A week in advance of the release of their new album, Rhode Island folk-rock stalwarts Deer Tick visited Lincoln Hill Farms in Canandaigua. It was a bit of a weird week in Western New York as smoke from Canadian wildfires filled the air, forcing people indoors and into masks once again. The air cleared enough to safely stage the show, and the show would go on.
But still, for Deer Tick, “it was a weird time to be alive,” according to guitarist and singer John McCauley. Not this era, decade, week, or day, but specifically the current time, 7:47pm. A hard curfew of 9pm, ensured the sun would be out for pretty much the whole show. It was an early set for the band more attuned to the late night bar crowd, even if they’ve outgrown their bar band days.
Weird as it was, Deer Tick stuffed their early-evening time with songs spanning their career, from some of their earliest tunes. like “Easy” and “Twenty Miles,” all the way up to their as-yet released material. It all flowed together seamlessly. The old tunes felt as fresh as ever, while the new ones had a well-worn quality like they had been there all along.
The new record, Emotional Contracts, was actually recorded not all that far away, in the similarly named Cassadaga, NY at Tarbox Road Studios. Kinda weird?
In their own weird way, they worked in some tributes to some of the rockers that helped paved their way. “Me and My Man” got a little bit of ZZ Top’s “La Grange” added at the front, which prompted McCauley to suggest they do that for all of their songs. So on the ensuing, “The Bump,” his band mates jokingly obliged with teases of Tom Petty’s “Running Down a Dream,” and The Beatles’ “Day Tripper.” When MCCauley’s monitor needed a battery change, the rest of the band settled into a nice little groove while waiting. This sounded like Santana and Rob Thomas’ hit “Smooth” to McCauley so he of course started singing what he could remember from that. Then on the tail end of “The Dream’s in the Ditch,” McCauley tacked on Santo and Johnny’s “Tear Drop,” with their signature languid slide guitar sound. They weren’t over a more traditional cover either, throwing in a rollicking rendition of Little Feat’s “Rocket in my Pocket” mid-set that featured searing solos from both McCauley and guitarist Ian O’Neill. Even the banter included tributes, with Cheap Trick’s famous line, “This is the first song off our new album!” appropriately introducing the new tune, “If I Try to Leave.”
The latest single, “Once in a Lifetime” was titled like a cover, but it was all original, getting down with Chris Ryan’s groovy bass line. As much fun as the band was having with their little asides, their original material ruled the day, or the early-evening rather. Drummer Dennis Ryan penned the new “Running From Love,” which came to him in a dream. The soul-inflected tune built and built, culminating in a fiery solo from McCauley on his orange guitar, with his matching orange pick, which he also thought was “weird.”
The set closed on “Mange,” tossing the previous 80 minutes together into a rock assault. A long intro set the scene, a grooving bass laid the groundwork, and a big “whoop” set the fuse. Then the band went all in with raging guitars, a big drum solo, and a drifting feedback jam. They put it all out there for a big rock show finish.
But of course there was more. They came back for a two-song encore that pushed right up to that 9pm curfew. The night closed with “the last song on our new album,” the slow oozing rocker “The Real Thing” that surely left everyone in attendance hotly anticipating their first listen to Emotional Contracts.
If you missed out, don’t fret, the band will be back in the area with a show at the Homer Center for the Arts on November 12.
Setlist: Forgiving Ties, If I Try to Leave, Me and My Man, The Bump > Easy, Rocket in My Pocket (Little Feat), If She Could See Me Now, Twenty Miles, Running From Love, Hope is Big > Tripping Up the Stairs (Traditional), Once in a Lifetime, Clownin’ Around, The Dream’s in the Ditch > Tear Drop (Santo & Johnny), Mange
Encore: Jumpstarting, The Real Thing
