Marco Benevento & Friends are standing up against the largest development in Woodstock history with The Trees Are Listening: Music for a Cause. The benefit concert for the Stop Woodstock National LLC Coalition is set to take place at Colony in Woodstock on Oct. 22 and feature Marco Benevento & Friends.
The Marco Benevento & Friends set will feature Simi Stone, Karina Rykman, Chris Corsico, Leslie Mendelson, Aaron Johnston (Brazilian Girls), Jeff Hill (Steve Earle), Bill Carbone (Max Creek) and Danny Blume.
According to JamBands, The Stop Woodstock National Coalition is a community-based group working with the Woodstock Land Conservancy, preparing to combat a plan proposed by Woodstock National LLC. The plan wants to wipe out 620+ acres of forest and wetlands—the largest forested tract along Sawkill Creek— and replace them with 191 housing units, a golf course, and a helipad.
“We have so many concerns,” said Andy Mossey, the director of the Woodstock Land Conservancy of the development that has been designated a “Critical Environmental Area” by the NYSDEC because of its importance to protecting “forest habitat, aquifer recharge zones, streams that feed into Sawkill Creek, wildlife habitats, and traffic.”
Marc Benevento photo by Seth Olenick.
Stop Woodstock National is putting the Town Board and agencies on notice with the stance that considering the negative environmental impact, the proposed project must be stopped. This project “has the potential to permanently change the Woodstock area, both in environmental quality and community character,” added Mossey. “It’s an utterly inappropriate project in the wrong location in the wrong community.”
Tickets for the Marco Benevento & Friends benefit show are on sale now.
MVW and Valee continue their dynamic association with the release of their new single, “Tailor Swift.” A play on the name of pop superstar Taylor Swift, this latest record arrives as MVW and Valee gear up for the release of their debut joint-album, Valeedation. Set for release on October 20, the slowed-down, classically inspired tune follows a similar formula as the pair’s prior collaborations on MVW’s last two albums, CLASSIC$ and Connections.
In similar fashion, MVW juxtaposes Valee’s nonchalant delivery with refined instrumentation blending into a sound coined as “museum rap.” On “Tailor Swift” Valee rides MVW’s choppy, slowed-down production while expounding on his luxury-filled wardrobe. In usual fashion, Valee song title are often a precursor to a witty metaphor. Rapping, “white Gucci pants same color Taylor Swift. Yeah, getting measured in Gucci b*tch my tailor swift.”
While Valee’s quick-witted one liners feel improvised, his meticulous approach to music and fashion has led to a cult-following, as he’s always provided a alternative sound and delivery to his contemporaries.
Throughout my career I’ve been known to tailor my own clothes because I like them to fit a certain way. They have to be precise. I approached making this song the same way. When MVW sent it to me I knew it was the one.
Valee on “Tailor Swift”
Meanwhile, with each record, MVW aims to transport the listener into a world of musical radicalism. In effect, the two idiosyncratic artists serve a similar musical purpose, albeit with different approaches.
The underlying sound and flow in Tailor Swift is essentially avant-garde, compounded by the depth of the entendres and visual metaphors, this track transports the listener into a world of radicalism.
MVW on “Tailor Swift”
The release of “Tailor Swift” arrives following the summer drops of “Could Be” and “Pistachio.” These two releases preluded the eventual collab-album from the frequent collaborators. While Valee remains a season vet of the hip hop world, Staten Island native MVW continues to build on a repertoire that has seen him work with other innovative rappers such as TiaCorine, Xavier Wulf, Lil Gotit, Matt Ox, Zelooperz and Anycia.
Yves Tumor and it’s band are having quite a busy year, starting off with releasing their stellar fifth LP back in March via Warp Records. Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) is a wildly experimental creative expression from an artist who has been pushing the boundaries of modern pop music ever since their debut. On Wednesday, October 4th, Yves Tumor took over Terminal 5 to kick off the fall leg of the tour which started in back in early spring.
Yves Tumor first broke onto the scene in 2015 with their enigmatic debut record, When Man Fails You. Featuring swirling ambient loops, the record immerses the listener into a haunting yet meditative experience. Yves evolved their musical approach in 2018 with the vibrant Safe In The Hands Of Love. The album starts off with a bit of ambient soundscapes but flourishes of hip hop, house, industrial, and glam rock rotate in and out as the record progresses. The LP is loaded with musical twists and turns but seamlessly blends with a rich sound palate and vintage production style.
Safe In The Hands Of Love catapulted Yves Tumor into a new realm of artistry and fanbase. In a modern world where music is saturated with artists trying to stand out, Yves truly crafted a brand new approach using elements from all over the musical spectrum. Glam rock ballads fade into pulsing ambient sections before raging darkwave grooves take over on the next track. Funky bass lines flutter all over the background while swirling synths fluctuate between Radiohead-like psychedelia and heavy industrial noise reminiscent of Nine Inch Nails. Neatly wrapped together with Yves deeply creative poetic verse, the music defies logic in the best way possible and remains surprisingly original.
Yves Tumor’s success with the goth and glam rock revival continued with a few more releases leading up to 2023. Heaven To A Tortured Mind in 2020 picked up right where Safe In The Hands Of Love left off while a shorter EP, The Asymptotical World in 2021, dove deeper into glam rock with a more forward guitar presence.
Fast forward to Wednesday night at Terminal 5; New York City was about to get their first taste of Yves Tumor’s latest record, which is a masterful culmination of the artist’s career to date. Fans flooded Terminal 5 with goth style, creating a palpable buzz in the room leading up to showtime. Once the houselights dropped, the pent up room erupted with a thunderous ovation to welcome the band on stage.
Chris Greatti of Yves Tumor at Terminal 5, 10/4/2023. Photo by Joseph Buscarello
Yves Tumor and it’s band wasted no time, playing three songs from Praise A Lord… to open things up. The album shines with the insatiable Chris Greatti’s guitar rock vibe but still surprises the listener with inventive experimental passages throughout. “God Is a Circle” got things started with a thick bass line as Yves’ chanted vocals bounced around the room, “Sometimes, it feels like/There’s places in my mind that I can’t go/There’s people in my life I still don’t know, yeah/Wander ‘round, I just feel like a ghost in a well.”
The energy in the room was immense, growing stronger as the night went on. Yves loves to engage with the crowd, spending several songs in the pit letting fans sing along on the mic, signing autographs, and posing for photos all while the show rages on.
The chemistry between Yves and the rest of the band is unmatched. At one point, Yves tossed an umbrella he was posing with over to Greatti who held it in his mouth while shredding the outro to “Secrecy Is Incredibly Important To The Both Of Them.” The two frequently embraced mid song, both clearly not wanting the show to end.
All shows however, must come to an end, and Yves Tumor closed Wednesday night at Terminal 5 with Praise A Lord… closing track “Ebony Eye”. The lush song builds to a climactic finish that left the entire crowd begging for more. If it was not for house security pushing fans towards the exits, I truly do not think this show would have ever ended.
The tour does continue, and the show does not have to end if you can catch any of the dates left on their busy schedule. Head over to the band’s website for the full list of tour dates and if you have not seen Yves Tumor live, do not miss an opportunity to catch one of the most creative artists and invigorating live bands out there today.
Rufus and Martha Wainwright will perform, “A Not So Silent Night” at The Town Hall on December 22, raising awareness for The Kate McGarrigle Fund for sarcoma research. The family-friendly holiday show features special guests including Emmylou Harris, Sean Lennon, Norah Jones, Loudon Wainwright and Lucy Wainwright Roche.
“A Not So Silent Night” has become an annual family tradition for the Wainwrights. The two siblings will be joined by their immediate family members of the Wainwright and McGarrigle clans to share and celebrate the spirit of the holidays. This event will be held at The Town hall, a 1,500-seat, 501C3 non-profit national historic landmark venue in the heart of New York City, created by suffragists in 1921 and host to countless cultural and musical milestones.
“I am utterly excited to bring our holiday concert back to New York City after a hiatus of almost 5 years. These shows very much reflect who Martha and I are as artists and a family, slightly messy but incredibly powerful and emotional, festive, and fun. The Town Hall is one of my favorite venues to perform in. So many Greats have graced the stage, and it is a place that my mother Kate worshipped.”
– Rufus Wainwright
The annual holiday celebration has had its roots in the childhood home of Rufus and Martha’s mother, Kate McGarrigle. The tradition began in the living room of their wooden home in the Laurentian mountain town of St. Sauveur. Kate was tragically diagnosed with Sarcoma, a rare form of cancer, and since has raised money and awareness for funding research into the disease as at the time there were no drugs available to treat it. Rufus and Martha continue Kate’s legacy with the Christmas shows, helping to raise awareness and money for the Kate McGarrigle Foundation for Sarcoma Research.
The holiday show will be supported by an outstanding band led by music director David Mansfield with Jon Cowherd on keys, Doug Wieselman on oboe and guitar, Shawn Pelton on drums, Armand Hirsch on guitar, and Tony Scherr on bass. Special merch items benefiting the Kate McGarrigle Fund will also be available the night of the show.
VIP Gold tickets also include the best seats in the house, attending part of the soundcheck, a group photo with Rufus and Martha, and a special signed merch item, are available. Also available is the opportunity to sing on the closing song of the first half, “Silent Night,” with Rufus, Martha, and family.
“These Christmas shows, conceived of over 25 years ago by our mum, have BECOME our Christmas! There’s always a slight annoyance (and dread?) as we start preparing in June but by the time the show starts all the holiday magic in the world shows up on stage and the importance (and wonderful ridiculousness) of the holiday season is revealed. Most apparent though is the love and music that reigns”
– Martha Wainwright
Tickets go on sale on Friday, October 6, for more information please visit here.
For more information about the Kate McGarrigle Fund please visit here.
People may not always remember what you said, but they will always remember how you made them feel. With only 24 hours in a day – achieving greatness may prove difficult. Anything worthwhile takes time and nobody showcases the rollercoaster ride of life better than Elcamino from Buffalo, a man who believed in himself way before he reached the space he inhabits today.
How did he achieve these magnificent feats? Consistency, dedication to craft and learning from the great individuals that surround him.
Elcamino expresses his artistic license with artwork for, “They Spit on Jesus.”
Biblical Beginnings
Foundationally, his musical prowess stems from a religious background. During one week, he might have attended ten different types of rehearsals since his mother was the choir director. His ability to play bass guitar and the drums correlates mightily within his catalog. Subsequently, he meticulously places parts of a beat exactly where he wants them. Therefore, every song comes out with that type of sound that resonates and creates playback value.
We had a chance to sit down with Elcamino ahead of his Black Soprano Family Records debut album, They Spit on Jesus. Here are a few excerpts from the conversation which took place via Zoom.
Ian Romaker: If anyone listens to Elcamino’s music – they can hear the heart. They could hear the soul in it. No man should have to endure the things that Elcamino has had to endure but yet look at where he is – on the verge of a Black Soprano Family Records album debut.
Elcamino: It’s so crazy too. The album is ridiculous. This some of the best shit ever made by man.
IR: The album is titled, They Spit on Jesus. That’s a wild title in and of itself.
Elcamino: Yeah man it’s definitely wild. You know what’s crazy? You know where I got that name from? My barber gave me that album name while giving me an edge-up.
IR: Oh really?
Elcamino: I said something to him and he was like, “Well hey, they spit on Jesus.”
IR: It’s crazy to think that this is the debut. What goes into making this the debut? For me – a true listener – Don’t Eat the Fruitwas the debut and that thing charted at #13 on iTunes as the first tape you put out.
Elcamino: It did. You know what’s crazy? A lot of people don’t know that. It did. That’s fire that you know that.
IR: Many people have great aspirations. Many people also believe that things are just supposed to happen because they want them. Nothing just falls in your lap – you have to work.
Elcamino: You always wanna stay ambitious, man. Look inside. You have this shit already. Even if you gotta fight through. Find a way. Start a business. Get yourself something to do. If you just sittin’ around with free time – that’s time you could put toward a business or your craft. You always have to use all your time – take advantage of it. Because it’s somebody out there that is moving forward. I tell people all the time – I wake up early as hell. I feel like it’s somebody out there getting money before me. I like to get money first. All this shit – you got to learn from somebody. Unless you’re one of those people that just know it all. You can’t just be perfect and not willing to learn.
IR: You could never stop learning.
Elcamino: You got a chance at being perfect if you’re willing to learn. Greatness comes from greatness.
TSOJ might be some of the highest quality work that Elcamino has put out to date. Feel free to take a listen here and make sure you stay tuned for when he goes on tour around New York State and the rest of the country.
How great it is to hear these words of wisdom from Elcamino – the most versatile artist on the planet. His vocal range makes him quite the X factor. Anyone under the Griselda umbrella will give you a tough verse – that’s a given. Elcamino will give you the toughest verse, the hardest hook and the smoothest sounds.
The New York Philharmonic presents six orchestral programs from late September through late October at the Wu Tsai Theater in David Geffen Hall at Lincoln Center, having started on September 29. This season’s opening concerts include notable conducting debuts and premieres of works by composers from a variety of cultural traditions.
After leading the New York Philharmonic’s opening gala, Music director Jaap van Zweden conducts the first two subscription programs, each featuring a premiere. Following, the philharmonic presents four programs that each feature remarkable debuts including musicians such as Mira Gražinytė-Tyla, returning soloist Yefim Bronfman, The Apollo’s Singers making their subscription debut with Sorrell who serves as their artistic director.
To close out the opening season, Brad Lubman makes his NY Phil debut in ‘Sound On’ on October 27 conducting the premiere of Kinan Azmeh and Loyal Chaker’s Dawning for improvising musicians and orchestra, featuring clarinet and violin soloists.
For more information for the New York Philharmonic performances please visit here.
Opening Concert Season at Wu Tsai Theater, David Geffen Hallat Lincoln Center
JAAP van ZWEDEN Conducts: US Premiere of The Elements with Joshua Bell – Sep 29 – Oct 1
JAAP van ZWEDEN Conducts: World Premiere of Steve Reich’s Jacob’s Ladder – Oct 5 – 7
MIRGA GRAŽINYTĖ-TYLA’S Debut Conducts: Sibelius, Raminta Serksnyte, and R. Schumann with Daniil Trifonov – Oct 11 – 14
David Robertson Conducts: The US Premiere of Elena Firsova’s Piano Concerto – Oct 19 – 21
Jeannette Sorrell Conducts: Handel’s Israel in Egypt – Oct 25 and 26
Zorn, Azmeh, Chaker, and Chin Brad Lubman Conducts: “Sound On” – Oct 27
Wednesday, October 4th was an unseasonably warm fall evening in Niagara Falls, Ontario, at Fallsview Casino. Keanu Reeves with his band Dogstar staged an outstanding performance that left no one in doubt about the memories it created. There was only one opening act, the group Archer Oh who hailed from the state of California.
Archer Oh
Dogstar consists of Keanu Reeves on bass. Robert Jailhouse on drums and Bret Dormouse on guitar and lead vocals.
As the lights lowered and excitement rose in the crowds, the members of Dogstar made their way into the stage with a powerful force that attracted viewers at first instance. Not only a great actor, Reeves showed himself to be a talented musician. The chemistry in the band was unmistakably good as they shifted from song to another with ease exhibiting their musical talent. The line-up came just at the right time for die-hard fans, who were looking forward to hearing all Dogstar’s old numbers which prompted many to sing and dance along.
Tracks such as ‘Lust’ and ‘Sleep’ were exemplary of a fusion between alternative-rock and grunge elements in the band’s music. The evening was not dull even for a moment. Reeves bass tone was haunting enough to send shakes into the bones of every listener. He interacted with the audience and made it seem as if they were participating in a unique happening.
There was a strong link between the band and its followers, making it possible for a large number of people in the venue to have an intimate environment. When the night finally ended, Dogstar received thunderous applause and shouts of ‘one more’ as they departed the stage. The audience could hardly wait for the encore from the duo who made their way back to finish the night in grand style, giving the audience four more songs.
Dogstar 2023 Tour Dates 10/08 Atlantic City, NJ – Sound Waves at Hard Rock Hotel 10/10 Port Chester, NY – The Capitol Theatre 10/11 New Haven, CT – Toad’s Place 11/30 Los Angeles, CA – Troubadour 12/03 San Francisco, CA – The Great American Music Hall 12/05 Sacramento, CA – Crest Theatre 12/07 Chicago, IL – Thalia Hall 12/08 Detroit, MI – The Majestic Theatre 12/09 Toronto, ON – Lee’s Palace 12/11 Brooklyn, NY – Music Hall of Williamsburg 12/12 Boston, MA – Paradise Rock Club 12/14 Philadelphia, PA – Underground Arts 12/15 Washington, D.C. – The Howard Theatre 12/16 Norfolk, VA – The NorVa 12/18 Charlotte, NC – The Underground 12/19 Atlanta, GA – Center Stage 12/20 Nashville, TN – Brooklyn Bowl 12/21 Nashville, TN – Brooklyn Bowl
Tyler Childers will continue his global “Mule Pull ’24 Tour” through next summer, making stops in Madison Square Garden and Saratoga Performing Arts Center.
Special guests on the tour include Adeem The Artist, Willi Carlisle, S.G. Goodman, Wayne Graham, Shakey Graves, Valerie June, Laid Back Country Picker, Nathaniel Rateliff & The Night Sweats and Allison Russell.
In celebration of the new record, Childers recently spoke with The New York Times, who praises, “His songs with roots in bluegrass, Southern rock and Appalachian tradition have pushed the boundaries of country music and even his own fan base, while cementing him as one of the most successful touring and streaming artists in his field—without the aid of radio,” and continues, “when he sings live, his eyes burn with the ferocity of a preacher, and fans hang on to every word.”
“Childers is clearly continuing to grow his audience by simply staying true to himself…one of country music’s more interesting, boundary-pushing artists.”
Grammy.com
Recorded at Dragline Studios, the album was produced by Childers and his longtime band, The Food Stamps—James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle).
The new album follows last year’s triple album, Can I Take My Hounds to Heaven?, which featured eight songs presented in three distinct sonic perspectives—Hallelujah, Jubilee and Joyful Noise. Before Hounds, Childers released 2020’s Grammy-nominated surprise album, Long Violent History, which NPR Music called an “explicit and remarkable stand in solidarity.” His two previous releases, 2019’s #1 Country Squire as well 2017’s RIAA Platinum debut, Purgatory, were released to overwhelming critical and commercial acclaim. In the years since his debut, Childers has earned two Grammy nominations and has been featured on “CBS This Morning,” “The Tonight Show Starring Jimmy Fallon” “Jimmy Kimmel Live!,” “Late Night with Seth Meyers,” NPR Music’s Tiny Desk Concert series and “Anthony Bourdain: Parts Unknown.”
“The penetrating country singer-songwriter is becoming a total rock star without any radio support…If you are not on this man’s express train to stardom, get on board now.”
Music Row
Fans are being asked to register before tickets go on-sale to help block bots and scalpers, reduce resale and get tickets directly into the hands of real people. Registration for the pre-sale is open now until Sunday, October 8 at 11:59pm ET—see tour dates below, and sign up HERE. Once registration closes, fans will be randomly selected to receive a code that grants them access to the pre-sale starting next Wednesday, October 11. A very limited number of tickets will be available for the general on-sale following on Friday, October 13 at 10:00am local time at ticketmaster.com, while supplies last.
TYLER CHILDERS CONFIRMED TOUR DATES Italicson-sale next Friday, October 13 at 10:00am local time
December 30—Lexington, KY—Rupp Arena* (SOLD OUT)
December 31—Lexington, KY—Rupp Arena* (SOLD OUT)
February 15, 2024—Dublin, Ireland—3Olympia‡ (SOLD OUT)
February 17, 2024—Glasgow, U.K.—Barrowland Ballroom‡ (SOLD OUT)
February 19, 2024—Manchester, U.K.—Albert Hall‡ (SOLD OUT)
February 21, 2024—London, U.K.—Eventim Apollo‡
February 22, 2024—London, U.K.—Eventim Apollo‡ (SOLD OUT)
February 26, 2024—Hamburg, Germany—Docks‡
February 27, 2024—Copenhagen, Denmark—VEGA‡ (SOLD OUT)
March 2, 2024—Amsterdam, Netherlands—Paradiso‡ (SOLD OUT)
March 3, 2024—Amsterdam, Netherlands—Paradiso‡ (SOLD OUT)
March 5, 2024—Stockholm, Sweden—Münchenbryggeriet‡ (SOLD OUT)
March 6, 2024—Oslo, Norway—Sentrum Scene‡ (SOLD OUT)
March 16, 2024—Thackerville, OK—Lucas Oil Live at WinStar World Casino and Resort
April 5, 2024—San Diego, CA—Viejas Arena+ (SOLD OUT)
April 6, 2024—Inglewood, CA—Kia Forum+ (SOLD OUT)
April 9, 2024—Tulsa, OK—BOK Center† (SOLD OUT)
April 10, 2024—Austin, TX—Moody Center† (SOLD OUT)
April 13, 2024—Fort Worth, TX—Dickies Arena† (SOLD OUT)
April 15, 2024—Birmingham, AL—Legacy Arena at The BJCC# (SOLD OUT)
April 16, 2024—Knoxville, TN—Thompson Boling Arena# (SOLD OUT)
April 18, 2024—Nashville, TN—Bridgestone Arena# (SOLD OUT)
April 19, 2024—Nashville, TN—Bridgestone Arena# (SOLD OUT)
May 27, 2024—Baltimore, MD—CFG Bank Arena~ (SOLD OUT)
May 29, 2024—New York, NY—Madison Square Garden^ (SOLD OUT)
May 30, 2024—New York, NY—Madison Square Garden^ (SOLD OUT)
June 2, 2024—Virginia Beach, VA—Veterans United Home Loans Amphitheater‡‡
June 5, 2024—Tampa, FL—MIDFLORIDA Credit Union Amphitheatre‡‡
June 7, 2024—Alpharetta, GA—Ameris Bank Amphitheatre‡‡
June 8, 2024—Alpharetta, GA—Ameris Bank Amphitheatre‡‡
June 11, 2024—Clarkston, MI—Pine Knob Music Theatre++
June 13, 2024—Chicago, IL—United Center++
June 27, 2024—Noblesville, IN—Ruoff Music Center††
June 28, 2024—Milwaukee, WI—Summerfest at American Family Insurance Amphitheater†† (SOLD OUT)
June 30, 2024—Burgettstown, PA—The Pavilion at Star Lake††
July 3, 2024—Saratoga Springs, NY—Saratoga Performing Arts Center~~
July 5, 2024—Bangor, ME—Maine Savings Amphitheater~~
July 6, 2024—Cavendish, Prince Edward Island—Cavendish Beach Music Festival
July 9, 2024—Toronto, Ontario—Budweiser Stage~~
July 11, 2024—London, Ontario—Rock the Park Festival
August 6, 2024—Calgary, Alberta—Scotiabank Saddledome~
August 8, 2024—Vancouver, British Columbia—Rogers Arena~
August 10, 2024—Bend, OR—Hayden Homes Amphitheater~
August 11, 2024—Bend, OR—Hayden Homes Amphitheater~
August 14, 2024—Mountain View, CA—Shoreline Amphitheatre##
August 17, 2024—Boulder, CO—Folsom Field**
August 20, 2024—West Valley City, UT—USANA Amphitheatre##
August 21, 2024—Nampa, ID—Ford Idaho Center Amphitheater##
August 23, 2024—George, WA—Gorge Amphitheatre^^
August 24, 2024—Missoula, MT—Washington-Grizzly Stadium^^
*with special guest Shovels & Rope
‡with special guest John R. Miller
+with special guest Medium Build
†with special guest Hayes Carll
#with special guest 49 Winchester
~with special guest Allison Russell
^with special guest Sylvan Esso
‡‡with special guests Valerie June and Willi Carlisle
++with special guest S.G. Goodman
††with special guests S.G. Goodman and Adeem The Artist
~~with special guests S.G. Goodman and Wayne Graham
##with special guest Shakey Graves
**with special guests Shakey Graves and Laid Back Country Picker
^^with special guest Nathaniel Rateliff & The Night Sweats
In a thrilling collision of musical generations, New York’s own The Heroic Enthusiasts have teamed up with producer Stephen Hague to breathe new life into a timeless classic. Their latest single, ‘Tears Run Rings,’ is a reimagining of Marc Almond’s 1988 hit, and it’s nothing short of a musical revelation.
The Heroic Enthusiasts, a dynamic New Wave duo, take us on a mesmerizing journey into the past with their rendition of ‘Tears Run Rings.’ Guitarist Thomas Ferrara reveals the profound impact that Marc Almond and Soft Cell had on their musical upbringing. “It was a magical awakening—a whole fresh and beautiful world opened up for us in lyrics, instrumentation, and production,” Ferrara explained.
To bring their vision to life, The Heroic Enthusiasts enlisted the expertise of renowned producer Stephen Hague, known for his work with Pet Shop Boys, New Order, and Blur, among others. The result is a rich and textured soundscape featuring layered synth lines and pulsating drum beats.
Hague previously produced the duo’s two EPs, and their collaboration reached new heights with the reimagining of ‘It’s A Sin,’ a chart-topping hit originally produced by Hague for Pet Shop Boys in 1987. Speaking about their collaboration, Hague notes, “So much of what I’m sent these days is basically beats with hooks, but the Heroic’s stuff was a breath of fresh air—I was taken by their songcraft and musicality.”
With ‘Tears Run Rings,’ The Heroic Enthusiasts continue to deliver their emotionally charged brand of New Wave/synth-pop to a global audience. The song captures the essence of their unique musical identity while honoring the artists who inspired them.
The Heroic Enthusiasts’ reimagining of ‘Tears Run Rings’ is a nostalgic journey infused with new energy, showcasing their commitment to preserving the essence of classic hits while infusing them with their distinctive style. As they continue to redefine the New Wave genre, The Heroic Enthusiasts remind us that great music is both timeless and ever-evolving.
Blue Öyster Cult released a new single this week, “I’m On the Lamb but I Ain’t No Sheep (Live),” alongside the announcement of their upcoming live album, 50th Anniversary Live – First Night, set to release on December 8.
The new single, “I’m On the Lamb but I Ain’t No Sheep (Live),” was released alongside an official live music video. The entire album was recorded live at NYC’s Sony Hall in September 2022. The group celebrated their 50th Anniversary with a set of 3 sold out shows at the Midtown Manhattan venue.
For the historic career milestone, the group played each of their first three albums in their entirety at the three respective shows. The live album will include live recordings of each entire album.
Blue Öyster Cult was formed in 1967 on Long Island, developing a cult following throughout the 70s and 80s. The group made their debut at Stony Brook University’s Pritchard Gymnasium. Eric Bloom, a Brooklyn native, joined the group in 1969, after original guitarist Allen Lanier accompanied him on a road trip through Upstate New York and heard his tapes as a talented vocalist.
The group is set to play a show at The Space at Westbury Theatre, in Westbury, NY on November 22. Tickets are on sale now and available here.
Blue Öyster Cult are Eric Bloom (guitar, keyboard, vocals), Donald “Buck Dharma ” Roeser (guitar, vocals), Richie Castellano (guitar, keyboard, vocals), Danny Miranda (bass, vocals), and Jules Radino (drums). The group is joined by special guest Albert Bouchard (drums, percussion, guitar, vocals).
Upcoming Tour Dates:
10/14/23 – Sante Fe Springs, CA @ Sante Fe Springs Marketplace & Concert Venue
11/10/23 – Carterville, IL @ Walker’s Bluff Casino
11/11/23 – St. Charles, IL @ Arcada Theatre
11/18/23 – Davenport, IA @ Rhythm City Casino Resort
11/22/23 – Westbury, NY @ The Space at Westbury Theatre
12/05/23 – Auburn, WA @ Muckleshoot Casino Events Center
12/07/23 – Enoch, Alberta, Canada @ River Cree Resort
