Dreamer Boy is the alter ego of Zach Taylor, a rising star in the indie pop scene known for his dreamy soundscapes and heartfelt lyrics. Hailing from Nashville, Tennessee, Dreamer Boy blends elements of lo-fi pop, bedroom pop, and indie rock to create a unique musical experience that resonates with listeners across various genres. His music often explores themes of love, self-discovery, and nostalgia, wrapped in lush, atmospheric production.
Dreamer Boy released his debut album Love, Nostalgia in 2018, receiving praise for its introspective lyrics and innovative sound. Following this, he released All the Ways We Are Together in 2021, further establishing his presence in the indie music world. Dreamer Boy’s ability to craft emotionally resonant songs with a laid-back vibe has earned him a dedicated fan base and critical acclaim.
Dreamer Boy’s performance at Baby’s All Right in Brooklyn on June 11th was nothing short of magical, marking his triumphant return to New York City with a late-night show that left the audience enchanted and wanting more.
Eager fans filled the intimate venue to capacity, creating an electric atmosphere that perfectly set the stage for Dreamer Boy’s unique blend of indie pop. As the lights dimmed and the first notes filled the room, Zach Taylor, adorned in a painted clown face with a giant star over his eye, cowboy hat, and cowboy boots, took the stage with an infectious energy.
A Cowboy’s Charm
One of the most endearing aspects of Dreamer Boy’s performance was his playful and carefree demeanor. Throughout the night, he delighted the crowd with goofy little dance moves, his cowboy boots adding a whimsical touch to his already charming stage presence. His lightheartedness was contagious, and the audience couldn’t help but smile and dance along with him.
Audience Participation
Dreamer Boy’s interaction with the audience was a highlight of the night. He exclaimed early in the set, “We made it to the big city!” which the crowd met with enthusiastic cheers. His genuine excitement and gratitude for being in New York City were palpable, adding a layer of authenticity to his performance.
At one point, he playfully asked the crowd, “Can I get a yeehaw?” The audience responded with a resounding “Yeehaw!” that echoed through the venue, solidifying the bond between the artist and his fans. Later in the night, he expressed his appreciation by saying, “Thanks for having us yâall, this is too fun, this is too fun,” capturing the joyous spirit of the evening.
Dreamer Boy’s setlist for the night included a mix of fan favorites and newer tracks, each performed with an emotional depth that drew the audience in. His vocals, layered over dreamy instrumentals, created a sonic landscape that transported listeners to a place of introspection and bliss. Songs like “Falling for the Wrong One” and “Crybaby” showcased his lyrical prowess and ability to connect with the audience on a personal level.
The intimate venue allowed a close connection between Dreamer Boy and his fans, making the performance feel shared. Dreamy visuals and ambient lighting enhanced the show’s ethereal vibe, creating a captivating atmosphere that perfectly complemented his music.
Dreamer Boy’s show at Baby’s All Right showcased his growth as an artist. His playful personality and engaging presence stood out. Heartfelt music and fun moments made the performance emotionally resonant. As he rises in indie music, Dreamer Boy’s unique sound and genuine audience connection shine. Fans left the venue smiling and with hearts full of his dreamy melodies. They eagerly anticipate his next visit to the big city.
Melanie Martinez’s return to New York City on June 5th for her Trilogy Tour at Madison Square Garden (Night One) marked a significant moment for the artist and her fans. Following her memorable performance at Radio City Music Hall last year, Melanie once again captivated her audience with a meticulously crafted show that highlighted her evolution as an artist.
As a native New Yorker, she played to a packed arena filled with passionate fans of all genders and ages; a true testament to her enduring appeal and artistic vision.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Melanie Martinez: An Album Retrospective
Martinez’s Trilogy Tour followed her journey as an artist through her 3 existing albums: Crybaby, K-12, and Portals. Her debut studio album, Cry Baby, was released in 2015. It was a concept album that told the story of a character named Cry Baby through whimsical yet dark songs.
Her sophomore album, K-12, released in 2019. This continued the story ofCry Babywith a corresponding feature film; showcasing Melanie’s talents not just as a musician but also as a filmmaker and storyteller.
In 2022, Portals explored themes of rebirth and transformation, marked by an ethereal and otherworldly aesthetic. Known for her theatrical live performances, Melanie’s concerts are immersive experiences that blend music, visual art, and storytelling.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 1: Crybaby
The concert began with a bang as Melanie appeared on an elevated platform for “Crybaby,” dressed in a pink cotton dress surrounded by dancers in bunny ears and “crybaby” costumes. The stage backdrop featured cradle imagery, setting the tone for the whimsical and dark narrative that defines the Crybaby album. Fans dressed in elf ears, dresses, and bows screamed in delight as the platform gradually lowered, seamlessly transitioning into “Doll House.” Here, Melanie and her dancers performed a doll-like choreography, with expressive movements that visually spelled out “d-o-l-l-h-o-u-s-e.”
The attention to detail continued with “Sippy Cup,” where her dress swayed to the beat as she reached the main stage. The show maintained its high energy with “Carousel,” featuring a two-headed rabbit carousel and pyrotechnics that mirrored the burning carousel imagery. For “Alphabet Boy,” Melanie rose on a platform stylized as alphabet blocks. During “Soap,” actual bubbles filled the stage, enchanting the audience.
“Pity Party” brought inflatable candles to the stage, with heart-shaped balloons falling from the ceiling during the song’s climax. Melanie’s playful use of a pink axe added a dramatic flair, much to the crowd’s delight. The first album segment concluded with “Play Date” and “Mad Hatter,” with Melanie disappearing in a cloud of smoke.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 2: K-12
Transitioning into the K-12 segment, the stage transformed into a school bus that landed in front of a school backdrop, revealing Melanie in her schoolgirl costume. The nostalgic “Wheels on the Bus” set the stage for the school-themed songs, including “Class Fight,” where Melanie and a dancer balanced on a seesaw.
“Show and Tell” saw Melanie as a marionette, complete with ribbons tied to her wrists, which she dramatically broke free from at the song’s end. The theatricality continued with “Nurses Office,” where Melanie was wheeled out on a gurney by dancers dressed as nurses. “Strawberry Shortcake” featured Melanie on a platform stylized as a strawberry shortcake, glowing ethereally.
“Lunchbox Friends” depicted a narrative acted out by dancers, while “Teacherâs Pet” was a solo performance with Melanie emerging from a desk, rolling on the ground, and utilizing fire pyrotechnics. “High School Sweethearts” featured dancers parading with lit-up sweetheart candies bearing cheeky messages, culminating with Melanie being “shot” by a cupid’s arrow on screen and lowered beneath the stage.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 3: Portals
The final segment, focusing on the Portals album, began with “DEATH,” aligning with the theme of rebirth. Melanie appeared in a floral, earthy dress with a fairy/alien mask, surrounded by dancers in minimalist forest nymph attire. The stage transformed into a cemetery, complete with giant headstones and a gate opening on the screen.
In “VOID,” Melanie danced with her mask on against a backdrop of a wispy black void. “TUNNEL VISION” featured a light ring that followed her, creating a mesmerizing effect. “FAERIE SOIREE” brought inflatable mushrooms to the stage, while “LIGHT SHOWER” had Melanie sitting on a giant slug prop, twirling gracefully.
“SPIDER WEB” saw Melanie donning wings on a platform, accompanied by a dancer in a fly costume, portraying a passionate young fan. “BATTLE OF THE LARYNX” was a dramatic solo performance where Melanie wielded a sword against a dragon on screen, complete with intense fire pyrotechnics.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Night One of Melanie Martinezâs Madison Square Garden run was a spectacular blend of music, theatrics, and storytelling. Each song was a meticulously crafted experience, demonstrating Melanieâs unparalleled attention to detail and artistic integrity. From her set designs and elaborate costumes to her dynamic choreography and powerful vocals, Melanie proved why she remains a trailblazer in the music industry. Her return to New York was nothing short of triumphant, leaving fans eagerly anticipating what she will create next.
The 2024 Songwriters Hall of Fame 53rd Annual Induction and Awards Dinner once again took New York City by storm on the evening of June 13, 2024.
Opening with remarks by SHOF Board Member and Show Committee Chair Evan Lamberg, the Gala recognized and honored the immeasurable impact of some of the most legendary songwriters of our time.
NEW YORK, NEW YORK – JUNE 13: Carrie Underwood speaks onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
The evening was a dazzling spectacle as musical icons Hillary Lindsey, Timothy Mosley p/k/a Timbaland, Dean Pitchford, Bill Berry, Peter Buck, Mike Mills, and Michael Stipe p/k/a R.E.M., and Walter Becker and Donald Fagan p/k/a Steely Dan were inducted into the Songwriters Hall of Fame. Master songwriter and multi-award-winner Diane Warren received the prestigious Johnny Mercer Award, and 4X GRAMMY award-winning recording artist SZA received the Hal David Starlight Award. The night also followed the posthumous induction of legendary country songwriter Cindy Walker to the SHOF for her remarkable contributions to the world of music in a special tribute held at a SHOF Master Session in Nashville.
NEW YORK, NEW YORK – JUNE 13: Trey Anastasio performs onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
The Songwriters Hall of Fame Induction and Awards Dinner, year after year, is a stunning night full of spectacular moments honoring the art of songwriting. The evening kicked off with a special performance of Irena Cara’s “Fame,” performed by 2024 Abe Olman Scholarship recipients Rodney Chrome, Molly Kate Kestner, Sierra “Spirit” Kihega, Ava Liv Mabry, and Matilda Marigolds. 4X GRAMMY award-winning recording artist Deniece Williams then took the stage to begin the induction of Oscar-winning and multi-GRAMMY and Tony-nominated songwriter Dean Pitchford. Williams performed her 1984 hit “Let’s Hear It for the Boy” of Footloose fame, which had the whole crowd clapping to the rhythm. Multi-award-winning actor Kevin Bacon and musician Michael Bacon, who together form The Bacon Brothers, then continued the party, bringing the house to their feet for an electrifying performance of “Footloose” that put Kevin Back in the dancing shoes of his former role. The brothers then inducted Dean, saying his writing has “inspired all of us to reach for our dreams.” Following his induction, Dean performed “Once Before I Go,” a piano-backed, emotional retrospective, fitting for such a momentous occasion.
Renowned manager Irving Azoff began the honors for Steely Dan, naming them “among the best bands ever” and claiming that “their records will be recognized as iconic for the rest of time.” Singer-songwriter and lead guitarist of Phish, Trey Anastasio, then took the stage to perform a medley of Steely Dan hits. The funk-infused “Kid Charlemagne” blended seamlessly into the famous riffs of the timeless, swinging groove of “Reelin’ In the Years.” Trey then inducted Donald Fagan and Walter Becker, stating that together, “they created a body of work that defied categorization – masterful, thought-provoking, elegantly melodic songs filled with beautifully flawed, deeply human and believable characters.”
Songwriters Hall of Fame Chairman, Rock & Roll Hall of Famer, and 6X GRAMMY award-winning musician Nile Rodgers took the stage next to honor SZA with the Hal David Starlight Award, which is presented to young songwriters making a significant impact in the music industry with their original songs. Nile praised her abilities as a composer, which “manage the amazing feat of being ethereal and keeping it real at the same time.” The 4X GRAMMY award-winning recording artist then performed an intimate, acoustic performance of her hit “Snooze” from her breakthrough sophomore album SOS, and claimed that receiving this award “validates [her] entire career.”
NEW YORK, NEW YORK – JUNE 13: (L-R) Carrie Underwood, Clive Davis and Diane Warren attend the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
Next to the stage was 8X GRAMMY award-winning country superstar Carrie Underwood who kicked off the induction for Hillary Lindsey with a powerful performance of “Jesus Take the Wheel” from her debut album Some Hearts. Carrie bestowed the title “queen of modern Nashville songwriting” to Hillary and 4X GRAMMY-winning musician Keith Urban joined her on stage for the induction. Hillary then performed a stripped down medley of the songs she penned, with a rendition of Lady Gaga’s “Million Reasons” which turned into a duet with Keith Urban joining her for “Blue Ain’t Your Color,” his electric guitar perfectly complimenting her bared-down acoustic melodies.
NEW YORK, NEW YORK – JUNE 13: Timbaland speaks onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
4X GRAMMY-winner and SHOF inductee Missy Elliot took the stage next to induct her frequent collaborator and friend Timbaland, crediting the fellow 4X GRAMMY-winning rapper and producer with “changing the cadence of hip-hop.”
NEW YORK, NEW YORK – JUNE 13: Timbaland conducts onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by L. Busacca/Getty Images for Songwriters Hall Of Fame)
On his induction, Timbaland claimed it to be the “best award [he] could ever get,” before he performed a victory lap of the hits that brought him here, energizing the room with a medley of “Big Pimpin’,” “Pony,” “SexyBack,” “Get Your Freak On,” “Drunk in Love,” “Promiscuous,” and “Suit & Tie.”
NEW YORK, NEW YORK – JUNE 13: (L-R) Mike Mills, Michael Stipe, Bill Berry and Peter Buck, of R.E.M., perform onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
R.E.M. had the last induction of the evening, led by 6X GRAMMY award-winning singer, songwriter, and actor Jason Isbell who performed the band’s 1987 song “It’s the End of the World as We Know It (And I Feel Fine).” With his guitar in overdrive, the high energy, quick-flying alternative rocker lit up the room. The band then performed for the first time together in 15 years, playing their multi-GRAMMY award -winning hit “Losing My Religion,” which enthralled the audience with a mesmerizing, mandolin-driven performance.
NEW YORK, NEW YORK – JUNE 13: Michael Stipe, of R.E.M., perform onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala at New York Marriott Marquis Hotel on June 13, 2024 in New York City. (Photo by Bennett Raglin/Getty Images for Songwriters Hall Of Fame)
The program neared the finale with the presentation of the Johnny Mercer Award to Diane Warren, the highest honor bestowed by Songwriters Hall of Fame. Multi-award-winning songwriter, SHOF inductee, and Johnny Mercer Award recipient Paul Williams presented the award, claiming “A.I. worries about Diane Warren.” GRAMMY and EMMY award-winning singer and songwriter Andra Day put on a rousing performance of her Oscar-nominated song “Stand Up for Something” from the 2017 film Marshal, with her soaring vocals giving the evening wings.
On accepting her award, Diane stated “songwriting isn’t something I do, it’s who I am and what I live and breathe for every day of my life.” 5X GRAMMY award nominee El Debarge then closed out the evening, performing “Rhythm of the Night,” Diane’s first hit song,coinciding with the song’s 40th anniversary and bringing the room to their feet, stomping and clapping as the ceremony closed with a bang.
Husbands at Governors Ball 6/9/24. Photo by @itchyeyephotos
Husbands kicked off the day on the IHG Stage with their indie rock sound characterized by distorted guitars and a dancey vibe. The crowd couldn’t help but boogie along, setting a lively tone for the rest of the day.
Elyanna, the Palestinian-Chilean singer-songwriter, captivated the audience with her soulful voice and unique blend of Middle Eastern and Latin influences. Her performance was a beautiful display of cultural fusion, offering a refreshing and authentic experience to festival-goers.
Elyanna at Governors Ball 6/9/24. Photo by Lucas Kurzweil
G Flip rocked the IHG Stage with their energetic performance. The highlight of the set was when Lauren Sanderson made a surprise appearance, joining G Flip on stage and sending the crowd into a frenzy. Their chemistry and stage presence created a memorable and electrifying atmosphere.
G Flip at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Baby Queen made her U.S. festival debut on the GoPuff Stage with a high-energy set that included “Quarter Life Crisis,” “I Can’t Get My Shit Together,” and “Buzzkill.” Her performance, marked by shredding on a pink guitar, was both raw and empowering. She hyped the crowd by asking, “Who’s getting drunk today? Well, this is a song about getting fucked up,” before launching into “Raw Thoughts.” Baby Queen’s message, “I want you all to remember you can be whatever you want to be,” resonated deeply with the audience.
Malcom Todd at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Malcolm Todd brought a wave of nostalgia by opening with the iconic iCarly theme. His set featured chill vibes and impressive guitar solos, including a memorable performance of TLC’s “Waterfalls” on the catwalk. He expressed his excitement to open for Chappell Roan and wished everyone a “Happy Pride Month,” sharing his love for the community.
Kevin Abstract at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Also on the Gopuff stage, Kevin Abstract – known for his work with Brockhampton – delivered an introspective and engaging performance. His set was a mix of humor and heartfelt moments. He engaged with fans by reading signs, including quirky messages like “I’m severely constipated” and “gays only event.” His performance included solo tracks “Empty” and “Tennessee,” as well as Brockhampton favorites “BUZZCUT” and “STAR,” creating a dynamic and engaging set.
Chappell Roan at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Chappell Roan’s performance was one of the most anticipated of the day. Fans chanted her name for five minutes before she took the stage, dressed as the Statue of Liberty. Her set began with “Femininomenon,” followed by “Naked in Manhattan” and “Super Graphic Ultra Modern Girl.” She said, “Today I am in drag of the biggest queen of all,” referring to her Statue of Liberty outfit.
Chappell Roan at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Chappell used her costume to deliver a powerful message, quoting the inscription on the Statue of Liberty: “Give me your tired, your poor, Your huddled masses yearning to breathe free.” She elaborated, “That means freedom and trans rights, freedom and women’s rights, freedom for all people in oppressed territories,” giving meaning and symbolism beyond just being a “NY Icon.”
After a costume change to match her band’s taxi print, she debuted a new song, further thrilling the crowd. Before performing “Casual,” she explained her outfit change and showed off boots emblazoned with “1-800-ROAN” and checkered gloves. The set concluded with the fan-favorite “Pink Pony Club,” leaving the crowd ecstatic and chanting her name long after she left the stage.
Rapp’s setlist included “Poison Poison,” “Bruises,” and “Pretty Girls,” during which she prompted the crowd, “If you’re a pretty girl, put your hands up!” She engaged warmly with fans, including a heartfelt interaction with a fan named Sam: “What’s your name, baby?” she asked. “Well, Sam, I need you to hear me when I say you’re one of the prettiest girls out here.”
Introducing her band members, Rapp quipped, “Seldom will I celebrate a man, but today I will.” She wrapped up her performance with “Tummy Hurts” and “In the Kitchen,” dedicating the latter to theater kids and describing it as her “theatrical ballad.” She closed her set with an exuberant shout-out: “Can I get a round of applause for lesbians?” and did a funky little dance, leaving the crowd with smiles and a sense of unity.
Peso Pluma at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Peso Pluma brought his signature style to the GoPuff Stage, delivering a performance that resonated deeply with fans. His set was marked by powerful vocals and a commanding presence, leaving a lasting impression on the audience.
Don Toliver at Governors Ball 6/9/24. Photo by Lucas Kurzweil
Don Toliverâs set on the GoPuff Stage was a high-energy affair, featuring new and familiar hits. He debuted his new song “Tore Up,” which was met with enthusiastic approval from the crowd. Other highlights included performances of “Bus Stop,” “Smoke,” and “Attitude,” showcasing his versatility and charisma.
Chappell Roan at Governors Ball 6/9/24. Photo by N Bradley
SZA closed out the festival on the GovBallNYC Stage with a breathtaking performance. Her setlist included fan favorites such as “Low,” “Normal Girl,” “Kiss Me More,” “Snooze,” “Kill Bill,” and “The Weekend.” Each song showcased her incredible vocal range and emotional depth. The audience was mesmerized by her soulful renditions and the raw emotion she brought to each performance.
Day 3 of Governors Ball 2024 was a testament to the power of live music to bring people together, celebrating diversity, creativity, and the sheer joy of performance. Each artist brought their unique energy to the stage, leaving fans with memories to cherish until next year’s festival.
With 2024 come and gone, we can start speculating about next year. The choice to continue at Flushing Meadows Park was a major success. The lushness of the park continues to prove to be the perfect venue for this festival; with large fields and thick trees providing shade to camping festival goers.
Governors Ball 2024 kicked off bright and early for Day 2 on Saturday, June 8, continuing the party from Day 1 at Flushing Meadows Park. Once the gate reopened to the masses, music fans ran to stake out their spots in anticipation of all the talent Saturday had to offer.
TV Girl, Governors Ball 6/8/2024. Photo by Anna Downs
On the IHG Stage, Little Stranger from Charleston, SC delivered a funky, high-energy set with distorted guitar riffs and vibey trumpet and saxophone backups. Their indie rap-pop style shone through in songs like “Coffee & a Joint,” resonating well with the crowd. The playful and fun performance featured futuristic yet relaxed synth sounds, with lead vocalist Kevin Shields joking, “everything’s legal so you can do whatever you want today, I heard it from the governor himself*.” Their set was full of banter, hyping up later acts like Sexxy Red and keeping the audience engaged and entertained. *Ed. Note: New York State’s Governor is Kathy Hochul.
Telescreens, Governors Ball 6/8/2024. Photo by Josh Sobel
The GovBallNYC Stage saw a dynamic start with New York City-based indie rock band Telescreens played a hometown show that drew out a dedicated early crowd. Fans went hard in the pit during “Don’t Feel Nothing,” and the band expressed excitement about finally playing their first festival after seven years together. The set closed with a circle pit and moshing, capturing the raw energy of the fans.
Quarters of Change, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Following up, Quarters of Change, whose experimental alternative rock blended seamlessly with melodic hip hop, setting a high-energy tone for the day. Following them, Jessie Murph captivated the audience with her unique country pop sound, delivering heartfelt performances that resonated deeply with fans.
Jessie Murph, Day 2 Governors Ball 6/8/2024. Photo by Lucas Kurzweil
As the sun began to set on Day 2 of Governors Ball 2024, Hippo Campus took over the IHG Stage, bringing their indie pop folk sound to life. The Minnesota band delivered a series of hits including “Ride or Die,” “Everything at Once,” and “Bad Dream Baby.” Their witty banter, including comments like “your parents may not love you but Hippo Campus loves you,” endeared them to the crowd, creating a fun and lively atmosphere.
Riovaz, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Over at the GoPuff Stage, Riovaz kept the momentum going with an engaging set, while Bakar’s performance stood out with his cover of “Dancing in the Moonlight,” and powerful renditions of “3 Nights” (a Dominic Fike cover), “Stop Selling Her Drugs,” and “Hell N Back.” His experimental indie rock sound had the crowd hooked from start to finish.
Doechii, Day 2 of Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Doechii took the GoPuff Stage by storm with a fiery hip-hop/rap set, featuring viral hits like “Bitch I’m Nice,” “Crazy,” “What it Is,” and the song that put her on the map, “Yucky Blucky Fruitcake.” She also introduced the crowd to her unreleased track, “Sweat,” showcasing her versatility and leaving fans eager for more.
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sexyy Red continued the hip-hop/rap vibes, delivering a performance full of attitude and energy, while P1Harmony made history on the IHG Stage as the first Kpop boyband to ever perform at Gov Ball. Their electrifying set included songs like “Emergency,” “Everybody Clap,” “Heartbeat Drum,” “Killin’ It,” and “Back Down,” captivating a dedicated audience with their synchronized choreography and powerful vocals.
Carly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Carly Rae Jepsen brought a burst of energy to the GovBallNYC Stage, drawing fans from all corners of the festival grounds. Her performance of “Call Me Maybe” sparked a massive sing-along that echoed across the festival grounds, while a mix of older favorites like “I Really Like You” and newer hits like “The Loneliest Time” showcased her enduring appeal. Carly even ventured into the crowd, amplifying the excitement and connection with her fans.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina Carpenter drew one of the largest crowds of the day on this very same stage. Her performance featured a mix of hits like “Feather,” “Vicious,” and “Already Over,” complemented by talented backup dancers and heart-themed stage decor. Her heartfelt introduction to “Already Over” highlighted her appreciation for New York’s unique musical culture, stating, “New York is one of the best cities in the world to play music because you’ve figured music out in a way that hasn’t been studied by science yet.” This sentiment resonated deeply with the audience.
Governors Ball 6/8/2024. Photo by Lucas Kurzweil
Sabrina’s set showcased a wide range of her musical repertoire, from heartfelt ballads to high-energy pop hits. Fans of all ages, from young teens to older adults, were enthralled by her performance. Before singing “Fast Times,” she urged the audience to “Throw your phones in the river, I want you to be present,” encouraging everyone to fully immerse themselves in the moment.
Sabrina Carpenter, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
One of the most iconic moments however, came before “Because I Liked a Boy.” Sabrina asked the crowd to chant “I’m a slut” on the count of three, creating a powerful, unifying experience. She also teased her upcoming album, Short and Sweet, exciting fans with the promise of new music. The set concluded with a playful faux exit before her signature song “Nonsense.” The crowd eagerly awaited her return, and Sabrina delivered with a unique, city-specific ending that left the audience buzzing.
21 Savage, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
The Killers closed out the night with a stellar rock performance. Celebrating 20 years of coming to New York, they delivered classics like “Jenny Was a Friend of Mine” and “Read My Mind.” A fan summed it up perfectly, saying, “this is some real ass rock and roll.” The night ended on a high note with “Mr. Brightside,” leaving everyone in awe of the surreal experience.
Gov Ball continues tomorrow with a jam-packed Day 3 with acts including Chappell Roan, Renee Rapp, SZA, Kevin Abstract, and much much more. Stay tuned for more of our recaps for Gov Ball 2024!
Sexyy Red, Governors Ball 6/8/2024. Photo by Lucas KurzweilQuarters of Change, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilDoechii, Governors Ball 6/8/2024. Photo by Lucas KurzweilJessie Murph, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil21 Savage, Governors Ball 6/8/2024. Photo by Lucas KurzweilCarly Rae Jepsen, Governors Ball 6/8/2024. Photo by Lucas KurzweilP1Harmony, Governors Ball 6/8/2024. Photo by Lucas KurzweilBakar, Governors Ball 6/8/2024. Photo by Lucas Kurzweil
On Thursday, June 6, the humid New York City air blew in hard rock band The Dead Daisies. With a new record titled, Light ‘Em Up, slated to be released in September, the band kicked off their US tour at Racket NYC.
The band consists of Tommy Clufetos on drums, Michael Devin on bass, Dave Lowy and Doug Aldrich on guitars with John Corabi on lead vocals. The former Mötley Crüe lead vocalist is replacing former singer and bassist Glenn Hughes. Prior to the night’s show, Corabi joined me via Zoom to talk about the new release. Watch below for the full interview.
Before The Dead Daisies hit the stage, there were two supporting acts. The first act was a local New York group called Tempt. The quartet played a total of seven songs and made it memorable. Between the power pop rock and catchy tunes, their set was enjoyable and they quickly won the crowd over with their charisma and young energy. Tempt promptly set the pace for the rest of the evening.
Sometimes it’s difficult for a new band to win a crowd that is there solely to see the headliners. Yet, this didn’t seem to be the issue. From the first note of “Living Dangerous” which was released as a single in 2021, their well-oiled rock and roll machine seemed to run without any sign of slowing down. It was great to see such a young band take the 650-person venue – who at the time were still filing in – and treat it as Madison Square Garden. Their energy was the most notable and they never seemed to be bored, they fully were in the moment and treated it as such.
After a beautiful rendition of Queen’s “We Will Rock You,” another New York City band, Killcode jumped on stage. The five-piece band brought a different style from Tempt. Killcode’s sound consisted of hard rock with a southern twang. The band played a total of seven original songs throughout their set. Two songs in their set appeared on their newest record, 2023’s Life, Death, Rock n’ Roll. While the smaller stage was crowded with the five members, they were able to use the small piece of real estate to put on a captivating show.
Throughout the set, the band prowled along the stage and after a song or two, won the crowd over. For the members of the audience that knew the band, they were cheering for their favorite songs, singing and dancing while the band played deeper into their set. The duel guitars on stage created a monster wall of sound yet complemented each other at the same time. The last song that Killcode played was “Kickin’ and Screamin’” off of 2018’sThe Answer. By the time the last chorus swung around, the audience was singing along with the band before they took their final bow.
After a brief load out of Killcode’s gear, the house lights dimmed and Led Zeppelin’s “Rock and Roll” blasted into the speakers. In a matter of minutes, the band jumped on stage and blasted into their first song of the night and newest single, “Light ‘Em Up.” With a record set to be released in September of the same name, the band played multiple songs off of the forthcoming record in addition to a blues number that was recorded during the sessions at Muscle Shoals Sound Studio.
Throughout the evening the band crisscrossed through their entire discography and played songs throughout their entire career. This included several songs from the Hughes era. Three songs total were played from Radianceand Holy Ground including, “Born to Fly,”“Unspoken” and “Bustle and Flow.” It was great to see the band, especially Corabi acknowledge Hughes. Corabi’s vocals were excellent. Throughout his classic raspy register, his vocals pierced through fans while he was perched at the edge of the stage.
Aldrich and Lowy were the guitar masters flanking the stage and throughout the evening, they brought the energy. Lowy was running around the stage the entire night and never stood still. Aldrich plowed through solo after solo. At one point, Aldrich crept to the edge of the stage, kneeled and soloed right in front of the general admission section.
Rounding out the rest of the group was Devin on bass who officially joined the band when Hughes left. Hammering away on the drums the entire night was Clufetos who, most recently, filled in for Tommy Lee in Mötley Crüe when Lee injured himself. At one point, a fan turned to another and said “he [Clufetos] is a monster on the drums.” It seemed that no matter how hard Clufetos beat the drums, he never seemed to break a sweat. Clufetos during his drum solo was hitting them so hard that the vibrations could be felt in fans’ chests as they watched in awe.
It was amazing to see how interactive the band was with the fans, throughout the night, in between songs and jokes from Corabi, the band tossed guitar picks and waved to familiar faces in the audience. As the band was introducing themselves, they would quickly jam in between announcements to tunes like “Dirty Deeds Done Dirt Cheap” and “Seven Nation Army.” Each jam session was met with thunderous applause from the fans who sang along with Corabi and sang the guitar riffs as well. The band was as versatile as ever as they played multiple covers including the final song, “Helter Skelter,” by The Beatles.
Throughout the 17-song set, if they could, it seemed like the band would never stop. They rarely stopped in between songs – which were accompanied by a giant video screen behind them. Throughout each song, a different video was played which further enhanced the audience’s experiences as they showed the band throughout the years. Despite the venue only holding 650 people, the band treated it as if it were a festival or stadium. Their energy and charisma on the stage seemed like they could have blown the doors off the venue and after the encore, fans still stuck around the stage just in case the band came back on.
New York City was the perfect city to host the first night of the band’s tour. The energy of the band mixed with the energy of the fans – which grew over the night – created a rock and roll cathedral. Some fans were making the trek to the group’s next show while other fans immediately flocked to the merch table. After the legendary Rolling Stones show at Racket NYC, The Dead Daisies followed up with a legendary show of their own.
The Dead Daisies Setlist: Light ‘Em Up, Rise Up, Dead and Gone, Make Some Noise, I Wanna Be Your Bitch, Unspoken, Bustle and Flow, Lock ‘n’ Load, Born to Fly, Take a Long Time, Dirty Deeds Done Dirt Cheap / Seven Nation Army / Heaven and Hell / D’yer Mak’er / Join Together, I’m Ready, Fortunate Son (Creedence Clearwater Revival cover), Mexico, Midnight Moses (The Sensational Alex Harvey Band cover), Long Way to Go, Helter Skelter (The Beatles cover)
Killcode Setlist: Show Me, Ride, OTP, Let’s Get Back to Rock n Roll, Phenomenon, Shot, Kickin’ and Screamin’
Tempt Setlist: Living Dangerous, Roses, Burn Me Down, Company, Cold Blood, Golden Tounge, We Will Rock You (Queen cover)
Queens’ Forest Hills Stadium was a fitting venue for folk-rock singer-songwriter Hozier‘s Unreal Unearth tour, with the artist playing four back-to-back shows beneath picturesque sunsets in the open air stadium.
Photo by Molly Higgins
Hozier’s New York City dates kicked off June 4, and the atmosphere was cozy as hundreds of fans dressed in whimsical, earth-toned outfits to match the artist’s aesthetic packed the venue.
The artist made his first entrance with his 2024 hit “Too Sweet,” which he noted was his first song to hit #1 on the Billboard Hot 100. His soulful vocals and expert instrumental skills were captivating, whether he was belting out “Francesca” with a stronger rock influence, or softly strumming “Cherry Wine” from the B-stage with a single acoustic guitar.
Hozier’s stage presence was humble yet commandingâbetween songs, he addressed the audience like old friends. But when each number started, the crowd was left transfixed by the sheer power of his vocals. Fans swayed, sang along, and then exploded into applause between each song as the sun set over Forest Hills.
Hozier’s ongoing tour in support of his 2023 album Unreal Unearth includes three more shows at Forest Hills Stadium June 5, 7, and 8, and is currently scheduled to continue through late November. Additional New York dates include July 7 in Bethel.
Hozier – Forest Hills Stadium – June 4, 2024
Setlist: Too Sweet, Jackie and Wilson, To Be Alone, Dinner & Diatribes, Wildflower and Barley (with Allison Russell), Francesca, Eat Your Young, Cherry Wine, Unknown/Nth, De Selby (Part 1), De Selby (Part 2), From Eden, Would That I, Almost (Sweet Music), It Will Come Back, Movement, Take Me to Church, Like Real People Do, Nina Cried Power, Happy Birthday to You (sung to the tour’s lighting crew chief Kitty Hoffman), Work Song (with Allison Russell)
The first ever Belmont Festival in Saratoga Springs kicked off in grand fashion on Wednesday night, June 5th. Ahead of the historic weekend, concert goers turned out by the thousands for the official opening, a block party dubbed ‘Belmont on Broadway’ headlined by the Grammy Award winning rock band Blues Traveler.
Often referred to as “the Summer place to be,” the enthusiastic atmosphere could be felt all over the city. Propelled by the distinct voice of the legendary John Popper and his scorching array of harmonicas and harmonies, the good-time vibes were off the charts, contagious and perhaps a little rowdy.
Belmont on Broadway: Fans flocked to Saratoga Springs for a free Blues Traveler performance on 6/5/2024.
With the six-day festival expected to bring the Spa City more than $50 million in revenue, the massive crowds also meant massive business for the local shops and restaurants downtown. People of all ages lined every inch and stoop of Broadway, arriving early to catch the opening set from eight-piece local rock and soul ensemble Tops of Trees. With a steady influx of concertgoers packing in like sardines by the time the charismatic Pat McGee Band took the stage, it was Grade A entertainment all around as friends, families, and strangers stood shoulder-to-shoulder, sweaty and smiling on this humid summer night in early June.
And They’re Off: The Pat McGee Band got the party started early in Saratoga on 6/5/2024.
With stellar production services provided by the fine folks at High Peaks Production, the overall program ran incredibly smooth and both looked and sounded great from the start. After a brief word from organizers, the winners of the Belmont on Broadway window decoration contest were announced as Heidi Owen West and Stacey D’Andrea-Goodman of the Lifestyles of Saratoga boutique. Clearing the stage shortly after 8pm, it was finally time for the band everybody came out to see.
Dancing in the Streets: Concert fans lined the streets of Saratoga ahead of the Blues Traveler performance on 6/5/2024.
Once ruling the radio with chart toppers from their massive, multi-platinum selling album Hook, the beloved improv-heavy rockers from Princeton, New Jersey, Blues Traveler proved they still know how to party like it’s 1994. No stranger to headlining festivals, the band is credited as the driving force behind the original H.O.R.D.E. (Horizons of Rock Developing Everywhere) festival that successfully toured the country from 1992 to 1998, including memorable stops at SPAC just up the road. Once again playing up to a massive crowd all these years later, Blues Traveler hit them with hits early and often.
Hey babe, let’s keep in touch: John Popper sings “Run-Around” with Blues Traveler in Saratoga Springs 6/5/2024.
Consisting of harmonica wizard and band leader John Popper, along with guitarist Chan Kinchla, bassist Tad Kinchla, keyboard player Ben Wilson and drummer Brandon Hill, Blues Traveler opened with perhaps their most popular song, “Run-Around” resulting in city-wide sing-along that’s still reverberating somewhere down Caroline Street. Demonstrating their propensity to jam, Popper would catch fire early, utilizing his signature array of custom harmonicas to blow the audience away on a “Dropping Some NYC” > “Moby Dick” > “NY Prophesie” sandwich.
Dressed in a familiar floppy-brimmed hat and looking as healthy as he has in years, the band would find it’s lengthiest groove on the psychedelic Kingpin rocker “But Anyway,” while fans then took the opportunity to spark up during a cover of Tom Petty’s “Mary Janes’s Last Dance.” The heartfelt “Mountains Win Again” was perhaps the most emotional song of the evening, followed up by perhaps the funkiest in a cover of the Son Seals classic, “Funky Bitch,” which many fans often confuse as a Phish original.
Blues Traveler performing in Saratoga Springs on 6/5/2024.
Segueing nicely into an equally funky “War Pigs” keyboard jam before alligator-ing at breakneck speed into a ferocious, foot stomping rendition of “The Devil Went Down to Georgia” (which the band humorously changed to “The Devil Went Down to Saratoga”), the melodic interplay between Popper and Chad Kinchla’s colorful guitar solos would shine bright all night long, but especially on 1997’s “Carolina Blues.”
Tasty Licks: Guitarist Chan Kinchla preforming with Blues Traveler on 6/5/2024.
Gracefully dipping off stage while each member of the band was given the chance to solo in the spotlights, Popper would lead Blues Traveler through the remainder of the set that combined an easy melodic flow crossed with a plethora of choice cover songs and sophisticated soul-funk boogie. With highlights that also included teases of Van Halen’s “Hot for Teacher” and Aerosmith’s “Eat the Rich,” Blues Traveler would bring the main portion of the set to a close with a massive sing along to their smash hit “Hook.”
With the curfew rapidly approaching and the enthusiastic Spa City crowd still eating it up and begging for more, the band would insight the famous “Toga” chant from the Animal House film, before encoring with one final cover, ZZ Top’s “La Grange.” A great evening of music powered by a band that’s stood the test of time, the atmosphere in downtown Saratoga Springs was downright electric and made you hope ‘the powers that be’ will take notice and introduce more events like this one in the future. For now, you can re-live this entire performance via tapper audio at the link below courtesy of Archive.org.
“The newsman said not to sit on strange toilet seats / It’s my life he’s trying to save, but anyway I found out that I got eye cancer / Too many television waves, but anyway” – Lyrics to Blues Traveler’s “But Anyway”
Up next for the band, Blue Traveler will take the rest month off before returning to the legendary Red Rocks in Morrison, CO for their annual 4th of July throwdown. Later this August, you can catch them back in New York with a pair of dates at Lewiston Artpark and the Perinton Center Park Amphitheater in Fairport.
Blues Traveler | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY
Setlist: Run-Around > Things Are Looking Up, Dropping Some NYC > Moby Dick > Bass Solo > NY Prophesie > Dropping Some NYC, But Anyway, Mary Jane’s Last Dance, Mountains Win Again, Funky Bitch > War Pigs Jam > Devil Went Down to Georgia, Carolina Blues > Drums > Hook.
Encore: La Grange.
The Pat McGee Band | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY
Since the summer of 2008, legendary hip-hop group and Philadelphia’s hometown legend The Roots have put on the Roots Picnic, a music festival created and curated by the band that has evolved into one of the city’s most anticipated cultural experiences of the year.
The 2024 Roots Picnic opened its doors on Saturday, June 1, to the masses who filled the grounds of Fairmount Park in the City of Brotherly Love. Several brand activations had treats for guests, including French liqueur brand Grand Marnier, Charmin’, Chase Sapphire and more. Beyond the music, the festival has become a platform for social commentary and community engagement. This year, Roots Picnic Con featured panelists discussing music education, real estate and beauty careers, as well as a keynote conversation with renowned Roots drummer Questlove.
Jill Scott, Nas, Sexyy Red and more set the bar high on the first day of the 2024 Roots Picnic. Early acts such as BLK ODYSSY, Chioke, and more graced the festival stages before the crowds were treated to an afternoon of electrifying performances. Acclaimed DJ J.PERIOD brought his beloved THE LIVE MIXTAPE series to The Roots Picnic with Black Thought, Method Man, Redman, Common, Freeway, Ferg, and more.
Following that performance, The-Dream hit his trademark vocals and succulent R&B aura. The-Dream wasted no time letting people know he is a true R&B hitmaker with smooth renditions of “Fancy,” “Falsetto,” “Purple Kisses,” and more. Fans were enamored with the quick trip down memory lane and were left wanting more.
Nas then took over the main stage to perform his legendary catalog, even bringing out Ghostface Killah as a special surprise guest. He ripped through some of his classic hits such as “N.Y. State of Mind,” “The Message,” “Spicy,” “Get Down.”
The biggest part of Day 1 was the arrival of Sexyy Red with her dancers and secret service team. The St. Louis native brought her brand of rowdy and raunchy hip-hop to The Roots Picnic and turned it upside down, with fans screaming and twerking the night away.
Jill Scott closed out Day 1 with her headlining set, which featured a floral stage design. For her set, Scott performed “Hate on Me,” “Whatever,” “The Way,” “You Got Me” with Black Thought, a new track titled “Norf Philly” alongside Tierra Wack, and more.
The artists performing on Day 2 kept the momentum going from the previous day. On the bill were acts such as Robert Glasper, Shaboozey, Wale, BabyFace, Cam’Ron, André 3000, Gunna, Lil Wayne, and the hometown heroes, The Roots.
Rising country music star Shaboozey had the early afternoon crowd rocking at the Fairmount Stage with tracks off his newly released album, Where I’ve Been, Isn’t Where I’m Going, blasting through the speakers.
Babyface, the legendary singer/songwriter let the crowd know why he’s been at the top of his game for over five decades. In addition to his own records, such as “Everytime I Close My Eyes” and “For the Cool in You,” Face dipped into his immense bag and performed incredible renditions of tracks he’s written over the years for artists such as Bobby Brown, After 7, Boyz II Men, Whitney Houston, TLC, Toni Braxton and more.
Following up after Babyface , but Gunna picked up the mantle and deliver his swagger injected brand of hip-hop. The Atlanta native took the stage and wasted no time getting into his set with electrifying renditions of “back at it,” “whatsapp (wassam),” “P power,” and “fukumean.” Unfortunately, fans were vibing for a limited time as Wunna’s set was cut short for undisclosed reasons.
With all the amazing performances spread out across two days, The Roots had to send the massive crowd home truly entertained with their headlining set. The hometown natives used their closing set to honor New Orleans, Louisiana, and its rich music history by having the city’s most talented artists, such as Trombone Shorty, Lloyd, and PJ Morton, join them onstage.
While fans were enjoying the New Orleans sounds, it was obvious they were anticipating the arrival of the man of the hour, Lil Wayne. Tunechi glided effortlessly through his set with fans screaming at the top of their lungs to hits like “Mr. Carter,” “John,” “I’m Goin In,” and more. It was a marvelous ending to a rather eventful weekend in the city of Brotherly Love. The Roots Picnic 2024 surely did it again.
On June 1, the streets of Bushwick, Brooklyn, came alive with the sights and sounds of the 13th Annual Bushwick Collective Block Party. Thousands of attendees gathered at the intersection of Troutman Street and St. Nicholas Avenue to celebrate this iconic free street art and hip-hop festival. This year’s event once again transformed the neighborhood into a vibrant canvas of artistic expression.
Raekwon
The Bushwick Collective: A Community Pillar
The Bushwick Collective, an outdoor art gallery and collective located has been a cornerstone of the neighborhood since its inception in 2012. Founded by Joe Ficalora, the Collective was born from a personal journey of loss and healing. After his mother’s death, Ficalora channeled his grief into transforming an industrial stretch of Brooklyn into an internationally renowned art destination. The Collective began with a single wall donated by a neighborhood resident and quickly expanded as other local building owners offered up their walls to street artists from around the globe.
Artistic Contributions from Around the World
This year’s Block Party featured the work of 57 artists who had been painting new murals in the area over the past week. The diverse lineup included notable names such as Huetek, Sipros, Sef, and Enzo. These artists brought their unique styles and perspectives, adding to the rich tapestry of urban art that defines the Bushwick Collective.
A Day of Music and Community
Hosted by Dstroy from Shade 45, the event was a musical extravaganza that drew hip-hop enthusiasts from all over. The highlight of the festival was Raekwon from Wu-Tang Clan, who delivered a 45-minute set featuring classic solo tracks and Wu-Tang favorites like “Wu-Tang Clan Ain’t Nuthing ta F’ Wit,” “Ice Cream,” “Can It Be All So Simple,” and the timeless anthem “C.R.E.A.M.” The crowd was electrified, rapping along to every word and celebrating the enduring legacy of one of hip-hop’s most influential groups.
Before Raekwon took the stage, the renowned DJ and producer Statik Selektah energized the audience with a dynamic set. He was joined by a slew of guest performers, including Pitch Black, Rome Streetz, Termanology, and Nems, each bringing their unique flavor to the show. Earlier in the day, Fatman Scoop entertained the crowd with a DJ set of classic hip-hop hits, dancing and performing along to the beats. Tony Moxberg and Lil Dee also delivered memorable performances, adding to the day’s rich musical experience.
Fatman Scoop
Beyond Art and Music
The Bushwick Collective Block Party is more than just an art and music festival; it’s a celebration of community and culture. The event featured a variety of food trucks and local vendors, offering everything from delicious street food to unique handmade goods. This eclectic mix of art, music, food, and local craftsmanship highlights the vibrant spirit of Bushwick and the creativity that flows through its streets.
Looking Ahead
As the sun set on another successful Block Party, attendees left with a sense of fulfillment and excitement for what next year’s event will bring. The Bushwick Collective, under Joe Ficalora’s passionate leadership, continues to be a beacon of artistic expression and community engagement. Each year, the Block Party not only showcases the best in street art and hip-hop but also reinforces the enduring power of art to bring people together, inspire change, and celebrate diversity.
