On Wednesday September 20 at Irving Plaza, English Band Ladytron returned to perform the first show of their Fall 2023 Tour. This was a highly anticipated tour for fans since their last appearance in NY back in 2019 at the Brooklyn Steel.
Ladytron has defined the electropop movement of the early 2000’s using synthesizing sounds to encompass a unique psychedelic, ethereal and electronic rock performance. Irving Plaza was the perfect venue to highlight the bands ambience with sparkling chandeliers, hanging disco ball, dim-lit standing room and balcony to illuminate the show goers atmospheric experience.
As the band walked on stage the crowd cheered and danced to express their enthusiasm for Ladytron and the performance of fan favorites and new album release Times Arrow. With Strobe lights, polka dots and dream-like psychedelic visuals enhancing the hard bass driven beats, contemporary melodies, synth tones and female vocals. Ladytron put on quite an invoking show to kickoff the Fall tour.
Alongside the exciting Time’s Arrow release their soundscapes and innovative music leaves fans in awe while they are able to create visual narratives within their songs, Ladytron attendees leave with an unforgettable experience. Following their Irving Plaza show, Ladytron plans to continue the long awaited tour with their next stop on Friday, September 22 in Los Angeles, California at The Belasco.
LADYTRON 2023 TOUR DATES
Fri Sep 22 – Los Angeles, CA – The Belasco
Sat Sep 23 – San Diego, CA – Crossroads at House of Blues
Thu Nov 16 – Austin, TX – The Mohawk
Fri Nov 17 – Dallas, TX – The Granada Theater
Sat Nov 18 – Houston TX – Numbers Night Club
Sun Nov 19 – Mexico City, MX – Corona Capital Festival
Ladytron – Irving Plaza, NYC – Wednesday, September 20
Setlist: City of Angels, Faces, Ghosts, Deadzone, True Mathematics, The Animals, Flight From Angkor, Soft Power, USA vs. White Noise, Misery Remember Me, International Dateline, Fighting in Built Up Areas, The Island, Paper Highways, Discotraxx, Ace of Hz Encore: California, Playgirl, Seventeen, Destroy Everything You Touch
Long Island Author Steve Matteo will take part in a discussion and book signing event at LIMEHOF, spotlighting his new book Act Naturally: The Beatles on Film, on Saturday, September 30th at 2pm.
The event is free with admission to the Hall of Fame, open to the public, and will be moderated by Tony Traguardo of the Fab4Free4All podcast.
I grew up on Long Island and have written for many Long Island music and entertainment publications. I’m thrilled to be interviewed at LIMEHOF about my new book on the Beatles. The hall is all about honoring and celebrating the legacy of great music. When I write my books, chronicling musical history that give music fans a deeper understanding of artists and their times is very important to me. Long Island has a rich history of popular music and music fans on Long Island are some of the most knowledgeable and passionate in the world.
Author Steve Matteo
Act Naturally: the Beatles on Film examines the five films the Beatles made during their time together: A Hard Day’s Night, Help!, Magical Mystery Tour, Yellow Submarine, and Let It Be. Some were successes, some were not, but thanks in part to reissues, bonus material, and Peter Jackson’s The Beatles: Get Back, the band’s filmography is a fascinating document of key phases in the group’s short career.
Act Naturally: The Beatles on Film is a comprehensive deep-dive into the band’s movies from longtime music journalist Steve Matteo, and follows the origins, filming, and often frenzied fan reception of projects including the 1964 premiere of A Hard Day’s Night, 1970’s Let It Be and 2022’s Get Back. Matteo explores all aspects of the band’s film history, including production process, original theatrical film releases, VHS, DVD, and Blu-ray releases, and bonus materials, along with the US and UK soundtracks. Full of anecdotes and behind-the-scenes details, Matteo places these films in their larger context as a period of unprecedented artistic and commercial innovation in British and world cinema, offering a definitive account of an underappreciated part of the Beatles’ creative output.
We are excited to have Steve come speak at The Hall of Fame about his book “Act Naturally” and share his insights on The Beatles on Film. Having Tony Traguedo from the Fab4Free4All podcast moderate and speak is also an added bonus to what is sure to be a fun event. We continue to welcome opportunities to introduce Long Islanders to local authors and podcasters on a regular basis at the museum.
Kelly Leung, LIMEHOF Board Member and Director of Community Outreach, event organizer
The Long Island Music and Entertainment Hall of Fame, located in Stony Brook Village, opened its building location in 2022, and has inducted more than 120 musicians and music industry executives since 2004. The organization also offers education programs and scholarships, and awards to Long Island students and educators.
Copies of the book will be available for purchase to be signed at the event and LIMEHOF has expressed plans to do more author themed events in the future.
Multi-faceted singer/songwriter A.J. Croce is hitting the road again– visiting New York City, Rochester and Troy — in celebration of two more of his father Jim Croce’s legendary albums, 1973’s Life and Times and his final release, I Got A Name, in addition to songs from You Don’t Mess Around With Jim.
The Croce Plays Croce 50th Anniversary show features a legendary band (including drummer Gary Mallaber, bassist David Barard, guitar/violin James Pennebaker) and a moving multi-media presentation accompanying Jim’s songs (which on the previous tour included memorable hits, “Operator (That’s Not the Way It Feels)”, “Time in a Bottle,” and others).
Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it’s clear that he holds a love for all types of musical genres: blues, soul, pop, jazz, and rock n’ roll. A.J. toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of legendary musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. His albums have all charted on an impressive array of charts: Top 40, blues, Americana, jazz, college, and Radio 1.
A.J. felt a camaraderie with the audience at past shows and with the connection to his father’s timeless music, he was inspired to embark on a 50th anniversary tour. “The audience reaction has been so great,” says A.J. “The shows we did last year were not only met with a huge response, but I learned so much about what works and what resonates, we knew we had to keep going.”
The gifted multi-instrumentalist says, besides the two albums Life and Times and I Got A Name, tracks from the popular You Don’t Mess Around With Jim – which fueled last year’s run – will also be part of the new show.
“We’ll be playing songs representative from all three albums, and also some songs the audience might not know from more obscure artists that I realized connected me and my father. It was those songs that eventually led me to do this show in the first place.”
A.J. Croce
During last year’s performances, A.J. shared intimate aspects of his dad’s career. He also drew praise for his own style and musicianship (he’s known for one of the most unique keyboard styles in music) as well as his sensitive insight into Jim Croce’s enduring musical canon. While Jim Croce’s music catalog still resonates on classic radio, streaming platforms, and more recently on hit films and TV shows like Django Unchained and Stranger Things, it is A.J.’s unique showmanship that has helped enliven Jim’s amazing legacy. One reviewer aptly noted: ‘…A.J. Croce invites the sold-out crowds into his father’s worldview and work mindset, culminating in the playing of Jim Croce tunes…making for an intimate experience riddled with wryness and humor…’
Fans and critics who attended last year’s 50th Anniversary Celebration showsare thrilled that A.J. is readying another affectionate interpretation of his father’s enduring legacy. The shows have renewed interest in Jim Croce and garnered praise for A.J: “I think they come as a Jim Croce fan but also leave as fans of mine. That’s something that has also made this whole experience really amazing.”
CROCE PLAYS CROCE 50TH ANNIVERSARY TOUR
Oct 27 / Aria Ballroom @MGM Springfield / Springfield, MA
Oct 28 /The Wilbur / Boston, MA
Oct 30 / Count Basie Center for the Arts / Red Bank, NJ
Nov 1 / Santander Performing Arts Center / Reading, PA
Nov 2 / Sandler Center for the Performing Arts / Virginia Beach, VA
Nov 4 / The Town Hall / New York City, NY
Nov 5 / Keswick Theatre / Glenside, PA (SOLD OUT)
Nov 7 / Kodak Center / Rochester, NY
Nov 8 / Carnegie of Homestead Music Hall / Munhall, PA
Nov 9 / Taft Theatre / Cincinnati, OH
Nov 11/ Goodyear Theatre / Akron, OH
Nov 12 / Royal Oak Music Theatre / Royal Oak, MI
Nov 15 / Hoyt Sherman Place / Des Moines, IA
Nov 16 / Grand Theater / Wausau, WI
Nov 17 / Pantages Theatre / Minneapolis, MN
Nov 25 / Florida Theatre / Jacksonville, FL
Nov 26 / Parker Playhouse / Fort Lauderdale, FL
Nov 28 / Capitol Theatre / Clearwater, FL
Nov 29 / King Center for the Performing Arts / Melbourne, FL
Nov 30 /The Savannah Center / The Villages, FL
Dec 2 / Mars Music Hall / Huntsville, AL
Dec 3 / The Factory / St. Louis, MO
Dec 5 / Rose State College Hudiburg Chevrolet Center / Oklahoma City, OK
Dec 6 / Cotillion / Wichita, KS
Dec 8 / The Paramount / Austin, TX
Dec 10/ Bayou Music Center / Houston, TX
Dec 11 / Majestic Theatre / Dallas, TX
Dec 12 / Tobin Center for the Performing Arts / San Antonio, TX
After a brief break this fall, moe. will return to the Capitol Theatre in Port Chester, for a 2-night run December 9-10 to finish out their tour.
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
The genre-blurring band, moe. is what it is today because of Al Schnier (guitar/vocals), Chuck Garvey (guitar/vocals), Rob Derhak (bass/vocals), Jim Loughlin (percussion/vibes), Vinnie Amico (drums), and Nate Wilson (keys).
This powerful group of musicians leads to positive reviews, especially after Chuck’s recovery from a stroke, and the addition of Nate Wilson on the keys, moe.’s resurgence has been remarkable for all fans to watch.
On top of their live performances, moe. also recently celebrated the 25th anniversary of Tin Cans and Car Tires with a special 2x Sky Blue vinyl reissue. On top of the original album tracks, the collector’s item also features live renditions of beloved songs including “Stranger Than Fiction,” “Nebraska,” and “Letter Home.”
Tickets for moe. at the Capitol Theatre are now on sale at moe.org
moe. tour dates
Wednesday, September 20th – Newport Music Hall – Columbus, OH Thursday, September 21st – Madison Theater – Covington, KY Friday, September 22nd – Vic Theatre – Chicago, IL Saturday, September 23rd – Headliners Music Hall – Louisville, KY Tuesday, September 26th – Turner Hall Ballroom – Milwaukee, WI Thursday, September 28th – Peoria Riverfront – Peoria, IL Friday, September 29th – Barrymore Theatre – Madison, WI Saturday, September 30th – First Ave – Minneapolis, MN Sunday, October 1st – Wooly’s – Des Moines, IA Wednesday, October 4th – The Pageant – St. Louis, MO Thursday, October 5th – Bourbon Theatre – Lincoln, NE Friday, October 6th – Hillberry Fest – Eureka Springs, AR Saturday, October 7th – Liberty Hall – Lawrence, KS Friday, October 20th – Ogden Theatre – Denver, CO Saturday, October 21st – Ogden Theatre – Denver, CO Friday, December 8th – Capitol Theatre – Port Chester, NY Saturday, December 9th – Capitol Theatre – Port Chester, NY
New York-based husband and wife musical duo, Ghost Prom, made up of Cameron and Eden Crosby, has released their latest single, “5am,” a song preceding their upcoming full-length album set for release on November 17.
Ghost Prom began one rainy morning in Vancouver, where creativity boomed over a shared cup of coffee and a weathered guitar. It began as an effortless investigation of melodies, but became a musical partnership that would encapsulate their journey as partners both lovingly and musically.
Their first song, “Swamp Eyes,” was born on that morning, and set the tone for their future endeavors– raw, authentic, and unapologetically honest. Now based in Upstate New York, the duo’s music is an intricate genre woven from diverse influences like Elliot Smith, Sam Shepard, and even early Johnny Depp movies. Through lyrics that explore the vulnerability that circles humanity, as well as the triumph that comes with it, Ghost Prom invites listeners into their world to share their struggles and triumphs as a source of both solace and connection.
Ghost Prom’s single, “5am,” was recorded in a barn studio just up the street from Cameron and Eden’s Hudson Valley home. The single discusses a deeply personal and haunting exploration through the struggles of addiction, with a hopeful portrayal of redemption by way of “telling the truth.”
The inspiration to Cameron comes from the late, intimate poet Mark Linkous (Sparklehorse), with Aaron Mones in recording, production, and lead guitar, helped the duo create their distinctive blend of small room indie rock with neo-noir folk known as “5am.” This single launches listeners into the refreshing new sound of Ghost Prom: impactful, yet pumping.
“5am” comes out today, September 22, and their full-length album comes out on November 17.
Follow Ghost Prom on Instagram, Spotify, and Bandcamp for more information on all-things Ghost Prom, such as future releases and music videos.
Bruce Brubaker has announced his upcoming album, Eno Piano, coming out November 10, where he explores the complex genre of ambient music with the goal of creating an album full of songs that make airport music desirable, with inspiration from Brian Eno’s Music for Airports.
Brubaker’s album, Eno Piano, started in 2017 with the question: “With all those sustained notes in the music– can Brian Eno’s Music for Airports be played on a piano?” Brubaker heard jazz pianist Evan Allen experiment with an EBow inside a piano (an EBow is an electromagnetic device used to make long notes by vibrating a string on an electric guitar). Then, Bruce met Florent Colautti, the French inventor who was developing electro-magnetic devices suspended over the strings inside a piano to make long musical tones.
Bruce Brubaker makes connections to music old and new through his explorations of minimalism. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written by anonymous scribes in the 15th century. Brubaker’s performances of music by Philip Glass glorified by his album Glass Piano on InFiné, caused critic Roland Duclos to write: “Brubaker is to Glass what Glenn Gould is to Bach.”
Brian Eno’s “Ambient 1: Music for Airports” is known as the greatest ambient composition of all time. Within the guidelines of Bruce Brubaker’s Eno Piano, the album’s definitive track “Airport 2.1” is recontextualized as a piece created for a single instrument.
Brian Eno’s music is a significant part of the repetition-based musical minimalism practiced by Philip Glass, Terry Riley, and others in the 20th century. In 1971, Philip Glass performed at the Royal College of Art in London. In the audience were two 23-year-olds: David Bowie and Brian Eno. Glass’s music was a formative influence on Eno. Later, Philip Glass wrote three symphonies based on the three albums of Eno and Bowie’s Berlin Trilogy. Eno Piano, from which the new track is taken, acknowledges a deep artistic bond.
Brian Eno defined the new genre of ‘ambient music.’ Spending hours waiting for a flight at the Cologne-Bonn Airport, Eno became frustrated with the airport’s uninspiring atmosphere. At that moment, Eno conceived an album of music “designed for airports.”
Whereas conventional background music is produced by stripping away all sense of doubt and uncertainty (and thus all genuine interest) from the music, Ambient Music retains these qualities. And whereas their intention is to ‘brighten’ the environment by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and leveling out the natural ups and downs of the body rhythms) Ambient Music is intended to induce calm and a space to think. Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
Brian Eno, in his original 1978 liner notes
Eno Piano is the music of Eno, with the contributions of Rhett Davies, Robert Wyatt, Dieter Moebius, Hans-Joachim Roedelius, Harold Budd, Jon Hopkins, and Leo Abrahams.
Eno Piano will be released on November 10, 2023. Pre-order the album here.
In August’s blurry end of sweltering heat and constant music in New York City, NYS Music and the band HOKO found a summer second to have a chat. The day following their Bowery Ballroom show, on their debut tour with almost monday and Weathers, band members Nathaniel Hoho and Jesse Kotansky gathered to discuss a vast expanse of topics with myself, Kali Kugler.
From the band’s first tour experience, to the pandemic effect, to New York City recommendations and their upcoming residency, HOKO provided a rich dialogue on their transient spot in the music industry.
HOKO was formed in New York City, but the band pulls in flair from many places and faces. Jesse Kotansky, the vital melody of HOKO, is from New York. As lead singer Nathaniel put it, “he’s the go to guy for strings in New York.” Nathaniel himself was born in Pennsylvania but claims New York City as his homebase. The two of them met through mutual friends, and the rest of their connection unfolded naturally through the development of their sound.
“Freaky-pop!”
– Nathaniel Hoho
When asked how to describe themselves through the niche language of genre, there were many categorical dialects tossed around: experimental, alternative, rock, pop. Jesse spewed a vast yet accurate platter of descriptors – “Experimental is the key word to describe us, because experimenting is our process.” Nathaniel chimed in and stamped the label, “freaky-pop!” Having attended their show at the ballroom just the night before, I can back the freaky nature they brought to the familiar pop sound.
When posed the question about the evolution of HOKO since their first release “OK OK” back in 2020, every performing artist’s black cloud entered the conversation – the pandemic. Jesse spoke on their blooming process as a band and the halting choke COVID had on their initial exposure. Prior to the pandemic, HOKO had worked with EQT Studios and produced over forty songs they were ready to release. They put out an EP and their single “OK OK” that reached top 20 on the radio only a week before the universal shut down. Like everyone else HOKO remained indoors, but their time proved fruitful, for they spent two years writing and merging and learning about themselves and their tastefully ephemeral style.
“We find the more often we dive in, the deeper we go… as we grow as humans our sound is also growing. While things around us change we are influenced by it all.”
– Jesse Kotansky
HOKO’s creative process is an observant one. They are in a constant state of listening, sensing, reading, talking – living, really. Being human – the great collaboration. A lot of their inspiration comes from sharing a sound, having a conversation and “diving deep.” Jesse couldn’t pinpoint their inspiration on one person or place: “…what makes us wanna dance; everything we’ve ever listened to; every book we’ve ever read; every color we’ve ever seen all go into it.”
“I depend on the energy the crowd gives back – it’s a conversation.”
– Nathaniel Hoho
Coming back to the music community and getting to tour for the very first time, HOKO found the crowd’s energy to be an additional member in their band. Touring with almost monday and Weathers informed their style, for they were finally able to experiment and explore their sound with an audience. Jesse spoke on Nathaniel’s stage presence in relation to their fans: “I feed off of his energy.” He went on to state his pride in being an opening band and holding the responsibility to win a crowd.
“It has been lovely seeing our music interact with people.”
– Nathaniel Hoho
New York City is a lucky spot, because HOKO established their return date. On Thursday, September 21st, HOKO will be performing at Berlin Under A in East Village (tickets are still available, and are worth the purchase)! New York City is crawling with esteemed musicians, which is a positive factor according to Jesse as he reflected on their Bowery Ballroom performance: “There was a physical energy in New York, and there were a lot of musicians at the show that we look up to. That definitely added some nerves.”
Both Jesse and Nathaniel expressed gratitude for the hometown show crowd. It’s always sweet to see familiar faces and display growth in the place that raised you. Even though Jesse and Nathaniel still live in the city, they hold a heightened degree of excitement for their shows here. Both agreed the Bowery Ballroom show was their favorite of all their stops on tour. At the end of our conversation, HOKO even graced me with their sacred New York City recommendations: Bar Victoria, The York, Treasure Club, Cozy Royale for a burger, C&B Coffee, and Taco Ramirez.
HOKO was as kind as they were impressive, eager to speak on their artistry and to compliment their audience. Having witnessed their eclectic, colorful, and boundary breaking performance, I can confidently encourage anyone to get the chance to see them live. They are a group to keep your eye on – they are a blow up no one will want to miss.
Kyle Gordon, the multi-talented New York-based comedian, actor, writer, and improviser, is once again turning heads with the release of “Ugliest Girl on the Beach” featuring Antonio Frankfurt.
“Ugliest Girl On The Beach” is not only a hilarious parody but also a window into Gordon’s unique creative universe. His upcoming album, KyleGordonIsGreat, is a collection of musical genre parodies, each featuring different characters Gordon has created. The debut hit single, “Planet of the Bass” featuring DJ Crazy Times and Ms. Biljana Electronica, already went viral with over 5.5 million streams and 250 million views across social media platforms.
“Ugliest Girl On The Beach” is a delightful parody of early 1960s Bossa Nova, humorously poking fun at luminaries of the genre like Antonio Carlos Jobim and Frank Sinatra. The song also marks the introduction of Gordon’s new character, Antonio Frankfurt, an artist from Germany who relocated to Brazil in 1945. In the early 1960s, Antonio Frankfurt made a name for himself performing in nightclubs and bars in his hometown of Praia de Pipa, quickly gaining a reputation as one of the most passionate musicians in Brazil. Interestingly, this single, recorded in 1963 at the legendary Miami jazz club, The Sapphire Lounge, is actually an English-language rendition of his original Brazilian hit, A Mulher Nojenta.
The album itself is a cleverly constructed journey through various musical genres (not just bossa nova) with interstitial fake radio broadcasts tying it all together. Gordon explains,
“This album is the culmination of years of work – writing and testing these songs in front of hundreds of audiences. So in many ways, this first album is kind of like a collection of my greatest hits. I titled the album Kyle Gordon Is Great, and to me, great comedy is a) unique, b) accessible, and c) most importantly, really, really funny. My goal on this album was to make great comedy music!”
Kyle Gordon
Kyle Gordon’s debut album, Kyle GordonIs Great, will be available on November 10 via BMG. In the meantime, be sure to catch him live as he embarks on US and UK tour dates this fall.
Tour Dates and Ticket Information
UK Dates:
10/26 – London, England @ Leicester Square Theatre
Get ready to laugh, groove, and appreciate the art of parody when Kyle Gordon Is Great drops on November 10. Until then, enjoy the catchy hilarity of “Ugliest Girl on the Beach” and mark your calendars for his upcoming tour dates.
Kyle Gordon – Ugliest Girl On The Beach (feat. Antonio Frankfurt)
BRIC, a leading, multi-disciplinary arts and media institution anchored in downtown Brooklyn, unveiled the artists slated to perform at this year’s BRIC JazzFest.
Set to take place at BRIC House from October 19-21 with two stages, this year’s festival promises to be an extraordinary celebration of jazz and its influences. In addition to the live acts, BRIC JazzFest will kick off the first night with a special panel discussion exploring the intersection of Jazz and Hip-Hop, with an ongoing film series taking place onsite during the festival.
Some of the artists announced for the festival include Reggie Workman, one of the most original and technically gifted bassists in jazz and American contemporary music, vibrant and versatile jazz saxophonist Alexa Tarantino, and multi-instrumentalist and rising staple Ciso Swank. Other acts include Sarah Elizabeth Charles, Nite Bjuti featuring Candice Hoyes, Val Jeanty, and Mimi Jones, Strings N Skins, and Panikkar Rosner & Leigh. Also happening at the BRIC Jazzfest is Jonathan Michel: L’Ouverture, a world premiere concert featuring Emeline Michel, Riva Precil, and Val Jeanty, celebrating the vital role of Haitian women in music and culture.
Photo by Liz Ligon.
Previously announced headliners include Georgia Anne Muldrow and Terrace Martin, as well as Isaiah Collier, Amina Claudine Myers Trio, Melanie Charles / Orrin Evans Duo, B. Cool-Aid, BIGYUKI, Miki Yamanaka, and George Burton.
The festival’s closing night jam session promises an unforgettable experience with the Trill Mega Jam Featuring The Jungle and Guests, culminating in an “expanded sense of jazz” led by a well-known NYC party The Jungle, which will feature artists spanning across multiple genres. It is comprised of DJs, musicians, and artists delivering a stimulating sonic experience that traverses the African Diaspora, embracing Latin, Jazz, Afrobeat, Amapiano, Percussion, Brazilian, Caribbean, House and Soul.
Tickets for BRIC JazzFest 2023 are available now, with options for daily and three-day passes.
LINEUP
Oct. 19
Terrace Martin Melanie Charles / Orrin Evans Duo Isaiah Collier Reggie Workman Alexa Tarantino Panikkar Rosner & Leigh
Oct. 20
Georgia Anne Muldrow BIGYUKI George Burton Jonathan Michel: L’Ouverture Cisco Swank Strings N Skins
Oct. 21
Amina Claudine Myers Trio B. Cool-Aid Miki Yamanaka Origami Project Sarah Elizabeth Charles Trill Mega Jam Featuring The Jungle And Guests Nite Bjuti feat. Candice Hoyes, Val Jeanty and Mimi Jones
Brooklyn Bowl in Williamsburg has released the full fall line-up of shows for 2023, covering genres and artists from across the musical and entertainment spectrum.
The line-up of more than 50 shows includes a wide array of performers, from up and coming to established acts, including the likes of Andy Frasco, Antibalas, Bahamas, Bombino, Melvin Seals & JGB, the 21st Annual New York Burlesque Festival Premiere Party, The Hold Steady, and more!
One of Brooklyn Bowl’s unique traditions happens every weekend with late night dance parties, hosted by DJs spinning tracks from ABBA to Jay-Z.
Brooklyn Bowl rang in 2023 with three epic nights from New York City based gypsy-punk band Gogol Bordello last year, and this December, they will grace the Brooklyn Bowl stage for a 4-night run of celebratory New Years’ shows from the 28th-31st.
The original Brooklyn Bowl in Williamsburg has introduced a groundbreaking integration of premiere music, expansive bowling, locally crafted beers, and an exquisite dining menu from the acclaimed Blue Ribbon Restaurant Group. Located in the beautiful, 19th-century Hecla Iron Works building, the venue — aka “rock and roll heaven” (Village Voice) — boasts a sound system and amenities that “no other local rock club can offer” (The New York Times).
BROOKLYN BOWL FALL 2023 LINEUP
September 21st: Bombino
September 21st: DJ set by Duran Duran’s Dom Brown
September 22nd: Dopapod
September 23rd: George Porter Jr.
September 24th: The Rock and Roll Playhouse Plays the Music of Bob Marley (daytime)
September 28th: Durand Jones
September 29th: 21st Annual New York Burlesque Festival Premiere Party
September 29th:The Midnight Bowl (late night)
September 30th: Monophonics
October 1st: The Rock and Roll Playhouse Plays the Music of Coldplay (daytime)
October 4th: Common Kings
October 5th: Underground Springhouse
October 6th and 7th: Futurebirds
October 7th: Take On Me: Retro 80s Party (late night)
October 8th: The Rock and Roll Playhouse Plays the Music of Grateful Dead (daytime)
October 11th: Long Beach Dub Allstars + Passafire
October 12th: Christone “Kingfish” Ingram
October 13th and 14th: Andy Frasco
October 15th: The Rock and Roll Playhouse Plays the Music Fela Kuti (daytime)
October 15th: Vintage Trouble
October 19th: Próxima Parada
October 20th: Bahamas
October 21st: Daniel Donato’s Cosmic Country
October 21st: Emo Night Brooklyn (late night)
October 22nd: The Rock and Roll Playhouse Plays the Music of Rihanna (daytime)
October 26th: Walrus in Wonderland: Jamified Alice in Wonderland Party
October 27th: Talib Kweli Live with Full Band!
October 27th: Taylor’s Version (late night)
October 28th: Melvin Seals & JGB
October 28th: This Party is Killing You: The Robyn Party Robyn-O-Ween 2023 (late night)
October 29th: The Rock and Roll Playhouse Presents Halloween Spectacular (daytime)
October 31st: Saved By the 90s with The Bayside Tigers
November 2nd: Mac Sabbath
November 3rd and 4th: Antibalas
November 9th: Trouble No More: Music of The Allman Brothers
November 5th: The Rock and Roll Playhouse Plays the Music of Elton John (daytime)
November 11th: Couch
November 11th: Can’t Feel My Face (late night)
November 12th: The Rock and Roll Playhouse Plays the Music of Blink-182 (daytime)
November 15th: Madame Gandhi
November 16th: The Pharcyde
November 17th: Boy Named Banjo
November 17th: Nicki Night (late night)
November 18th: Eggy
November 19th: The Rock and Roll Playhouse Plays the Music of Harry Styles (daytime)
November 24th: Boogie T.RIO & Manic Focus Live Band
November 26th: The Rock and Roll Playhouse Plays the Music of ABBA (daytime)
November 29 – December 2nd: The Hold Steady: Massive Nights 2023
December 3rd: Rock and Roll Playhouse Plays the Music of Jay-Z (daytime)
December 8th: Big Freedia
December 10th: The Rock and Roll Playhouse Plays the Music of Taylor Swift (daytime)
December 15th: Krasno Moore Project + Special Guests
December 16th: The Slackers
December 17th: The Rock and Roll Playhouse Plays the Music of The Beatles (daytime)
December 22nd: The Weight Band’s 10 Year Celebration: Music of “The Band”
