Category: Photo Gallery

  • Prof Stages Birthday Heist at Racket on Gallery Tour

    Prof is a Minnesota rapper and founder of the independent label Stophouse Music Group. He is most known for his witty lyricism, a personal favorite being “I moved further from the bank so I could laugh longer” from his raunchy hit “Tarzan.” Prof brought his Gallery Tour and a number of hits to Racket in Manhattan on April 29. Prof has made numerous stops in New York over the years, slowly growing his fanbase, though, by his own admission, not as quickly as he has grown in other markets.

    Futuristic opened the show, jumping around the stage with his videographer. His performance felt deserving of its own show, which is convenient because he will return to New York next month for his own headliner tour. He also debuted a new song with a Prof feature that will be released next week. The second opener, Grip, was equally impressive and invited some fans to rap with him onstage. Grip first introduced a fan he had run into and become friends with after rapping Eminem’s verse from Grip’s song “Walkthrough!” Though the fan was obviously nervous and had some trouble with the mic, he got the crowd hyped and made the song extra special with his excitement.

    To start Prof’s set, his DJ, Willie Wonka, came out first onto an empty stage adorned with cardboard cutouts of marble statues, ancient (plastic) urns, Greek columns, and crates full of artifacts. He began “casing” the stage like an art museum while donning a ski mask and carrying a duffle bag and flashlight. After Wonka finally gave the all-clear, Prof burst out onto the stage with “Feed the Dogs” and more energy than most people have in their entire lives. A gallery is an ironic concept for Prof, who feels more like a bull in a china shop in most settings.

    Prof wore a mathcing teal ski mask and windbreaker combo, pink flamingo socks, and white driving shoes. He has a stage presence like no other and immediately began mean-mugging the crowd while whipping bottled water all over the audience and stage and waving his trusty white towel. After two songs, Prof slowly removed the mask, his face twisted in horror at his own reveal.

    Later when Wonka came out from behind his DJ table to twerk for the audience for the second time that night, Prof used that same towel to slap Wonka’s butt. Prof is not one to focus on his birthday as much as his music. That didn’t stop his crew and the team at Racket from bringing out a huge sheet cake on stage with dozens of candles for him. The audience joined in, singing “Happy Birthday” before Prof eventually moved into his next song.

    Now, Prof continues his tour down south and ends with a show back home in Minneapolis. Hopefully, Prof’s success across North America translates into bigger shows in NYC. He puts on a great show, and it would be even better to share it with a huge crowd.

    Prof – Racket, Manhattan – April 29, 2024

  • The Driver Era Rock Out in Port Chester

    The Driver Era is a dynamic sibling duo comprising Ross and Rocky Lynch, born from the talents honed during their time in their sibling band R5. Hailing from LA, the Lynch brothers have cultivated a unique sound that blends elements of alt-rock and pop. This all results in a captivating discography that resonates with audiences worldwide.

    Since their start as The Driver Era, Ross and Rocky have embarked on a creative journey of artistic exploration. With a passion for pushing musical boundaries and a commitment to authenticity, they captivated listeners with their electrifying live performances.

    The Driver Era made a triumphant return to NY at The Capitol Theatre in Port Chester. This marks a highly-anticipated follow-up to their electrifying show at Pier 17 in NYC the previous summer. Amidst a backdrop of euphoric energy, Ross and Rocky delivered a spellbinding performance that left the audience spellbound.

    The Show

    From the opening notes of “OMG” to the encore of “A Kiss,” The Driver Era unleashed irresistible hooks that had the crowd roaring from start to finish. The Lynch brothers showcased their dynamic stage presence and undeniable chemistry, commanding the stage with effortless charisma and boundless energy.

    Throughout the night, the band treated fans to hits, including “Feel You Now,” “Scared of Heights,” and “Afterglow”. Special moments such as Riker Lynch bringing out his wife to dance during one of the songs added a touch of intimacy to the performance. Rydel Lynch’s presence in the photo pit served as a testament to the band’s close family dynamic as well.

    The audience was fully immersed in the experience, with many fans sporting pink cowboy hats and waving handmade signs. One sign read “I’ll trade my hat for your shirt”, demonstrating audience dedication. The electric atmosphere reached a high when two fans threw their bras on stage during “Preacher Man,” a testament to the band’s magnetic appeal.

    As the night started to close, The Driver Era left the crowd wanting more. They decided to end the show with a euphoric encore performance of “Heart of Mine” and “A Kiss.” With their infectious energy and undeniable talent, The Driver Era proved once again why they are a force to be reckoned with in the world of music.

    Setlist: OMG, Feel You Now, Heaven Angel, Scared of Heights, End of Your Life, Afterglow, Low, Rumors, On My Own (from Teen Beach Movie), Get Off My Phone, Cray Z Babe E, Take Me Away, Giveuwhatuwant, Malibu, Nobody Knows, Fantasy, Preacher Man

    Encore: Heart of Mine, A Kiss

  • Benjamin Tod brings Inspiration to Essex Rochester

    On April 24, music fans filled the industrial looking Essex Rochester, as Benjamin Tod and Lost Dog Street Band serenaded the air with the blended sounds of bluegrass, country, and folk music. The band is on the front end of a 23-stop tour in support of their newest album, Survived.

    Lost Dog Street Band

    Walking into the venue, the smell of vapes and weed, the countless colors and patterns of flannel, and older Subarus with cargo racks let you know that the crowd was going to enjoy themselves and not just have a night out. Young and old alike, these fans were singing along all night long with every song. Of the few shows I have covered at this newer venue, this was easily the fullest I have seen it at the start of a show, and the fans were still packing in as the set went on.

    Starting of the night was the duo Keith and Sparrow Smith, The Resonant Rogues. Coming from the mountains of North Carolina, The Rogues bring some classic, rustic country sounds that match equally with the band they are touring with. A little Twitty, a little Cline, and whole lot of fun.

    Formed in 2013, Keith and Sparrow both brought songwriting experience to the table as they were avid travelers. One by hopping freight trains and the other while performing with a circus troupe. Regardless of their paths, they now are a team on and off the stage, and the connection has been perfect.

    Resonant Rogues setlist: Dusk and dawn, Deluge, Sand into pearls, Misery is my company, Slow burn, 93,500 miles, The Blackest Crow, What Makes Me Think, Leave the Path, Ridgelines, Closing in

    Resonant Rogues

    Hitting the stage around 9 was Benjamin Tod & Lost Dog Street Band. Like many musical artists, Tod has a story of a past. And like many before him, the past has defined who he was, who he is, and what does moving forward, such as making amazing music that tells stories.

    “Survived”, the title track of newest album, is a prime example. Lyrics that ask life’s burning questions, Tod reflects on how and why he got to where he is. Having gone through tumultuous times personally and professionally, he is able to produce a well thought out and complete album, with deep lyrics throughout.

    I carry some burdens too fragile to mold
    I wear them like diamonds though they’re worthless as stones

    As the show goes on, Tod and wife Ashley Mae playing the fiddle, serenade the crowd as they sing along, nearly getting drowned out. On Using Again, you could see and hear the first couple rows of fans belting out every word as loud as they could. Another poignant song, that seemingly speaks of Tod as he was trying his damndest to get and stay clean. Hard, deep thoughts that truly make you think and become grateful for life.

    Lost deep inside of my dirty old soul
    Some starry-eyed boy never taught self control
    The cost of my living was more than I planned
    So I held a needle like a gun in my hand

    Having broken up the Log Dog project at one point, Tod realized that was mistake and after recording a solo album, he rejuvenated the band in early 2023. With that, we have “Survived”, which was released on April 26, aptly named for Benjamin Tod as well as the Lost Dog Street Band weathering some tough storms.

    Setlist: Brighter Shade, Hubbardville Store, Lifetime of Work, Shooting Star, The Mountain, Using Again, Waiting around to Die, War Inside of Me, If You Leave Me Now, Lazy Moonshiner, September Doves, Wyoming, Survived

  • Blues, Roots, and Bourbon take over Buffalo

    April 20 saw year three of the Buffalo Blues and Roots festival at Buffalo RiverWorks. With help from Three Chords Bourbon, Ray Barry and Barry Entertainment has brought some strong Chicago-esque blues to Buffalo’s waterfront on April 20.

    Buffalo Blues and Roots

    Starting in 2022, Barry Entertainment has taken on the daunting task of organizing a full day of music, arts vendors, and bourbon tasting. Over this time they have welcomed international stars, Grammy award winners, and local talents to Buffalo. Vanessa Collier, Selwyn Birchwood, and Colin James to name a few. Pair theses with rising names and local talent and you now have the Buffalo Blues and Roots Festival.

    Like previous years, Three Chord Bourbon, from nearby Clarence, was named sponsor of this event, and offered up some sample of their goods. 2024 saw a Kentucky Straight Bourbon on display, along with a blended bourbon and Rye Whiskey. The straight bourbon was a nice offering subtle notes and smooth finish that left the consumer ready for more. The chatter heard around the tasting table was very positive, and seemed as though the Kentucky straight was the fans choice.

    Starting of the day was Diane Kallay. Originally from the Western NY area, Kallay has earned regional recognition over the years, winning accolades for Best Female Blues Vocalist, as well earning nominations for Best Acoustic Duo (for Kinship, with her brother), and Best Female Vocalist. Her vocal range, and ability to cover multiple genres with relative ease has led to sharing the limelight with such acts as .38 Special and The Marshall Tucker Band.

    On this night, though, Kallay performed a beautiful set along with Barry Arbogast, Paul Beringer, Sal Marino, Keith Spurlock, and Michael Mietlicki. A nice mix of sultry blues and gentle roots to welcome music fans as they entered the venue.

    Next up was Rusty Fisher. If you enjoy classic blues guitar riffs, you need to check out Rusty. Unlike 2023, where he sat in for a couple acts, Fisher had his own set time this year and made it count. Teaming up well known Western New Yorkers Dan Shurtleff (of The Growlers) and Nate Coffey, he took the stage for about an hour and did nothing but amaze the growing crowd. Lucky for locals, he is out and about often. He can be found at Fanatics Pub & Pizza on June 16th, among other venues that kick ass. Riffs, licks, and shredding seem to be the way of life for Rusty.

    Planned accordingly or pure coincidence, Shurtleff was able to remain on stage with his drum set as he is the guy for The Growlers (Facebook). With the incomparable John Lewandowski leading the charge on harmonica, Shurtleff sits comfortably at the drums and does his thing. For the third year in a row, Lewandowski and the rest of the team shook the stage and got fans yearning for more. Seeing them last year for the first time was a treat. 2024 has me looking for more of their shows.

    Joining the band on stage was local star Pat Harrington. Growing up about 45 minutes north of Buffalo, Harrington joined Victor Wainwright and The Train in 2016 and has provided a fresh youthful explosion to the band that Wainwright was seeking. Well known around the Buffalo area, Harrington has taken the blues world by storm and is has been heralded as one of the best young blues guitarists. As the night goes, Harrington would continue to join in and jam with everyone.

    As the show progresses, it seems like the next act couldn’t possibly top the previous. Enter Scott Celani and his band. Covering early music from Black Crowes, the Buffalo native and 2021 inductee to the Buffalo Music Hall of Fame came out rocking a Buffalo Bills cap, black leather jacket and aviator sunglasses, ready to play the part. I can assure you he excelled. As John Popper said “Scott has some pipes!” Not as raspy as Chris Robinson, Celani for sure has what it takes for these covers, and it was on full display as he paraded around nailing every note.

    Following the amazing faux Black Crowes show, a handful of the musicians called an audible and took the stage for a little tribute to the late Dickey Betts. On stage were Ray Barry, Pat Harrington, Guy Nirelli, Dan Shurtleff, Eric Weinholtz, and Dave Thurman. An amazing tribute to a musical legend that the fans and musicians will never forget

    Next up, Patti Parks. Another member of Buffalo Music Hall of Fame, Parks delivered a soulful set, donned in a black and red dress and fedora style hat. High energy and smooth vocals are on full display as Parks proves her worth better than a Buffalo Sabres coach.

    Buffalo Blues and Roots

    Following the dynamite set from Parks, Miller and The Other Sinners hit the stage for the third year in a row. David Miller has nothing to prove to Western NY. He and his Sinners have made a name for themselves at this event as well as others from Buffalo to Syracuse. Some would say he is a household name, and rightfully so. He has shared the stage with names such as Tedeschi, Bonamassa, Vaughn, and Copeland. In doing so, David Miller has paid his dues earned his keep. While Buffalo is not a hotbed for Southern Soul, Miller makes an exception and delivers a world class set. New album for 2024 Thieves in The Breadline includes “Better Times Better Days” which was written pre-Covid and hits on the affect of social media on our lives.

    Based out of Central NY, Tas Cru is a blues-roots songwriter/musician, with a splash of funk thrown into the mix. Take your standard blues jam and kick it up a notch, you wind up with Tas Cru. Soft, subtle lyrics and quick fingers on the guitar are only part of what makes him special. Amid a couple samples of Three Chords Bourbon, Cru flawlessly floats around and interacting with the crowd, he jokes around quips of his time touring, which all turn out to be segways into the next song. Such stories as about a young man saying he should be paid more for helping out. Cru’s response was “welcome to the blues, kid”.

    Rounding out the 9-hour jam session, Victor Wainwright came out to crowd that was the loudest it had been all day. The headlining act of the Buffalo Blues and Roots Festival was at the end of an intense leg of their tour, including back-to-back shows at the aforementioned Fanatics Pub, in Lima, NY. Regardless of that, Wainwright and his Train of musicians, including hometown favorite Pat Harrington, were full of energy as if they had downed a couple red bulls backstage. Playing the ivories and swaying on his stool, ala Ray Charles, Wainright had a story for everything. He talked about getting his musical inspiration from older Disney movies, although he came from a musical family. The music for movies like The Jungle Book were what got Victor into the blues and roots scene. His parents were happy, though, that he was still into music of some sort. Subsequently, he and the band broke out into a very jubilant version of “I Wanna be Like You”, which the crowd really took in.

    Grammy nominated and winner of Blues Music Awards for Piano Player of the Year (3x) and BB King Entertainer of The Year, Victor Wainwright is a name you will hear often and if you ever have the chance, you need to go see the show. Truly amazing and inspiring for all ages.

    The blues and roots don’t always have to be the classic sounds of Elmore James or Cab Calloway. One song from Miller and The Other Sinners or Victor Wainwright will convince you of that. Still blues and roots, but with some modern flare and ingenuity, the artists on stage today make the genre much more marketable to the new generation.

    Year three of Buffalo Blues and Roots didn’t see as many visitors as the first two years, but when you are going against a big show at the Highmark Stadium and numerous 420 events around town, you are bound to see a decline. Craft vendors, bourbon tasting and nine hours of outstanding music for a respectable price tag, one would be foolish not to check it out. Despite that, organizer Ray Barry said next year is in the works, and I will be there. In addition to this festival, Barry Entertainment (Facebook) organizes other events in and around the Buffalo area, please go check them out.

  • In Focus: Souls of Mischief Perform in Buffalo for the First Time

    Souls of Mischief performed in Buffalo for the first time on April 21 at Electric City, commemorating the 30th anniversary of their debut album, 93 to Infinity. They had the audience buzzing all night.

    Souls of Mischief

    Originating from Oakland, California, the group has been producing music for three decades. The group formed in 1991 and gained popularity through the years. They released their hit album 93 to Infinity on September 28, 1993. This concert highlighted their accomplishments in the music industry.

    Souls of Mischief

    Prior to the anticipated set by Souls of Mischief, the audience was captivated by a lively performance from local cover band Co Jones. Their energetic performance had the crowd dancing and singing along to soul/funk and popular pop songs, setting the stage for the main act.

    Souls of Mischief

    The crowd was buzzing with excitement as Souls of Mischief took the stage. They delivered a dynamic performance that had the audience fully engaged and entertained. The band’s vibrant music and compelling lyrics resonated with the crowd, creating a memorable experience for everyone in attendance.

  • Porter Robinson Coming to Forest Hills in Late Summer

    Porter Robinson has announced a five-continent world tour including stops in more than 30 North American cities, Europe, and Asia – including Forest Hills Stadium in Queens – in support of his highly-anticipated third studio album SMILE! 😀, releasing on July 26.

    porter robinson

    The SMILE! 😀 World Tour includes a stop at Forest Hills Stadium in New York, NY, August 31, 2024. Dates in Australia and Latin America will also be announced soon. Full routing is available below. Robinson will debut a completely new live production, including a full live band during his SMILE! 😀 World Tour, after first experimenting with the band format at his own sold-out Second Sky festival and again in 2023 at Coachella’s main stage.

    Fans can expect opening acts ericdoa in North America, underscores in Europe and Galileo Galilei in Japan. Pre-sale commences Tuesday, April 30 at 10 am—fans can register for early access to tickets at porterrobinson.com. Various presales will take place throughout the week including a CITI presale in the U.S. (details below) ahead of the general on sale on Friday, May 3 at 10 am.

    For more information on the tour and tickets, visit porterrobinson.com. The tour will also offer a variety of different VIP packages and experiences for fans. VIP Packages may include premium tickets, exclusive access to the pre-show VIP lounge, access to a VIP bar, early entry into the venue, pre-show merchandise shopping opportunity, specially designed gift item, and more. VIP package contents vary based on offer selected.

    For more information, visit vipnation.com (N. America) or vipnation.eu (Europe). CITI is the official card of Porter Robinson presents SMILE! 😀 World Tour. CITI Card Members will have access to presale tickets for the U.S. dates beginning on Monday, April 29 at 10 AM until Thursday, May 2 at 10 PM through the CITI Entertainment program. For complete presale details visit www.citientertainment.com.

    Porter Robinson SMILE! 😀 World Tour Dates:

    August 29, 2024 – Boston, MA – MGM Music Hall at Fenway

    August 30, 2024 – Boston, MA – MGM Music Hall at Fenway

    August 31, 2024 – New York, NY – Forest Hills Stadium

    September 5, 2024 – Atlanta, GA – Coca-Cola Roxy

    September 6, 2024 – Orlando, FL – Addition Financial Arena

    September 7, 2024 – Miami, FL – FPL Solar Amphitheater at Bayfront Park

    September 10, 2024 – Nashville, TN – Municipal Auditorium

    September  11, 2024 – Charlotte, NC – Skyla Credit Union Amphitheatre

    September 13, 2024 – Philadelphia, PA – TD Pavilion at the Mann

    September 14, 2024 – Columbia, MD – Merriweather Post Pavilion

    September 15, 2024 – Pittsburgh, PA – UPMC Events Center

    September 17, 2024 – Montreal, BC – MTELUS

    September 19, 2024 – Toronto, BC – HISTORY

    September 21, 2024 – Toronto, BC – HISTORY

    September 22, 2024 – Detroit, MI – The Fillmore

    September 23, 2024 – Indianapolis, IN – Everwise Amphitheater

    September 26, 2024 – Madison, WI – The Sylvee

    September 27, 2024 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

    September 28, 2024 – Minneapolis, MN – The Armory

    September 30, 2024 – St. Louis, MO – Saint Louis Music Park

    October 1, 2024 – Oklahoma City, OK – The Criterion

    October 8, 2024 – El Paso, TX – El Paso County Coliseum

    October 11, 2024 – Los Angeles, CA – Hollywood Bowl

    October 12, 2024 – Phoenix, AZ – Talking Stick Resort Amphitheatre

    October 13, 2024 – San Diego, CA – The Rady Shell at Jacobs Park

    October 15, 2024 – Albuquerque, NM – Revel

    October 17, 2024 – Denver, CO – Ball Arena

    October 18, 2024 – Salt Lake City, UT – Utah First Credit Union Amphitheatre

    October 19, 2024 – Las Vegas, NV – BleauLive Theater

    October 24, 2024 – Sacramento, CA – Wheatland Toyota Amphitheatre

    October 25, 2024 – San Francisco, CA – Shoreline Amphitheatre

    October 29, 2024 – Boise, ID – Revolution Concert House

    October 31, 2024 – Portland, OR – Alaska Airlines’ Theater of the Clouds

    November 1, 2024 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre

    November 2, 2024 – Seattle, WA – Climate Pledge Arena

    November 25, 2024 – Bangkok – Samyan Mitrtown Hall

    November 27, 2024 – Singapore – The Star Performing Arts Centre

    December 8, 2024 – Manila – The Podium

    December 10, 2024 – Taipei – Zepp New Taipei

    December 12, 2024 – Seoul – Myunghwa Live Hall

    February 10, 2025 – Tokyo – Tokyo Garden Theater

    February 11, 2025 – Osaka – Namba Hatch 

    February 12, 2025 – Nagoya – Diamond Hall

    February 14, 2025 – Fukuoka – UNITEDLAB

    February 21, 2025 – Berlin – Huxleys Neue Welt

    February 22, 2025 – Hamburg – Fabrik

    February 24, 2025 – Oslo – Rockefeller Music Hall

    February 25, 2025 – Stockholm – Berns

    February 26. 2025 – Copenhagen – Vega

    February 28, 2025 – Amsterdam – Melkweg

    March 3, 2025 – Cologne – Live Music Hall

    March 4, 2025 – Paris – Salle Pleyel

    March 6, 2025 – London – O2 Academy Brixton

    March 7, 2025 – Manchester – Albert Hall

    March 8, 2025 – Glasgow – SWG3 Galvanizers

    March 10, 2025 – Dublin – 3Olympia Theatre

  • Spafford Covers All The Bases At Brooklyn Bowl

    Spafford returned to New York City’s Brooklyn Bowl last weekend for a “holiday” performance on April 20 with a show full of cover songs and some exquisitely jammed out originals. This three-set show marked the end of a short run of shows in the Northeast for the band, who are back in action after a scary accident on tour last month in Ohio. Spafford certainly showed no signs of being worse for the wear and made it an enjoyable 4/20 for all involved.

    Photo Credit: Perri Sage Photography Perrisage.com

    A late arriving crowd to the Bowl walked into a soundtrack mix of classic rock hits on the PA atop a bed of pin strikes and gutter balls. Pre-show music included a nice live version of “In Memory Of Elizabeth Reed” as a nod to the recently departed Dickey Betts. Spafford then took the stage and started things off with the appropriately titled “I Can’t Find My Vape,” a newer, funky instrumental tune in the vein of Herbie Hancock.

    The crux of the first set, however, was the next two songs, starting with a near 30-minute “Comfortable.” The song started out exactly as such, with a nice comfortable groove to it, before an intense guitar solo from Brain Moss ushered in another loose but explorative jam with strong psychedelic undertones. Certainly no strangers to extended jamming, the band showed off their musical prowess early and took the sound down to near ambient levels before building it back up to a triumphant finish.

    This was followed up “The Postman,” another original but a much more composition-based song off their 2018 release For Amusement Only. The now firmly entrenched keyboardist Corey Schechtman shined on all of them – piano, synthesizer, and organ – as Spafford doled out some more legitimate funk to the Brooklyn Bowl audience through a thick, oozing jam that slowly escalated in pace. The opening set then came to a close with an old school original, the reggae-tinged “Diana” that culminated with another provocative Moss guitar solo.

    Spafford then let all the covers out in the second set and wasted no time in doing so. Drummer Nick Tkachyk began things with a simple, lone, up tempo drum beat and the band then immediately launched into their take of Stone Temple Pilots’ “Plush.” With its faster pace and underlying organ fills, it’s certainly a more joyous take on the dour alt rock classic. True to their nature, Spafford stretched out the ending and molded it into a massive jam that maintained upbeat and completely danceable. This eventually led to bassist Jordan Fairless taking over the mic to lead the way on a take of Porno for Pyros’ “Pets,” another regular in the Stafford stable of cover songs.

    Another jam that smoothly shifted from mellow to breakneck then served as the springboard for a leap into another signature cover song, Tears For Fears’ “Mad World.” Schechtman on piano alongside some furious rhythm guitar from Moss served as the fuel for yet another ebullient interpretation of a glum pop hit from yesteryear. Spafford then shifted from musical influences to modern day and segued right into a newer cover song they’ve made their own, Demi Lovato’s “Anyone.” Moss did the heartfelt, introspective lyrics about prayer justice all while the song never lost its peppy undercarriage. To close out the second set at Brooklyn Bowl, Spafford once again delved into the alternative music playbook with a pair of Green Day covers. Fairless returned to lead vocals for their their techno-like cover of “Brain Stew” which was parlayed right into a jazzed up take on “Jaded,” both making their live Spafford debut.

    The third set began with a not-so-subtle nod to the holiday at end with a quote from the movie Reefer Madness played over the PA and Spafford followed in tow with an entertaining cover of Sublime’s “Smoke Two Joints,” a song they first debuted last year on 4/20. It paid homage to the original at first and then turned into a sprawling, exploratory jam that reached several veritable peaks before rounding back into form.

    With the holiday formalities out of the way, the third set was then dominated by the other extended jam of the evening, a 30-minute “Dirtbag” that served as testament to the band’s musical dexterity. Starting with a rollicking funk jam, it soon devolved into total silence before being resuscitated by some triumphant guitar fills from Moss. The multi-textured song also has elements of progressive rock, acid jazz and, of course, jam band, really allowing band the show off their full skill set.

    Photo Credit: Perri Sage Photography Perrisage.com

    Spafford then closed out another successful appearance at Brooklyn Bowl with one last flurry of cover songs, starting with Pink Floyd’s “Run Like Hell.” It’s not quite as hectic as The Disco Biscuits’ take on it, but thanks to some looping synthesizer sounds produced by Schechtman and more metronome-like precision from Tkachyk on drums, it eventually produced an incredibly lively jam that funneled right into “Cantaloupe Island,” some actual Herbie Hancock. After some heartfelt thanks from Moss, Spafford paid one last respect to the date and sent folks on their way with an honest cover of Tom Petty’s “You Don’t Know How It Feels” and its joint smoking instructions.

    As a reminder, Spafford has several upcoming shows in New York including one on June 12 at Rochester’s Water Street Music Hall. Three days later, Spafford is set to play Colony in Woodstock and then the band wraps up their time in NY (for now) with a stop on Long Island at The Stephen Talkhouse in Amagansett on June 17. Tickets for all Summer Tour dates are on sale at spafford.net

    Spafford Brooklyn Bowl – New York, NY 4/20/24

    Set 1: Can’t Find My Vape, Comfortable > The Postman, Diana

    Set 2: Plush > Pets->Mad World->Anyone, Brain Stew->Jaded

    Set 3: Smoke Two Joints > Dirtbath, Run Like Hell->Cantaloupe Island

    E: You Don’t Know How It Feels

    All photos by Perri Sage Photography Perrisage.com

  • Danielle Nicole, Kevin Burt and Soulful Femme Blow Roof Off Retro Live in Plattsburgh

    Danielle Nicole and her band, Kevin Burt, Big Medicine and Soulful Femme put on a fantastic night of blues at Retro Live in Plattsburgh on Saturday, April 20.

    Danielle Nicole headlined the show as part of her 2024 tour throughout the US and overseas and in support of the recent release of “The Love You Bleed”. Nicole wrote all but four of the songs on that project and co-wrote the remaining four with Brandon Miller.  The album hit number one on the Billboard, iTunes and Spotify charts. Nicole performed cuts from both her new release and prior albums.

    Kevin Burt photo by Carl Rubino

    With a powerful voice, skillful musicianship, and dynamic stage presence she gave the packed crowd just what it came for – blues that reaches your core. Switching between two four string electric bass guitars, and together with Brandon Miller on electric guitar and vocals and Go-Go Ray drums, she blew the roof off the place, bringing the diverse crowd to enthusiastic dancing and cheering.

    Grammy nominated in Contemporary Blues, inducted into the Kansas City Hall of Fame, recipient of multiple Blues Music Award, and charted on the Billboard Blues Charts, it’s no surprise that she has logged over 10 million streams on Spotify. 

    Nicole’s set included a stellar guitar solo by Brandon Miller alternating between fingerpicking and flatpicking on a Les Paul and a killer drum solo by Go-Go Ray, both of which found the audience screaming with excitement.

    Danielle Nicole photo by Carl Rubino

    Kevin Burt and his band Big Medicine preceded Nicole’s performance with an excellent set comprised of Burt’s own songs and covers of songs by Bill Withers and well-known blues artists.  Burt is a triple first-place winner of the International Blues Challenge and nominee for Best Acoustic Artist at the Blues Music Awards. 

    With his big voice, excellent guitar skills, blues harp and warm stage presence, Burt delivered a compelling performance of blues and soul music, backed by guitarist Ken Valdez.  He performed in support of his newly released album, Thank You Brother Bill, A Tribute To Bill Withers, with all but Burt’s song “Thank You Brother Bill” being performances of some of Wither’s most recognized, and not so well known, songs, which reached the top of the Billboard charts.  

    Danielle Nicole photo by Carl Rubino

    Between songs, Burt touched the hearts of his audience when he spoke of his recent experience teaching music in a local school when it went into an active shooter lockdown, as well as his work to bring music to young people and musical instruments to youth who cannot afford them.

    Soulful Femme, a duo consisting of Stevee Wellons on vocals and Cheryl Rinovato on guitar, opened the show with a captivating mixture of Rinovato’s skilled guitar playing and Wellons’ vocals. 

    Drawing upon influences as varied as Jimi Hendrix and Marvin Gaye the pair presented a unique sound with elements of blues, rock and soul. The pair performed in support of both their current East Coast Tour thorough May and their recent album release ATTITUDE, with all but one of the songs written by Wellons and by Rinovato.

    Danielle Nicole with Brandon Miller photo by Carl Rubino

    Following Danielle Nicole’s set, she and her band were joined on stage by Kevin Burt and his guitar player Ken Valdez, where the combined forces did a fantastic rendition of Bill Withers’ “Use Me Up”, sung by Burt with guitars by Valdez and Brandon Miller.

    The event was put together by Plattsburgh Blues & Jazz, a non-profit organization which brings world class blues and jazz musicians to the Plattsburgh region of Northeastern New York, hosted at Retro Live, a relatively new, and up and coming music venue that is very much a regional North Country jewel.

  • A night with Matt Maeson in Buffalo

    On April 20, Matt Maeson took the stage at Electric City with Brother Bird for a one-night intimate engagement in Buffalo. A night full of feelings and connection.

    Brother Bird, a Nashville-based singer, started the night by captivating the audience with her melodic sound and mesmerizing lyrics. Each of her songs she performed set the tone for the rest of the night.

    Matt’s solo experience brought the audience an intimate engagement. The audience was seated close to the stage. Between songs, Matt would share personal stories about the next song he was going to perform. With each interaction through song and stories, he drew the crowd in, and you could see and feel the audience so engaged with him and taking in each lyric that he sang to them.

    By the end of the night, Matt Maeson and Brother Bird left the audience in their feels and more connected.

    After his solo tour, Matt will be opening for Zach Bryan from July through December and will be back in New York on December 18 and 19th at the Barclays Center in Brooklyn. Brother Bird will be performing in Brooklyn on May 4, opening for The Brevet.

    Matt Maeson setlist: That’s My Cue, Blood Runs Red, Me and My Friends Are Lonely, Halfway the Hole, Cringe, Cliffy, Feel Good, Tribulation, Split Personality Blues, Rational, Nelsonwood Lane, Get Happy, Sanctified, Bank on the Funeral, Cut Deep, Hallucinogenics, Beggar’s Song
    Encore: Legacy

  • Judas Priest Opens Up US Tour With Spectacular Show In Wallingford, Connecticut

    The year 1974 was when Judas Priest’s debut record, Rocka Rolla was released. Now, 50 years later, the legendary British metal band was in Wallingford, Connecticut on Thursday, April 18 for the first show of their United States leg of a tour in support of their new record, Invincible Shield. Last fall the Toyota Oakdale Theatre hosted the first night of Judas Priest’s 50 Heavy Metal Years Tour with Queensrÿche. This time, the Swedish heavy metal band, Sabaton was the opener for the Rock and Roll Hall of Fame band.

    Judas Priest is coming off a few-month trek of shows in Europe. By the time the band hit the United States, the well-oiled Judas Priest machine was ready to roll. The entire night was a beautiful ceremony of heavy metal that brought fans of all ages and all eras of the band together.

    Before Judas Priest took the stage, the previously mentioned Sabaton graced the stage at 7:30. The eager Priest fans cheered for the Swedish natives who had a great following at this show. For the opener, it might take a few songs for the band to win over fans. But, the band – who dressed in camo pants and black tops – won fans over from the first note with their history-inspired lyrics and Amon Amarth’s style of metal. 

    The band was backed by an army tank which served as a drum riser for Hannes Van Dahl. This hasn’t been seen for some kiss fans since Eric Carr of KISS had his drums on top of a tank during the band’s “Creatures of the Night” tour in the 80s. At one point in the show, the band dawned World War II-style gas masks while they played. Lead singer Joakim Brodén sang through the mask while carrying a large canon-like prop around the stage. Fans around the theatre all gasped in amazement while taking videos on their phones.

    Joining Brodén and Van Dahl in Sabaton is Pär Sundström on bass, with Chris Rörland and Thobbe Englund. Englund is rejoining the band after an eight-year absence from the group. It was announced on Feb. 9 that Englund was rejoining and replacing guitarist Tommy Johansson.

    England has always produced some of the best heavy metal bands in the world. Arguably, Black Sabbath is at the top of that list. Sabbath and Priest have had a wonderful friendship over the years. Judas Priest lead singer, Rob Halford filled for Black Sabbath singer Ozzy Osbourne on a handful of occasions. It was only fitting for Priest to blast Black Sabbath’s “War Pigs,” off of 1970’s Paranoid through the PA system. In unison, louder than any guitar that night, the crowd belted out lyrics to Sabbath’s famous tune before Judas Priest took to the stage.

    With a curtain of the tracklist of the brand-new record, at the forefront of the stage, the lights began to flicker. When the curtain dropped and the band was all cluttered together on a staircase leading to Scott Travis’s drum kit. The band plunged into “Panic Attack” off of the brand-new record. The cheering and screaming from the crowd was deafening as the band spread out on the stage to meet the eager Wallingford crowd. The band played 18 songs that crisscrossed their entire career and spanned their entire discography.

    The band sounded as tight as ever. Guitarist Richie Faulkner was prancing around the left side of the stage the entire night. He was a man possessed by his blue Flying V and Explorer guitars. Throughout the night, he was running around the stage, posing at the edge as well as – in KISS-like fashion – throwing guitar picks into the crowd while throwing up the rock and roll horns.

    Halford sounded better than ever. His signature screaming and wailing was music in itself to the metal maniacs that had sold out the theatre. Bassist Ian Hill, who is only one of two members in the band from the “classic lineup” stood comfortably towards the band behind guitarist Andy Sneap. Hill would barely move from his spot the entire night yet was the anchor in the rhythm section. Sneap was brought on board to produce the band’s latest two records, 2018’s Firepower and the new Invincible Shield. He has been in the band as a touring guitarist and producer ever since 2018.

    Priest’s iconic cross logo was hung above the stage. With each song, it would light up different colors, shoot lights out and even at one point in the show it moved down towards the front of the stage. People around the theatre all pointed and again, took out their phones to capture the cool moment.

    The band blasted through their set, which featured hits like “Breaking the Law,” “You’ve Got Another Thing Comin’,” and “Painkiller.” At one point during the encore, Halford rod out on a motorcycle and wore a biker cap to signify the second to last song, “Hell Bent for Leather.”

    By the time the last song of the night was played, “Living After Midnight,” off of the band’s 1980 album, British Steel and Queen’sWe Are the Champions” was played off the PA system, fans were already talking about when they would be seeing the band next. Judas Priest was brought up with bands like KISS and Aerosmith but at the rate they are going, Priest will still be going for more years to come.

    Sabaton setlist: Ghost Divison, The Last Stand, Swedish Pagans, The Red Baron, Bismarck, Stormtroopers, Carolous Rex, Shiroyama, The Attack of the Dead Man, Primo Victoria, Soldier of Heaven, To Hell and Back

    Judas Priest setlist: Panic Attack, You’ve Got Another Thing Comin’, Rapid Fire, Breaking the Law, Lightning Strike, Love Bites, Devil’s Child, Saints in Hell, Crown of Horns, You Don’t Have to Be Old to Be Wise, Turbo Lover, The Green Manalishi (With the Two Prong Crown), Painkiller, Electric Eye, Hell Bent for Leather, Living After Midnight