Two of the biggest acts in Latin rap, Gera MX and Nanpa Básico, will stop at Palladium Times Square on November 3 as part of the Que Chimba La Raza Tour. The 11-city American tour gets underway on August 31 in Los Angeles.
Gera MX- Facebook
Born Gerardo Daniel Torres Montana, Gera MX has skyrocketed to global fame in large part because of his 2021 song “Botella Tras Botella”. The track made history, becoming the first regional Mexican song to ever debut on the Billboard Hot 100. With origins in Latin boom-bap, Gera MX has steadily added to his vivid, personal, and hard-hitting lyrics. His current sound is decidedly unique, infusing traditional latin rap songs with elements of ranchera and reggaeton. Once a mainstay in the Mexican rap scene, Gera MX has carved a lane for himself in the international Latin landscape.
Colombian artist Nanpa Básico started making music back in 2012. Since then, the Medellín native has racked up millions of fans from around the world. Básico’s music is intimate, vulnerable, and diverse in its sound. From melodic Latin love songs to hard hitting street raps, Básico is constantly looking to express different parts of his identity and life. His 2022 album HECHO M13RD4 made waves for its melancholic atmosphere and heartbreaking tracks. The album included features from Ryan Castro, Santa Fe Klan, and of course Gera MX.
Tickets will be available via an artist presale starting on Wednesday, July 12 at 10 AM. The general on-sale for the Que Chimba La Raza Tour will start on Friday, July 14 at 10 AM here.
TOUR DATES
Thu, Aug 31 — Los Angeles, CA — The Wiltern
Fri, Sep 01 — Anaheim, CA — House of Blues
Sat, Sep 02 — San Francisco, CA — The Fillmore
Thu, Sep 07 — Houston, TX — 713 Music Hall
Fri, Sep 08 — Dallas, TX — The Pavilion at Toyota Music Factory
Sun, Sep 10 — Phoenix, AZ — The Van Buren
Thu, Nov 02 — New York, NY — Palladium Times Square
Sam Hunt rolled into Darien Lake on July 15 with his “On The Outskirts” tour. The tour was properly named for this night, as uncertain and potentially rough weather was on the outskirts of town and patiently waiting for the right moment to burst. Luckily, though, the rough weather held off as only light rains fell during the latter part of the night. Sharing the stage on this night were up and coming Lily Rose and well established Brett Young.
Amping up the crowd first was Atlanta’s Lily Rose, playing for about 30 minutes. Thanks to Tik Tok and hashtags, we are finally getting to really know Rose. After several years of working on her music career and not getting too far, Rose uploaded a video of “Villian” to Tik Tok with #lesbiansinger in December 2020. With that, she was subsequently signed and launched her career.
“Villian” is one of those songs that nearly everyone can relate to. Stories or rumors start to circulate around with only one side of a story being known or told. As she belts out the song for the crowd, you can see a larger number of women throughout the crowd laughing and smiling, as they know what the song is about.
Next up was Young. A former baseball standout, Young has taken the country music scene by storm since 2016’s self-titled EP. The 2018 Academy of Country Music Award winner for Best New Male Vocalist rocked the stage for roughly an hour, telling stories and serenading the crowd with hits such as “Mercy”, “In Case You Didn’t Know’, “Like I Loved You.” Playing through obvious pain, Young was seated for most his set on a set of steps on the stage. Luckily for those in attendance, this added an element to his set that really stepped up the show. Sometimes it the simple things really make a difference.
Another former athlete, Hunt takes the stage for these patient fans around 9:20 and continues on for nearly 90 minutes. Soon after coming to realization that he would not be quarterback in the NFL, he picked up a guitar and began his venture in the music world.
Coming out into view atop the stairs the Brett Young did most of his set from, Hunt breaks out into “Raised On It” and “House Party.” The crowd is instantly into this, as I have to duck under hands, beers, and bras while photographing. The photo pit never disappoints.
During “House Party” Hunt leaves the stage to walk around and get up close and personal with his fans, even signing someone’s CD from the front row. He makes a leisurely loop around front section of seats and makes his way back to stage on the other side, again signing an autograph or two.
Released in 2014, his first EP was released and debuted in the top 40 of the Billboard top 200 and was also number 5 on Billboard Top Country Albums chart. Darien Lake was treated to “Leave The Night On”, his eventual number one single from his debut EP. Within a few notes of the song starting, the crowd was going bonkers. A group of college aged ladies near me were standing in their seats, dancing away, hands raised high and screaming the lyrics.
Typically, those in the back sections and lawn seats are left without the experience of seeing an artist up close. Hunt does not like that, so he sets up little stage behind the sound booth and plays a little set from there. Fans in the cheap seats at Darien Lake were treated to a little more intimate show, albeit for 3 songs “Take Your Time”, “Cop Car” (Keith Urban cover) and “Wishful Drinking”. The personal touch he gives these songs and the setting in which he does it were absolutely perfect as the crowd in the back really showed their appreciation by standing there and just listening, rather than screaming and belting out the lyrics. A real class act by Sam.
As the night goes on, the rain begins to fall. Nothing crazy, but enough. Fans toughed it out as Hunt finished his set with “Ex To See” and “Body Like a Back Road”. Thankfully the rough weather that was once On The Outskirts, has now passed without incident.
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One could not have asked for a more pristine summer evening, on Wednesday, July 12, when Fleet Foxes brought their sounds to the Beak and Skiff Orchard in Lafayette.
There is perhaps no other band more in touch with the various seasons these days than Fleet Foxes. Hailing from Seattle, Washington, Fleet Foxes continue to tour in support of their latest release, 2020’s highly praised Shore. The album, which was released for public consumption precisely at the autumnal equinox, drew much praise from critics and fans alike. Known for creating acoustic folk-rock with exquisite harmonies and musicianship, they have released four studio albums, several EPs as well as 2021’s live offering A Very Lonely Solstice.
Nigerian-born singer/songwriter, Uwade opened the evening. She is well known to fans of Fleet Foxes, having sung extensively on their latest release. Taking the stage by herself and armed with only an acoustic guitar, Uwade quickly took a captive hold of the audience. She delivered a thirty-minute set of acoustic folk tracks, intimately and honestly. It seems often this type of permanence can get lost in a large venue such as Beak and Skiff, however, this was not the case on this evening. The area surrounding the stage was quiet enough to hear a pin drop, as Uwade performed tracks dealing with topics such as the illness of her father. he was joined by Fleet Foxes members Christian Wargo and Christopher Icasiano to finish out her set.
After a brief intermission, the Fleet Foxes took to the stage. Boasting an impressive eight-piece band, and accompanied by opener Uwade, they immediately launched into “Sun Giant.” It was an appropriate opener to showcase what was to come, featuring a beautiful acapella track with layers of harmonies that floated about the concert field. The band followed with the mellow “Wading In Waist-High Water,” which saw Uwade again take lead vocals (as she did on the studio track) as layers of the band’s instrumentation built. The band then followed with the more upbeat “Can I Believe You,” which had the audience singing and dancing along.
As their set rolled on, the band would dig deeper into their catalog. Backed with a video board that showed nature scenes and other colorful visuals, the band churned out fan favorites such as “White Winter Hymnal,” “Montezuma,” and “Mykonos.” In what is becoming a tradition at their concerts, the band pulled an audience member from the crowd to sing and play guitar on “White Winter Hymnal.” For the uninformed, one would not have known this fan was not a lifelong member of the band.
In all the band would perform over 20 songs followed by a three-song encore. The band would close the evening with “Helplessness Blues,” a track about longing for a simpler life. Featuring the lyrics “If I had an orchard, I’d work ’til I’m raw,” it was a near-perfect ending to a brilliant evening of music.
The Brooklyn Public Library recently unveiled a tribute exhibition “The Book Of HOV,” in honor of legendary rapper Jay-Z. The exhibit, divided up between key elements of Jay’s career, is available for free to anyone with a library card. The display includes a recreation of Baseline Studios, a collection of records used as samples, artifacts, apparel, photos, and more.
Born Shawn Carter, Jay-Z grew up in the Marcy housing projects in Bedford-Stuyvesant, Brooklyn. Raised by his mother Carter grew an affinity for music, specifically hip-hop, at an early age. In 1995, Jay, along with two partners, originally established Roc-A-Fella records after multiple labels rejected them. It was under Roc-A-Fella that Carter would drop his now famous debut album Reasonable Doubt in ‘96. The project would catapult the artist to rap stardom and since then “HOV” hasn’t looked back.
In total the Brooklyn native has released 13 solo albums, 4 collaborative projects, and has amassed 24 Grammy Awards. The rapper’s pen game has long been praised as one of the best in hip-hop history. Equipped with an endless supply of lyrical flows, metaphors, stories, and rhyming patterns, Jay has become one of the most influential figures in music.
Carter’s artistic legacy could provide more than enough content for an exhibit by itself, however it’s the rapper’s business and cultural accomplishments that has solidified him as one of the most successful musicians of all time. The Book Of Hov aims to honor the influences and events that helped to shape Jay into the artist and person he is today.
Punctuated by an atmosphere of inclusivity and individuality, the exhibit looks to inspire guests from all walks of life to “always bet on yourself”. Designed by Bruce and Shelly Rogers, the display makes up two floors of the library. In collaboration with the event the library created 13 new custom cards to correspond with HOV’s albums. Organizers also encourage guests to bring their own phones and music to help add to the experience.
Roc Nation CEO Desiree Perez devised the entire event reportedly without Carter’s knowledge. The organizers strategically placed the exhibit in a public space to ensure maximum accessibility. Roc Nation reportedly covered the costs of the entire exhibit and are expected to donate money, books, and records to the library.
Here for more information and details about The Book Of Hov.
As the world is getting ready to celebrate the 50th Anniversary of Hip Hop, some of the genre’s biggest icons are stepping back into the limelight including the New York supergroup Boot Camp Clik. After a sixteen year long hiatus, the group now returns with an old school music video alongside their new single “Wotcha Call Strength.”
Boot Camp Clik is a Brooklyn, New York hip-hop supergroup started by Duck Down Records in the 90’s and comprised of the eight members; Buckshot (Black Moon), Tek and Steele (Smif N Wessun), Rock, the late great Sean Price (Heltah Skeltah), Starang Wondah, Top Dogg, and Louieville (O.G.C.). The collective has also recently added long-time affiliate Rustee Juxx to the group.
The Clik was one of the genre’s first true supergroups that changed how hip hop music was received as their influence in music and fashion was undeniable during the genre’s golden age. Individually, and collectively, the BCC has created numerous classics, albums, and singles including Black Moon’s Enta Da Stage, Smif N Wessun’s Dah Shinin’, Heltah Skeltah’s Nocturnal, Fab 5’s (Heltah Skeltah & O.G.C.) ‘Leflaur Leflah Eshkoshka” and Sean Price’s Monkey Barz.
Now, back for round two, the BCC’s new single “Wotcha Call Strength,” produced by The Arcitype and directed by David Janoff, reminds the world what true icons they really are. The video shows the group roaming around an empty Forest Hills Stadium in Queens. Starting off strong with a verse by Rustee Juxx, the song follows each member taking their turn speaking their truth straight to the camera, showing viewers what a comeback truly looks like.
BCC’s co-founder Dru Ha claims, “In honor and celebration of Hip Hop 50, we felt that the BCC’s catalog of work, contributions and legacy needed to be recognized properly. It’s too easy to sit back and say the Hip Hop community should verify you and painstaking to go out and have to remind people with words, so we felt there was no better way to make a statement than to drop a new record with all the original members (RIP to Sean Price).”
The Boot Camp Clik will also be taking to the stage in the upcoming Rock The Bells Festival at the Forest Hills Stadium which will take place on August 5th. Until then, fans will be able to stream and enjoy their single everywhere.
New York City’s soundscape was on full display at the second annual Bronx Summer Jam this past Saturday, July 15. Local Bronx artists encapsulated the Bronx’s vast musical environment, performing everything from rock and hip hop to reggae and soul.
Bronx Summer Jam participants and audience members ’23. Photo courtesy of Michael Nickerson.
This wide array of genres not only reflects the Bronx’s sound but the individuals that create it. Take Emelia Vero for example, who performed on the Kings Stage from 1:30-2:30 pm under her stage name Bombii. In between her silky-smooth songs, she explained why her lyrics switched from English to Spanish. She said by singing in both languages, her music was able to fully represent herself. As such, she loves when people call her by her stage name. If they know her music, they know her. The notes bind audience and singer together, creating a family.
Audience member Francesca echoes Bombii’s sentiments. “I remember being a teenager, and a lot of people from different high schools would all go to these concerts. These would be people whose real names I didn’t even know. But when we were there, we were best friends. We were family.”
For some, it truly is family. From 4:30-5:00 pm, DJ F1rst Class performed. His wife Alina and daughter were front and center to watch him. Alina said the reason they are together is because of their passion for music.
Alina was glad she was able to bring her daughter to relish in the music as well. Most of the time, it isn’t easy to bring children to concerts. But the Bronx Summer Jam was outside at a local park, making it easily accessible for everyone.
“Usually they have it at places where there’s alcohol or it’s indoors. I couldn’t always bring my daughter,” Alina said. “But the Bronx Summer Jam is for all ages.”
Wastewood performing for the crowd at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.
Bronx Summer Jam was produced by Sirens & Kings, a co-production company made of two Bronx music collectives, Sounds & Sirens and The Fox & King. They hoped that by locating the festival at a park, it would allow everyone to be able to participate. It was a hope that was achieved.
“I live right across the street, and I came out for just a few minutes to sit on the park bench. Then I started hearing the music and walked right over here,” said Ivecte Lopez.
Despite the scorching heat, the crowd grew throughout the day. Those walking through the park stopped by to enjoy the music. Some set up hammocks or chairs under the trees’ shade and within hearing distance of the festival. Others took on the sun’s beating rays, standing within feet from the stage.
With a bigger crowd, the musicians began to engage with the crowd. Bombii did a call-and-answer. Everytime she said “Para,” the audience sang back “Siempre.” Later in the day, artists Ray Pearson, Ki Storii, WIN, Kony Brooks, and July Quinn left the confines of the stage. They moved across the park’s lawn to the beats of their rap and hip-hop songs.
Their performances were contrasted with the full rock sounds of Wastewood and Balcony Talk. The bands’ sounds were then further contrasted by the acoustic sounds of Drew Torres.
Drew Torres performs at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.
During his set, Torres sang an original upbeat song titled “Minus 4,” named for his glasses prescription. He later ended his set with tapping, a technique that involves tapping one’s hands on the guitar’s body.
“This is not just a hobby for me,” Torres said. “This is my therapy. This is the way I personally express myself. I just want to inspire others.”
Audience member and devoted member of the Bronx music scene, Mocha said it was concerts like the Bronx Summer Jam that inspired him to play music. “I was inspired to pick up an instrument at a local show back in 2004. I saw bands and immediately was like, ‘This is what I’m going to do.’ I was sixteen then. Without that concert, I don’t have any clue who I would have been now.”
Perhaps this festival inspired someone in the audience to learn an instrument or to start singing. The festival’s music definitely reached a number of people ranging from those who knew about the festival to those in the park who happened upon it.
To see more of what Sirens & Kings will produce, click here and here.
Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.
Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.
Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.
For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.
The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.
While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.
Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.
Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”
“St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.
As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.
Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.
Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.
Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.
Legendary blues guitarist Joe Bonamassa recently released a new song titled “Well, I Done Got Over It”. The track was originally released by Guitar Slim back in 1953. Bonamassa’s rendition is part of his upcoming Oct. 6 album Blues Deluxe Vol. 2. The project comes 20 years after the New York native’s breakthrough album Blues Deluxe.
Photo Credit: Robert Sutton
“Well, I Done Got Over It’ is a high-energy tune that perfectly captures all of the attitude and groove of classic blues-rock songs. Packed with the rich sounds of horns and capped off with an impressive guitar solo, the track showcases every ounce of Bonamassa’s artistic ability.
“My father introduced me to Guitar Slim a long time ago, back when I was a kid… He has such a velvety smooth voice, and he had such a way of delivering a song. We did a very British take on this Guitar Slim song, it’s like the Blues Breakers meets Guitar Slim meets Joe Bonamassa, Josh Smith and company”
Joe Bonamassa
Born in New Hartford but raised in Utica, Bonamassa discovered music at an early age. By the time he was 12, Bonamassa was traveling around the state playing various local shows. The guitarist made a name for himself off of debut 2000 album A New Day Yesterday, which reached the #9 spot Billboard Blues chart. From 2002-06 Bonamassa had five albums reach the Blues Top 10, including his 2003 effort Blues Deluxe.
Bonamassa’s new project will see the Grammy-nominated artist return to some of his original sources of inspiration. Blues Deluxe Vol. 2 features two new original songs as well as eight new covers. The album also gets contributions fromReese Wynans (keys), Calvin Turner (bass), Lamar Carter (drums), Kirk Fletcher (guitar), and Josh Smith (guitar).
“Well, I Done Got Over It” follows the release of the album’s previous single “Twenty-Four Hour Blues” which dropped back in June. The song is a rip-roaring interpretation of Bobby “Blue” Bland’s classic song which was released in 1974. Bonamassa’s version includes an inspired and passionate vocal and guitar performance.
“The outro guitar solo is incredible… It happened live on the floor and has some deep lines you’ve probably never heard Joe play before. The band is absolutely smoking, and Calvin Turner did an incredible String and Horn arrangement. Super proud of this one”
Guitarist Josh Smith
Bonamassa has a slew of performance dates during the Summer and Fall. Stops in New York include shows at the Northwell Health at Jones Beach Theater and Bethel Woods Center for the Arts.
Here for album pre-orders and details. Check out here for tour tickets and additional information.
Summer 2023 U.S. Tour
August 2 – Vina Robles Amphitheatre – Paso Robles, CA
August 4 – The Cosmopolitan of Las Vegas – Las Vegas, NV
August 5 – Eccles Theater – Salt Lake City, UT
August 6 – Red Rocks Amphitheatre – Morrison, CO
August 9 – Hollywood Bowl – Los Angeles, CA^
August 12 – Northwell Health at Jones Beach Theater – Wantagh, NY
August 13 – Bethel Woods Center for the Arts – Bethel, NY
Fall 2023 U.S. Tour
October 23 – Memphis, TN – The Cannon Center
October 25 – Shreveport, LA – Shreveport Municipal Auditorium
October 27 – San Antonio, TX – Majestic Theatre
October 28 – Sugar Land, TX – Smart Financial Centre At Sugar Land
October 29 – Austin, TX – ACL Live
November 1 – Fayetteville, AR – Walton Arts Center
November 3 – Little Rock, AR – Robinson Performance Hall
November 4 – Grand Prairie, TX – Texas Trust CU Theatre
November 5 – Oklahoma City, OK – Civic Center Music Hall
November 8 – Tulsa, OK – Tulsa Theater
November 10 – Kansas City, MO – The Midland Theatre
November 11 – St. Louis, MO – The Fabulous Fox
November 12 – Cedar Rapids, IA – Paramount Theatre
November 14 – Rochester, MN – Mayo Civic Center
November 15 – Rockford, IL – Coronado Performing Arts Center
November 17 – Fort Wayne, IN – Embassy Theatre
November 18 – Detroit, MI – Fox Theatre
November 19 – Columbus, OH – Palace Theatre
November 21 – Reading, PA – The Santander Performing Arts Center
November 22 – Providence, RI – Providence Performance Arts Center
November 24 – Springfield, MA – Symphony Hall
November 25 – Baltimore, MD – The Lyric
November 28 – Savannah, GA – Johnny Mercer Theatre
November 30 – Sarasota, FL – Van Wezel Performing Arts Hall
Delaney Silvernell is known best in New York State for ascending from a Queensbury local to a sensational contestant on NBC’s The Voice. Delaney has made notable strides in her musical career since her debut at age 21.
Playing shows in Los Angeles and New York, Delaney has put her singer-songwriter skills on display, amassing over 350k streams on Spotify alone through her signature blend of pop and R&B. Five years – and many captivating singles – since the voice, Delaney is planning a Northeast Tour at the end of the summer, which will feature her newest EP, Blue Dream.
While Delaney Silvernell is currently an independent artist based in Los Angeles, her journey began many miles away. Originally from the Adirondack region of Queensbury, Delaney knew from a young age that music was her passion.
I’ve been a musician for as long as I can remember, and it doesn’t really feel like a conscious decision I made to become one. Music was really the only thing that fueled me and helped me make sense of the world around me. So, it seemed like my natural path.
Delaney Silvernell
Following her natural trajectory, Delaney moved away from her hometown at 17 to pursue her musical education, studying Songwriting at Berklee College of Music. After graduating in 2017, Delaney was immediately cast as a contestant on season 15 of NBC’s The Voice. Her audition immediately caught the attention of coach Kelly Clarkson. Primarily coached by Kelly Clarkson, Delaney was further coached on screen by music industry greats such as Mariah Carey, Adam Levine, and Thomas Rhett.
After Delaney’s debut at age 21, Delaney has spent the past few years crafting her own space in music. She has played shows in Los Angeles and New York, while independently releasing original music which has been widely successful – amassing over 350k streams on Spotify alone.
Delaney’s music explores her emotions in a real, raw way that captivate audiences with a combination of vulnerable lyrics and powerful vocals. She rides rebelliously on the borders of genres such as R&B/Soul, Pop, Alternative, Blues, and more as she doesn’t believe her artistry can be confined by the boarders of one category. Delaney tries to create music that gives people space to feel deeply and unapologetically, and find peace in those emotions. Such music is often created alongside those who support her musical growth.
I draw inspiration from my life experiences, as well as that of those around me. I find inspiration in sorting out complicated emotions, and truly hope my songs help others do the same. My creative process varies, but my creative team is a pretty consistent group of my friends, which makes it that much more fun.
Blue Dream
Delaney’s most recent EP, Blue Dream, features 4 songs ranging from folk-pop to soulful genres. The project has already been premiered at one of LA’s most famous venues, The Troubadour, and will be performed in multiple cities throughout New York State through Delaney’s upcoming Northeast Tour.
While each song featured in Blue Dream is a work of art in its own right, when asked about her favorite piece, Delaney described her favorite song as one that has truly come full circle.
It’s impossible to pick a favorite, because they all have a special place in my heart. I do love “Wildflower,” though, because it was such a unique process to create it. “Wildflower” originated as a poem I wrote during a sleepless night back in college. A few years later, I stumbled upon the lyrics with a whole new perspective on life, and was able to put them to music and grow the song into what it is today.
Upcoming Projects
Blue Dream is only the first of many ambitious projects Delany’s future holds. Delaney has already begun writing her first full length album, and plans to return to the studio to finish recording it following her tour at the end of the summer. In the meantime, she will be releasing a live album from her recent performance at one of Los Angeles’ most famous venues, The Troubadour.
Delaney’s successful singles and EPs hold promise for equally engaging full length albums. In her continuous journey of exploring complicated emotions, Delaney detailed one of her unreleased songs as one of the most difficult to write in her career.
My most difficult song to write is actually still unreleased. It’s called “Dark Side of the Moon,” and I co-wrote it with my friend and producer, Alisse Laymac. “Dark Side of the Moon,” details my healing process from self-sabotaging the good things in my life. Being honest about that and putting that feeling into words was difficult, but so healing and cathartic.
Tour Dates
Currently, Delaney Silvernell is building a tour around the following dates in New York State:
Additionally, Delaney is securing a date at Rockwood Music Hall in NYC in late August or early September, the date to be announced. She plans to visit other New England-area venues as well. Once all tour dates have been secured, an official press release will be announced.
Delaney’s authentic approach to music, alongside her captivating, soulful lyrics and sound truly make her one of a kind. Be sure to listen to her music on Spotify, and check out her website for more tour updates.
The Brunswick Summer Concert Series is back for its 23rd season. The performances are held on each Tuesday at the Brunswick Community Center from June 27 to September 5.
With concerts scheduled to run 6:30-8:00 PM, the community center’s vast lawn provides a perfect backdrop for summer evenings. In addition to live music there will also be food trucks and other refreshments available.
The Brunswick Summer Concert Series looks to provide guests with quality music from all different kinds of genres. This year’s lineup features acts from all over the region. Local standouts include New York’s favorite horn band The Refrigerators, Celtic-rock outfit Get Up Jack, as well as country-rock group Whiskey Highway.
Located northeast of Albany, Brunswick has a long and storied history. The town’s first inhabitants settled in the early 18th century and were originally considered to be part of Troy. Positioned near the Hudson River, Brunswick and its neighboring towns became stopping points during the Revolutionary War. Famed American writer Herman Melville was a school teacher in the town during the mid 1800s.
Concerts are free and open to the public. Guests are encouraged to bring their own chairs and/or blankets. Here for more details and information.
Summer Lineup
6/27 The Refrigerators- Funk/ R&B/Rock
7/11 The Tichy Boys- Country/Rokabilly
7/18 The Lustre Kings- Country/Rokabilly
7/25 Big Fez and The Surfmatics- Surf and Beach Music
8/1 Harmony Rocks- One Hit Wonders
8/8 Get Up Jack- Celtic / Americana
8/15 The Hammerhead Horns- Roots, Ragtime and Blues
