Category: Features

  • Dan Navarro Delivers An Intimate SRO Performance at Caffe Lena

    Dan Navarro brought his decades of finely crafted songs and well-honed performance skills to a standing-room only house at Caffe Lena in Saratoga Springs on Friday, May 3.   

    Dan Navarro at Caffe Lena

    Navarro, who introduced himself by promising his audience “two hours of the most depressing songs you’ve ever heard”, delivered two sets of original contemporary folk songs, all of which he wrote or co-wrote, including “Circling The Drain”, which he opened the show with, “Bullet Proof Heart”, “Rose In The Window”, “Horizon Line” and “We Belong”.  He performed on both six and twelve string Taylor acoustic guitars. 

    Dan Navarro at Caffe Lena

    Dan preceded some of his performances with explanations as to how the song came to be written or the dynamics of co-writing.  He talked of how co-writer Deborah Holland suggested he might want to listen to some lyrics she wrote for a song she’d titled “Circling The Drain”, to which he commented that he thought it was the “worst song idea I’ve ever heard”, and then she sent what she’d written so far and the song ultimately became their co-write of that title.  He described how at one point he really didn’t think “We Belong”, which he co-wrote with long time songwriting and performing partner Eric Lowen, would amount to much, and then it became a huge hit for Pat Benatar and continues to appear in film, TV and countless other placements.  And he described his long relationship with Eric Lowen as having been like that of an old married couple, saying: “We hung together for over thirty years, fought like hell and never had sex.”  

    Dan Navarro at Caffe Lena

    Dan Navarro graced the crowd with a wonderful and inspiring pearl of wisdom about life based upon his own experiences, saying: “If I’d have stood on my anger, my pride and my bitterness, I’d have never lived the life I’ve lived…or had the successes I’ve had…When you’re swimming in poison, regret and fear and someone reaches out with an olive branch…do it.”  Then he launched into “Bulletproof Heart”, one of his solo writes, and told us after he finished the song that at a recent performance in Arizona, the woman who inspired the song showed up. He didn’t elaborate!

    Dan Navarro at Caffe Lena

    Toward the end of the show, he told the audience that he continues to perform in his seventies simply because he loves it, and that that love of what he does drives him to the point that he doesn’t believe he can ever stop. Judging from the crowd’s reaction to his performance of song after song, his audiences will never stop showing up to listen.

    Dan Navarro at Caffe Lena

    Navarro was backed up by bass player/recording engineer Mark Dann of Woodstock, NY who varied between laying down supportive, mindfully chosen simple accompaniment to Navarro’s single note playing and weaving skillfully crafted, spontaneous, lead-guitar-like melodic base lines into Navarro’s chordal passages. Navarro pointed out that he and Dann had not had a single practice session, but that he’d given the bass player no more than a set list, and presumably the key and basic progression for each song. Mark Dann’s skills at producing spontaneous creativity were quite evident.

    Mark Dann, bassist for Dan Navarro at Caffe Lena

    The show was part of Navarro’s continuing 2024 US tour, with NY performances at Caffe Lena in Saratoga Springs and Song Salon at Graveside Variety in Woodstock; and in support of his most recent solo album release, “Horizon Line”,  and his duo album with James Lee Stanley, “All Wood and Led”, which he described as an acoustic “Laurel Canyon” reimagination of famous Led Zeppelin tunes, from which he played his version of “Whole Lotta Love”.

    Dan Navarro at Caffe Lena

    In addition to his work for decades as a singer songwriter, which have included not only his own recordings, songs he has written or cowritten have been recorded and performed by Pat Benatar, The Bangles, The Temptations, Dionne Warwick and others. Navarro’s songs have appeared in films including Deadpool 2, Pitch Perfect 2 and Talladega Nights and TV series including This Is Us and The Office.  And he has performed as a singer and voice actor in movies including Encanto, Coco, Puss In Boots: The Last Wish, and Pirates of the Carribean 5, to name a few.

    Dan Navarro at Caffe Lena

    During the show Navarro mentioned that it “means the world to me to be in this room” and told the audience that his ties to Caffe Lena go back to 1986 when he and his former co-writing and performance duo partner, Eric Lowen, sat in a field not far from Saratoga at Lowen’s parents’ house staring at the stars and Lowen told him about Caffe Lena’s rich history.  Navarro first played at Caffe Lena in 1998 and has played and taught songwriting there on numerous occasions since.  

    Dan Navarro at Caffe Lena

    A tribute to Navarro’s songwriting skill was the presence of numerous New York State local and regional songwriters in the crowd – Michael Eck who recently performed at Caffe Lena with a release party for his CD “fermata”, Brad Cole of Rhinebeck who has opened for Dan, Carl Rubino who has co-written with Navarro, and CB Smith.

    Dan Navarro at Caffe Lena

    For his final song, Dan and his bass player worked their way on to the middle of Caffe Lena’s packed floor where he did “We Belong” raw, with no mic or PA.  His performance at this legendary listening room once again made evident how special the intimate performances of a smaller venue like Caffe Lena are.  You just can’t get the same relationship between performer and audience in a stadium or even large hall. 

    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
    Dan Navarro at Caffe Lena
  • Tim McGraw jacks up Buffalo

    No stranger to Western NY, Tim McGraw brought his energy back to Buffalo on May 4, rocking the KeyBank Center. Playing in the area for the first time in 5 years, McGraw’s Standing Room Only Tour ’24 tour featured Carly Pearce and rising star Abby Anderson as openers.

    Like many other regions, Western NY has taken a liking to country music and Tim McGraw over the years has played gigs in Buffalo, Darien Lake, Rochester, and Canandaigua, often on the same tour. With five prominent venues from Buffalo to Canandaigua, there is no shortage of fans or places to play.

    Hitting the stage after Abby Anderson’s brief set, Carly Pearce came out to the hyped Buffalo crowd. With the hockey and football seasons both over for a while, Buffalonians needed something to keep then energized and Pearce did her part. She even bantered about illegal activities in Buffalo. Apparently, wearing slippers in public after 10pm is against the law, as is throwing a ball at an unexpected person’s head.

    Since coming into her own with 2017’s “Every Little Thing”, Pearce has been a mainstay on country charts and stations across the country. While the thirty-four-year-old has her own style and sound, it is very reminiscent of the 90s country sounds of Faith Hill, Shania Twain, and Miranda Lambert, with some vindictive tones. Such is the case with “What He Didn’t Do”. The song talks about a breakup and different sides of the story. While she won’t say he did, she will tell you what he didn’t do. Pearce urges fans that if they are in a relationship and they question why they are in it, it’s time to get out. Applause and cheers fill the arena as Pearce stands there looking teary eyed with an ear to ear smile.

    That’s just dirty laundry
    I don’t need to air the truth
    So I ain’t gonna tell you everything he did
    But I’ll tell you what he didn’t do

    Having worked with high profile names over the past several years, including Chirs Stapelton, Ashley McBryde, and Leann Rimes, Pearce has paid her dues and earned all the accolades. Included accolades are 2018 CMT Award for Breakthrough Video of The Year for “Every Little Thing” and 2021 CMA Award for Female Vocalist of the Year. Keep your eyes on this talented musician as her career continues to gain steam going forward.

    Setlist: Diamondback, Next Girl, Easy Going, Never Wanted to Be That Girl, Let’s Go to Vegas (F. Hill cover), We Don’t Fight Anymore, Every Little Thing, Country Music Made Me Do It, Truck on Fire, What He Didn’t Do, I Hope You’re Happy Now

    Following a brief intermission, fans continued to fill the arena as lights go down and a solid red back drop illuminated the stage. Suddenly, a gargantuan silhouette of a guy in his famous Stetson hat appears and seemingly models for the crowd. The crowd erupts as the backdrop fades and Tim McGraw rises to the stage in Buffalo for the first time since 2019.

    An ageless classic, McGraw is outfitted in his typical Stetson hat, tight fitting jeans, and ripped shirt. A musical GQ cover, some might say, is touring to promote his newest album Standing Room Only, released in summer of 2023

    With nearly 30 years of music to choose from, the singer/actor delivers an impeccable setlist of classics and new music, with killer light show and animated backdrops changing for each song to tell the story.

    Starting off the set, fans are treated to powerful rendition of “Truck Yeah”, a song about living the life of southern boy. The old pick up with blaring music, farm life and chasing the girl.

    Rap or country, city farm
    It don’t matter who you are
    Got a little fight, got a little love
    Got a little redneck in your blood
    Are you one of us?

    “Southern Voice” and “All I Want is a Life” round out the first three, and the crowd is just getting warmed up. Going word for word and matching the energy of each song is the game tonight. If only the Sabres could learn something about matching energy.

    As I walk off to tuck photo gear and find my seat, the Buffalo faithful are serenaded with bluesy version of Elton John’s “Tiny Dancer”. There aren’t many songs from Elton than can be covered properly, but I’ll damned if McGraw didn’t take it to another level.

    As the set continues, McGraw takes a moment to let the crowd know that he does not chatter much during his shows. Explaining why, he says he is married and has daughters. He knows that nobody will listen to him anyway.

    Moving on, with songs like “One Bad Habit” and “Watch the Wind Blow By”, the backdrop screen plays videos and images of Tim and his wife, Faith Hill, a testament to his undying love to his wife. Having been married since 1996, they have the marriage that Ross and Rachel only dreamed of. A storybook marriage that has stood the test of time and fame.

    Playing the title track from his most recent album, it is a song about living life and making the most of everything. Getting mad at things that don’t matter will get you nowhere, you need to embrace the challenges and make people envious.

    Live a life so when I die
    There’s standing room only, standing room only
    Standing room only, standing room only

    Rounding out his set, Tim comes out for a 3 song encore that is preceded by a video montage of the series 1883, which starred both him and his wife. Accordingly, “The Cowboy in Me” led things off, followed by “Humble and Kind,” and “Live Like You Were Dying”. “Humble and Kind”, although released by McGraw, was written by Lori McKenna as song to her children about everything she wanted her children to know. McGraw was able to put some new melodies to it and took it to the top in 2015. The following year, though, McKenna did release it on her album.

    “Live Like You Were Dying” was released in 2004 and although never confirmed it tells about someone who has been stricken with a debilitating sickness. Singing about all the things you never had the chance to do or kept putting off for whatever reason, and now you must find a way to cross those things of the bucket list. A powerful and emotional song to close out the set that undoubtedly left some fans in tears.

    Growing up, I was never a fan of country music. My entire family listened to it, except me. I was reluctant to attend a Tim McGraw show in 2004 as part of a marital bargaining chip. That show truly changed my take on country music going forward. Watching Tim and Faith on stage and how broad their talents were something to marvel at. Powerful, thought out lyrics, and amazing stage presence hooked me and now 20 years later, this happens. The world works in mysterious ways.

    Tim McGraw setlist: Truck Yeah, Southern Voice, All I Want Is a Life, Tiny Dancer (Elton John), Just To See You Smile, Over and Over/Shotgun Rider, One Bad Habit, Watch the Wind Blow By, Something Like That, Where The Green Grass Grows, Standing Room Only, Red Ragtop, Highway Don’t Care (w/Taylor Swift), I like It I Love It, Felt Good on My Lips, Real Good Man

    Encore: 1883 video footage, The Cowboy in Me, Humble and Kind, Live Like You Were Dying

  • Boogie T Brings the ‘Flava’ Yet Again to Buffalo

    The funky dubstep artist Boogie T made a stop in Buffalo on May 2. This multi-faceted producer left Town Ballroom with another EDM show for the books on his 140 Warriors Tour.

    Boogie T, Photo Credit: Maddie McCafferty

    It wouldn’t be called a warriors tour if Boogie T didn’t bring along his talented friends for the ride. Underground bass producer Chef Boyarbeatz began the night with his nostalgic take on heavy breaks. His Spongebob visuals were psychedelic and such a crowd a pleaser once he played his latest single “Squidwards Revenge.”

    Chef Boyarbeatz, Photo Credit: Maddie McCafferty

    After, two hard-hitting producers performed a special b2b for Buffalo. Bringing bass music from Hong Kong, Saka joins technical artist FLY for a high energy performance. The two mix effortlessly on stage as they blend hip-hop, dubstep, and rap. The two artists constantly switch on and off the decks showcasing their latest work. Their Baby Keem flip of “Trademark USA” was a staple that got everyone hyped up. 

    Saka b2b FLY, Photo Credit: Maddie McCafferty

    Boogie T followed up this performance as he took over the stage with his Louisiana swag. This booming producer, also known as Brock Thornton has expressed himself through music since eight years old. His talent in both writing and playing various instruments is evident. Hence for the band he is also in when he’s not behind the decks: BOOGIE T.RIO. His knowledge of all things music and his southern twang brings a new funk to dubstep that is unlike anything others are doing in the scene. 

    Boogie T, Photo Credit: Maddie McCafferty

    From the Swamps to the Stage

    Odds are you can pick out a Boogie T song instantly just from his unique sound. Plus it doesn’t matter how much time has passed, his hit tracks bring roaring energy anywhere at any time. That very much was true in Buffalo that night because the screams were unreal once he played “Smokin’ Dat Spliff,” and “2KFO.” 

    Boogie T, Photo Credit: Maddie McCafferty

    Boogie T’s stage performance is a perfect mirror to his music. His music brings the wonky noises to the people so he brings the funk to the stage. His entertaining dance moves and infectious energy make him so lovable to fans. His visuals somehow extend his unique swag even further with cartoon-like images. 

    Photo Credit: Maddie McCafferty

    His collaborations with other artists are some of the best pieces of work to come out of the EDM world. Specifically, when Boogie T and Ganja White Night team up their songs are instant hits. So, of course Boogie T performed those songs, “Clarity” and the fan favorite single “Flava.” 

    Photo Credit: Maddie McCafferty

    Finally Boogie T left the stage but not without a roaring crowd response begging for an encore. He then returned and performed one obvious final track: “Encore.”

    Photo Credit: Maddie McCafferty

    EDM lovers look no further for shows in Western NY because we have the lineup for you. Riddim artist INFEKT performs May 11 at Buffalo Ironworks and TSURUDA comes for his rescheduled show May 25. Get your tickets here

    Photo Credit: Maddie McCafferty
  • In Focus: The Postal Service, Death Cab for Cutie Take Albany to Such Great Heights

    A pair of indie rock’s most influential bands showcased two of their impactful albums on Friday, May 3rd at the MVP Arena in Albany, as The Postal Service and Death Cab for Cutie teamed up for an impressive co-headlining bill.   The bands were celebrating the 20th anniversary of the release of their most celebrated albums (The Postal Service, Give Up and Death Cab for Cutie, Transatlanticism), with each band performing their respective album in full.

    The tour itself was born out of the celebration of the 20th anniversary of The Postal Service’s iconic (and only) studio release, Give Up.   The album started as a collaborative effort between Ben Gibbard (Death Cab for Cutie) and electronic wiz Jimmy Tamborello (Dntel).  The album, which was praised for its creative efforts, saw the tracks written with the two mailing demo CD-Rs back and forth until reaching completion.  The duo would eventually add Jenny Lewis (Rilo Kiley) to the mix, and The Postal Service was born.  

    Wisconsin based Slow Pulp opened the show and provided a 35 minute set of dreamy, indie-pop tracks.  From their opener, “Idaho”, the band had the early arriving crowd caught in a shoegaze induced trance. 

    The near capacity crowd had filled the seats when Death Cab For Cutie took to the stage.  The band, all dressed in black, opened with the dramatic crescendo of “The New Year,” and continued on to perform their critically acclaimed album Transatlanticism in entirety.  The album, which tells the tale of the struggles and emotions that come with a long-distance relationship, likely served as the soundtrack for many in attendance as they navigated love and loss during their adolescence. 

    Gibbard brilliantly wove the audience through the musical journey, which saw classic Death Cab tracks like “Title and Registration” and “Expo ’86”.  Late in the set, Gibbard and his band mates performed epic renditions of the album’s title track, as well as “Passenger Seat,” both of which saw the arena illuminate with cellphone lights and even a lighter or two, a call back to the original era of this music.  

    Excitement was palpable through out the packed arena well before the house lights dimmed and The Postal Service made their way to the stage.  Now dressed in all white, Gibbard, along with Jenny Lewis whipped the arena in to a frenzy from the opening synth notes of “The District Sleeps Alone Tonight.”  While the album would cover similar themes as Transatlanticsm, the sadness and sorrow were masked with upbeat synths, sounds, and drum loops, curated by Tamborello.   Highlights of the set included Gibbard and Lewis dueting on “Nothing Better” as well as the dark and isolative “This Place is a Prison”.  

    Gibbard and Lewis would return to the stage to perform an acoustic rendition of “Such Great Heights”, an rendition of the Give Up track which was made famous by Iron & Wine. It was the second performance of the song on this evening, as the band had previously performed the more upbeat version during the main set. It was a treat for those in attendance to hear the diverse renditions of the song, and a testament to the songwriting and musical talents displayed on the album.

  • Wisp Makes Brooklyn Stop At Brooklyn Steel

    Shoegaze sensation Wisp played to a jam-packed room at Brooklyn Steel on May 3. Opening for British indie rock band Panchiko, the energy remained high throughout the Brooklyn venue on Friday night. This performance closed out a week of NYC headlining shows for Wisp, at Bowery Ballroom on April 29 and May 1, where Photographic Memory opened.

    Currently based in Los Angeles, Wisp has quickly gained a large following, as the interest in shoegaze and the ethereal elements of the subgenre continue to rise. Wisp kicked off her US headlining tour in April 2024, with dates supporting Panchiko along the way. She had a busy April, with her debut EP Pandora also being released on April 5.

    Throughout Wisp’s set, the room danced along with the strobe lights on stage. Her first single, “Your face,” was released last April. In a year’s time, she has gained a large fan base, and the crowd on Friday was evidence as that. With each song’s intro, the room erupted into screams of excitement and recognition.

    The crowd remained captivated by the mixture of Wisp’s whispery voice and guitar riffs blended with the band’s heavy bass lines and drumbeats through the set. Wisp will be playing her next show on May 07 at Brooklyn Bowl in Nashville supporting Panchiko. She will also be making more headlining tour stops through the end of May.

  • Here Come the Mummies Unite Dirty Minds at Empire Live

    When Here Come the Mummies come to town, you know you’re in for a thrilling night of funk. For the unfamiliar, you’re in for a lyrical treat, in addition to the stellar musical performance from the wrapping cloaked mummies on stage.

    This past Friday, May 3 at Empire Live, Troy-based Front Biz opened the night for Here Come the Mummies, dropping a choice set of indie rock that paired nicely with the funk that was on tap. This night marked HCTM first show back in the Capital Region since performing at Skyloft in late 2019.

    Entering from the back of the venue, the Mummies walked out and wound through the crowd, a drumline sounding their arrival in grand fashion. Once on the stage, the group burst into “My Party,” and from there, the party took off.

    What lay ahead was more than 90 minutes of venue shaking bass, multiple horn players swapping back and forth on solos and adding flare to each song, as well as a guitarist who shredded song after song, all keeping their identities under wraps. The group let their “Freak Flag” fly, led the crowd in “Ra Ra Ra”, got suggestive with “Hard at Work” and doubled down with “Pants.” The group’s hilarious lyrics (SFW but full of double and triple entendre) are engaging for the uninitiated, atop a funk foundation you can’t stop moving to.

    With an encore of “Dirty Minds,” the party came to a close, a crowd covered in streamers that had been shot from the stage, celebrated the Mummies and cheered them on for more.

  • In Focus: PEAK Headlines Brooklyn Bowl with Ryan Liatsis and P(X3)

    On Thursday, May 2, PEAK took the stage at Brooklyn Bowl along side guitarist Ryan Liatsis and P(X3) for a night full of funk, riffed-out blues-rock and music to fuel the soul.

    Perri Sage Photography

    PEAK, a Brooklyn based band consists of guitarist and vocalist Jeremy Hilliard, keyboardist and vocalist Johnny Young, bassist Josh T. Carter and drummer Kito Bovenschulte. The group captivated their audience with melodic songwriting along with psychedelic funk groove that makes your body move. They took on a life of their own as some of the best musicians in the NYC improv rock scene with moody blues-rock and created an atmosphere for their danceable improvisations.

    Perri Sage Photography

    Brooklyn Bowl welcomed fans with an open floor to dance, as fans had an intimate engagement throughout the night with the New York jam band. Quick controlled snare, dominant guitar riffs, upbeat blend of melodies and synthesized sounds from keyboard combined to create PEAK’s ambience of psychedelic, funk variables of rock and roll, a musical narrative that let good-timey clash with poetic guitar.

    PEAK Brooklyn
    Perri Sage Photography

    By the end of the night, the crowd was in their groove and connected with the band, looking forward to their future music endeavors. After this show, PEAK will be on their way to Burlington, Vermont at Nectars on May 4th and 5th. Shortly after, the band will head to Newmarket, New Hampshire to perform at The Stone Church on May 16th.

    PEAK Setlist: Forsythia Fills the Wilderness, Little Miss Mary Merry- Go- Round, Woody Guthrie with Ryan Liatsis, Daddy Don’t Live in that New York City No More, When the Night Comes Calling You, Pastures of Plenty, It Ain’t Over ‘til the Credits Roll, Run Me Down

  • Saigon and Fredro’s “The Jordan Era” Album: A Tribute to Hip-Hop’s Golden Age

    Saigon and Fredro have teamed up for a new album called “The Jordan Era,” honoring hip-hop’s golden age from 1984 to 1998. The album, set to drop on May 3, via Payday Records, features production solely by Fredro and guest appearances from hip-hop heavyweights like Grandmaster Caz, Pete Rock, Big Daddy Kane, Grand Puba, Kool G Rap, and more.

    The Jordan Era Saigon Fredro

    “The Jordan Era” is poised to make waves within the hip-hop community and beyond. Notably, the album’s tracks have already found resonance in popular television shows like “BMF” and “Raising Kanan,” testament to the timeless quality of its sound and the relevance of its themes.

    On May 1st, a select group of enthusiasts and industry insiders gathered at Payday Records in Manhattan for an intimate listening party, where Saigon and Fredro provided exclusive insights into the album’s creation. Track by track, they delved into the nuances of each song, offering glimpses into the creative process and the inspirations behind their artistry.

    As the music played and the lyrics flowed, listeners felt like they were back in the prime of hip-hop. “The Jordan Era” captures the essence of that time, known for its real lyrics, heavy beats, and bold storytelling.

    “The Jordan Era” album offers a mix of tracks, each giving a glimpse into hip-hop’s golden age. One standout is “Lyrical Genius,” featuring Grandmaster Caz, known for his sharp rhymes. Another is “Think Twice,” with Grand Puba, bringing smooth flow and deep lyrics. Then there’s “Make Money,” with Kool G Rap, a gritty song about street life. Each track shows the creativity and talent that defined hip-hop back then.

    As fans anticipate its release, “The Jordan Era” promises to keep the spirit of hip-hop’s golden age alive. It’s not just about the music; it’s a tribute to the artists who shaped the genre and a reminder of why hip-hop continues to be a cultural powerhouse.

  • Gooseberry Gives A Taste Of New LP With Alt-Rock Single ‘Kikiyon’

    With the announcement of their highly anticipated debut album, All My Friends Are Cattle, set for release on September 6,, Brooklyn-based trio Gooseberry has once again set the music world on fire. The news follows the release of their incredible new song, “Kikiyon,” accompanied by a visually stunning music video.

    “Kikiyon” is a raw and intense song that pulsates with rebellious energy. This song demands attention and makes an impression, whether you’re headbanging to the beats or wondering the meaning behind the lyrics. Listen to “Kikiyon” below.

    Moreover, their EP Validate Me cemented Gooseberry’s place as a major player in the music industry. With a growing fan base and more than 500K Spotify streams, the band started The Validation Tour and impressed audiences.

    All My Friends Are Cattle is expected to be an unmatched experience that shows the band’s versatility and inventiveness. Additionally, the album travels a wide musical setting, from lyrically-driven ballads to punch-you-in-the-mouth punk rock. With songs like “Golden,” “Cherry Blossoms,” and “Bitter,” Gooseberry creates an intense vibe that cuts across genres.

    Evin Rossington on drums and Will Hammond on bass give a powerful rhythm section that backs up frontman Asa Daniels‘s dynamic songwriting. Additionally, GRAMMY-winning artists Phil Joly and James “Jimmy T” Meslin add their production and mixing skills, guaranteeing that All My Friends Are Cattle is a masterwork.

    Further, Gooseberry is getting ready for a cross-country tour as excitement builds for their music. With All My Friends Are Cattle leading the charge, 2024 is shaping to be their year.

  • Prof Stages Birthday Heist at Racket on Gallery Tour

    Prof is a Minnesota rapper and founder of the independent label Stophouse Music Group. He is most known for his witty lyricism, a personal favorite being “I moved further from the bank so I could laugh longer” from his raunchy hit “Tarzan.” Prof brought his Gallery Tour and a number of hits to Racket in Manhattan on April 29. Prof has made numerous stops in New York over the years, slowly growing his fanbase, though, by his own admission, not as quickly as he has grown in other markets.

    Futuristic opened the show, jumping around the stage with his videographer. His performance felt deserving of its own show, which is convenient because he will return to New York next month for his own headliner tour. He also debuted a new song with a Prof feature that will be released next week. The second opener, Grip, was equally impressive and invited some fans to rap with him onstage. Grip first introduced a fan he had run into and become friends with after rapping Eminem’s verse from Grip’s song “Walkthrough!” Though the fan was obviously nervous and had some trouble with the mic, he got the crowd hyped and made the song extra special with his excitement.

    To start Prof’s set, his DJ, Willie Wonka, came out first onto an empty stage adorned with cardboard cutouts of marble statues, ancient (plastic) urns, Greek columns, and crates full of artifacts. He began “casing” the stage like an art museum while donning a ski mask and carrying a duffle bag and flashlight. After Wonka finally gave the all-clear, Prof burst out onto the stage with “Feed the Dogs” and more energy than most people have in their entire lives. A gallery is an ironic concept for Prof, who feels more like a bull in a china shop in most settings.

    Prof wore a mathcing teal ski mask and windbreaker combo, pink flamingo socks, and white driving shoes. He has a stage presence like no other and immediately began mean-mugging the crowd while whipping bottled water all over the audience and stage and waving his trusty white towel. After two songs, Prof slowly removed the mask, his face twisted in horror at his own reveal.

    Later when Wonka came out from behind his DJ table to twerk for the audience for the second time that night, Prof used that same towel to slap Wonka’s butt. Prof is not one to focus on his birthday as much as his music. That didn’t stop his crew and the team at Racket from bringing out a huge sheet cake on stage with dozens of candles for him. The audience joined in, singing “Happy Birthday” before Prof eventually moved into his next song.

    Now, Prof continues his tour down south and ends with a show back home in Minneapolis. Hopefully, Prof’s success across North America translates into bigger shows in NYC. He puts on a great show, and it would be even better to share it with a huge crowd.

    Prof – Racket, Manhattan – April 29, 2024