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  • Glenn Hughes to Perform Classic Hits on Tour with Yngwie Malmsteen

    Former bassist and singer of Deep Purple Glenn Hughes, known to millions as the ‘Voice of Rock,’ a Rock and Roll Hall of Fame inductee, and the front man for rock super group Black Country Communion, has just announced a tour devoted to celebrating music from BURN and other classic hits from Deep Purple’s rich back catalog – during a tour that will mostly see Hughes co-headlining with notable guitarist Yngqie Malmsteen. The tour across the U.S. will stop in several cities across New York, including Hudson Falls, Poughkeepsie, and New York City.


    Billed as “Glenn Hughes Performs The 50th Anniversary of Deep Purple’s BURN Live”, Hughes will perform classic hits from the legendary album, and the addition of Deep Purple MKIII and MKIV songs. Glenn’s band will feature Soren Andersen (guitar), Ash Sheehan (drums) and Ed Roth (keyboards).

    “It was 50 years ago, in the summer of 1973, that the BURN album by Deep Purple was written at Clearwell castle in Gloucestershire UK,” reminisces Hughes. “It was recorded in October in Montreux, Switzerland.”

    Continues Hughes, “We all became one in this centuries old castle in the UK countryside, it felt like Deep were a new band, with David (Coverdale) and I as new members, we couldn’t wait to start working on new song. The atmosphere was electric, in such amazing surroundings.”

    “All the songs on Burn were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”

    “As you could imagine, Ritchie Blackmore was in full prankster mode, Jon had warned me, and he rigged my room one night with a speaker that was hidden, and had ghostly voices delivered to my bedside.”

    “The title track was the last song to be written. We came back from the pub, and went down into the crypt, and magic happened.”

    Concludes Hughes, “It’s time to celebrate BURN, and I’m really looking forward to seeing you!”

    Glenn Hughes Biography

    Glenn Hughes is an inductee into the Rock and Roll Hall of Fame as part of the MK 3 line up of Deep Purple.  He spent the formative years of his career as the beloved bassist and vocalist of the group and performed on the classic albums Burn (1974), Stormbringer (1974) and Come Taste The Band (1975).

    The vocalist/bass guitarist/songwriter is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. Stevie Wonder once called Hughes his favorite white singer.  The first important band Hughes was a member of that achieved notable success was Trapeze.

    In 1973, Hughes joined Deep Purple. The trailblazing hard-rock legends had just weathered the departure of vocalist Ian Gillan and bass guitarist Roger Glover, but guitarist Ritchie Blackmore, keyboardist Jon Lord and drummer Ian Paice continued with the addition of Hughes and David Coverdale.

    Since 1992, Hughes has toured extensively in Europe, Japan, and South America in support of solo albums.  He’s recorded four studio albums with the multi-award-winning supergroup Black Country Communion featuring guitarist Joe Bonamassa, keyboardist Derek Sherinian (Dream Theater) and drummer Jason Bonham, son of the late Led Zeppelin legend John Bonham.

    In 2016 he released his critically acclaimed solo album Resonate featuring the rock radio hit “Heavy” and in 2017 he released Black Country Communion’s fourth studio album BCCIV to ecstatic reviews.

    In 2019, Glenn joined the Dead Daises as their lead singer and bass guitarist, recorded two albums, Holy Ground (2021) and Radiance (2022) and toured the world.

    Tour Dates

    • 08.16.23 Landis Theater Vineland, NJ ***(Glenn Hughes Only)                  
    • 08.18.23      Strand Theater                            Hudson Falls, NY
    • 08.19.23      The Chance                                  Poughkeepsie, NY
    • 08.22.23     The Palladium Times Square    New York, NY
    • 08.23.23     The Paramount                            Huntington, NY
    • 08.25.23      The King of Clubs                        Columbus, OH
    • 08.26.23      Arcada Theater                            St. Charles, IL
    • 08.28.23      Granada Theater                         Dallas, TX***(Glenn Hughes Only)
    • 08.30.23      House of Blues                            New Orleans, LA
    • 09.01.23       House of Blues                            Houston, TX
    • 09.02.23     Tobin Center                             San Antonio, TX
    • 09.04.23     Marquee                                       Tempe, AZ
    • 09.06.23     House of Blues                            San Diego, CA
    • 09.08.23     Saban Theater                             Beverly Hills, CA
    • 09.09.23     Performing Arts Center            Oxnard, CA
    • 09.11.23       House of Blues                              Anaheim, CA
    • 09.13.23      Oriental Theater                          Denver, CO
    • 09.15.23      Emerald Theater                          Mt. Clemens, MI
    • 09.16.23      Blue Note                                         Harrison, OH***(Glenn Hughes Only)
    • 09.19.23      The Palladium                                 Worcester, MA
    • 09.20.23      Jergels                                         Warrendale, PA***(Glenn Hughes Only)
    • 09.22.23      Parker Playhouse                        Ft. Lauderdale, FL
    • 09.23.23      Capitol Theater                            Clearwater, FL

    For more information, visit Glenn Hughes’ website.

  • Jonathan Wilson Releases NYC-Inspired Single ‘The Village Is Dead’

    Jonathan Wilson released his latest single, “The Village is Dead,” ahead of the release of his upcoming album, Eat the Worm.

    Jonathan Wilson

    Wilson, a North Carolina native, moved to Los Angeles 15 years ago. There, he became an integral part of the music community as a respected artist and producer. Also in Los Angeles, Wilson recorded his previous albums Gentle Spirit (2011), Fanfare (2013), and Rare Birds (2018).

    Just prior to the pandemic, Wilson went to Nashville to record what would become Dixie Blur (2020). These were a collection of songs that harkened back to his Southern roots, both musically and personally. Dixie Blur found Wilson reaching back to the musical foundation of his upbringing while simultaneously moving forward by infusing the music with modern textures and aesthetic soundscapes

    Wilson also has his own Fivestar Studios in Topanga Canyon, CA. This allowed him to devote as much time as he wanted to fine-tune the tracks.

    “There are a lot of details to the songs,” Wilson said. “There’s a lot of experimentation, and almost none of the songs started as me with a guitar. I really wanted something that sounded fresh and new.”

    In “The Village is Dead,” Wilson laments the evolution of New York’s Greenwich Village. While folk clubs once reigned supreme in the 1960s, the area is now gentrified and more upscale.

    It’s my homage to the one-time folk revival of the ‘60s in Greenwich Village, with visions of Moondog and Dave Van Ronk crawling down MacDougal Street. But I’ve set it in 2021, where all you find is a few dozen vape shops, karaoke at the Gaslight, beer pong at the Cafe Wah, and wealthy young college boys strutting around NYU’s corner of Manhattan. At the end of the song, just as the strings rise and the music reaches a climax, two young Zoomers set fire in my narrative to Jimi Hendrix’s old guitar, at which point I throw in the towel, stating officially that ‘The Village is Dead.’

    Jonathan Wilson

    You can listen to Jonathan Wilson’s new song on all streaming services.

  • UAlbany Announces Upcoming Performances For 2023-2024 Season

    As colleges are preparing to welcome back students, the University at Albany is anticipating the music as its Department of Music and Theatre has announced its upcoming performances for the 2023-2024 season. The performances will begin on Sept. 19 and will take place at the UAlbany Performing Arts Center.

    The Music and Theatre programs have prepared for a year jam-packed with incredible musical talent. The Music program itself will present twenty-three performances while the Theatre Program will prepare three full productions offering five to six performances of each show plus its annual festival of new plays written and conducted by students.

    Tickets for all shows are now available for purchase here.

    Full 2023-2024 Schedule

    Viva Mexico

    Tuesday, September 19, 2023, at 7 pm

    Pianist Max Lifchitz celebrates the beginning of Hispanic Heritage Month performing a recital featuring music by Mexican composers.

    Tangos & More

    Thursday, October 12, 2023, at 7 pm

    Pianist Max Lifchitz marks the ending of Hispanic Heritage Month performing a recital featuring dance-inspired music from the Americas.

    The Glass Menagerie by Tennessee Williams

    • Wednesday, October 18, 2023, at 8 pm

    • Thursday, October 19, 2023, at 8 pm

    • Friday, October 20, 2023, at 3 pm

    • Saturday, October 21, 2023, at 2 pm & 8 pm

    • Sunday, October 22, 2023, at 3 pm

    This poetic drama, about the choices in the life of a young artist, made the yet-unknown playwright an overnight sensation. It’s an American classic: envisioned for our world today and our unique theatre in the round.

    UAlbany Symphony Orchestra & Concert Band

    Sunday, October 22, 2023, at 1 pm and Thursday, March 14, 2024, at 7:30 pm

    Two of the University’s large ensembles present a shared program.

    The Choral Hour

    Saturday, October 28, 2023, at 3 pm and Saturday, April 20, 2024, at 3 pm

    The UAlbany Chamber Singers and Community Chorale perform separately and combined in a program of music from a wide array of styles and cultures.

    Senior Recital

    Tuesday, November 7, 2023, at 7 pm

    This program of guitar music features solo classical pieces as well as jazz ensemble selections arranged by Sam Piazza.

    Clyde’s by Lynn Nottage

    • Wednesday, November 15, 2023, at 8 pm

    • Thursday, November 16, 2023, at 8 pm

    • Friday, November 17, 2023, at 3 pm

    • Saturday, November 18, 2023, at 2 pm & 8 pm

    • Sunday, November 19, 2023, at 2 pm

    The most produced play in America in 2022, this comedy, by the two-time Pulitzer Prize-winning author of Sweat and Intimate Apparel, is set in the kitchen of a truck stop where the art of making a sandwich is perfected by a group of formerly incarcerated individuals.

    Bach to Broadway

    Friday, November 17, 2023, at 7:30 pm

    Students in the vocal program perform staged versions of classical and contemporary song repertoire.

    Miolina: The Dueling Violinists

    Wednesday, November 29, 2023, at 4 pm

    Mioi Takeda and Lynn Bechtold perform music for two violins by contemporary composers including Capital District composers Hilary Tann, Max Lifchitz, and Rain Worthington. 

    Student Recitals

    Friday, December 1, 2023, and Wednesday, April 24, 2024, at 6 pm

    A host of performers showcase their vocal and instrumental talents as part of their departmental studies.

    Holiday Concert

    Sunday, December 3, 2023, at 3 pm

    Music Program ensembles (Chorale, Chamber Singers, Concert Band, Jazz Band, Symphony Orchestra) are joined by student groups (Serendipity, Pitch Please) for a concert celebrating the season.

    UAlbany Percussion Ensemble & Jazz Band

    Monday, December 4, 2023, at 7 pm

    Two of the University’s large ensembles present a shared program.

    American Romantics

    Tuesday, January 30, 2024, at 7 pm

    Pianist Max Lifchitz performs piano music by American composers.

    Albagli & Friends

    Friday, February 16, 2024, at 7 pm

    Faculty member Richard Albagli and his top students perform a percussion recital.

    “To Refresh Their Spirits” – Keyboard Music of Bach and Handel

    Wednesday, February 28, 2024, at 7:30 pm

    Pianist Kuok-Wai Lio presents two great works side by side: the Handel Chaconne in G Major, HWV435, and Bach’s Goldberg Variations, BWV 988.

    The Taming of the Shrew by William Shakespeare

    • Wednesday, March 6, 2024, at 8 pm

    • Thursday, March 7, 2024, at 8 pm

    • Friday, March 8, 2024, at 3 pm

    • Saturday, March 9, 2024, at 2 pm & 8 pm

    • Sunday, March 10, 2024, at 2 pm

    Unfolding with music and merriment, a nearly all-female cast of players takes on Shakespeare’s classic comedy about the politics of empowerment and who wears the pants when two fabulously headstrong individuals fall in love.

    Festival of Contemporary Music

    Monday, March 11, 2024, at 7 pm

    This concert of percussion music features four ensembles.

    Music by Women Composers

    Wednesday, March 27, 2024, at 7 pm

    Pianist Max Lifchitz marks Women’s History Month by performing music by women composers.

    Fresh Acts

    •  Wednesday, April 10, 2024, at 8 pm

    •  Thursday, April 11, 2024, at 8 pm

    •  Friday, April 12, 2024, at 3 pm

    •  Saturday, April 13, 2024, at 2 pm & 8 pm

    This spring festival of brand-new plays is written, directed, and performed by students, the future of American theatre.

    Showcase Concert

    Friday, April 12, 2024, at 7:30 pm

    Vocal students complete their study of the operatic and oratorio repertoire with this staged production.

    Youth Movements XVI

    Sunday, April 14, 2024, at 3 pm

    The annual festival includes musicians of all ages from around the Capital Region.

    UAlbany Jazz Band

    Monday, April 22, 2024, at 8 pm

    Directed by Keith Pray, this student and community ensemble presents a concert featuring classic and contemporary jazz.

    UAlbany Symphony Orchestra

    Sunday, April 28, 2024, at 3 pm

    With conductor Christopher David Neubert, this large ensemble performs works representing outstanding repertoire from the Baroque, Classical, and Romantic periods of the 20th and 21st centuries.

    The Sound of the Trumpets, The Roar of the Drums

    Monday, April 29, 2024, at 7 pm

    The UAlbany Concert Band and UAlbany Percussion Ensemble present a shared program.

  • Bittersweet Daze Leaves a Mark in Central Park

    Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.

    With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.

    Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.

    Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.

    In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.

    Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.

    Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.

    Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine

    Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.

    His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.

    When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.

    Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.

    Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman

    mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.

    Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawn and dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.

    mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”

    With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.

    Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”

    Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.

    Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.

    mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa

    Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.

    Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.

    Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.

    With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.

    Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.

    Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.

    frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.

    Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home

    Encore: Boys Will Be Bugs, Devil Town

    In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.

    You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.

    Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.

  • Snow Ridge, Former Home of moe.down in Turin, Damaged by Tornados

    Snow Ridge Ski Resort, the former home of moe.down, in Turin, NY, was recently hit by a confirmed EF-3 tornado, causing extensive damage to several lifts, outbuildings, the cat, and more.

    Snow Ridge damage, photo courteous of moe.

    One of the longest-running music festivals in New York State, moe.down, was started in 2000 by the jam band moe. No one knew what to expect, and the first installment featured a hodgepodge of talent including, of course, moe., Martin Sexton, Les Claypool, David Grisman, and Charlie Hunter, among others at Snow Ridge in Turin.

    The festival ran for three days and took place every Labor Day Weekend since 2000, however, the last one was in 2019. It attracted nearly 12,000 revelers a year. moe.down not only drew crowds because of its epic lineup of music but for its hilarious and quirky events that are fit for all ages such as its annual Campaign for Mayor or the opportunity to take part in overnight community camping.

    The festival attracted a diverse array of established and up-and-coming musicians, featuring an eclectic mix of jam, pop-rock, jazz, and other genres. Past performers have included Dr. Dog, Grace Potter and the Nocturnals, TV On the Radio, Slightly Stoopid, The Black Keys, The Flaming Lips, and more.

    More of the damage, photo provided by Snow Ridge.

    With hundreds of trees down and their base area covered in debris, Snow Ridge will be holding a volunteer day on Aug. 26 starting at 10 a.m. to aid in the efforts of cleanup. They ask you to bring your own equipment, with lunch provided. If you’re unable to help clean up, there is a fundraiser set up to cover the things insurance won’t.

    Snow Ridge is a staple among the famoe.ly, and needs the community’s help to rebuild. For more information about the resort and to help out, visit here.

  • The Story of Roxanne Shanté: Hip Hop’s First Female Icon

    The milestone anniversary of one of the most influential and diverse music genres in history is here, as August 11th marked Hip Hop 50. In light of the anniversary, legends ranging back from the ’70s until now have been resurfacing to pay tribute, revisit the past, as well as stake their claim as hip hop luminaries. Today we lay out the history of a hip hop icon who helped shape the genre as one of the first ever female MC’s, the Queen of Queens: Roxanne Shanté.

    Lolita Shante Gooden, better known to the world as Roxanne Shanté, was born and raised on the streets of New York City, just like hip hop itself. Coming out of Queens, the spit-fire herself was introduced to the rising genre at an early age and possibly more lucrative was the genre being introduced to her. At eight years old, Shanté discovered her love and talent for spitting rhymes whilst watching the witty celebrity wordsmith Nipsey Russel on TV. What’s more, is that the streets called to her as rhyme was just a sign of the times and battles were the name of the game. After her substantial discovery, the little girl would rhyme all day every day, and by the age of ten years old, Shanté won her first battle, securing a cash prize of $50. From there on, Roxanne battled her way to the top beating out her competition one by one leaving a clearer path for those brave enough to follow. Her confidence, fearlessness, and pure talent all came together, leading her to become one of the most popular and sought after female rappers of her time.

    Roxanne’s popularity, however, truly began at 14 with a passing interaction with long time acquaintance Marley Marl – American DJ, record producer, rapper, and so much more. Soon after getting out of her two year stretch at multiple girl’s homes and returning to her mother and sisters, Roxanne was walking up the street in the midst of doing her mother’s laundry when Marley called to her. Hearing that she was the best around, the DJ asked Shanté to rap over a track he was working on. Shanté told him she could only give him seven minutes of her time – the time remaining on her laundry.

    Marly Marl, Mr. Magic, and Tyrone Williams, all members of the soon to be hip hop collective, the Juice Crew, had been working on a special track using the original beats from group U.T.F.O.’s hit song “Roxanne, Roxanne,” which tells the story of a woman who rejected the group’s advances time and time again. Marl’s track was always meant to be an answer record as U.T.F.O. backed out of a concert promoted by Mr. Magic and lost him a substantial amount of expected income. As Marl laid down the track, Shanté was free to do her thing, taking on the persona of “Roxanne” and putting every member of U.T.F.O. in their place one after another saying, “He ain’t really cute, he ain’t really great, He don’t even know how to operate.” Every second, every word, and every rhyme was free-styled by that 14 year old talent in seven minutes, making history as one of the first moments a female took to hip hop and forced the male dominated genre as a whole to sit down, listen, and show some respect.

    The song was officially named “Roxanne’s Revenge” and became a massive hit selling over a quarter of a million copies in the New York area alone. Not only that, but the track spawned a series of answer-back records, possibly the most in history, numbering well over a hundred as artists and fans received Shanté’s free-style as a challenge, including U.T.F.O. who produced another track along with a law suit. This time, the trio’s response highlighted the female rapper Elease Jack who they deemed “The Real Roxanne.” This third track on the same woman took hip hop into uncharted waters, as in that day in age most answer records ended with a second recording. The controversy and attention was quickly named the “Roxanne Wars” resulting in perhaps the first ever ‘rap beef’ between two artists in hip hop history.

    With the song’s success, Lolita was fittingly Roxanne and became an official member of the Juice Crew. Throughout her stretch of tours and live performances with the collective, Roxanne’s battle image and mindset never faded, as Shanté came out with numerous recorded battle tracks including “Round One: Roxanne Shanté vs Sparky Dee” alongside rapper Sparky Dee who not long before released a diss-track about Roxanne herself.

    “Even after I started making records, I still had such a battle mentality,” says Shanté. “I didn’t want to be second best, I didn’t want to be the best girl — I wanted to be the best.”

    Unfortunately, time and time again the artist faced challenges due to her age and role as a woman in a male dominated career and world. In 1985, Shanté battled it out with Busy Bee Starski for the title of “Best Freestyle Rapper” but lost to Kurtis Blow’s bias admitting his vote went to Starski since Roxanne was a girl.

    By the age of 25, with two completed studio albums Bad Sisters and The Bitch Is Back along with over 18 critically acclaimed singles, Shanté had taken a huge step back from the music scene and largely retired from recording. The MC faced physical and sexual abuse on many accounts resulting in hospital visits and the birth of her first son by the time she was sixteen years old. Not only that, but Shanté had been cheated out of money by managers and various others who she believed she could trust the most. These challenges along with the evolving scene of the hip hop industry all led to her hiatus.

    Today, Roxanne is still doing her thing, staying busy, and most importantly staying connected to her roots. Shanté, who now lives in New Jersey, co-leads an education nonprofit, is known to occasionally perform, and has done a series of press events where she comments on hip hop and rap artists of today. Additionally, she hosts Sirius XM’s Have A Nice Day on Rock The Bells Radio along with DJ Cool V where the pair sit down together, crack jokes, and play the music that they love. The rapper also continues to make impressive live appearances as just on July 21st of this summer she participated in DJ Cassidy’s Pass The Mic Live! at the one and only Radio City Music Hall.

    For years, Roxanne has gone on to be an unsung hero when it comes to the history of hip hop and its evolution, yet the artist refuses to live in spite, saying, “I’m not the female Hip Hop artist people talk about. I’m not invited to the awards. I’m the person who people would assume would be angry at home. And I’m the total opposite of that. I love life so much. I’m a breast cancer survivor. I know what it’s like to go through lumpectomies, through everything. Life is amazing to me. I enjoy every minute of it.” 

    Even though the rapper may not take her lack of recognition to heart, the world of music and the world of hip hop have begun to right its wrongs and give Roxanne the attention she truly deserves. In 2017, Netflix released a biopic named “Roxanne Roxanne” which tells the story of her beginnings in the genre along with the struggles she faced as a woman of color in NYC. The movie not only highlights the hurdles she jumped through and her immense talent but also displays her impact on the genre itself and rappers that have gone on to find their own success because of her. One of these artists is the Grammy Award-winning rapper Nas who credits Roxanne with being the person to first get him to take rap seriously.

    “Roxanne Shanté was a young teenage girl who had heart ’cause she would just be out in the projects, hanging, and I would see her,” he explains. “We heard about her and she was a hood star at first. She heard me doing some little rhymes and she was interested, and she was like, ‘Yo, I want you to participate in something. I want you to do some stuff. I want you to work on your craft and when I see you again, have it together.’”

    Roxanne’s story, influence on others, and connections with the hip hop world are impossible to write on one page as the artist has history with legends such as Big Daddy Kane, Biz Markie, and Queen Latifah; however, as Roxanne has shown time and time again, she can prove herself to anybody, anyplace, anytime with a beat and a microphone.

    Roxanne is a hip hop icon and deserves to go down in music history appreciated as a true luminary. Not only did she defy odds as a young woman of color on the streets of Queens, the splash Shanté made with her immense talent, street cred, and her seven minutes helped push the entire genre into the mainstream. Hip hop artists today can’t ever fully comprehend their complete history unless they recognize the Queen of Queens: Roxanne Shanté, the blueprint for hip hop MC’s.

  • Hearing Aide: AstroGun’s Authentic LP ‘The Underground Sessions’

    AstroGun, a Queens-based alternative rock band, has released their new LP The Underground Sessions. The 11 tracks are, as intended, raw and authentic with the hollow creaks of instruments and the echoes of underground jam sessions.

    Credit: B. G. Aramayo

    AstroGun is now in its sixth year with three previous LPs: Internalization, Truth & Lies and Liquid Love. The Underground Sessions takes the best of what these LPs had to offer for a powerful album that represents the best the band has to offer. The band has solidified with Astro Li as the drummer, Adam Anthony as bassist and vocalist, as well as Robby Thunders as the guitarist.

    We wanted to capture our live sound on a recording, which we hadn’t done before. Something like what Radiohead did with From The Basement. We were also thinking of Nirvana’s Smart Sessions, we wanted it to be raw and organic.

    Bassist and Vocalist Adam Anthony

    The album has a distinct lyrical sound due to Anthony’s vocals, and maintains an energetic, raw vibe throughout the piece. Each song has an iconic opening the distinguishes one from the other. It occasionally plays with headphone panning, separating certain sounds into one or the other. This happens in “Mind Revolution,” which also contains some of Li’s best drumming with satisfying echoes and creaks. Li’s beats offer a strong foundation for this song.

    “Writing on the Wall” is the final song on side A, and it has a satisfying opening using headphone panning. A lone guitar begins on the left side while the main instrumentals come roaring in on the right. It also carries that authentic styling with a small audio spike and the occasional sliding of fingers down a guitar. The lyrics are well mixed in “Writing on the Wall,” more distinct than in other pieces.

    “Liquid Love” on side B takes the time for some slower moments that are missing from other songs. This makes it a unique entry, especially with the echoing guitar throughout the piece. The vocals are quieter, but are given space with an absence of clamor. While it is not always so, one of the background drum beats sounds like a dull heartbeat, which is perfect for “Liquid Love.”

    The Underground Sessions, divided into separate entries for side A and side B, can be found on the band’s Spotify page.

  • Lakeview Welcomes Psychotherapy Sessions Tour

    With the summer full of concerts across the state, there are plenty to attend but one in particular was the Psychotherapy Sessions Tour at St. Joseph’s Amphitheatre in Syracuse with Mudvayne, Coal Chamber, GWAR, Nonpoint, and Butcher Babies. 

    The aftermath of GWAR set.

    It was a beautiful night for a show with just a cloud or two here and there and to start off this evening was Butcher Babies, hailing from Los Angeles. If you’ve never seen them live, they bring lots of energy to the stage with their two frontwomen, Heidi Shepherd and Carla Harvey, who are very well known for swinging their hair around as they headbang, as they did during their set. Next up was Nonpoint, an American rock band from Fort Lauderdale, Florida, who had no trouble keeping the crowd going after Butcher Babies, with their high-energy set.

    Chad from Mudvayne gives the crowd an up-close experience.

    Following them was GWAR and if you have never seen them live, if you plan on staying dry, it’s suggested to not be towards the front. Their set started with a character talking to the crowd and suddenly the band came on with another character with a saw, who began to use it on the first character and the fake blood began to spew out to the pit covering everyone. 

    To take the stage next was Coal Chamber who came back after their hiatus and reunited back in 2022. They had a colorful display on stage, with faces on the amps and lights. To end the night was Mudvayne, also back from a hiatus that started in 2010 but that didn’t stop them from putting on one hell of a performance. To kick off the set, the singer Chad Grey made his way to the barricade separating the pit from the stage and practically leaned on the ones who were lucky enough to be at the front and came back multiple times to interact with the crowd. All the members were dressed for the occlusion, all with makeup and headpiece. 

    To end the night as folks left, they also had one last treat with it being a beautiful evening for a concert, a full moon was out lighting up the surrounding area as the concert goers made their back to the parking lot.    

    Butcher Babies

    Nonpoint

    GWAR

    Coal Chamber

    Mudvayne

  • John Medeski, Joe Russo, and Marc Ribot Announce Benefit Concert at the Sultan Room

    John Medeski, Joe Russo, and Marc Ribot will be holding a benefit concert for the Music Workers Alliance in the Sultan Room in Brooklyn on Sept. 12. This is not the first time this trio has formed, as they originally came together for the Brooklyn Comes Alive event in 2021.

    John Medeski is a jazz keyboard player and composer, gaining popularity as a member of Medeski Martin & Wood. The band, formed in 1991, is known for its “avant-groove” style of jazz fusion. Medeski has remained active through numerous side projects in the 2010s and 2020s.

    Joe Russo is a drummer who has played alongside numerous musicians, including Bob Weir and Phil Lesh of the Grateful Dead during his time with Further. He founded his band, Joe Russo’s Almost Dead, in 2013.

    Marc Ribot is a guitarist and composer who has explored many genres through his work as a session musician. He has released over 25 albums of his own over his career and currently works with many groups, including Marc Ribot’s Ceramic Dogs.

    The Music Workers Alliance seeks to empower members of the music industry through collective action. It was formed in 2019 as a reaction to the undiscussed plight of working musicians and DJs in local policy. The organization helped organize relief for musicians struggling with unemployment during the COVID-19 pandemic. It often collaborates with other organizations with aligned goals.

    Doors open at 7:00 p.m., and the show ends at 10:00 p.m. More information on the Music Workers Alliance can be found on their website. Tickets for their Sultan Room performance can be found here.

  • The Heavy Heavy Bring Sun-Soaked British Vibes To Intimate Albany Debut

    It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.” 

    They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.

    Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.

    3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.

    Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play. 

    Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.

    Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”

    The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.

    Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.

    No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.

    Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.

    After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”

    Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.

    After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.” 

    Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.

    Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention.  For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room. 

    Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.