Tag: hip hop

  • Album Review: Nas is Good but Hit-Boy Makes ‘Magic 2’

    Rarely does a rapper of Nas’ stature enhance his legacy with a late career-run. After all, hip hop is spearheaded by the youth and for many a fans, the output of the twilight years only diminish artists overall catalogue. Even so, with the help of Grammy-winning producer Hit-Boy, Nas has carved out his latest run as one of hip hop’s few evolving legacy acts. Since the release of King’s Disease in 2020 the duo have combined for five projects in the last 3 years. And with their latest effort, Magic 2, Hit-Boy quells any final notion of Nas albums not having great beats. Stylistically, the 11-track album sees Nas continue his career victory lap, this time with Hit-Boy bringing the flair.

    Embed from Getty Images

    Magic 2 Review

    In between the King’s Disease album series — where a fourth edition is in the works– Nas and Hit-Boy’s extensive studio time has yielded another series of enthralling album cuts. While Esco remains the pre-eminent figure, this latest effort showcased Hit-Boy’s ability to elevate an already stamped legend and broaden him rhythmically.

    I feed the people ’cause I love the people/ Two series at once, yea let’s run the sequel.

    – Nas, “Office Hours”

    Short and succint, the album contains two features. The first, notably burying the hatchet with former rival 50 Cent on the project’s second track, “Office Hours.” A Queens connection, the duo boast about their respective journeys to the top, impact on the culture while the former rivals big each other and their hometown. The latter sees Nas exchange bars with one of contemporary rap’s hottest stars in 21 Savage on the album’s outro “One Mic, One Gun.” Backed by Hit-Boy’s grandiose horns, 21 Savage delivers a flowingly introspective verse to close out the album as the two rappers do an excellent job of playing off of each other. In this case, 21 serves as the contemporary star awaiting folklore status, while Nas plays the role of timeless legend.


    It’s cool to be mainstream, I rather be timeless that’s if we keeping it P.

    – Nas, “One Mic, One Gun”

    Overall, Magic 2 sees Nas at his most tame lyrically. Rather, prioritizing his varying contemporary flows and cadences while rhyming over a wide variety of beats. Hit-boy harnesses Nas’ toned approach to rap and juxtaposes it with a slew of rhythmic horns (“Ervin Magic Johnson,” “One Mic, One Gun”), keyboards and old school synths (“What This All Really Means,” “Black Magic,” “Pistols on Your Album Cover”). The production is an excellent backdrop to Nas’ story-telling style as throughout the project the veteran MC flips between rehashing old tales and staying current. Although the album lacks many truly standout records, it also does not have any bad ones and is an overall solid project.

    Album’s Best

    I done hooked up with a beast, never stingy with the beats.

    – Nas, “What This All Really Means”

    Hit-Boy steals the show in this latest joint-effort. While fans of Nas will always be up for hearing him rap, the production helped accentuate what was otherwise a mild lyrical output for the Queensbridge native. This isn’t to say that there aren’t moments of magic as the project’s latter half has a few excellent album cuts (“Slow It Down,” “Bookeem Woodbine”). However, the production had a fresh and grand feel as even the boom-bap records sounded current. To his credit, Nas knocked each record out of the park with razor sharp flows and delivery.

    Album’s Worst

    Ultimately, Magic 2 will serve its purpose as a holdover until the release of King’s Disease IV. However, the lack of a standout record is conspicuous when judging the album in its totality. Moreover, along with the contemporary feel of the production and delivery, seemingly came the present-day need for bad punchlines. Markedly, Nas spinkles a slew of these throughout the album which forces you to think, did Nas really say this? Namely, the first bar on the opening track “Abracadabra” is “Durag energy, I’m on a wave, you n-ggas cap.” Then on “Ervin Magic Johnson” he raps, “have you jammed up like what you spread on toast.” Not to mention the “my scrotum is golden” line he spews on what is otherwise a great song in “What This All Really Means.”

  • Album Review: 222 Reasons why Lil Tjay Did Not Disappoint

    Coming off his near-fatal shooting, Bronx crooner Lil Tjay was up against hip hop history. After all, surviving 7 gunshot wounds was reason enough to anticipate the “Calling My Phone” rapper’s next release. However, hip hop’s ever-changing landscape and Tjay’s replicable sound may have done the rapper in when it came to sales. With the news that his first project since his shooting, 222, had garnered just 22K in first-week streaming sales it came with a perception that Tjay’s album was a disappointment, or worse, that he was falling off.

    Lil Tjay album cover
    Lil Tjay’s first project since his near-fatal shooting sold 22k in its first week

    Album Review

    In light, this isn’t to say that 222 is a great album by any means. This latest effort is an inconsistent body of work that showcases many of Tjay’s talents, but also highlights why Lil Uzi Vert’s idiosyncratic effort is the only hip hop album to debut at number 1 on Billboard in 2023. Although with Tjay’s track record and a story to tell, there were high expectations. Nonetheless, some head scratching choices left the project feeling a bit manufactured.

    222 starts strong with “Nightshift” and “June 22nd,” as both records showcased an underrated part of Tjay’s repertoire. Known for his catchy hooks, piercing vocals and crooning melodies, he decides to start the album with two emphatic rap records that have an authentic New York feel. “Nightshift” sees the Bronx native put his stamp on the project and rap game, followed by the witty, story-telling June 22nd, depicting his almost-deadly shooting. It wouldn’t be long before Tjay got vulnerable as the next five songs saw him get into his melodic bag. The reflective “Nobody” and “Scared 2 Be Lonely” are both very good while “2 Grown” featuring The Kid LAROI will probably go diamond on Tik Tok.

    Lil Tjay's album tracklist
    222 is starts strong but tails off in the second half

    Where it Went Wrong?

    However, things take a turn in the album’s second half with what feels like quite a few filler records and questionable decision making. Tjay’s youth might also play a part in this, as no one must have told him that nobody over the age of 14 wants to sing along to a song whose hook is “Bla, Bla, Bla” — although the song isn’t bad as he and Fivio Foreign mesh well. He follows that by leaning too much into his singing on “Someone Who Cares” which made for a hard listen where piercing quickly turned nasally.

    The rest of the album follows this same ebb-and-flow of quality versus content. “Forgot I Was The 1” is a good record, but that’s followed by an out-of-place Jadakiss feature — and it didn’t help that the mixing made the veteran rhymer sound no less than 190 years old. The head scratching decisions continued with a sequel to his Billboard charting return single on “Beat The Odds Pt 2,” featuring a Polo G verse that derailed what was meant to be an emotional comeback record. Ultimately, Tjay finishes the album strong with the honest “Foster Baby” — where he reveals he was adopted — and the contemplative “Grateful.”

    Why Lil Tjay Didn’t dissapoint

    All things considered, what could have have been Lil Tjay’s defining project will end up being more fodder for the microwave music culture. Yet, its hard to see anything the “Pop Out” rapper could have done to generate substantially better numbers. While it may be concerning that he’s now doing half of his what his debut sold only 4 years ago, such is the state of NY hip hop’s commercially. After all, Fivio Foreign assisted by A-list talent mustered 29k first-week sales. In the streaming era, it is much more important to keep a few charting songs and known features than a great project top-to-bottom. It’s what the system rewards.

    While these factors all play a part in why first-week sales shouldn’t matter too much for Tjay, the most obvious hindrance to his growth as an artist is his sonic likeness to A Boogie Wit Da Hoodie. The two Bronx rappers maintain a tense relationship with Tjay usually on the defending end of his music. Regardless, it’s hard to ignore the similarities on the Summer Walker mashup “Stressed” and “Foster Baby” which both sound like carbon copy A Boogie records. But then again, is it right to fault Tjay for sounding like someone who grew up 20 minutes from him?

    Look how many records I done sold, woke up, I feel like a pot of gold. How it happened, I don’t even know, I saw my lane and all I know is go.

    – Lil Tjay, “Nightshift”

    Nonetheless, the mainstream audience hold the true power of sway and right now A Boogie is the preferred New York crooner. With allegations of his own drop-off in quality the “Look Back at It” rapper more than doubled Tjay’s first-week numbers with his last project. All in all, Tjay may have given himself the best advice on “June 22nd” rapping, “the show’s lined up, album’s soundin’ like some crack, so I’m excited for the music comin’ out and for the sack.”

  • Watch: Sleepy Hallow Puts Sheff G On The Phone at Rolling Loud

    As Rolling Loud Miami came and went, fans got to enjoy a host of performances by over 100 of hip hop’s best acts. Likewise, there were those unable to take part for various reasons. Notably, Lil Durk did not perform due to his recent hospitalization for dehydration. Likewise, Sheff G did not take part but due to his recent legal troubles. The troubled-but-talented Brooklyn native was to make his much-awaited return at Rolling Loud Miami after serving nearly two years behind bars for gun possession. However, the “We Getting Money” rapper got himself in hot water after he and close friend Sleepy Hallow were part of a large-scale gang indictment.

    Winners Circle Entertainment/ Sleepy Hallow – Rolling Loud Miami 2021 (Show Recap)/Youtube

    As for Sheff G in particular, the indictment accuses him of offering up money and expensive jewelry in exchange for the commission of violent acts. In one alleged incident, Sheff G organized a crew of three shooters, drove them to a crime scene, and then acted as the getaway driver.

    “Sheff G became a prominent member of this gang and became central to our investigation,” said Brooklyn District Attorney Eric Gonzalez. “Sheff G used a lot of the money that he earned to facilitate further gang activity. He encouraged gang members to participate in violent crimes.”

    Sleepy Hallow Puts Sheff G on The Phone

    While Sleepy Hallow was able to bail out and make his Rolling Loud dates, the latest charges were a major setback for Sheff G who was initially scheduled to be released sometime in June and had teased his return to the stage at Rolling Loud. In light of his close friend’s circumstances, Sleepy Hallow bridged the gap between Sheff G and the fans by putting the incarcerated rapper on the phone, to much fanfare from the crowd.

    In the short clip, Sheff G gets the Rolling Loud crowd amped by telling them to “turn the f**ck up.” With the drill scene’s recent stagnation Sheff G’s presence woud’ve been a major boost for New York hip hop. The Brooklynite is one of the most talented young rappers from the new-age and is one of the key figures that helped spark the drill scene in New York.

  • Dirty Heads Sell Out Buffalo Riverworks 

    Early 2000’s band Dirty Heads made a stop in Buffalo for their Island Glow Tour on Thursday, July 13 for a sold-out show. The West-Coast rockers brought their Southern California roots to Buffalo Riverworks and completely blew fans away. 

    The event was stacked with openers including G. Love & Special Sauce, Tropidelic, and Lupe Fiasco. Lupe Fiasco absolutely wooed the crowd when performing his hit records “Battle Scars,” and “The Show Goes On.” 

    Photo credit: Maddie McCafferty

    Dirty Heads have created a unique sound by mixing hip-hop, reggae, and rock. This dynamic band consists of Jared “Dirty J” Watson, Dustin “Daddy B” Bushnell, Jon Olazabal, Matt Ochoa, David Foral, and Shawn Gonzalez. All the members help establish a layered sound with trumpets, horns, drums, guitar, and keys. Despite the amount of people on stage they still keep large empty space for those with solos to come up front and interact with fans.

    Photo credit: Maddie McCafferty

    Up Late With Dirty Heads

    Once the clock hit 10:10 the band took over the stage and opened with “Heavy Water” off of their latest album Midnight. Fans ranging from young kids and older folk all showed their dedication not missing a single lyric. This proved to be especially true when Dirty Heads performed a throwback song of theirs “Lay Me Down,” off of their 2012 album Any Port in a Storm

    Photo credit: Maddie McCafferty

    Halfway into the night the lead members even took a pause from their show because the crowd wouldn’t stop cheering. A moment of gratitude was taken in as fans went crazy for a solid 2 minutes. The band acknowledged how special this Buffalo show was. A huge marker in their music career. 

    Photo credit: Maddie McCafferty

    Nothing got fans rowdier as when Dirty Heads played their track “Vacation” which has gained serious traction over the past few years. The song garnered over 6 billion views and streams across social media platforms making everyone in Riverworks incredibly hyped up. They closed out the night with “Island Glow” in honor of this special tour. Fans were left awaiting for another Dirty Heads show. 

    Photo credit: Maddie McCafferty

    If you missed Dirty Heads in Buffalo, no worries! Catch their other shows coming nearby at Patchogue and Pittsburgh. The Riverworks venue in the summer is unmatched. Upcoming events there include Sunset Sundays and a Murder Mystery. Get your tickets here

    Photo credit: Maddie McCafferty

    Setlist: Heavy Water, Medusa, Bum Bum, Franco Eyed, Silence, That’s All I Need, Life’s Been Good, Vacation, My Sweet Summer, El Dorado, Your Love / Garland / Lay Me Down, John Linen, Burn Slow, Rage, Rescue Me, Oxygen, Moon Tower

    Encore: Sloth’s Revenge, Island Glow

  • Nas Releases 5th Hit-boy Collab With ‘Magic 2’

    Nas continues his prolific run with his 16th studio album, Magic 2. Since the release of Nasir in 2018 — his first under his Mass Appeal label — the legendary rapper has been on a resurgent run. That’s to say nothing of Nas’ status within hip hop. However, the last few years have seen the fabled rapper get the mainstream acknowledgment his career deserves, winning his first grammy-award in 2021 for King’s Disease.

    Nas releases his 16th studio album Magic
    Magic 2 is Nas’ 5th collaborative project with Hit-Boy in the last 3 years

    Magic 2: Nas and Hit-Boy Continue to Create

    In like manner, Magic 2 sees Nas’ continue his career victory lap. The 11-track album is another collaborative effort with now-frequent cohort Hit-Boy. This latest release is the duo’s fifth combined effort in the last 3 years, beginning with King’s Disease. Short and succinct, the album’s only two features — 50 Cent and 21 Savage — showcase Nas’ range in the current hip hop landscape.

    Notably, burying the hatchet with a former rival and fellow Queens native in 50 Cent on “Office Hours.” The two rap legends last worked together in 2002, with Nas featuring on two songs on 50 Cent’s mixtape Guess Who’s Back? In like manner, Nas exchanges bars with one of contemporary rap’s hottest stars in 21 Savage on the album outro “One Mic, One Gun.” In effect demonstrating the versatility in cadences and flows during this latest Hit-Boy run.

    All in all, the grammy-winning producer has been instrumental in Nas fortifying his legacy. Despite his icon status and classic albums, the Queensbridge native has maintained a reputation for not picking the best beats. Together with Hit-Boy Nas has gone a long way towards shedding the skin of being another older rapper. With a healthy mix of contemporary sounds and boom bap records Magic 2 sees Nas and Hit-Boy continue to create more well… Magic.

  • Rick Hyde Tabs Benny The Butcher for ‘Streets Ain’t The Same’ With New Album Set for August 4

    Benny The Butcher‘s Black Soprano Family imprint continues to flood the streets. This time, Buffalo native Rick Hyde takes aim with his latest single “Streets Ain’t The Same” in anticipation of his new album, LUPARA. Featuring Benny The Butcher and El Camino on the chorus, the record sees Rick & Benny go-back-and forth while recounting their rise and grind as hustlers. “‘Streets Ain’t The Same’ is self-explanatory in a sense,” explains Rick Hyde. “After the trials and tribulations and losses, it’s just difficult for things to return to normalcy. That’s where we were at on this record,” he continues. “I asked Benny to go back and forth with me and he agreed. We just started speaking our perspectives, no pens, or paper, just pure lyricism. That’s the joy of this record. Long live DJ Shay!”

    Rick Hyde, Benny The Butcher and EL Camino team up for "Streets Ain't The Same."

    Slated for an August 4 release, LUPARA will be Rick Hyde’s second BSF project. His 2021 debut, Plates 2, featured a mix of contemporary stars and underground legends the likes of Benny The Butcher, Westside Gunn, A$AP Ferg, G Herbo, Meyhem Lauren and Skyzoo with production from The Alchemist, Harry Fraud, Daringer and the late DJ Shay. Quickly following that up with 2022’s STIMA, Rick Hyde now prepares for the release of his third project in as many years. 

    Meanwhile, LUPARA will continue the run of a Black Soprano Family release every month of 2023. All in all, Benny and the BSF team continue to make their names heard. In like manner Head Honcho and Griselda mainstay Benny The Butcher continues to take helm of his own label imprint. Much like the blueprint set by Griselda, Benny’s artists are all of a similar street ilk, making for seamless transition into the BSF fold sonically, with Benny featuring in many of his artists songs and projects.

  • Clipse Duo Pusha T and No Malice to Headline Genius’ IQ/BBQ

    After teasing their return at Pharell’s Louis Vuitton Fashion Show, legendary rap brothers Pusha T and No Malice — known as Clipse — will continue their resurgence with a headlining performance at Genius’ IQ/BBQ. Presented in partnership with Infiniti, Paco Rabanne, Patron El Alto, and Paramount+ with Showtime’s The Chi, the all-day event takes place on August 19 at Knockdown Center in Queens, N.Y., and will feature live performances from some of the hottest names in hip-hop, including the platinum-selling duo.

    Clipse duo Pusha T and No Malice will be performing at Genius' IQ/BBQ

    In addition to the show, IQ/BBQ will feature experiences like the So Fresh, So Clean Shop from Paco Rabanne 1M, an art installation from Infinity featuring the new QX60, a VIP “Genius Lounge” presented by Patrón El Alto, and a Rap Cafeteria filled with lyric-inspired dishes from local NYC food vendors – presented by Showtime Original Series, The Chi.

    Clipse Making a Comeback

    With this performance, The Clipse continue their teased reunion. After previewing their first joint-record in 14 years the Virginia-bred brothers have garnered fans attention with the teased record. Their last collab was the outro to Pusha T’s most recent album It’s Almost Dry, titled “I Pray for You.”

    Moreover, since their days as The Clipse, the duo have been part of some of hip hop’s most iconic records. Notably, records like “Grindin’,” “Mr. Me Too,” and “What Happened to That Boy.” Since their last album — 2009’s Til The Casket Drops — Pusha T has embarked on a successful solo career that has resulted in several Grammy nominations and recognition as one of the best rappers ever. Meanwhile, No Malice left the music industry to become a pastor making sporadic feature appearances since, including an album cut on Ye’s 2019 release Jesus Is King.

    Tickets for the Genius IQ/BBQ are free and are now available at dice.fm, while the event maintains a 21+ age restriction.

  • Gera MX and Nanpa Básico Set To Perform at Palladium Times Square

    Two of the biggest acts in Latin rap, Gera MX and Nanpa Básico, will stop at Palladium Times Square on November 3 as part of the Que Chimba La Raza Tour. The 11-city American tour gets underway on August 31 in Los Angeles. 

    Gera MX- Facebook

    Born Gerardo Daniel Torres Montana, Gera MX has skyrocketed to global fame in large part because of his 2021 song “Botella Tras Botella”. The track made history, becoming the first regional Mexican song to ever debut on the Billboard Hot 100. With origins in Latin boom-bap, Gera MX has steadily added to his vivid, personal, and hard-hitting lyrics. His current sound is decidedly unique, infusing traditional latin rap songs with elements of ranchera and reggaeton. Once a mainstay in the Mexican rap scene, Gera MX has carved a lane for himself in the international Latin landscape.

    Colombian artist Nanpa Básico started making music back in 2012. Since then, the Medellín native has racked up millions of fans from around the world. Básico’s music is intimate, vulnerable, and diverse in its sound. From melodic Latin love songs to hard hitting street raps, Básico is constantly looking to express different parts of his identity and life. His 2022 album HECHO M13RD4 made waves for its melancholic atmosphere and heartbreaking tracks. The album included features from Ryan Castro, Santa Fe Klan, and of course Gera MX. 

    Tickets will be available via an artist presale starting on Wednesday, July 12 at 10 AM. The general on-sale for the Que Chimba La Raza Tour will start on Friday, July 14 at 10 AM here

    TOUR DATES

    Thu, Aug 31 — Los Angeles, CA — The Wiltern

    Fri, Sep 01 — Anaheim, CA — House of Blues

    Sat, Sep 02 — San Francisco, CA — The Fillmore

    Thu, Sep 07 — Houston, TX — 713 Music Hall

    Fri, Sep 08 — Dallas, TX — The Pavilion at Toyota Music Factory

    Sun, Sep 10 — Phoenix, AZ — The Van Buren

    Thu, Nov 02 — New York, NY — Palladium Times Square

    Fri, Nov 03 — Miami, FL — Miami Beach Bandshell

    Sun, Nov 05 — Atlanta, GA — Tabernacle

    Thu, Nov 09 — Denver, CO — Fillmore Auditorium

    Sun, Nov 12 — Chicago, IL — Radius Chicago

  • “Book Of HOV” Exhibit Opens In Brooklyn, Celebrating The Legacy Of Jay-Z

    The Brooklyn Public Library recently unveiled a tribute exhibition “The Book Of HOV,” in honor of legendary rapper Jay-Z. The exhibit, divided up between key elements of Jay’s career, is available for free to anyone with a library card. The display includes a recreation of Baseline Studios, a collection of records used as samples, artifacts, apparel, photos, and more. 

    Born Shawn Carter, Jay-Z grew up in the Marcy housing projects in Bedford-Stuyvesant, Brooklyn. Raised by his mother Carter grew an affinity for music, specifically hip-hop, at an early age. In 1995, Jay, along with two partners, originally established Roc-A-Fella records after multiple labels rejected them. It was under Roc-A-Fella that Carter would drop his now famous debut album Reasonable Doubt in ‘96. The project would catapult the artist to rap stardom and since then “HOV” hasn’t looked back. 

    In total the Brooklyn native has released 13 solo albums, 4 collaborative projects, and has amassed 24 Grammy Awards. The rapper’s pen game has long been praised as one of the best in hip-hop history. Equipped with an endless supply of lyrical flows, metaphors, stories, and rhyming patterns, Jay has become one of the most influential figures in music. 

    Carter’s artistic legacy could provide more than enough content for an exhibit by itself, however it’s the rapper’s business and cultural accomplishments that has solidified him as one of the most successful musicians of all time. The Book Of Hov aims to honor the influences and events that helped to shape Jay into the artist and person he is today.

    Jay-Z-Magna-Carter-Tour

    Punctuated by an atmosphere of inclusivity and individuality, the exhibit looks to inspire guests from all walks of life to “always bet on yourself”. Designed by Bruce and Shelly Rogers, the display makes up two floors of the library. In collaboration with the event the library created 13 new custom cards to correspond with HOV’s albums. Organizers also encourage guests to bring their own phones and music to help add to the experience.

    Roc Nation CEO Desiree Perez devised the entire event reportedly without Carter’s knowledge. The organizers strategically placed the exhibit in a public space to ensure maximum accessibility. Roc Nation reportedly covered the costs of the entire exhibit and are expected to donate money, books, and records to the library. 

    Here for more information and details about The Book Of Hov.

  • Jim Jones and Pusha T Officially Have Rap Beef, What Comes Next?

    In a year where hip hop is on a commercial downturn, it’s nice to see an essential part of the culture remains. This latest edition of rap beef kicked-off with Jim Jones challenging Pusha T’s validity among rap’s royalty on various hip hop platforms. However, it wasn’t Jones’ opinion on Pusha T that sparked the brouhaha, but rather his determined effort to make it seem like Pusha had little to no cultural relevance. With Jones saying, “Nobody has dressed like him. Nobody wants to be like Pusha T. I don’t remember nothing.”

    Jim Jones and Pusha T
    Jim Jones vs Pusha T is hip hop’s latest beef

    In turn, Pusha T’s expectedly cunning response created a moment on social media. In sinister tone and fashion, Push gave his reply at the Louis Vuitton fashion show, where record producer — and longtime Pusha T cohort — Pharell Williams debuted his collection as men’s creative director. With this intention, Pusha and his brother, No Malice, who make up Clipse, walked the runway in the show as their new track played. With the fabled duo sharing their first collaboration in 14 years.

    Pusha T Fires Back

    Although the diss-record was previewed inconspicuously, the public pieced together the Jim Jones disses within the track. Addressing Jones’ comments, Push raps, “beware of my name, that there’s delegate/ You know I know where you’re delicate/ Crush you to pieces, I’ll hum a breath of it…I’m watching your fame escape relevance/ We all in a room but here’s the elephant/ You chasing a feature out of your element.”

    https://www.youtube.com/shorts/vFSAG90jYZo

    By the same token, Push continuously attacks Jim for his own public financial troubles, while reminding of his own mercurial standing within his circle.

    “And those lab diamonds under inspection/ The question marks block your blessings/ It’s no tombstones in the desert/ I know by now you get the message,” he goes on to say. 

    All in all, it was a masterful move by Push to withhold his reply until the time was right. Despite Jim Jones’ assertion that Pusha T held little relevance musically, here he is walking in a fashion show for one of the world’s preeminent brands to his own record, while A-list stars like Jay-Z and Beyoncé were seen boppin’ to the song in the crowd. Jones gave an instant reply on social media, although his perceived carefree attitude did little to sway fans, Jones needed to reply with bars and couldn’t finesse his way out of this one.

    Bomb First, Jim Jones Replies

    To Jim Jones’ credit, he did reply, albeit with a stellar yet not quite up-to-snuff effort when compared to his adversary. His “Summer Collection, From The Block” video performance saw the Dipset rapper try his hand at Pusha T’s beat. Altogether, Jim held his own with his brand of witty wordplay and street tales, however his flow and presence on the record failed to match Pusha T’s output. That is to say nothing of Jim’s own lyrical expertise as he had his own ammo for Push. Namely, attacking his street cred and claiming that he knew little of the drug dealing he rapped about and for his association with Ye, who helped Pusha launch his solo career on his Good Music label. But nonetheless, it seemed a mistake to rap over a beat that was curated specifically for Pusha and No Malice.

    “These two roach niggas don’t know what to do in no raid/ Kanye gave you whips, but that’s what they do to the slaves/ you tryna act bad, but we ain’t doin’ charades/ I really have bombs on the block just like I threw a grenade.”

    Jim Jones might have felt similar sentiments as he continued to hop on airwaves and diminish Pusha’s efforts. The one they call Capo phoned in to the Joe Budden Podcast and share more colorful sentiments about this battle. Namely, called Pusha T’s diss-track “cute” and claimed that things might get violent if Pusha goes to similar extents as he did in his beef with Drake. With Capo hilariously quipping “whose going to spin the block for him, Pharrell?”

    What Comes Next?

    Hopefully more music. Although with Push leading the vote in public opinion, Jim may need to double-down on his attacks to get ahead of things, but would he want to poke to proverbial bear? As things stand, what else can Jim Jones say as it relates to Pusha T? Despite his best efforts, the “Diet Coke” MC remains in the upper echelon of rappers. Altogether, Push has tallied an impressive resume, with platinum-selling albums as a member of the Clipse and as a solo artist. His last two albums, 2018’s DAYTONA and 2022’s It’s Almost Dry got him Grammy nominations and he is still one of the only artists that can snag a Jay – Z feature.

    All things considered, Jims’s best bet is to throw a few haymakers and hope his witty-ness is able to catch the public’s ears, basically play the social media battle. Pusha T, meanwhile, seems to be more patient and isn’t as keen to respond through the media. After all, he knows he has the advantage lyrically. Moreover, his abrupt releases and ability to find his opponents hidden skeletons seems to leave foes on edge.