Category: Features

  • Swagger and Soul: St. Paul & the Broken Bones Captivate Albany 

    The human body is made up of 206 bones and on Wednesday, February 28th, the voice of Paul Janeway touched every single one of them during a dynamic, soul-shaking performance at The Egg in Albany. Along with his 7-piece powerhouse jazz ensemble, St. Paul & the Broken Bones cooked up a near perfect mix of colorful showmanship, joyful jams, and fantastic fan interaction as the band not only celebrated their third time playing the beloved venue, but also the ten year anniversary of their breakthrough debut album, Half The City. It was their first time back in the area since wowing the crowd last year at the annual Saratoga Jazz Festival.

    St. Paul and the Broken Bones
    Paul Janeway of St. Paul & the Broken Bones performing in Albany on 2/28/24.

    A wet and windy Wednesday night outside The Egg, things started cooking inside with an impressive opening set from Bowling Green, Kentucky’s Sugadaisy. Combining a modern grunge vibe with a healthy dose of psychedelic pop, the venue’s excellent acoustics made them sound huge right off the rip. Sparked by a Daniel Johnston Hi, How Are You T-shirt worn by one of the guitarists, there were moments you simply couldn’t help but think of Nirvana’s Kurt Cobain. Unsure what to make of Sugadaisy at first, by the time they finished their short, but energetic set, it’s fair to say they’d won the Albany crowd over and earned a slew of new fans. Following a brief set change, it was finally time for St. Paul & the Broken Bones to take over.

    St. Paul and the Broken Bones
    Sugadaisy opened the show for St. Paul & the Broken Bones on 2/28/24.

    Rising to prominence with over a decade of near constant touring, the Birmingham, Alabama-based rock n’ soul band boasts more than a million monthly listeners on Spotify, have released 5 studio albums and shared stages with a veritable who’s-who of music royalty that includes the likes of Sir Elton John and The Rolling Stones. Known for the signature falsetto voice of their flamboyant frontman Paul Janeway (aka St. Paul), The Broken Bones also consist of bassist Jesse Phillips, guitarist Browan Lollar, drummer Kevin Leon, keyboard player Al Gamble, trumpeter Allen Branstetter, trombonist Chad Fisher and Amari Ansari on saxophone. 

    St. Paul and the Broken Bones
    St. Paul & the Broken Bones performing at The Egg on 2/28/24.

    Kicking off their headlining set in style, each member of The Broken Bones came out one-by-one to the darkened stage, seamlessly picking up their instruments to join in on the opening “Marvin Jam” before the always dapper-looking Janeway sauntered out of the shadows to a massive applause. Instantly turning up the funk with “Flow With It (You Got Me Feeling Like), St. Paul & the Broken Bones wasted no time getting right to their biggest chart topping hit, “Call Me,” which the crowd immediately recognized and sang along to.  All warmed up and feeling good, Janeway would take a brief moment to acknowledge the audience and make note that their debut album, Half the City, had been released ten years ago this week. Thanking the crowd for helping give them a career, the band would then play the album’s title track followed by an emphatic, soul-wrenching rendition of “I’m Torn Up,” the album’s opening song.

    “I can’t let it down, this hope I feel

    Oh this city has made me cry but I still can’t leave her

    The streets paved with pain of all my past loves

    Please don’t let it die cause I have had enough”

    Lyrics from “Half the City”

    From something old to something new, St. Paul & the Broken Bones would change things up a bit with a pair of songs, “Wolf in Rabbit Clothes” and “Sea Star” from their most recent album, 2023’s Angels in Science Fiction. Growing up on a steady diet of gospel and soul music like The Stylistics, Sam Cooke and old school Marvin Gaye, it’s easy to see where St. Paul & the Broken Bones draw their influences from, but it’s not often you hear a white man that sings falsetto with the power and control of Janeway. What really sets him apart, however, is the way he’s able to command the entire stage. Working both sides while simultaneously showcasing some fancy footwork (and fancy shoes), Janeway’s presence was mesmerizing.

    St. Paul and the Broken Bones
    St. Paul & the Broken Bones performing in Albany on 2/28/24.

    Singing falsetto from the depths of his soul, so hard in fact, that at times it had him dropping to his knees reaching for the notes, like he did on “Grass is Greener.” After receiving a huge ovation for his efforts, Janeway quietly disappeared back into the shadows. Far from a one-man-show, The Broken Bones took over from there with an extended “Roach Clip” jam that saw each member taking turns soloing in the spotlight and the energetic Amari Ansari running from one side of the room to the other wailing away on his saxophone to the delight of the ultra-attentive Albany crowd. 

    The powerful horn section was heavily featured once again during “LivWithoutU,” before the dirty, slowed-down groove of “Minotaur” put the audience in a near euphoric trance. Building the energy back up with a pair of tunes from 2018’s Young Sick Camellia, “GotItBad” > “Apollo” would bring the main portion of the show to a close and leave fans hollering for more.

    Baby

    Is there a right when all is wrong?

    Is there a partner when we’re left all alone?

    Oh, but I wanna feel something real

    Lyrics from “Sanctify”
    St. Paul and the Broken Bones
    St. Paul & the Broken Bones performing in Albany on 2/28/24.

    Returning to the stage now wearing a sparkling sequin cape, Janeway would take his theatrics to the next level. First falling to floor and rolling around like a guitar-less Marty McFly as he crooned the lyrics to “Like a Mighty River,” the crowd who had largely remained seated to this point, finally got up on their feet when Janeway suddenly jumped off the stage to join them.

    St. Paul & the Broken Bones performing in Albany on 2/28/24.

    As fans quickly grabbed their phones to snap obligatory selfies, the connection between the artist and the audience here felt completely authentic.  Singing “Sanctify” while climbing all the way up to the soundboard area of The Egg’s backrow, the man who once thought he wanted to be a preacher found his Albany congregation in the palm of his hand. High-fiving as many of them as he could on the way down, the entire room seemed to be smiling ear to ear. Back on stage for the disco-vibed “Last Dance,” the energy in the Egg had reached its boiling point. Already three songs into the encore, fans were given one last treat and one final song from Half The City as “Broken Bones and Pocket Change” would bring the stellar performance to a close. After a well-deserved standing ovation, even the seasoned ushers were left commenting on just how good of a show this was. 

    St. Paul and the Broken Bones
    St. Paul & the Broken Bones performing in Albany on 2/28/24.

    After playing in Buffalo the next night, St. Paul & the Broken Bones officially wrapped up their year-long Angels In Science Fiction tour in Charlottesville, VA on March 3rd.  After taking a couple weeks off, the band will return to their stomping grounds of Birmingham, Alabama for a hometown throwdown on March 23 before setting off on a lengthy European tour later this summer.  

    St. Paul & the Broken Bones | February 28,2024 | The Egg | Albany, NY

    Setlist: Opening Marvin Jam, Flow With It (You Got Me Feeling Like), Call Me, Half the City, I’m Torn Up, Wolf in Rabbits Clothes > Sea Star, Grass Is Greener, Roach Clip, Livwithoutu, Minotaur, GotItBad > Apollo.

    Encore: Like a Mighty River, Sanctify, The Last Dance, Broken Bones & Pocket Change.

    St. Paul and the Broken Bones
    St. Paul and the Broken Bones
    St. Paul and the Broken Bones
    St. Paul and the Broken Bones

    Photos of Sugadaisy:

    St. Paul and the Broken Bones
    St. Paul and the Broken Bones
    St. Paul and the Broken Bones
  • Circles Around The Sun Perform at Brooklyn Bowl with Mikaela Davis and Southern Star

    On Saturday, March 2, alternative funk band Circles Around The Sun performed at Brooklyn Bowl featuring singer-songwriter and harpist Mikaela Davis and Southern Star.

    Perri Sage Photography

    Mikaela Davis and Southern Star band is made up of harpist and vocals Mikaela Davis, drummer Alex Coté, guitarist Cian McCarthy, bassist Shane McCarthy and steel guitarist Kurt Johnson. The band have been playing together for over a decade, their performance on Saturday included an array of instrumental elements that cohesively created an atmospheric musical landscape. The blend of the harp sounded ethereal, dreamy, celestial and created a harmonic union to accompany a feminine fluidity on psychedelia and folk rock.

    Perri Sage Photography

    Circles Around The Sun was born in 2015 when lead guitarist Neal Casal was invited to compose a handful of Grateful Dead influenced instrumentals to play between sets at the Dead’s ‘Fare Thee Well’ concerts. Since, the Los Angeles-based band formed and influenced by contemporary instrumental rock.

    The tour kicks off for their fourth studio album release, Language, welcoming guitarist John Lee Shannon, a longtime peer who joins bassist Dan Horne, keyboardist Adam MacDougall, and drummer Mark Levy. The six song release builds on a 70s groove with cosmic-disco and synth sounds that compliment extra percussion and bass riffs. This album allowed the band to explore a new-found sound that encourages a psychedelic and hypnotic feel. The audience was floored by the atmospheric presence they brought to the stage this past weekend. The new material harnesses soul-jazz, funk, rock and allows an exhilarating new path for Circles Around The Sun.

    Perri Sage Photography

    Overall, the band blew the crowd away with their incredible stage presence and new tune transformation. Influenced by free-form and fusing transformational instrumental elements to extend their art as musicians. New York looks forward to see what else the group has is in store for upcoming shows in Albany at Lark Hall on March 9, and in Buffalo at Iron Works on March 12.

  • Ani DiFranco’s “Baby Roe” Strikes Back at Patriarchy

    Just in time for Women’s History Month, Ani DiFranco – singer, songwriter, feminist, and author – has graced listeners with her impactful new release, “Baby Roe“.

    With this, Ani fearlessly tackles the topic of reproductive freedom in the face of constant threats to women’s autonomy. While being known for her vocal activism, DiFranco believes that the right to an abortion is a basic civil right.

    “As a society, it is time to acknowledge that unless a woman is in control of her own reproduction, she is not free, and it is the responsibility of our American government to protect and ensure the freedom of all American citizens”

    Ani DiFranco, as told to Huff Post

    “Baby Roe” is inspired by Joshua Prager’s book “The Family Roe“. Prager’s book covers the unfolding of events surrounding the Roe v. Wade ruling of the Supreme Court in 1972. DiFranco shines on the life of Norma McCorvey’s adopted adult child, who was born and raised during her fight for the right to an abortion. Despite her historical role, Baby Roe came to grasp her importance as an adult becoming an advocate for a woman’s freedom of choice.

    In addition to her musical pursuits, Ani takes center stage in the Tony and Grammy Award-winning musical Hadestown as “Persephone.” This Grammy winner and feminist icon launched her own record label in 1990, helping to kickstart the DIY movement. First known as the “Little Folksinger,” her career has spanned punk, funk, hip hop, jazz, soul, electronica, and more. Later this year, her 23rd album will be released. Ani DiFranco is also notable for opening Babeville, a live music venue in Buffalo.

    As “Baby Roe” echoes across the radio, it serves as a call to action while simultaneously being a music masterpiece. Ani DiFranco’s dedication to civil rights, in the vein of a true feminist icon, is a reminder that art can spark social change.

  • I’m Going To Marry Your Dad Announces Amusing Debut Single “The Friendship Song”

    News is brewing as I’m Going To Marry Your Dad announces the March 5 release of their first ever single “The Friendship Song” under the House of Feelings in the center of New York City.

    The creative force behind the performance art project “I’m Going To Marry Your Dad,” Xalvador, is well-known for his work with drag icon Christeene. This artist has been getting more and more recognition, especially in the LGBTQ+ community and elsewhere.

    “The Friendship Song”, while on the surface seems innocent, is actually a critique of the shallow nature of modern friedships. As produced by Derek Walsh, the song allows listeners to look deeper into our relationships.

    The artist boldly asserts that friendship and professional success are often linked, as it changes into a campfire singalong. The humorous line, “Grab your friends and say hello, how are you, how can you further my career?” expresses how some personal relationships are seen as a possibility for career advancement.

    I'm Going To Marry Your Dad

    Although this idea may seem cynical or even controversial to some, the artist argues that it is an economic reality. For instance, what others may consider to be horrible, they see as economical. This clever wordplay adds a layer of satire to the song. ‘The Friendship Song’ is a definite add to your playlist.

    A release show with a stellar lineup that includes I’m Going To Marry Your Dad, Christeene, Josephine Network, and Le Bang will take place on March 8 at 7 pm at TV EYE, located at 1647 Weirfield St, Ridgewood

    The satirical “Friendship Song”, with a focus on the absurdity of humankind, will be available on all streaming services on March 5. Get tickets to the March 8 release show here.

  • Innovations of Jazz’s Small Swing Groups of the 1940s-1960s Explored in New Book “Jazz with a Beat”

    It was equal parts the lingering Depression economy and the wholesale enlistment of musicians during WWII that ended the Big Band era of jazz.  What emerged in its wake were radically downsized swing ensembles that took one of two roads at this fork in the developmental history of jazz.  The first was the crowd-pleasing, danceable sounds of artists like Louis Jordan and Illinois Jacquet, something that would lead to the emergence of R&B and rock-n-roll.  The second was a more challenging idiom typified by frenetic tempos and advanced harmonic structures. It was a genre pioneered by Dizzy Gillespie, Charlie Parker, Thelonious Monk and a handful of others at late night jam sessions at Minton’s Playhouse in Harlem – the fiercely virtuosic and intellectually-rich genre called bebop.

    Jazz with a Beat

    In his new book, Jazz with A Beat (SUNY Press), Tad Richards provides an exhaustively-researched but eminently readable look at this under-explored and under-appreciated flavor of small group/post-Big Band swing, and the new styles it would birth.

    Still cooking on several burners at 84 years of age, Richards is a true Hudson Valley original.  He is author of more than three dozen books, a much-published poet and journalist, visual artist and sometimes songwriting partner of local legends like John Hall of the band Orleans. Tad was even the screenwriter of two soft-core sex comedies of the ‘70s that are now considered cult classics, The Happy Hooker Goes to Washington and The Cheerleaders!

    But Richards may be best known for his long-running role as Artistic Director and President of Opus 40, the famed sculpture park/renowned earth artwork singlehandedly built by his stepfather, Harvey Fite.  Tad came to Opus 40 in 1944 when his mother married Fite. After Fite and his mother passed, Tad and his wife ran the park, from 1987 through their retirement in 2018.  For three decades, Richards also worked to present some of the most memorable concerts in the Hudson Valley at Opus 40.  They included the dramatic performance by jazz great Sonny Rollins captured in the documentary, Saxophone Colossus.  You can read my  feature on this legendary event here.

    Jazz with a Beat

    With the move to small groups, jazz soloists came to the fore. Most notable was tenor saxophonist Illinois Jacquet, a Texas virtuoso who set the template for “honking” soloing on “Flying Home,” first with Lionel Hamptons’ band and later with his own ensemble. Unlike in large bands, in these compact quintets and sextets, there was no music being read on stage; the magic was made when soloists like Jacquet cut loose and fired up the audience. There’s also a lengthy look at the career of Louis Jordan, a man widely regarded, and noted in his Rock and Roll Hall of Fame induction, as the “Father of Rhythm & Blues.” Jordon and his Tympani Five were huge stars in the 1940s and 1950s, thanks to a string of hits including “Choo Choo Ch’Boogie,” “Is You Is or Is You Ain’t My Baby” and “Saturday Night Fish Fry.”  The latter was one of the first tunes to feature the word “rocking” in its chorus, and a distorted electric guitar as well.  Jordon’s “jump blues” style and captivating stage demeanor would be a huge influence on rock-n-roll’s first superstar, Chuck Berry.

    Richards’ investigation largely focuses on the influence small band swing had on the development of R&B and proto rock-n-roll in the fertile music scene around Central Avenue in Los Angeles. A host of small independent record labels fueled this evolution. Jump blues tunes like Joe Liggins’ “The Honeydripper” (1945) and Wynonie Harris’s “Good Rockin’ Tonight” (1947) are often credited as the first true rock-n-roll songs.  Schooled musicians like Big Jay McNeely, who could’ve pursued more challenging bebop, went for more mainstream R&B styles.  His over-the-top soloing and stage antics are best captured on “The Deacon’s Hop,” maybe the most sax-honking-ist song of all-time and a #1 R&B hit (1949).  According to the book, McNeely was playing a raucous gig in Berlin on November 9, 1989, the night the famous wall came down.  Coincidence?

    Richards’ journey continues to connect the dots to other music scenes across America.  He addresses everything from Dave Bartholomew’s early works with Fats Domino and Little Richard in New Orleans to the Xerox copy works of white artists like Bill Haley’s and his “Rock Around the Clock.”  White artists like Haley and Elvis would strike gold mining the styles, sounds and even many songs composed and first recorded by early R&B and jump blues practitioners.

    “Jazz with a Beat” is a deeply informative yet easily digestible trip back to the days when jazz explored new beats and ferocity, ones that were perhaps the truest and deepest roots of modern day R&B and rock.

  • Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    Funky west coast powerhouse Circles Around the Sun (CATS) are bringing their magic to the East Coast and more, along with Mikaela Davis and Southern Star. The group stopped in at the legendary Stone Pony in Asbury Park on February 29, quickly becoming the best thing to have happened on a this leap day.

    Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    The night started off with Mikaela Davis and Southern Star which was incredibly ambient, funky, and unique. The harp mixed in with intricate guitar and ultimately a saxophone provided a very unique sound. Their set included a nod to the good ol’ Grateful Dead with a “Here Comes Sunshine” cover.

    Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    Seeing CATS with Mikaela Davis sitting in at Peach Festival in July 2023, I knew we were in for a quite a treat. There’s something mesmerizing and attention demanding about the harp. It may be how difficult it looks to play, or how rarely a typical person may encounter one, especially in a live rock band setting.

    Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    Circles Around The Sun played a classic set with old and new song starting off with “Away Team.” Their set included “Money’s No Option” and ended with “Babyman.” Then Mikaela joined them on stage for three songs ending with “Language“, which is the title track of their newest record.

    Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    Circles Around the Sun is known well in the jam band community particularly for the tragedy in losing their founding member, the great Neal Casal. CATS is a band who prove to be unique, funky, and ground breaking in the absence of Casal, with guitarist John Lee Shanon fitting in well, unafraid to experiment, getting weird with guitar solos, truly showing off his unique musicianship. The space funk grooves of this band paired with the epic sounding harp playing of Mikaela Davis is truly a force to behold.

    Best Thing to Do on Leap Day: Circles Around The Sun & Mikaela Davis at The Stone Pony

    Circles Around the Sun – Stone Pony, Asbury Park, NJ – Thursday, February 29, 2024 – Leap Day

    Setlist: Away Team, Landline Memories, Immovable Object, Money’s No Option, Halicarnassus, Babyman
    Encore: After Sunrise*, Gloaming Way*, Language*
    * with Mikaela Davis

  • Larry Campbell & Teresa Williams Announce Album “All This Time”, 5 Shows in New York on Upcoming Tour

    Larry Campbell and Teresa Williams have announced their new album, All This Time, will be released on April 5. The pair will hit the road in 2024, bringing their music to Saratoga Springs, NYC, Amagansett, and Marlboro.

    All This Time

    After releasing the upbeat and twangy song “The Way You Make Me Feel,” the pair shared a glimpse of their enviable love. Campbell reflects on the song’s history, saying, “The lyric was inspired by recalling when I first got together with Teresa. The song, about 40 years old, is as inspiring as ever.”

    “The Way You Make Me Feel” pays respect to the legendary gospel quartet guitarist Lyndon Baines with a catchy guitar lick that Campbell wrote after working on a Dixie Hummingbirds record in the early 2000s. The end product echoes the spirit of Johnny and June Cash with a heartfelt and nostalgic ode to courtship.

    all this time  larry campbell teresa williams

    Teresa shares in Larry’s enthusiasm, emphasizing the humor, groove, and lightheartedness of the album. “I got a brand new couch, and we can watch TV. Put an arm around you — we’ll see whatever you wanna see… Now that’s good flirting!” All This Time is a musical scrapbook of their journey, featuring heavy hitters including Grammy-winner Justin Guip, Bill Payne from Little Feat, and even a cameo by Levon Helm himself.

    Larry and Teresa aren’t just dropping The Way You Make Me Feel; they’re hitting the road. These two are set to hop on a North American tour throughout 2024, with stops at Caffe Lena in Saratoga Springs, City Winery in Manhattan, The Stephen Talkhouse in Amagansett, and The Falcon in Marlboro. Moreover, fans will be able to witness the magic of their long-lasting musical partnership as the tour brings an intimate live experience. Find all upcoming tour dates below and on their website here.

    Larry Campbell and Teresa Williams 2024 Tour Dates

    3/17 – Northampton, MA – Academy of Music Theatre

    4/11 – Marlboro, NY – The Falcon

    4/16 – Boston, MA – City Winery

    4/17 – Fairfield, CT – Stage One

    4/18 – Ardmore, PA – Ardmore Music Hall

    4/20 – Vienna, VA – Jammin’ Java

    4/21 – Pittsburgh, PA – Thunderbird Music Hall

    4/23 – Columbus, OH – Natalie’s

    4/24 – Detroit, MI – Magic Bag

    4/26 – Chicago, IL – Old Town School of Folk Music

    4/27 – Minneapolis, MN – Parkway Theater

    4/30 – Kansas City, MO – Knuckleheads

    5/01 – St Louis, MO – Off Broadway

    5/03 – Nashville, TN – 3rd & Lindsley

    5/04 – Atlanta, GA – Eddie’s Attic

    5/05 – Atlanta, GA – Eddie’s Attic

    5/11 – Lexington, TN – Main & Monroe

    6/07 – Saratoga Springs, NY – Caffe Lena

    6/08 – Saratoga Springs, NY – Caffe Lena

    6/11 – New York, NY – City Winery

    6/13 – Red Bank, NJ – The Vogel

    6/14 – Blairstown, NJ – Roy’s Hall

    6/16 – Amagansett, NY – The Stephen Talkhouse

  • Ilya Popenko Releases Music Video For “The Horse is Not Mine”

    Ilya Popenko, lead singer of NYC-based Mad Meg has released a solo track and music video for his new single “The Horse is Not Mine.”

    The Horse is Not Mine Ilya Popenko

    Ilya Popenko is a multi-disciplinary artist, filmmaker, photographer and songwriter, born in the former Soviet Union. In 2011, he formed Mad Meg, a psychedelic progressive rock band plays in an eclectic style they themselves identify as “Punk-Chanson-Noir”. The band has toured extensively in Russia and the former Soviet Bloc, including tours that covered close to 30 cities throughout the vast, frozen expanse of Eastern Europe, and in the course of which they shared the stage with such luminaries as Nogu Svelo!, Brooklyn-based rock band Rasputina, and Emir Kusturica.

    While Mad Meg is on hiatus, Ilya has continued to work on his solo songs. In his new music video for “The Horse is Not Mine,” Ilya performs the song dressed in horse costumes amidst surrealist animation that interacts with live action footage. The lyrics of the chorus may seem like nonsense, but when describing the song, the artist shares that the lyrics are a verbatim translation of the Russian saying, “I’m not me, and the horse is not mine,” which is used to say, “I have nothing to do with that.” Ilya likes to incorporate direct translations of Russian proverbs in his songs, as lost in translation and taken out of context, they lose their original meaning and become an abstract and beautiful combination of words. The music video is directed by Nikolai Metin and incorporates animation by Katya Mezentseva.

    Ilya Popenko’s new single “Horse is Not Mine” is available to stream everywhere and to learn more about the artist and the band fans can visit here

  • Sarah Craig: Caffe Lena’s Executive Director Leads the Folk Haven towards Long-term Viability and Success

    Caffé Lena has a storied history in Saratoga Springs starting in 1960, launching the careers of many folk greats including Bob Dylan, Joan BaezPete Seeger, and Don McLean. Now, the venue is providing that same feel-good listening experience and great talent, set in their iconic intimate setting. In honor of Women’s History Month, it is important to highlight the women helping make the industry happen. Executive Director at Caffé Lena, Sarah Craig, is one of these women leading in the industry.

    caffe lena sarah craig

    Lena and Bill Spencer opened Caffé Lena with a deeply entrenched European influence. Upon the passing of Lena in 1989, the venue was converted to a nonprofit institution, supported by concert revenue, grants, private and corporate donors, and a team of volunteers. Lena started the venue as a way to present deserving talent regardless of fame, emphasizing community over business. Over the years, this theme still sticks with Caffé Lena’s diverse range of programming. Whether in-person or on a live stream, those can enjoy the intimate setting and vibe while garnering the sense of community so prevalent in everything they do.

    Sarah Craig has been the Executive Director of Caffé Lena since 1995, a role she earned by applying to an anonymous job posting in the classified section of the newspaper. All it said was, “Nonprofit arts organization seeks full or part-time executive director.” She was the only applicant, and the rest is history.

    Photo by Derek Java.

    Craig earned her BA in Psychology and Women’s Studies from the University of Vermont, where she developed organizing skills as an activist. “[I was] inspired by two things: my sister’s participation in the Peace Corps in rural Paraguay, which was a huge eye-opener for me, and my own exposure to Liberation Theology in the Catholic Church, which was an important part of my life at the time,” she said. She became interested in gay rights, ecology, and economic justice, working in the sphere of some very effective senior activists, including Bernie Sanders and Roddy Cleary.

    After college, she moved to Boston and began canvassing for Massachusetts Peace Action, serving as the Executive Director before eventually going to Caffé Lena. When she first started at Lena, her duties included grant writing, house management, and developing the volunteer and membership base. Now that there are a dozen people on staff, the budget has grown more than 2,000%. She says she spends “about 1/2 of my time booking shows, 1/4 fundraising, and 1/4 developing new ideas and managing the team.”

    Caffé Lena takes up most of her time – waking and sleeping. “It’s an outlet for my creative energy, my social energy, and my dreams of saving the world. But, ever since the start of the pandemic, I’ve made a concerted effort to not be all Caffe all the time,” she explained. She is working on a sequel to a novel she finished and started playing the French horn again. She likes to spin yarn and felt, run or X-C ski, and when it’s the season – grow vegetables. She also likes to play online Scrabble with her daughter in NC a few times a week, and explains that was one of Lena’s great passions, “she was a 400 player.”

    sarah craig
    Sarah Craig speaking at a press conference. Lauren Halligan – MediaNews Group file.

    In 2016, the venue underwent $2 million in renovations creating a home for Lena’s celebrated program for decades to come. New additions also included a 100% handicap-accessible space on their second-floor performance space.

    Caffé Lena has a wide variety of programming available besides their eclectic mix of performers. In 2020, they launched the School of Music to carry on the folk tradition of music as a social pastime. Children and adults learn in small, friendly groups, mastering a repertoire of folk classics, and write some too. Some more experienced kids have now formed their own band, The Rolling Pebbles.

    Folk gets passed along by venues, festivals, camps, places of worship, community groups and families. The School is our investment in this process. We offer activities for toddlers to seniors that are social and musical. It’s the most wonderful thing to sit at my desk and hear 30 senior citizens in the next room jamming away on three-chord songs and just having the best time. Or seeing our youth students developing into righteous little fiddlers and guitarists…There are powerful forces in the world pulling us deeper and deeper into a world of technology, where people are rarely face to face with their community. People are not experiencing social life in the way we’ve evolved to experience it. The School of Music feels like a win for basic, old-school humanity. 

    Sarah Craig.

    Other programs that have been seen at Caffé Lena are The Bright Series – monthly shows featuring artists playing the venue for the first time; Caffé Lena on the Road, where headline artists travel into the community to deliver live music at places such as elderly care centers, recovery groups, soup kitchens, and more; Pride Night; Little Folk Shows – kid-friendly matinees; and so much more.

    Since Craig’s time at the venue, she has seen a variety of musicians, with some of her favorites including those that have not risen to widespread fame besides small clubs like Lena. “In that category, I’d cite Jeremy Wallace, Gina Forsyth, and Chandler Travis. Some were real jaw-droppers and indeed they did go far: Anais Mitchell, Billy Strings, 14-year-old Sawyer Fredericks, and Allison Russell, who just won two GRAMMYs.” She went on to say “Our staff gets asked a lot, ‘Who’s your favorite?’ and we all agree: it’s the one we saw last night.”

    Bob Dylan with Lena Spencer. Photo by Caffé Lena.

    Caffé Lena has a long history in the folk scene but as Sarah Craig pointed out in our conversation, the emergence of Americana music in 2007 replaced some of the singer-songwriters from the ’80s and ’90s. The popularity of folk-rock string bands has stayed strong for nearly 20 years. Since taking the reigns in 1995, she noticed that the Internet has drastically changed many things.

    “It completely changed the culture of everything everywhere, but that definitely includes live music,” she explained. “On the positive side, it has greatly facilitated our success in building an audience with eclectic tastes that is willing to explore new music. On the downside, it has radically amped up the way of life at Caffe Lena. Lena used to book her musicians for a full weekend. These days, it’s a different show every night, and bands rush in 2 hours before showtime and hit the road immediately afterward to get to the next gig.”

    With events happening almost every day, the venue is busy and booming. Sarah Craig loves the atmosphere of the venue. She loves when the volunteers arrive and start baking cookies and making coffee, and when the “legendary Joe Deuel, Lena’s sound tech for the past one thousand years, starts setting up the mics.” The little moments that she experiences every day are her favorite; turning off the lights at the end of the show and saying goodnight to the iconic venue.

    https://youtu.be/ht2zdYvs_wc?si=1krBF-BOObg_R9AH

    The music industry is largely dominated by men, but some very decent people love music and enjoy spending their lives with musicians and are not in it for the money. Asking Craig about her experience as a woman in the industry, she said that her experience has overall been good. Despite the fact she isn’t a man, who can get more bookings, she has made it work. Something notable she highlighted was that the nonprofit world, like Caffé Lena, is largely dominated by women, however, the majority of executive directors are men.

    Why does she think this is? Sarah explained “Because boards of directors have more confidence in men. The world continues to misread women because women tend not to be swaggering and self-advocating. They just do a rock-solid job, and expect that to be enough. This is something people in supervisory positions need to be conscious of: valuable male workers and valuable female workers don’t necessarily look the same.”

    Despite this, working in the music industry is a rewarding experience for her, and many women across the board.

    Goodnight Moonshine at Caffe Lena. Photo by Derek Java.

    Caffé Lena has an eclectic lineup month after month, full of vibrant musicians and welcoming people. For more information about the venue, visit here.

  • Hipsy Gap releases adrenaline-fueled ‘Shellshocked’

    Introducing Hipsy Gap, a lively five-piece alternative rock group from the busy streets of Brooklyn. The group today, March 1, releases “Shellshocked”, their new single, taking listeners on a rollercoaster of emotions.

    As we enter a new season, Hipsy Gap invites listeners to jump into an adventure that captures the excitement of turning a new leaf. With edgy guitars, ambitious vocals, and a mid-song switch-up leading to dreamy shoegaze bliss.

    Besides, “Shellshocked” has just released in the perfect moment. With this single, listeners can feel ready to let go of the weight of winter blues. Fans might want to start a new chapter as we say goodbye to the coldest, least appealing months each year. Further, the song is a metaphor for letting go of the past and welcoming something new and inspiring. It makes sense that the band would end their live performances with this five-minute epic, and leaves the audience wanting more. “Shellshocked” should be felt as much as it should be heard.

    The vivid imagery of escaping from a burning building and discovering an unknown ocean gave the song a very powerful narrative. With an unexpected melody change, the song takes you through an uplifting-adrenaline rush type of feeling. Additionally, the melody change complements the emotional shift. The song takes you on a rollercoaster of emotions, moving from urgency to reflection to an empowering ending.

    Hipsy Gap’s sound is a combination of pop catchiness and raw energy similar to DIY 90s rock. “Fantasize” and “Uno,” two of their most recent songs make you feel like you might have heard them before, but you can’t quite put your finger on where (or when). Drawn from artists such as Paramore, Slowdive, and The Cranberries, their philosophy of fusing genres is shown by the group’s diversity.

    “[Hipsy Gap] captures a lush melancholic spirit full of passionate vocals and a blend of shoegazey production and instrumentals, with a whip-smart chorus that has fragments of 90s power pop songwriting, with a magic feeling of its own”

    -Will Oliver, We All Want Someone to Shout For

    Hipsy Gap is definitely on the verge of big things with “Shellshocked”. Keep an eye on them as they continue on this path, leaving audiences hungry for more.