Rock band The Gaslight Anthem is following up their 2022 comeback with a headline tour this spring. During the tour, the band will perform at the Buffalo Outer Harbor Site, The Paramount in Huntington, and the Beak & Skiff Apple Orchards in LaFayette.
The Gaslight Anthem Members, from left to right: Benny Horowitz, Brian Fallon, Alex Levine, and Alex Rosamilia
The band’s 2022 tour marked the first time since 2018 that they performed together.
The Gaslight Anthem consists of Brian Fallon (lead vocals, rhythm guitar), Alex Rosamilia (lead guitar, backing vocals), Alex Levine (bass guitar, backing vocals), and Benny Horowitz (drums, percussion, backing vocals). The band first came on the music scene in 2007, with their debut album, Sink or Swim. Their most recent album, Get Hurt, was released in 2014, after which the band went on an indefinite hiatus. After a brief reunion for the 2018 Governor’s Ball Music Festival, the group officially got back together in early 2022. The Gaslight Anthem announced they were working on their yet-to-be-titled new album in Dec. 2022.
Wednesday, Feb. 15, at 10 a.m. begins the artist presale. Local/venue presales begin at 10 a.m. Thursday, Feb. 16 at 10 a.m. All presales conclude on Feb.16 at 10 p.m. General on-sales begin Friday, Feb. 17 at 10 a.m. For more information, please see www.thegaslightanthem.com.
THE GASLIGHT ANTHEM – US TOUR 2023
MAY
1 – Houston, TX – House of Blues * †
2 – San Antonio, TX – Aztec Theater †
3 – Dallas, TX – South Side Ballroom †
6 – Atlanta, GA – Shaky Knees Music Festival ^
7 – Charleston, SC – Charleston Music Hall *
9 – Ft. Lauderdale, FL – Revolution * †
10 – St Petersburg, FL – Jannus Live * †
12 – Raleigh, NC – The Ritz * †
14 – Nashville, TN – Ryman Auditorium †
16 – Charlotte, NC – The Fillmore Charlotte T
17 – Baltimore, MD – Rams Head Live * †
19 – Atlantic City, NJ – Sound Waves at Hard Rock Hotel & Casino * †
20 – Buffalo, NY – Buffalo Outer Harbor Site *
21 – Wallingford, CT – The Dome at Toyota Presents Oakdale * †
23 – Portland, ME – The State Theatre *
25 – Bethlehem, PA – The Wind Creek Event Center *
26 – Huntington, NY – The Paramount *
27 – LaFayette, NY – Beak & Skiff Apple Orchards *
When TMZ first reported on February 12 that De La Soul’s Dave “Trugoy the Dove” Jolicoeur had passed away, there was an outpouring of respect and support throughout social media. And for good reason, the 54-year-old Long Island native was not only one of hip hop’s most innovative rhymers, he had the catalogue and accolades to back it up. However, Plug 2’s value to the hip hop community isn’t based on his achievements on a commercial scale. For many, De La Soul represents the happiest times of their formative years, the boom era where hip hop wasn’t this high-functioning corporate machine, but when the art was still based around thoughts, feelings and the power to dare to be different, the organic way.
Hailing from the same Long Island outskirts that produced the likes of Chuck D, Rakim and Biz Markie, De La Soul’s contributions to hip hop and the black experience overall was one of normalcy. In an ever-changing rap landscape that had adopted an in-your-face brashness amid Public Enemy, NWA and Rakim’s rise, De La Soul served as the buoyant middle ground between the brazen and squeaky clean rappers of the day. While the group’s success is the product of four like minded creative vanguards (Posdnous, Trugoy, Maseo and Prince Paul) there’s no doubting that Trugoy embodied their very essence. Even as their music matured in between 3 Feet High and Rising and Stakes is High, Dave’s laidback effervescence remained a constant.
https://youtu.be/tD_crXNhzKs
Trugoy and De La Soul’s Impact
In an era where black extremism seemed to be the new norm in hip hop, De La Soul brought a fresh point-of-view to life as a black young adult. With their quirky melodies, lighthearted approach, and genre-bending use of samples and rapping styles, the Amityville Memorial High products helped bring the other black experience to prominence. The one where you had fun, nobody got hurt, police was not involved and everything was okay. As a result, their music offered an alternative to contemporaries as their experiences as suburban black youth afforded them a broadened, colorblind view to artistry.
Consequently, their idiosyncratic point of view saddled them with a “hippie” gimmick from their record label. After all, black plight had long been one of America’s main soundtracks. For their part, De La Soul refused to portray themselves as victims to anything but wacky outfits. With their D.A.I.S.Y. (Da Inner Sound Ya’ll) mantra, De La Soul epitomizes hip hop’s ethos of “keeping it real.” Along with other members of the Natives Tongues, De LA Soul brought about a musical and social balance to the hip hop landscape. However, they remained true to themselves, refusing to be boxed into the alternative hip hop mold that was building around them.
De La Soul is Dead was a backlash of feeling that way about the industry. About how our art was being compromised. I think people’s point of view of what we were trying to do — it seemed as if they were pointing their hands at us like, these guys are basically here to represent something that we believe that they are, and they’re going to act the way we think they’re supposed to. It was like, no, that’s not who we are. It’s not what we’re doing, and it’s not what we feel. You feel emotional when things happen inside, and we just gotta let it out through music.
At the heart of it all was Dave, whose creatively juxtaposing role as Trugoy resonated with many around the world, with De La Soul serving as an inspiration and pushing the budding careers of several acts, including Yasiin Bey and Common. With iconic group’s back catalogue set to hit streaming services on March 3, we can be assured that De La Soul will never be dead.
De La Soul is everything to me. They embraced me! They took me on tour with the@ and changed my life. They featured me on a song and changed my life again. I literally lived with them! We love you Dave. May God bless your soul! pic.twitter.com/y1UBYXYSLv
Heavy Metal band Disturbed has announced their 36-date Take Back Your Life Tour for Summer 2023, supporting their eighth studio album, Divisive, and their first tour in five years.
The tour kicks off on Thursday, April 27, and includes a stop at St. Joseph’s Health Amphitheater at Lakeview in Syracuse on Aug. 12, and Northwell Health Jones Beach Theater in Wantagh on Aug. 19.
Cover of Distubed’s latest album, Divisive
Additionally, Disturbed’s latest tour will feature performances by metalcore band Jinjer and rock band Breaking Benjamin. Disturbed will be joined by both groups in Syracuse on Aug. 12, and Jinjer will perform with them at Jones Beach on Aug. 19 as well. On the collaboration, Jinjer said, “We are really looking forward to hitting the road in the US again, alongside Disturbed and Breaking Benjamin. We can not wait to see some old fans and welcome some new ones as well!”
Originally from Chicago, Disturbed first emerged on the music scene in 2000, with the release of their debut album, The Sickness, through Giant and Reprise Records. Nominated for two Grammy Awards Disturbed has achieved five consecutive #1 debuts on the Billboard Top 200. Significantly, they are the only rock group other than Metalica to accomplish this feat. Their catalog of hit songs includes the platinum “Stupify,” “Inside The Fire,” and “Land of Confusion, just to name a few. At the 2017 iHeart Radio Music Awards, the band significantly earned the award for “Best Rock Artist.”
Divisive is out now via reprise records. Its 10 tracks were composed with the help of producer Drew Fulk in Nashville over the last year. The album’s first single, “Hey You”, proceeded its release, emerging as their 15th #1 single on Rock Radio. Its newest single, “Bad Man” is in Rock Radio’s top 10.
Tickets for Disturbed’s Take Back Your Life Tour will go on sale Friday, Feb. 10 starting at 10 a.m. Listen to Divisive on all formats here.
Disturbed Take Back Your Life Tour
Apr 27 | Montreal, QC | Bell Centre +
Apr 29 | Quebec City, QC | Videotron Centre +
May 01 | Toronto, ON | Scotiabank Arena +
May 08 | Winnipeg, MB | Canada Life Centre +
May 10 | Edmonton, AB | Rogers Place +
May 12 | Abbotsford, BC | Abbotsford Centre +
Jul 11 | Denver, CO | Ball Arena # ~
Jul 13 | Salt Lake City, UT | USANA Amphitheatre # ~
Jul 15 | Ridgefield, WA | RV Inn Style Resorts Amphitheater # ~
Jul 16 | Auburn, WA | White River Amphitheatre # ~
Long Island will become a hotspot for music entertainment this year when the NYCB Theatre at Westbury opens its doors to some of the world’s biggest performers. On Jan. 30, the venue announced eight new shows as part of its ongoing Catholic Health Concert Series. The entertainment venue is located just outside Westbury in the hamlet of Jericho.
NYCB Theatre at Westbury seating
The Westbury Music Fair became a reality on June 18, 1956, when the three entrepreneurs opened their first Westbury production. After 10 years of presenting Long Island with the best of Broadway and top-name talent, the theatre was expanded in 1966. This expansion provided the venue with the ability to provide top-tier theatre entertainment all year round. Still in operation today, the NYCB Theatre is now owned and operated by Live Nation Entertainment.
The new acts will be rolling out from Spring to Fall. Terry Fator on April 23; classic rockers Cheap Trick on May 18, and Chicago on June 23; Pop Icon Johnny Mathis on July 22; tributes to ABBA and Elvis Presley, on Aug. 9 and 23, respectively; singer-songwriter Peter Noone on Sept. 23; and comedian Howie Mandel on Nov. 19.
Amongst these acts, also scheduled to perform are Tommy James and The Shondells on March 18; Nick Cannon’s Next Superstar Tour on April 6; Dionne Warwick on April 7; Theo Von on May 11; Kool and The Gang with the Spinners and Average White Band on May 12; The Temptations and the Four Tops on May 14; and Air Supplyon on Aug. 5. A complete lineup is available here.
Tickets will be made available beginning Friday, Feb. 3, at 10 a.m. through LiveNation.com. “Fee fee” tickets to all 2023 NYCB Theatre at Westbury shows will be available from Friday, Feb. 3. until Sunday, Feb. 5, from 10 a.m. to 5 p.m., at the theatre box office. A chance to win tickets will take place on Saturday, February 4 from 10 a.m. until 12 p.m., accompanied by refreshments and music.
Trivium and Beartooth have announced they are co-headlining a tour stopping at 29 cities, among them Buffalo Riverworks on May 9 and the following day in Huntington at The Paramount on Wednesday, May 10. Malevolence and Archetypes Collide will join the bands on all dates across the upcoming tour.
The Paramount in Huntington
Trivium has expressed excitement for this tour, saying “Trivitooth! We are elated to announce our co-headlining monster of a tour with the incredible Beartooth. We have been fans of what they do, and pals with them for ages — so it’s great we’re finally doing something so massive together. Trivium and Beartooth are both bands supported by each of our wonderful fan-bases — so we know these shows are going to go off.”
On collaboring with Malevolence and Achetypes Collide, Trivium added, “Add in Malevolence, one of our favorite bands on the planet, and Archetypes Collide, one of Beartooth’s favorites, and we have a hell of a bill.” “I’m so excited to go out on this amazing tour with metal legends Trivium,” said Beartooth frontman Caleb Shomo.
Additionally, Pollister named The Paramount in Huntington the #1 worldwide club back in December. First opening in 2014, Buffalo Riverworks has been named the city’s top waterfront entertainment destination.
Declared by Forbes as “inching towards a tipping point of becoming the latest arena headliner,” Beartooth released their latest hit Riptide in 2022. The song sees frontman Caleb Shomo put the pain of the past in the rearview mirror as he takes the steering wheel from fate to command his own destiny, and focuses on the struggles of self-acceptance and mental health, two themes that have defined the band since their inception.
The upcoming tour supports In the Court of the Dragon released in 2021 through Roadrunner Records. Performing for more than two decades, the band has continued to receive International acclaim from The New York Times, NPR, Forbes, Billboard, and more. Through the years, Trivium performed alongside Metallica, Black Sabbath, Iron Maiden, and many others and graced the main stages of Download, Bloodstock, KNOTFEST, and more.
Tickets can be purchased starting Friday, Feb. 3 at 10 a.m. through Ticketmaster. Ticketless VIP upgrades are being offered to fans as a joint package, allowing fans to meet both bands.
2023 TRIVIUM AND BEARTOOTH TOUR DATES:
4/21: Tampa, FL – 98RockFest*
4/22: Orlando, FL – Earth Day Birthday*
4/23: St. Augustine, FL – Planet Band Camp*
4/28: Newark, NJ – Rock The Rock Fest*
4.29: Worcester, MA – The Big Gig*
5/1: Stroudsburg, PA – Sherman Theater
5/3: Green Bay, WI – EPIC Event Center
5/4: Milwaukee, WI – Hog Fest*
5/6: St. Paul, MN – Twin City Takeover*
5/8: Grand Rapids, MI – GLC Live at 20 Monroe
5/9: Buffalo, NY – Buffalo Riverworks
5/10: Huntington, NY – The Paramount
5/12: Hampton Beach, NH – Hampton Beach Casino Ballroom
5/13: New Haven, CT – College Street Music Hall
5/14: Portland, ME – State Theatre
5/16: Richmond, VA – The National
5/17: Raleigh, NC – The Ritz
5/18: Daytona Beach, FL – Welcome to Rockville (Trivium Only)
5/20: Myrtle Beach, SC – House of Blues
5/21: Silver Spring, MD – The Fillmore
5/23: Pittsburgh, PA – Stage AE
5/24: Nashville, TN – Marathon Music Works
5/25: Columbus, OH – Sonic Temple Festival (Beartooth Only)
5/26: Indianapolis, IN – Egyptian Room at Old National Centre
5/27: Columbus, OH – Sonic Temple Festival (Trivium Only)
5/28: Corbin, KY – Corbin Arena
5/30: Omaha, NE – The Admiral
5/31: Clive, IA – Horizon Event Center
6/2: East Moline, IL – The Rust Belt
6/3: Kansas City, MO – Uptown Theater
6/4: Tulsa, OK – Tulsa Theater
6/6: Austin, TX – Emo’s
6/7: Dallas, TX – The Factory in Deep Ellum
6/9: Tempe, AZ – Marquee
6/10: Las Vegas, NV – Brooklyn Bowl
6/11: Riverside, CA – Riverside Municipal Auditorium
Long Island‘s Gone Stereo is premiering a new video for the track “Don’t Think I Forgot About You” on BlankTV. Singer Matty Lupinacci says “Getting dumped sucks, but sometimes you move onto better things and you don’t look back. When your ex hits the dating pool, realizes you’re great and wants you back…it may be too late.”
Long Island has a long and storied history as a hub of underground punk and with their debut single, Gone Stereo, has added the first page to their chapter. “Don’t Think I Forgot About You” is an early 2000s pop-punk flashback reminiscent of MxPx, Autopilot Off, The Ataris or Allister to name a few.
With its catchy hooks, driving melodies, and memorable choruses, this song make it impossible to not sing-a-long and listen on repeat. B-side “Taste of This” has a pounding mid-tempo beat and soaring harmonies perfect for blasting the stereo with the windows down on a drive into the city for the pop-punk show.
The band has announced a string of shows in Jan/Feb including supporting stints for Boys Of Fall on Jan 28 in Williamsburg and Hidden In Plain View in NYC on Jan 29.
Upcoming Show Dates:
Jan 28 at The Meadows, (Williamsburg) Brooklyn, NY with Boys of Fall
Jan 29 at Gramercy Theatre, New York, NY with Hidden In Plain View
Feb 25 at Mr. Beery’s, Bethpage, NY with Skappository (live album recording)
To listen to more of Gone Stereo, click the link here to check out their Spotify.
