiftly became a force to be reckoned within the world of punk.
MMATA’s “Say it To My Face Tour” stop at Irving Plaza on January 25 was an exhilarating celebration of punk, diversity, and unapologetic self-expression. The night kicked off with stellar performances by Elliot Lee, John Hardie, and Honey Revenge, setting the stage for a high-octane headlining act.
As MMATA took the stage, the atmosphere crackled with excitement. A fan in the front row held a sign that declared “Ada is my everything,” a testament to the profound connection the band fosters with their supporters. The show became a participatory experience when Edith let the crowd choose between two songs, playfully warning them about the sad backstory of “A Few Tomorrows” before launching into it, resulting in playful banter between the band and their adoring audience.
Edith, Tea, and Ada’s banter with the crowd showcased not only their musical prowess but also their genuine connection with fans. They acknowledged a dedicated fan who had attended 10 shows with applause, reinforcing the reciprocal love between the band and their followers. The concert marked a significant milestone for MMATA, as they headlined at Irving Plaza for the first time, reflecting on their journey from opening for MUNA in 2022 to sharing the stage at Madison Square Garden with 5 Seconds of Summer.
Inflatable beach balls bounced through the crowd, adding to the playful atmosphere, while Edith’s confusion about the continued existence of BeReal revealed a charming, down-to-earth side. The concert took unexpected turns, such as Tea’s witty remarks during the intro to “Hit’s Like a Girl,” celebrating love and adding a personal touch to the night.
A standout segment dubbed “Songs We Wish We Wrote” featured spirited covers, including “Since You’ve Been Gone” and “Burnin’ Up,” showcasing the band’s versatility and sense of humor. The fan project during “Garden,” where paper flowers bloomed in the crowd, was a visually stunning moment, and Edith’s acceptance of a flower from a fan emphasized the symbiotic relationship between the band and their admirers.
Meet Me @ The Altar used their platform for more than music, incorporating activism into the show with the presence of Headcount volunteers promoting voter registration. Crowdsurfing added a final touch of chaos to the night, encapsulating the raw, unfiltered spirit of punk.
In summary, Meet Me @ The Altar’s concert at Irving Plaza wasn’t just a show; it was a riotous celebration of individuality, shared experiences, and the unifying power of music. The trio’s ability to seamlessly blend punk, pop-punk, and heartfelt lyrics created an atmosphere that resonated with the diverse audience, making it a night to remember.
Setlist: Same Language, Now or Never, Try, A Few Tomorrows (Crowd voted for this over May the Odds Be Ever In Your Favor), Hit Like a Girl, It’s Over for Me, Since U Been Gone (Partial Kelly Clarkson cover), Take Me Away (Partial Christina Vidal cover), Burnin’ Up (Partial Jonas Brothers cover), T.M.I, Garden, Feel a Thing, Kool, Say It (to My Face)
Acclaimed pop/soul group Lake Street Dive has announced they will be touring throughout North America starting this June. The Good Together Tour will see four stops across NY – Saratoga Springs, Lafayette, NYC, and Buffalo, over the course of the tour, in that order.
The tour will kick off on June 14 in Asbury Park, NJ. The last show of the tour will be on October 11 in Atlanta, Georgia. Saratoga Jazz Festival, Beak and Skiff Apple Orchards, The Outer Harbor, and most notably, Madison Square Garden will be where Lake Street Dive winds up in the Empire State.
The band makes music of a multitude of genres. Soul, pop, country, indie, folk and more can be heard in various works by the group. What’s common in all of it is the talent and musicianship that Lake Street Dive possesses. The grooves, licks, and vibes of this music are wonderful both recorded and live. Definitely not a tour to miss out on.
“We’re going on our biggest tour yet!!! It’s gonna be a big ol’ party all around the United States and Canada and EVERYONE is invited! Looking for a place where you can get together with friends and strangers and dance the night away? Help is on the way! We cannot wait to set sail on this epic musical adventure. See you soon!”
Lake Street Dive on The Good Together Tour
Lake Street Dive – Good Together Tour 2024
June 14—Asbury Park, NJ—Stone Pony Summer Stage
June 27— Ottawa, ON—Ottawa Jazz Festival
June 28 – Toronto, ON—Toronto Jazz Festival—History
June 29—Saratoga Springs, NY—Freihofer’s Saratoga Jazz Festival
July 07—Lafayette, NY—Beak and Skiff Apple Orchards
July 09—Cleveland, OH—TempleLive at Cleveland Masonic
July 10—Interlochen, MI—Interlochen Center for the Arts, Kresge Auditorium
July 12—Indianapolis, IN—Everwise Amphitheater at White River State Park
July 13—Nashville, TN—Ascend Amphitheater
July 14—Cincinnati, OH—Andrew J Brady Music Center
July 16—St. Louis, MO—St. Louis Music Park
July 17—Bentonville, AR—The Momentary
July 19—Dillon, CO—Dillon Amphitheater
July 21—Morrison, CO—Red Rocks Amphitheatre (SOLD OUT)
July 23—Salt Lake City, UT—Red Butte Garden Outdoor Concert Series
July 26—San Diego, CA—Cal Coast Credit Union Open Air Theatre
July 27—Los Angeles, CA—Greek Theatre
July 28—Berkeley, CA—The Greek Theatre at UC Berkeley
July 30—Ketchum, ID—Sun Valley Center for the Arts
August 01—Vancouver, BC—Orpheum Theatre
August 02—Troutdale, OR—McMenamins Edgefield Amphitheatre
August 03—Seattle, WA—Venue TBA
August 04—Seattle, WA—Venue TBA
August 17—Portland, ME—Thompson’s Point
August 18—Portland, ME—Thompson’s Point
September 13—Columbia, MD—Merriweather Post Pavilion
September 14—New York, NY—Madison Square Garden
September 15—Philadelphia, PA—The Mann
September 17—Buffalo, NY—Terminal B at the Outer Harbor
September 23—Grand Rapids, MI—20 Monroe Live
September 24—Madison, WI—Breese Stevens Field
September 26—Chicago, IL—The Salt Shed
September 27—Chicago, IL—The Salt Shed
September 28—Minneapolis, MN—Surly Brewing Festival Field
September 30—Columbus, OH—KEMBA Live! Outdoor
October 01—Pittsburgh, PA—Stage AE
October 04—Raleigh, NC—Red Hat Amphitheater
October 05—Charlotte, NC—Skyla Credit Union Amphitheatre
October 06—North Charleston, SC—Firefly Distillery
October 08—Asheville, NC—Rabbit Rabbit
October 10—Atlanta, GA—The Eastern
October 11—Atlanta, GA—The Eastern
The Good Together Tour presale begins Wednesday, January 31 at 10:00AM local time, and general on-sale begins Friday, February 2 at 10:00AM local time. For more information on Lake Street Dive, click here.
