Caffè Lena has been a continuously operating folk coffee house since 1960 and Tom Rush has been a continuously performing folk musician for just about as long. That certainly made Rush, who released his first album in 1962 and recorded for Prestige, Elektra, and Columbia records in the 60s and 70s, a perfect selection for Caffè Lena’s Folk Heritage Series which brought the New England troubadour to the stage for two shows on Friday, May 31.
Tom Rush at Caffe Lena. Photo by Derek Java.
In the early bird set, which kicked off just after 5 pm to the delight of the mostly-baby boomer crowd, Rush performed a tight 70 minute set that showcased his wide-ranging skills as a songwriter, storyteller, bluesman, interpreter, and champion of other songwriters from his generation.
Tom Rush at Caffe Lena. Photo by Derek Java.
After the packed house welcomed Rush to the stage, he joked that he was in the sixty-third year of his farewell tour and kicked into “Making the Best of a Bad Situation” a talking blues that featured a number of narrative follies and established the lighthearted and humorous nature that continued throughout the set.
Upon completion of the first number, Matt Nakoa took the helm of the legendary Caffè Lena upright piano and accompanied Rush for most of the night. Nakoa, a songwriter who hails from Kerhonkson, NY, looks startlingly like the young, pre-mustachioed Tom Rush as captured in the photo that adorns the album cover of The Circle Game (1968). Nakoa also displayed a dexterous and adaptable approach to the keyboards all night, ranging in styles from barrelhouse to boogie-woogie to straight ahead rock n’ roll. “Hot Tonight” was an apt place in the set for Nakoa to join in since his playing certainly raised the temperature of the music on the stage for the duration of the concert.
Matt Nakoa caught in reflection at Caffe Lena. Photo by Derek Java.
Nakoa is also the producer of Rush’s most recent album “Gardens Old, Flowers New”, which was released in March of this year. “Won’t Be Back At All” was the first of three numbers that the duo played from this latest album. Rush joked that he learned a long time ago that he should play new songs early in a set in case he needed to redeem himself for any missteps, but despite his self-deprecation, the three new songs included in the set were among the most poignant of the night.
True to his word, Rush followed a recently recorded track with a song nearly 60 years old: Joni Mitchell’s “The Circle Game”. Rush recounted that he first met Joni Mitchell in 1966 while he was doing a two week residency in Detroit at the famed The Chess Mate folk and blues club. He was two years overdue on an album for Elektra and asked the budding songstress if she had anything he could record. Shortly thereafter, Mitchell sent Rush a six song demo tape, humbly introducing “The Circle Game” as something she didn’t think was all that good. Rush’s reverential rendition reminded the audience of just how wrong Mitchell was – the lyrics remain spellbinding and perceptive. In many ways, Rush’s baritone, grown gravelly with age, continues to be the perfect foil for the lyrics, “we can’t return, we can only look / behind from where we came / and go round and round / in the circle game. Rush, who alternated between a standard-tuned acoustic, a 12-string, and his open-tuned, signature Martin guitar (replete with naked-lady-wrapped-up-in-a-snake inlay) mentioned that while David Crosby takes the credit, he’s pretty sure he was the one to first introduce Mitchell to open-tuning (something she became famous for). Rush said he’s pretty sure he was the one who showed Crosby how to do it too!
Tom Rush at Caffe Lena. Photo by Derek Java.
Rush continued to school the audience in the ways of the old folk house with Sleepy John Estes’ “Drop Down Mama” which featured an exquisite barroom piano solo by Nakoa. Rush, who hails from New Hampshire, went to college at Harvard and got a second degree in the folk music of 1960s Cambridge clubs where he saw numerous blues and bluegrass legends, Estes included.
Rush then turned the stage over to Nakoa for an interlude of piano instrumentals that shared one quality – they were scores for film. “Tumbleweed Tango” was a clever and playful piece that was commissioned to score a short animation about two balloon animal dogs (check out the video on YouTube if you get a chance). The impressionistic “8MM Home Movies” was inspired by Nakoa’s COVID lockdown with his father. Instead of family movie night, Nakoa’s dad fired up old 8MM home videos and Nakoa was inspired to rewrite an old composition from his high school days that conjured up the images of his youthful grandparents.
Matt Nakoa at Caffe Lena. Photo by Derek Java.
Then Rush returned to the mic for “The Remember Song”, which was probably the highlight of the evening in terms of crowd response. Written by Steven Walters, the song captures exactly what it feels like to misplace the phone or walk into a room without knowing quite why you’re in there. Improbably, a 2007 upload of “The Remember Song” has 7.7M views on YouTube (a true viral sensation)– and Rush made it clear he’s never seen a dime from those clicks. Maybe, he mused, it was the same guy clicking it over and over and forgetting that he’d watched it in the first place.
“Siena’s Song” was a tender ballad for his daughter. Rush wrote the track more than 20 years ago and revisited the lyrics at the behest of his 25-year-old daughter. His young daughter may also have influenced the addendum Rush added to the lyrics of “Ladies Love Outlaws” to bring the 70s hit for Waylon Jennings up to date in 2024: “Outlaws touch the ladies somewhere deep down in their soul, but never without proper consent,” sang the hip octogenarian.
Tom Rush at Caffe Lena. Photo by Derek Java.
In the same way Rush paid tribute to Mitchell, his take on Jackson Browne’s classic “These Days” was a reminder of Rush’s role as champion of great songwriters. Browne wrote the song when he was only 16 and Rush was one of the first to record any songs written by the young prodigy.
“Lost My Drivin’ Wheel”, penned by Canadian David Wiffen, followed the Browne number and brought to mind Rush’s years as a Columbia recording artist in the 1970s at the height of the country- and folk-rock music. “Drivin’ Wheel” featured an extended soulful and percussive organ solo from Nakoa. The rock and roll spirit continued for a medley of the rock standards “Who Do You Love?” and “Hey! Bo Diddley”. Rush, a clever, twinkle-in-the-eye English major at heart, cracked up the audience by singing the lyrics “WHOM do you love?”.
Tom Rush at Caffe Lena. Photo by Derek Java.
The encore for the early evening was the aptly titled “I Quit” which also closes out Rush’s new album. The tune could apply to quitting a job or relationship or a music career, but Tom Rush is in no hurry to leave the spotlight and shows no signs of slowing down. Heck, he had a second sold out show at 8 pm.
Setlist: Making the Best of a Bad Situation, Hot Tonight*, Won’t Be Back At All*, Circle Game*, Drop Down Mama*, Tumbleweed Tango**, 8MM Home Movies**, The Remember Song, Siena’s Song, Ladies Love Outlaws*, These Days*, Lost My Drivin’ Wheel*, Who Do You Love?/Hey! Bo Diddley Medley*
Encore: I Quit *
*Accompanied by Matt Nakoa on piano and keyboard ** Matt Nakoa solo (instrumental piano compositions)
Tom Rush at Caffe Lena. Photo by Derek Java.Tom Rush at Caffe Lena. Photo by Derek Java.Tom Rush at Caffe Lena. Photo by Derek Java.Tom Rush at Caffe Lena. Photo by Derek Java.
On May 18, From Ashes to New electrified the stage at Waterstreet Music Hall with their Blackout Tour Part Two. They were joined by an exciting lineup of Ejiajh, Phix, Ekoh, and Point North, making it an unforgettable night for fans of rock, metal, and rap.
Ejiajh Opens the Show
The evening kicked off with Ejiajh, a dynamic rock/metal band hailing from Austin, TX. Their high-energy performance set the tone for the night, captivating the audience with their powerful riffs and commanding stage presence. Ejiajh’s set was a perfect blend of raw energy and technical prowess, leaving the crowd eagerly anticipating the acts to follow.
Phix Keeps the Momentum
Next up was Phix, a talented rapper and songwriter also from Texas. Phix brought a unique blend of lyrical depth and stage charisma, engaging the audience with his sharp rhymes and catchy hooks. A special highlight of Phix’s performance was the appearance of 11-year-old drumming prodigy Bronx Sandoval. Despite his young age, Bronx is no stranger to the stage, having completed four tours with the band. During a brief technical difficulty, Ekoh’s drummer joined Bronx for an impromptu jam session, showcasing their incredible synergy and adding a spontaneous thrill to the set.
Ekoh Takes the Stage
Following Phix was Ekoh, a rapper who has been rapidly gaining fame on social media platforms like TikTok and X. Ekoh’s performance was nothing short of electrifying, as he connected with the audience through his relatable lyrics and energetic delivery. His growing popularity was evident, with many fans in the crowd singing along to every word. Ekoh’s stage presence and interaction with the audience made for a highly engaging set.
Point North’s Dynamic Performance
The penultimate act of the night was Point North, a band based in Los Angeles, CA. Point North delivered a high-octane performance, blending elements of rock and punk with infectious energy. Their tight musicianship and engaging stage presence kept the momentum going strong, leaving the audience primed and ready for the headlining act.
From Ashes to New’s Triumphant Return
Finally, From Ashes to New took the stage, led by local favorite Danny, who previously fronted the band Vanity Strikes. The band’s performance was a triumphant homecoming for Danny, and the energy in the room was palpable. From Ashes to New delivered a powerful set, seamlessly
blending their signature mix of rock, rap, and electronic elements. Danny’s connection to the local crowd added an extra layer of intensity to the performance, making it a night to remember.
Overall, the Blackout Tour Part Two at Waterstreet Music Hall was a resounding success. Each act brought their unique flair to the stage, creating a diverse and exhilarating concert experience and leaving the fans buzzing with excitement.
On Friday, May 24, 2024, O+ (pronounced O Positive) hosted a benefit event in support of their new O+ Exchange Clinic, which will offer year-round health and wellness services to O+ artists and alumni. The inaugural event, held at the Old Dutch Church in Kingston, featured eight-time Grammy nominee Allison Russell as the headliner.
O+ defines itself as a national nonprofit working to help creatives of all stripes access health and wellness services, amplify the arts, and build more resilient communities in Kingston and beyond.
Old Dutch Church, Kingston NY
Local musician Lara Hope of Lara Hope & The Ark Tones, an O+ member, emceed the evening’s event. Midway through the night, Joe Concra, co-founder of O+, addressed the audience, highlighting some of their achievements and discussing the goal of providing 365 days of healthcare services. The theme of caring for artists and their community resonated throughout the night, from those on stage to the volunteers and attendees.
Emcee Lara Hope
Texas native Denitia, now based in Nashville, opened the night. Her solo performance grew more intense as the set progressed, with the power and richness of her songs deepening. Having spent several years living in the Hudson Valley, her set conveyed a sense of homecoming and kinship.
Joe Concra, O+ co-founder
With bare feet and a smile a mile wide, Allison Russell took to the stage. Backed by an internationally built four-piece band, Russell and her crew’s performance showed why they are currently on tour with Hozier. But this night was about more than just music. Allison shared the difficulties being faced by those seeking artistic and personal freedom, encouraging all to speak their minds, and to support those oppressed.
Denitia
Throughout her set, Russell dug deep into her soul, at times getting down on her knees with the songs consuming her. This was not just a show; this night was for a reason. Russell made sure all could feel what this was all about.
Alisson Russell
Allison showcased her versatility throughout the performance, seamlessly transitioning from vocals to clarinet, to banjo, and back again over the course of an hour and a half. The audience eagerly absorbed each note, growing more enthusiastic as the night unfolded. With Russell’s encouragement, everyone joined in singing ‘Demon’ from her latest album release, The Returner.
Allison Russell
With support from artists like Allison Russell, O+ continues to make strides on behalf of its creative community providing comprehensive preventative care with an emphasis on mental health, dental, and primary care. The 14th annual O+ Festival will take place this coming October 11 â 13, 2024.
They say blood is thicker, but when it comes to musical siblings, being related can often be the kiss of death. Historically speaking, the list of dysfunctional “brother bands” is long and distinguished. From acts like the Everlys, The Kinks, and Duane and Greg Allman, to modern rockers like Chris and Rich Robinson of The Black Crows and Noel and Liam Gallagher of Oasis, tales of in-fighting, lawsuits and bad break-ups are the stuff of legend. Hell, the last thing in the world I can imagine is writing songs with my older brother. Not because I don’t love the guy, but simply because I just wouldn’t feel comfortable sharing my most personal feelings with him that way. But this article isn’t about me, it’s about The Avett Brothers and the shared bond that makes them so special and unique.
The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24
For Scott and Seth Avett, trust is a must and their unwavering belief in each other is largely what’s responsible for carrying the genre-bending folk rockers from Concord, North Carolina all the way to the top. If you’ve never heard them play before, imagine three Bob Dylan’s rolled into one, or a cross between Tom T. Hall and Faith No More, or John Prine meets Nirvana. Hard-working and relatable, above all, the Avett’s are a family band with an uncanny ability to keep it real, no matter how tough times get.
No strangers to the area, The Avett Brothers formed in 2001 and have been making regular stops around the Capital Region for over two decades now. First playing for only a handful of people at a since-closed Italian restaurant in Albany, the Avett’s have also played memorable gigs at Troy’s Revolution Hall as far back as 2007, were regular fixtures during the early years of Mountain Jam Festival, and in recent times, have gone on to headline multi-night runs at Brewery Ommegang and Beak & Skiff Orchards. Their stop at MVP Arena on Thursday, May 23th, was the group’s first Albany date since performing at the Palace Theatre in 2012. Tapping red-hot Americana/roots artist Sierra Ferrell to open the show, fans old and new were all but guaranteed a magical evening of music. It’s just a shame more people didn’t get the memo in time.
Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24
Kicking off the evening with a blistering, but brief set, West Virginia-born songwriter and multi-instrumentalist Sierra Ferrell was stunning from the start. Seen as one of the brightest young luminaries in roots music today, Ferrell’s soulful voice was powerful and confident and instantly won the crowd over on songs like “In Dreams,” “Why’d Ya Do It” and “Jeremiah” from her 2021 debut album Long Time Coming. Along with her dapper and distinguished backing band, Ferrell’s wide rang of styles on songs like “Money Train,” “I Could Drive You Crazy,” and “Dollar Bill Bar” offered a taste of everything from country and ragtime, to foot-stomping folk to straight up rock n’ roll.
Pausing to ask the audience if anyone was looking forward to Del Fest as much as she was, the meager response was broken up by one man who screamed out “Del Yeah!” which elicited widespread laughter. After paying homage to a couple of her heroes by covering Arthur Smith Trio’s “Chittlin’ Cookin’ Time in Cheatham County” and “Years” by John Anderson, the remainder of the set featured material from Sierra’s excellent new album, Trail of Flowers including “American Dreaming,” and the arena-ready, Celtic-like stomper “Fox Hunt” to close out the truly unique set. Proving the hype is real on this one, Sierra Ferrell stood tall in Albany and made instant fans out of many of the first-time listeners.
Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24
After a brief intermission that included songs from local underground folk heroes, the Felice Brothers, the stage was set and I knew I was exactly where I needed to be. It was finally time for The Avett Brothers to take us to church. The rare kind of band that have always been honest with the audience and true to themselves, I may not be a smart man, but even I know that’s hard to find these days. For me, their show at the MVP Arena on May 23th was personal and it hit me over the head like a ton of bricks. Timeless harmonies with lyrics that have helped shape my life in a way few other bands have, I think that’s a big part of the Avett’s secret recipe. An ability to put feelings into words in a way that the common man can understand and relate to. It’s a gift the Avett’s have been sharing with us since deciding to make music a career more than 20 years ago.
The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24
Opening their performance with the beautifully sung vocal prelude of “Never Apart” that featured both Scott and Seth sharing the same microphone, it was the first of six songs that would be played from the band’s recently released self-titled album. Along with older brother Scott on banjo and Seth on acoustic guitar, the group also consists of longtime members Bob Crawford on standup and electric bass, Joe Kwon on electric cello, Tania Elizabeth on fiddle, Mike Marsh on drums and Bonnie Avett-Rini on piano.
“I wonder which brother is better Which one our parents loved the most
I wondered what my dad would say He said, “I love you and I’m proud of you both In so many different ways
Always remember there was nothing worth sharing Like the love that let us share our name”
Lyrics from “Murder in the City”
The genre-bending folk rockers would show off their experimental side next on the digitally enhanced “Satan Pulls the Strings” before landing on the lone song played from 2012’s The Carpenter, the foot stomping singalong, “Live and Die.” From there the band would play a powerful rendition of their introspective hit, “Morning Song”, which received the biggest cheers of the night thus far. Bouncing back with the upbeat lead single from the new album, “Love of a Girl” set the stage for an early highlight of the show, the sentimental fan favorite “Murder in the City.” A song that embodies what The Avett Brothers are all about – a brilliant combination of lyrics, melody and chord progression – its mantra about family and love was stunning and poignant.
Seth and Scott Avett performing at MVP Arena in Albany, NY 5/23/24
Pausing for a moment to let the song resonate, fiddle player Tania Elizabeth, battling through some minor feedback, had her turn in the spotlight with an extended solo on “Le reel du pendu / Les bars de la prison,” shredding the hairs of her bow to a rabid applause as the rest of the band rejoined the stage behind her. After working their way through another new one “Country Kid,” the band would tug at the heart strings on “Living of Love”, our first song from The Avett’s breakthrough 2007 album, Emotionalism, before another well-penned Scott song, “Vanity,” forced the audience to take a critical look inside themselves.
Picking up the pace now, the momentum of the show took a major turn when The Avett’s launched into 2009’s high octane “Kick Drum Heart,” getting the entire crowd up on their feet and clapping in unison when suddenly, Seth Avett jumped off the stage with his wireless guitar, ran the length of the floor while high-fiving fans and soloing all the way into the upper deck of section 123 of the MVP Arena before making his way back to the stage for the songs epic conclusion. Completely connected with the crowd, the band easily could have stopped the show here and no one would have complained, but luckily for everyone in attendance, the magic was only just beginning.
Feeding off the crowds energy, Seth Avett runs wild at MVP Arena in Albany, NY 5/23/24
Transporting listeners to a contemplative space on “Cheap Coffee,” a song that features heartwarming audio samples and feels radically different from most of their other work, the tone was set for another beloved staple and perhaps most well-known song, “I and Love and You.” With the crowd taking over and singing those same words back in unison, it was a moment that truly gave you goosebumps. With the audience firmly in their grip, the placement of the sentimental love letter “I Wish I Was” flowed perfectly.
Watch fan shot footage of The Avett Brothers performing “I and Love and You” in Albany, NY 5/23/24
Until this point in the night the band had let their songs do most of the talking, so when older brother Scott took to the microphone and starting speaking from the heart, you knew he had something significant to say. Reflecting on the moment, he mentioned how he “looks out there and sees people that I connect to, how grateful [he] is and that those people are the reason they are here tonight.” Saying, “The opportunity to do that is amazing, it’s our life’s work, and we are so blessed to do it.” Reminiscing about what it was like getting reviews in the early days, Scott commented how “It was an interesting part of our journey, reading what people said about us. Eventually we had to stop reading until we could get to a point where we could do it without being crushed.
We would get things written about us like, “The Avett Brothers show potential, but write small songs,” to which the Albany crowd loudly started booing. “We booed them too, but later we realized writing small songs is kind of an awesome thing.” Seth would playfully stop him there and say, “What is this old man with a banjo talking about?” before continuing with similar sentiments. “In any event, we were always very excited to be written about no matter what they said. I do recall we had hoped to be compared to our heroes. We didn’t get that so much, but we did get comparisons to The Muppets. Those were very good days, very exciting days. We thought it might be fun to give you a glimpse of what those early shows were like. Instead of talking about it, we’re gonna try and illustrate it and there’s only one group in the whole world that can help us do that and luckily, here in Albany they are here tonight! So without further ado, would you please help us welcome to the stage… The Avetts.” Erupting in a massive applause, the spotlights then revealed three Muppet-like alter egos of the band – Seth Monster, Scott Monster and Bob Monster – who would go on to ‘perform’ “Hard Worker” and “I Would Be Sad.” You can watch fan shot footage of that in the clip below.
Master of Muppets: Watch fan shot footage of The Avett’s performing “Hard Worker” live in Albany, NY 5/23/24
Smiles for miles all around, the real-life Avetts would get serious once again, performing a flawless version of the song “Shame.” A true emotional journey of “ups and downs,” the band would bounce back with an upbeat rocker from the new album, “Orion’s Belt” before going all the way back to 2006’s “Left on Laura, Left on Lisa.” After a cathartic rendition of “Head Full of Doubt/Road Full of Promise,” the Muppet version of the band would return for a set closing singalong of the funky hit single “Ain’t No Man” resulting in a veritable party-like atmosphere on and off stage.
“When nothing is owed or deserved or expected And your life doesn’t change by the man that’s elected If you’re loved by someone, you’re never rejected Decide what to be and go be it”
-Lyrics from “Head Full of Doubt/Road Full of Promise”
After exiting the stage to a standing ovation, the band would take a little extra time soaking it in before returning. “Ya know it’s funny how in some rooms three thousand people can sound like twenty thousand, so thank you for that.” Choosing to play the closer from the new self-titled album, “We Are Loved,” the vocal harmonies were about as beautiful as it gets.
Seth Avett performing at MVP Arena in Albany, NY 5/23/24
After paying homage to David Childers & The Modern Don Juans by covering “The Prettiest Thing,” the career-spanning show came to a proper close with Seth saying “Albany, thank you so much for letting us play for you. This is our last one and we are honored to do it with you,” as the band strummed the opening chords of perhaps the most emotional song in the Avett catalog, “No Hard Feelings.” Fading out with the repeating lyrics of “I have no enemies” sending chills up your spine, you knew you had just witnessed something special.
Scott Avett performing at MVP Arena in Albany, NY 5/23/24
With polished harmonies and heartfelt melodies, a charismatic stage presence and a wealth of wisdom contained within the lyrics, these songs feel timeless and should be heard by everyone. Rich with “repeat customer” appeal, the brothers Avett are veritable song-writing machines and put every ounce of energy and life experience they have into their craft. Even after a two-plus hour performance, there were still so many “favorites” left on the table in Albany. It’s no wonder people are so willing to travel from all over to see this band again and again.
With 3 Grammy nominations so far and over 2 million monthly listeners on Spotify alone, it’s easy to see the broad appeal and why the Avett Brothers continue to connect. From their first time in Albany playing at an Italian restaurant where people were more interested in pasta than what they were doing, to now playing the city’s biggest Arena two decades later, it’s fair to say this family band finally has Albany’s undivided attention now. At least they do mine. Salute.
No Enemies: Watch fan shot footage of The Avett Brothers performing “No Hard Feelings” in Albany, NY 5/23/24
The Avett Brothers | 5-23-2024 | MVP Arena | Albany, NY Setlist: Never Apart (w/ Vocal Prelude), Satan Pulls the Strings, Live and Die, Morning Song, Love of a Girl, Murder in the City, Le reel du pendu / Les bars de la prison, Country Kid, Living of Love, Vanity, Kick Drum Heart, Cheap Coffee, I and Love and You, I Wish I Was, Hard Worker, I Would Be Sad, Shame, Orion’s Belt, Left on Laura, Left on Lisa, Head Full of Doubt/Road Full of Promise, Ain’t No Man. Encore: We Are Loved, The Prettiest Thing (David Childers & The Modern Don Juans cover) No Hard Feelings.
Sierra Ferrell | 5-23-2024 | MVP Arena | Albany, NY
Setlist: In Dreams, Money Train, Why’d Ya Do It, Chittlin Cookin’ Time in Cheatham County (Arthur Smith Trio cover), Jeremiah, I Could Drive You Crazy, Years (John Anderson), Amierican Dreaming, Dollar Bill Bar, Fox Hunt.
Gay pop icon Chappell Roan has taken the world by a storm in just these last few months and Buffalo is no exception to that. The artist performed at Buffalo’s Outer Harbor on May 24 for a sold out crowd where fans got to the venue as early as 8 a.m. to get a spot up close.
Photo Credit: Maddie McCafferty
Chappell Roan was originally supposed to perform her Buffalo stop of The Midwest Princess tour at Town Ballroom. However, after a heavy demand from fans she got upgraded to an even bigger venue where she quickly sold out as well.
Chappell Roan is known for creating a safe space for members of the queer community and even sets to uplift those members in each city she performs in. She does this by having local Drag Queens perform as her openers who energize the crowd effortlessly. Western New York’s local queens included Morticia C Monroe, Daphne York, and Little Mx. Bunny. Chappell shared their Venmoes with the crowd so fans could directly support their own queer community.
Photo Credit: Maddie McCafferty
This Midwest Princess has flipped the concert scene on its head and has brought new art forms into live music. Inviting drag queens allows for greater representation and creates a fun environment. Chappell even has themes for each tour stop so fans can dress up alongside the artist. Buffalo’s theme was “My Kink Is Karma” which left a sea of red and black through the crowd. From devil ears, to cowboy hats, and go-go boots, people were dressed to the nines.
Photo Credit: Maddie McCafferty
Buffalo’s Kink is Karma
The iconic star came out in her red bedazzled corset and snatched makeup look that made her first song choice so obvious: “Femininomenon.” A song that invites listeners to question the norms that women must conform to in order to be deemed of value. This is one of many themes that Chappell displays in her music. She poses insightful questions while also encouraging everyone to embrace their femininity.
The room for self-expression layered with Chappell’s unmatched vocal range makes this a concert experience everyone needs to have. She is a pop phenomenon that without a doubt has the talent but synchronously has the “it” factor that make her addicting to watch.
Photo Credit: Maddie McCafferty
Chappell Roan’s control of the pulse of the crowd is of a true performer. She knows exactly when to let loose with fans and when to reel it back to take in those slow moments to feel all the feelings. Chappell then has everyone lifting a middle finger up for their exes. She guides people through pure entertainment especially when getting everyone to do hand signals for her song, “HOT TO GO!.”
Dedicated to the Exes
Her stage is shared with other powerful women including Lucy Ritter on drums, Devon Eisenbarger on guitar and Allee Futterer on bass. The group mostly played tunes off of her latest album The Rise and Fall of a Midwest Princess. She performed her latest single, “Good Luck, Babe!” which has taken the internet by a storm. She obviously had to play Buffalo’s theme single “My Kink Is Karma” but not before dedicating it to the audiences exes.
Photo Credit: Maddie McCafferty
Some people tried to exit the venue before the encore in order to beat traffic. Although, once Chappell came back on stage singing “California” with her angelic voice so many people could be seen beelining it back into the crowd just to get a final glimpse.
That’s the thing about Chappell Roan, she is constantly pulling the crowd in. She’s addicting to watch and enthralling to listen to. A Chappell Roan show isn’t just a safe space for the queer community, but a reminder of what letting go and embracing joy is all about.
Photo Credit: Maddie McCafferty
Terminal B is having quite the lineup to kick off their Summer concert series. Brothers Osborne is coming June 14 and Lil Yachty performs June 15. Get your tickets here!
Setlist: Femininomenon, Naked in Manhattan, Super Graphic Ultra Modern Girl, Love Me Anyway, Picture You, Guilty Pleasure, HOT TO GO!, After Midnight, Coffee, Kaleidoscope, Casual, Red Wine Supernova, Good luck Babe!, My Kink Is Karma
On Thursday, May 23, 2024, the legendary Rolling Stones kicked off the first of two nights at MetLife Stadium in New Jersey, marking a triumphant return to the stage as part of their “Hackney Diamonds” 16-city tour. This tour supports their first new album in two decades, an eagerly awaited release that has re-energized their global fanbase.
Opening for the Stones was the immensely talented Jon Batiste, who set the stage with an electrifying performance that included “Freedom,” “I Need You,” and a powerful rendition of “Tell The Truth.” Batiste was joined by special guest guitarist Brandon “Taz” Niederauer, whose exceptional skills added an extra layer of excitement to the opening set.
The Stones opened with their classic hit “Start Me Up,” immediately followed by the crowd favorite “Get Off of My Cloud.” The electric atmosphere set the tone for a memorable evening, showcasing the band’s timeless appeal and their ability to captivate audiences of all ages.
This tour marks a poignant chapter for the band, continuing their journey after the passing of their iconic drummer, Charlie Watts, in 2021. Steve Jordan, who replaced Watts and has already toured with the band, delivered a powerful performance, seamlessly fitting into the bandâs dynamic and honoring Wattsâ legacy with every beat.
The band performed three tracks from their new album, “Hackney Diamonds,” giving fans a taste of their latest work. “Angry,” “Mess It Up,” and “Sweet Sounds of Heaven” were met with enthusiastic applause, proving that the Stones’ new music resonates just as strongly as their legendary catalog.
Guitarist Keith Richards took the spotlight with his lead vocals on “You Got the Silver” and “Little T&A,” showcasing his distinctive voice and charisma. Richards’ performances were a highlight, offering a raw and intimate contrast to Mick Jagger’s dynamic stage presence.
Jagger, ever the showman, kept the crowd entertained not just with his singing but also with his witty banter. At one point, he quipped about the weather, saying, âI was a bit worried about the weather tonight. I thought we were gonna get a bit of Stormy Daniels, but weâre all right.â The cheeky remark was met with laughter and cheers, showing that Jaggerâs sharp humor is still very much intact.
The concert spanned two electrifying hours, culminating in a powerful rendition of “(I Can’t Get No) Satisfaction.” The iconic anthem had the entire stadium on their feet, singing along to every word. The energy was palpable, a testament to the enduring power of the Rolling Stones’ music.
Fans left MetLife Stadium buzzing with excitement, eagerly anticipating the second show on Sunday, May 26. With this tour, the Rolling Stones have once again proven that they are not just rock legends but living icons, continuing to make music history with every performance.
Rolling Stones Setlist: Start Me Up, Get Off of My Cloud, Shattered, Angry, It’s Only Rock and Roll (But I Like It), Wild Horses, Mess It Up, Tumbling Dice, You Can’t Always Get What You Want, You Got the Silver, Little T&A, Sympathy for the Devil, Honky Tonk Woman, Miss You, GImme Shelter, Paint It Black, Jumpin’ Jack Flash, Sweet Sounds of Heaven, (I Can’t Get No) Satisfaction
Finishing of the first leg of their Invincible Shield tour, Judas Priest played to a hyped-up crowd in Syracuse on May 22. With the help of Swedish metal group, Sabaton, the stage at Lakeview Amphitheater was rocking the shores of Onondaga Lake for nearly three hours.
50 years is quite the career in music. 50 years is something even more special when you are a pioneer, and Judas Priest is just that, special. Early pioneers of the heavy metal genre, Rob Halford and crew are still thrashing in 2024, promoting their newest release, Invincible Shield.
There is certainly some debate as to who are the OG’s of heavy metal. No matter who else you have on your list, Judas Priest deserves a spot. Formed in 1969, the band paved their own path to stardom, and it wasn’t until 1974, when a former salesman of men’s clothing took over as lead vocalist, did the band release an album. A young Rob Halford came in and in September of 1974, Rocka Rolla was released as the first of what would be nineteen studio albums.
Sabaton set list: Ghost Division, The Last Stand, Swedish Pagans, The Red Baron, Bismarck, Stormtroopers, Carolus Rex(done in Swedish), Resist and Bite, The Attack of the Dead Men, Primo Victoria, Soldier of Heaven, To Hell and Back
Hitting the stage around 9pm, Halford and Co began their set off with “Panic Attack”, the lead track from newest album. With lyrics that seem to fit the political and social media landscape these days, this was a fitting song for not only the show, but 2024.
The clamour and the clatter of incensed keys Can bring a nation to its knees On the wings of a lethal icon Bird of prey
Rounding out the first three for the photographers in the pit, Judas crushed “Rapid Fire” (1980) and “You’ve Got Another Thing Coming” (1982). Lucky for all of us photographers in the front of the stage, Halford and the rest of the band love getting up front and seemingly posing for the cameras.
While the music of Judas is not for everyone, it is always a joy to see fans bringing their kids to shows. Upfront, you see fans as young as four or five and as old as Halford himself, who is 72. Kids seeing a band their parents grew up with I am sure is a great bonding moment and testament to the power of music. The fact that a band like Judas Priest, while heavier in sound, is pretty family friendly music, which makes the decision to bring a child to the show that much easier.
As the progresses, fans get more and more into the music, chanting along and pumping fists as soon as the next song begins. “Turbo Lover” was prime example of this. Looking around, you could see faces open up as the drums and guitar notes were recognized. The guy next me ended his Tinder scrolling and the young lady in front of me began hooting and hollering by the time Halford started with “You won’t hear me, but you’ll feel me…”
Rounding out the set, were two more tracks from Invincible Shield: “Crown of Horns” and “Invincible Shield”, as well as “Painkiller”, which seemed to be the favorite of fans as the sounds from everyone was deafening.
After 50 years and a number of lineup changes, Judas Priest is still Judas Priest and Rob Halford, although his image has changed, is still Rob Halford. Nineteen studio albums, 50 million albums sold and several music awards later, Judas Priest has solidified their status among the greatest metal bands. Well deserved, they are a 2022 inductee into the Rock & Roll Hall of Fame as they were inducted by Alice Cooper.
Setlist: Panic Attack, You’ve Got Another Thing Coming, Rapid Fire, Breaking the Law, Lighting Strike, Love Bites, Devil’s Child, Saints in Hell, Crown of Horns, Sinner, Turbo Lover, Invincible Shield, Victim of Changes, The Green Manalishi (With the Two Prong Cow), Painkiller Encore: Electric Eye, (exit music We are The Champions – Queen) **Hell Bent For Leather and Living After Midnight were planned but venue was evacuated due to severe weather and set was cut short
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1970s-style Americana/hard-rock band Well Worn Boot released Live from Jamestown on May 20, a live album featuring four songs from their 2023 album, Riverbottom Nightmare. The nearly 20-minute experience uses recorded audio from two live 2022 performances, one in Jamestown and the other in Forestville.
Initially formed in 2010, Well Worn Boot has always thrived on their commitment to entertain. Constantly dressed in extravagant costumes for live sets, the band’s public inspiration of GWAR is worn on their sleeves. Their 2023 album, Riverbottom Nightmare, saw Well Worn Boot returning and refining the comedy-laced American hard rock sound they began in their early years, particularly on their only previous full-length project, Greatest Hits: Vol. 1 (2010-2014).
The boys in the band’s newest project, Live from Jamestown, which was released exclusively on Bandcamp, sees Well Worn Boot taking a choice few songs from their previous album to a live setting. The live atmosphere of both sets is perfectly encapsulated through lead singer/flutist Plainsman’s natural stage banter and the crowd’s cheers, but clearly mixed with care so that the online quality is top-notch.
Photo Credit – Rob Emhof
While not having any original tracks, Live from Jamestown shows Well Worn Boot in their element: the stage. All four songs maintain the manic and over-the-top energy that came from their studio counterparts, but dialed up to 11. Good luck trying to keep the hooks from “Knockin’ One Back with the Boys” or “Makin’ Money for the City” out of your head.
The biggest highlight of the album has to be the eight-minute barn burner, “Boys in the Band.” Already a six-minute track on the 2023 album, the live version extends the run time by an additional two minutes, mostly taken up by a mid-song passionate yet hilarious comparison of being in a band to being on a sports team.
Hopefully Live from Jamestown is just a hold-me-over for Well Worn Boot’s next full-length LP, because the world needs more of the theatric aggression that Well Worn Boot relentlessly displays with every release, especially this one.
Key Tracks: “Knockin’ One Back with the Boys,” “Makin’ Money for the City,” “Boys in the Band”
Joe Russo’s Almost Dead (JRAD) paid homage to their Jersey roots with an unbelievable spectacle of a show at the legendary Stone Pony in Asbury Park. The show included Stuart Bogie sitting in on many songs, notably during “Eyes of the World.”
The first set started off with a classic Bluesy Dead song “Good Morning School Girl”. The set included an extensive “Fire on the Mountain” and a beautiful “Eyes of the World”. The band ended the set with one of my absolute favorite renditions of “Dancing In the Strets”.
It was so good JRAD started the second set at Stone Pony with the same jam. The “Music Never Stopped” that followed was equally as groovy and kept the vibe going.
What followed was a beautiful medley of Deadhead favorites including “Help on the Way”, “St Stephen”, “The Wheel”, and even “Uncle John’s Band” done in pristine JRAD fashion.
Most of the band is from New Jersey, the show is in the Jersey shore, so proper homage was paid with a double Bruce Springsteen encore. This band was truly born to run!
JRAD – Stone Pony – May 17, 2024
Set1: Good Morning School Girl, Touch of Grey, Silvio, Fire on The Mountain, Eyes of the World, Dancing in the Street
Set2: Dancing in the Street, The Music Never Stopped, Help on the Way, Slipknot!, St.Stephen
On Thursday, May 23rd, Trey Anastasio and Classic TAB concluded their tour with a 3 night run at Brooklyn Steel, which saw their final show of the May tour sold out. Fans gathered by the masses at the brewery adjacent from the venue and all around the block, waiting in eager anticipation of what was to come.
Trey and Classic TAB traveled far and wide for this tour, going from Canada, to the Midwest, and ending in Brooklyn; it is clear that momentum is on Mr. Anastasio’s side. Fresh off an acclaimed 4 night run at The Sphere, a new album, Evolveon the way, and not to mention a nation wide summer tour, as well as a 4 night festival, Mondegreen, all of which on the horizon, it’s a busy time for Trey. However, he proved without a shadow of doubt that he has no intention of slowing down, regardless how much success he meets. Flanked by longtime collaborators Dezron Douglas on the bass, Ray Paczkowski on keys, and Russ Lawton on the drums, the evening featured an array of classics and bust-outs.
Their first song, “Party Time” foreshadowed the evening with fans swaying from side to side right off the bat. “A Wave Of Hope”, a song featured on the upcoming album, “Evolve”, saw Classic TAB delving into uncharted territory. Other classic tunes such as “Gotta Jibboo, “Stealing Time From The Faulty Plan”, and “Twist”, solidified the evenings themes of a true celebration.
Returning for a second set, Trey and Classic Tab delivered an explosive rendition of “Blaze On”. Keeping the foot on the collective gas pedal, they navigated from “Plasma” to the rare but beloved “Alaska”. The vibe was locked and loaded when “Quantegy” rang out. The whole evening could be compared to a masterclass in the subject of musical exploration. Space, sound, and melodies interchanging, intermingling, and an audience paying such close attention, one could hear a pin drop.
Encores featured, “A Life Beyond the Dream”, and closed with “First Tube”. Fans left encouraged, knowing more music is on the way. Fans of Ray Paczowski and Russ Lawton can see their new project “Lamp” on a limited east coast tour. Fans of Trey can catch him with Phish on tour this summer, which features a 3 night run in Bethel. All tickets are on sale now.
Trey Anastasio – Brooklyn Steel – May 23, 2024
Set 1: Party Time, A Wave of Hope, All Pretending, Gotta Jibboo, Shade, Stealing Time From The Faulty Plan, Where They’ll Find Us, Twist, About to Run
Set 2: Blaze On, Plasma, Alaska, I Never Needed You Like This Before, Quantegy, 46 Days