Category: Features

  • Joe Louis Walker Plays to a Packed House at Caffe Lena

    Respected blues and roots music songwriter and performer Joe Louis Walker from the Hudson Valley of New York brought his diverse blues driven songs, incredible musicianship and warm performance skills to a packed house at Caffe Lena in Saratoga Springs on Sunday, April 21.  

    Joe Louis Walker – photo by carlrubinomusicphotographer.com

    Walker did two sets of his original contemporary blues, R&B and rock, infused with a hint of gospel, from “Run Me Down”, which he opened the show with, to “Too Drunk To Drive Drunk”, which he did as an encore and said emanated from when he and a friend were in a bar and the friend looked at someone and said “that guy’s too drunk to drive drunk”, delivering a truly energetic show throughout to a highly appreciative crowd.

    He interspersed his performance with crowd-pleasing stories about what brought him to write some of the songs he performed and what they mean to him, such as “Don’t Walk Away” which he wrote for his wife, and “The Blues Comin’ On” which he wrote with Dion of Dion and the Belmonts. 

    At the end of his show Walker credited those he referred to as the creators of rock ‘n roll, of which he said there could not be a better mousetrap, and launched into a rock ‘n roll tribute performance that included an instrumental medley of measures from multiple chart topping rock songs that spanned decades and brought the crowd to its feet.

    Weaving passages of musical tension and release into each song on his triple humbucking pickup electric guitar and with his melodic larger-than-life singing of his well-crafted lyrics, he delivered a performance that owned the room at Caffe Lena, giving the audience a clear understanding of what lies behind his being an inductee of the Blues Hall of Fame, his Grammy for Contemporary Blues for “Everyone Wants A Piece”, his multiple M. C. Handy awards, and his place as a featured performer at countless blues festivals.  

    Joe Louis Walker was backed up with stellar performances by Scott Milici on keys and backing vocals, Geoff Murfitt on electric bass and John Medeiros Jr on drums, all of whom also played on his Weight Of The World album.

    Scot Milici, Keys & Vocals, Joe Louis Walker – photo by carlrubinomusicphotographer.com
    Geoff Murfitt, Bass, Joe Louis Walker – photo by carlrubinomusicphotographer.com
    John Medeiros Jr, Drums, Joe Louis Walker – photo by carlrubinomusicphotographer.com

    The show was part of his 2024 tour covering locations as wide-spread as New York, California and Morocco, with performances at the New Orleans Jazz and Heritage Festival on April 26 and in the Netherlands at the Holland International Blues Festival.  He will next appear in New York State at the Full Moon Resort in Big Indian on June 26th.  The tour is also in support of his 2023 album “Weight Of The World” which was recorded in a studio outside of Woodstock, NY.

    During the show Walker, who has played at Caffe Lena before, mentioned how much he felt honored to play in the same place that legends like Bob Dylan had, and after the show he said he truly enjoyed performing in this special place with such an appreciative audience.

    Joe Louis Walker – photo by carlrubinomusicphotographer.com
    Joe Louis Walker – photo by carlrubinomusicphotographer.com
    Joe Louis Walker – photo by carlrubinomusicphotographer.com
    Joe Louis Walker – photo by carlrubinomusicphotographer.com
    Joe Louis Walker – photo by carlrubinomusicphotographer.com
  • In Focus: Souls of Mischief Perform in Buffalo for the First Time

    Souls of Mischief performed in Buffalo for the first time on April 21 at Electric City, commemorating the 30th anniversary of their debut album, 93 to Infinity. They had the audience buzzing all night.

    Souls of Mischief

    Originating from Oakland, California, the group has been producing music for three decades. The group formed in 1991 and gained popularity through the years. They released their hit album 93 to Infinity on September 28, 1993. This concert highlighted their accomplishments in the music industry.

    Souls of Mischief

    Prior to the anticipated set by Souls of Mischief, the audience was captivated by a lively performance from local cover band Co Jones. Their energetic performance had the crowd dancing and singing along to soul/funk and popular pop songs, setting the stage for the main act.

    Souls of Mischief

    The crowd was buzzing with excitement as Souls of Mischief took the stage. They delivered a dynamic performance that had the audience fully engaged and entertained. The band’s vibrant music and compelling lyrics resonated with the crowd, creating a memorable experience for everyone in attendance.

  • 2024 Governors Ball Daily Schedule Revealed

    The countdown to Governors Ball 2024 has begun, with over a month left until the iconic event. The schedule for the festival has been officially announce by the organizers on all platforms.

    The first day, Friday, June 7, will end with performances by Post Malone and Labrinth. On Saturday, the day will conclude with The Killers and 21 Savage. SZA is set to deliver a unique performance on Sunday, marking a memorable end to the weekend.

    See the full schedule and specific set times for each day of Governors Ball below. Don’t miss out – visit the festival’s website for all the details and get ready for an epic three days.

    On Friday, the festivities commence with performances by local talents such as School of Rock: Queens gracing the main Verizon stage, while Arcy Drive takes the spotlight on the gopuff stage. Throughout the day, the stage comes alive with the captivating acts of Dominic Fike and Teezo Touchdown, building up anticipation for the headline performances by Post Malone and Labrinth.

    Saturday kicks off with rising stars like Quarters of Change and Claire Rosinkranz, setting the stage for the day. Midday brings the infectious pop anthems of Carly Rae Jepsen, the energy of Sexyy Red, Hippo Campus, and Sabrina Carpenter. As the day reaches its climax, TV Girl performs, The Killers deliver their iconic hits, and 21 Savage ignites the crowd.

      Sunday’s schedule at Governors Ball promises a smooth crescendo. The festivities begin with School of Rock: Brooklyn and The Hails, setting the stage for a day of discovery. Throughout the afternoon, Victoria Monet’s sultry vocals intertwine with the genre-bending sounds of Kevin Abstract and Don Toliver. Indie darlings Geese and the captivating Chappell Roan round out the mid-day portion. As the sun dips lower, the rising stars like Renee Rapp, Stephen Sanchez and Faye Webster take the stage. Finally, the energy Peso Puma performs as well as an electrifying performance by SZA, closing out Gov Ball 2024.

      Stephen Sanchez at Terminal 5. Photo by Chinaza Ajuonuma

      Now in its 14th year and second iteration at their new location, so stay tuned for the countdown until Governors Ball comes back off in Flushing Meadows Park. Tickets are on-sale now and can be purchased HERE.

    • Porter Robinson Coming to Forest Hills in Late Summer

      Porter Robinson has announced a five-continent world tour including stops in more than 30 North American cities, Europe, and Asia – including Forest Hills Stadium in Queens – in support of his highly-anticipated third studio album SMILE! 😀, releasing on July 26.

      porter robinson

      The SMILE! 😀 World Tour includes a stop at Forest Hills Stadium in New York, NY, August 31, 2024. Dates in Australia and Latin America will also be announced soon. Full routing is available below. Robinson will debut a completely new live production, including a full live band during his SMILE! 😀 World Tour, after first experimenting with the band format at his own sold-out Second Sky festival and again in 2023 at Coachella’s main stage.

      Fans can expect opening acts ericdoa in North America, underscores in Europe and Galileo Galilei in Japan. Pre-sale commences Tuesday, April 30 at 10 am—fans can register for early access to tickets at porterrobinson.com. Various presales will take place throughout the week including a CITI presale in the U.S. (details below) ahead of the general on sale on Friday, May 3 at 10 am.

      For more information on the tour and tickets, visit porterrobinson.com. The tour will also offer a variety of different VIP packages and experiences for fans. VIP Packages may include premium tickets, exclusive access to the pre-show VIP lounge, access to a VIP bar, early entry into the venue, pre-show merchandise shopping opportunity, specially designed gift item, and more. VIP package contents vary based on offer selected.

      For more information, visit vipnation.com (N. America) or vipnation.eu (Europe). CITI is the official card of Porter Robinson presents SMILE! 😀 World Tour. CITI Card Members will have access to presale tickets for the U.S. dates beginning on Monday, April 29 at 10 AM until Thursday, May 2 at 10 PM through the CITI Entertainment program. For complete presale details visit www.citientertainment.com.

      Porter Robinson SMILE! 😀 World Tour Dates:

      August 29, 2024 – Boston, MA – MGM Music Hall at Fenway

      August 30, 2024 – Boston, MA – MGM Music Hall at Fenway

      August 31, 2024 – New York, NY – Forest Hills Stadium

      September 5, 2024 – Atlanta, GA – Coca-Cola Roxy

      September 6, 2024 – Orlando, FL – Addition Financial Arena

      September 7, 2024 – Miami, FL – FPL Solar Amphitheater at Bayfront Park

      September 10, 2024 – Nashville, TN – Municipal Auditorium

      September  11, 2024 – Charlotte, NC – Skyla Credit Union Amphitheatre

      September 13, 2024 – Philadelphia, PA – TD Pavilion at the Mann

      September 14, 2024 – Columbia, MD – Merriweather Post Pavilion

      September 15, 2024 – Pittsburgh, PA – UPMC Events Center

      September 17, 2024 – Montreal, BC – MTELUS

      September 19, 2024 – Toronto, BC – HISTORY

      September 21, 2024 – Toronto, BC – HISTORY

      September 22, 2024 – Detroit, MI – The Fillmore

      September 23, 2024 – Indianapolis, IN – Everwise Amphitheater

      September 26, 2024 – Madison, WI – The Sylvee

      September 27, 2024 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

      September 28, 2024 – Minneapolis, MN – The Armory

      September 30, 2024 – St. Louis, MO – Saint Louis Music Park

      October 1, 2024 – Oklahoma City, OK – The Criterion

      October 8, 2024 – El Paso, TX – El Paso County Coliseum

      October 11, 2024 – Los Angeles, CA – Hollywood Bowl

      October 12, 2024 – Phoenix, AZ – Talking Stick Resort Amphitheatre

      October 13, 2024 – San Diego, CA – The Rady Shell at Jacobs Park

      October 15, 2024 – Albuquerque, NM – Revel

      October 17, 2024 – Denver, CO – Ball Arena

      October 18, 2024 – Salt Lake City, UT – Utah First Credit Union Amphitheatre

      October 19, 2024 – Las Vegas, NV – BleauLive Theater

      October 24, 2024 – Sacramento, CA – Wheatland Toyota Amphitheatre

      October 25, 2024 – San Francisco, CA – Shoreline Amphitheatre

      October 29, 2024 – Boise, ID – Revolution Concert House

      October 31, 2024 – Portland, OR – Alaska Airlines’ Theater of the Clouds

      November 1, 2024 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre

      November 2, 2024 – Seattle, WA – Climate Pledge Arena

      November 25, 2024 – Bangkok – Samyan Mitrtown Hall

      November 27, 2024 – Singapore – The Star Performing Arts Centre

      December 8, 2024 – Manila – The Podium

      December 10, 2024 – Taipei – Zepp New Taipei

      December 12, 2024 – Seoul – Myunghwa Live Hall

      February 10, 2025 – Tokyo – Tokyo Garden Theater

      February 11, 2025 – Osaka – Namba Hatch 

      February 12, 2025 – Nagoya – Diamond Hall

      February 14, 2025 – Fukuoka – UNITEDLAB

      February 21, 2025 – Berlin – Huxleys Neue Welt

      February 22, 2025 – Hamburg – Fabrik

      February 24, 2025 – Oslo – Rockefeller Music Hall

      February 25, 2025 – Stockholm – Berns

      February 26. 2025 – Copenhagen – Vega

      February 28, 2025 – Amsterdam – Melkweg

      March 3, 2025 – Cologne – Live Music Hall

      March 4, 2025 – Paris – Salle Pleyel

      March 6, 2025 – London – O2 Academy Brixton

      March 7, 2025 – Manchester – Albert Hall

      March 8, 2025 – Glasgow – SWG3 Galvanizers

      March 10, 2025 – Dublin – 3Olympia Theatre

    • Borderland Festival Announces 2024 Lineup

      Borderland Festival is back and bigger than ever. This September 13–15, the festival, which is celebrating its sixth year at the lovely Knox Farm State Park in East Aurora, New York, offers three days of music, artisanal wonders, and delicious local food.

      Located in the center of Knox Farm State Park, the Borderland Festival continues to be legendary. It’s no wonder fans travel from all over to witness the magic firsthand given the venue’s breathtaking setting, diverse lineup, and enticing atmosphere.

      Now, let’s talk about the big names. First up, the legendary Black Crowes, who have been off the stage for four years, are proudly returning. Rising stars of the indie-folk scene, Caamp, joins them in the spotlight.


      Photo by – Tobin Voggesser

      Borderland is all about showcasing the greatest talent, both nationally and locally. Fans can anticipate the country’s most authentic Grateful Dead show, Dark Star Orchestra, big-band extraordinaire Cory Wong, and the southern-rocker Marcus King.

      Together with national touring acts like Houndmouth, Sierra Hull, Eggy, and The Dip, reggae legends The Wailers are making their awaited return to East Aurora, as are The Wood Brothers and The Sheepdogs. Not to mention, Grammy-nominated NOLA roots group The Rumble.


      Photo by – Tobin Voggesser

      Let’s not forget our local heroes, who stand by the thriving music scene in Western New York. These hometown favorites, which range from Handsome Jack to Annie In the Water, are bound to raise the roof and proudly represent the community.

      Presale tickets go live on Friday, April 26 at 10am. General on-sale follows at 12pm. If you want to extend your stay over the weekend, Kissing Bridge Ski Resort offers camping options.

    • Cult Singer-Songwriter’s Star-Crossed Life Profiled in New Documentary Lost Angel: The Genius of Judee Sill

      She was one of the greatest “misses” of the 1970s – a singer-songwriter of lyrical and musical depth who led a life more tragic than anything conjured by Tolstoy.  Now, 45 years after her passing, she is revealed and righteously revered in a powerful new documentary from co-directors Andy Brown and Brian Lindstrom, Lost Angel: The Genius of Judee Sill (Greenwich Entertainment).

      Judee Sill

      While there are many wonderful interviews with her contemporaries like Linda Ronstadt, Graham Nash and Jackson Browne and performances of her songs by Fleet Foxes and more, this documentary is very much a first-person autobiography.  The most powerful voice telling Sill’s story here is her own. It comes in audio clips from recently unearthed interviews and heartbreaking passages from her journals read by Sonya Goddy.

      Sill’s story begins and ends in hardship, interrupted by a brief two-year window when she was poised to be “the next big thing” in the burgeoning singer-songwriter genre.  She would be one of the first signings to David Geffen’s powerhouse Asylum Records, the home of platinum-selling artists like Jackson Browne, Joni Mitchell, Linda Ronstadt and The Eagles.

      Sill would begin tickling the ivories at the piano in her father’s bar at age three. By her teen years, her life went south when she became involved with petty theft and addiction, which sent to a reform school. While there, she fell in love with playing the church organ and gospel music. In 1968, while in prison on fraud and prostitution charges, she realized that if she could endure the agony of kicking heroin cold turkey in the clink, she could do anything.  She decided to become a singer-songwriter and marked this commitment with a jailhouse tattoo of a treble clef on her shoulder.  She would continue her struggles after prison, working as a jazz bass player in a piano bar and developing a 15 – 20 bag a day heroin habit, before finally getting clean. Within a few short years, she went from living in a car to being the subject of cover story on Rolling Stone Magazine.

      Judee Sill

      Her songwriting career began when she secured a $65 a week job writing songs after scoring her first major achievement penning “Lady-O” for The Turtles.  While playing open mic nights at the legendary Troubadour in Los Angeles, she would come to the attention of songwriter and boyfriend-to-be JD Souther. He and other in that tight circle of musicians who would sing her praises to Geffen.  Her unique fusion of country jazz and baroque stylings, and her songs uniquely anchored on Bach bass movements, would secure her a record deal and heavy promotion for her eponymous 1971 debut album. 

      Unlike some artists who play it humble, Sill unabashedly proclaimed: “I really want to be a star” in interviews.  Her debut album included the classic “Jesus Was A Cross Maker.” It was a tune based on her turbulent relationship with Souther who, by then, was dating Linda Ronstadt.  A faithful friend to the end, Ronstadt provides some of the most pertinent observations in this film about Sill’s massive talent and her inability to cope and roll with disappointments in her career.  Sill’s follow-up album, 1973’s Heart Food, would also garner continued critical accolades but even more disappointing sales.  It would include the incredible “The Kiss,” a song that is called representative of her “amazing, universal force.” It is a ballad that, like many of her works, is a representation of “a sensual experience with God” according to Big Thief’s Buck Meek.

      “She didn’t play the game well and was terrible at kissing ass,” adds JD Souther. “Part of her bitterness was that she knew how good she was.” Another reason for her lack of success may have been cosmetic – that she didn’t possess the physical beauty of contemporaries like Joni Mitchell.

      Judee Sill

      In frustration at her lack of success, and especially in light of the soaring careers of label mates like Ronstadt and Mitchell, Sill would lash out at Geffen, reportedly calling him “a fag” from the stage.  “She went to battle with Geffen and lost” adds another musician.  She would be dropped from his label, beg for forgiveness that wouldn’t come and spiral down from there. 

      A car accident would severely compromise her health. It would lead to two spinal fusion surgeries, constant pain and, once again, a dependence on drugs.  She would pass away in October 1979 due to an overdose which was officially ruled a suicide. It’s a conclusion doubted by many of her friends and collaborators.

      With all of the agony, this film really is more about the pure ecstasy of Sill’s talent and music.  The documentary’s directors do a wonderful job presenting her music, with clips of her performances on BBC’s Old Grey Whistle Test and at a low-key lunchtime gig on University of Southern California campus.  There are also some great covers including “The Kiss” by Fleet Foxes and “The Phoenix” by Shawn Colvin.  Her impact on a new generation of artists is related in interviews with luminaries like Big Thief’s Buck Meek and Adrianne Lenker and Weyes Blood.

      Do yourself a favor and see this film now streaming on Amazon and Apple TV or in a theater near you.

    • Spafford Covers All The Bases At Brooklyn Bowl

      Spafford returned to New York City’s Brooklyn Bowl last weekend for a “holiday” performance on April 20 with a show full of cover songs and some exquisitely jammed out originals. This three-set show marked the end of a short run of shows in the Northeast for the band, who are back in action after a scary accident on tour last month in Ohio. Spafford certainly showed no signs of being worse for the wear and made it an enjoyable 4/20 for all involved.

      Photo Credit: Perri Sage Photography Perrisage.com

      A late arriving crowd to the Bowl walked into a soundtrack mix of classic rock hits on the PA atop a bed of pin strikes and gutter balls. Pre-show music included a nice live version of “In Memory Of Elizabeth Reed” as a nod to the recently departed Dickey Betts. Spafford then took the stage and started things off with the appropriately titled “I Can’t Find My Vape,” a newer, funky instrumental tune in the vein of Herbie Hancock.

      The crux of the first set, however, was the next two songs, starting with a near 30-minute “Comfortable.” The song started out exactly as such, with a nice comfortable groove to it, before an intense guitar solo from Brain Moss ushered in another loose but explorative jam with strong psychedelic undertones. Certainly no strangers to extended jamming, the band showed off their musical prowess early and took the sound down to near ambient levels before building it back up to a triumphant finish.

      This was followed up “The Postman,” another original but a much more composition-based song off their 2018 release For Amusement Only. The now firmly entrenched keyboardist Corey Schechtman shined on all of them – piano, synthesizer, and organ – as Spafford doled out some more legitimate funk to the Brooklyn Bowl audience through a thick, oozing jam that slowly escalated in pace. The opening set then came to a close with an old school original, the reggae-tinged “Diana” that culminated with another provocative Moss guitar solo.

      Spafford then let all the covers out in the second set and wasted no time in doing so. Drummer Nick Tkachyk began things with a simple, lone, up tempo drum beat and the band then immediately launched into their take of Stone Temple Pilots’ “Plush.” With its faster pace and underlying organ fills, it’s certainly a more joyous take on the dour alt rock classic. True to their nature, Spafford stretched out the ending and molded it into a massive jam that maintained upbeat and completely danceable. This eventually led to bassist Jordan Fairless taking over the mic to lead the way on a take of Porno for Pyros’ “Pets,” another regular in the Stafford stable of cover songs.

      Another jam that smoothly shifted from mellow to breakneck then served as the springboard for a leap into another signature cover song, Tears For Fears’ “Mad World.” Schechtman on piano alongside some furious rhythm guitar from Moss served as the fuel for yet another ebullient interpretation of a glum pop hit from yesteryear. Spafford then shifted from musical influences to modern day and segued right into a newer cover song they’ve made their own, Demi Lovato’s “Anyone.” Moss did the heartfelt, introspective lyrics about prayer justice all while the song never lost its peppy undercarriage. To close out the second set at Brooklyn Bowl, Spafford once again delved into the alternative music playbook with a pair of Green Day covers. Fairless returned to lead vocals for their their techno-like cover of “Brain Stew” which was parlayed right into a jazzed up take on “Jaded,” both making their live Spafford debut.

      The third set began with a not-so-subtle nod to the holiday at end with a quote from the movie Reefer Madness played over the PA and Spafford followed in tow with an entertaining cover of Sublime’s “Smoke Two Joints,” a song they first debuted last year on 4/20. It paid homage to the original at first and then turned into a sprawling, exploratory jam that reached several veritable peaks before rounding back into form.

      With the holiday formalities out of the way, the third set was then dominated by the other extended jam of the evening, a 30-minute “Dirtbag” that served as testament to the band’s musical dexterity. Starting with a rollicking funk jam, it soon devolved into total silence before being resuscitated by some triumphant guitar fills from Moss. The multi-textured song also has elements of progressive rock, acid jazz and, of course, jam band, really allowing band the show off their full skill set.

      Photo Credit: Perri Sage Photography Perrisage.com

      Spafford then closed out another successful appearance at Brooklyn Bowl with one last flurry of cover songs, starting with Pink Floyd’s “Run Like Hell.” It’s not quite as hectic as The Disco Biscuits’ take on it, but thanks to some looping synthesizer sounds produced by Schechtman and more metronome-like precision from Tkachyk on drums, it eventually produced an incredibly lively jam that funneled right into “Cantaloupe Island,” some actual Herbie Hancock. After some heartfelt thanks from Moss, Spafford paid one last respect to the date and sent folks on their way with an honest cover of Tom Petty’s “You Don’t Know How It Feels” and its joint smoking instructions.

      As a reminder, Spafford has several upcoming shows in New York including one on June 12 at Rochester’s Water Street Music Hall. Three days later, Spafford is set to play Colony in Woodstock and then the band wraps up their time in NY (for now) with a stop on Long Island at The Stephen Talkhouse in Amagansett on June 17. Tickets for all Summer Tour dates are on sale at spafford.net

      Spafford Brooklyn Bowl – New York, NY 4/20/24

      Set 1: Can’t Find My Vape, Comfortable > The Postman, Diana

      Set 2: Plush > Pets->Mad World->Anyone, Brain Stew->Jaded

      Set 3: Smoke Two Joints > Dirtbath, Run Like Hell->Cantaloupe Island

      E: You Don’t Know How It Feels

      All photos by Perri Sage Photography Perrisage.com

    • Danielle Nicole, Kevin Burt and Soulful Femme Blow Roof Off Retro Live in Plattsburgh

      Danielle Nicole and her band, Kevin Burt, Big Medicine and Soulful Femme put on a fantastic night of blues at Retro Live in Plattsburgh on Saturday, April 20.

      Danielle Nicole headlined the show as part of her 2024 tour throughout the US and overseas and in support of the recent release of “The Love You Bleed”. Nicole wrote all but four of the songs on that project and co-wrote the remaining four with Brandon Miller.  The album hit number one on the Billboard, iTunes and Spotify charts. Nicole performed cuts from both her new release and prior albums.

      Kevin Burt photo by Carl Rubino

      With a powerful voice, skillful musicianship, and dynamic stage presence she gave the packed crowd just what it came for – blues that reaches your core. Switching between two four string electric bass guitars, and together with Brandon Miller on electric guitar and vocals and Go-Go Ray drums, she blew the roof off the place, bringing the diverse crowd to enthusiastic dancing and cheering.

      Grammy nominated in Contemporary Blues, inducted into the Kansas City Hall of Fame, recipient of multiple Blues Music Award, and charted on the Billboard Blues Charts, it’s no surprise that she has logged over 10 million streams on Spotify. 

      Nicole’s set included a stellar guitar solo by Brandon Miller alternating between fingerpicking and flatpicking on a Les Paul and a killer drum solo by Go-Go Ray, both of which found the audience screaming with excitement.

      Danielle Nicole photo by Carl Rubino

      Kevin Burt and his band Big Medicine preceded Nicole’s performance with an excellent set comprised of Burt’s own songs and covers of songs by Bill Withers and well-known blues artists.  Burt is a triple first-place winner of the International Blues Challenge and nominee for Best Acoustic Artist at the Blues Music Awards. 

      With his big voice, excellent guitar skills, blues harp and warm stage presence, Burt delivered a compelling performance of blues and soul music, backed by guitarist Ken Valdez.  He performed in support of his newly released album, Thank You Brother Bill, A Tribute To Bill Withers, with all but Burt’s song “Thank You Brother Bill” being performances of some of Wither’s most recognized, and not so well known, songs, which reached the top of the Billboard charts.  

      Danielle Nicole photo by Carl Rubino

      Between songs, Burt touched the hearts of his audience when he spoke of his recent experience teaching music in a local school when it went into an active shooter lockdown, as well as his work to bring music to young people and musical instruments to youth who cannot afford them.

      Soulful Femme, a duo consisting of Stevee Wellons on vocals and Cheryl Rinovato on guitar, opened the show with a captivating mixture of Rinovato’s skilled guitar playing and Wellons’ vocals. 

      Drawing upon influences as varied as Jimi Hendrix and Marvin Gaye the pair presented a unique sound with elements of blues, rock and soul. The pair performed in support of both their current East Coast Tour thorough May and their recent album release ATTITUDE, with all but one of the songs written by Wellons and by Rinovato.

      Danielle Nicole with Brandon Miller photo by Carl Rubino

      Following Danielle Nicole’s set, she and her band were joined on stage by Kevin Burt and his guitar player Ken Valdez, where the combined forces did a fantastic rendition of Bill Withers’ “Use Me Up”, sung by Burt with guitars by Valdez and Brandon Miller.

      The event was put together by Plattsburgh Blues & Jazz, a non-profit organization which brings world class blues and jazz musicians to the Plattsburgh region of Northeastern New York, hosted at Retro Live, a relatively new, and up and coming music venue that is very much a regional North Country jewel.

    • A night with Matt Maeson in Buffalo

      On April 20, Matt Maeson took the stage at Electric City with Brother Bird for a one-night intimate engagement in Buffalo. A night full of feelings and connection.

      Brother Bird, a Nashville-based singer, started the night by captivating the audience with her melodic sound and mesmerizing lyrics. Each of her songs she performed set the tone for the rest of the night.

      Matt’s solo experience brought the audience an intimate engagement. The audience was seated close to the stage. Between songs, Matt would share personal stories about the next song he was going to perform. With each interaction through song and stories, he drew the crowd in, and you could see and feel the audience so engaged with him and taking in each lyric that he sang to them.

      By the end of the night, Matt Maeson and Brother Bird left the audience in their feels and more connected.

      After his solo tour, Matt will be opening for Zach Bryan from July through December and will be back in New York on December 18 and 19th at the Barclays Center in Brooklyn. Brother Bird will be performing in Brooklyn on May 4, opening for The Brevet.

      Matt Maeson setlist: That’s My Cue, Blood Runs Red, Me and My Friends Are Lonely, Halfway the Hole, Cringe, Cliffy, Feel Good, Tribulation, Split Personality Blues, Rational, Nelsonwood Lane, Get Happy, Sanctified, Bank on the Funeral, Cut Deep, Hallucinogenics, Beggar’s Song
      Encore: Legacy

    • Bad Mary Release “Better Days”, Announce 3 Shows in New York

      Long Island alternative/punk band Bad Mary has announced the release of their re-recorded mix of “Better Days” on April 23. The band also announced six live dates, three of which in New York.

      bad mary better days

      The song is the second release from their Better(er) Days EP, which is a collection of re-recorded and remixed versions of the songs from their first album Better Days. The re-release celebrates the 10-year anniversary of the debut album.

      The group is composed of Mike Staub, Amanda Mac, Bill Mac, and David Henderson. Together, Bad Mary brings the heat with their alt-punk attitude. The group showcases nasty basslines, strong, catchy riffs, and a frontwoman with an uplifting yet seductive vocal style.

      The track is released with a new music video, and a few live shows to celebrate the drop. Bad Mary sees three dates in New York on April 26, June 8, and July 5. The band performs two shows at Mr. Beery’s in Bethpage, Long Island followed by a stop at Arlene’s Grocery in Manhattan.

      bad mary better days

      The single, “Better Days” is a tune about the shortcomings, the setbacks, and the misfortunes in life. It is a theme every individual can get behind. The song is hopeful and encourages you to keep your head up and look forward to those better days.

      ’Better Days’ is a song about trying your hardest and just feeling like nothing is working out. We’ve all been there. We as people… we overthink, we feel paralyzed, we can feel like nothing is going our way – but the only thing to do is keep moving forward and hope that there are better (or maybe even betterER) days ahead. This song continues to mean more to me every day, and I love that it’s been with us since the beginning,”

      Vocalist Amanda Mac

      Better(er) Days will be released in the summer of 2024. The band is currently writing and recording new songs to be released later this year. Along with this, Bad Mary is still adding live dates to their list of shows this year.

      bad mary better days

      See them live:

      April 26 at Mr. Beery’s in Bethpage, NY

      May 17 at SpiFest in Windsor, CT

      May 23 at The Fire in Philadelphia, PA

      June 8 at Mr. Beery’s in Bethpage, NY

      July 5 at Arlene’s Grocery in New York, NY

      July 24 at The Middle East in Boston, MA

      For more information on Bad Mary, their upcoming music and dates, click here. Make sure to stay up to date on the band’s upcoming album Better(er) Days, releasing this Spring.