Category: Reviews

  • Governors Ball Day 2: Sabrina Carpenter, Hippo Campus, The Killers, And More

    Governors Ball 2024 kicked off bright and early for Day 2 on Saturday, June 8, continuing the party from Day 1 at Flushing Meadows Park. Once the gate reopened to the masses, music fans ran to stake out their spots in anticipation of all the talent Saturday had to offer.

    TV Girl, Governors Ball 6/8/2024. Photo by Anna Downs

    On the IHG Stage, Little Stranger from Charleston, SC delivered a funky, high-energy set with distorted guitar riffs and vibey trumpet and saxophone backups. Their indie rap-pop style shone through in songs like “Coffee & a Joint,” resonating well with the crowd. The playful and fun performance featured futuristic yet relaxed synth sounds, with lead vocalist Kevin Shields joking, “everything’s legal so you can do whatever you want today, I heard it from the governor himself*.” Their set was full of banter, hyping up later acts like Sexxy Red and keeping the audience engaged and entertained.
    *Ed. Note: New York State’s Governor is Kathy Hochul.

    Telescreens, Governors Ball 6/8/2024. Photo by Josh Sobel

    The GovBallNYC Stage saw a dynamic start with New York City-based indie rock band Telescreens played a hometown show that drew out a dedicated early crowd. Fans went hard in the pit during “Don’t Feel Nothing,” and the band expressed excitement about finally playing their first festival after seven years together. The set closed with a circle pit and moshing, capturing the raw energy of the fans.

    Quarters of Change, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Following up, Quarters of Change, whose experimental alternative rock blended seamlessly with melodic hip hop, setting a high-energy tone for the day. Following them, Jessie Murph captivated the audience with her unique country pop sound, delivering heartfelt performances that resonated deeply with fans.

    Jessie Murph, Day 2 Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    As the sun began to set on Day 2 of Governors Ball 2024, Hippo Campus took over the IHG Stage, bringing their indie pop folk sound to life. The Minnesota band delivered a series of hits including “Ride or Die,” “Everything at Once,” and “Bad Dream Baby.” Their witty banter, including comments like “your parents may not love you but Hippo Campus loves you,” endeared them to the crowd, creating a fun and lively atmosphere.

    Riovaz, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Over at the GoPuff Stage, Riovaz kept the momentum going with an engaging set, while Bakar’s performance stood out with his cover of “Dancing in the Moonlight,” and powerful renditions of “3 Nights” (a Dominic Fike cover), “Stop Selling Her Drugs,” and “Hell N Back.” His experimental indie rock sound had the crowd hooked from start to finish.

    Doechii, Day 2 of Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Doechii took the GoPuff Stage by storm with a fiery hip-hop/rap set, featuring viral hits like “Bitch I’m Nice,” “Crazy,” “What it Is,” and the song that put her on the map, “Yucky Blucky Fruitcake.” She also introduced the crowd to her unreleased track, “Sweat,” showcasing her versatility and leaving fans eager for more.

    Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Sexyy Red continued the hip-hop/rap vibes, delivering a performance full of attitude and energy, while P1Harmony made history on the IHG Stage as the first Kpop boyband to ever perform at Gov Ball. Their electrifying set included songs like “Emergency,” “Everybody Clap,” “Heartbeat Drum,” “Killin’ It,” and “Back Down,” captivating a dedicated audience with their synchronized choreography and powerful vocals.

    Carly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Carly Rae Jepsen brought a burst of energy to the GovBallNYC Stage, drawing fans from all corners of the festival grounds. Her performance of “Call Me Maybe” sparked a massive sing-along that echoed across the festival grounds, while a mix of older favorites like “I Really Like You” and newer hits like “The Loneliest Time” showcased her enduring appeal. Carly even ventured into the crowd, amplifying the excitement and connection with her fans.

    Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Sabrina Carpenter drew one of the largest crowds of the day on this very same stage. Her performance featured a mix of hits like “Feather,” “Vicious,” and “Already Over,” complemented by talented backup dancers and heart-themed stage decor. Her heartfelt introduction to “Already Over” highlighted her appreciation for New York’s unique musical culture, stating, “New York is one of the best cities in the world to play music because you’ve figured music out in a way that hasn’t been studied by science yet.” This sentiment resonated deeply with the audience.

    Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    Sabrina’s set showcased a wide range of her musical repertoire, from heartfelt ballads to high-energy pop hits. Fans of all ages, from young teens to older adults, were enthralled by her performance. Before singing “Fast Times,” she urged the audience to “Throw your phones in the river, I want you to be present,” encouraging everyone to fully immerse themselves in the moment.

    Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    One of the most iconic moments however, came before “Because I Liked a Boy.” Sabrina asked the crowd to chant “I’m a slut” on the count of three, creating a powerful, unifying experience. She also teased her upcoming album, Short and Sweet, exciting fans with the promise of new music. The set concluded with a playful faux exit before her signature song “Nonsense.” The crowd eagerly awaited her return, and Sabrina delivered with a unique, city-specific ending that left the audience buzzing. 

    21 Savage, Governors Ball 6/8/2024. Photo by Lucas Kurzweil

    The Killers closed out the night with a stellar rock performance. Celebrating 20 years of coming to New York, they delivered classics like “Jenny Was a Friend of Mine” and “Read My Mind.” A fan summed it up perfectly, saying, “this is some real ass rock and roll.” The night ended on a high note with “Mr. Brightside,” leaving everyone in awe of the surreal experience.

    Photo © 2024 Chris Phelps www.chrisphelps.com The Killers – 2024 Governor’s Ball – NYC 6.8.24

    Gov Ball continues tomorrow with a jam-packed Day 3 with acts including Chappell Roan, Renee Rapp, SZA, Kevin Abstract, and much much more. Stay tuned for more of our recaps for Gov Ball 2024!

  • McKinley James Debuts With ‘Working Class Blues’

    Rochester-born McKinley James released his debut album, Working Class Blues, on June 7. With classic sounds reminiscent of Chuck Berry, Elvis Presley, and Buddy Holly, the album takes us back to the first days of modern rock’n’roll.

    Through stories of love and heartbreak, McKinley James celebrates the early days of soul and rock while simultaneously giving it a modern, personal twist.

    working class blues
    McKinley James – Official website

    Since 2015, James has been making a name for himself in the soul and blues scene. At the age of 13, he appeared on the cover of the platinum-selling Eric Church album Mr. Misunderstood. In the two years between the album’s release and James’ arrival in Nashville, he had gained enormous amounts of popularity and recognition. Nine years later, at only 22 years old, James has headlined gigs and events all across North America and Europe. Although this is only his debut, Working Class Blues paves the way for up-and-coming McKinley James‘ inevitable soul stardom.

    Originally from Rochester, McKinley James has been making music with his father and fellow bandmate, Jason Smay, since he was a child. Inspired by nearly every genre, from country to R&B, James became a guitar prodigy as a child. The father-son duo shared an admirable passion for the vintage sounds, and were committed to recreating them themselves. The two were so dedicated to the genre, that the album was recorded with older instruments and technology. Jason played a vintage Ludwig drum set from 1970. McKinley played a vintage ’54 Stratocaster through a Peavey Pacer. Neither band member wore headphones, and microphones were minimal.

    The “archaic” methods of recording were an essential part of the album’s production. Without it, replications of the old-fashioned sound would be artificial and inauthentic. There is a sense of originality to the production, especially when juxtaposed against the modern music scene and genres, that this kind of recording gives to the album.

    When your band is only two people, there’s no hiding. It keeps you honest, and that was the goal with this album, too—to be as honest as possible about who we are and what we do.

    McKinley James

    However, the method of production is not the only element of this album that gives it its key sound. James’ vocals, instrumentation, and singing style all emulate key figures of the era. With his gritty tone, calming guitar grooves, and swing-style approach, the album is not just a tribute to what rock was built on. In fact, Working Class Blues is an original, deeply personal piece that gives us a perspective as to how the genre has progressed. Its outreach to younger generations ignites a passion for music and storytelling previously unthought of.

    Many of the tracks on Working Class Blues are stories of falling in love, heartbreak, and dealing with the aftermath. James’ melancholy about his own loneliness, captured in tracks like “Call Me Lonesome” and “Movin,” is something every listener can relate to. Yet, there is an undeniably personal tone to these tracks. James has shown, through each track, that this album is not just a collection of songs, but a story that he wants us to listen to. Despite his age, the voice James uses reminds us of tales as old as time.

    Following the release of his album, McKinley James has announced upcoming shows. Tour dates are listed below.

    JUN 8 – Orpheum Theater @ 7:30 PM, Madison, WI

    JUN 9Rialto Square Theater @ 6:00 PM, Joliet, IL

    JUN 13 – Cleekwood Botanical Gardens & Estate @ 6:00 PM, Nashville, TN

    JUN 25 – Club Cafe @ 8:00 PM, Pittsburgh, PA

    JUN 27 – Syracuse Jazz Festival 2024 @ 8:00 PM, Syracuse, NY

    JUN 28 – Record Archive @ 6:00 PM, Rochester, NY

    JUN 29 – Point of the Bluff Vineyards @ 3:30 PM, Hammondsport, NY

    JUN 30 – Beachland Ballroom & Tavern @ 7:00 PM, Cleveland, OH

    JUL 19 – The Ledge Amphitheater @ 7:00 PM, Waite Park, MN

    JUL 20 – Vetter Stone Amphitheater @ 7:00 PM, Mankato, MN

    JUL 25 – Robinson Center @ 7:00 PM, Little Rock, AR

    AUG 1 – Brown County Music Center @ 7:30 PM, Nashville, IN

    AUG 15 – Cleekwood @ 6:30 PM, Nashville, TN

    AUG 24 – Minnesota State Fair 2024 @ 7:00 PM, St. Paul, MN

    AUG 27 – KEMBA Live! @ 7:00 PM, Columbus, OH

    SEP 29 – Amphitheater at Quarry Park @ 7:00 PM, Rocklin, CA

    Fans can listen to Working Class Blues on all streaming platforms, as well as with this link, on June 7th. For more information, songs, albums, or tour announcements, visit here.

  • Governors Ball 2024 Kicks Off With Arcy Drive, Post Malone, Dominic Fike, and more 

    Governors Ball 2024 took off bright and early on Friday, June 7, launching their second year at the new festival site at Flushing Meadows Park. By the time “New York’s biggest party” opened the gates at 11:45am, music fans had been lined up for hours in anticipation of Friday’s biggest names.

    Governors Ball Post Malone
    Durry, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    On the GovballNYC Main stage, School of Rock Queens delivered an energetic and diverse cover-filled performance with a setlist that included “Beat It”, “Voulez-Vous”, “I’m Not Okay”, and “Locked Out of Heaven”. The show featured a diverse cast of characters, including a unique tambourine player, and showcased a myriad of covers led by different female vocalists for each song. Following them up, Minnesota rock band Durry delivered a high-energy performance that captivated the audience from start to finish. Their gritty guitar riffs and powerful vocals resonated through the venue, creating an electric atmosphere.

    School of Rock Queens, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Early on over at the GoPuff stage, fans were treated to Long Island locals Arcy Drive. They brought their unique blend of rocky indie beach vibes to the stage with a standout performance. Featuring a pioneering female drummer, the band infused their set with a laid-back yet energetic atmosphere. They captivated the audience with a mix of their signature sound and the debut of a mysterious new song from their upcoming album. Right after their set, Qveen Herby dazzled the audience with her striking look and vibrant sound, seamlessly blending hip-hop and pop elements. Her sharp lyrics and dynamic stage presence had the crowd hooked from the first beat. 

    Qveen Herby, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Following Qveen Herby, the atmosphere shifted once more as Yung Gravy took to the GoPuff stage, sporting a floral detailed suit that perfectly matched his new era. He delighted the crowd with “certified Gravy Classics” like “Betty (Get Money)” and “Welcome to Chili’s,” alongside fresh, unreleased tracks (including “Back On The Horse” and “Lone Ranger”) from his upcoming country-inspired album. During “Oops!!!,” he playfully switched the usual lyric “Tracy with the ass?” to “Tracy from Queens?” in a nod to Gov Ball’s enthusiastic audience, making the performance even more memorable.

    Yung Gravy, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Over at the IHG Stage, British pop girl group FLO delivered a performance reminiscent of The Cheetah Girls, complete with stunning vocal runs and harmonies that could go on for days. They brought their set to a triumphant close with their iconic track “Cardboard Box,” leaving the crowd buzzing for when Teezo Touchdown took over.

    Teezo Touchdown, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    His electrified set kicked off with “Careful” that was both visually and musically captivating. With a floral-stylized microphone in hand, he delivered a powerful rendition of his hit “SUCKA!” and brought the metaphorical house down with a unique cover of Tyler, the Creator’s “RUNITUP.”

    Arcy Drive, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Back over on the GovBall NYC Stage, Ryan Beatty’s performance was a seamless blend of smooth modern rock and indie pop, showcasing his undeniable star potential. With a voice like silk, he captivated the audience, even using a theremin-like instrument to add a unique touch to his set. Sporting his signature headphones, he dedicated a song to his longtime fans, saying, “This one’s for the OGs, if you’ve lasted this long, bless you.” To quote the great Ryan Beatty himself: “We’re just getting started”.

    Ryan Beatty, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    As the day kept chugging along, the energy built throughout the festival grounds. Back on the GovBallNYC Main Stage, Dominic Fike rocks up with a performance full of memorable moments and musical highlights. He made his grand entrance with his sister Apple on his shoulders, marking his second Gov Ball appearance. Rocking cool shades and bleached eyebrows, Dominic declared, “NY I am inside you,” and complimented the city’s beauty, especially its women, which sent the crowd into a frenzy.

    Dominic Fike, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    He reminisced about filming a music video in New York with Paul McCartney for “The Kiss of Venus” and kept the energy high with playful banter. He praised the crowd, saying, “this place rules, you guys are cool as hell,” before performing “Mona Lisa” from Spider-Man: Across the Spider-Verse, humorously pointing out his brother in the crowd, telling people to “throw sh*t at him”.

    Dominic Fike, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Dominic’s voice shone through as he introduced new tracks from his EP 14 Minutes, including “coast2coast” and “misses.” He shared a vulnerable moment about creating “misses” during a low point, expressing gratitude to his fans for boosting his self-confidence: “Thank you for instilling some self-confidence in me.”

    Governors Ball Post Malone
    Post Malone, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    As the sun set and the energy peaked, Post Malone absolutely brought down the house with his  masterclass in blending classical elegance with modern rock energy. The set began with a captivating cello intro, featuring intricate strings that seamlessly transitioned into electrifying guitar shredding, setting the stage for an unforgettable experience.

    As soon as the opening string chords resonated, festival-goers sprinted from all corners of the grounds to witness the spectacle. The moment Post walked up, the night sky exploded with fireworks and intense pyro, amplifying the crowd’s excitement and creating a visually stunning backdrop for his electrifying set, a fitting end to Day 1 of Governors Ball 2024.

    Governors Ball Post Malone
    Post Malone, Governors Ball, 6/7/2024. Photo by Lucas Kurzweil

    Day 2 starts back up at noon on Saturday, with sets from Sabrina Carpenter, The Killers, Hippo Campus, 21 Savage, and TV Girl. Stay tuned this weekend for more Gov Ball coverage.

  • Hearing Aide: Tony Trischka ‘Earl Jam’

    Syracuse native and bluegrass banjoist Tony Trischka has just released his new album, Earl Jam. The 15-song album is a tribute to the late Earl Scruggs, a pioneer of modern bluegrass and a friend of Trischka’s.

    Earl Jam Tony Trischka

    Tony Trischka, born in 1949, has been a major influence on bluegrass and banjo music throughout his career. With over 15 albums under his belt and countless collaborations with industry legends over the past four decades, Trischka is no newcomer. The fact that he was once labeled “the father of modern bluegrass” by The New York Times speaks for itself.

    In 2020, Trischka received some mail with a mysterious thumb drive. To his surprise, the drive contained hours of never-publicly-heard music from friend of Trischka and fellow bluegrass legend Earl Scruggs. Scruggs passed away in 2012 at the age of 88, making the surprise thumb drive particularly valuable and sentimental.

    Trischka soon began to transcribe all of the solos, tones, and tricks on the drive and gathered a group of bluegrass veterans like Stuart Duncan and Ronnie McCoury to give Scruggs’ music the highest quality of reproduction. Now a few years later, Trischka’s tribute album to Earl Scruggs, Earl Jam, is complete.

    “Whether or not you’re a banjo player, if you play bluegrass, you’re influenced by Earl,” Trischka said about the Scruggs and the album.

    tony trishka earl jam

    Earl Jam is a true classic bluegrass album. All of the lively, chipper and traditional elements that one would expect from a great bluegrass album are present. Guests like Sierra Ferrel, Vince Gill and Molly Tuttle all provide wonderful vocal switch-ups to their respective tracks as well.

    One of the highlights has to be the three-minute track featuring Molly Tuttle and Sam Bush, Dooley. The song begins with a hypnotizing rock-steady 9-second-held note by Tuttle and jumps into a soulful tune with crafty work from seasoned bluegrass mandolinist Sam Bush.

    With a runtime of only 46 minutes, Earl Jam is the perfect pick-me-up album to take in on a road trip or at a barbecue. But don’t forget the significance behind this record. This may very well be the last original music created by Earl Scruggs that we ever hear, and for that, it should have a special place in the hearts of all bluegrass fans.

    Key Tracks: Brown’s Ferry Blues, Dooley, Bury Me Beneath the Willow

    Trischka will be playing two shows in New York City on June 13 and December 14, and one show at Grey Fox Bluegrass Festival in Oak Hill on July 20. Tickets and information can be found here.

  • The Dead Daisies Light up Racket NYC on the First Night of US tour

    On Thursday, June 6, the humid New York City air blew in hard rock band The Dead Daisies. With a new record titled, Light ‘Em Up, slated to be released in September, the band kicked off their US tour at Racket NYC.

    The band consists of Tommy Clufetos on drums, Michael Devin on bass, Dave Lowy and Doug Aldrich on guitars with John Corabi on lead vocals. The former Mötley Crüe lead vocalist is replacing former singer and bassist Glenn Hughes. Prior to the night’s show, Corabi joined me via Zoom to talk about the new release. Watch below for the full interview.

    Before The Dead Daisies hit the stage, there were two supporting acts. The first act was a local New York group called Tempt. The quartet played a total of seven songs and made it memorable. Between the power pop rock and catchy tunes, their set was enjoyable and they quickly won the crowd over with their charisma and young energy. Tempt promptly set the pace for the rest of the evening.

    Sometimes it’s difficult for a new band to win a crowd that is there solely to see the headliners. Yet, this didn’t seem to be the issue. From the first note of “Living Dangerous” which was released as a single in 2021, their well-oiled rock and roll machine seemed to run without any sign of slowing down. It was great to see such a young band take the 650-person venue – who at the time were still filing in – and treat it as Madison Square Garden. Their energy was the most notable and they never seemed to be bored, they fully were in the moment and treated it as such.

    After a beautiful rendition of Queen’s “We Will Rock You,” another New York City band, Killcode jumped on stage. The five-piece band brought a different style from Tempt. Killcode’s sound consisted of hard rock with a southern twang. The band played a total of seven original songs throughout their set. Two songs in their set appeared on their newest record, 2023’s Life, Death, Rock n’ Roll. While the smaller stage was crowded with the five members, they were able to use the small piece of real estate to put on a captivating show.

    Throughout the set, the band prowled along the stage and after a song or two, won the crowd over. For the members of the audience that knew the band, they were cheering for their favorite songs, singing and dancing while the band played deeper into their set. The duel guitars on stage created a monster wall of sound yet complemented each other at the same time. The last song that Killcode played was “Kickin’ and Screamin’” off of 2018’s The Answer. By the time the last chorus swung around, the audience was singing along with the band before they took their final bow.

    After a brief load out of Killcode’s gear, the house lights dimmed and Led Zeppelin’s “Rock and Roll” blasted into the speakers. In a matter of minutes, the band jumped on stage and blasted into their first song of the night and newest single, “Light ‘Em Up.” With a record set to be released in September of the same name, the band played multiple songs off of the forthcoming record in addition to a blues number that was recorded during the sessions at Muscle Shoals Sound Studio.

    Throughout the evening the band crisscrossed through their entire discography and played songs throughout their entire career. This included several songs from the Hughes era. Three songs total were played from Radiance and Holy Ground including, “Born to Fly,” “Unspoken” and “Bustle and Flow.” It was great to see the band, especially Corabi acknowledge Hughes. Corabi’s vocals were excellent. Throughout his classic raspy register, his vocals pierced through fans while he was perched at the edge of the stage.

    Aldrich and Lowy were the guitar masters flanking the stage and throughout the evening, they brought the energy. Lowy was running around the stage the entire night and never stood still. Aldrich plowed through solo after solo. At one point, Aldrich crept to the edge of the stage, kneeled and soloed right in front of the general admission section.

    Rounding out the rest of the group was Devin on bass who officially joined the band when Hughes left. Hammering away on the drums the entire night was Clufetos who, most recently, filled in for Tommy Lee in Mötley Crüe when Lee injured himself. At one point, a fan turned to another and said “he [Clufetos] is a monster on the drums.” It seemed that no matter how hard Clufetos beat the drums, he never seemed to break a sweat. Clufetos during his drum solo was hitting them so hard that the vibrations could be felt in fans’ chests as they watched in awe.

    It was amazing to see how interactive the band was with the fans, throughout the night, in between songs and jokes from Corabi, the band tossed guitar picks and waved to familiar faces in the audience. As the band was introducing themselves, they would quickly jam in between announcements to tunes like “Dirty Deeds Done Dirt Cheap” and “Seven Nation Army.” Each jam session was met with thunderous applause from the fans who sang along with Corabi and sang the guitar riffs as well. The band was as versatile as ever as they played multiple covers including the final song, “Helter Skelter,” by The Beatles.

    Throughout the 17-song set, if they could, it seemed like the band would never stop. They rarely stopped in between songs – which were accompanied by a giant video screen behind them. Throughout each song, a different video was played which further enhanced the audience’s experiences as they showed the band throughout the years. Despite the venue only holding 650 people, the band treated it as if it were a festival or stadium. Their energy and charisma on the stage seemed like they could have blown the doors off the venue and after the encore, fans still stuck around the stage just in case the band came back on.

    New York City was the perfect city to host the first night of the band’s tour. The energy of the band mixed with the energy of the fans – which grew over the night – created a rock and roll cathedral. Some fans were making the trek to the group’s next show while other fans immediately flocked to the merch table. After the legendary Rolling Stones show at Racket NYC, The Dead Daisies followed up with a legendary show of their own.

    The Dead Daisies Setlist: Light ‘Em Up, Rise Up, Dead and Gone, Make Some Noise, I Wanna Be Your Bitch, Unspoken, Bustle and Flow, Lock ‘n’ Load, Born to Fly, Take a Long Time, Dirty Deeds Done Dirt Cheap / Seven Nation Army / Heaven and Hell / D’yer Mak’er / Join Together, I’m Ready, Fortunate Son (Creedence Clearwater Revival cover), Mexico, Midnight Moses (The Sensational Alex Harvey Band cover), Long Way to Go, Helter Skelter (The Beatles cover)

    Killcode Setlist: Show Me, Ride, OTP, Let’s Get Back to Rock n Roll, Phenomenon, Shot, Kickin’ and Screamin’

    Tempt Setlist: Living Dangerous, Roses, Burn Me Down, Company, Cold Blood, Golden Tounge, We Will Rock You (Queen cover)

  • Hearing Aide: Fantastic Cat ‘Now That’s What I Call Fantastic Cat’

    NYC-based indie and folk-rock supergroup Fantastic Cat released their sophomore album, Now That’s What I Call Fantastic Cat, on June 7. The 11-song record sees the band dialing into the soulful and intimate sound they built on their 2022 debut.

    fantastic cat

    Fantastic Cat gets its supergroup moniker from the fact that all four members, Anthony D’Amato, Don Dilego, Brian Dunne and Mike Montali, are all experienced singer-songwriters in their own right. The name Fantastic Cat comes from a night when Montali and Dilego were at a NYC club trying to figure out what to name the band, and they asked the waitress for a suggestion. The waitress suggested “Fantastic Cat,” and the name was set.

    The band’s first record, ironically named The Very Best of Fantastic Cat, was released in 2022 and garnered very positive reviews from publications.

    On the band’s website, it’s hilariously written that “The Very Best of Fantastic Cat garnered the kind of press you simply can’t make up. USA Today proclaimed, “We don’t have a music writer anymore,” while NPR received multiple copies of the album in the mail, and The New York Times’ Jon Pareles declared, “I’m currently out of the office and will respond when I return.”

    So it’s clear that Fantastic Cat has a sense of humor. But what’s their music like?

    All the classic elements of indie and folk Americana are present. The steady drums, the tight acoustic and electric guitars and the heartfelt vocals all shine through. But beyond this, Fantastic Cat’s extremely tight instrumentation and powerful yet controlled vocals make them sound like a band celebrating its 20th album, not its second.

    You know the feeling of running across a country field? Or staring longingly out of a window after a hard day? Listening feels strangely impactful. It makes you think about those moments in your life where you feel the most in touch with your soul, and you can take it all in.

    The hooks are where the band often shines the brightest, especially on goosebump-inducing songs like “Later On” and “So Glad You Made It.”

    Fantastic Cat is also wonderful at balancing their natural comedy with the serious nature of their songs. “The Hammer & The Nail” comes to mind, where part of the hook goes, “Sometimes you’re the hammer. Sometimes you’re the nail. Lately, I just keep on getting screwed.” It’s impossible not to crack a smile hearing that for the first time, yet it’s deeply relatable.

    The Very Best of Fantastic Cat is one of those albums that, if you want to understand, you just have to listen to it. The words in this article can’t touch your soul like the songs on the album do. And lucky for you, The Very Best of Fantastic Cat just came out and is available on all streaming platforms, so go take a listen.

    Key Tracks: Little Bit Broken, So Glad You Made It, Edinburgh

    Fantastic Cat will be playing in Katonah, NY on June 29 and Saratoga Springs on August 10. Information and tickets can be found on the band’s website.

  • Belmont on Broadway: Blues Traveler Brings Huge Crowds to Saratoga Springs

    The first ever Belmont Festival in Saratoga Springs kicked off in grand fashion on Wednesday night, June 5th.  Ahead of the historic weekend, concert goers turned out by the thousands for the official opening, a block party dubbed ‘Belmont on Broadway’ headlined by the Grammy Award winning rock band Blues Traveler. 

    Often referred to as “the Summer place to be,” the enthusiastic atmosphere could be felt all over the city. Propelled by the distinct voice of the legendary John Popper and his scorching array of harmonicas and harmonies, the good-time vibes were off the charts, contagious and perhaps a little rowdy.

    belmont saratoga
    Belmont on Broadway: Fans flocked to Saratoga Springs for a free Blues Traveler performance on 6/5/2024.

    With the six-day festival expected to bring the Spa City more than $50 million in revenue, the massive crowds also meant massive business for the local shops and restaurants downtown.  People of all ages lined every inch and stoop of Broadway, arriving early to catch the opening set from eight-piece local rock and soul ensemble Tops of Trees. With a steady influx of concertgoers packing in like sardines by the time the charismatic Pat McGee Band took the stage, it was Grade A entertainment all around as friends, families, and strangers stood shoulder-to-shoulder, sweaty and smiling on this humid summer night in early June. 

    belmont saratoga
    And They’re Off: The Pat McGee Band got the party started early in Saratoga on 6/5/2024.

    With stellar production services provided by the fine folks at High Peaks Production, the overall program ran incredibly smooth and both looked and sounded great from the start. After a brief word from organizers, the winners of the Belmont on Broadway window decoration contest were announced as Heidi Owen West and Stacey D’Andrea-Goodman of the Lifestyles of Saratoga boutique. Clearing the stage shortly after 8pm, it was finally time for the band everybody came out to see.

    belmont saratoga
    Dancing in the Streets: Concert fans lined the streets of Saratoga ahead of the Blues Traveler performance on 6/5/2024.

    Once ruling the radio with chart toppers from their massive, multi-platinum selling album Hook, the beloved improv-heavy rockers from Princeton, New Jersey, Blues Traveler proved they still know how to party like it’s 1994.  No stranger to headlining festivals, the band is credited as the driving force behind the original H.O.R.D.E. (Horizons of Rock Developing Everywhere) festival that successfully toured the country from 1992 to 1998, including memorable stops at SPAC just up the road. Once again playing up to a massive crowd all these years later, Blues Traveler hit them with hits early and often.

    belmont saratoga
    Hey babe, let’s keep in touch: John Popper sings “Run-Around” with Blues Traveler in Saratoga Springs 6/5/2024.

    Consisting of harmonica wizard and band leader John Popper, along with guitarist Chan Kinchla, bassist Tad Kinchla, keyboard player Ben Wilson and drummer Brandon Hill, Blues Traveler opened with perhaps their most popular song, “Run-Around” resulting in city-wide sing-along that’s still reverberating somewhere down Caroline Street.  Demonstrating their propensity to jam, Popper would catch fire early, utilizing his signature array of custom harmonicas to blow the audience away on a “Dropping Some NYC” > “Moby Dick” > “NY Prophesie” sandwich.

    Dressed in a familiar floppy-brimmed hat and looking as healthy as he has in years, the band would find it’s lengthiest groove on the psychedelic Kingpin rocker “But Anyway,” while fans then took the opportunity to spark up during a cover of Tom Petty’s “Mary Janes’s Last Dance.” The heartfelt “Mountains Win Again” was perhaps the most emotional song of the evening, followed up by perhaps the funkiest in a cover of the Son Seals classic, “Funky Bitch,” which many fans often confuse as a Phish original.

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    Blues Traveler performing in Saratoga Springs on 6/5/2024.

    Segueing nicely into an equally funky “War Pigs” keyboard jam before alligator-ing at breakneck speed into a ferocious, foot stomping rendition of “The Devil Went Down to Georgia” (which the band humorously changed to “The Devil Went Down to Saratoga”), the melodic interplay between Popper and Chad Kinchla’s colorful guitar solos would shine bright all night long, but especially on 1997’s “Carolina Blues.”

    Tasty Licks: Guitarist Chan Kinchla preforming with Blues Traveler on 6/5/2024.

    Gracefully dipping off stage while each member of the band was given the chance to solo in the spotlights, Popper would lead Blues Traveler through the remainder of the set that combined an easy melodic flow crossed with a plethora of choice cover songs and sophisticated soul-funk boogie. With highlights that also included teases of Van Halen’s “Hot for Teacher” and Aerosmith’s “Eat the Rich,” Blues Traveler would bring the main portion of the set to a close with a massive sing along to their smash hit “Hook.”

    With the curfew rapidly approaching and the enthusiastic Spa City crowd still eating it up and begging for more, the band would insight the famous “Toga” chant from the Animal House film, before encoring with one final cover, ZZ Top’s “La Grange.” A great evening of music powered by a band that’s stood the test of time, the atmosphere in downtown Saratoga Springs was downright electric and made you hope ‘the powers that be’ will take notice and introduce more events like this one in the future. For now, you can re-live this entire performance via tapper audio at the link below courtesy of Archive.org.

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    “The newsman said not to sit on strange toilet seats / It’s my life he’s trying to save, but anyway
    I found out that I got eye cancer / Too many television waves, but anyway” – Lyrics to Blues Traveler’s “But Anyway”

    Up next for the band, Blue Traveler will take the rest month off before returning to the legendary Red Rocks in Morrison, CO for their annual 4th of July throwdown. Later this August, you can catch them back in New York with a pair of dates at Lewiston Artpark and the Perinton Center Park Amphitheater in Fairport.

    Blues Traveler | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY

    Setlist: Run-Around > Things Are Looking Up, Dropping Some NYC > Moby Dick > Bass Solo > NY Prophesie > Dropping Some NYC, But Anyway, Mary Jane’s Last Dance, Mountains Win Again, Funky Bitch >  War Pigs Jam > Devil Went Down to Georgia, Carolina Blues > Drums > Hook.

    Encore: La Grange.

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    The Pat McGee Band | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY

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  • 13th Annual Bushwick Collective Block Party: A Vibrant Fusion of Art and Hip-Hop Headlined By Raekwon

    On June 1, the streets of Bushwick, Brooklyn, came alive with the sights and sounds of the 13th Annual Bushwick Collective Block Party. Thousands of attendees gathered at the intersection of Troutman Street and St. Nicholas Avenue to celebrate this iconic free street art and hip-hop festival. This year’s event once again transformed the neighborhood into a vibrant canvas of artistic expression.

    Raekwon

    The Bushwick Collective: A Community Pillar

    The Bushwick Collective, an outdoor art gallery and collective located has been a cornerstone of the neighborhood since its inception in 2012. Founded by Joe Ficalora, the Collective was born from a personal journey of loss and healing. After his mother’s death, Ficalora channeled his grief into transforming an industrial stretch of Brooklyn into an internationally renowned art destination. The Collective began with a single wall donated by a neighborhood resident and quickly expanded as other local building owners offered up their walls to street artists from around the globe.

    Artistic Contributions from Around the World

    This year’s Block Party featured the work of 57 artists who had been painting new murals in the area over the past week. The diverse lineup included notable names such as Huetek, Sipros, Sef, and Enzo. These artists brought their unique styles and perspectives, adding to the rich tapestry of urban art that defines the Bushwick Collective.

    A Day of Music and Community

    Hosted by Dstroy from Shade 45, the event was a musical extravaganza that drew hip-hop enthusiasts from all over. The highlight of the festival was Raekwon from Wu-Tang Clan, who delivered a 45-minute set featuring classic solo tracks and Wu-Tang favorites like “Wu-Tang Clan Ain’t Nuthing ta F’ Wit,” “Ice Cream,” “Can It Be All So Simple,” and the timeless anthem “C.R.E.A.M.” The crowd was electrified, rapping along to every word and celebrating the enduring legacy of one of hip-hop’s most influential groups.

    Before Raekwon took the stage, the renowned DJ and producer Statik Selektah energized the audience with a dynamic set. He was joined by a slew of guest performers, including Pitch Black, Rome Streetz, Termanology, and Nems, each bringing their unique flavor to the show. Earlier in the day, Fatman Scoop entertained the crowd with a DJ set of classic hip-hop hits, dancing and performing along to the beats. Tony Moxberg and Lil Dee also delivered memorable performances, adding to the day’s rich musical experience.

    Fatman Scoop

    Beyond Art and Music

    The Bushwick Collective Block Party is more than just an art and music festival; it’s a celebration of community and culture. The event featured a variety of food trucks and local vendors, offering everything from delicious street food to unique handmade goods. This eclectic mix of art, music, food, and local craftsmanship highlights the vibrant spirit of Bushwick and the creativity that flows through its streets.

    Looking Ahead

    As the sun set on another successful Block Party, attendees left with a sense of fulfillment and excitement for what next year’s event will bring. The Bushwick Collective, under Joe Ficalora’s passionate leadership, continues to be a beacon of artistic expression and community engagement. Each year, the Block Party not only showcases the best in street art and hip-hop but also reinforces the enduring power of art to bring people together, inspire change, and celebrate diversity.

  • Sibylle Baier, the Greta Garbo of Lo-Fi Folk, Re-emerges June 9 at Upstate Films

    She’s the German actress and amateur singer-songwriter who achieved notoriety three decades after she made the humble home recordings that were released in 2006 as the critically acclaimed Colour Green.  Now the reclusive Sibylle Baier is making a rare appearance at the Saugerties’ Orpheum Theatre for the June 9 screening of Wim Wenders’ 1974 classic Alice in the Cities.

    Sibylle Baier

    “Sibylle Baier and her daughter Julia appeared briefly in Wim Wenders’ film Alice in the Cities. The two protagonists come across Sibylle standing on the ferry, holding her daughter as she sings one of her songs entitled ‘Softly’.. Through the early 1970s, Baier made lo-fi acoustic recordings of songs she wrote for her pleasure alone, ones that Robby gathered onto a CD gifted to friends to mark his mother’s 60th birthday. One recipient was Dinosaur Jr’s J. Mascis who secured its commercial release as the 14-track collection, Colour Green, on Orange Twin label. 

    Sibylle Baier

    Baier’s breathy, stripped-back acoustic sound is often compared to Leonard Cohen, Nick Drake and a folky Nico. Her fans number musicians like Kim Gordon, who included her on a playlist of favorites in a 2015 article in the New York Times.  Her evocative music has since been licensed for many projects including the films Drinking Buddies and My Salinger Year and the TV show, End of the F**cking World. A new recording, “Let Us Know,” was featured in Wenders’ film, Palermo Shooting.

    Although she will not be performing live, Baier will be playing tracks from Colour Green.

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    Sibylle Baier

    The event will take place in “The Mark,” the brand-new screening room at Upstate Films’ Orpheum Theatre in Saugerties. The Mark’s most notable elements are its acoustics with its Dolby Atmos sound system, engineered with WSDG and cinema specialist Dave Berti, which provides precision sound that envelops the audience, immersing them in the heart of the film. WSDG, led by John Storyk, has previously designed venues and studios for Bruce Springsteen, UCLA, Lincoln Center, Spotify, Jay-Z, MTV, Alicia Keys, NYU, and, at the beginning of Storyk’s career, Jimi Hendrix’s Electric Lady Studios.

    For more information and tickets, visit Upstate Films

  • Bape Galore: Billie Essco x Raz Fresco Get Technosonic on the Cream Tape

    Raz Fresco collaborated with Billie Essco? Say less, though! It’s only right that these two also teamed up with The 6th Letter – an underground producer who emerged circa 2010-2011. Hence, this mixtape takes it all the way back to the back of the Cadillac and makes you feel so fly. The smooth tunes will certainly take you for a ride and makes you want hoodie season to be every season.

    Initially, the internal rhymes stood out between Fresco/Essco – the interesting part about this mixtape on paper points to the Jonny Shipes connection. Shipes propelled Joey Bada$$ and Pro Era a great deal amongst several talented others along the way. 6th Letter/Raz Fresco opened on Jonny Shipes ‘Smokers Club’ Tour in 2011. Later, they hosted their own ‘Bakers Club’ in Toronto, Raz/6th’s respective hometown.

    Furthermore, Kazaa/Ares/Limewire Days evolved into the MySpace/Worldstar/Datpiff essentially within decades. Judiciously, the pace of the world continues to turn on its axis. Rotationally, each spin may contain an urge to splurge on some Bape – quick hint – hit Pondon for authentic gear. Either way, when these tracks play it puts the listener in a space-time-continuum loop that engulfs the audience all throughout the experience.

    Nonetheless, sensationalism within journalism must perish. Within the aura and orchestral collection of gems these gentlemen pieced together a fully textured and evenly weaved garment of a mixtape. Truly, a piece of history to have heard this formulaic foundry of intertwined intricacies.

    TCT Track Reviews

    Track: Getting Baked in the Bakery

    Notes: “Mary go round” line symbolizes the amount of haziness provided.

    Music supplies, “Homeostasis brainwave shifts.”

    “Closet is brolic” means that their apparel selection and wardrobe stands next to impeccable.

    Cream team on these tracks represent the trifecta of making the listener feel fly.

    Thus, the accompaniment of “wisdom and mic divine” together combine to make an incredible project.

    Track: 05 Baby Milo

    Notes: Track brings great energy and tempo to an all-inclusive listening experience.

    Track: Favorite Sweater

    Notes: This track definitely has the most bop and best soul out of any of them

    Quotable: “She turned the capital sweater into a crop top 

    Almost got cut off for that but she my top stop

    We go back like blank tees from Top Shop 

    Calmly mami graduate to Givenchy.”

    Track: Patent Leather Bapestas

    Notes: These artists hit the track with a trifecta of angles. This track reminds you of an old school Wale track as this whole tape makes the listener feel fly. 

    Quotables: “All Star Lebron the blue resembling Neptune 

    Basquiats in the bedroom 

    On the flights you know it’s emergency 

    Real leg room in first class

    I ain’t camera shy get real close and see the details.”


    Other tracks like “Japanese Fabrics” and “Multiple Choice” stood out amongst a collection of wavy tunes. Make sure to tap in and ride the waves.