Buffalo-based rock group Timothy Alice & The Dead Star Band released their sophomore record, Used Cars, on November 3. The 8-track album is a follow up to their 2019 debut release, Spacestation AM500.
Timothy Alice & The Dead Star Band formed in 2018 in Buffalo, with a collaboration of longtime friends. The band consists of Timothy Patrick Henderson, Matt DiStasio (drums), and Bub Crumlish on bass.
The first track on Used Cars, a title track, is a strong start to the record. With resonant guitars, crooning vocals, and a tempo that urges the listener to sway back and forth, “Used Cars” is a easy yet captivating first track on the group’s sophomore album
The fifth track on the record, “North of the Border,” stands out energetically against the rest of the record. This song picks up the pace significantly, and shapes a tangible story throughout the track. The only drawback is the shorter run time of only 2:18, as it is certainly a notable favorite on the album.
“Winning Number,” the sixth track on Used Cars, slows back down just slightly, but not to any disadvantage. “Winning Number” evokes more personality from the vocal intonations, with Henderson’s speak-singing throughout the verses. The track has a captivating outro sequence of guitars and other indecipherable instruments, reminiscent of U2’s “Bad.”
Used Cars is the sophomore album from Timothy Alice & The Dead Star Band, available on all streaming platforms on November 3. Timothy Alice & The Dead Star Band is Timothy Patrick Henderson, Matt DiStasio, and Bub Crumlish.
Well, that October was a treat wasn’t it? But, no rest for the weary live music fanatic. November is hot on it’s heels with a concert cornucopia of it’s own. Here are five delectable morsels to feast your ears on in Rochester this month.
The Bug Jar continues its string of pulling in fresh and interesting talent from abroad with this Italian group coming to little old Rochester. Dumbo Gets Mad is a psychedelic pop band that is textured and rhythmic with a patina of that European stangeness. The bill is rounded out by avant-garde drumming wizard Sean Hamilton, Drippers, and Breastfed to Death. Sure to be another fun one.
Tickets are $15 and music should get going around 9pm.
Almost exactly a year after his last Rochester show, at the Arbor Loft, Charlie Parr returns to town for a gig at the much smaller and more intimate space at Bop Shop Records. If you liked him then you’re gonna love him here, and if you missed him then, no better time or place to get to love him. As we said then: “Through finger picks, slides, foot stomps and that ragged voice with unexpected range, there wasn’t empty space wanting for anything more.”
Tickets are $20/$25dos and music will start right around 8pm.
The best set of jazz in Rochester this year may not happen during jazz fest. Vijay Iyer returns to play a hometown show for the first time in almost a decade with his dynamite trio, with Linda May Han Oh on bass and Jeremy Dutton replacing Iyer’s usual drummer Tyshawn Sorey. But no matter, this is going to be a stunning set of piano trio in the stunning confines of Kilbourn Hall.
Tickets range from $32 to $45 and the show will start at 7:30pm.
In the just a singer with a guitar category of folk music, you can’t really do much better than Jake Xerxes Fussell. This Georgian plumbs the depths of traditional folk and blues music and puts his own magical spin on everything he plays. From Philadelphia, stellar songwriter Rosali will open with a special solo set of her own that should make this one hell of an evening at the old saloon.
Tickets are $20 and the music gets started at 7:30pm.
Lukas Nelson, if you didn’t know, is the son of country legend Willie Nelson, who he of course has played with. He and the Promise of the Real were tapped to be Neil Young’s backing band and he also has sung with Lady Gaga. So yeah, pretty good creds. But Lukas Nelson and the Promise of the Real don’t need to impress you with lineage, these guys are carving out their own legendary path.
Global rock superstars Green Day have announced they are going on a massive 2024 global stadium tour. The Saviors Tour will make a stop at Citi Field in NYC on Monday, August 5, 2024, with The Smashing Pumpkins, Rancid, and The Linda Lindas as special guests.
Formed in 1986 in Berkeley, CA, Green Day is one of the world’s best-selling bands of all time, with more than 75 million records sold worldwide and ten billion cumulative audio/visual streams. Consisting of Billie Joe Armstrong, Mike Dirnt, and Tré Cool, the five-time Grammy Award-winning Rock and Roll Hall of Fame inductees released their breakout album Dookie in 1994, which sold over ten million and achieved 10x Platinum Diamond status. It is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of #1 hit singles.
In 2004, Green Day released the rock opera album American Idiot, selling more than eight million copies in the U.S. alone and taking home the Grammy Award for Best Rock Album. In 2010, a stage adaptation of American Idiot debuted on Broadway to critical and commercial acclaim. Released in 2020, Green Day’s thirteenth studio album Father Of All…debuted at #1 on Billboard’s Album Sales Chart and #1 in both the U.K. and Australia. In July 2021, Green Day embarked on The Hella Mega Tour with Fall Out Boy and Weezer.
Green Day, photo by Emmie America.
Recently, the band announced the release of their highly anticipated 14th studio album, Saviors, coming January 19, 2024, along with a new single, “The American Dream Is Killing Me.” “We’ve never been more excited to unleash new music than with Saviors, a record that’s meant to be rocked live, together. So let’s thrash. We’ve got some amazing friends who are coming along for the ride!” Green Day said.
The tour will be larger-than-life, celebrating 30 years of Dookie and 20 of American Idiot. Each a cultural phenomenon in its own right, these albums have remained at the forefront of punk culture since their release. With blazing guitars and electrifying vocals, Green Day is ready to bring their mind-blowing collection of hits to stadiums across the country, along with additions from Saviors.
Green Day began dropping hints about the album at a surprise show at Las Vegas’ Fremont Country Club, surrounded by a crowd of 800 fans. Also making an appearance at the When We Were Young festival, the band debuted two killer new tracks: the first single “The American Dream Is Killing Me” and the brand new “Look Ma, No Brains!,” out now.
Tickets go on sale starting with a Citi presale on Nov. 7. Fans can sign up for Green Day’s mailing list by that day to get first access to presale tickets. The general on-sale begins Nov. 10 at 10 a.m.
THE SAVIORS NORTH AMERICAN TOUR DATES:
With support from The Smashing Pumpkins, Rancid, and The Linda Lindas
Mon Jul 29 – Washington, DC – Nationals Park
Thu Aug 01 – Toronto, ON – Rogers Centre
Sat Aug 03 – Montreal, QC – Osheaga Music and Arts Festival*
Mon Aug 05 – New York, NY – Citi Field
Wed Aug 07 – Boston, MA – Fenway Park
Fri Aug 09 – Philadelphia, PA – Citizens Bank Park
Sat Aug 10 – Hershey, PA – Hersheypark Stadium
Tue Aug 13 – Chicago, IL – Wrigley Field
Thu Aug 15 – St. Louis, MO – Hollywood Casino Amphitheatre !
Sat Aug 17 – Minneapolis, MN – Target Field
Tue Aug 20 – Kansas City, KS – Azura Amphitheatre !
Thu Aug 22 – Cincinnati, OH – Great American Ballpark
Sat Aug 24 – Milwaukee, WI – American Family Field
On Thursday, October 26, Blues Traveler descended upon The Capitol Theatre in Port Chester.
The band opened with a raucous crowd favorite “Run Around” and from there they had the crowd eating out of their hands with a show filled with sing-alongs and extended jams.
Blues Traveler, no strangers to The Cap, seemed to feel right at home and the crowd that came for a good time were rewarded on this night.
Blues Traveler – The Capitol Theatre, Port Chester, NY – Thursday, October 26
Setlist: Run-Around, The Wolf is Bumpin, Dropping Some NYC, Groove Me, But Anyway, The Wayward Rambler w/ Jono Manson, Stand, Funky Bitch, The Devil Went Down to Georgia*, Ode to the Aspect, Carolina Blues, Hook, The Mountains Win Again
As the doors of Brooklyn Steel swung open on a crisp, autumn evening, fans of San Holo streamed into the venue, eager to immerse themselves in an evening of music and visuals that would take them on an existential journey. San Holo, the Dutch DJ and producer known for his distinctive blend of emotional, existential music, was about to captivate the audience with an electrifying performance.
Images captured by @adrian_hernandezz on instagram
The concert began with a sense of anticipation, which only intensified as the venue plunged into darkness. The crowd’s murmurs turned into roars of excitement as the moment we had all been waiting for arrived. A massive curtain, suspended above the stage, dropped dramatically to the ground. It was a jaw-dropping moment that marked the beginning of this sonic and visual odyssey.
Colorful lasers pierced through the blackness. These lasers danced and swirled above the crowd, setting the stage for an otherworldly experience. The visuals were nothing short of breathtaking, and they would play a pivotal role throughout the night.
As the audience was spellbound by the mesmerizing light show, San Holo opened with the classic track “Lift me from the Ground,” immediately sending waves of nostalgia through the crowd. The existential soundscapes that define San Holo’s music began to envelop the room, and the audience was entranced. The ethereal, guitar-driven melodies intertwined with his signature glitchy beats, creating an emotional resonance that was tangible.
San Holo’s connection with the audience was palpable as he swayed to the music, pouring his heart into every chord and beat. His energy was infectious, and it didn’t take long for the crowd to become a unified, pulsating mass of fans, all lost in the music and the moment.
But this was not merely a trip down memory lane. San Holo was on a mission to showcase his latest album, “EXISTENTIAL DANCE MUSIC,” and the audience was more than ready. Tracks like “DON’T LOOK DOWN” and “ENERGY” pushed the boundaries of his signature sound. The bass was deeper, the drops more intense, and the audience responded with an electrifying surge of energy.
The visuals accompanying these tracks were a sight to behold. Colors and shapes exploded on the screens, perfectly synced with the music, creating an immersive experience that left the crowd in awe. The existential themes of the album were brought to life through the interplay of light and sound, making us question the very essence of our existence in this dance music universe.
As the night drew to a close, San Holo returned to some classic tracks, including “Light” which had the crowd swaying and singing along with heartfelt emotion. It was the perfect ending to a night filled with introspection, energy, and incredible music.
San Holo’s concert at Brooklyn Steel was more than a show; it was an existential experience. The fusion of his timeless tracks and the visually stunning performance left an indelible mark on everyone in attendance. As the crowd spilled out into the Brooklyn night, the shared experience of San Holo’s music and visuals created a sense of connection, reminding us all that, in the midst of life’s complexities, there’s always room to dance and lose ourselves in the beauty of existence.
Get ready for an exciting jazz season as the highly anticipated Art of Jazz series returns to the newly transformed Buffalo AKG Art Museum for the 2023–2024 season. This season promises to be a remarkable journey, featuring a phenomenal lineup of emerging talents and legendary jazz icons.
What sets this season apart is the unique concept of bringing studio mastery to the live stage. For over two decades, the Art of Jazz series has been a beacon of excellence in North America, and now, it makes its triumphant return to Buffalo AKG.
The Art of Jazz series showcases captivating musical projects presented by Grammy® Award winners, nominees, and some of the most skilled artists, composers, and arrangers in jazz. The goal? To capture the essence of studio perfection and bring it to the live stage. In the upcoming season, the series will spotlight four remarkable “art of the project” concepts, promising unforgettable and distinctive experiences for jazz enthusiasts and music lovers alike.
Let’s take a closer look at these four exceptional projects:
Gary Smulyan, “Tadd’s All, Folks” featuring Anaïs Reno (November 10, 2023)
The season kicks off with a fresh and captivating approach to the timeless music of legendary jazz composer Tadd Dameron. The extraordinary quintet, featuring Gary Smulyan, explores Dameron’s compositions through mesmerizing vocal performances. Anaïs Reno takes the spotlight, delivering each song’s emotional depth and nuance. The project offers a unique perspective on Dameron’s modern musical language, showcasing his compositions’ enduring power.
Diego Rivera Quintet, “Bridges” (February 4, 2024)
Embark on a musical journey celebrating multicultural influences and the blending of Mexican roots with the jazz world. Led by internationally acclaimed saxophonist Diego Rivera, the quintet transcends borders and genres, creating a harmonious fusion of Latin America’s traditional rhythms and jazz improvisation. The performance promises to transport you to a world where cultural boundaries dissolve, and the universal language of music reigns supreme.
Dan Wilson, “Things Eternal” (March 10, 2024)
Guitarist/composer Dan Wilson takes the stage with his awe-inspiring project, “Things Eternal.” The project pays tribute to the unwavering spirit of humanity through heartfelt dedications and masterful reinterpretations of iconic songs. Wilson’s profound understanding of Brazilian music shines through as he seamlessly blends Brazilian composers’ influence with his creative genius. The concert promises an unforgettable experience filled with soul-stirring melodies and impeccable musicianship.
Rodney Whitaker—”Oasis: The Music of Gregg Hill” (April 12, 2024)
Prepare to be captivated by multiple Grammy® Award-nominated bassist, Rodney Whitaker and his quintet, as they present the music of jazz composer Gregg Hill. This ensemble, featuring Terell Stafford, Tim Warfield, Bruce Barth, Dana Hall, and Rockelle Fortin, grooves to infectious melodies that pay homage to the beloved hard bop era. The project showcases the ensemble’s award-winning artistry at the highest level in jazz.
The 2023-2024 Art of Jazz Series promises an exceptional season filled with distinctive projects that celebrate the art of jazz. From the timeless compositions of Tadd Dameron to the multicultural fusion of Diego Rivera, from the heartfelt dedications of Dan Wilson to the infectious grooves of Rodney Whitaker, each concert offers a unique musical experience. Don’t miss the chance to be part of this remarkable journey, and support the return of the Art of Jazz series to the Buffalo AKG. It’s a season that promises to captivate, inspire, and celebrate the beauty of jazz.
Get your season subscription and tickets here to secure your spot at these extraordinary concerts. Whether you’re a jazz enthusiast or simply curious about the power of music to bridge cultures, this season has something special in store for you.
The Bacon Brothers are set to play two upcoming shows in New York, as they continue their fall tour lineup across the country. Brothers Kevin and Michael Bacon banded together in 1995 to form The Bacon Brothers, an official name to the musical pairing that has been around since their childhood.
Having released 11 collections of music since then, the duo is looking ahead to two shows in New York State: November 17 at Albany’s The Egg, and November 18 at Westbury’s The Space.
Photo Credit: Jeff Fasano
The Bacon Brothers titled their first album, Forosoco, after their self-described genre, blending folk, rock, soul, and country influences. Most recently, they released “Philly Thing,” a single dedicated to their hometown of Philadelphia. The song benefitted charities Rock to the Future and Kevin Bacon’s own SixDegrees.org.
NYS Music had the chance to interview The Bacon Brothers ahead of their upcoming NYS shows, talking all things music, family, and upcoming projects.
Cara Denton: You’ve coined your own genre – forosoco. As you began your music careers, did you ever feel limited by genre categories, or was it a natural part of your philosophies to work outside those categories?
Michael Bacon: Forosoco is a non-category. Genre distinctions have been a part of popular culture since the radio was invented. It helps the music business focus on narrow marketing strategies that streamline their business model. The key to success in any endeavor is to find out what is different about yourself and get really good at that.
Kevin Bacon: We just go where the song takes us. Sometimes they feel more folky, rocky, soulful, or country. We’ve always said to ourselves let’s not try to stick to a “sound” let’s have our lack of a sound be our sound.
CD: What artists, instruments, or genres of music have shaped your musical education throughout your lives?
MB: I’ve always had two parallel worlds in art music (cello, oboe) and folk music (banjo, guitar ukulele, etc…). As a composer and songwriter, every day I draw from the unique musical ambiance provided by our parents in the house in which the 6 of us grew up.
KB: Wow so many. Starting with Michael and our sister playing guitars and harmonizing. Motown. British Invasion. TSOP. James and Joni. And on and on. I love drums. I had a drum kit in our basement. And congas. Bongos. Etc.
CD: What does playing a show in New York City look like for you? Any pre-show rituals, sightseeing, or food spots you like to hit?
MB: It’s our hometown and beats flying or driving to distant venues. It’s a ten-minute subway ride to City Winery.
KB: Sightseeing?! I’ve lived in NYC since 1976 so pretty much seen the sights. My favorite slice is Joe’s on Carmine if that helps.
CD: Family is a binding force and an important factor in your musicianship – how does that shape your performances, songwriting, or experience as musicians?
MB: Ours is a family business. Families draw apart when they lack connection. I’m really proud, and I take some credit for my brother’s success in the music business.
KB: Family is everything.
CD: Do you have any practices or hobbies outside of music that you turn to to find inspiration or rejuvenate your creativity?
MB: I enjoy sailboat racing, motorboats and crossword puzzles.
KB: Animals and nature. Being on a horse, riding through the hills.
CD: What’s next for the Bacon Brothers? Any new styles, collaborations, or new developments you’re particularly excited about trying?
MB: I’m hoping one of the new songs catches a wave and a lot of people love it.
KB: Very excited about the new record. Never thought we would make this much music!
An ever-musical family, The Bacon Brothers continue to yield tour dates and new music to come. Their recent EP, Erato, released in July of 2022, with five brand new songs. The title track features a belting chorus, resonant guitar strumming, and catchy lyrics. The duo is touring across the country now, with tickets for their shows in Albany and Westbury now available.
BACON BROTHERS UPCOMING TOUR DATES
Nov 11 – Larchwood, IA – Grand Falls Casino and Golf Resort
The Extreme Music Awards has announced their inaugural event to be held in Albany on January 13, 2024. Created by Mike Valente of Upstate Black N Blue Productions, the Extreme Music Awards are set to bring recognition to the Capital Region’s most extreme artists.
The awards ceremony will feature a house band, performing a full concert experience for attendees at Albany’s Empire Live. In addition, prizes will be raffled off including signed drum heads, guitars, gift certificates, and more.
Mike Valente, also a member of hardcore band Brick by Brick, created the Extreme Music Awards alongside a team consisting of RadioRadioX, Capital Underground, That Fuzzing Rock Show and 518Scene.com. The media groups joined together to celebrate and recognize extreme music throughout New York State and the Capital Region.
Tickets are available now and more updates will be available at extrememusicawards.com, including announcements about presenters and judges at the ceremony.
The titans of American classic rock ZZ TOP and Lynyrd Skynyrd have announced 36 additional appearances of their joint co-headlining tour – The Sharp Dressed Simple Man Tour. The tour is set to stop four times in New York, including Syracuse, Bethel, Wantagh, and Darien Center.
ZZ TOP, known for their beards, hotrod cars, spinning guitars, and that magic keychain, and Lynyrd Skynyrd, known for their critically acclaimed album Pronounced Lĕh-‘nérd ‘Skin-‘nérd, have put their musical talents together for an unforgettable show performing across the United States, now with even more dates, so you have no excuse to miss it.
It was in 1969 Houston when ZZ TOP coalesced from the core of two rival bands, Billy Gibbons’ Moving Sidewalks and Frank Beard and Dusty Hill’s American Blues. ZZ Top‘s 1973 album release, Tres Hombres, catapulted them to national attention with the hit “La Grange,” which is still one of the band’s signature pieces today. Eliminator, their 1983 album was something of a paradigm shift for ZZ TOP.
Their blues roots skew was intact but their high-tech-age trappings were added to the mix that soon found a visual outlet with such tracks as “Sharp Dressed Man” and “Legs” on the nascent MTV. It was one of the record industry’s first albums to have been certified Diamond, far beyond Gold and Platinum, a reflection of sales exceeding ten million units.
As a touring outfit, they have performed before millions of fans over four continents and have been the subject of their own Grammy-nominated documentary titled That Little Ol’ Band From Texas. The band’s line-up of the bearded Gibbons and Hill and Beard, who ironically is clean-shaven, remained intact for more than 50 years. When Dusty temporarily departed the tour in the summer of 2021, Elwood Francis entered the picture accepting the directive from Dusty to be the perfect choice to stand in on the bass guitar and now handles the low-end duties for the band for the present as well as into the future.
The elements that keep ZZ TOP fresh can be summed up in the three words of the band’s internal mantra: “Tone, Taste, and Tenacity.” As genuine roots performers, they have few peers. Their influences are both the originators of the form – Muddy Waters, B.B. King, Jimmy Reed, et al – as well as the British blues rocker Jimi Hendrix who emerged generations before ZZ’s ascendance.
They have sold hundreds of millions of records over the course of their career, have been officially designated as Heroes of The State of Texas, inducted into the Rock and Roll Hall of Fame (by Keith Richards, no less), and have been referenced in countless cartoons and sitcoms. They are true rock icons and, against all odds, they’re really just doing what they’ve always done.
As Lynyrd Skynyrd celebrates the 50 anniversary of the band’s critically acclaimed debut album Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd’, they resonate as deeply with their multi-generational fan base today as when they first emerged out of Jacksonville, Florida in 1973.
Few ensembles have had a deep impact in creating a lifestyle as Skynyrd has. The band travels forward with a primary mission of celebrating a legacy that honors all who have had a resonating contribution to the lives of hundreds of millions of fans globally. Former members Ronnie Van Zant, Gary Rossington, Allen Collins, Steve Gaines, Ed King, Billy Powell, Bob Burns, and Leon Wilkeson alongside others will forever remain significant contributors to this indelible repertoire and the band’s colorful history.
Today, Lynyrd Skynyrd rocks on with a current line-up featuring Johnny Van Zant, Rickey Medlocke, Damon Johnson, Mark “Sparky” Matejka, Michael Cartellone, Keith Christopher, Peter Keys, Carol Chase and Stacy Michelle.
It’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music.
Van Zant
With a catalog of over 60 albums, billions of streams, and tens of millions of records sold, Rock & Roll Hall of Famers Lynyrd Skynyrd remains a cultural icon that appeals to all generations.
The artist pre-sale begins on Tuesday, October 31 at 10 AM, and will be available until 10 PM on Thursday, November 2. The public on-sale begins at 10 AM on Friday, November 3. For tickets, and select VIP packages, visit here.
LYNYRD SKYNYRD & ZZ TOP: THE SHARP-DRESSED SIMPLE MAN TOUR DATES:
3/08 Savannah, GA Enmarket Arena
3/09 Estero, FL Hertz Arena
3/14 Greenville, SC Bon Secours Wellness Arena
3/15 Knoxville, TN Thompson-Boiling Arena at Food City Ctr.
3/16 Columbia, SC Colonial Life Arena
3/22 Bossier City, LA Brookshire Grocery Arena
3/23 Southhaven, MS Landers Center
3/24 Macon, GA Macon Amphitheater
3/28 Lexington, KY Rupp Arena
3/29 Greensboro, NC Greensboro Coliseum
3/30 Charleston, WV Charleston Coliseum
4/04 Biloxi, MS Mississippi Coast Coliseum
4/05 Tallahassee, FL Donald L. Tucker Civic Center
4/06 Huntsville, AL Propst Arena at the Von Braun Center
4/12 Evansville, IN Ford Center
4/13 Moline, IL Vibrant Arena
4/14 Green Bay, WI Resch Center
4/18 North Little Rock, AR Simmons Bank Arena
4/19 Lafayette, LA Cajundome
4/20 Corpus Christi, TX American Bank Center
8/09 Mount Pleasant, MI Soaring Eagle Casino & Resort #
8/15 Syracuse, NY Empower FCU Amphitheater at Lakeview
8/16 Bethel, NY Bethel Woods Center for the Arts
8/17 Mansfield, MA Xfinity Center
8/22 Wantagh, NY Northwell Health at Jones Beach Theater
8/23 Gilford, NH Bank of New Hampshire Pavilion
8/24 Hartford, CT The Xfinity Theatre
9/05 Alpharetta, GA Ameris Bank Amphitheater
9/07 Virginia Beach, VA Veterans United Home Loans Amph. at Virginia Beach
9/08 Bristow, VA Jiffy Lube Live
9/12 Darien Center, NY Darien Lake Amphitheater
9/13 Clarkston, MI Pine Knob Music Theatre
9/14 Noblesville, IN Ruoff Music Center
9/19 Concord, CA Toyota Pavilion at Concord
9/21 Auburn, WA White River Amphitheater
9/22 Ridgefield, WA RV Inn Style Resorts Amphitheater
On Saturday, October 28, at the Broome County Forum Theatre, the Binghamton Philharmonic Orchestra kicked off its 2023-2024 Pops Series with “Phantom of the Philharmonic,” a lively performance of Halloween-themed music from stage, screen, and concert hall. Guest conductor Grant Cooper, resplendent in a Dracula cape, led the orchestra in such hair-raising classics as the theme from Halloween, the Psycho Suite, and “Night on Bald Mountain.”
The Bat Cannon Fires! at Phantom of the Philharmonic
The orchestra reveled in the repertoire, demonstrating their exceptional dynamic range and clearly having fun at the same time. Many in the audience – including lots of kids – were impressively costumed, and showed their appreciation for the expert playing and Maestro Cooper’s engaging dialogue with a standing ovation.
Isis Stungurys, Bailey Dembski, Logan Merril
The Phiharmonic’s concertmaster Uli Speth took a star turn as the violin soloist in the haunting “Danse macabre” of Camille Saint-Saëns, and concert-goers were treated to a range of special effects, from multi-colored smoke to a cannon that released bat-shaped confetti at the climactic moment in Grieg’s “In the Hall of the Mountain King.”
The Binghamton Philharmonic’s Symphonic Series continues on November 18 with Faces of Joy, featuring Philharmonic favorite Andrew Russo as the piano soloist in Beethoven’s “Emperor” Concerto. For more information, visit www.binghamtonphilharmonic.org.
