NYS Music 2023

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  • Stormy forecast doesn’t stop Sam Hunt fans at Darien Lake

    Sam Hunt rolled into Darien Lake on July 15 with his “On The Outskirts” tour. The tour was properly named for this night, as uncertain and potentially rough weather was on the outskirts of town and patiently waiting for the right moment to burst. Luckily, though, the rough weather held off as only light rains fell during the latter part of the night. Sharing the stage on this night were up and coming Lily Rose and well established Brett Young.

    Amping up the crowd first was Atlanta’s Lily Rose, playing for about 30 minutes. Thanks to Tik Tok and hashtags, we are finally getting to really know Rose. After several years of working on her music career and not getting too far, Rose uploaded a video of “Villian” to Tik Tok with #lesbiansinger in December 2020. With that, she was subsequently signed and launched her career.

    “Villian” is one of those songs that nearly everyone can relate to. Stories or rumors start to circulate around with only one side of a story being known or told. As she belts out the song for the crowd, you can see a larger number of women throughout the crowd laughing and smiling, as they know what the song is about.

    Next up was Young. A former baseball standout, Young has taken the country music scene by storm since 2016’s self-titled EP. The 2018 Academy of Country Music Award winner for Best New Male Vocalist rocked the stage for roughly an hour, telling stories and serenading the crowd with hits such as “Mercy”, “In Case You Didn’t Know’, “Like I Loved You.” Playing through obvious pain, Young was seated for most his set on a set of steps on the stage. Luckily for those in attendance, this added an element to his set that really stepped up the show. Sometimes it the simple things really make a difference.

    Another former athlete, Hunt takes the stage for these patient fans around 9:20 and continues on for nearly 90 minutes. Soon after coming to realization that he would not be quarterback in the NFL, he picked up a guitar and began his venture in the music world.

    Coming out into view atop the stairs the Brett Young did most of his set from, Hunt breaks out into “Raised On It” and “House Party.” The crowd is instantly into this, as I have to duck under hands, beers, and bras while photographing. The photo pit never disappoints.

    During “House Party” Hunt leaves the stage to walk around and get up close and personal with his fans, even signing someone’s CD from the front row. He makes a leisurely loop around front section of seats and makes his way back to stage on the other side, again signing an autograph or two.

    Released in 2014, his first EP was released and debuted in the top 40 of the Billboard top 200 and was also number 5 on Billboard Top Country Albums chart. Darien Lake was treated to “Leave The Night On”, his eventual number one single from his debut EP. Within a few notes of the song starting, the crowd was going bonkers. A group of college aged ladies near me were standing in their seats, dancing away, hands raised high and screaming the lyrics.

    Typically, those in the back sections and lawn seats are left without the experience of seeing an artist up close. Hunt does not like that, so he sets up little stage behind the sound booth and plays a little set from there. Fans in the cheap seats at Darien Lake were treated to a little more intimate show, albeit for 3 songs “Take Your Time”, “Cop Car” (Keith Urban cover) and “Wishful Drinking”. The personal touch he gives these songs and the setting in which he does it were absolutely perfect as the crowd in the back really showed their appreciation by standing there and just listening, rather than screaming and belting out the lyrics. A real class act by Sam.

    As the night goes on, the rain begins to fall. Nothing crazy, but enough. Fans toughed it out as Hunt finished his set with “Ex To See” and “Body Like a Back Road”. Thankfully the rough weather that was once On The Outskirts, has now passed without incident.

    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young

  • Fleet Foxes Bring Harmonious Sounds To Beak and Skiff

    One could not have asked for a more pristine summer evening, on Wednesday, July 12, when Fleet Foxes brought their sounds to the Beak and Skiff Orchard in Lafayette.  

    There is perhaps no other band more in touch with the various seasons these days than Fleet Foxes.  Hailing from Seattle, Washington, Fleet Foxes continue to tour in support of their latest release, 2020’s highly praised Shore. The album, which was released for public consumption precisely at the autumnal equinox, drew much praise from critics and fans alike. Known for creating acoustic folk-rock with exquisite harmonies and musicianship, they have released four studio albums, several EPs as well as 2021’s live offering A Very Lonely Solstice.  

    Nigerian-born singer/songwriter, Uwade opened the evening. She is well known to fans of Fleet Foxes, having sung extensively on their latest release. Taking the stage by herself and armed with only an acoustic guitar, Uwade quickly took a captive hold of the audience. She delivered a thirty-minute set of acoustic folk tracks, intimately and honestly. It seems often this type of permanence can get lost in a large venue such as Beak and Skiff, however, this was not the case on this evening. The area surrounding the stage was quiet enough to hear a pin drop, as Uwade performed tracks dealing with topics such as the illness of her father.   he was joined by Fleet Foxes members Christian Wargo and Christopher Icasiano to finish out her set.  

    After a brief intermission, the Fleet Foxes took to the stage. Boasting an impressive eight-piece band, and accompanied by opener Uwade, they immediately launched into “Sun Giant.” It was an appropriate opener to showcase what was to come, featuring a beautiful acapella track with layers of harmonies that floated about the concert field. The band followed with the mellow “Wading In Waist-High Water,” which saw Uwade again take lead vocals (as she did on the studio track) as layers of the band’s instrumentation built. The band then followed with the more upbeat “Can I Believe You,” which had the audience singing and dancing along.  

    As their set rolled on, the band would dig deeper into their catalog. Backed with a video board that showed nature scenes and other colorful visuals, the band churned out fan favorites such as “White Winter Hymnal,” “Montezuma,” and “Mykonos.”   In what is becoming a tradition at their concerts, the band pulled an audience member from the crowd to sing and play guitar on “White Winter Hymnal.” For the uninformed, one would not have known this fan was not a lifelong member of the band.

    In all the band would perform over 20 songs followed by a three-song encore. The band would close the evening with “Helplessness Blues,” a track about longing for a simpler life. Featuring the lyrics “If I had an orchard, I’d work ’til I’m raw,” it was a near-perfect ending to a brilliant evening of music.

  • “Book Of HOV” Exhibit Opens In Brooklyn, Celebrating The Legacy Of Jay-Z

    The Brooklyn Public Library recently unveiled a tribute exhibition “The Book Of HOV,” in honor of legendary rapper Jay-Z. The exhibit, divided up between key elements of Jay’s career, is available for free to anyone with a library card. The display includes a recreation of Baseline Studios, a collection of records used as samples, artifacts, apparel, photos, and more. 

    Born Shawn Carter, Jay-Z grew up in the Marcy housing projects in Bedford-Stuyvesant, Brooklyn. Raised by his mother Carter grew an affinity for music, specifically hip-hop, at an early age. In 1995, Jay, along with two partners, originally established Roc-A-Fella records after multiple labels rejected them. It was under Roc-A-Fella that Carter would drop his now famous debut album Reasonable Doubt in ‘96. The project would catapult the artist to rap stardom and since then “HOV” hasn’t looked back. 

    In total the Brooklyn native has released 13 solo albums, 4 collaborative projects, and has amassed 24 Grammy Awards. The rapper’s pen game has long been praised as one of the best in hip-hop history. Equipped with an endless supply of lyrical flows, metaphors, stories, and rhyming patterns, Jay has become one of the most influential figures in music. 

    Carter’s artistic legacy could provide more than enough content for an exhibit by itself, however it’s the rapper’s business and cultural accomplishments that has solidified him as one of the most successful musicians of all time. The Book Of Hov aims to honor the influences and events that helped to shape Jay into the artist and person he is today.

    Jay-Z-Magna-Carter-Tour

    Punctuated by an atmosphere of inclusivity and individuality, the exhibit looks to inspire guests from all walks of life to “always bet on yourself”. Designed by Bruce and Shelly Rogers, the display makes up two floors of the library. In collaboration with the event the library created 13 new custom cards to correspond with HOV’s albums. Organizers also encourage guests to bring their own phones and music to help add to the experience.

    Roc Nation CEO Desiree Perez devised the entire event reportedly without Carter’s knowledge. The organizers strategically placed the exhibit in a public space to ensure maximum accessibility. Roc Nation reportedly covered the costs of the entire exhibit and are expected to donate money, books, and records to the library. 

    Here for more information and details about The Book Of Hov.

  • NY Supergroup Boot Camp Clik Reunite After 16 Years With New Single “Wotcha Call Strength”

    As the world is getting ready to celebrate the 50th Anniversary of Hip Hop, some of the genre’s biggest icons are stepping back into the limelight including the New York supergroup Boot Camp Clik. After a sixteen year long hiatus, the group now returns with an old school music video alongside their new single “Wotcha Call Strength.”

    Boot Camp Clik is a Brooklyn, New York hip-hop supergroup started by Duck Down Records in the 90’s and comprised of the eight members; Buckshot (Black Moon), Tek and Steele (Smif N Wessun), Rock, the late great Sean Price (Heltah Skeltah), Starang Wondah, Top Dogg, and Louieville (O.G.C.). The collective has also recently added long-time affiliate Rustee Juxx to the group. 

    The Clik was one of the genre’s first true supergroups that changed how hip hop music was received as their influence in music and fashion was undeniable during the genre’s golden age. Individually, and collectively, the BCC has created numerous classics, albums, and singles including Black Moon’s Enta Da Stage, Smif N Wessun’s Dah Shinin’, Heltah Skeltah’s Nocturnal, Fab 5’s (Heltah Skeltah & O.G.C.) ‘Leflaur Leflah Eshkoshka” and Sean Price’s Monkey Barz.

    Now, back for round two, the BCC’s new single “Wotcha Call Strength,” produced by The Arcitype and directed by David Janoff, reminds the world what true icons they really are. The video shows the group roaming around an empty Forest Hills Stadium in Queens. Starting off strong with a verse by Rustee Juxx, the song follows each member taking their turn speaking their truth straight to the camera, showing viewers what a comeback truly looks like.

    BCC’s co-founder Dru Ha claims, “In honor and celebration of Hip Hop 50, we felt that the BCC’s catalog of work, contributions and legacy needed to be recognized properly. It’s too easy to sit back and say the Hip Hop community should verify you and painstaking to go out and have to remind people with words, so we felt there was no better way to make a statement than to drop a new record with all the original members (RIP to Sean Price).”

    The Boot Camp Clik will also be taking to the stage in the upcoming Rock The Bells Festival at the Forest Hills Stadium which will take place on August 5th. Until then, fans will be able to stream and enjoy their single everywhere.

  • The Second Annual Bronx Summer Jam: Music for All Ages

    New York City’s soundscape was on full display at the second annual Bronx Summer Jam this past Saturday, July 15. Local Bronx artists encapsulated the Bronx’s vast musical environment, performing everything from rock and hip hop to reggae and soul. 

    Bronx Summer Jam participants and audience members ’23. Photo courtesy of Michael Nickerson.

    This wide array of genres not only reflects the Bronx’s sound but the individuals that create it. Take Emelia Vero for example, who performed on the Kings Stage from 1:30-2:30 pm under her stage name Bombii. In between her silky-smooth songs, she explained why her lyrics switched from English to Spanish. She said by singing in both languages, her music was able to fully represent herself. As such, she loves when people call her by her stage name. If they know her music, they know her. The notes bind audience and singer together, creating a family. 

    Audience member Francesca echoes Bombii’s sentiments. “I remember being a teenager, and a lot of people from different high schools would all go to these concerts. These would be people whose real names I didn’t even know. But when we were there, we were best friends. We were family.” 

    For some, it truly is family. From 4:30-5:00 pm, DJ F1rst Class performed. His wife Alina and daughter were front and center to watch him. Alina said the reason they are together is because of their passion for music.

    Alina was glad she was able to bring her daughter to relish in the music as well. Most of the time, it isn’t easy to bring children to concerts. But the Bronx Summer Jam was outside at a local park, making it easily accessible for everyone.

    “Usually they have it at places where there’s alcohol or it’s indoors. I couldn’t always bring my daughter,” Alina said. “But the Bronx Summer Jam is for all ages.”

    Wastewood performing for the crowd at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.

    Bronx Summer Jam was produced by Sirens & Kings, a co-production company made of two Bronx music collectives, Sounds & Sirens and The Fox & King. They hoped that by locating the festival at a park, it would allow everyone to be able to participate. It was a hope that was achieved.

    “I live right across the street, and I came out for just a few minutes to sit on the park bench. Then I started hearing the music and walked right over here,” said Ivecte Lopez.

    Despite the scorching heat, the crowd grew throughout the day. Those walking through the park stopped by to enjoy the music. Some set up hammocks or chairs under the trees’ shade and within hearing distance of the festival. Others took on the sun’s beating rays, standing within feet from the stage. 

    With a bigger crowd, the musicians began to engage with the crowd. Bombii did a call-and-answer. Everytime she said “Para,” the audience sang back “Siempre.” Later in the day, artists Ray Pearson, Ki Storii, WIN, Kony Brooks, and July Quinn left the confines of the stage. They moved across the park’s lawn to the beats of their rap and hip-hop songs.

    Their performances were contrasted with the full rock sounds of Wastewood and Balcony Talk. The bands’ sounds were then further contrasted by the acoustic sounds of Drew Torres. 

    Drew Torres performs at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.

    During his set, Torres sang an original upbeat song titled “Minus 4,” named for his glasses prescription. He later ended his set with tapping, a technique that involves tapping one’s hands on the guitar’s body. 

    “This is not just a hobby for me,” Torres said. “This is my therapy. This is the way I personally express myself. I just want to inspire others.”

    Audience member and devoted member of the Bronx music scene, Mocha said it was concerts like the Bronx Summer Jam that inspired him to play music. “I was inspired to pick up an instrument at a local show back in 2004. I saw bands and immediately was like, ‘This is what I’m going to do.’ I was sixteen then. Without that concert, I don’t have any clue who I would have been now.” 

    Perhaps this festival inspired someone in the audience to learn an instrument or to start singing. The festival’s music definitely reached a number of people ranging from those who knew about the festival to those in the park who happened upon it. 

    To see more of what Sirens & Kings will produce, click here and here. 

    Performers:

    12:30-1:00 pm – DJ JYNN

    1:00-1:30 pm – Drew Torres

    1:30-2:00 pm – Emelia Vero (Bombii)

    2:00-2:30 pm – Wastewood

    2:30-3:00 pm – DJ Mike

    3:00-3:30 pm – Ray Pearson

    3:30-4:00 pm – Richard Pigkaso

    4:00-4:30 pm – Balcony Talk

    4:30-5:00 pm – DJ F1rst Class

    5:00-5:30 pm – Ki Storii

    5:30-6:00 pm – WIN

    6:00-6:30 pm – Kony Brooks

    6:30-7:00 pm – July Quinn Band

  • Albany Latin Fest Lineup Announced

    The 2023 Albany Latin Fest have announced their lineup, returning to Washington Park in Albany on August 26 from 11 a.m. to 6 p.m.

    Albany Latin Festival
    Latin Fest 2018, photo by Ramon D. Sanchez for NYS Music.

    Now in its 26th year, Albany Latin Fest is the largest free, multi-cultural outdoor festival in Upstate NY, with over 8,000 in attendance. The festival is dedicated to enhancing multicultural diversity and inclusion through the presentation of the rich and diverse contributions of Latino performing artists, committing to promote and present them in the local performance spaces.

    This year includes the Dominican Afro-Latino all-female ensemble Legacy Women, Lulada Club, a group of multi-national Latina females from NYC, and Boricua Legends, some of the most prolific and professional Puerto Rican musicians who have performed with the most acclaimed Latin artists. Local talent will also be presented.

    Besides music, the Albany Latin Fest features a wide array of food, arts and crafts vendors, children’s amusements, and community, government, and business information booths. For more information about the festival, visit here.

  • Artpark Welcomes Lauren Daigle Congregation

    Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.

    Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.

    Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.

    For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.

    The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.

    While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.

    Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.

    Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”

    “St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.

    As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.

    Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.

    Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.

    Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.

  • Metal Icons MESHUGGAH To Perform In NY and NJ

    The Swedish band, MESHUGGAH will be returning to North America for a three-week long tour this Fall. The metal icons will make a stop at the Long Island stage The Paramount on December 8th and The Wellmont Theater of New Jersey on December 10th.

    The tour will commence on November 21st in San Diego, California, leading the metal-heads throughout the states making stops in Canada along the way. These performances mark the first time the band has played on Canadian soil in over five years.

    The three-week trek follows the release of MESHUGGAH’s full-length ninth studio album, Immutable dropped earlier this year. Support throughout the tour will be provided by the Swedish heavy metal band In Flames along with Whitechapel, the American death core band from Tennessee. Additionally, during the final performance in Laval, Quebec, the three acts will be joined by Voivod.

    Fans are now able to purchase tickets for the metal packed shows through Citi and Artist. Additional presales will run throughout the week ahead of the general sales beginning on July 14th at livenation.com.

    MESHUGGAH 2023 North American Tour

    11/21/2023 SOMA – San Diego, CA

    11/22/2023 Hard Rock Live Sacramento – Wheatland, CA

    11/24/2023 Paramount Theatre – Seattle, WA

    11/25/2023 Doug Mitchell Thunderbird Sports Centre – Vancouver, BC

    11/27/2023 Midway Music Hall – Edmonton, AB

    11/28/2023 Grey Eagle Event Centre – Calgary, AB

    11/30/2023 Burton Cummings Theatre – Winnipeg, MB

    12/01/2023 The Fillmore Minneapolis presented by Affinity Plus – Minneapolis, MN

    12/02/2023 The Sylvee – Madison, WI

    12/03/2023 GLC Live at 20 Monroe – Grand Rapids, MI

    12/05/2023 The Hard Rock Live Northern Indiana – Gary, IN

    12/06/2023 The Andrew J Brady Music Center – Cincinnati, OH

    12/08/2023 The Paramount – Huntington, NY

    12/09/2023 MGM Music Hall at Fenway – Boston, MA

    12/10/2023 The Wellmont Theater – Montclair, NJ

    12/12/2023 Toyota Oakdale Theater – Wallingford, CT

    12/14/2023 Wind Creek Event Center – Bethlehem, PA

    12/15/2023 HISTORY – Toronto, ON

    12/16/2023 Place Bell – Laval, QC – w/ Voivod

  • Joe Bonamassa Releases “Well, I Done Got Over It” Ahead Of Upcoming October Album

    Legendary blues guitarist Joe Bonamassa recently released a new song titled “Well, I Done Got Over It”. The track was originally released by Guitar Slim back in 1953. Bonamassa’s rendition is part of his upcoming Oct. 6 album Blues Deluxe Vol. 2. The project comes 20 years after the New York native’s breakthrough album Blues Deluxe. 

    Joe Bonamassa Color and Shape
    Photo Credit: Robert Sutton

    “Well, I Done Got Over It’ is a high-energy tune that perfectly captures all of the attitude and groove of classic blues-rock songs. Packed with the rich sounds of horns and capped off with an impressive guitar solo, the track showcases every ounce of Bonamassa’s artistic ability. 

    “My father introduced me to Guitar Slim a long time ago, back when I was a kid… He has such a velvety smooth voice, and he had such a way of delivering a song. We did a very British take on this Guitar Slim song, it’s like the Blues Breakers meets Guitar Slim meets Joe Bonamassa, Josh Smith and company”

    Joe Bonamassa

    Born in New Hartford but raised in Utica, Bonamassa discovered music at an early age. By the time he was 12, Bonamassa was traveling around the state playing various local shows. The guitarist made a name for himself off of debut 2000 album A New Day Yesterday, which reached the #9 spot Billboard Blues chart. From 2002-06 Bonamassa had five albums reach the Blues Top 10, including his 2003 effort Blues Deluxe. 

    Bonamassa’s new project will see the Grammy-nominated artist return to some of his original sources of inspiration. Blues Deluxe Vol. 2 features two new original songs as well as eight new covers. The album also gets contributions from Reese Wynans (keys), Calvin Turner (bass), Lamar Carter (drums), Kirk Fletcher (guitar), and Josh Smith (guitar). 

    “Well, I Done Got Over It” follows the release of the album’s previous single “Twenty-Four Hour Blues” which dropped back in June. The song is a rip-roaring interpretation of Bobby “Blue” Bland’s classic song which was released in 1974. Bonamassa’s version includes an inspired and passionate vocal and guitar performance. 

    “The outro guitar solo is incredible… It happened live on the floor and has some deep lines you’ve probably never heard Joe play before. The band is absolutely smoking, and Calvin Turner did an incredible String and Horn arrangement. Super proud of this one”

    Guitarist Josh Smith

    Bonamassa has a slew of performance dates during the Summer and Fall. Stops in New York include shows at the Northwell Health at Jones Beach Theater and Bethel Woods Center for the Arts. 

    Here for album pre-orders and details. Check out here for tour tickets and additional information. 

    Summer 2023 U.S. Tour

    August 2 – Vina Robles Amphitheatre – Paso Robles, CA

    August 4 – The Cosmopolitan of Las Vegas – Las Vegas, NV

    August 5 – Eccles Theater – Salt Lake City, UT

    August 6 – Red Rocks Amphitheatre – Morrison, CO

    August 9 – Hollywood Bowl – Los Angeles, CA^

    August 12 – Northwell Health at Jones Beach Theater – Wantagh, NY

    August 13 – Bethel Woods Center for the Arts – Bethel, NY

    Fall 2023 U.S. Tour

    October 23 – Memphis, TN – The Cannon Center                                                   

    October 25 – Shreveport, LA – Shreveport Municipal Auditorium

    October 27 – San Antonio, TX – Majestic Theatre                                          

    October 28 – Sugar Land, TX – Smart Financial Centre At Sugar Land

    October 29 – Austin, TX – ACL Live

    November 1 – Fayetteville, AR – Walton Arts Center                                  

    November 3 – Little Rock, AR – Robinson Performance Hall                               

    November 4 – Grand Prairie, TX – Texas Trust CU Theatre

    November 5 – Oklahoma City, OK – Civic Center Music Hall

    November 8 – Tulsa, OK – Tulsa Theater

    November 10 – Kansas City, MO – The Midland Theatre

    November 11 – St. Louis, MO – The Fabulous Fox

    November 12 – Cedar Rapids, IA – Paramount Theatre

    November 14 – Rochester, MN – Mayo Civic Center        

    November 15 – Rockford, IL – Coronado Performing Arts Center

    November 17 – Fort Wayne, IN – Embassy Theatre

    November 18 – Detroit, MI – Fox Theatre

    November 19 – Columbus, OH – Palace Theatre

    November 21 – Reading, PA – The Santander Performing Arts Center

    November 22 – Providence, RI – Providence Performance Arts Center

    November 24 – Springfield, MA – Symphony Hall

    November 25 – Baltimore, MD – The Lyric

    November 28 – Savannah, GA – Johnny Mercer Theatre

    November 30 – Sarasota, FL – Van Wezel Performing Arts Hall

    December 1 – Estero, FL – Hertz Arena

    December 2 – Hollywood, FL – Hard Rock Live

  • Spafford Mesmerizes in Morristown, NJ

    Spafford is a band that deserves more: more fans, more coverage, and more respect.   With a signature sound amphitheater-ready and a technical proficiency seldom heard in today’s music, the fact they haven’t reached greater heights yet is truly one of life’s simple mysteries. Hooked from the moment I first heard them in 2017, I’ve been singing their praises to anyone who will listen for years now.  That being said, a recent fan post in the band’s “Spaffnerds” group got my blood boiling a bit. It read something to the effect of “Guys. Spafford is destroying the northeast right now and not a single jamblog is writing about it. WTF.” Having written about this band several times in the past, at first I took offense, but then I took it as a personal challenge to get these guys some more ink. So in a completely irrational, last second decision, I loaded up the car in Albany and made the two and half hour drive across state lines to catch Spafford’s headlining show at the Homestead in Morristown, New Jersey on Monday, July 10th.   

    Spafford brought weekend vibes to Morristown, NJ on Monday 7/10/23.

    Having never been to the Homestead before, I initially found parking to be a bit of a situation. With the summer night life of Morristown hustling and bustling right through showtime, I ultimately ponied up at a nearby municipal garage. Following my ear, I knew exactly where to go once I stepped out of the car. That’s because you could hear Spafford’s opening reggae-styled cover of “Soul to Squeeze” by the Red Hot Chili Peppers’ firing up from almost a block away. The colorful and luscious guitar tone of Brian Moss’ custom ax, Raven, was like a beacon calling to everyone nearby, ‘lend us your ears and we’ll send you home happy.’  By the time the band landed on “Plans,” the entire outdoor patio was packed with people. Even the curiously vacant parking lot adjacent to the venue started filling with people who were at least interested enough to listen, but on the fence about paying for it.

    Spafford fans made themselves at home in Morristown on 7/10/23.

    Inside the Homestead was a completely different vibe. A combination of danceable and sweaty energy, the smell of chicken wings and comfort food, and more mesmerizing than anything, the sound. The high ceilings of the venue made Spafford sound huge. Admitted audiophiles, the band which consists of Brian Moss (guitar,vocals), Jordan Fairless (bass,vocals), Nick Tkachyk (drums,vocals), and Cory Schechtman (keybords), work tirelessly before every show to achieve peak tones in whatever room they’re playing; they always sound great on whatever stage you put them.

    Originally formed in Arizona, the last few years have seen much of the band return to their east coast roots. With Moss growing up in Jersey, the show would take on a bit of a “hometown throwdown” feel. Close family and friends could be seen dancing along on the side of the stage, including Moss’ adorable little rock star, Henry, who appeared to be having a blast watching his dad shred into our third song of the night in “Todd’s Tots.” While I don’t know who Todd is, I do know this was the musical highlight of the opening set.  Things would then get down right “untzy” then “reptilian” with a well-placed combination of “Funkenseven” that alligatored into the Jordan Fairless led “Salamander Song” to send the Morristown crowd dancing the whole way into set break at the Homestead.      

    Keyboardist Corey Schechtman played his first show with Spafford at this same venue in 2023.

    Walking out for second set accompanied by music from Rage Against the Machine, you could just feel the boys were about to get down to some serious business.  Launching into the nights only track from their most recent studio album, 2022’s Simple Mysteries, “Fake the Fate,” the dance party resumed almost instantly. Some fans expressing themselves by spinning in circles, showing their moves to drift away while the surging groove carried us straight into “Windmill,” one of the band’s most sought after originals.  Perhaps the centerpiece of the show, Spafford let it all hang out here, tongues included. Sustaining those high notes for added emphasis, when Moss starts making unintentional stank face, you know things are going pretty good. People who were seeing the band for the first time simply could not believe what they were hearing. As Brian’s complicated guitarwork reached soaring new heights reminiscent of what you might hear in the peak of Phish’s “David Bowie,” one older gentleman near the soundboard commented how he hasn’t heard chops like that since his days of seeing Jerry.  

    So Raven: Spafford’s Brian Moss plays his custom ax in Morristown 7/10/23.

    Exchanging rays of mental dues
    Accepting moods that new grooves proves
    A simple song, it has no cost
    Through this rif my troubles’ lost
    You’ve got me dreaming again
    Open my mind to a new way
    A long way from fine

    -Lyrics from “Windmill”

    Up next came another Fairless special with “Lonely,” a track that has continually showed itself to be one of the bands biggest jam vehicles.  This exceptional rendition proved that true once again with Jordan crooning his heart out while the band stretched its legs into some beautiful type II territory. Keyboardist Corey Schechtman also really shinned here. Schechtman, who played his first Spafford gig at this same venue one year prior, has really settled into his role nicely; you can just see how much more confident he is now. With other-worldly skills dripping out of his fingertips, Schectman has the ability to completely change the direction the jam is going…and that’s usually for the better.  Often locking eyes with Nick on drums, the two seemed to have formed a strong bond over this past year.

    Spafford drummer Nick Tkachyk played Jersey in a jersey on 7/10/23.

    Showing amazing musical maturity by building the groove up, then holding onto it until they have everyone’s undivided attention, imagine how difficult it must be to show this kind of restraint. Like driving a Ferrari through a 30mph school zone, Spafford’s patience has always been one of their biggest assets. They always seem to know just the right moment to step on the gas and when to let off of it.  Closing the four song second set was our second cover of the night, a crowd-pleasing version of “Love Song,” as popularized by The Cure. It was only the second time they’ve played it this year. 

    Spafford bassist Jordan Fairless had his fingerprints all over the Morristown setlist on 7/10/23

    With a hard 11pm curfew rapidly approaching, it was from here to “Eternity” as another Jordan led song was selected as the lone encore of the evening, capping off another stellar performance by a band that’s currently at the top of their game.  Afterwards the guys could be seen hanging out by the merch table, signing posters and taking selfies with fans. Their approachability is yet another endearing quality.  

    While the high-flying bird band Goose is currently commanding most of the jam scene headlines, bubbling just under the surface is a whole litany of other amazing acts of the same genre. Right at the top has got to be Spafford. Using music as their weapon and perhaps benefitting from all the recent attention the improv community has been getting, we can only hope this band will get their big break soon. Worth every penny of the $20 ticket and worth traveling for every time I’ve seen them, these guys are the real deal. Real people with a real shot at achieving their dreams. Still finding the balance between touring life, raising toddlers, and writing new songs, these hardworking guys are putting it all on the line every time they go out there, both musically and personally.  When I asked Moss point blank if filling amphitheaters is even what he wants, without hesitation he said, “Of course, that’s what I’m in this for.  We’re here to take over the world.”  A true rock n’ roll answer if there ever was one, well Mr. Moss, I believe you can do it and I believe in Spafford.   

    Spafford | July 10, 2023 | The Homestead | Morristown, New Jersey

    Set 1: Soul to Squeeze*, Plans, Todd’s Tots, Funkenseven>Salamander Song

    Set 2: Fake the Fate > Windmill, Lonely, Love Song **

    Encore: Eternity

    *Red Hot Chili Peppers cover

    **The Cure cover