After celebrating the release of his 2023 Album A Great Chaos at SILO Brooklyn last October, Ken Carson has returned to the city that never sleeps for three sold-out nights at Terminal 5—upgrading his New York City crowd from five hundred people in a silo to three sold-out, 3,000 people, shows.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Before a single performer hit the stage, the crowd was already active. But when 2hollis came out for his opening performance, the crowd hit new heights. Jumping, screaming, and using their phone flashlights to light the stage, the fans gave the Chicago artist what he needed to provide an intense warm-up for the headliner.
2hollis performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
After 2hollis’ set, the curtain over Ken Carson’s multi-level scaffolding-like stage dropped, the lights went into a bright flickering sensation, and smoke flooded the stage as Ken Carson’s “Hardcore” started to play. Ken performed most songs from his recent album, A Great Chaos, his recent hit single “overseas,” and other hits from his discography. Ken had his fans yelling the lyrics for every song, jumping together, and opening countless moshpits. The rage stretched from the front of the house to the back staircase that led to the upper balconies. Ken mostly stayed on the upper level of his structure, acting as the conductor for his orchestra of supporters down below. The show lived up to its chaotic hype, with every fan leaving in a pool of sweat and carrying the memory of a show like no other.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
The crowd at Ken Carson’s performance at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Setlist: Hardcore, Lose It, It’s Over, Freestyle 3, leather jacker, i need u, Succubus, Green Room, mewtwo, Vampire Hour, Rockstar Lifestyle, Overtime, Nightcore, toxic, Me N My Kup, Rock N Roll, Yale, ss, Jennifer’s Body, Freestyle 2, overseas, Fighting My Demons.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Rolling into SPAC for the Neon Pill tour, Grammy award winning rockers Cage the Elephant put on a performance for the ages on Sunday night, August 18th. With a broken foot and a heart full of the rock n’ roll spirit, lead singer Matt Shultz powered through the entire show in unforgettable fashion, rolling around the stage on a modified medical scooter.
Weaving through blasts of pyro and popping the occasional wheelie, he showed more charisma and showmanship on one leg than most mortals have in their whole body. Even if you couldn’t get into the music, you had to respect the max effort behind it. Alongside an eclectic lineup that featured Young the Giant, Bakar, and rising star Willow Avalon, the evening was a celebration of musical diversity, perseverance and raw emotion, drawing thousands of fans to experience a show that will be remembered for many years to come.
Burning Down the House: Cage the Elephant lit it up in Saratoga Springs on 8/18/24.
The buzz around SPAC before the show was all about Cage the Elephant’s previous gigs in the Capital Region. Long time fans were quick to remember their 2016 show with Portugal. The Man at the Palace Theatre in Albany where hundreds of fans jumped up on stage and hoisted Schultz into the air during the encore. From there, their legend only grew when Cage the Elephant moved up the road to SPAC in 2019 and stole the show from then headliner Beck (“Loser,” “Where It’s At”) with Shultz stripping down to his lifeguard shorts and completing a most epic crowd surf from the very front of the stage to the very top of the SPAC lawn to the tune of Queen’s “We Are the Champions.” So when the temporally handicapped Shultz rolled out in Saratoga Springs sitting on scooter, no one was really sure what to expect from the man who often spends more time running through the crowd than on stage.
Matt Schultz of Cage the Elephant completing an epic crowd surf at SPAC in 2019.
Sustaining a serious foot injury while performing in Atlanta earlier this August, this isn’t the first time members of Cage the Elephant have been hurt by their high-octane performance style. With a history of jumping off balconies and stage diving, things like cracked ribs, bruised sternums, bite marks and deep scratches that require stiches have all been par for the course with these guys. A few years ago, the band needed to cancel an entire UK and European tour when guitarist Nick Bockrath required immediate surgery after suffering a ruptured PCL, torn ACL, and fractured tibia while performing. But if pain is temporary and glory lasts forever, as they say in show business, the show must go on and this one did in a most grandiose way.
Neon Pill Tour: Matt Shultz performing with Cage the Elephant in Saratoga Springs on 8/18/24.
Formed as a six piece in 2006, the Kentucky bred Cage the Elephant has been a force in the music industry for nearly two decades. With six studio albums under their belt, including the newly released Neon Pill, the band has solidified their place as one of the most beloved and enduring bands in modern rock. Along with their unpredictable frontman Matt Shultz and his brother, Brad, on guitar, Cage the Elephant is also made up of Nick Bockrath (guitar), Daniel Tichenor (bass), Jared Champion (drums), and Matthan Minster (keyboards/guitar).
Rising to prominence with their gritty blend of alternative garage rock and punk blues combined with an elaborate and explosive live performance, their popularity can be attributed to their relentless energy, genre-defying sound, and the emotional depth of their lyrics. Despite his recent injury, Shultz’s indomitable spirit was on full display at SPAC, where he performed most of the set on a scooter, adding an unexpected yet fitting touch of rebellion to the evening. Opening up with the ever-appropriate “Broken Boy,” the band wasted no time playing with fire, dazzling the crowd pyrotechnics early and often.
Wheelie Time: Despite an injured foot, nothing could stop the showmanship of Cage the Elephant’s rockstar frontman on 8/18/24.
“Cry Baby,” the opening track from 2015’s Tell Me I’m Pretty, had the crowd singing along to every word, a recurring theme that was consistent throughout the night. Rocking renditions of “Mess Around” and “Cold Cold Cold” from the same album were also played, while “Spiderhead,” “Halo,” and “Telescope” represented the Melophobia portion of the show.
Fan favorite “Trouble” would receive the full “cell phone waving/sea of fireflies” treatment, which is a special moment at any show, no matter who is playing. Suddenly dropping into the hit single that put them on the map (and the only song played from their debut album), the crowd all but lost their minds singing along to “Ain’t No Rest for the Wicked.” With the audience firmly in the palm of their hands at this point, the sense of love and admiration for Cage the Elephant was palpable and through the roof. However, the journey to get to this moment hasn’t been without its challenges.
Watch fan shot footage of Cage the Elephant performing “Ain’t No Rest for the Wicked” in Saratoga Springs 8/18/24.
Supporting their first new album in 5 years, behind the scenes has been a little rough for the band. After Matt and Brad Shultz sadly lost their father in 2020, Matt made headlines when he was arrested for criminal possession of illegal firearms in Manhattan. Avoiding jail time by accepting a plea deal, he was placed in treatment for a medically induced psychosis in 2023. Now with legal troubles behind him and using the unfortunate setback as fuel for the new record, the phrase “neon pill” is a reference to the brightly colored medication that kicked off his mental breakdown. Delving into themes of self-discovery, inner turmoil, and the search for meaning in an increasingly chaotic world, when it came time to hype up the new stuff, Matt would casually ask if it was cool for them to play a few songs from Neon Pill.
After a resounding approval, “Rainbow” stuck out for its colorful laser light show, while “Good Time” had everyone from the front, back to the balcony getting lit. Including its title track, Cage the Elephant would only play three songs from the new album, instead putting much of the focus on 2019’s Social Cues. Treating the audience to tunes like “Ready to Let Go,” “Skin and Bones,” “Tokyo Smoke” and “House of Glass,” perhaps the most punk rock inspired song of the night was a fiery and emphatic stab at 2011’s “Sabertooth Tiger,” which saw even more pyro going off as the band exited the stage to a deafening loop of distorted guitar feedback.
Neon Pill Tour: Cage the Elephant brought the heat in Saratoga Springs on 8/18/24.
With the crowd howling for more, the band would return for a three-song encore of hit singles. First up from Thank You Happy Birthday was “Shake Me Down.” Met with thunderous cheers, the connection between the band and their fans was palpable, with the audience singing along to every word, creating a communal atmosphere that is rarely seen in live music today. “Cigarette Daydreams,” a song that’s rapidly approaching 1 billon streams on Spotify, felt absolutely huge in this setting. Finally, Cage the Elephant would unleash one last sing along in “Come A Little Closer” resulting in a euphoric eruption that truly made you feel alive and the hairs on your neck stand up. Watching Shultz push his body to the brink and scoot off the stage one final time, you simply knew you had just been a part of something special.
Cage the Elephant performing in Saratoga Springs on 8/18/24.
Prior to Cage the Elephant, the ever-evolving indie rock band Young the Giant played a set of fan favorites. Formed in Irvine, California, in 2004, the band has become a staple in the alternative music scene, known for their melodic soundscapes and introspective lyrics. The band’s current lineup includes Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). After opening up with “Jungle Youth, “ and “The Walk Home,” the band would then unleash their biggest hit to date with “Cough Syrup,” a song that’s amassed over 340 million streams on Spotify alone. Afterwards, singer Sameer Gadhia noted the band had no plans of touring this summer, but when an opportunity from Caged the Elephant knocked, they were glad to answer.
Mind Over Matter: Young the Giant celebrated the 10th anniversary of the their 2nd album at SPAC on 8/18/24.
Speaking candidly to the audience, Gadhia talked about how it’s kind of crazy he’s feeling comfortable enough to banter with crowd since he’s usually a reserved person off stage. Through the enabling power of music and art, when he’s in the grips of performing, somehow it all that goes away and he feels like he can do anything. Living in the moment and trying not to be afraid of taking chances, he said Young the Giant was going to try some songs they haven’t played in a while, as well as something from every album they’ve released so far. Continuing on with “Waves” and “Dollar $tore,” the band would go back to 2016’s Home of the Brave for “Titus Was Born,” before going all the way back to the beginning on “Apartment.”
Young the Giant’s Sameer Gadhia speaking candidly to the crowd in Saratoga Springs on 8/18/24.
Pausing once again to have another moment with the receptive crowd, Gadhia would talk about how this year marks the 10th anniversary of their second album Mind Over Matter. Reflecting back, he said “When it first came out everyone was so confused by it, because it was so drastically different than [their] previous work.” “But if you put all of yourself and all of your heart into something and truly believe in it, eventually someone will hear it and connect with it.” Ten years later, the album has gone from being an initial flop to their most streamed overall. Reminding everyone to “never apologize for your art,” Young the Giant would launch into the title track of “Mind Over Matter” then “Tightrope” from the same album. Finishing up strong with a pair of their biggest hits, setlist staples “Silvertongue” and the closer, “My Body,” had everyone up on their feet and waving their arms from side to side, fully primed for the main event yet to come.
Bakar performing in Saratoga Springs on 8/18/24.
Perhaps the most unique voice on the diverse bill was genre-blending English artist Bakar. Hailing from Camden, London, his distinct style fuses elements of hip-hop, indie rock, and pop. Wearing a red cap and a shirt reading “Cage the Bakar/Neon Pill Tour Forever,” Bakar’s inclusion on the tour was a bold choice, but one that paid off immensely. Performing solo and singing over backing tracks, “1st Time” would feature samples of “Dancing in the Moonlight,” while “Right Here, for Now” and “Stop Selling Her Drugs” would showcase his versatility and unique perspective on societal issues. After working his way through “Alive!” and “Small Town Girl,” Baker would sing his biggest song, “Hell N Back” last to close out the set. Bringing a refreshing and unexpected twist to the evening, Bakar’s music talked issues of race, identity, and the struggles of youth, making him a voice for a generation that is often overlooked in mainstream music. The audience, initially unsure of what to expect, quickly warmed to his dynamic performance and were up on their feet with cheers by the end of it.
Willow Avalon kicked off the Neon Pill tour in Saratoga Springs on 8/18/24.
Kicking off the long evening of music with sophistication and grace was a star-making performance by the Willow Avalon band. A so-called “southern belle raising hell,” Avalon’s presence was magnetic from the start. Originally from Asheville, North Carolina, she’s quickly made waves in the indie music scene with her infectious country-pop twang, stunning vibrato and carefree spirit. It wasn’t just Willow having all the fun either, her whole band appeared to be having a blast playing for Saratoga. Performing most of the tracks from her 2024 debut album Stranger, songs like “Honey Ain’t No Sweeter,” and “Getting’ Rich, Goin’ Broke” were met with smiles and applause, as her happy-go-lucky attitude and genuine passion for her craft was obvious.
Willow Avalon and her band performing at SPAC on 8/18/24.
Backed by a talented group of musicians, Avalon even worked in a brand-new foot stomper the band just wrote called “Raise Some Hell.” Joyful and radiant, Willow often touched on themes of love, nature, and self-empowerment. Rapidly becoming known for her vibrant stage presence and beauty, her microphones were adorned with flowers, reflecting her connection to the natural world and her upbeat personality. Her “friend not food” tattoo, featuring a pig, further emphasized her advocacy for animal rights, endearing her even more to the crowd. After working their way though Willow’s latest single, “Yodelayheewho” and her biggest song so far, “Tequila or Whiskey,” the band would ask for a little help from the crowd on the final song of the set. Quickly teaching them the lyrics to “Homewrecker,” it’s easy to see why Avalon’s rise to popularity has been so swift—her beauty, authenticity and warmth are qualities that resonate deeply and surely will continue to do so with audiences everywhere.
Willow Avalon performing in Saratoga Springs on 8/18/24.
The Neon Pill Tour at SPAC was a resounding success, showcasing the diversity and talent of some of today’s most exciting artists. From the hard-hitting rock of Cage the Elephant to the introspective melodies of Young the Giant, the genre-defying sounds of Bakar, and the uplifting country-pop of Willow Avalon, the night offered something for everyone. If you missed out in Saratoga Springs, don’t worry. With upcoming dates in Mansfield, MA, Holmdel, NJ, the Artpark in Lewiston, NY and a massive show at Madison Square Garden on September 5th, there’s still plenty more chances to get in on the action. If you’ve never seen Cage the Elephant before, and you’re a fan of live music, you simply owe it to yourself to check it out.
Watch fan shot footage of Cage the Elephant’s encore, “Come A Little Closer”at SPAC on 8/18/24.
Cage the Elephant | August 18, 2024 | SPAC | Saratoga Springs, NY
Setlist: Broken Boy, Cry Baby, Spiderhead, Too Late to Say Goodbye, Good Time, Cold Cold Cold, Ready to Let Go, Neon Pill, Social Cues, Halo, Mess Around, Trouble, Ain’t No Rest for the Wicked, Skin and Bones, Rainbow, Telescope, Tokyo Smoke, House of Glass, Sabretooth Tiger
Encore: Shake Me Down, Cigarette Daydreams, Come a Little Closer
Young the Giant | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Jungle Youth, The Walk Home, Cough Syrup, Waves, Dollar $tore, It’s About Time, Titus Was Born, Apartment, Superposition, Mind Over Matter, Tightrope, Silvertongue, My Body.
Bakar | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: All In, 1st Time (with Dancing in the Moonlight tease), Right Here, for Now, Stop Selling Her Drugs, NW3, Alive!, Small Town Girl, Hell N Back.
Willow Avalon | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Stranger, Honey Ain’t No Sweeter, Getting’ Rich, Goin’ Broke, Raise Some Hell (new song), Yodelayheewho, Tequila or Whiskey, Homewrecker.
Australian band King Gizzard & The Lizard Wizard formed in 2010, mashing up a combination of prospective band names into their now iconic name. The name tells you almost everything you need to know about this band of Australian goofs and their ability to turn any concept and sound into a piece of complex and intriguing art. In the past 14 years, they have released 26 studio albums covering many genres, from psychedelic rock to metal to indie and everything in-between. That’s almost one full album every six months for over a decade. King Gizzard gave us a taste of all of it Friday, August 16th at Forest Hills Stadium.
Opening for King Gizzard was Geese, coming off of their well-received second studio album, 3D Country and 4D Country EP. Geese’s sound fits well within Gizzard’s world, with more of an american blues lean meets Pearl Jam feeling to their sound. With these shows, Gizzard took a page out of the Grateful Dead’s book, playing three-hour sets with a changing setlist. Comparing the setlists from their Friday and Saturday shows at Forest Hills Stadium, they didn’t repeat a single song across the two shows. Their discography is so deep that they could repeat that feat across almost a dozen of these three-hour marathon sets without ever repeating a song.
If you are a fan of a more niche Gizzard song, now may be your opportunity to see it live as they trawl through their discography over the coming months. The setlist for this first Forest Hills show was a perfect welcome to fans who may not have had a chance to see the band before. The band played a majority of their most popular tracks, with an overall metal lean and a healthy serving of Gizzard’s home base psychadelic funk/rock to round out the 25 song setlist.
With the lack of breaks and varied repertoire, Gizzard amazingly suffered very few hiccups during their set, playing an almost seamless blend of tracks with some especially unique transitions between songs that made the audience’s ears perk up. All of the band’s members are multi-instrumentalists, adding to the complexity and giving King Gizzard their unique layered sound. They invited a fan named Gabby who was holding a sign in the audience on stage to sing the intro to “Nuclear Fusion.” The intro is probably best described as throat singing with some heavy effects layered ontop and Gabby killed it.
Another notable aspect of King Gizzard’s live performances is the audience, a unique combination of deadheads, metal heads, and monster heads, people dressed in a smattering of medieval clothing and monster costumes harkening to King Gizzard’s ever growing lore. Many of these costumes touch on themes inherent to Gizzard’s visual media and lyricism such as the eponymous awareness around the earths climate and the eponymous King Gizzard and Lizard Wizard. King Gizzard’s media presence is heavily based in fantasy and sci fi and has given way to fans concocting a unique world out of an amalgamation of lyrics and imagery. The looseness of this world is what makes their crowds so unique, as fans craft outfits that fit into a world created of their own creation, serving as a true reflection of the wearer in a way that typical fan regalia can’t.
The show stopped exactly at 10pm due to a hard curfew implemented by Forest Hills Stadium last year in an effort to cut down on noise complaints. Following their shows in Queens, King Gizzard & The Lizard Wizard continue on with their North America tour, which is a marathon itself, with 36 more shows through November of this year. Then in May of 2025 they make their way to Lisbon, Portugal for the European leg, which extends through June.
Setlist: Field of Vision, Daily Blues, Cut Throat Boogie, Gamma Knife, People-Vultures, Mr. Beat, Boogieman Sam, Work This Time, Iâm In Your Mind, Iâm Not In Your Mind, Cellophane, Iâm In Your Mind Fuzz, This Thing, Self-Immolate, Organ Farmer, Venusian 2, Gila Monster, Flamethrower, Straws In The Wind, Pleura, All Is Known, Doom City, Rattlesnake, K.G.L.W. (Outro)
King Gizzard & The Lizard Wizard – Forest Hills Stadium – August 16, 2024
It was a night of sonic exploration and psychedelic virtuosity on Monday, August 12, when Les Claypool and the mighty Primus made their return to the Saratoga Performing Arts Center. In a concert experience that definitely did not suck, the music was as eclectic as it was electrifying. Along with the ageless and genre-defying Primus, the stacked bill also included the progressive rock grandeur of Coheed and Cambria, and the surreal cabaret experience of Puddles Pity Party. This unlikely combination of acts came together to create a night that was both surreal and unforgettable.
Here Come The Bastards: Primus frontman Les Claypool performing in Saratoga Springs on 8/12/24.
Primus has always been a band that defies categorization. Fronted by the inimitable Les Claypool, Primus burst onto the scene in the late 1980s, blending elements of funk, metal, punk, and experimental rock into a sound that is uniquely their own. Their music is characterized by complex rhythms, bizarre lyrical narratives, and, most notably, Claypool’s virtuoso bass playing. Over the years, Primus has cultivated a devoted following, attracting fans of both hard rock and improvised jams, their live shows are known for their deeply hypnotic grooves and intense, energetic peaks. At SPAC, Primus delivered a set that was both nostalgic and forward-looking. After taking the stage to their customary Danny Elfman / Pee Wee’s Big Adventure walkup theme known as “Clown Dream,” the band would immediately surprise fans with an unexpected sit-in from Puddles Pity Party, the 6’8” sad clown with the golden voice. Delighting fans with a powerful cover of the Dio classic “Holy Diver,” Primus and friends made it clear they weren’t clowning around in Saratoga, and to strap in for a rollercoaster ride of the unexpected.
Holy Diver: Primus opened the show with a little help from from Puddles Pity Party on 8/12/2024.
Following things up with the heavy-hitting 1993 Pork Soda favorite, “Nature Boy,” Claypool’s basslines were as thunderous as ever, and his off-kilter vocals added an extra layer of strangeness to the proceedings. “Golden Boy” would be lone song played from The Brown Album before “My Friend Fats” took the honors as first extended jam of night, giving guitarist Larry “Ler” LaLonde ample time to showcase his dizzying effects pallet and technical chops, while Claypool’s frantic finger work on the high notes echoed through the pavilion in the most surreal and satisfying way.
C’mon kiddies, gather round: Primus performing at Space on 8/12/2024.
As the lights dimmed between songs and the fog machine continued working overtime, a hooded figure emerged from the side of the stage. Clutching a glowing skull and presenting it to the crowd as if it processed mystical powers, the identity of the druid was soon revealed as Claudio Sanchez of Coheed and Cambria! Teaming up with Primus for the second surprise sit-in of the night, Sanchez’ distinct voice was perfectly suited for the cover of Rush’s “Cygnus X-1.” Bouncing back with the standout song of the night, a deep dive into “Professor Nutbutter’s House of Treats” had all the old school Primates savoring every second. The crowd, a mix of dedicated followers and curious newcomers, were fully engaged, swaying and headbanging to the complex grooves. The visual experience was equally impressive, with trippy, surrealist animations projected behind the band, adding to the sense of being on a musical journey through the weird and wonderful.
Claypool for President: Bassist Les Claypool performing at SPAC on 8/12/24. Would you vote for this man?
Taking a moment to acknowledge the audience, Claypool would remark that it’s been quite a long time since they last played this historic venue. Nostalgic fans were quick to remember the bands appearance at SPAC during the H.O.R.D.E. days in the late 90’s and their many appearances at the Palace Theatre in Albany in the years since, but indeed, it had been awhile since they’ve played a venue of this capacity. Interrupted by a fan requesting “Tommy the Cat,” Claypool would immediately shoot them down by saying, “Did you just say Tommy the Cat? That’s funny because that’s exactly what we’re not going to play.” Instead going with the crunchy punch of “Hamburger Train” anchored by the powerful hands of drummer Tim “Herb” Alexander. Leaving the stage and returning in a horse mask, Claypool would take to his electric standup bass for the particularly poignant cautionary tale of “Jilly’s on Smack.” Ending the tune on a repeating loop, the band created a dark ambience that felt like it could take you in any direction. Choosing once again to return to the Pork Soda era, “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3)” seamlessly picked up where Jilly left off. Sensing a bit of a shift in momentum, Primus would strike back next with one of their most iconic songs, “Jerry Was a Racecar Driver,” which was famously featured over and over on the original Tony Hawk’s Pro Skateboarder game. Sending fans into a frenzy every time he shouted “go!” the bolted down seats in the amphitheater where the only thing stopping a full-scale mosh pit from breaking out. Jerry would bring the main portin of the show to close and leave fans screaming for more.
House of Treats: Primus pleased the SPAC crowd with a tasty Professor Nutbutter on 8/12/24.
Returning for an encore and with lots of fan favorites still left on the table, Primus would select the title track of their latest EP, 2022’s “Conspiranoia,” which they also played their last time in town at the Palace Theatre. Going all in on the near twelve-minute jam, Claypool would march circles around the stage, stomping his feet to the songs monstrous bass lick while humorous soundbite samples of random conspiracy theories pipped over the PA. Segueing directly into the relentless rhythm of “Here Come the Bastards,” Primus would ultimately send fans home happy with one of their biggest hits, “Wynona’s Big Brown Beaver.” A well-curated mix of classic tracks and deeper cuts, satisfying both long-time fans and newer listeners, Primus never disappoints.
Watch fan shot footage of Primus performing “Wynona’s Big Brown Beaver” in Saratoga Springs 8/12/24.
If Primus represents the quirky and experimental side of rock, Coheed and Cambria bring a sense of epic grandeur to the table. Formed in 1995, Coheed and Cambria are known for their sprawling, concept-driven albums that weave together elements of progressive rock, metal, and emo. Their music often tells the story of *The Amory Wars*, a science fiction narrative that spans multiple albums and has even been adapted into comic books.
Claudio Sanchez of Coheed and Cambria performing in Saratoga Springs on 8/12/24.
At SPAC, Coheed and Cambria delivered a performance that was nothing short of cinematic. Frontman Claudio Sanchez’s soaring vocals and intricate guitar work were the perfect match for the band’s complex compositions. The set was a rollercoaster of emotions, with moments of quiet introspection giving way to explosive, arena-sized choruses. Tracks like “Welcome Home” and “The Suffering” were particular highlights, with the audience singing along passionately.
Coheed and Cambria opening for Primus on 8/12/24.
At one point, the band would pause to reflect on their history in the area, with multiple mentions of their early gigs at the since burned down Saratoga Winners venue, even dedicating one of their new songs to the man who booked them way back then. With a sound that still resonates all these years later, there was a noticeable contingent in the audience decked out in sci-fi and comic book-inspired attire, clearly long-time fans of the band and their intricate storylines. Coheed’s set was full of high energy, hair whips and bombastic solos, that at one point even saw Sanchez playing his double-neck guitar behind his head for added showmanship. For the beers drinkers in attendance, the band also brought along their limited edition IPA collaboration with Six Point Brewery called The Liars Club, inspired by the bands album Vaxis II: Window Of The Waking Mind.
Watch fan shot footage of Coheed and Cambria peforming “Welcome Home” at SPAC on 8/12/24.
Puddles Pity Party, the opening act of the evening, was perhaps the most surprising element of the night. For the uninitiated, Puddles Pity Party is the alter ego of Mike Geier, a 6’8” tall clown with a melancholy demeanor and a voice that can only be described as stunning. Puddles rose to fame through viral videos and appearances on America’s Got Talent, where his deep, emotive voice and unique takes on popular songs won him a legion of fans.
Puddles Pity Party performing in Saratoga Springs on 8/12/24.
At SPAC, Puddles Pity Party delivered a set that was both hilarious and deeply moving. Dressed in his trademark white clown costume, Puddles performed a mix of covers and original songs, each delivered with a combination of deadpan humor and genuine emotion. Highlights included his renditions of “Ring of Fire,” The Who’s “Pinball Wizard” and a version of Ozzy’s Osbourne’s “Crazy Train” mashed up with Adele’s “Let It Go.” After a transformative “Space Oddity” homage to David Bowie was met with resounding approval, things would get downright whacky as Puddles then professed his love for actor Kevin Costner in bizarre hybrid of “Stairway to Heaven” meets Celine Dion’s “My Heart Will Go On,” while images of the Costner 1995 Hollywood flop Waterworld projected onto the big screens. Suddenly, the music would bust into Metallica’s “One” for the high-intensity outro to a very fun set. The audience, initially unsure of what to expect, quickly warmed to the sad clown’s unique brand of entertainment. By the end of his set, there wasn’t a frown to be found.
Puddles Pity Party performing in Saratoga Springs on 8/12/24.
From die-hard Primus fans wearing vintage tour shirts to Coheed and Cambria followers letting their sci-fi geek flags fly, the audience was a melting pot of music lovers. The diversity in the crowd reflected the broad appeal of the evening’s acts, with each band bringing their own unique following to the venue. Despite the differences in musical taste and style, the atmosphere was one of mutual respect and shared enjoyment, with everyone there to appreciate the artistry on display. Whether you were there to witness Les Claypool’s bass wizardry, Claudio Sanchez’s epic storytelling, or Puddles’ deranged humor, there was something for everyone. Complete with surprise collaborations and stunning visuals, it was another spectacular night a SPAC and one that is sure to leave a lasting impression on anyone who attended.
Primus | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: Clown Dream Intro, Holy Diver *, Nature Boy, Golden Boy, My Friend Fats, Cygnus X-1**, Professor Nutbutter’s House of Treats, Hamburger Train, Jilly’s on Smack, The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3), Jerry Was a Racecar Driver.
Encore: Conspiranoia, Here Come the Bastards, Wynona’s Big Brown Beaver.
*Dio cover featuring Puddles Pity Party
**Rush cover featuring Claudio Sanchez of Coheed and Cambria.
Coheed and Cambria | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: In Keeping Secrets of Silent Easrth:3. Ten Speed (Of God’s Blood and Burial), The Willing Well I: Fuel for the Feeding End, Key Entity Extraction V: Sentry the Defiant, A Favor House Atlantic, Blindside Sunny, The Crowing, The Liars Club, Shoulders, Welcome Home.
Puddles Pity Party | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: Ring of Fire, Pinball Wizard, Crazy Train > Let It Go, Space Oddity, Stairway to Heaven> My Heart Will Go On, One Outro.
On a picture-perfect summer evening in Schenectady, the vibrant atmosphere of Frog Alley Brewing was electrified by a magnificent performance from Andrew Bird. An artist whose unique blend of folk, indie rock, and classical music has earned him a devoted following over the years, this stop marked his first time playing in the Electric City. Packing the place from the ground on up to the balcony, it was a testament to Bird’s enduring artistry and widespread appeal. Playing a diverse setlist that spanned his rich discography and showcased his eclectic musical talents, his dynamic and colorful debut was nothing short of delightful.
Andrew Bird performing in Schenectady, NY on 8/13/2024.
Opening for Andrew Bird was the legendary Malian duo Amadou & Mariam. The Grammy nominated couple, both of whom are legally blind, have been making music together since the 1970s, blending traditional Malian sounds with rock, blues, and pop influences. Their music is joyful and rhythmic, often addressing social and political themes with a fun touch. Amadou & Mariam’s performance was a perfect complement to Bird’s, offering a lively, soulful, and fun introduction to the evening. Despite obvious cultural barriers, the Frog Alley crowd was fully engaged from the start, and by the end of the hour long set, the entire audience was up on their feet and dancing like they were having the time of their lives, further proof that music truly is a universal language. After a brief intermission, it was finally time to take flight with Andrew Bird.
Amadou & Mariam, known as “the blind couple from Mali,” opened for Andrew Bird at Frog Alley Brewing on 8/13/24.
Andrew Bird’s musical journey has been nothing short of fascinating. A classically trained violinist, Bird has released 16 studio albums, with his music evolving from swing jazz and traditional folk to more intricate and experimental sounds. What sets Bird apart is not just his prolific output but also his innovative approach to music-making. His violin often serves as a multifaceted instrument—strummed like a guitar, plucked like a mandolin, and bowed in traditional and unorthodox ways. Bird’s performances are also characterized by his whistling, which is as nuanced and expressive as any instrument. Fans are also quick to notice his specially-designed spinning speaker known as the Janus Horn that sits center stage during every show. Featuring a two-mouthed horn that spins at various speeds during operation, it gives music played through it a whirling Doppler effect that is truly original and unquestionably psychedelic.
Andrew Bird performing in Schenectady, NY on 8/13/2024.
Opening the show with a pair of songs from his brand new album Sunday Morning Put-On, the easy lounge swing of “Softly, as in a Morning Sunrise” set the mood, while Bird’s buttery smooth voice had the crowd hanging on every delicate word in “I Fall in Love Too Easily.” Performing one of his oldest Bowl of Fire-era numbers next, Bird’s spoken word delivery and theatrical gestures during “Why?” simultaneously had the crowd amused and impressed, just as it has since being released in 2001.
It’s not a spell or a curse you put on me Or the way you make me smile so tenderly But how I wish it was your temper you were throwing Damn you for being so easygoing
Lyrics from “Why?”
A longtime fan of Andrew Bird’s music, I’ve seen him perform many times over the years. A unique thing about him though, is every single time has been with a different cast of supporting players. Opting to play this summer tour as a trio, Bird aligned himself with a pair of ultra-talented and distinguished musicians in New York-born drummer Ted Pool, and playing both standup bass, electric bass and acoustic guitars, was Alan Hampton. Each member bringing their unique flair, creating a dynamic interplay that amplified Bird’s intricate compositions, the chemistry between them was magnetic and hearing all three voices sing harmonies together was simply beautiful.
Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.
Bird’s lyrics have always been one of the most compelling aspects of his music. They are poetic, often cryptic, and rich with metaphor, exploring themes of existential dread, love, and the complexities of modern life. “Bloodless,” a personal favorite from 2019’s My Finest Work Yet always stands out for its layered momentum, deep groove and even deeper lyrical content that critiques the current political climate with a subtlety that leaves space for the listener to interpret the meaning. This song becomes more and more relevant every time I hear it.
“I’m keeping mine with the altruists I’m putting my weight behind the dancer I know it’s hard to be an optimist When you trust least the ones who claim to have the answers
It’s an uncivil war, bloodless for now”
-Lyrics from “Bloodless”
Another new song, “You’d be So Nice to Come Home To” felt perfect, as if were written for this exact kind of night, with Bird crooning out “Under an August moon burning above, you’d be so nice, you’d be paradise to come home to and love.” Following his hit single “Sisyphus,” we would enter the Inside Problems portion of the show. Written and recorded during the pandemic, “Atomized,” and “Underlands” further transported the Electric City to a surreal state, before Bird would pause to banter with the crowd for a bit. Switching over from violin to his vintage Gibson electric guitar, he would claim the next song was written for a friend that happens to have a birthday tomorrow. Then launching into one of loudest and most rocking songs of the evening, the vibe during “The Night Before Your Birthday” felt more like a celebration than a concert.
“You’d be So Nice to Come Home To” had all the feels on 8/13/24.
Bird’s use of language is masterful; his lyrics often juxtapose archaic phrases with contemporary issues, creating a timeless quality. This linguistic dexterity is part of what draws a diverse crowd to his shows—fans who appreciate music that challenges as much as it entertains. Setlist staple, “A Nervous Tic Motion of the Head to the Left” was a perfect example of this, while the lush and layered textures of “3 White Horses” delves into themes of mortality, using vivid imagery to create an atmosphere of eerie calm. “Give It Away” and “Orpheo Looks Back,” a pair of songs from 2012’s Break It Yourself, would feature Alan Hampton switching from bass to acoustic guitar and sharing vocal duties on the main microphone with Bird. The two of them clearly having a blast together, singing with smiles and passion. Bird would then tell the crowd he’s been working on some old classical jazz tunes with these fellas, and they’d like to try one for us called “Caravan,” by the legendary Duke Ellington. Finally, bringing the main portion of the show to a close was another personal favorite, “Tables and Chairs.” Offering a glimpse into a post-apocalyptic world, the song still manages to find hope in the idea of human connection, and if you’re asking, yes, there will be snacks!
Andrew Bird and Alan Hampton performing together on 8/13/2024.
Returning to the stage to a prolonged standing ovation, Andrew Bird would humbly thank the crowd at Frog Alley Brewing. Saying it was his first time playing in Schenectady and he didn’t really know what to expect, he seemed genuinely appreciative that people showed up and packed out the place. Rewarding them with perhaps his biggest song to date, Bird would paint a picture of “Pulaski at Night,” before the punchy, bittersweet Are You Serious anthem “Capsized” would send them home feeling inspired, fulfilled and maybe a little froggy, too.
Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.
Andrew Bird’s concert at Schenectady’s Frog Alley Brewing Summer Stage was a showcase of his exceptional talents as a musician and lyricist. A journey through his extensive catalog, the setlist was carefully curated, blending newer tracks with fan favorites. Supported by a stellar band and with an unforgettable opening act in Amadou & Mariam, the evening was a celebration of diverse musical traditions and innovative artistry. Bird’s ability to captivate an audience with his intricate melodies and thought-provoking lyrics is a rare gift, making this concert a highlight of the summer music season and further cements Bird’s growing reputation as one of the most important songwriters of our time.
Andrew Bird | August 13, 2024 | Frog Alley Brewing | Schenectady, NY
Setlist: Softly as in a Morning Sunrise, I Fall in Love Too Easily, Why?, Bloodless, You’d Be So Nice to Come Home To, Atomized, Sisyphus, Underlands, The Night Before Your Birthday, A Nervous Tic Motion of the Head to the Left,3 White Horses, Give It Away, Orpheo, Manifest, Caravan*, Tables and Chairs.
Encore: Pulaski at Night, Capsized.
*Duke Ellington and His Orchestra cover
Amadou & Mariam | August 13, 2024 | Frog Alley Brewing | Schenectady, NY
South Korean soul singer, Saay, made her US debut at Elsewhere on Friday, August 9, her first show in the US after twelve years in the industry, seven of which have been as a soloist. The Korean artist recently came back with a new single, Domino, a bouncy track with digitally harmonized synth vocals, a la Imogen Heap’s hit song “Hide and Seek.” Her contract with Universal Music Korea also expired last month, but when asked about physical releases of her music during the show, she said she is planning to release a new EP next year.
Saay debuted in Korea twelve years ago as part of the group EvoL but began her solo career seven years ago with the release of her single “Circle” in July of 2017. This was a one-off show in Brooklyn, followed by another at The Moroccan Lounge in Los Angeles on August 15th. Before her Elsewhere show, she also sang “Domino” on Fox’s Good Day New York. Expect more great content from Saay this week on social media as she experiences LA and continues to share photos and videos from her show at Elsewhere.
Performance
Elsewhere Zone One provided the perfect venue for this kind of intimate, emotionally charged show full of fan interaction. As people started filtering into the venue, the room’s cumulative energy made for a shared cathartic moment. A small, low-set stage puts the artist up close with fans. The production at Elsewhere was low-key. Besides the LED panel covering the wall behind Saay, a contrasting pair of purple and blue lights lit the stage.
Korean artists are always skilled at creating meaningful interactions with their fans, but you could clearly tell how much this show meant to Saay, at times bringing her to tears. During the show, she wore a Lucky Dragon hat that a fan later recognized as one they had given Saay at a past concert. She ended her set with a song ironically titled “Encore,” which was then followed by the actual encore, her breakout hit (and a personal favorite) from 2019, “ZGZG.”
After the final song, she stayed on stage to speak candidly to the audience and to tell everyone to get home safely, stay healthy, and eat well. We look forward to seeing footage of Saay’s August 15th show at the Moroccan Lounge and wish her luck in her future endeavors. Keep an eye out for new music from Saay in the next year and, hopefully, a return to New York following her upcoming EP.
Saay – Elsewhere Zone One – August 9, 2024
Setlist: Talk 2 Me Nice, Overzone, Baad, Omega, Circle, Domino, Rocky, Sh*t Makerrrrrrrr, I’m Okay, Sweet as Hell, Encore
DIIV, a beloved band from Brooklyn, has once again captured the hearts of fans with their latest album, Frog in Boiling Water. This record showcases a band that has truly evolved while staying true to their atmospheric roots. The album and its singles—such as “Brown Paper Bag,”—have been met with widespread fan acclaim.
Frog in Boiling Water is more than just a collection of songs; it’s a testament to DIIV’s perseverance and growth. The album’s creation was a four-year odyssey that nearly pushed the band to its limits. With a desire to push their sound to new frontiers, DIIV embarked on an ambitious journey, navigating their own relationships and the pressures of the music industry. Fraying friendships, financial strains, and creative differences marked the process, but the band emerged from this chaos with an album that dives deep into new lyrical and musical territories.
The result is a record that is as gorgeous as it is haunted. Frog in Boiling Water balances powerful rhythms inspired by post-industrial sounds, creating a sound that is both mighty and ethereal. It’s a mesmeric reflection on endurance, capturing the essence of existing.
If you missed DIIV at their most recent homecoming show at Brooklyn Paramount, make sure to catch them live the next time they’re in New York. With each performance, DIIV not only solidifies their place in the indie music scene but also redefines what it means to create immersive, emotional art.
For the third time in their career, Phish performed at Bethel Woods Center for the Arts, opening up a three-night run on Friday, August 9. With the remnants of Tropical Storm Debbie making its way through the Mid-Atlantic region and drenching much of New York State over Thursday and Friday, Phish fans planned for the worst and were rewarded for their efforts, with only lingering sprinkles during the show.
Nearing the end of their Summer Tour with only Bethel, their Mondegreen festival and four nights in Colorado left on their schedule, Phish has been rolling from the Northeast to the Midwest, dropping lengthy jams in unexpected spots, bringing new material to fans off Evolve, and inviting Billy Strings to the stage in Grand Rapids, MI. Now in Bethel, the band has their sites set on building towards their 11th festival, an event always ripe with surprises and leveled up improvisation.
With a pair of ASL interpreters just off stage right, Set 1 began with instrumental (and GRAMMY-nominated) “First Tube,” a rare opener normally found in a late-second set slot, but nevertheless an energetic way to start the show. A lengthy “No Man in No Man’s Land” followed, always a great sign that the band is dialed in and wants to get down to business right away.
https://www.youtube.com/watch?v=2QnFL5wdFFg
A spacey and wandering “My Friend, My Friend” was a first set highlight, clocking in at more than 18 minutes and another example of Phish taking more of their catalog down the improv route than in past years. A late first set “2001” was a treat, dipping into an always welcome “Taste” before closing the set with “Character Zero.”
Opening the second set with “The Wedge” could have launched the Rift track to new heights, but it served as a buffer song before the big jam of the night, “Tweezer.” A vehicle for jams in the second set since the 90s, “Tweezer” found a few separate jams (including “There is a Mountain” by Donovan) over the course of 24 minutes, coming full circle before dipping into the Evolve track “Pillow Jets,” which took a dark psychedelic turn mid-way through before returning to “Tweezer,” as one does mid-second set.
Finding its way into “Piper,” this brief “Tweezer” return birthed a top notch “Piper,” found itself turning back into “Tweezer” briefly before the Rolling Stones’ “Shine a Light” provided an exultant breather with the set wrapping up with a thorough “Chalk Dust Torture.” A triple encore featuring songs from across the band’s history was a delightful surprise to the evening, starting with Junta track “Big Black Furry Creature From Mars,” Farmhouse’s “Gotta Jibboo” and Big Boat’s “More.” With two more nights to go, the bar is set for Phish to exceed over this weekend and next.
https://www.youtube.com/watch?v=_ORBkMm_9lY
Phish – Bethel Woods Center for the Arts, Bethel, NY – Friday, August 9, 2024
Soundcheck: My Soul, Dinner and a Movie, Waves, Tequila x2, Jam Set 1: First Tube, No Men In No Man’s Land, Cavern, My Friend, My Friend[1], Bug, Julius, Also Sprach Zarathustra > Taste, Character Zero Set 2: The Wedge, Tweezer, Pillow Jets -> Tweezer -> Piper -> Tweezer > Shine a Light, Chalk Dust Torture Encore: Big Black Furry Creature from Mars, Gotta Jibboo > More [1] No “Myfe” ending.
Saturday, August 10, 2024
Set 1: Back on the Train, Sample in a Jar, Hey Stranger, Dinner and a Movie, Halley’s Comet > Sand, Gumbo > Maze, Weigh, Cities > Run Like an Antelope
Set 2: Wilson > Down with Disease[1] -> Waves > Twist > Kill Devil Falls > Beneath a Sea of Stars Part 1 -> Backwards Down the Number Line > Ghost > Tweezer Reprise
Encore: Wading in the Velvet Sea > Runaway Jim
[1] Unfinished.
Trey teased Call to the Post at the end of Weigh and The Line during Antelope. DWD was unfinished.
Sunday, August 11, 2024
Set 1: I Never Needed You Like This Before, 46 Days, Bathtub Gin, Fikus, Theme From the Bottom > Timber (Jerry the Mule), Human Nature, Limb By Limb, Axilla > Sigma Oasis
Set 2: Buried Alive > AC/DC Bag > Fuego > Golden Age -> Simple, Life Saving Gun, Harry Hood
Encore: A Life Beyond The Dream, Say It To Me S.A.N.T.O.S.
Fikus was performed for the first time since November 7, 1998 (801 show gap). Mike teased Fikus in AC/DC Bag.
After a thrilling performance at Madison Square Garden in New York City days before, the Rock and Roll Hall of Fame band, The Doobie Brothers traveled north to Bridgeport, Connecticut. The band, which is on their “The 2024 Tour,” packed in fans who braved the rain and played a thrilling 15-song set. Before the show began, fans had to arrive early as the show was moved up a half hour with the storms approaching.
Official music video for The Doobie Brothers – “Black Water” from ‘What Were Once Vices Are Now Habits’ (1974)
As fans were finding their seats, the legendary Steve Winwood and his spectacular band warmed up the humid audience. Winwood – who has been in famous bands like Traffic and Blind Faith – played a small, yet powerful seven-song set. Winwoods set featured music from his old bands. With the intro of “Can’t Find My Way Home,” fans roared to their feet and stood there the entire song. After each song ended the audience would repeatedly rise to their feet to pay respect to the living legend.
Winwood’s band featured five stellar musicians. The band featured Edwin Sanz on percussion, Tristan Banks on drums, Paul Booth on saxophone and piano and Nate Williams playing keyboards. Lastly, Winwood’s very own daughter, Lilly Winwood was featured on background vocals. The entire band had smiles on their faces, bringing an amazing atmosphere to the audience.
Just as quickly as Winwood jumped on stage, the stage was reset for The Doobie Brothers. The band did not have any flashy intro or spectacular entrances. Classically, the house lights dimmed and the band walked on and kicked into “Rockin’ Down the Highway” off of 1972’s Toulouse Street. Almost immediately, the rain – which stopped for Winwood – picked up again yet did not deter the band. They met the weather with great tunes and excellent showmanship.
In between songs, guitarist Patrick Simmons would whip out some of the brightest colored guitars in all of rock. One after the other, the spotlights would bounce off the shiny colored red and blue guitars. Flanking Simmons on his right was John Cowan who appeared to barely move all night. Despite the minimal movement, fans could tell that he was chugging away at his bass guitar throughout the entire set.
Some fans might have wondered what The Doobie Brothers sounded like during their “Golden Age.” Well, they didn’t need to think hard or long at all. Singer and guitarist, Tom Johnston along with keyboardist and singer, Michael McDonald, sound just like the records. Not every band can say that their singer’s voice has stood the test of time, but The Doobie Brothers can. Whether the song was “What a Fool Believes” or “Long Train Runnin’” Johnston and McDonald’s vocals were top-notch. The Hartford Healthcare Amphitheater is open to the outdoors on either side and sometimes vocals can get mushy. That didn’t happen for either vocalist. The vocals were one of the highlights of the show.
Joining Johnston, McDonald, Simmons and Cowan were four other stellar musicians. On drums were Ed Toth, John McFee on guitar, Marc Russo on saxophone and Marc Quiñones on percussion. Despite the crowded stage, each musician perfectly played their part in The Doobie Brothers’ rock and roll machine.
Throughout the show, the video screen would show moments in the band’s career and fade into the band on stage. The band’s crew did an amazing job enhancing the audience’s experience and giving them a little insight into the band in their heyday.
By the time the band reached the middle backend of the set, the smell of weed was distinct in the air, in typical Doobie Brothers fashion. By that point, the band was on another level as they were cranking out hit, after hit, after hit. Some fans took to the aisles to dance with their spouses. Others even tried to run up to the front to record their favorite songs. The amphitheater was in a Doobie Brothers frenzy.
In an attempt to save time, the band very quickly jumped back on stage for the four-song encore. The encore, highlighted by a Paul Simon cover of “Still Crazy After All These Years” was an instrumental duet between McDonald and Russo. Russo would take center stage when he belted out an amazing solo. It combined jazz, blues and classic rock into one solo reimagined by The Doobie Brothers.
As the summer winds down, The Doobie Brothers brought nothing but great vibes to the Bridgeport Audience. “The 2024 Tour” will take both bands to Saratoga Springs, New York to play at the Saratoga Performing Arts Center. This tour is not to be missed, each band compliments each other perfectly and will make for a great night to “Listen to the Music.”
Steve Winwood Setlist: Glad, Can’t Find My Way Home, Why Can’t We Live Together (Timmy Thomas cover), Roll With It, Back in the High Life Again, Higher Love, Gimme Some Lovin’ The Doobie Brothers Setlist: Rockin’ Down the Highway, Take Me in Your Arms (Rock Me a Little While), Here to Love You, Depending on You, Minute by Minute, It Keeps You Runnin’, Without You, Jesus is Just Alright (The Art Reynolds Singers cover), What a Fool Believes (Kenny Loggins cover), Long Train Runnin’, China Grove, Black Water, Still Crazy After All These Years (Paul Simon cover), Takin’ It to the Streets, Listen to the Music
It was an evening of shock and awe in Saratoga Springs on Tuesday, August 6th, when extreme metal made it’s return to SPACfor the opening night of the “Kiss of Death Part 2” tour. Featuring co-headliners In This Moment and Ice Nine Kills, along with Avatar and TX2, the heaviest bill of the summer was an unrelenting assault of the senses and a spectacle unlike any other. Pummeling the audience with dark themes, blood curdling riffs, demonic costumes and otherworldly images, the show made you feel like you were at the center of a crime scene. Surrounded by thousands of witnesses, only here there was no such thing as survivors’ guilt.
Kiss of Death: Avatar performing in Saratoga Springs, NY on 8/6/2024.
Setting the tone early with a brief set was TX2. Spearheaded by Even Thomas, the emo-leaning punk screamers largely focused on songs about mental health issues and using heavy music to work through them. Genuinely appreciative of the early bird fans who came to hear them, it was the perfect appetizer for what was to come. Next up was the melodic death metal band from Sweden called Avatar. Known for their over-the-top theatrical presentation, frontman Johannes Eckerström emerged on stage by popping out of a “gift” that was unwrapped by a leather-clad gimp! Wearing a top-hat with his face painted in sinister clown makeup like The Crow-era Sting, Eckerström’s charisma and powerful screams commanded your attention from the start.
Joined by dreadlocked guitarists Jonas “Kungen” Jarlsby and Tim Öhrström, Henrik Sandelin (bass), and John Alfredsson (drums), Avatar may not have been a headliner, but they sure played like it. Working their way through songs like “Dance Devil Dance,” “The Eagle Has Landed,” “The Dirt I’m Buried In, and “Smells Like a Freakshow,” if you’ve never seen this band, think Alice Cooper meets Marilyn Manson, but with a futuristic twist. Combining death metal riffs with menacing grooves for dramatic flair, fans of classic shock rock were not disappointed. Urging the crowd to stand up and headbang along to their final song, “Hail the Apocalypse,” Eckerström told them they “came all the way from Sweden to watch you die.”
Avatar’s Johannes Eckerström performing at SPAC on 8/6/2024.
After a quick intermission that included songs by White Zombie, Deftones and Rage Against the Machine, suddenly the sound of Nick Cave and the Bad Seeds “Red Right Hand” signified the horror juggernaut known as Ice Nine Kills was lying in wait. With intro narration by none other than the Crypt Keeper (Tales from the Crypt), the curtain dropped and the metal-core band from Boston came out slashing. Despite the rainy forecast, the audience’s spirits were undampened as INK kicked into high gear with a fitting combo of “Rainy Day” and “Meat & Greet.” With their clothes covered in blood and celebrating pop-culture’s darkest edges, the stage was full of elaborate props, including skulls, chainsaws, zombies, various monster masks and the ever-present knife-wielding hooded figure looming high above all.
Kiss of Death: Ice Nine Kills performing in Saratoga Springs on 8/6/2024.
Consisting of frontman Spencer Charnas, Ricky Armellino and Dan Sugarman on guitars, Joe Occhiuti on bass and Patrick Galante on drums, each song took on themes and soundbites from different iconic horror films. One of the early highlights was “Ex-Mørtis,” which depicted elements of the Evil Dead franchise. Complete with Spencer clutching his own Necronomicon and wielding a chainsaw, Charnas had no choice but to take down a wayward zombie that ventured on stage in the middle of it.
Klaatu, Barada, Nikto: Ice Nine Kills fought off the Evil Dead in Saratoga Springs on 8/6/2024.
Later, during “Wurst Vacation,” the body count continued to pile up as Charnas mimicked Eli Roth’s Hostile by throwing on a butcher’s apron before dismembering another victim, pulling the pseudo-intestines out above his head to great applause of the blood-thirsty audience. After killer versions of the American Pycho-inspired “Walking on Sunshine” and “Hip to be Scared,” Ice Nine Kills would bust out “The Nature of the Beast” for the first time since 2019. Following “Funeral Derangements” and a reenactment of IT, INK would bust out another one for the old school fans in attendance, playing “The Greatest Story Ever Told” for the first time since 2017. After the Freddy Krueger inspired “American Nightmare” and a memorable stab at cinemas most famous “Shower Scene” via Alfred Hitchcock, by this point the band had everyone up on their feet and dying for more. With time for just one more song, INK closed their set with the title track to their breakthrough album Welcome to Horrorwood. Creative, fun, and definitely disturbing, it’s no surprise this type of band comes with a warning label. Hell, they’ve been outright banned by Disney for being too evil! Steadily killing the scene with their decadent, devious and fiercely insane live shows, Ice Nine Kills have also launched their own hugely successful horror convention known as the Silver Scream Con.
I’ve Got to Return Some Videotapes: INK frontman Spencer Chamas channeled his inner Patrick Bateman at SPAC on 8/6/2024.
During the final intermission of the show, music by metal god Maynard James Keenan permeated through the pavilion as songs by Tool and A Perfect Circle piped in over the PA system. Oddly transitioning into Journey’s “Don’t Stop Belivin” as heavy fog began billowing out from behind the stage, a giant spider covered curtain suddenly dropped to reveal In This Moment. Met with hero’s welcome and a massive applause, it was a special performance for band’s charismatic frontwoman and lead vocalist, Maria Brink. An Albany native and the scream queen of modern metal, it was the type of homecoming usually reserved for a king. Growing up about 30 minutes away and now playing the area’s biggest stage, on this night, Brink gracefully conquered all.
Kiss of Death: In This Moment headlined the tour kick off in Saratoga Springs on 8/6/2024.
Wearing an ornate headdress and taking to her throne atop the SPAC stage, In This Moment was truly a spectacle to behold. Clad in costumes that were both beautiful and frightening, much like their music, the band has a certain aura that’s intoxicating. Opening with “The Purge” and their Grammy nominated single “The In-Between,” the visually stunning theatrical presentation the band is known for was on full display right out of the gate. Under the watch of “mother” figure Maria Brink, the band is far from a one woman show. Also consisting of co-founder Chris Howorth and Randy Weitzel on guitars, Travis Johnson on bass and Kent Diimmelis, ITM sent shivers up your spine with a rendition of 2012’s “Blood” from the album of the same name. Followed up by a pairing of “Sacrifice” and “Sanctify Me,” the evening would spotlight many of the songs from the band’s 2023 Kane Churko produced album Godmode.
Hometown Throwdown: Albany native Maria Brink holding court with In This Moment at SPAC on 8/6/2024.
Flanked by a pair of masked acolytes and singing from an elaborate alter for most of the show, Brinks’ amazing voice control mesmerized fans. Reaching intense emotional depth, powerful and pretty and with plenty of edge, it’s easy to see why she’s become such a role model for ‘against the grain’ teens and goth-girls everywhere. Frequently changing outfits and telling a story within each song, even if you couldn’t get into the music, you had to appreciate the artistry, creativity and overall effort of everyone on stage. Pushing boundaries with themes of witchcraft and mysticism, it’s no surprise In This Moment’s ritualistic approach has its share of detractors, mostly parents and people over 50. Still, as the band worked their way through signature staples like “Sex Metal Barbie” and the Black Sabbath-inspired “Big Bad Wolf,” over1.3 billion cumulative streams tell you it’s clear there’s still an audience hungry for heavy music. Towering over the Broadview Stage at SPAC, In This Moment sent fans home happy with their biggest song to date, closing the epic homecoming performance with “Whore.” Cathartic and surreal, the level of pageantry and attention to detail made for an unforgettable set of music from one of today’s most influential metal attractions.
Sex Metal Barbie: Maria Brink performing with In This Moment at SPAC on 8/6/2024.
A resounding triumph for shock rock and horror metal, the Kiss of Death Part 2 tour in Saratoga Springs was some of the most fun I’ve had all summer. After playing to Buffalo’s Outer Harbor the following night, the electrifying tour heads west for the next month and promises to deliver musical carnage and visual splendor at every stop along the way. Ice Nine Kills third annual horror convention, The Silver Scream Con, is set to take place in Worcester, MA from September 13-15.
In This Moment | August 6, 2024 | SPAC | Saratoga Springs, NY
Setlist: Salvation Intro, The Purge, The In-Between, Blood, Sacrifice, Sanctify Me, Sex Metal Barbie, The Fighter, Big Bad Wolf
Encore: Whore
Ice Nine Kills | August 6, 2024 | SPAC | Saratoga Springs, NY
Setlist: Red Right Hand Intro, Rainy Day, Meat & Greet, Ex-Mortis, Thank God It’s Friday, Walking on Sunshine*, The Nature of the Beast**, Wurst Vacation, Funeral Derangements, IT Is the End, Hip to Be Scared, The Greatest Story Ever Told***, The American Nightmare, The Shower Scene, Welcome to Horrorwood. ,
Avatar | August 6, 2024 | SPAC | Saratoga Springs, NY
Setlist: Beware of the Clown Intro, Dance Devil Dance, The Eagle Has Landed, Valley of Disease, Bloody Angel, The Dirt I’m Buried In, Smells Like a Freakshow, Hail the Apocalypse.
