Category: Photo Gallery

  • Ready To Go: Fungkshui and Quantum Cosmic Blast Off in Albany

    Shooting for the moon with infinite potential, Asbury Parks’ next big thing is Fungkshui. Not stopping there, they may also be the next big thing in the Capital Region too. With frequent visits to the area, including recent high octane rock performances at Putnam Place and the Rye Bread Music Festival (RFB), the fun-loving psychedelic prog-funk quintet is quickly and consistently earning high praise from high people in high places. 

    Fungkshui Quantum Cosmic
    Fungkshui performing at Lark Hall in Albany 1/25/2024.

    Whether Fungkshui (pronounced funk shway) are playing to packed clubs along the boardwalks of New Jersey, or randomly stopping in for an unannounced happy hour improv set at The Eleven, it seems the band has found their ‘home away from home’ at Albany’s Lark Hall. As friendly with their staff as they are with their fans, Fungkshui originally made a good first impression at the hall last March while opening for acclaimed avant-garde jazz trio LaMP. Later returning for “Funk Night” with the E-Block in September, NYS Music was there for the for their most recent throwdown on Thursday, January 25th. 

    Fungkshui Quantum Cosmic

    Teaming up with sonic astrological improv jammers Quantum Cosmic, a new experimental side project featuring members of Annie in the Water, Raisinhead and The Switch, the dynamic pairing of bands proved to be the perfect combination of good vibes and good times. On a night full of other-worldly jams, technical proficiency, soaring and sublime guitar solos, guest sit-ins, and enough funk to make you want to float around the room and dance with total strangers, both bands turned in peak performances that you ‘outta be kicking yourself for missing. 

    Blasting off a little later than the advertised 8pm start, Quantum Cosmic quickly made up for lost time by inviting the audience to help telepathically guide them through their all-improvised set. Encouraging listeners to share their positive and creative thoughts as well as birthday wishes to drummer Joshua West, “Just hopefully you’re not a dick about it, ” joked guitarist Michael Lashomb, who also plays with the ever-busy West in Annie in the Water.

    Along with Matt Richards on keys, Raisinhead guitarist Ted Grey and bassist James Woods, the band who hasn’t played the same show twice and gambles on “making it up as they go along’ would surprise everyone by also inviting up fellow Annie in the Water/Space Carnival bassist Chris Meier for a memorable trippy dip on the AITW OG staple “The River,” in which the birthday boy West hilariously changed (forgot?) some of the lyrics. After coming back down to earth for a brief intermission, things at the hall were about to get even more Fungky. 

    Fungkshui Quantum Cosmic
    Chris Meier sits in with Quantum Cosmic at Lark Hall 1/25/2024.

    Barreling their way towards Nectars in Burlington, VT, the road to get there saw Fungkshui work their way through New York by way of gigs at Snug Harbor in New Paltz, an unannounced acoustic set at The Eleven and finally, their fiery headlining set in Albany. Kicking things into gear with a technically proficient and impressive “Meat Salad” >“Ready To Go” > “Power Out” jam sandwich, it was immediately evident what all the fuss over this band is about. Part punk, part prog and overflowing with all kinds of primal groove, there is no denying the twin ax attack and chemistry of guitarists Jack Reed and Max Vitale. Along with the luscious locks of Jon Scheps on the low end, drummer Bobby Reilly and the band’s most recent addition of Dan Hogan on keys, Fungkshui took the Lark Hall stage by sheer force. 

    Fungkshui Quantum Cosmic
    Fungkshui performing at Lark Hall in Albany 1/25/2024.

    Feeling confident and comfortable in the surroundings, Fungkshui would take the opportunity to debut a new song called “Run It” before getting down and dirty on “Barefoot Blues” and the playful “Dan Dan The Waterman.” One of the true highlights of the night came when the band invited Annie in the Water/Quantum Cosmic keyboardist Matt Richards out for some dueling piano action on Dan Hogan’s well-lit rig. Catharsis through collaboration shining through disco ball lights and huge smiles beaming from the faces of everyone on stage, it was the kind of magic musical moment that makes Lark Hall such a special place to see a show.  

    Fungkshui Quantum Cosmic
    Matt Richards sits in with Fungkshui in Albany 1/25/2024.

    An unexpected guilty pleasure came next in the form of Alice DeeJay’s “Better Off Alone,” which had the whole room dancing around each other in circles.  After successfully showing their hand, Fungkshui would then “Ante Up” and “Fade Away” before going deep into the night with one last party jam, “That’ll Do.”

    Fungkshui Quantum Cosmic
    Matt Richards sits in with Fungkshui in Albany 1/25/2024.

    With such a formidable relationship already forming between the band and the venue, you almost can’t help but feel optimistic there will be many more magical Fungkshui moments on Lark for years to come. Fresh off the release of their first full length album “Ready to Go,” it’s clear this band is just that.  Buckle up in 2024, Fungkshui is about to blast off, and what can I say, I’m totally here for it. 

    Watch fan shot footage of Fungkshui performing “That’ll Do” in the video clip below:

    Fungkshui | January 25, 2024 | Lark Hall | Albany

    Setlist: Meat Salad > Ready To Go > Power Out, Run it•, Barefoot Blues > Dan Dan The Water Man, Didn’t Know Anything, Better Off Alone*, Ante Up, Fades Away, That’ll Do

    *= Alice DeeJay Cover
    •= Original Song Debut

    Fungkshui Quantum Cosmic
    Fungkshui Quantum Cosmic
    Fungkshui Quantum Cosmic

    Quantum Cosmic | January 25, 2024 | Lark Hall | Albany, NY

    All Improv Birthday Set > The River *

    *Annie in the Water cover

  • A Sold Out Town Ballroom Hosts Fit For A King, Avoid, Counterparts and The Devil Wears Prada

    The Town Ballroom in Buffalo was set ablaze with raw energy and pulsating rhythms on January 23, as four powerhouse bands – Avoid, Counterparts, The Devil Wears Prada, and Fit For A King – took to the stage for a sold-out show on a rainy Tuesday night. Fans from across the city gathered in anticipation of a night that promised to be nothing short of epic, and they were not disappointed.

    Fit For A King town ballroom
    Fit For a King

    Kicking off the evening with a relentless onslaught of hardcore energy, Avoid, got to work getting the crowd but the first thing that stood out before the music got underwear was the singer repping a local city hero, #17, Josh Allen from the Buffalo Bills with his Jersey.  

    Avoid

    Going up next with a relentless onslaught of hardcore energy, Counterparts wasted no time in setting the tone for the night. Hailing from Ontario, Canada, the band delivered a blistering set that had the crowd moshing and screaming along to every word. With their signature blend of melodic hooks and ferocious breakdowns, Counterparts proved why they are considered one of the most exciting acts in the hardcore scene today.

    Next up was metalcore stalwarts The Devil Wears Prada, who took the stage by storm with their electrifying stage presence and infectious energy. Drawing from their extensive catalog of hits spanning over a decade, the band treated fans to a set filled with fan favorites and new material alike. From the haunting melodies of “Sacrifice” to the crushing heaviness of “Danger: Wildman,” The Devil Wears Prada delivered a performance that left the crowd in awe.

    The Devil Wears Prada

    Closing out the night at Town Ballroom were metalcore juggernauts Fit For A King, who wasted no time in unleashing a sonic assault that left the audience reeling. With their bone-crushing riffs and anthemic choruses, the band commanded the stage with authority, inciting mass sing-alongs and frenzied circle pits throughout their set. Tracks “Tower of Pain” and “When Everything Means Nothing” hit with visceral intensity, showcasing the band’s undeniable skill and musicianship.

    But beyond just the music, what truly made the night special was the palpable sense of camaraderie between the bands and their fans. From the shared shouts of the famous Buffalo chant “Let’s go Buffalo!” to the sweaty embraces in the pit, it was clear that this was more than just a concert – it was a community coming together to celebrate the power of music.

    Avoid

    Counterparts

    The Devil Wears Prada

    Fit For A King

  • In Focus: Searows Play to a Sold-Out Crowd at the Mercury Lounge on First Headline Tour

    Indie-folk artist Alec Duckart, known professionally as Searows, played a sold-out show January 25 at New York City’s Mercury Lounge as part of his first headline tour.

    searows
    Alec Duckart – Photo by Molly Higgins

    The show was the last of the tour’s U.S. leg and his second in the NYC area, having played Brooklyn venue Baby’s All Right the day before. The intimate, 250-capacity Mercury Lounge proved to be a cozy home for Duckart’s serene sound. 

    searows

    The crowd of fans, mostly in their teens and twenties, cheered and shouted “I love you”s while Duckart tuned his guitar, before opening with his 2023 single “Older.” The room was hushed as Duckart captivated his audience—the crowd swayed and sang along quietly, but many were silently transfixed by Duckart’s blissful acoustic guitar and poetic lyrics. 

    searows

    Duckart wrote, recorded, and produced his own debut album Guard Dog, which was released in September 2022. In 2023, Duckart released the single “House Song,” which has amassed nearly 20 million streams on Spotify. By the end of that year, Duckart signed to Matt Maltese’s record label, Last Recordings on Earth, and released his six-track EP End Of The World, which his ongoing tour is promoting. 

    searows

    Now that the U.S. leg of the tour is complete, Duckart will make stops in London and Paris. Duckart previously toured as a supporting act for artists including Maltese, Gracie Abrams, and Leith Ross.

    Searows Setlist: Older, End of the World, Coming Clean, Collector, Keep the Rain, Roadkill, Used to be Friends, I Have More Than Enough, I Can and I Will, House Song

  • Brooklyn In Focus: The Forefront of American Music and Art Culture

    The music and art scenes in Brooklyn hold a rich and diverse history that plays a fundamental role in shaping American music culture. Music and art cohesively work together to display emotion, purpose and influence one medium on the other, with the ability to connect communities of people from different backgrounds and cultures through audio and visual languages. Brooklyn’s music and art scenes bring unify the borough with diversity, a melting pot and continually at the forefront of American culture.

    The West Indie Day Parade

    Now, and in decades prior, music and art have become a way of life to the rhythm of Brooklyn, one that is kept alive and running by successive generations of immigrants and transplants from across the world and nation. The power of creativity is not just about entertainment, but about sparking a community to create change, awareness, freedom and unity, becoming a culture that exists as a city’s heartbeat.

    The culture of art exploded in the early 1980s from street art, which put the spotlight on local talent, including TAKI 183 who entangled the graffiti movement, highlighting the power of making a statement and pushing extensive boundaries. In the 2000’s, the Brooklyn art scene got hotter with the digital age and the use of technology as a tool to present digital born art, increasing our understanding of unique characteristic features. Artists began collaborating and the rise of art hubs allowed for universal creativity. Today, art in Brooklyn is accessible and continually celebrated.

    Music records the collective and diverse history of Brooklyn, spanning across genres and generations. In the 1920‘s, jazz became the central sound, evolving and influencing numerous genres to this day. By the 1960s and 70s, the borough became a hub for soul, funk and R&B, and by the 1990’s, the growth of hip hop culture continues national influence today. By the 21st century, the rise of music festivals including BRIC, Afropunk, Brooklyn Folk and Brooklyn Hip-Hop festivals – as well as dozens of cultural and smaller music festivals, parades and events – continuing to bring the borough together through all walks of life.

    The West Indie Day Parade

    The West Indian Day parade has become one of New York’s major cultural celebrations and takes place on Labor Day to parade down the eastern parkway. West Indian culture trace their ancestors back to the Caribbean, where the island takes pride in multifaceted colorful dances, parties, and annual carnival celebrations.

    With vibrant sequins and feathers, the parade highlights an extraordinary range of people and places that show all walks of life and the importance of unity. Caribbean art has become a diverse reflection of culture, seen in their costumes and elaborate face masks in a wide variety of styles inspired by natural and spiritual cohesive elements. The colorful traditions of Carnival and rich presentation of cultural identity has a boundless impact on the art that emerges through the historical parade that showcases pride, heritage, culture and the importance of identity.

    Cultural identity has served as a catalyst for artistic expression, defined by music and art, allowing artists to explore their roots and traditions that serve as an intertwined visual language, creating a narrative that speaks to people of all ethnicities, religions and backgrounds.  Not only does the West Indian Day parade attract a community for the annual celebration, it celebrates a bigger purpose of honor, respect, and support from the borough.

    The Brooklyn Record and Arts Fair

    The Brooklyn Flea Record and Art Fair – held on Saturday, September 30, 2023 at the Marsha P. Johnson State Park – celebrated 12 years of vinyl treasures with over 40 labels, record stores and collectors. The impact and resurgence of vinyl records on the music industry has revolutionized the creation of music, distribution, consumption, and ultimately helped acknowledge the value of the music community. Vinyl allowed music to become more accessible, enabling a visually captivating and engaging representation that highlights a deeper appreciation for the overall experience of music. 

    The record fair celebrates the unity of both mediums, a way for people of all ages to come together to see vendors that also value the evolution of music over the ages. Including alternative, indie, rock, metal, jazz, classical, pop, blues and much more. Artists and music enthusiasts come together to appreciate the tangible experience of holding a physical record that connects them to the roots of music, enhancing the auditory experience that keeps the love for music alive. 

    Art and music go hand in hand, sharing a relationship that evokes an emotional response and involves elements of rhythm, harmony and texture that coexist with one another. Music and art are tools for communication, ingrained into the fabric of our society, our relationships and can be understood universally beyond culture and language.

    The harmony between the two share narrative moments, they inspire and influence one another, that create a unique dynamic that allows music and art to become part of the culture. Art and music share an intertwining relationship that cohesively evokes emotions, community and promote creativity. Building a culture as seen in Brooklyn permits an exploration of identity, communication and reflects symbiosis between the two art forms.

  • Extreme Brings Their Thicker Than Blood Tour to Foxwoods Casino

    Between gamblers playing slot machines and Black Jack, fans crowded into the sold-out Great Cedar Showroom at Foxwoods Casino for the veteran rock band Extreme. The band is on the Thicker Than Blood Tour, supporting their new record, Six. This is the second show for the band after the tour kicked off at the Bergan Performing Arts Center in Englewood, New Jersey.

    Extreme was founded in 1985 in Malden, Massachusetts and is made up of Gary Cherone on lead vocals, Nuno Bettencourt on guitar,  Pat Badger on the bass guitar and Kevin Figueiredo on the drums. 

    Prior to Extreme taking the stage, the New York City native band, Living Colour warmed up the crowd for a 45-minute set. Like Extreme, Living Colour was founded in the mid-1980s and has produced classic hits like “Cult of Personality,” and “Glamour Boys.”

    Living Colour is comprised of guitarist Vernon Reid, Doug Wimbish on the bass guitar, and Will Calhoun from the Bronx, on drums with fellow New Yorker, Corey Glover on lead vocals.

    For the entire 45 minutes, Living Colour produced a powerful and memorable set that included eight songs. During the last song of the band’s performance, as they blasted into the aforementioned “Cult of Personality,” Glover hopped off the stage and walked into the crowd while belting out the lyrics to the song. The crowd erupted as Glover walked up and down each section of the theater, stopping for photos with fans and high-fiving concertgoers. Living Colour did a phenomenal job getting the crowd ready for Extreme.

    As the clock ticked to 9 p.m., the houselights dimmed as the Extreme banner raised behind Figueiredo’s drum kit. With the blue spotlights on them, the band jumped right into “It (‘s a Monster)” off of the band’s most successful record, 1990’s Extreme II: Pornograffitti.

    Throughout the entirety of the band’s set, they incorporated music from their entire discography starting with their self-titled debut record up until their most recent record. While storming through each song, Figueiredo was a man possessed on the drums. His kit didn’t stand a chance as he belted away throughout each song providing chest-thumping beats. 

    Fans who came to the show on the chilly Friday night were certainly in for a treat as Extreme played for two whole hours. At one point of the set, Figueiredo brought out a mini drum kit as the band embarked on a mini, two-song acoustic set that featured the beautiful ballads “Other Side of the Rainbow,” and “Hole Hearted.”

    Even during the band’s acoustic set, there was still so much energy. Throughout the night Cherone slithered and stretched his way around the stage as Badger plucked at his bass guitar during Bettencourt’s shredding solos. It’s widely known that one of Bettencourt’s heroes was the late Eddie Van Halen and Bettencourt paid homage by playing the intro to Van Halen’s “Women In Love…” while saying “Happy Birthday Eddie.”

    It was extremely impressive how each band member was able to work off one another and how they each complimented the other. The band’s stage presence and their comradery were visible from the stage and the smiles they had and the laughs they shared were heartwarming.

    Each song that Extreme played was magical in its own way and it felt like the band was taking you on a career-spanning journey throughout the show. In between songs the band interacted with fans, joked around and overall gave the fans their money’s worth. 

    As the doors flew up at the end of the show and the sound of chips hitting poker tables and slot machines rang in the halls, fans left happy and smiles were shared all around as one of the most hard-working bands in rock and roll right now performed another mind-blowing show.

    Living Colour Setlist: Middle Man, Leave It Alone, Ignorance Is Bliss, Open Letter (to a Landlord), White Lines (Don’t Do It)/Apache/The Message, Glamour Boys, Love Rears Its Ugly Head, Cult of Personality

    Extreme Setlist: It (‘s a Monster), Decadence Dance, #Rebel, Rest In Peace, Hip Today, Teacher’s Pet/Flesh ‘n’ Blood/Wind Me Up/Kid Ego, Play With Me, Other Side of the Rainbow, Hole Hearted, Drum Solo/Money Maker, Cupid’s Dead, Am I Ever Gonna Change, Thicker Than Blood, Midnight Express, Hurrican, More Than Words, Banshee, Take Us Alive/That’s All Right, Flight of the Bumblebee, Women In Love… (intro) Get The Funk Out, Small Town Beautiful/Song for Love, Rise

  • Martin Scorsese at 92Y: Unveiling ‘Killers of the Flower Moon

    On January 23, 2024, the famous 92nd Street Y (92Y) was buzzing with excitement as Annette Insdorf led a lively talk with legendary filmmaker Martin Scorsese. The main focus of the event was a close look at Scorsese’s latest film, “Killers of the Flower Moon.” The audience enjoyed insights into the movie, and with Scorsese having earned an Oscar nomination, he now surpasses Steven Spielberg in directorial acclaim.

    martin scorsese killers of the flower moon

    Adding to the historic moment, Lily Gladstone, who stars in the film, made history herself by becoming the first Native American actress to be Oscar-nominated. Her groundbreaking achievement is a testament to the film’s commitment to diversity and authenticity.

    During the on-stage conversation, Scorsese delved into the intricacies of the filmmaking process, shedding light on the chemistry between the actors that brought his vision to life. One of the key elements discussed was the musical score, composed by Robbie Robertson. Scorsese shared insights into the collaborative process of creating the film’s music. This soundtrack, became Robertson’s last film score before he passed away in August 2023. The film is dedicated to his memory. Robertson’s musical talent earned him a posthumous nomination for the Academy Award for Best Original Score in 2024, showcasing the impact of his contribution to the movie’s emotional atmosphere.

    Another standout point in the conversation was Scorsese’s commitment to authenticity in depicting the Osage Nation, a Native American tribe central to the film’s narrative. The director and his team actively engaged with members of the Osage Nation, meeting with them on multiple occasions to ensure accurate and respectful portrayals of their people and culture. This collaborative effort added a layer of depth to the film, making it a more immersive and genuine cinematic experience.

    To sum it up, the night at 92Y showed us Martin Scorsese’s creative thinking and how he made “Killers of the Flower Moon.” This event celebrated not just his successes but also the diverse magic that makes movies special. It’s a noteworthy moment in his impressive journey in the film world.

  • A Mesmerizing Journey Through Time and Space: Pink Floyd Laser Spectacular at Patchogue Theatre

    On the chilly evening of January 19, music enthusiasts and Pink Floyd fans gathered at the Patchogue Theatre for an unforgettable experience—the Pink Floyd Laser Spectacular. This extraordinary event promised a unique blend of music, visual effects, and a journey through the iconic albums Dark Side of the Moon and The Wall.

    Pink Floyd Laser Spectacular

    As attendees entered the theater, they were greeted with a surprise: each person received two pairs of glasses, hinting at the immersive visual spectacle that awaited them. Excitement filled the air as fans took their seats, eagerly awaiting the start of the show.

    The first half of the performance was dedicated to the timeless masterpiece, Dark Side of the Moon. As the lights dimmed, the audience donned their 3D glasses, instantly transported to a world where music and visuals harmonized in an otherworldly dance. The stage came alive with a mesmerizing display of lasers, perfectly synchronized with the ethereal sounds of Pink Floyd.

    Pink Floyd Laser Spectacular

    A large screen on the stage served as a canvas for three-dimensional images that seemed to leap out into the audience. The combination of 3D glasses and intricate laser work created a surreal experience, immersing everyone in the music and the visual storytelling. Each note seemed to manifest as a burst of color, and the iconic album unfolded in a way that transcended the traditional concert experience.

    The transition to the second half of the show marked a shift in both sound and visuals. The focus turned to the legendary album The Wall, with a special twist. Audience members swapped their 3D glasses for prism glasses, adding a new layer of complexity to the visual experience.

    The prism glasses enhanced the vibrant and kaleidoscopic visuals, complementing the powerful narrative of The Wall. As classic songs from the album echoed through the theater, fans found themselves immersed in a dreamlike state, surrounded by an ever-evolving tapestry of lights and colors.

    The Pink Floyd Laser Spectacular at Patchogue Theatre wasn’t just a concert; it was a journey through the band’s iconic discography, brought to life with cutting-edge visual effects. The fusion of music, lasers, and 3D imagery created a truly immersive experience that left a lasting impression on everyone fortunate enough to attend.

  • Boojum Go Through the Looking Glass for Debut Performance

    The New York City psychedelic rock scene gained a formidable new entrant when Brooklyn-born Boojum took the stage for their first-ever show on Saturday, January 20.

    Performing at the combination music venue/recording studio at Brooklyn’s Firstlive, the four-piece band of Chris Mackin (guitar/vocals), Josh Santiago (guitar/vocals), Sarah Elaz (bass/vocals), and Dan Shein (drums) debuted twelve original songs, with lyrics by poet and translator Tom Mackin. 

    Boojum was born out of a unique one-night-only event at New York’s Brooklyn Bowl that saw Elaz join the Beatles jam band Walrus (Mackin, Santiago and Shein) for a performance inspired by Lewis Carroll’s Alice in Wonderland. Refining that original music and doing away with the theatrical trappings of the “Walrus in Wonderland” show, Boojum’s debut was musically focused, showcasing a creative abundance across an inspired two-sets that kept attendees rapt with refreshing original jams. 

    While the strength of Tom Mackin’s songwriting was apparent when the audience insisted on an unprompted call-and-response during “Vanish Away,” the highlight of the evening was the original “The Mouse.” This bass-driven funky groove led the audience into a fist-pumping “Oysters” to close the first set. When the band retook the stage attendees were treated to another series of originals, peaking with the grooving “Looking Glass House.”

    The full technical capabilities of Firstlive were also on display Saturday night, with Boojum not only leaning into the jam-scene trend of offering a multi-camera live stream of the show but also using the performance to begin recording an inaugural live album.

    In recording their debut EP live, Boojum heightened the atmosphere with added excitement for attendees. The decision to eschew the controlled environment of a studio for the spontaneity and vibrancy of a live performance demonstrated confidence in craft and a belief in the power of the band’s live presentation. 

    Boojum’s debut performance is sure to leave a lasting impression when the inaugural show turns into a full album this spring. Their next performance is at The Sultan Room on March 16. The show will feature dancers, visuals, and guests with the band performing wonderland inspired songs from their forthcoming EP and more. Tickets are on sale now.

    Boojum – Firstlive, Brooklyn – January 20, 2024

    Set 1: Cheshire Cat, Vanish Away, Pig Baby , Vorpal Blade, The Mouse > Oysters 

    Set 2: Mr W. Rabbit > Snark 1, Looking Glass House > Sundial, Caterpillar Hookah

    Encore: Mad Tea Party

  • Magic City Hippies Perform at the Brooklyn Bowl for Winter Tour

    On Thursday, January 18, Miami’s alternative funk band Magic City Hippies performed at the Brooklyn Bowl in continuation of their ongoing winter tour featuring opening artists, The Palms and Josh Fudge.

    magic city hippies

    The Palms formed in Los Angeles in 2015, and have become commendable in today’s independent musical landscape. Some of their top hits include “Breakin’ Up,” “Push Off,” and “All4you,” from their 2016 EP Sway.

    Josh Fudge is an Oklahoma-born multi-instrumentalist who mixes modern vibrancy with alternative indie-pop that feels nostalgic. He is able to bring people together and creates an intimate, homegrown sensation throughout the crowd.

    magic city hippies

    Magic City Hippies are originally from Miami and first dubbed themselves Robby Hunter Band before being renamed back in 2015. They began self producing in 2013 when their first self-titled EP was released. Over the years, their sound has evolved while utilizing loop pedals and incorporating elements of electronic indie rock with a strong emphasis on groove.

    The band consists of lead vocalist and guitarist Robby Hunter, drummer Pat Howard, and guitarist John Coughlin. Some top hits include “Limestone” and “Fanfare” from the Hippie Castle EP and “Queen” and “Water Your Garden” from most recent album Water Your Garden.

    magic city hippies

    Overall, their energetic live performance put on quite the show, blending a mix of psychedelic pop and funk groove while receiving both fan and critical attention during their musical success. Thursday night saw a youthful exchange between the artist and the crowd, cementing a memorable fifth night as part of their winter tour. MCH’s next pit stop is in Boston as we look forward to seeing what’s in store for the  band’s evolution in the psych-funk music scene. 

  • In Focus: 2024 NYC Winter Jazz Fest, Manhattan Marathon & Brooklyn Marathon

    Over the weekend of January 12-13, 2024, NYC Winter Jazz Fest marked its 20th annual celebration. Talented artists captivated the audience with electrifying stage performances and incredible music across lower Manhattan and near downtown Brooklyn.

    LPR Venue – 1.12.24

    In 2005, Brice Rosenbloom initiated the NYC Winter Jazz Fest with the aim of providing exposure to underserved jazz artists. As the festival has grown over the past 16 years, The New York Times calls Winter Jazzfest “the city’s most renowned jazz festival.” 

    Rafiq Bhatia at Music Hall of Williamsburg – 1.13.24

    The Manhattan Marathon took place at diverse venues, including City Winery, Zinc Bar, LPR, Zurcher Gallery, RACKET Future Sounds, Radio Nublu, and Nublu. Whether it was a smaller or larger venue, each location was filled with enthusiastic crowds eager to enjoy fantastic music.

    Mamas Gun at Brooklyn Bowl – 1.13.24

    Union Pool, Loove Labs, Music Hall of Williamsburg, Super Ingredients, Brooklyn Bowl, Jolene Sound room, Baby’s All Right, and several other venues played host to the Brooklyn Marathon. Despite the chilly weather, the excitement of fans remained undeterred as they eagerly gathered to listen to their favorite and new music. Every artist displayed exceptional talent, showcasing their dedication through singing or instrumental prowess. If you happened to miss this year’s Winter Jazz Fest, you definitely wouldn’t want to miss the next one.

    Cisco Swank at Baby’s All Right – 1.13.24
    Cisco Swank at Baby’s All Right – 1.13.24
    Alexis Lombre at Zinc Bar – 1.12.24
    Mark Guiliana at Super Ingredient – 1.13.24
    Chiquita Magic at RACKET Future Sounds – 1.12.24
    Mamas Gun at Brooklyn Bowl – 1.13.24
    Brandee Younger playing the harp with blue smoke and golden light illuminating her.
    Brandee Younger at LPR – 1.12.24
    LPR – 1.12.24
    Ambrose playing the trumpet with his eyes closed in a dark room.
    Ambrose Akinmusine at ROCKET Future Sounds – 1.12.24