Category: Regions

Flashback: Phish pitches Camp Oswego, July 17-18, 1999

In the summer of 1999, amid an extensive tour, Phish held a two-day festival in the small town of Volney, NY at the Oswego County airport. While reliable numbers are not available, somewhere between 15 and 20,000 attended the two day show, arriving a full day early in some cases to enjoy the scene that set up on the tarmac for a mere 60 hours, before the band moved towards the Midwest and the end of the tour a week later.

Phish had played three prior festivals at the end of large tours, but never a festival during a tour. The result were two memorable nights amid the most unbearable heat and humidity, leaving fans with a lasting memory of guests sitting in with Phish and an “Icculus” for the ages. Editors Pete Mason and Tim O’Shea attended Camp Oswego, albeit separately. Below is their look back at Camp Oswego.

Phish Oswego poster by Pete Tschudy

The Ride in and Arrival

Pete Mason: I happened to have no issues with arrival, and managed to avoid nearly all traffic. I was living in Syracuse, taking summer classes at SU, and proceeded to leave the day before the festival starts, on July 16th, a Friday. We left around 4pm and were at the gates by 5pm. Syracuse to Oswego is about 45 minutes, so getting to the festival, without much traffic, was a pretty nice start to the weekend. We camped about one car length in from the tarmac, about a five minute walk to The Green, where there was a wall of payphones and place to leave messages for friends. Ah, the days before cellphones.

This was also the last time I encountered little to no traffic arriving at a Phish show. 13 hours for Big Cypress was a comeuppance in a way, for dealing with no traffic getting to the Oswego and Lemonwheel festivals

Tim O’Shea: The two hour drive started off just fine with all parties wildly throwing out predictions and wishes for the weekend. Beeps and head nods from other like-minded cars on the road were aplenty and increased in frequency the closer we got. Towards the end of the two hour drive, as festival traffic began to pile up and the sun was at its peak, the bus’ engine temperature began to skyrocket. In an effort to prevent it from overheating and making sure we had a ride back on Monday, we actually wound up pushing the bus for the last half hour of our journey through the stop and go traffic with the engine off. What better way to get stretched out for long weekend of music than with some cardio and light weights? It would certainly not be the last time all weekend that heat played a factor.

The Heat

TO: For anyone who attended Camp Oswego, the first words out of their mouth generally have something to do with the ridiculous temperatures that weekend. To say it was a dry and steady heat would be doing it a disservice. Roasting and oven-like are two of the words that initially come to my mind. Shade was at an ultra premium and there were constantly long lines for the few communal water spigots. If you weren’t staying hydrated, you had no chance. In addition to the blazing temperatures, discovering this communal atmosphere and something that was way bigger(and more fun) than just myself really resonated with me since this was all so new at the time.

PM: The heat was unbearable, oppressive and constant. It was humid and well into the 90s. There was no relief either. We had 3 tents among myself, Madison and Dave. No tarp, no EZ-Up, nothing. Not that that would have helped either, but we did find solace in the air conditioned car, only to walk out into the heat moments later. Hydration was key, and led to little drinking of alcohol that weekend. It was just too damn hot to do much of anything but see Phish, just as the sun was getting lower in the sky and started to cool down.

A week later, I attended Woodstock 99. The weather was almost as bad, but the result of patrons who had to deal with the heat was far different. At Oswego, people were misting you as you walked by, offered water to strangers, my friend Madison used a Supersoaker to hose down random passersby, with a reaction of ‘Whoa WTF?!’ followed immediately by ‘Ah, that feels great! Thanks!’ At Woodstock, it was pure hell. Little running water, expensive bottled water ($4 even then was highway robbery) and patrons were not as kind as you would find at Phish. More than a few late 90s bros found their way to the front of the drinking line without waiting, didn’t take care of their neighbors and more or less let the festival community and vibe go to shit. Phish fans took care of one another – that was my big take away from the two weekends, and one that drew me into the Phish community.

Phish Oswego inspired art by Alfred Sohn

Day 1 Music

PM: I honestly recall little of the show on the 17th. Two sets, and all I can definitively remember was Son Seals sit-in, which made me wonder if the other guests at The Green stage were going to sit-in the next night. “Down with Disease” was solid, but I was still somewhat new to Phish and hadn’t yet enjoyed the long jams. Beyond that, I became a fan of “Squirming Coil” in the encore. I blame the heat and adult beverages.

TO: While my memory certainly isn’t pristine as it pertains to all the music that weekend, there are certain moments and images that still resonate strong. I remember baking in the sun (literally) as the first night’s sunset was accompanied by a scintillating Tweezer jam and hearing the first of many, many Character Zeros to end the first set. I remember legendary bluesman Son Seals gracing the stage in the second set for ‘Funky Bitch’ and being amazed at how well he was able to manage that Phish song.

Phish Oswego sticker

Day 2 Music

TO: I remember being delighted at the Del McCoury sit-in the following day and feeling a real strange sense of pride as I danced along to ‘The Meatstick’ in the Guinness Book of World Records attempt that was in vain. And above all else, I remember a mind bending ‘Piper’ in the third and final Sunday set that I still consider one of the best ever played which seemed to seal the proverbial deal for me. Throw in a hilarious ‘Smoke on the Water’ jam/banter and the ever whimsical ‘Icculus’, and you’ve got a set for the ages.

PM: I could write a book on the music from Sunday, but I’ll keep it short. Set 1 was pretty solid, with the sun setting and a ‘Punch’ opener. I was still a noob back then, so “Farmhouse, Water in the Sky, Bathtub Gin” were all familiar and made me happy. I was far more focused and rested than the night before, and recall a great deal of the show to this day. When Del McCoury and sons came on stage, I smiled because I sort of predicted that, heard a bunch of bluegrass songs, which I credit to my initial interest in bluegrass music, and a sweet ‘Reba’ that was a highlight of the set for me.

Second set was fun because “Runaway Jim > Free” meant more music I knew, then finally, this ‘Meatstick” song that I had heard about, which had a dance. Complicated music interests me, and dancing to such music was just feeding the addiction. I danced around with what I thought was the Meatstick dance and loved every second. The rest of the set I was just smiling like I never had before.

Third set, which I had no idea was happening – I thought second set was it – started out with more music I knew, “My Soul > Piper”, the latter of which went on for a while, and had the slow start. “Prince Caspian” was kinda cool to me back then, and then shit got weird. “Wilson > Catapult > Smoke on the Water > Icculus” and “Quinn the Eskimo” were pretty mindblowing, for the banter alone. Whatever was going on onstage, I wanted more of. Fluffhead finale and Hood encore as we walked back to the car, beating all traffic, I was in my apartment by 2am, learning of David Cone’s perfect game earlier that day.

Takeaways from the Festival

PM: Oswego was simply the best Phish festival experience I have had, after Big Cypress of course. It was the right time and place for me, right mindset, friends, and music, all in one place. I go back there every so often and find that same giant smile, every time.

TO: 111 shows later, I guess you can say I took a shining to this band and all they can deliver. But for me, Oswego will always hold a special place in my heart not only because it was my first Phish festival in my first string of shows, but because it was my first large scale festival of any kind which opened my eyes to a whole new way of experiencing music. After Camp Oswego, I knew what I wanted to do every summer for the rest of my life. And how to do it in frying pan-like conditions.

Download both nights of Oswego here (July 17/July 18) – recording by Lenny Stubbe

Watch the fan documentary ‘A Trip to Oswego’

July 17, 2023
Weezer’s Indie Rock Road Trip Makes Pit Stop At Forest Hills Stadium

The West Side Tennis Club welcomed Weezer to Forest Hills in Queens with open arms this past Thursday night (July 13) for the SoCal quartet’s 22^nd stop on a 30-date “Indie Rock Road Trip” summer tour that launched in Huntsville, Alabama on June 4. Dubbed the Indie Rock Road Trip, Weezer’s tour is divided into three legs, the first of which saw them link up with indie rockers Modest Mouse and Momma. Future Islands and Joyce Manor took over support duties for Rivers Cuomo and Co. at the Columbia, Maryland gig back on June 23, and tonight’s show marked the magical end to the tour’s second leg.

Rivers Cuomo of Weezer | Photo: Michael Dinger

One of NYC’s best concert venues – indoors or out – Forest Hills Stadium has a rich, storied history that is celebrating 100 years this season. Originally designed in the 1920s as the home of the U.S. Open tennis tournament, the Romanesque stadium and its grounds hosted 60 editions of the major tournament before it moved to its current home in Flushing Meadows in 1978. In the 1960s, the tennis club began booking concerts and attracted some of the most culturally significant artists of our generation – The Beatles, Jimi Hendrix, Frank Sinatra, Barbra Streisand, The Rolling Stones and Bob Dylan, to name just a few.

However, by 2011, the 14,000-capacity facility had fallen into a “crumbling ruin.” After narrowly escaping demolition, the stadium re-opened on August 28, 2013 with Mumford & Sons performing the inaugural concert (my wife and I were there!). Although the music that night was fantastic, the overall experience, not so much. But over the next four years, Forest Hills Stadium underwent multi-million dollar state-of-the-art renovations including optimized acoustics, patching up concrete exterior walls, old seats were removed and replaced, a permanent stage was installed, the concourse was redesigned and expanded to twice its original size, the General Admission central tennis courts were replaced and easier access to concessions and restrooms was provided, finally!

Scoreboard Marquee | Photo: Michael Dinger

Arriving early to guarantee a painless parking experience (parking is limited in the surrounding area), I also wanted to explore the stadium and its grounds ahead of the first opening act. After securing my media credential at the box office, I proceeded through the main entrance where I was greeted with a plethora of things to do, along with welcoming staff at every turn. Although the craft beer huts and local food eateries were tempting, I opted to walk the periphery of the cherished coliseum to discover for myself what had changed since my last visit nearly a decade ago. The answer, a lot!

A history buff, I was pleasantly surprised to see banners, plaques and artwork depicting the images of past rock iconswho played here. As I made my way to the bands’ merch table, I came upon a WFUV kiosk – a non-commercial radio station owned by Fordham University and an affiliate of National Public Radio (NPR) who presents Forest Hills Stadium’s live broadcasts – offering patrons free goodies such as stickers and beverage Koozies. An avid fan of all sports, it was also thrilling to witness the hanging banners of by gone tennis legends including Stan Smith, Althea Gibson, René Lacoste, Billie Jean King, Rod Laver and Arthur Ashe.

An hour after doors, Joyce Manor took the stage promptly at 6:00 pm. Despite the sweltering, 90-degree heat, the band formed in 2008 and hailing from Torrance, California did not seem to mind very much, if at all. Named after an apartment building that co-founder Barry Johnson would often pass by on his walks, as Joyce Manor’s pop-punk sound has evolved, their feverish fanbase has grown right alongside them.

Barry Johnson of Joyce Manor | Photo: Michael Dinger

Over the course of 30 minutes, the trio of Johnson (singer-songwriter, guitar), co-founder Chase Knobbe (guitar) and Matt Ebert (bass), who were also joined by touring musicians Neil Bertheir (acoustic guitar, synthesizer) and Neil Hennessy (drums), performed songs with inspiration drawn from emo acts like Weezer themselves. The band of thirtysomethings offered up tracks spanning four of their six studio albums, with the heaviest dose coming from 2014’s Never Hungover Again.

The showstopper, however, which incited a mosh pit (albeit short-lived) near stage left half-way through their pummeling set, was ripped from their sixth and most recent album 40 Oz. to Fresno (Epitaph Records) released in June of last year. Titled “NBTSA,” short for Never Be The Same Again, the number perfectly exemplified Joyce Manor’s signature blend of melodic guitar leads, rock-solid bass and driving drums in a no-filler, concise package.

In keeping with the strict, mandated curfew of 10:00 pm due to the stadium’s location within a residential neighborhood, the party kept rolling along in a timely fashion. At 6:55 pm, next up were Future Islands, a synth-driven pop band based in Baltimore, Maryland. Formed in 2006 and fronted by Samuel T. Herring, the quartet is rounded out by Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars) and Michael Lowry (drums).

Future Islands | Photo: Michael Dinger

Ahead of tonight, I knew very little about Future Islands, other than their live performance of “Seasons (Waiting on You)” on the Late Show with David Letterman, the lead single from their fourth studio album (Singles, 2014), became the television show’s most-viewed video on their YouTube page. But after tonight, which included witnessing firsthand a live performance of the same song, I knew much, much more.

Backed by a supremely talented band, I was most blown away by Herring and his stage persona. Despite the heat, he was dressed head-to-toe in black, and it did not take long for him to become drenched in his own sweat. Once Future Island’s first song of the night kicked in, “For Sure” from 2020’s As Long as You Are, Herring feverishly jumped, kicked, spun and fist pumped his way from one end of the stage to the other, repeatedly, and for all 13 songs in the emotionally thrilling set. When Herring finally stopped to catch his breath, he engaged directly with the audience members, staring intently while continuing to gesture with his arms and hands in continual flowing motions. I would later learn that Future Islands was originally meant to be a performance art piece, which completely makes sense to me now.

Herring’s vocal delivery is also something of a marvel. Despite being diagnosed with Reinke’s edema (vocal cord swelling) nearly 10 years ago, his delivery is striking and distinct. Along with an extensive background in hip-hop and rapping that began as a teenager, a solo act that he engages in via the moniker Hemlock Ernst, it is also not uncommon for a loud, stadium-shaking growl to be thrown into his vocal recipe.

Weezer Fans | Photo: Michael Dinger

With the time approaching 8:30 pm, the stage roadies were putting the final touches on the stage, most of which was being performed behind the gigantic opaque curtain swallowing the stage ahead of the big reveal. Making my way back into the pit with my fellow photographers for the third time, Toto’s “Africa” came across the stadium’s PA system. If you are not an avid fan of Weezer, you might ask “Where’s the connection?” Long story short, back in 2018, the two bands released reciprocal covers of each other’s hits, with Weezer covering the perennial 1982 classic and Toto covering “Hash Pipe” from 2001’s The Green Album. Then suddenly, the curtain dropped and it was time to hit the road!

Brian Bell of Weezer | Photo: Michael Dinger

One by one, our lovable, geeky power-pop kingpins entered stage left. Brian Bell (rhythm guitar, keyboards) led the charge, followed closely by Cuomo who was sporting his staple Buddy Holly-esque retro specs. Bringing up the rear were Scott Shriner (bass) and Patrick Wilson (drums), the latter taking to his stool atop an elevated riser. The Los Angeles foursome played in front of an impressive and clever set design built to resemble a stage-sized car dashboard, complete with a steering wheel emblazoned with a Weezer logo, a radio with a tuner and a volume knob. And if that wasn’t cool enough on its own, video graphics were displayed across the massive windshield and a rearview mirror.

Rivers Cuomo of Weezer | Photo: Michael Dinger

The nostalgia shifted into high gear with the adrenaline inducing “My Name is Jonas” from 1994’s The Blue Album. A smooth segue transported the stadium to “Beverly Hills” (Make Believe, 2005), with Cuomo substituting the song’s closing lyrics with an homage to the neighborhood of “Forest Hills.” There was also a special guest appearance for two songs from 1996’s Pinkerton – “El Scorcho” and “I Just Threw Out the Love of My Dreams” – as the indie rock solo project of singer-songwriter Lindsey Jordan (better known as Snail Mail) joined Cuomo atop the dashboard.

Scott Shriner of Weezer | Photo: Michael Dinger

For a show that could have lasted hours longer with all the career-spanning material that Weezer has to offer – a three decade discography comprising 15 studio albums, and as per Cuomo during his introduction to “Falling for You,” 672 songs! – they did a wonderful job of gifting their fans the classics (“Undone – The Sweater Song,” “Island in the Sun,” “Say It Ain’t So,” “Hash Pipe” and “Surf Wax America”), deeper cuts outside of their studio catalog (“Susanne” and “Blast Off!”) and newer material (“All My Favorite Songs”), including a couple of tracks from two of their four seasonal inspired EPs released in 2022, “Thank You and Good Night” from SZNZ: Summer and “Run, Raven, Run” from SZNZ: Autumn.

Patrick Wilson of Weezer | Photo: Michael Dinger

The festive evening closed with a three-song encore capped by fan favorite “Buddy Holly.” With Cuomo perched at the edge of the stage apron, he soaked in the applause raining down on him from the sold-out house engulfing him on all sides. After several moments, before the band took their final bow, he ripped off his shirt and hurled it into the front rows before throwing down the signature “W” hand sign. And with that, we had all been officially Weezer’d, and better for it. Now it was time to take it easy brah.

Up next for Weezer is a trek to Naeba, Japan for Fuji Rock on July 30, followed by shows in Osaka and Tokyo on August 1 and 2, respectively. Then, it’s on to West Vancouver, Canada for the Ambleside Music Festival on August 19. The next night, August 20, the third leg of the Indie Rock Road Trip resumes in Auburn, Washington where the boys will be accompanied by Spoon and White Reaper as opening support.

Forest Hills Stadium | Photo: Michael Dinger

The 2023 summer tour culminates at PETCO Park in San Diego, California on September 3, at which time the band will take a much needed rest to refill their collective gas tank. And in case you missed the Forest Hills Stadium show, or just cannot get enough of these darling alt-rockers, Weezer will be traveling back to the tri-state area for an appearance at the Sea.Hear.Now Festival in Asbury Park, New Jersey on September 17.

Joyce Manor Setlist: Heart Tattoo > Beach Community > Gotta Let It Go > Ashtray Petting Zoo > Don’t Try > Schley > Falling in Love Again > NBTSA > Big Lie > Victoria > Constant Headache > Christmas Card > Catalina Fight Song

Future Islands Setlist: For Sure > Hit the Coast > Plastic Beach > Peach > Walking Through That Door > Light House > A Dream of You and Me > Before the Bridge > Long Flight > King of Sweden > Seasons (Waiting on You) > Vireo’s Eye > Little Dreamer

Weezer Setlist: My Name Is Jonas > Beverly Hills > Return to Ithaka > The Good Life > Pork and Beans > Pink Triangle > El Scorcho > I Just Threw Out the Love of My Dreams > Blast Off! > Undone – The Sweater Song > Falling for You > Susanne > Only in Dreams > The Greatest Man That Ever Lived (Variations on a Shaker Hymn) > Island in the Sun > Perfect Situation > All My Favorite Songs > Say It Ain’t So > Run, Raven, Run > Hash Pipe > Thank You and Good Night > Encore: The Waste Land > Surf Wax America > Buddy Holly

JOYCE MANOR

FUTURE ISLANDS

WEEZER

FOREST HILLS STADIUM

July 17, 2023
Binghamton’s Concerts In Every Corner To Feature The Empire Saxophone Quartet
The Binghamton Philharmonic is set to kick off its free summer concert series, Concerts in Every Corner with four beautiful and unique performances by the Empire Saxophone Quartet. The series will begin on July 20th at 11:20 AM with performances by the quartet stretching into the 21st.

The Binghamton Philharmonic is no stranger to introducing their community to rich and tasteful music as the group presents an annual series of classical, pops, and chamber music concerts in Downtown Binghamton and throughout Broome County. Concerts in Every Corner will feature the Quartet in four locations throughout the city including the Ross Park Zoo, Columbus Park, Cheri A. Lindsey Memorial Park, and Fairview Park.

Bringing home the Empire Saxophone Quartet is quite the treat for the orchestra as the chamber music ensemble has a repertoire that includes classics from the Renaissance Era through the 21st century as well as pop, jazz, and ragtime selections. Their diverse musical abilities and delightful performances have astonished audiences for years and Binghamton should be prepared for nothing less. The quartet was originally founded by April Lucas who is now joined by saxophonists Daniel Miller, Crystal Fisher, and Nicole Mushalla.

The concerts will be a family-friendly mix of jazz, pops, and contemporary classics suited and welcome to all ages, so come and celebrate the summer through the sweet sounds of music.

Concerts in Every Corner

July 20, 2023:
- 11:20am: Ross Park Zoo, 60 Morgan Road, Binghamton
- 12:30pm: Columbus Park, 26 Columbus Park East, Binghamton
July 21, 2023:
- 11:20am: Cheri A. Lindsey Memorial Park, 1 Truesdell Street, Binghamton
- 12:30pm: Fairview Park, 58 Fairview Avenue, Binghamton
July 17, 2023
The Brooklyn Mirage Hosts Zamna Festival

The upcoming Zamna Festival on Saturday, August 5th at The Brooklyn Mirage is where the jungle meets lasers, and raves meet paradise. A one-of-a-kind outdoor venue in East Williamsburg, The Brooklyn Mirage will be transformed into an immersive experience, Zamna’s signature oasis of electronic music, art, and culture.

Since its beginnings in 2017, Zamna Festival has since become an epicenter of electronic music. What EDM.com called “Tulum’s premier dance music experience,” Zamna draws tens of thousands of attendees from more than 110 countries around the world every year. Now, Zamna will debut their bears for their very first New York City, bringing the spirit of Tulum to Brooklyn with a complete venue takeover of The Brooklyn Mirage.

Performers include Calussa, GHEIST, Giolo & Assia, Henri Bergmann, Magit Cacoon, Massano, Øostil, Recondite, Stephan Jolk, TACHES, The Element, and Toto Chiavetta.

The Brooklyn Mirage prominently boasts a state-of-the-art KV2 sound system in addition to stellar three-dimensional video projection mapping technology. Part of the Avant Gardner complex, the multifaceted events space was nominated for ‘Best Club’ in the 2019 International Dance Music Awards. Forbes says “World-renowned venue The Brooklyn Mirage delivers some of the world’s hottest talent such as Kaskade, Zedd, Alesso, Charlotte de Witte, Dillon Francis, Tae of Us, Adam Beyer, Excision and Fisher.”

For tickets and more information, visit the Zamna Festival website.

July 16, 2023
Your Guide to Phish Pre-Shows and After-Parties during the upcoming 7-night MSG Run

As the Phish Summer Tour nears its seven-night run at Madison Square Garden (MSG) in NYC from July 28 to August 5, pre-shows and after-parties have been announced orbiting around Phish’s showings at MSG. Many of these events are being held by Creative Entertainment Group (CEG) with two additional events by PhanArt.

July 28

The six-piece rock band Kendall Street Company will be playing live at the Cutting Room at 11:55 p.m., with a $25 fee and an age limit of 21 and over. The band is based out of Charlottesville, VA, and incorporates elements of jazz, folk, bluegrass, and funk in their songs. Tickets and more information can be found here.

July 29

July 29 will feature one of two shows by PhanArt as a part of its Summer in the City event at Hill Country Barbecue. With music be Sweeping Views, PhanArt will include artists and vendors from across the jam scene and country selling wares made by the fans, for the fans. Admission is free, with doors opening at 1:00 p.m.. More information can be found on PhanArt’s website.

Also at Hill Country is the free after-party with One Time Weekend, an “innovative shred-funk” quartet out of Connecticut. Known for high-energy live shows, “We Grove – You Move” is the mantra of One Time Weekend. Doors open at 11:00 p.m., with the show starting at 12:00 a.m.. More information can be found here.

At the Cutting Room will be Duane Betts and Palmetto Motel, a guitarist and singer-songwriter from Sarasota, FL. Playing alongside Dickey Betts, his father, in his band the Great Southern, Betts would later act as one of the founders for the Allman Betts Band. Doors open at 11:30 p.m. and the show starts at 12:30 a.m.. More information can be found here.

July 30

Pre-Phish at the Cutting Room will be the 50th Anniversary of Watkins Glen Summer Jam. With 600,000 in attendance, the original Watkins Glen Summer Jam in 1973 won the Guinness Book of World Records entry for “Largest audience at a pop festival.”

The 50th Anniversary Event will feature the music of The Grateful Dead, The Allman Brothers Band and The Band through The Allmost Brothers Band, ALEO productions performance of The Band, and Near Dead Experience. Doors open at 1:00 p.m., the show starts at 2:00 p.m., and more information can be found here.

A Phish After-Party Elton Jawn: Philly Phunk x Elton Dance Party will be held at Hill Country Barbecue. The Knotty G’s will be joined by Felix Pastorius, Neal “Fro” Evans of Dopapod, and Jeremy Kaplan of Dogs in a Pile. Doors open at 11:30 p.m., the show begins at 12:30 a.m., and tickets are $15. More information can be found here.

At the Cutting Room will be Space Bacon, with doors opening at 11:30 p.m. and the show starting at 12:30 a.m.. Tickets are $18. More information can be found here.

August 1

Grateful Dead tribute band Stella Blue’s Band will be holding two shows on Aug. 1, with the latter being a Phish after-party. Both are being held at the Cutting Room. Committed to recreating the authentic experience of being at a Grateful Dead show, they are based in the Tri-State area. The show is for all ages, with doors opening at 11:30 p.m. and the show starting at 11:59 p.m.. It is an all-ages show with $25 tickets. More information can be found here.

Art Thief & LINKS will be holding their After-Party at Hill Country Barbecue. Art Thief is a science fiction rock band from New Paltz, and LINKS is a 10-piece electrofunk futureband from Brooklyn. Tickets are $18 with doors opening at 11:00 p.m. and the show starting at 12:00 a.m.. More information can be found here.

August 2

At the Cutting Room will be LaMP, a band from Burlington, VT. Combining the talents of Russ Lawton, Scott Metzger and Ray Paczkowski, the trio has played together since 2018. Doors will open at 11:30 p.m. and the show will begin at 12:30 a.m.. Tickets are $25. More information can be found here.

Also that night, the Phish After-Party featuring Dizgo will be held at Hill Country Barbecue. It will feature the music of Talking Heads, Gorillaz & Dizgo. Doors open at 11:00 p.m., the show begins at 12:00 a.m., and tickets are $15. More information can be found here.

August 3

Since Phish isn’t playing this evening, why not check out an up and coming band you might not otherwise get a chance to see? Mercury Lounge will host Hilltop on August 3rd, with the Albany-based band bringing Thursday night funk and jams to those looking to keep boogieing down in between Phish shows. Joining Hilltop at Mercury Lounge will be Whaley + Ernie & The Band opening the night. Tickets available here.

August 4

Perpetual Groove, a rock band from Savannah, GA, will be playing at the Cutting Room. Doors will open at 11:30 p.m. and the show will begin at 12:30 a.m.. Tickets are $25 for the event, and are available here.

Also on this day is Lava Party, a pre-show event from 4:20-6:20 p.m. Admission is free with great food and beer selections.

August 5

PhanArt’s second show of the MSG run will take place on Aug. 5, also at Hill Country Barbecue. Different vendors and artists will be present, with Sweeping Views spinning live for this event as well.

Admission is still free, with doors also opening at 1:00 p.m. for the Aug. 5 show. More information can be found on PhanArt’s website.

Later that night at the Cutting Room, the improv rockers Eggy will be playing. The band is comprised of guitarist and vocalist Jake Brownstein, keyboardist Dani Battat, bassist Michael Goodman and drummer Alex Bailey. Doors will open at 11:30 p.m. and the show will begin at 12:30 a.m.. Tickets are $20, available here alongside more information.

Cutting Room is located at 44 East 32nd Street between Madison & Park Avenues. It is a five minute walk from MSG. Hill Country, meanwhile, is located at 30 W 26th St between 5th and 6th Avenues. It is also a five minute walk from MSG.

And don’t miss the Phish Flood Benefit Relief Shows at SPAC on August 25+26!

July 16, 2023
Porno for Pyros to Visit Manhattan and Port Chester on Horns, Thorns en Halos Tour

Porno for Pyros has announced their Horns, Thorns en Halos tour, which will feature stops in Manhattan and Port Chester. This tour marks 30 years since the release of Porno for Pyros, and is the first tour for the band in 25 years.

Credit: Andi K. Taylor

Porno for Pyros was originally founded in 1992 by members of Jane’s Addiction, vocalist Perry Farrell and drummer Stephen Perkins, as well as vocalist and guitarist Peter DiStefano and bassist Martyn LeNoble. The band went on hiatus in 1998 after releasing Porno for Pyros in 1993 and Good God’s Urge in 1996.

The original members reunified in 2022, performing at a sold-out show in Los Angeles, CA. Following this, the Porn for Pyros has performed at Rockville, the Chicago Metro, and Lollapalooza. They have also been working on new material that they expect to release sometime this year.

Upcoming Tour Dates

Oct. 8 – Hard Rock Live Sacramento – Wheatland, CA

Oct. 10 – The Masonic – San Francisco, CA

Oct. 13 – The Wiltern – Los Angeles, CA

Oct. 15 – The House of Blues Las Vegas – Las Vegas, NV

Oct. 17 – The Union – Salt Lake City, UT

Oct. 19 – Fillmore Auditorium – Denver, CO

Oct. 21 – Steelhouse Omaha – Omaha, NE

Oct. 23 – The Sylvee – Madison, WI

Oct. 24 – Byline Bank Aragon Ballroom – Chicago, IL

Oct. 27 – The Fillmore Detroit – Detroit, MI

Oct. 29 – The Capitol Theatre – Port Chester, NY

Oct. 30 – MGM Music Hall at Fenway – Boston, MA

Nov. 1 – Manhattan Center Hammerstein Ballroom – New York, NY

Nov. 3 – Parx Casino and Racing – Bensalem, PA

Nov. 5 – The Fillmore Silver Spring – Silver Spring, MD

Nov. 7 – The Fillmore Charlotte – Charlotte, NC

Nov. 8 – Tabernacle – Atlanta, GA

Nov. 15 – Ryman Auditorium – Nashville, TN

Nov. 17 – Fillmore New Orleans – New Orleans, LA

Nov. 19 – House of Blues Dallas – Dallas, TX

Nov. 20 – Stubb’s Waller Creek Ampitheater – Austin, TX

Presale began July 12, with general sale beginning on Friday, July 14 at 10:00 a.m.. Tickets can be found on LiveNation.com.

July 16, 2023
Great South Bay Music Festival Returns in 2023 with an Unforgettable Lineup

The Great South Bay Music Festival 2023, one of the most highly anticipated events of the summer, is set to make a triumphant return this year after facing numerous challenges due to the COVID-19 pandemic. The festival begins on Thursday, July 20 and runs through Sunday, July 23rd.

As Long Islanders emerge from quarantine and yearn for the joy of live music, this family-friendly festival promises to deliver an unforgettable experience for music enthusiasts of all ages. I had the pleasure of speaking with James Faith, the festival’s producer, about the festival’s journey and what attendees can expect this time around on The Long Island Sound Podcast

The Great South Bay Music Festival, held in the picturesque Patchogue, Long Island, has always been a celebration of local talent alongside renowned artists from various genres. What sets this festival apart is its commitment to creating a family-friendly environment, where attendees of all ages can enjoy music from both local acts and big-name performers across multiple stages.

James Faith – Producer of the Great South Bay Music Festival

James Faith, the festival’s producer, emphasized the importance of creating an inclusive atmosphere, stating, “We want to make sure that families can come and enjoy the music together. It’s not just about the headliners; it’s about showcasing the incredible talent from our local community as well.” This unique blend of local and established acts allows for a diverse range of musical styles and ensures that there’s something for everyone to enjoy.

Putting the Pandemic in the Past

Reflecting on the impact of the pandemic, Faith described the challenges faced by the festival and its organizers. Despite the uncertainties and setbacks, they remained committed to delivering a memorable experience for attendees. “We had to adapt and overcome numerous obstacles, but we never lost sight of our goal: to bring people together through the power of music,” Faith explained.

We want to provide a platform for emerging artists to shine alongside the big names. It’s about fostering a sense of community and giving these talented musicians the exposure they deserve.
James Faith

Now, as the festival gears up for its 2023 edition, attendees can look forward to an impressive lineup that embodies the festival’s spirit. A few of the local artists have been my guests on The Long Island Sound Podcast, including, Matt Marshak, Kerry Kearney, Lex Grey and Phil Firetog.

Among the artists set to grace the stages are Phil Lesh and Friends, Gov’t Mule, Dave Mason, Hot Tuna, Dirty Heads, Cassandra House, Kerry Kearney, Gold Finger, The Fabulous Thunderbirds, Duane Betts, Bad Fish, Tauk, Neighbor, Miles to Dayton, Lex Grey and the Urban Pioneers, oogee Wa Wa, Clifdiver, Harbour, The Joni Project, Phil Firetog Trio, Shecky and the Twangtones, Adam and the Metal Hawks, Jules Radino, Jack Licitra, and Matt Marshak.

The Great South Bay Music Festival goes beyond just the music, offering a range of activities and amenities to enhance the overall experience. Attendees can explore artisan craft vendors, indulge in delicious food from local vendors, and engage in interactive workshops and activities for all ages. From art installations to face painting, there’s something to captivate the entire family.

Faith encouraged attendees to immerse themselves in the vibrant Long Island music scene by exploring the Long Island Music Hall of Fame in Stony Brook. This esteemed institution showcases the island’s rich musical legacy and pays tribute to iconic musicians such as Billy Joel, Eddie Money, Joan Jett, and many more.

The Great South Bay Music Festival promises to be a thrilling experience for music lovers and a testament to the resilience of the Long Island community. With its four-day duration, family-friendly atmosphere, and a diverse lineup of local and renowned acts, this festival is set to reclaim its place as one of the region’s premier summer events.

I have my tickets to the Festival! So when you see a white haired guy, who looks like the picture below, make sure you say hello.

For more information and updates on the Great South Bay Music Festival 2023 including ticket sales and the complete artist lineup, stay tuned to The Long Island Sound Podcast and visit the festival’s official website.

July 16, 2023
Flashback: Crosby, Stills and Nash open for the Grateful Dead at Rich Stadium, July 16, 1990

It was hot and muggy in Western New York on July 16, 1990. Crosby, Stills and Nash were opening up for the Grateful Dead at Rich Stadium, and Brent Mydland was amid his final tour with the Dead.

The Grateful Dead played Buffalo a total of 12 times in their storied career, including May 9, 1977 at Buffalo Memorial Auditorium (a day after the famed Cornell 77 show) a show at Kleinhan’s Music Hall on March 17, 1970, and six total shows at Rich Stadium, including this show in 1990. A typical summer stop from 1986-1993, Orchard Park’s Rich Stadium had far more space for fans, after the band outgrew the Memorial Auditorium, The Rich shows becoming part of Deadhead lore.

Playing in Foxboro, MA the night before, fans trekked overnight from Eastern Massachusetts to Western New York, a seven hour drive (not factoring in stops, switching drivers and catching sleep at rest stops along the way). With a capacity of more than 70,000, Rich Stadium was ready to welcome more than Foxboro held by a margin of 10,000, plus plenty of fans arriving from across the Empire State who would call this their first Grateful Dead show.

On the NYS Thruway, traffic crawled in the heat, with fans walking along the highway, slow cars filling the breakdown lane, with fans looking for Miracles via hand-lettered signs as you filed into the Rich Stadium lot. The traffic was so bad getting from the Thruway to Orchard Park, fans were pulling into the lot as the opener, Crosby, Stills and Nash, were beginning to play, the songs trickling over the top of Rich Stadium.

Ticket to the Grateful Dead at Rich Stadium, July 16, 1990

Part of their “Live It Up Tour,” Crosby, Stills and Nash toured off the album Live It Up, the first album the trio recorded since 1983. The album came together when Crosby and Nash began working on a new album as a pair, but following the trio performing at the collapse of the Berlin Wall in 1989, Stills became involved in the Crosby and Nash project, as noted in Dave Zimmer’s Crosby, Stills and Nash: The Authorized Biography (The Definitive Inside Story of the Super Group).

View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

Playing a set that was mostly unchanged for the entire tour, CSN made sense as an opener – both bands were part of the late 60s music explosion on the west coast, and with Crosby from Los Angeles and the Dead based in San Francisco and many festival and show billings together, the two bands shared a long history together. Crosby even recorded and performed live with members of the Grateful Dead, billed as David and the Dorks for three shows in 1970. So an opening slot or two on their summer tour was a natural fit, especially with large stadiums like Foxboro and The Rich on the tour schedule.

David and a dork

However, CSN did not mix up their setlist and did not factor in the Grateful Dead shows on their tour, where fans would see more than one night of the tour and catch onto repeats a bit faster. Fans not engaged in the July 16th opening set led to Graham Nash saying to the audience something to the effect of “show us you deserve to wear those tye-dyes and get into it,” reacting to fans non-reaction of the milquetoast opener. One fan recalled that at both shows they saw on the tour, CSN said both times “So, this is what a Grateful Dead audience looks like” with the same banter factored into the set.

This show at Rich Stadium for the Grateful Dead would also be the final tour for Brent Mydland, although that may not have been apparent to many fans at the time. A week later, Mydland would play his final show with the Dead, and die three days later from an overdose. There are points of the show between tunes where the band is enjoying themselves and Brent takes a moment to play a few bars of George M. Cohan’s “Over There” and the “Mickey Mouse Clubhouse,” keeping it playful and fans on their toes during these brief interludes.

It was unmistakable though, the presence of Mydland on this short, Midwest/east-coast 12-show summer tour, that made his death harder on many. His talent and boisterous vocals on “Man Smart, Women Smarter” and originals like “Blow Away,” the last of which was played this evening in Orchard Park, were unmistakable, clearly identifying shows with his raspy, soulful voice and precision work on the keys.

Following a breezy afternoon, the stadium climate was muggy yet the Grateful Dead were dialed in from the start, opening with “Hell in a Bucket” and following up with an early highlight of the set, “Mississippi Half-Step Uptown Toodeloo.” “Blow Away” had all the emotion Brent ever put into any of version, and featured a “Mind Left Body” jam, standing out as the final performance of the song.

A pair of cowboy songs – “Mama Tried” and “Mexicali Blues” flowed seamlessly together with Bob Weir on vocals, with a fresh off-the-shelf “Loose Lucy” following, fans cheering in gratitude to hear a song not played since 1974 that made its return in March of 1990. The Rolling Stones “It’s All Over Now” fit in nicely with the flow of this stimulating first set, with “High Time,” and a thoroughly enjoyable “Let It Grow” following, with the Brent-heavy “Don’t Ease Me In” closing out the first set.

The second set would feature a unique “Sugar Magnolia” / “Sunshine Daydream” sandwich, the show opening with the first stanza of “Sugar Magnolia” before dissolving into a smooth and unexpected segue onto “Scarlet Begonias” after only three minutes. The crowd reaction when “Scarlet Begonias” is realized by thousands is a sound to behold and embrace. Not stopping, the Dead moved into “Man Smart, Woman Smarter,” the lyrics in unison from Garcia, Weir and Mydland driving the song.

“Ship of Fools” served as a bridge to the obligatory and long-awaited “Truckin’,” with the “Truckin’, up to Buffalo” lyrics eliciting the largest cheers of the night, the jam meandering but finding itself in the final minutes before “Drums.” If you’re looking to revisit the show or listen for the first time, “Drums” is a percussive trip, with “Space” having a creepy laugh track in the background during the first half, a fun (maybe?) accent to the night for those in attendance.

Ticket to the Grateful Dead at Rich Stadium, July 16, 1990

Jumping out of “Space” were short versions of “The Wheel” and “Gimme Some Lovin’” and a somber “Wharf Rat” to balance them out. “Around and Around” found its place coming out of “Wharf Rat,” diving into “Sunshine Daydream” to an enthusiastic crowd hearing a fantastic full set sandwiched inside a classic Grateful Dead song.

“When the 2nd set ended, I remember experiencing an exaggerated exhilarated feeling that I’ve never felt from any show before. Obviously others felt the same because when the Sunshine Daydream reprise finally ended, we were jumping up and down and even the people behind us were so amped that we all just stood there hugging each other. It was ridiculously intense. No other show has lifted me to such heights before and I am so glad I was here.”
Jazdead, as shared on Dead.net

The encore of “Brokedown Palace” fit in perfectly to close the night, capping a day for the fans, and Brent Mydland as he performed his final show in New York.

Crosby Stills and Nash – Rich Stadium, Orchard Park, NY – July 16, 1990

Setlist: Love the One You’re With, Chicago, Drive My Car, Live It Up, Got It Made, Just a Song Before I Go, Night Time for the Generals, For What It’s Worth, Wasted on the Way, Our House, Almost Cut My Hair, Helplessly Hoping, Déjà Vu, (Got to Keep) Open, Southern Cross, Wooden Ships, Teach Your Children, Woodstock

Grateful Dead – Rich Stadium, Orchard Park, NY – July 16, 1990

Set 1: Hell in a Bucket, Mississippi Half-Step, Blow Away, Mama Tried > Mexicali Blues, Loose Lucy, It’s All Over Now, High Time, Let it Grow > Don’t Ease Me In

Set 2: Sugar Magnolia > Scarlet Begonias > Man Smart/Woman Smarter, Ship of Fools, Truckin’ > drums > space > The Wheel > Gimme Some Lovin’ > Wharf Rat > Around and Around > Sunshine Daydream

Encore: Brokedown Palace

July 16, 2023
Tom Keifer, RATT and Vixen Bring Rock Back to Tag’s Summer Stage

For those of us who remember the music of the 80’s & 90’s it was a trip down memory lane with an unforgettable night of music at Tags in Big Flats, NY on Saturday, July 8th. That music came in the form 80’s Metal as headliner Tom Keifer the former singer of Cinderella, Stephen Pearcy former front man of the 80’s band Ratt and and the all woman hard rocking Glam metal band Vixon. Throw in amazing weather ironically in the 80’s and you have an amazing night of music.

Tom Keifer bringing 80’s metal back to Tags.

Tom Keifer has come along way since his days of Cinderella and the tough times of dealing with “vocal cord paresis” in the early 90’s. It’s a disease that litterally attacks the vocal cords and forcing Tom to litterally learn to sing from scratch.  Hey brought many of his favorites this night such as “Coming Home”, “Nobody’s Fool”, “Gypsy Road” and “Don’t Know What You Got (til it’s gone).”

Former Cinderella front man Tom Keifer playing to a great crowd at Tags.

Tom’s band is called Keiferband and includes Tony Higbee on lead guitar, Bill Mercer bass (both from Nashville, TN), Jarred Pipe on drums from Hendersonville TN, and Kory Myers on keys hailing from Southaven, Mississippi.  Back up singers are Tom’s wife Savana and Tanya Davis, also from Nashville.

Before Tom got things going it was Stephen Pearcy bringing back the 80’s in style.

Stephen Pearcy performing to an excited crowd at Tags.

Pearcy, the former front man for the 80’s hair band Ratt proved that age is just a number by belting out famous Ratt ballads as good as he did 40 years ago. Ratt favorites “Back for More”, “ Wanted Man” and “Round & Round” we well received by the crowd.

Stephen Pearcy, former front man for Ratt helped bring 80’s metal back to Tags for the night.

Starting the night was Vixen with there all female lineup featuring original member Roxy Petrucci on drums, Britt Lighting tearing it up on lead guitar, Lorraine Lewis on lead vocals and recent addition Julia Lage on bass.

Vixen, whose history goes all the way back to the streets of St. Paul, Minnesota in 1980, has withstood the test of time by being the only female band from the 80’s to sell over a milllion albums, had six #1 videos on MTV and had four songs in Billboards top 100.  The Tags crowd gave them a huge ovation when they finished their show with “Edge of a Broken Heart.”

Lorraine Lewis of Vixen enjoys an excited crowd at Tags.

The show was another amazing night celebrating 30 years of music at Tags Summer Sound Stage in Big Flats, located between Corning and Elmira. The next big show on the horizon is Country star Dustin Lynch on August 11. Go to www.tagstickets.com for more info.

Vixen’s Julia Lage gets excited for a great crowd at Tags.

Vixen Drummer Roxy Petrucci playing for an excited crowd at Tags.

July 15, 2023
Hot 97 Summer Jam 2023: New York’s Premier Hip Hop Show Finds Its New Home

Hot 97’s annual Summer Jam always kicks off the summer season with a bang, and this year did not disappoint. The show moved away from its fully outdoor experience at Metlife Stadium and into a hybrid approach at UBS Arena in Belmont, NY.

2Rare and NLE Choppa performing on the Warner Records Stage. Photo By: Lucas Kurzweil.

Summer Jam started outside of the arena with the Warner Records Stage, featuring up and coming artists in the hip hop world and guest appearances from some of hip hop’s biggest names. NLE Choppa, who was a main stage performer, joined 2Rare on stage to perform their hit song “Do It Again,” and French Montana, another main stage act, came out to greet the crowd and get them hyped for the full day of music.

After a couple hours at the Warner stage, the show moved to the inside of the arena. NLE Choppa opened up as fans started to fill in their seats. Choppa performed some of his most popular tracks including “Walk Em Down.” After Choppa, Bed-Stuy’s Lola Brooke took the stage with a high energy performance complete with a dance team and guest appearances from BreezyLYN and Billy B. By the time Lola’s set was finished there was not an empty seat in sight.

Lola Brooke at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

This year’s event had an emphasis on women in rap, and every female act that took the stage shined a bright light onto the future of the rap game. Coi Leray, one of the biggest female stars in hip hop today, took the stage following Lola Brooke’s performance. Coi’s smooth choreography helped boost her performance as fans went word for word singing her hit song “Girls Is Players Too.” Dancers were doing flips and using red solo cups as props during Coi’s set and matching her every move as she graced the stage.

Coi Leray at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

Last year’s headliner and East Flatbush native Fivio Foreign followed Coi and turned the crowd up to another level. It was only fitting that Fivio opened up his performance with “City of Gods,” his song that features Alicia Keys and Kanye West, and refers to New York City as the City of Gods. Fivio then brought out two New York Rappers to assist his performance: Brooklyn’s Sleepy Hallow and Bronx’s Lil Tjay. Sleepy performed his popular tracks “2055” and “Deep End Freestyle.” Lil Tjay joined Fivio in performing their track “Zoo York” and stayed on stage to support Fivio as he performed “Big Drip.”

Lil Tjay and Fivio Foreign at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

Up next was Bronx Rapper Ice Spice. Her performance on the Hot 97 stage was action packed to say the least. Ice Spice brought out numerous guests and received a gold plaque for her song “Munch (Feelin’ U)” while on stage. She brought Lil Tjay back out to perform their song “Gangsta Boo,” and she also brought out Flo Milli, Kali and Kenzo B. The crowd welcomed the guests with open arms as Flo Milli performed “Conceded” followed by Kali and Kenzo B performing their viral song “Area Codes.” Ice made sure to show appreciation to the New York City crowd, thanking them for her recent success.

Ice Spice at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

In between sets, Hot 97’s DJ Funk Flex played tunes to keep the fans engaged. But after Ice Spice’s set, Funk Flex brought out another surprise artist. DaBaby joined Flex in the DJ booth before taking the mainstage to perform his new hit “SHAKE SUMN.” DaBaby then went into the crowd to play “SHAKE SUMN” a couple of times and his song “Suge.”

DaBaby in the crowd at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

After DaBaby, French Montana took the stage. Like many other mainstage acts, French also brought out many surprise guests, including: Luh Tyler, Capella Grey, Remy Ma and NLE Choppa. Montana played many of his most popular tracks including “Unforgettable” and his verse on “All The Way Up.” Following French Montana, The LOX took the stage for their 50 years of Hip Hop performance. Their set brought fans back to the earlier days of hip hop with tracks like Jadakiss’s “Who Shot Ya (Freestyle)” and “We Gonna Make It” Even with their nostalgic performance they too had special guests, Rakim and Scar Lip.

The LOX at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

Closing out the action packed night was Washington Heights native Cardi B. Cardi’s performance featured numerous pyrotechnical visuals with fire and smoke shooting out of the stage. Cardi followed the trends of Summer Jam by also bringing out a surplus of surprise performers, her guests were Kay Flock, Glorilla, Latto and 21 Savage. She had the crowd going to all of her tracks as she went through her discography for the sellout crowd. Her performance showed the New York fans that Summer Jam will continue to be a staple in hip hop culture and although the event moved, its high quality performances stayed the same.

Cardi B at Hot 97 Summer Jam. By: Lucas Kurzweil.

July 15, 2023