Category: Photo Gallery

  • Pitbull brings the “Party After Dark” Tour to the Mohegan Sun Arena

    After multiple shows in New York during the summer/fall leg of the “Party After Dark” Tour, Pitbull brought the tour north to the Mohegan Sun Arena in Connecticut. The sold-out crowd had options to see Pitbull at five locations during the summer and fall legs before he looped back around ahead of a European leg. Unlike the summer, special guest T-Pain did not come for this show leaving Pitbull the lone performer for the evening.

    Before Pitbull graced the stage, one of his DJs hyped the crowd up by playing music and getting the fans in the right mood. With the DJ on stage, there was a rush of fans trying to get inside for “Mr. 305.” The entire audience contained people of all ages. Whether it was people in their 60s or little kids, Pitbull had a diverse audience spanning a generation or two.

    Once Pitbull hopped on stage and began “Don’t Stop the Party,” off of 2012’s Global Warming: Meltdown, the dance party inside the casino arena started. For an hour and a half, Pitbull delivered hit after hit leaving the audience wowed and out of breath. When Pitbull ran on stage in the dark, from the back of the arena you could see a sea of phones leading to the barricade. The last time he was in the general area was Sept. 13 in Hartford and Sept. 12 on Long Island. Even if it was three short months, the excitement was in the air.

    The Mohegan Sun Arena is home to the Connecticut Sun. So the lower bowl seats are pulled out on metal stands. Throughout the night, fans danced with each other or by themselves. They also jumped to the music, the stands swayed back and forth. Like the lower bowl, the upper deck was also having a party. They did not sit down for one second during the show.

    During each song, the screens off to the sides and behind Pitbull and his seven-piece backing band and six backup dancers showed the audience. Each concertgoer had the same surprised and happy look on their faces. They were singing along and dancing to each show and you could just see the raw and pure joy on their faces throughout the night.

    Throughout the show, Pitbull and his dancers would run off stage after certain songs to change into different stage clothes. This led to Pitbull’s on-stage DJ playing music to keep the good energy alive. Whether it was Aerosmith & Run DMC’s “Walk This Way,” or Bell Biv DeVoe’s “Poison,” the DJ did a great job at not letting the show come to a screeching halt.

    When Pitbull and the dancers returned, they all had corresponding colors. Pitbull looked as snazzy as ever in his black, white, and red suit jacks. He dawned a charming smile each time a new color was debuted. His amazingly gorgeous dancers also had matching colors as they strutted around the stage for the entire 90 minutes. Pitbull was able to cleverly play off the dancers and vice versa to create a cheeky yet mesmerizing show.

    It’s impressive that Pitbull has a backing band behind him. Sometimes popstars and rappers do not carry any other on-stage personnel with them. But the previously mentioned seven-piece band was spectacular. There was guitar, bass, saxophone, drums, keyboards and percussion that all created a beautiful live wall of sound behind Pitbull. Having a band play live enhanced the pop sound that Pitbull has polished off so well. It adds another complex but necessary layer to the live performance.

    It was great to see Pitbull give a nod to other artists. Covering others’ tunes was his way of acknowledging their impact on him. Pitbull rapped a beautiful and clever version of Elic Crespo’s “Suavemente” which had the fans dancing all over the arena. He also included a cover of “Gasolina” by Daddy Yankee in his set. Hearing the familiar intro had fans looking at each as to say “I know this one.” It was great to hear Pitbull’s rendition of people’s favorite tracks.

    In between each song, Pitbull would give some advice to the audience and give them a pep talk while also thanking them for coming out to the show. At one point, he talked about how his one teacher, Hope Martinez had changed his life. He then told the sold-out crowd that he had built 12 schools nationwide as part of the S.L.A.M! program. S.L.A.M stands for “Sports Leadership, Arts & Management.” Those schools are “non-profit educational organization supporting the expansion of K-12 tuition-free, public charter schools in underrepresented communities nationwide.”

    Upon hearing this, the crowd roared in approval. It’s hard to imagine what The Beatles at Shea Stadium sounded like back in the 60s. Or, if you’ve never been to a Taylor Swift “Eras” Tour show, you might not be able to imagine what a roaring audience sounds like. A close third is any Pitbull show. He had the audience in a frenzy at the start of each song and at the end of the night.

    At the tail end of the show, the setlist got swapped around slightly. Instead of ending on “ Give Me Everything” off of 2011’s Planet Pit, he ended on the smash hit “Fireball” off of 2014’s Globalization. The quick change in songs at the end of a great subtle switch flowed nicely into the end of the show. When fans left the area, they all had smiles around.

    Pitbull is an entertainer that can easily fill up any arena, theater, or amphitheater. His hard work, drive and dedication for a great show spills out into the audience. It leaves the crowd with a lasting impression. The entire show is perfectly choreographed and the musicianship just doesn’t stop at “Mr. Worldwide.” He also surrounds himself with the best dancers and band to make sure that the show is as best as humanly possible. Seeing Pitbull live is an experience that everyone must do once in their life. Do yourself a favor and see him as soon as possible, you’ll witness one of the best and most pure entertainers on the road.

    Pitbull setlist: Don’t Stop the Party, Hotel Room Service, International Love/Bounce Generation Sweet Child o’ Mine/Rain Over Me (Guns N’ Roses cover), Whoop! (There It Is) (Tag Team cover), I Feel Good, Suavemente (Elvis Crespo cover), The Anthem, Gasolina (Daddy Yankee cover), Culo, I Know You Want Me (Calle Ocho), On the Floor/I Like It/DJ Got Us Fallin’ in Love, Timber, Time of Our Lives, Give Me Everything, Fireball.

  • In Focus: Phish Return to Madison Square Garden

    Phish kicked off their annual New Years Run at Madison Square Garden, the band’s 16th overall at the ‘World’s Most Famous Venue’ and a feather in the cap of a band who have had a remarkable 2024. 

    With shows at Sphere in Las Vegas and a stellar summer tour culminating at Mondegreen festival in Delaware (plus 4-night Mexico and Dicks runs) the foursome from Vermont have much to live up to at MSG, where the most recent performance by the band last New Year’s Eve featured a two-set stage production of the band’s Gamehendge rock opera, the holiest of Phish grails. 

    So while the bar is set high – let’s face it, Phish fans eternally set the bar high for the band – and the band doesn’t always reach that bar. It would be impossible to do so, but they gave it the ol’ college try on Saturday, December 28. 

    The show opening “Simple” would end up being the longest jam of the night, clocking in at 13 minutes, and when that’s the case, there’s a lack of flow that follows. “Free” followed and had some meat to it, but gave way to a sedate “Farmhouse”. Throw in “Poor Heart” and “Tube” plus a rare “Driver,” and the crowd was content to fall into a well placed first set “Reba,” with a beauty of a bliss jam within. A late first set “Oblivion” thankfully did not jam out for a change, and instead gave way to “Antelope” to close, as it so often has at the Garden.

    Set two looked to get things started with “Back on the Train,” and while things were headed in the right direction, “Axilla (Part 2)” limped out of the gate, with Anastasio being a bit ahead of the band. The song struggled until the outro, which worked its way nicely into “A Wave of Hope,” a jam to enjoyably get lost in. “Round Room” – which let’s be honest, needed a little more practice – was performed for only the seventh time ever, and first since 2016, yet an apropos song for Madison Square Garden. 

    Just as the excitement over “Round Room” died down, “I Always Wanted it This Way” (aka, Page EDM) took over mid-set, and after that, the rest of the set played out with a standard “Twist,” a pleasant “Mango Song”, “Blaze On”, “Cavern” and to close things out, “David Bowie.” 

    For the encore, “Mountains in the Mist” to start meant a multiple song encore was in the works, but the bar was set high when you’ve seen “Mountains” at Sphere. “Fuck Your Face” followed and random, but possibly influenced by a recent tech CEO tweet. “46 Days” to close was on par with much of the show – fun and energetic, but nothing incredible to write home about. 

    Phish fans have three more nights left in 2024, including the 25th anniversary of Big Cypress to celebrate. What does Phish have in store to close out 2024? Stay tuned!

    Setlist via Phish.net

    Set 1: Simple, Free, Farmhouse, Poor Heart, Tube, Kill Devil Falls, Driver, Reba[1], Oblivion > Run Like an Antelope

    Set 2: Back on the Train, Axilla (Part II) > A Wave of Hope > Round Room, I Always Wanted It This Way > Twist > The Mango Song > Blaze On > Cavern > David Bowie

    Encore: Mountains in the Mist, Fuck Your Face > 46 Days

    [1] No whistling.

    Reba did not contain the whistling ending. 

    Round Room was played for the first time since June 22, 2016 (322 shows)

    Photos by Taylor Weinberg

  • In Focus: Hayley Jane and Laura Leigh Warm up Ophelia’s in Albany

    Hayley Jane and Laura Leigh paired up for an unforgettable night of music at Ophelia’s in Albany on the bitter cold night of December 21st.

    Hayley Jane and Laura Leigh
    Photo by Pat Rogers

    The show capped off a week that saw Ophelia’s welcome Slidin’ Dirty relocating from Troy and serving up a deep menu of top notch burgers and more.

    Hayley Jane and Laura Leigh
    Photo by Chris Bobillo

    The evening was presented by Guthrie/Bell Productions and also the final Jam for Tots show of the holiday season. (thanks to all who brought an unwrapped toy!)

    Hayley Jane and Laura Leigh
    Photo by Pat Rogers

    A natural pairing for this show, Hayley Jane and Laura Leigh have performed shows together since 2022. Hayley pulls inspiration from so many styles – 60s + 70s rock + pop, musical theater, folk, blues, soul, psychedelic, funk + bluegrass – and offers a no holds barred approach to her sets. This made each song a performance, nothing less. Hayley Jane’s passion and energy are expressed out to the audience, bouncing back off and driving each show to new heights.

    Photo by Chris Bobillo

    Opening up, Laura Leigh’s set picked up steam slowly and offered no break once the wheels were turning. Hailing from Cambridge in Washington County, Laura Leigh has gone from busking around the Capital Region to performing on local stages to a growing audience. Her 2021 album Livin’ in Cambridge painted a picture of her small town, and newer songs since written offer a glimpse into a songwriter’s journey.

    Learn more about Hayley Jane and Laura Leigh.

    Photos by Chris Bobillo

    Photos by Pat Rogers

  • Philly Invasion: City Wide and Wax Jaw take on NYC’s Bowery Ballroom

    It’s only right for 2024 to end with a slew of high-energy concerts. On Friday, December 20, two Philadelphia based bands, City Wide and Wax Jaw, journeyed to Bowery Ballroom. The two shared similar goals: charm local New Yorkers and supportive listeners through dynamic and compelling music. 

    A view of City Wide and their audience, from the back of Bowery Ballroom

    Before these two Philadelphia based bands hit the stage, the night started off with The DTs. This modern pop duo, consisting of David Cacciatore and Tom Losito, channeled a variety of sounds. Melding into rock, punk and blues, The DTs sought to bring their hometown of Jersey to the forefront. They experimented with harmonies, catchy lyrics and rockin’ guitar riffs. The DTs also performed their new single, “Cherry,” an uplifting track, with roots in adolescent memories.

    Slowly as the DT’s set came to a close, more people started to trickle into the venue. Just after 9pm, Wax Jaw took center stage, ready to bring the energy. This past year, Wax Jaw has rapidly made its mark in the Philly music scene, drawing inspiration from punk and new wave genres. Evoking a sense of nostalgia while highlighting trans voices, the band is made of the singer Shane Morgan, drummer Ian DiBruno, bassist Greg Blanc, and guitarists Sean Vannata and George Fenton. Throughout this leg of the tour, Ben Manning replaced DiBruno’s spot on the drums.

    Right off the bat, Fenton took over the microphone, calling out to the audience to gather close and get ready to dance. Upon hearing his words, fans pressed close to the edge of the stage, tilting their heads back and forth in tune to the music.  Known for their album, Between the Teeth (2023), the band played hits such as “Be the Man,” “Mirror” and “Attitude.”  Morgan kept the crowd entranced, each song more powerful than the last. With a focus on lyricism and balanced instrumentals, the driving drum beats grounded the audience.  Halfway through the set, Fenton urged everyone to gather close to the ground. Reaching crescendo, band members and fans jumped up in the air, clapping hands and singing along.

    Wax Jaw’s high-octane performance set the mood for the rest of the night. Fans split into groups, chattering in anticipation about the previous bands until 10:30 rolled around. At this point, the front of Bowery Ballroom was packed. City Wide entered only a few moments later, earning a roar from the crowd. Vocalist Emily Goldenberg immediately made her presence well known, her strong and captivating vocals pairing perfectly Simon Sheintoch, Evan Brink and Patrick Crosgrave. Ben Manning joined once again on the drums, sticks flying as he pounded the bass and snare.  

    Placed into the alternative genre, City Wide draws inspiration from classic rock and upbeat melodies seen in tracks by The Lumineers and Mt. Joy. They honed a charismatic stage presence and their hit, “Countdown” seemed to resonate with frequenters of the Ballroom. Goldenberg declared this song was meant to pay homage to the upcoming New Year, counting down from10 in the midst of the chorus. City Wide also made sure to balance out the night with some songs on the slower side, including “Higher & Higher.”

    The evening concluded with City Wide returning for an encore. Each member donned Christmas themed sunglasses to cover Chuck Berry’s “Run Rudolph Run.”  A whirlwind of energy overtook the room, bodies swaying in time to the rocking, fast paced rhythm. Ending 2024 right at Bowery Ballroom, both Wax Jaw and City Wide hope to play NYC once again in the coming year.

  • In Focus: Saint Levant Brings DEIRA Tour to Terminal 5

    Palestinian singer-songwriter Marwan Abdelhamid, known professionally as Saint Levant, showcased his debut full-length album DEIRA with a powerful performance December 13 at Terminal 5.

    Photo by Molly Higgins

    The packed venue was dotted with Palestinian flags and traditional keffiyehs, and fans shouted in English and Arabic alike as they eagerly awaited Levant’s entrance. After an opening set from fellow Palestinian singer-songwriter Lina Makoul, Levant kicked off the evening with “On This Land,” the first song on DEIRA.

    Backed by a group of dancers performing soldier-like choreography, Levant alternated seamlessly between rapping in English and singing in Arabic in one of many musical tributes to his homeland: “We are a nation of displaced dreamers/Heritage keepers,” Levant’s lyrics profess.

    “Deira is the name of the hotel that my father, Rashid, an architect, built with my mother in 2000 when they moved to Gaza,” Levant told Variety when he released the album’s title song. ““Deira means the Kasbah or the old city…Deira is anchored in Algerian culture through its sound (where my mother is from) and in Palestinian culture through its words (the land of my father). Deira represents represents a mix of my parents’ cultures.”

    Levant’s Terminal 5 performance showcased his versatility as a musician—in musical style, language, vocal range, dance, and as an instrumentalist: halfway through his second song, Levant traded in his microphone and began riffing on the saxophone as fans screamed their support.

    Levant played the final performance of his DEIRA tour December 16 in Chicago.

    Saint Levant – Terminal 5, Manhattan – December 13, 2024

  • Daughtry brings “Adrenaline Gone Ballistic” Holiday Tour to Del Lago

    Daughtry brought their “Adrenaline Gone Ballistic Tour” to Del Lago Resort & Casino in Waterloo on Saturday, December 14, bringing a mix of nostalgia, adrenaline, and excitement to the stage.

    Daughtry opened the night with “The Reckoning”, a newly written song on their EP Shock To The System (Part One). The packed venue rose to their feet as head singer and North Carolina native Chris Daughtry entered the stage.

    The thrilled Del Lago crowd wanted more from Daughtry, shouting requests in between songs. Chris interrupted the setlist to fulfill the crowd’s request, playing a heartfelt rendition of his acoustic song “September”, written in 2009. The fans didn’t just come for a show, they came for an exciting interaction.

    The alternative rock band was formed in 2006 after Chris Daughtry made it to the finals in the fifth season of American Idol. His vocals and newly formed recognition earned him a record deal with RCA Records, and the band’s self- titled debut album would go on to sell more than a million copies after just five weeks of release, becoming the fastest selling debut rock album in Soundscan history.

    As Daughtry waved the crowd goodbye and thanked the Waterloo fans for having him, the crowd stuck around as they cheered for an Encore, wanting more. With the eager fans on their feet, Daughtry rushed back out on stage to close out the show with their song “Artificial”, the first single to reach the number one spot on the Mainstream Rock chart. The band will gear up for upcoming shows in Nebraska and Minnesota, concluding their 2024 tour in Green Bay, Wisconsin.

  • Daughtry Brings Holiday Hard Rock Bliss to Toyota Oakdale Theatre

    Hard rock band Daughtry brought their “Adrenaline Gone Ballistic” holiday tour to the Toyota Oakdale Theatre in Wallingford, Connecticut. Sleep Theory and Devour the Day joined Daughtry throughout the 13-date tour.

    The night was every hard rock fan’s dream. They got a great mix of metal, hard rock and pop-metal while witnessing great live stage performances. Daughtry made a triumphant return to the area after touring Breaking Benjamin and Staind in September and October. 

    As fans pilled in from the harsh winter cold, the Memphis, Tennessee-native band Devour the Day hopped on stage. Led by Blake Allison on lead vocals, the band blasted into their first tune of the night, “Respect,” off of their Time & Pressure record. The band’s hungriness was apparent from the start. Devour the Day made sure the crowd felt their impact for the seven songs they played. The quartet was the loudest group of the night. They infused post-grunge, nu metal and hard rock influences all into one band that put together a great performance.

    Joining Allison who is also the drummer for Pop Evil, is Joey “Chicago” Walser on bass guitar, Justin Kier on drums and Stephen Freeman on guitar. The foursome did an excellent job at getting the – at the time small – crowd ready for the next two acts.

    In between Devour the Day and Sleep Theory, there was a brief intermission. But, it wasn’t too long until the houselights dimmed for Sleep Theory. It was fitting that Mariah Carey’s “All I Want For Christmas” was blasted through the speakers sparking holiday cheer. Sleep Theory, also from Memphis, Tennessee, jumped right into the first song of the evening “Fallout,” off of 2023’s Paper Hearts – EP. Sleep Theory’s style of music was very similar to Devour the Day’s. So, the hard rock and metal theme blossomed during their set.

    Lead singer Cullen Moore’s vocals were amazing. Throughout the band’s set, he would walk back and forth on stage and interact with the audience while he belted out the lyrics. There have been few singers who could yell in key. Rob Halford from Judas Priest and Bruce Dickinson are some of the masters. But, Moore was able to be in perfect key while screaming which brought goosebumps to some of the fans.

    Unfortunately, Sleep Theory was extremely backlit and at times it was hard to see them on stage. This forced fans to listen rather than gain the whole experience of the show. Nonetheless, just by listening, you could tell that the band was extremely tight and together as one on stage. Because they were excellent musicians, fans were a lot more receptive to them and cheered loudly after every song. Sometimes middle bands don’t receive such generosity so it was great that they did.

    In addition to Moore, Sleep Theory consists of Daniel Pruitt on guitar, Paolo Vergara on bass, and Ben Pruitt on drums. The quartet put the fans in the right mood for Daughtry and was an excellent middle band.

    By this point, the crowd was in a frenzy for Daughtry and very quickly the band jumped on stage and went straight into “The Reckoning.” For the band’s entire performance, the entire theatre was on their feet and did not sit down for one single minute. There was a buzz in the building for their headline set since the next time the group would be in the area would be on the Creed summer tour in 2025.

    Rounding out Daughtry was Chris Daughtry on lead vocals and guitar, Brian Craddock on guitar, Elvio Fernandes on keys, Marty O’Brien on bass and Jeremy Schaffer on drums

    Like Moore in Sleep Theory, Daughtry’s vocals were amazing and were the best out of the three. For the time that the band was on stage, you could feel his power and strength. Even though he was as serious as can be while singing, in between songs he charmed the crowd. At one point before “Home” he told the audience to “light up anything that lights up… phones… lightsabers are also welcomed.”

    The band kept their stage simple so the audience could focus more on the music. Only a few screens were lit up behind the group with lights draped on the drum riser. It was nice that the band kept their stage simple and did not overwhelm the crowd. Twice during their set, they paid homage to the mighty Led Zeppelin and Journey. During their rendition of “Crashed” there was a snippet of “Kashmir” before they fully jumped into a cover of “Separate Ways (Worlds Apart).”


    The crowd let out a thunderous cheer to some of their favorites. “Home” and “It’s Not Over” received the loudest approval with fans taking out their phones to record the song or their favorite moment. It was great that they even played a handful of tunes from their newest record, Dearly Beloved. Their new material was even received positively by the crowd as if it were already setlist staples

    When the band walked off stage before the encore, you could hear a low roar for them to come back on stage. It originated at the back of the theatre in the rafters before thrusting its way towards the front. Fans got what they wished for. Daughtry played “The Dam,” “Heavy Is the Crown and “Artificial” as the three encore songs before calling it a night.

    When the audience left the building, the buzz was still thriving throughout the crowd. They witnessed a special holiday performance. There aren’t many groups that can put together a short and small holiday tour and knock it out of the park. But, for Daughtry, they delivered one of the best holiday shows in recent memory.

    Devour the Day setlist: Respect, Nobody Owns Me, Good Man, Worse Than Death, Outsider, The Bottom, Empty

    Sleep Theory setlist: Fallout, Enough, Paralyzed, Static, Hourglass, Gone or Staying, Stuck in My Head, Numb, It’s Over, Another Way

    Daughtry setlist: The Reckoning, Changes Are Coming, World on Fire, Crashed, Separate Ways (Worlds Apart), Home, Waiting for Superman, Shock to the System, It’s Not Over, Nervous, Pieces, Over You, The Dam, Heavy Is the Crown, Artificial

  • In Focus: Katie Gavin Offers Soulful Simplicity at The Bowery Ballroom

    Singer-songwriter Katie Gavin, who rose to fame as lead singer of indie pop trio MUNA, gave a heartfelt performance at The Bowery Ballroom December 10—the first New York show of her solo What a Relief tour.

    Photo by Molly Higgins

    After an opening set from Liam Benzvi, Gavin strutted on stage to Frank Sinatra’s “(Theme From) New York, New York,” and poured herself a cup of tea before she sat down to tune her guitar. Immediately, the atmosphere in the 575-capacity venue was cozy and personal, as if Gavin was inviting her fans into her living room for a private acoustic show.

    Candles flickered and the stage lights warmed as Gavin began her set with “Today,” a soft track that set the tone perfectly for an evening of showcasing her folk-leaning solo record What a Relief.

    Katie Gavin and Nana Adjoa

    In contrast to the upbeat pop sound of much of MUNA’s discography, Gavin’s solo project is stripped-down, with an acoustic sound and deeply personal lyrics that highlight her artistic versatility. Throughout the live show, Gavin delivered warm vocals, chatted with the audience like friends, and seamlessly cycled through instruments, trading in her acoustic guitar for everything from the keyboard to the violin to a shruti box.

    After playing an additional Bowery Ballroom show December 11 (which featured an appearance by surprise guest Emily Saliers of The Indigo Girls), Gavin will continue on the What A Relief tour through December 18.

    Liam Benzvi and Katie Gavin

    Katie Gavin – Bowery Ballroom, Manhattan – December 10, 2024

    Setlist: Today, Sparrow, As Good As It Gets (with Liam Benzvi), Casual Drug Use, Inconsolable, Sanitized, Sweet Abby Girl, I Want It All, She Gives Me Feeling, The Baton, Keep Walking, Sketches, Aftertaste

  • Dopapod Brings Best Friends Tour to Rochester

    Dopapod brought it’s Best Friends Tour to Essex in Rochester on Tuesday, December 3.

    About a month away from their last shows before an indefinite hiatus, guitarist Rob Compa brought the band to his hometown for a throwdown at the newish venue, Essex. Before the show, Rob asked the crowd if they wanted one long set or two, and of course the crowd voted for the usual jamband two set format. The band warmed the crowd from the frigid cold with a heater of a first set before bringing out their ex-employee, Goose’s Peter Anspach. Anspach first shredded guitar on “Nuggy Jawson” before jumping on keys for the set closer, “Indian Grits.”

    Dopapod leaned heavy on the classics for set two, including versions of “8 Years Ended,” “Bubble Brain” and a Zappa cover in the middle of a song, “FABA” > “I Am The Slime” > “FABA.” They brought up Anspach again for the encore, and he helped them with “Best Friends” and “Runny” for the encore.

    Dopapod next head west to Colorado, before wrapping up the year in the Midwest. They are playing their final shows on New Year’s Eve in Columbus, Ohio, so catch them if you can.

    Dopapod – Essex, Rochester, NY – Tuesday, December 3, 2024

    Set 1: Welcome to Paradise, Draculas Monk> Nerds> Two Somebodies> Nerds, Wizzy, Turn By Turn*, Metal Nuggy Jawson^, Indian Grits$
    Set 2: Cloud World, 8 Years Ended, Brand New Home, Test of Time, Bubblebrain, FABA> I Am The Slime> FABA
    Encore: Best Friends#, Runny^

    * MGMT Kids tease
    ^ Peter Anspach on Guitar
    $ Peter Anspach on Keys
    # Peter Anspach on Vocals and Guitar

  • Smokey Robinson Delivers an Unforgettable Night at NJPAC on Legacy Tour

    On Friday, December 6, Smokey Robinson graced the stage at Newark’s New Jersey Performing Arts Center (NJPAC) as part of his ongoing Legacy tour. The evening was filled with musical nostalgia, heartfelt storytelling, and timeless artistry that captivated the audience throughout.

    A Legacy in Motion

    The evening began with Smokey delivering an impeccable rendition of Being With You. The opening chords set the tone for a night filled with love, soul, and connection. Midway through the second song, the legendary singer melted hearts by bringing his infant great-nephew onstage. As he crooned Second That Emotion and You’ve Really Got a Hold on Me to the baby, the audience erupted in applause, charmed by the intimate family moment.

    Highlights of the Evening

    Smokey’s performances of Quiet Storm and the iconic Ooo Baby Baby stood out as unforgettable moments. The emotional delivery of Ooo Baby Baby brought the audience to their feet for a five-minute standing ovation. Clearly touched, Smokey expressed his gratitude, his voice trembling with emotion. The moment showcased his remarkable ability to forge a deep and personal connection with his fans, even after decades in the spotlight.

    Introducing Gasms

    Smokey took a moment to discuss his latest album, Gasms, expressing surprise at its success. “I was only supposed to release one single,” he shared with a grin, “but there are already four!” He performed two tracks from the album, I Wanna Know Your Body and How You Make Me Feel, which showcased his ability to blend sensuality with sophistication, proving that his creativity remains as vibrant as ever.

    Closing the Night

    For the encore, Smokey pulled out all the stops. He sang Just to See Her and Tracks of My Tears, prompting a wave of nostalgia that swept through the theater. The evening ended with an interactive performance of Cruisin’. Smokey invited two women from the audience on stage, assigning them each a section of the crowd to see who could sing the loudest. The playful competition filled the hall with energy and joy, capping off an unforgettable night.

    Looking Ahead

    Smokey Robinson’s Legacy tour continues to enchant audiences, with upcoming dates spanning the United States, Canada, and even the United Kingdom. Highlights include performances at The Paramount in Huntington (March 6, 2025), and The Capitol Theatre in Port Chester (May 31, 2025), before concluding at the Love Supreme Festival in the UK in July.

    At NJPAC, Smokey Robinson reminded everyone why his legacy endures. It wasn’t just the hits or the new material but the warmth and humanity he brought to the stage. This concert wasn’t just a trip down memory lane—it was a celebration of a living legend still at the height of his powers.

    For fans who have yet to experience this extraordinary tour, Smokey Robinson’s Legacy is not to be missed.

    Setlist: Being With You, I Second That Emotion, Really Got A Hold On Me, Quiet Storm, Temptations Melody, Gasms, OOO Baby Baby, Fly Me To The Moon, I Love Your Face, How You Make Me Feel, I Wanna Know Your Body, Just To See Her, Tracks Of My Tears, Cruisin’