Category: Photo Gallery

  • In Focus: Post Malone at Sold-Out Hometown Show in Syracuse

    Under the Saturday night stars on September 14, Austin Richard Post – a.k.a. Post Malone – delivered an unforgettable barefoot performance, a hometown show in Syracuse.

    The sold-out crowd filled the Empower Federal Credit Union at Lakeview Amphitheatre with energy, creating an electric atmosphere for Post fans. Dan Spencer and Muscadine Bloodline opened the Syracuse F-1 Trillion tour stop.

    post malone show

    Post is just a few dates in to his much-anticipated F-1 Trillion tour in support of his new crossover country album. Captivating the hometown fans with a setlist that balanced his chart-topping hits and brand new sound. Songs like “Circles” and “Rockstar” resonated through the air, while his new material like his duet with Luke Combs, “Guy For That” showcased his artistic evolution and versatility.

    Until the age of 10 Post was living in Baldwinsville with his family until his dad was offered a position with the Dallas Cowboys. Residing in Utah now, currently the family does still have a home in Baldwinsville.

    A standout feature of the night was a Post wearing an Otto the Orange shirt performing barefoot. Opening the show with the song “Wrong Ones” from his new F-1 Trillion album. Impressive stage production, highlighted with striking pyro effects ignited certain songs with explosive energy. Bringing the stage to life from his older rap hits to his newer country twang – Post really proved he truly is a Rockstar.

    The new Post Era includes songs like “Yours” which is about being a girl dad and how it has changed his life.

    Adding to the experience was the display of the iconic truck from his music video, Throughout the night, Post Malone took the time to connect with the audience, expressing genuine appreciation for their support.

    Syracuse fans echoed the energy and showed Post he always has a place here at home. As he thanked the crowd multiple times for their energy and support, it was clear that this night would be cherished by all who were lucky enough to attend. After the final notes faded, Post jumped into the pit, taking the time to sign autographs and hug fans, further solidifying his reputation as a good guy. Those lucky enough to meet him remarked on his kindness and authenticity, a testament to his character beyond the stage.

    With heartfelt gratitude and unforgettable moments, Post Malone once again proved why he is one of the most humble, iconic and loved artists of our time.

    Catch Post again in New York at Saratoga Performing Arts Center on Monday, September 23 with Jelly Roll.

    Post Malone – Empower Federal Credit Union at Lakeview Amphitheatre, Syracuse, NY – Saturday, September 14, 2024

    Setlist: Wrong Ones, Finer Things, Circles, What Don’t Belong to Me, Guy For That, Chemical, California Sober, M-E-X-I-C-O, Candy Paint, Fallin In Love, Who Needs You, Two Hearts, Stay, I Fall Apart, Better Now, Psycho, Losers, Yours, White Iverson, Aint How It Ends, Go To Hell, Had Some Help, rockstar, Congratulations
    Encore: Sunflower

  • Soulja Boy brings ‘The SODMG Tour’ to NYC

    It was like 2007 all over again when we were introduced to Soulja Boy when he came into New York City for his SODMG Tour on September 17, 2024 at the acclaimed Gramercy Theatre. The New York crowd danced and sang the night away as if it were the Summer of 2007 all over again.

    Atlanta, GA native, Soulja Boy found himself in the middle of what’s called the “Snap” era of Hip Hop with his 2007 hit debut, “Crank That (Soulja Boy)”. At 17, he became an instant Hip Hop star due to recording his daily life and posting it on YouTube, his hit single and a fun dance to match.

    After SODMG’s various openers showcase, rather than treating the audience to silence between the build up—as is standard (and not necessarily frowned upon)—Soulja Boy began building the landing by allowing his DJ to play 2000s classics. Commanding the theatre illuminated by cellphone lights, he launched into one of his numerous classics “Turn My Swag On” to get the party started.

    The Grammy-nominated artist went on to perform hits such as “Kiss Me Thru the Phone”, “Soulja Girl”, “Pretty Boy Swag”, “Gucci Bandana”, “Yahh” and most recently, “Rick & Morty.” Soulja commanded the whole room with hit after hit from his multi-decade spanning career. Although the set was just shy of 45 minutes, the crowd was served a heavy dose and reminder of why Soulja Boy, the musical legend that he is, is cemented in Hip-Hop and overall music history.

  • Welcome to the Revolution – Outernational’s secret pop-up show in the LES with Chad Smith

    Outernational was on the Lower East Side under the Williamsburg Bridge at a makeshift staging area on Tuesday, September 17. Myles Solay, the band’s lead singer had reached out and asked if NYS Music could document their secret pop up show taking place on top of a flatbed truck, while driving around the Lower East side for a few hours.

    Outernational pop up show in the Lower East Side September 17th, 2024

    With no permit in sight and help from the folks of First Live who rigged up the truck in a true DIY fashion, everything was set for a 3pm departure. Chad Smith (of The Red Hot Chili Peppers) rolled in around 2:50pm, and with no soundcheck, took his place at the kit and drove off to the first location.

    The route included stops at various staples like the Joe Strummer mural in front of Niagara on Avenue A, Union Square, Tompkins Square Park, McDougal Street, and a layover stop at Heaven Can Wait to say hello to Jesse Malin and his crew, dedicating a few songs to him. After a few rounds about Washington Square Park, the mobile pop up show ended on Bleeker Street at Village Revival Records.

    After the final few songs in front of Revival the band hopped off the truck, vinyls in tow for a meet and greet and record signing with fans inside the store.

    The new release Welcome To The Revolution was produced by Myles and Chad Smith, and was released on September 13 this year. The band is set to play two record release shows with special guest Chad Smith sitting in on drums at both.

    On Thursday September 19, they play (le) poisson rouge in New York and the second show is in Los Angeles on September 28.

  • In Focus: Lemon of Choice and Fantasy of a Broken Heart at NO FUN

    On Friday September 13th two Troybands – Lemon of Choice and Fantasy of the Broken – brought a large crowd to NO FUN in Troy.

    Lemon of Choice is a rock band based in Albany. This band of friends makes every show more enjoyable by looping the crowd into their between song conversations. “I need my fancy drum sticks, or we won’t have any music” says Joe Taurone (Drummer and Lead Singer). They have a way of letting the crowd think every song is over then all of a sudden continues the song shocking the audience.

    Fantasy of A Broken Heart promoted their debut album coming out on September 27. The band consists of two New York City friends who also play in the band Water from Your Eyes. This band has a Neo-Psychedelic feel to their music which sounds perfect in NO FUN’s intimate setting. They played all four songs from their most recent release Follow Your Captain EP.

    They ended their set with title track “Follow Your Captain” which was the last song for them to finish on this project. The song follows the story of Al Nardo and Baliey Wollowitz’ childhoods. A song that they stated felt too personal to finish prior but when the opportunity arose, they decided to give it a try and added it to the EP.

  • Jane’s Addiction Cancels Tour Following On-Stage Altercation and Mental Health Struggles

    Jane’s Addiction has officially canceled the remainder of their tour with Love and Rockets following a string of incidents involving frontman Perry Farrell. Tensions within the band became evident during their September 10th performance at The Rooftop at Pier 17 in New York City, where Farrell appeared incoherent on stage, leading to an underwhelming show.

    This came just days before a public altercation between Farrell and guitarist Dave Navarro during a concert in Boston, where Farrell lashed out, escalating tensions.

    Jane’s Addiction at Pier 17 9/10/24

    Love and Rockets, who had been opening for Jane’s Addiction on this tour, brought their own legacy to the stage with their unique blend of gothic rock and alternative sound. Fans were excited to see the iconic band reunite after years of absence, and their performances were well-received throughout the tour. However, the tension within Jane’s Addiction cast a shadow over the shows. While Love and Rockets delivered solid sets, the unpredictability surrounding Jane’s Addiction’s headlining performances often left audiences uncertain about the night’s outcome.

    With the tour now canceled, Love and Rockets’ involvement has come to an abrupt end as well, disappointing fans who were eager to see both bands share the stage.

    Love and Rockets Pier 17 9/10/24

    The band announced their decision on Monday via Instagram, stating they were taking time away due to Farrell’s ongoing struggles with mental health. Navarro, along with drummer Stephen Perkins and bassist Eric Avery, also issued a joint statement citing concerns for Farrell’s well-being and the safety of the entire band. Their message expressed regret over the cancellation but emphasized the need to prioritize safety and ensure a stable environment for future performances. The tour, which was set to run through October, was cut short, leaving fans disappointed but understanding of the difficult situation.

    Perry Farrell Pier 17 9/10/24

    Farrell later issued an apology to the band and fans, acknowledging his behavior during the Boston incident and taking full responsibility for his actions. He expressed regret over reaching a “breaking point” and the impact it had on those around him. Despite hopes that the band would return to the stage soon, no further tour dates have been announced, and refunds for the canceled shows are being offered to fans.

    Dave Navarro Pier 17 9/10/24

    This sudden breakdown has cast a shadow over what was expected to be a high-energy tour, leaving the future of Jane’s Addiction unclear. Fans are left wondering what lies ahead for the band as they face these internal challenges.

    Jane’s Addiction Setlist: Kettle Whistle, Whores, Pigs in Zen, Ain’t No Right, Ted, Just Admit It, Summertime Rolls, Jame Says, Then She Did, Mountain Song, Three Days, Ocean Size, Stop, Chip Away

    Love and Rockets Setlist: The Light, Kundalini Express, No Big Deal, The Dog End of a Day Gone By, Haunted When the Minutes Drag, No New Tale to Tell, An American Dream, So Alive, Ball of Confusion, Mirror People, Yin and Yang

  • Clairo Charms On Night 1 of 5 Night Residency at Webster Hall

    Clairo kicked off her five-night residency at Webster Hall on Friday, September 14th to a sold-out crowd. Webster Hall is the perfect venue to experience Clairo’s music, and more artists should prioritize smaller venues like this. Sure, she’s playing four extra shows to sell the same amount of tickets as she would in an arena, but the difference in experience is staggering.

    While Chappell Roan is currently making headlines for setting boundaries with fans, Clairo is just coming off a three-year hiatus with her new album Charm due to her own experiences with people repeatedly invading her privacy. Finding a way to comfortably interact with fans at shows and online should be a priority for any artist. Clairo deserves huge props for her commitment to doing things in a way that feels comfortable for her.

    Webster Hall was packed before Frankie Cosmos opened, with people overflowing through the side doors of the main ballroom and lining the balcony. Frankie Cosmos’ sound has developed nicely over the past years, with better production and instrumentation. In particular, her drummer injects some extra funk into the mellower songs. Even though Frankie Cosmos was a late addition to the Webster Hall shows, Greta Kline said she was happy to see people outside her fanbase singing along.

    Clairo and her ensemble entered the stage single file with a tray of glasses to cheers and sat down on the set for a little pre-show drink. As she poured wine and handed it to her bandmates, Clairo, in her headphones, black dress with gold ribbons, black tights, and heeled loafers, talked quietly with her ensemble before they eventually clambered to their designated positions on the stage’s tiered platforms covered in green carpet. The stage held a staggering amount of instruments to be used over the show’s hour and a half runtime with a flute, chimes, sax, electric guitar, nylon string acoustic guitar, bass guitar, a real piano on the stage, synths, and a drum machine on an antique table next to Clairo for her song “4Ever.”

    Clairo played through the entirety of her excellent new album, Charm, interspersed with some of her fan favorites. Charm adds much more intrigue to Claro’s sound, incorporating jazzy layered synths and a laid-back West Coast cabana vibe on some tracks such as the album’s opener “Nomad” and “Glory of the Snow.”  Clairo takes this sound further with a modern electronic spin on tracks like “Sexy to Someone” and “Echo.” “Echo” specifically features a jaunty little synth that harkens back to the likes of Broadcast.

    After four songs she requested the lighting tech turn off the front lights and spent most of the show backlit by the giant light handing over the middle of the stage. She seemed reserved at the beginning, but by the second half of the show, she found her groove, and you could tell she was enjoying playing in her home city. A fan held up a red and white ringer tee they made for her that said “Clairo is For Lovers,” and Clairo loved it, saying she would wear it to bed that night. That’s probably the only fan out there who can say they’ve given an artist their favorite pajama tee.

  • A Night of Horror and Heavy Metal: Rob Zombie, Alice Cooper, Ministry and Filter Rock PNC Arts Center

    On Saturday, September 7, the PNC Bank Arts Center in New Jersey was treated to a powerhouse lineup of rock and industrial legends, featuring Filter, Ministry, Alice Cooper, and Rob Zombie. The diverse crowd, a mix of metalheads, goths, and rockers, gathered for a night of electrifying performances, each act bringing its signature style and energy to the stage.

    Filter Opens with Grunge-Industrial Anthems

    Filter kicked off the evening, setting the tone with their grunge-tinged industrial sound. Opening with “You Walk Away,” the band immediately captured the crowd’s attention. Their setlist included fan-favorite hits like “Take My Picture” and the iconic “Hey Man, Nice Shot,” which sent waves of nostalgia through the audience. Richard Patrick’s intense vocals and the band’s tight instrumentation delivered a strong start, with plenty of sing-alongs and headbanging from the early crowd.

    Ministry took the stage next, delivering a relentless barrage of industrial metal. Al Jourgensen and company wasted no time diving into their gritty catalog with tracks like “Stigmata,” “Just One Fix,” and the iconic “Jesus Built My Hotrod.” The band’s machine-like precision and pounding beats had the crowd entranced, while Jourgensen’s snarling vocals added an extra layer of chaos to the performance. With their dark, aggressive sound and pulsating light show, Ministry left a lasting impact, keeping the energy at a fever pitch for the next act.

    Alice Cooper’s Theatrical Horror Show Steals the Spotlight

    The legendary Alice Cooper, at 76 years old, proved he’s still the undisputed king of shock rock. Entering the stage through a massive “Banned in New Jersey” newspaper, Cooper launched into “Lock Me Up,” immediately immersing the crowd in his signature blend of rock and theatrical horror. Backed by a stellar band, Cooper’s set was filled with classic hits like “No More Mr. Nice Guy,” “I’m Eighteen,” and “Poison,” each song complemented by a dizzying array of visual spectacles.

    From impaling a paparazzo to draping a boa constrictor around his neck and battling a Jason Voorhees-style monster, Cooper’s showmanship was on full display. The crowd was particularly captivated by “The Ballad of Dwight Fry,” where Cooper, in a straitjacket, met a chilling end at the guillotine – only to return for an explosive rendition of “School’s Out” to close out his set. His energy, despite his age, was awe-inspiring, leaving fans thrilled and cheering for more.

    Rob Zombie’s Horror Extravaganza Caps Off the Night

    Rob Zombie closed out the night with his high-octane, horror-infused set. Bursting onto the stage with “Demon Speeding” Zombie’s performance was a technicolor feast for the eyes, featuring scenes from his horror films and retro visual effects flashing behind him. The crowd was treated to a wild ride through Zombie’s discography with songs like “Living Dead Girl” and “Superbeast.”

    Though longtime guitarist John 5 was absent, having joined Mötley Crüe, Zombie’s current lineup – Mike Riggs on guitar, Rob “Blasko” Nicholson on bass, and Ginger Fish on drums – delivered a blistering performance that kept the energy sky-high. Zombie’s stage presence, with his high kicks and dramatic flair, kept the crowd engaged, dancing, and screaming for more until the very end.

    Rob Zombie Setlist: Demon Speeding, Super Charger-Heaven, Feel So Numb, Well, Everybody’s Fucking In A UFO, What Lurks on Channel X?, Superbeast, The Lords of Salem, Dead City Radio and the New Gods of Supertown, The Triumph of King Freak, Drum Solo, The Satanic Rites of Blacula, More Human Than Human, Living Dead Girl, Thunder Kiss ’65, Dragula

    Alice Cooper Setlist: Lock Me Up, No More Mr Nice Guy, I’m Eighteen, Under My Wheels, Billion Dollar Babies, Hey Stoopid, He’s Back, Snakebite, Feed My Frankenstein, Poison, Guitar Solo, Black Widow Jam, Ballad of Dwight Fry, Killer/I Love the Dead, Elected, Schools Out

  • In Focus: Buzzcocks at Irving Plaza on September 11

    Buzzcocks made a stop in NYC at Irving Plaza on Wednesday, September 11th as part of their recent North American tour. The show included opening performances by Native Sun and Lovecrimes. The crowd inside Irving Plaza spanned generations, all eager to support the UK band’s U.S. return.

    Hailing from Bolton in the United Kingdom, Buzzcocks has made frequent stops in NYC since their formation in 1976. The inspiration behind the band’s sounds have New York origins, with late frontman Pete Shelley citing The Velvet Underground being part of inspiring the band’s formation.

    Buzzcocks’ music was said to be ahead of its time, with songs alluding to subject matter that was considered taboo during the period of their formation. This led the band to be seen as a driving force of the Manchester punk scene. Buzzcocks has gone on to perform with many legends from the early era of New York punk and CBGB, including opening for Blondie in 1978. 

    With lead vocalist Pete Shelley’s passing in 2018, Steve Diggle has led the Buzzcocks vocals while also continuing on guitar. Diggle has continued on the high energy and humor that Shelley brought to Buzzcocks performances.

    On Wednesday night, Buzzcocks played a setlist spanning 50 years of the band’s discography, including songs from their most recent 2022 album “Sonics In The Soul.” The current line-up consists of Diggle on vocals and guitar, Danny Farrant on drums, Chris Remington on bass, and Mani Perazzoli touring on guitar. 

    Buzzcocks continues on their North American tour with stops in Pittsburgh on September 14th and House of Blues in Cleveland on September 15. Starting September 22nd, Buzzcocks will embark on a US tour with Descendants throughout early October

  • Clutch & Rival Sons’ “The Two-Headed Beast” Tour brings duel rock and roll to College Street Music Hall

    After a successful tour opening in Brooklyn, Clutch and Rival Sons brought their duel headlining tour dubbed “The Two-Headed Beast” tour to the College Street Music Hall in New Haven, Connecticut.

    Joining the two bands was the Orange County California band, Fu Manchu. The night was summed up perfectly by Rival Sons lead singer Jay Buchanan when he said “What a rock and roll evening it’s been.” Clutch closed the evening playing the entirety of Blast Tyrant. It’s always cool to see when artists play their records all the way through.

    The rock and roll festivities started when the doors opened at 6:30 and fans began to file into the theater. When Fu Manchu jumped on stage, fans had parked themselves in front or upstairs to witness the headbanging set. Despite Fu Manchu only playing for half an hour, they left their mark on the audience. Their heavy set featured new songs off their new record The Return Of Tomorrow as well as classics.

    The powerful quartet featured the duo of Scott Hill on vocals and guitar along with Bob Balch on guitar. Also, Scott Reeder was behind the drums kits with Brad Davis at stage right on the bass. The band created such a heavy sound that fans in the audience could feel the power through their speakers. They were so heavy that they could feel the thumping in their chests during the 30-minute set.

    As is tradition with co-headlining tours, it was Rival Sons’ night to play as the middle band. With the lights dimmed, the five-piece band slithered on stage and jumped right “Mirrors.” For the entire time that they were on stage, they blew away the audience with amazing guitar chords and excellent songwriting.

    It’s amazing that during the show, Buchanan didn’t lose his voice. His powerful screaming left the entire crowd in awe. While Buchanan pranced around the stage in his bright red, Scott Holiday was dressed and looking as cool as ever. Holiday was suited up with a beautiful teal jacket, hat, sunglasses and scarf. It made him look like the perfect rock and roll outlaw. Throughout the night, his guitar tech would continue to bring out colorful guitars that would sound just as they looked, amazing.

    Rival Sons played a total of 13 songs that spanned their discography. They showed their versatility when they jammed during “Open My Eyes” and played a ballad off their 2014 record. Fans got their money’s worth at this point as it was easy to tell that Rival Sons is a tightly rehearsed band. They didn’t miss a beat and had a stage chemistry that was apparent to the audience with each passing song.

    Joining Buchanan and Holiday on stage was Dave Beste on bass, Jesse Nason on keyboards and Mike Miley on drums. Miley was drumming so hard that you could see how sweaty he was while on stage.

    As the night slowly got later, fans refused to go anywhere until Clutch played their entire record. It wasn’t till after 9:30 hit until they hit the stage but, like Rival Sons, the minute they started their first song, there was no turning back. Their set felt like a train that would not stop. The constant rhythm of their music and their high level of energy made for a great night of music.

    Like with any hard rock band and a general admission audience, mosh pits are bound to happen. During Clutch’s set, one did appear. But, in one moment between songs, lead singer Neil Fallon announced to the crowd that there were “young people against the barricade.” He that they were able to continue to mosh but to be respectful of the people around them. What Fallon said is what a true lead singer should do. It was a very respectful move on his behalf. The moment certainly won over a few fans who might have stayed after the Rival Sons set.

    During the set, Fallon was the only member of the band to come within three inches of the edge of the stage. Throughout the entire night, he was running back and forth from one side to the other giving it his all. Bassist Dan Maines and guitarist Tim Sult flanked drummer Jean-Paul Gaster on both sides and didn’t move for the entire show. Sult shredded the entire time and stared down at his guitar barely looking up once as if he was possessed by his guitar.

    Their set was amazingly heavy, a perfect blend of rock music. With each song coming to a close, the entire place erupted with joy and filled the theater. Their style of hard rock was the perfect way to end the night. People excited the College Street Music Hall with smiles on their faces. It’s not very often that acts will play an album of theirs front to back and straight through. So when they do, it’s an extra special night.

    Clutch & Rival Sons “The Two-Headed Beast” tour is not to be missed. Between Rival Sons’ classic 1970s rock and roll style and Clutch’s hard rock, despite their styles being different, they make for a spectacular night. Despite the tour not swinging back into New York, fans need to try and catch them on one of their other upcoming dates. This late summer/fall tour is one to be remembered for both styles of rock meeting in the middle for a night of thrilling music between multiple bands.

    Fu Manchu Setlist: Eatin’ Dust, Evil Eye, Hands of the Zodiac, Hell on Wheels, King of the Road, Loch Ness Wrecking Machine, Saturn III

    Rival Sons Setlist: Mirrors, Nobody Wants to Die, Tied Up, Sleepwalker, Too Bad, Get What’s Coming, Open My Eyes, Pressure and Time, Feral Roots, Where I’ve Been, Do Your Worst, Electric Man, Secret

    Clutch Setlist: Mercury, Profits of Doom, The Mob Goes Wild, Cypress Grove, Promoter (of Earthbound Causes), The Regulator, Worm Drink, Army of Bono, Spleen Merchant, (In the Wake of) The Sollen Goat, Subtle Hustle, Ghost, (Notes From the Trial of) LACurandera, Burning Beard, Slaughter Beach, Nosferatu Madre, D.C. Sound Attack!

  • In Focus: The Headhunters at The Hamilton Live

    The Headhunters kicked off their fall tour in Washington, DC at The Hamilton Live on Wednesday, September 11, with a few classics from seminal Herbie Hancock albums, as well as new originals off their latest album, The Stunt Man.

    They last played The Hamilton for a monthly residency from January through September 2019, and are now back on tour for a few more dates in the US, followed by a two-week European tour.

    Headhunters

    Spear-headed by the fiery chops of drummer, Mike Clark, founding percussionist Bill Summers added his remarkable rhythmic skills, with Big Chief Donald Harrison on alto sax, Kyle Roussel on keyboards from the Preservation Hall Jazz Band, and Chris Severin on 6-string bass from the Neville Brothers. The Headhunters band was created in 1973 to thrust Hancock’s explosion into jazz fusion. They continue to carve new paths in musical exploration. Bill Summers reminded fans, “We’re not musicians, we are physicians; we heal people.” Donald Harrison showcased his sax brilliance on “Butterfly”, and throughout the night.

    A charming moment occurred when Bill Summers demonstrated how he uses a beer bottle as a sort of flute on “Watermelon Man,” which originally recorded back on Hancock’s debut 1962 album, Takin’ Off. The song was re-arranged on Head Hunters in 1973, with the beer bottle iconically reimagined as a percussion instrument. 

    Summers announced at the start of “Chameleon” that it was their 50th anniversary (since The Headhunters re-recorded it in 1973), then quipped, “we only had one rehearsal, but it’s going to be alright.” After Chameleon, Summers introduced their two guest musicians, Morgan State University students Shawn McNeil and Brian Moten on sax and trumpet, respectively.

    One of the most accomplished drummers of all times, New York resident Mike Clark has played on at least 50 to 60 albums, and thousands of live shows across the world for over 6 decades. He’s played or toured with Albert King, Wayne Shorter, John Scofield, Gil Evans, and dozens of other musical legends and pioneers. Few drummers are as influential or experienced, or as musical. Bill Summers is also a living legend, having played with Hancock, and other musical pioneers, such as Sonny Rollins, Quincy Jones, George Benson, Stevie Wonder, Nina Simone, and Sting, on roughly a hundred albums, and TV soundtracks.

    The Headhunters roll up the coast to play an outdoor show at Times Square on Sep 12, and will be playing the Nola X North Fork Festival in Cutchogue, NY on Sep. 13. After a few more tour dates in Seattle, Portland, and Eugene, they will return back east for Hampton Roads, Virginia, on Sep. 28, followed by a European tour, kicking off in Norway on Oct 8 and ending in Warsaw, Poland on Oct. 19th.

    Headhunters 2024 Fall Tour Dates

    Sep 13 – Nola X North Fork Festival – Cutchogue, NY
    Sep 17 & 18 – Jazz Alley – Seattle, WA
    Sep 19 – The Get Down Music Festival – Portland, OR
    Sep 21 – The Jazz Station – Eugene, OR
    Sep 28 – The Phoebus Jazz Festival – Hampton Roads, VA
    Oct 8 – Cosmopolite Scene – Oslo, Norway
    Oct 9 – On the Rocks – Helsinki, Finland
    Oct 10 – Loppen – Kobenhavn K, Denmark
    Oct 12 – Stockholm Jazz Festival – Stockholm, Sweden
    Oct 14 – Gretchen – Berlin, Germany
    Oct 15 – Blue Note – Milano, Italy
    Oct 16, 17 – Muxiekclub N9 – Eeklo, Belgium
    Oct 18 – New Morning – Paris, France
    Oct 19 – Jassmine – Warszawa, Poland