Category: Regions

  • The Sembrich Closes 2023 Summer Festival with the New York Crimean Tatar Ensemble 

    The Sembrich in Bolton Landing will close its summer festival with a performance by the New York Crimean Tatar Ensemble. The performance will celebrate Ukraine and the Crimean Peninsula. New York Crimean Tatar Ensemble will be the only U.S.-based group performing the traditional music of their heritage.

    Member of The New York Crimean Tatar Ensemble playing violin.

    The New York Crimean Tatar Ensemble members serve as ambassadors for their culture. The Crimean Tatar Ensemble members are an Islamic, ethnically Turkic people. They have performed at notorious venues such as Lincoln Center and the United Nations. 

    Crimean Tatars’ vibrant music and dance traditions share similarities with other cultures around the Black Sea. But, what sets them apart from the others is their unique 7/8 dance rhythms and polymetric songs, with complex athletic dance steps that will liven any venue.  

    The performance will take place at the Sembrich on Wednesday, August 30 at 2 PM. The Crimean Tatars will be the final performance in the popular World Music Wednesday Series. This series is held every summer as part of the Sembrich’s annual summer festival.

    The Sembrich features museum exhibitions and an annual summer festival with world-class musicians, notable musical scholars, a free film series, all surrounded by the breathtaking Lake George. Visitors will also find stories detailing the lives of famous musicians such as Marcella Sembrich in the museum, as well as performance series and numerous nature trails to explore. 

    While “Trailblazers,” The Sembrich’s 2023 summer festival concludes with the Crimean Tatars’ performance, The Sembrich’s museum and grounds will remain open through mid-October. Guided tours are available for all visitors. Visit TheSembrich.org for more information. 

    Purchase tickets online at The Sembrich.org/festival or by calling (518) 644-2431. 

  • Buffalo’s Beau Fleuve Music & Arts Celebration Shares Official Lineup For 7th Annual Event

    Buffalo has always been an incredible summer-music hub of the New York area, and this year is no different, as the Beau Fleuve Music & Arts Celebration is raring to go for its 7th year. The event is set to return on August 27th at the historic grounds of the Buffalo Central Terminal with special curated performances from an immensely diverse and lively lineup along with festivities for all ages.

    The celebration will kick off at 2:00 PM with an intimate Happy Hour where participants can choose to enjoy live DJ sets, live podcasts, and drink specials. Everyone from cocktail-desiring adults to fun-loving children are welcome as the hour-long special will also be featuring a newly added Family Fun Zone. Led by the Explore & More Children’s Museum, the interactive add-on will include balloon making, face painting, caricature drawing, and more for everyone to enjoy.

    When it comes to the live performances of Beau Fleuve, music lovers will not be disappointed as the lineup includes countless acts from diverse genres and styles. Legendary DJ Ted Smooth, also known as “The King of The Remix,” will make an appearance to perform a stunning tribute set to the 50th Anniversary of Hip Hop being celebrated this year. Alongside the NYC disk jockey are performances from Boston R&B singer CD Rose, national touring Pop duo Super American, and even Buffalo’s own American Idol Season 21 top 20 contender Matt Wilson.

    These performers are only the start as many others are raring to take the stage, yet the celebration will not stop there as the Arts Celebration attendees will be able to enjoy and interact with several partnered Art Instalations. Featured displays will include work from fashion designer Billie Essco, graffiti artist Vinny Alejandro, and many more. On top of all the interactions and entertainment, the celebration will reintroduce the fan favorite Silent Disco to the community along with numerous feasting options of food trucks and vendors.

    Beau Fleuve is an inclusive celebration like no other, celebrating diversity through the arts to build bridges throughout the community, and families of all shapes and sizes will not want to miss out.

    Performing Live

    • National Touring Slacker Pop Duo SUPER AMERICAN
    • Buffalo’s own & featured on AMERICAN IDOL’S Season 21 as a Top 20 Contender MATT WILSON
    • Rising Hip Hop Goddess CHE NOIR, from BOSTON– R&B Singer CD ROSE
    • Grace Greenan
    • Free Music Party
    • Farrow
    • Inner City Bedlam
    • Underrated Evolution
    • Jon Jon
    • Kota Sovia
    • Leale
    • Spacebound
    • Dom Brown
    • G Premacy
    • OG Sole
    • Skillie Vanillie
    • Backpack Mafia

    Speciality Curated Performances

    ~ Beau Fleuve Exclusive.  Return to the stage in celebration of renowned artist EDREYS WAJED which will feature a remedy of his song from his days as a Buffalo Hip Hop Pioneer Billy Drease Williams infused with an Art experience. 

    ~ FROM NYC, LEGENDARY deejay TED SMOOTH aka “The King of The Remix” will be rocking the crowd with a tribute to “CELEBRATING 50 YEARS OF HIP HOP”

    ~ DJ AVEE & FRIENDS featuring sensational Bachata & Merenge Tipico BAND LIGHT and more.

    ~ DPONDRUMS JAM SESSION & Producer TONEY BOI’S LIVE MIXTAPE will provide a unique and interactive flare to this year’s celebration.

    ~ Bringing you a Live on Stage Podcast – The Wellness Bestie, Entrepreneur, and Favorite Virgo HEAL HOT GIRL PODCAST

    DJ Sets

    by DJ P, DJ RUPTION, DJ UNK, JAY GETS BUSY, JOEY BAMBINO, DJ MANNIE FRESH, & MORE

    The Arts

    CAFÉ“ curated by artist & fashion designer BILLIE ESSCO will have a café inspired set design featuring his iconic CAFÉ clothing brand, Sponsored by Burchfield Penney Art Center

    “LIBERTY PAINT SPLASH SET” curated by MANDELA HUFF will feature a messy painted library book wall with live photoshoot with a few models I’ll invite involving colored power/ powder bombs and paint. Sponsored by The Buffalo Central Terminal

    “DENIM WALL” curated by NEKEA BROWN will feature her sought-after Denim Wall with a picnic twist full of the things that make the Beau Fleuve Music Festival special, lots of summer colors, love, diversity, and something that brings everyone together. Picnics have always been a great way to bring in different groups of people to share food and listen to music. Sponsored by The Buffalo Central Terminal 

    “WELCOME” curated by VINNY ALEJANDRO will feature a graffiti-inspired Beau Fleuve Welcome sign for guests to take their selfies and family photos. Sponsored by The Buffalo Central Terminal 

    Exhibiting Artists will include XOJOITA NEESE RICH CONNER CHADDERDON ROZ PAINTED IT, FREDZDAARTIST CARGO SANTANA CASHIS GREEN HOOLY KYLIE PRISCILLA SHANTELLE PATTON PHIL BROWN CAMERON OSBORNE & MORE.

    Other Events

    THURSDAY NIGHT AUGUST 24

    The Celebration Weekend Kicks off with some laughs for the “LAUGH ALIL COMEDY SHOW” with National Touring Comedian and Member of Kevin Hart’s Plastic Cup Boyz SPANK HORTON. This will be held at the Kavinoky Theatre starting at 7 pm. Tickets range between $22-$24, available on Ticket Tailor.

    FRIDAY EVENING AUGUST 25

    The Beau Fleuve VIP RECEPTION will celebrate and honor various community stakeholders in the fields of Music, Arts, Education, and Community. This will be from 5:00 p.m.-8:00 pm at Deco Buffalo, free.

    SATURDAY NIGHT AUGUST 26

    The Beau Fleuve Softball Classic, the most anticipated bragging rights event of the year, comes to the Dobson Field starting at 6 p.m.

  • Catbird Takes Flight at Bethel Woods

    54 years ago, Max Yasger leased out a farm field he owned for what would turn out to be one of, if not, the most noted music festivals in history. The Catbird Music Festival took to these hollowed grounds over August 19-20, in search of the spirit that is Woodstock.

    The Lumineers
    The Lumineers

    The name of the festival was inspired by the Catbird used in the original 1969 festival artwork. This being 2023 tie die, long hair, and bare footing could be seen co-joined with cell phones, microchipped wrist bands, and VIP and Platinum packages. No matter your status, the vibe from those attending made it impossible to distinguish 2023 from 1969.

    Catbird Festival Glamping
    Glamping

    Camping was allowed at Bethel Woods, the first time since Mountain Jam 2019. You had your options of car camping, RV camping, or glamping in canvas tents offering either a twin or a queen bed. Throughout the grounds young and old, couples, groups and families intermingled as one. 

    Gala Music Stage crowd
    Gala Music stage crowd

    Over the course of two the days (August 19 – 20, 2023) at the Bethel Woods Center for the Arts, 23 musical acts performed on two stages. The scheduling of sets enabled people to stroll from stage to stage and not have to choose which performers to listen to.

    Day 1 had was something for everyone: Trampled by Turtles, James Bay, 49 Winchester and Margo Price to name a few. Throw in Band of Horses along with headliners The Lumineers and you could not go wrong.

    Adia Victoria
    Adia Vistoria

    Women took a prominent role in the festival with Adia Vicoria and Allison Russell closing out the Gala Music stage on Saturday and Sunday respectively.

    Day 2 of Catbird included rising jam band Eggy and a veteran jam band Trey Anastasio band. The day also featured Tyler Childs as the headliner as well as Dispatch, Amos Lee, Charley Crockett and more.

    Eggy played a funky and fun set to start off this full day of music. The Soul Rebels brought their authentic New Orleans, horns rich sound to Bethel. Dispatch played a reggae filled, groovy set which included a nod to the good ol Grateful Dead with a “Friend of the Devil” cover.

    Trey Anastasio Band played a set filled with TAB and Phish classics including Moma Dance, About to Run, Wolfman’s Brother, and a guitar raising, feedback chasing First Tube to close out their set.

    Previous attempts to emulate the original Woodstock Music and Arts Festival have not measured up. The Catbird Music Festival seems to have found the sweet spot. Let’s hope this bird will migrate back to the Hudson Valley in 2024 and build another nest of peace, love and music. 

    Day 1

    Catbird Music Festival Day One Line Up
    Photos by Mickey Deneher
    Catbird Festival John R, Miller
    John R. Miller
    James Bay
    James Bay
    Catbird Music Festival - Briscoe
    Briscoe
    Catbird Music Festival - Margo Price
    Margo Price
    Catbird Music Festival - 49 Winchester
    49 Winchester
    Catbird Music Festival - Trampled by Turtles
    Trampled by Turtles
    Catbird Music Festival - Adia Victoria
    Adia Victoria
    Catbird Music Festival - Band of Horses
    Bamd of Horses
    Catbird Music Festival - The War on Drugs
    The War on Drugs
    Catbird Music Festival - The Lumineers
    The Lumineers

    Day 2

    Catbird Music Festival day 2
    Photos by Flip Zalewski
  • The Music Never Stopped: The Capital Region Celebrates the Life of Jerry Garcia

    Legendary Grateful Dead singer/guitarist Jerry Garcia touched many lives in his brief 53 years on Earth. Regarded as one of the most influential musical figures of all time, even 28 years after his passing, Garcia’s legacy and words continue to inspire and resonate with a whole new generation. An artist in every sense of the word, his creativity, curiosity, kindness, vulnerability, sense of humor and his unique ability to collaborate with almost anyone make him one of the most revered players of any era.  Relatable to millions and a limitless source of inspiration for countless Grateful Dead-inspired tribute acts, while Jerry’s journey may be one of the greatest stories ever told, you could easily argue that even though he’s gone, the music never stopped.  

    the music never stopped grateful dead jerry garcia
    Jerry Garcia’s Birthday Bash: NYS Dead Coalition featuring Organ Fairchild and Vinnie Amico of moe. performing at Lark Hall on 8/1/23.

    Born Jerome John Garcia on August 1, 1942, in 1965 he would become one of the founding members of The Grateful Dead and from there, go on to become one of the most recognizable figures of the last century. One of the most recorded musicians in history, he’s also said to have played in over 25 side projects while releasing more than 30 studio albums.  Since his passing on August 9, 1995, Deadheads around the world have respectfully anointed the “days between” his birth and death as a time to honor Garcia’s life and legacy.  Fortunate to be living in a place both rich in local talent and Grateful Dead history, this year I wanted to try something a little different to convey my appreciation. With multiple venues across the area holding special Jerry-themed celebrations during the first 9 days of August, I charged up my camera, cleared out my memory cards and set off to hit as many of them as I could.  If I told you all that went down, it would burn off both of your ears, but as best as I can remember, here’s how the Capital Region celebrated the Days Between in 2023.     

    Moe. drummer Vinnie Amico sat in with NYS Dead Coalition at Lark Hall on 81/2023.

    Kicking off the weeklong celebration was New York’s own Organ Fairchild.  Stopping by Albany’s Lark Hall on August 1st as part of “Jerry’s Birthday Bash,” the Buffalo-based band would pull double duty on the night.  First playing a set that mixed originals songs in with Grateful Dead covers like “Picasso Moon,” “Cream Puff War,” and “He’s Gone,” Organ Fairchild would return later in the night with a few friends for an extra special NYS Dead Coalition set. Featuring Vinnie Amico of moe. on drums along with Tom Mahoney and Ron Permoda from the Utica-based Dead band Into The Now, the memorable performance featured stellar renditions of uptempo rockers like “Let The Good Times Roll,” “After Midnight,” “Cumberland Blues,” and “New Speedway Boogie,” while the back half the set was far more tender and introspective with our first “Bird Song” of the week, along with “Peggy-O,” “They Love Each Other” and a lengthy dose of “Love Light” that even Jerry Garcia himself would have been moved by. 

    Rockin’ on the River: It was all ‘Sunshine Daydreamin’ with Neon Avenue on 8/2/2023.

    The next stop on our “Days Between the Capital Region” tour took us down by the riverside of Troy, where it was all ‘sunshine daydreaming’ with Neon Avenue. Headlining perhaps their biggest show yet as part of the Collar City’s annual Rockin’ On the River’ concert series, the energetic Clifton Park band more than rose to the occasion, delivering a phenomenal set of improvised jams on some of the Grateful Dead’s most beloved material. 

    Wharf Rats: Neon Avenue’s thoughtful setlist had fans dancing in the Collar City streets until sundown on 8/2/2023.

    The picture-perfect weather brought out a huge crowd and songs like “Shakedown Street,” “Sugaree,” and “Scarlet Begonias” > “Fire on the Mountain” had both fans new and old on their feet and dancing all the way to sundown.  Also mixing in hits like “Touch of Grey,” “Truckin,” and “Casey Jones,” for good measure, it was Neon Avenue’s thoughtful placement of songs like “Wharf Rat, “Sugar Magnolia” and “Magnificent Sanctuary Band” that yielded the most sentimental moments.  Playing off their surroundings to great effect, perhaps the biggest cheers of the night came during the set closing “U.S. Blues.” Troy is said to be the original home of Uncle Sam after all.

    View Grateful Dead and Jerry Garcia shows from across the years in New York State with our interactive map below!

    Our third stop of “Jerry Week” took us back to Lark Hall for another milestone performance, this time for legendary Hudson Valley rockers The Deadbeats who were celebrating their 30th anniversary. After playing around the area nearly every week for the last three decades, the highly respected group of local musicians have amassed a devoted following and they came out in full force on this Friday night in August. Blasting off with “Bertha,” the energy was there from the start and never let up.  Working their way through a nice combination of “Beat it on Down the Line” and “The Greatest Story Ever Told,” other highlights of the first set included our only “Candyman” of the week, as well as “Dire Wolf,” and another smokin’ rendition of “Cumberland Blues” before “Scarlet Begonias” > Fire on the Mountain” took us to halftime.

    The Deadbeats celebrated Jerry and a milestone of their own at Lark Hall on 8/4/2023.

    Returning for a lengthy second set that included an impressive ride through “Help on the Way” > “Slipknot” > “Franklin’s Tower,” The Deadbeats also managed to throw in a few Jerry Garcia Band surprises too, like “Rubin and Cherise,” “Midnight Moonlight” and “Ride Mighty High.” “Truckin” and “Not Fade Away” had the whole room moving and grooving, but really, anyone who was there will tell you the second set was all about the funked-out version of “Throwing Stones” that essentially stole the show and helped make the band’s 30th anniversary party so memorable. Kudos to all members of The Deadbeats, past and present, for helping keep Jerry’s spirit alive in Albany all these years.

    The Deadbeats Mike Johnson has been ‘playing in the band’ for an astonishing 30 years.

    The next show we had the privilege of attending was a special stripped down acoustic performance by 3 members of The Wheel. Taking place on the 28th anniversary of the day Jerry Garcia passed, the intimate cocktail hour gathering, also at Lark Hall, was easily the most unique and sentimental performance of the week-long celebration.  Consisting of Bryan Gautie on guitar and banjo, Andy Morse on guitar and mandolin and Woodstock’s Misty Mountain Ramblers’ keyboardist Kenny Schneidman, all three members jelled together nicely and would take turns singing and cracking jokes between songs.  Opening up with “Dark Hollow” and our only “Deep Elum Blues” of the Days Between, other highlights of the set included gorgeous renditions of “Friend of the Devil, “Black Peter,” “Catfish John,” and “Must Have Been the Roses.”

    Ripple Effect: The Wheel Trio unplugged for a sentimental cocktail hour set at Lark Hall on 8/9/23.

    With no rhythm devils or soaring electric guitar solos during the set, the real beauty was being able to fully concentrate on the actual songwriting and Robert Hunter’s timeless lyrics. Perhaps the trio’s biggest strength, however, was the combination of their voices together.  Using three-part harmony to great effect, there were moments during the set that simply gave you the chills, particularly on “Bird Song” and the set closing “Ripple,” which you can watch below.

    Watch fan shot footage of The Wheel Trio performing “Ripple” at Lark Hall on 8/9/23.

    Afterwards the buzz was all about “the other” Grateful Dead-inspired show that was also happening in the area that night. Full of heart and still daylight outside, those who couldn’t get enough Jerry packed up the party and trucked on over to the Cohoes Music Hall where two sets of Bearly Dead was just getting underway.          

    Bearly Dead’s Dynamic Debut: The Boston-based band buzzed with high energy during their Cohoes Music Hall performance on 8/9/23.

    Walking into to the historic (and allegedly haunted) Cohoes Music Hall is always a vibe, but I admit I wasn’t very familiar with Bearly Dead beforehand.  Kicking off their show with our first “Here Comes Sunshine” of the week, right away you could tell these guys “really cook” and I could feel a sense of ease come over me as I knew after all this poking around, I ended up in exactly the right place. Working their way through fiery renditions of “Passenger,” “Mississippi Half-Step Uptown Toodeloo,” and the crowd favorite “Ramble on Rose,” it was clear that Bearly Dead were diligent students at Grateful University and they had done their homework. Bringing a fresh and energetic approach to these ageless tunes, the band first came of age in Somerville, MA in 2015 and would go on to do a 5-year Wednesday Night Residency at Thunder Road before the venue closed in the midst of the pandemic.  Now taking their show on the road and touring nationally, Bearly Dead brought their A-game to Cohoes on August 9th. Immediately making a good first impression with first set staples like “Black-Throated Wind,” and “Tennessee Jed,” by the time the band linked together a monstrous “Terrapin Station” > “China Cat Sunflower” -> “I Know You Rider” jam sandwich to close the opening frame, no one needed further convincing that these guys are the good shit.    

    Sharing the Weight: Bearly Dead paid tribute to both Jerry Garcia and Robbie Robertson on 8/9/23

    On the same day the world learned that legendary singer/songwriter Robbie Robertson of The Band had passed away, the second set began with a touching moment of acknowledgement to one of their other musical heroes. Introducing the first song by saying, “I think Jerry wanted a buddy to jam with today,” Bearly Dead then broke into a heartfelt rendition of “The Weight.” Stragglers still smoking outside must have been kicking themselves as they quickly rushed in to fill the noticeably empty floor, so in an effort to help them out a little, I quickly pulled out my phone and hit the record button. That footage can be seen in the clip below.

    Watch fan shot footage of Bearly Dead covering “The Weight” during their Cohoes Music Hall debut on 8/9/23.

    One of the most striking things that helps separate this band from others like it is that every member can really sing and with convincing passion.  Perhaps Jerry’s most well-known solo song came next with “Cats Under the Stars,” before “Rhapsody in Blue,” and “Easy Wind” flowed beautifully into the iconic Grateful Dead anthem “Dark Star.” Seamlessly working in “Miss You” teases by The Rolling Stones, “Dark Star” would continue to burn straight into a poignant take on “He’s Gone,” and even further into “Uncle John’s Band,” before reeling in the 40 plus minute frame of uninterrupted music with the gorgeous bluesy b-side “Death Don’t Have No Mercy.” Picking up the pace once again, the dance party resumed one final time with a proper and appropriate “The Music Never Stopped” before segueing into one of the most powerful versions of “Morning Dew” I’ve heard in a long time.  Simply cathartic.  

    Watch fan shot footage of Bearly Dead performing “Death Don’t Have No Mercy” at the Cohoes Music Hall 8/9/23.

    As the Days Between celebrations came to a bittersweet close, a flood of emotions ran through my mind. Pardon the obligatory pun, but I couldn’t help but feel grateful and for so many different reasons.  Reinvigorated and inspired.  Even 28 years after Jerry Garcia’s passing, it’s clear the music he made is as relatable and as relevant today as it ever was and that Jerry’s contributions will never be forgotten. Over the course of the 5 shows, you were bound to hear some repeats, but considering how few there actually were is quite a testament to just how deep GD’s songbook is. I’m grateful for the musical community I live in that continues to play these songs, the talent that it takes to get up there and actually do it and to the amazing local venues that provide a platform for them to do it on.  There will never be another Jerry Garcia, but if this 9 day period taught me anything, it’s that this music is absolutely timeless, “Weir everywhere” and that the Capital Region still has plenty of heart, I can hear it beat out loud.

    Check out full setlists and photos of each show courtesy of NYS Music correspondent Zak Radick.

    Organ Fairchild ft. NYS Dead Coalition | August 1, 2023 | Lark Hall | Albany, NY

    Set 1: Morning Coffee, Over the Handlebars, Yum, Picasso Moon > Cream Puff War > He’s Gone, Chamelonious Monk with Layla tease

    Set 2: Let the Good Times Roll, After Midnight, Cumberland Blues, New Speedway Boogie, Bird Song, Peggy-O, They Love Each Other, Love Light.

    *Set 2 featured members of Into The Now and Vinnie Amico of moe.

    Neon Avenue | August 2, 2023 | Riverfront Park | Troy, NY

    Setlist: Shakedown Street, Touch of Grey, Sugaree, Scarlet Begonias > Fire on the Mountain, Truckin > Wharf Rat > Sugar Magnolia > Casey Jones, Magnificent Sanctuary Band, U.S. Blues

    Encore: Brokedown Palace.

    Deadbeats | August 4, 2023 | Lark Hall | Albany, NY

    Set 1: Bertha, Beat It On Down the Line > Greatest Story Ever Told, Hard To Handle, Candy Man, Cumberland Blues, The Buzz, Dire Wolf, Scarlet Begonias > Fire On the Mountain

    Set 2: Help on the Way > Slipknot > Franklin’s Tower, Crosstown Traffic, Truckin, Rubin and Cherise, Throwing Stones, Not Fade Away, Midnight Moonlight, Ride Mighty High

    Encore: Ripple, US Blues

    The Wheel Trio | August 9, 2023 | Lark Hall | Albany, NY

    Setlist: Dark Hollow, Deep Elum Blues, Oh Babe It Ain’t No Lie, Jack A Roe, Dire Wolf, Rosalie McFall, Friend of the Devil, Deal, Black Peter, Bird Song, Catfish John, Must Have Been the Roses, On the Road Again, Uncle John’s Band, Midnight Moonlight, Cumberland Blues, Ripple

    Bearly Dead | 8-9-2023 | Cohoes Music Hall | Cohoes, NY

    Set 1: Here Comes Sunshine, Passenger, Mississippi Half-Step Uptown Toodeloo, Ramble On Rose, Black-Throated Wind, Tennessee Jed, Terrapin Station > China Cat Sunflower -> I Know You Rider

    Set 2: The Weight[1], Cats Under the Stars, Rhapsody in Blue, Easy Wind > Dark Star[2] > He’s Gone -> Uncle John’s Band > Death Don’t Have No Mercy, The Music Never Stopped > Morning Dew

    [1] Dedicated to Robbie Robertson
    [2] Contained Rolling Stones “Miss You” teases

  • John Cale Brings New Energy to Classics at Celebrate Brooklyn!

    John Cale, one of the true OGs of the international art rock underground, gave a masterclass in performance and reinvention before a packed house at BRIC Celebrate Brooklyn! Festival in Prospect Park on August 19.

    At 81, Cale is still a striking and potent musical force, a true creator who is forever seeking new artistic horizons. He’s a man whose catalog has spanned everything from the proto-punk of the Velvet Underground to classical minimalism, gorgeous orch-pop balladry, the fiercest (and drunkenly deranged) hard rock rants to, on his first new studio album in a decade Mercy, shades of beat-driven hallucinatory electronica and experimental pop.  This new collection finds the adventurous Welshman in the company of youthful collaborators like Weyes Blood, Laurel Halo, Sylvan Esso and Actress.

    Belying his age, Cale was a most commanding force on stage – in fine voice, a sharp black Italian suit and dramatically spikey white hair, playing both keys and guitar for a 14-song, career-spanning set.

    In a nod to his new album, many of the songs were kicked off with a rhythm machine like “Moonstruck (Nico’s Song),” his tribute to the Velvet Underground chanteuse whose best solo albums, like 1968’s The Marble Index, Cale produced.  Another standout from the new album is “Night Crawling,” the first single which recalls his adventures with pal David Bowie in the New York City downtown of the 1970s. 

    Two of the most interesting and atmospheric numbers were “Rose Garden of Future Sores” and “Half Past France.”  Both featured orchestral backgrounds, disorienting chords and spacey electronic effects.  The latter was a 180-degree spins on one of the serene ballads from Cale’s acclaimed 1973 orch-pop masterpiece, Paris 1919.  Its calm was transformed into a sinister ambient Krautrock noise nightmare.  Its queasy string drone foundation was punctuated with bowed electric bass and an eerily harmonizer-effected vocal on the outro line: “We’re so far away, floating into space.”  The same sonics were present for his funereal take on Elvis’ “Heartbreak Hotel,” a highlight from his 1975 album, Slow Dazzle.

    Sonic dread never sounded so good.

    Cale picked up the guitar and rocked strong and hard on old favorites like “Guts,” “Helen of Troy” and “Cable Hogue.”  He returned to the keys to revisit a Velvet Underground staple to the delight of the crowd,  Lou Reed’s junkie opus, “I’m Waiting for the Man.”  Here, he perhaps deferred to the P.C. police by injecting the line “Hey buddy” for Lou’s “Hey White Boy.”

    Another fantastic rearrangement was in store with another Paris 1919 ballad, “Hanky Panky Nohow.”  Cale and his wonderfully tasty three-piece backing band made this already gorgeous song even more beautiful and relaxed – with a rhythm machine underpinning, a glacial pacing and an added sample of an operatic soprano female soloing on the song’s long coda.  This and all tracks performed were complemented with video projections that made their atmospheric sounds even more so.

    Cale’s set concluded with a raucous version of “Barracuda,” another punchy rocker from his album Fear featuring some very fine psychobilly guitar soloing.

    The surprise of the evening was the set by the show opener Tomberlin, the nom de sound of contemporary folk artist/singer-songwriter Sarah Beth Tomberlin. 

    Now living and working out of Brooklyn, this Kentucky-born performer played a well-paced set of gentle tunes from her two Saddle Creek Records’ albums, the most recent of which, 2022’s I Don’t Know Who Needs to Hear This…, was recorded a few blocks away from Prospect Park at Figure 8 Studios. 

    Tomberlin is a confident performer with the kind of droll between song banter that easily won over the crowd, one that was surely there, in very large part, to catch a glimpse of Cale. 

    The most striking element is her voice.  It has both a breathy quality that reminds me of another buzzworthy young performer, Snail Mail, and all power and range needed to bring across one of her dramatic lyrical twists. Her three-piece backing band provided sensitive accompaniment to all her songs, many that we’re mere whisps.  Airy Frisell-like guitaring, lots of shimmering brush work on the drums and lush yet minimalist keys perfectly adorned her intimate story songs and their poetic lyrical turns.

    Standout tracks in her set were the evocative “Sunstruck,” “Stoned,” “Memory” and the set closer, the sprawling psychedelic “Happy Accident.”

  • Curtain Up! Broadway Festival Announces Lineup For Finale Show

    Playbill, The Broadway League, and the Times Square Alliance have announced the lineup of Broadway shows to be included in the Curtain Up! LIVE from Broadway finale concert, concluding the third-annual Curtain Up Broadway Festival.

    The Curtain Up! LIVE from Broadway finale concert will be a grand, outdoor event taking place rain or shine on Sunday, Sept. 10 from 11:00 AM – 12:30 PM in Duffy Square. This free outdoor concert spotlights marquee talent, showcases current Broadway musicals and plays, and will be aired live on WABC TV.  

    Participating shows include & JulietA Beautiful Noise, The Neil Diamond MusicalAladdinBack to the Future: The MusicalThe Book of MormonChicagoThe CottageHadestownHarmonyHow to Dance in OhioJaja’s African Hair BraidingKimberly AkimboThe Lion KingMoulin Rouge! The MusicalThe Shark Is BrokenShuckedSIX; Some Like It HotSpamalotWicked; and more are to be announced. 

    From Friday, Sept. 8 to Sunday, Sept. 10 the Curtain Up Broadway Festival brings Broadway to the streets, in the heart of New York City. Stretching between 45th and 47th Streets, the festival will include interactive events and performances that are all live, free, and open to the public. It kicks off with guest speakers from Playbill, The Broadway League, Times Square Alliance, & Prudential Financial, with Broadway guest hosts, special performances, and special guests from The NYC Mayor’s Office of Media and Entertainment (MOME), Hotel Edison, Open Jar Studios, The Entertainment Community Fund, and more.

    What better way to kick off a new Broadway season than to celebrate the Curtain Up Broadway Festival in Times Square. This incredible three-day festival will host special concerts, sing-alongs, and workshops, just to name a few of the many exciting events planned. Last season, Broadway had a total attendance of 12.3 million indicating just how much live theatre means to so many and its pivotal role in NYC’s economic development. We’ll wrap up the weekend with the Curtain Up! LIVE from Broadway finale concert on Sunday, September 10th and thank WABC for returning to live broadcast the star-studded show.

    Charlotte St. Martin, President of The Broadway League.

    The Prudential Stages on Broadway Brought to You by Playbill contest hosted by Brittney Johnson, an acclaimed Broadway star who made history playing the title role of Glinda in the smash-hit musical Wicked, will take place on September 9 and gives aspiring and emerging artists across the country the opportunity to capitalize on their “Now What?” moment. The winning artists will have the chance to network with theatre professionals – like host Johnson and contest judges Tara Rubin and Allen René Louis – and could walk away with a monetary prize of up to $10,000 plus an opportunity for financial advice from a Prudential Advisor.

    Additional events include ¡Viva! Broadway® Hispanic Heritage Month Celebration, Broadway Sing-Alongs throughout the festival on the ‘Belt It Out On Broadway’ stage, Curtain Up After Dark events featuring Broadway Sings and Rockers On Broadway, Ailey’s Revelations dance workshop, multiple Dueling Piano events at the ‘Belt It Out on Broadway’ stage, Broadway Block Parties presented by the NYC Mayor’s Office of Media and Entertainment (MOME), and more to be announced. 

    For more information and a full lineup, visit here.

  • Donmonique Screams Brooklyn with her Aura

    New York is a breeding ground for all kinds of talented individuals. The densely populated nature of NYC makes it challenging to achieve stardom there. With all of the people in this world, it can be difficult to differentiate yourself.

    A major part of standing out deals with genetic makeup, upbringing and the place you grew to become familiar with your surroundings. However, New York encourages an unmatched hustle and rewards individuals who persevere with the utmost ambition. If you can make it in New York, you can make it anywhere.

    DonMonique, or DonDada releases refreshing tunes every time she steps into the studio. She dismantles traditional hip-hop by dispelling the notion that there can only be one Queen of Rap. She appreciates her hometown for its hectic jungle atmosphere, nuances, and grounds for uncontained creativity. With an old soul and a Brooklyn drawl, this artist consistently asserts a quintessential New York sound every time she lays rhymes down on wax.

    Where Brooklyn @?

    Brooklyn has birthed a few legends within its time. This is not to say she’s reached legend stature yet, but DonMonique is taking all the right steps to disrupt the game of hip-hop as a whole. She first gained recognition and garnered major attention through her fashion choices and photoshoots. 

    For a while, she modeled for Pharrell Williams on a website called Karmaloop. A major turning point came about when she did a photoshoot in rare FUBU attire that made its way to Tumblr and had thousands of “notes” and reposts within hours. With a fashion outlook, she set the tone at a high level with crossover appeal between fashion and hip-hop with style and distinction. 

    Before becoming a hip-hop artist, Don immersed herself within important spheres of influence and made connections with people who are relevant within the genre. Her manager recommended that she avoid popping up in studios without anybody knowing her personally. By building rapport, networking and gradually placing herself on people’s radar she saw success. This whole process took about a year, but proved worthwhile as she focused upon relationship-building and creating a good reputation for her brand.

    The Dutchess

    When it was finally time to burst upon the scene, DonMo captured her moment in all of its glory. A common theme within hip-hop involves replacing certain powdery substances with the names of white females. On the song, “Pilates,” DonMonique name-dropped Kendall, Kylie and Miley. Furthermore, this song premiered on an Alexander Wang fashion show runway which caused it to gain additional traction.

    Pilates took flight when Kylie Jenner posted the song on her Snapchat. Kylie has been known to post new music on her Snapchat account and the fact that this quality song mentioned her name must have made a good impression. Subsequently, people began to take notice of this young Brooklyn artist with only a few songs to her name.

    Thereafter, she started working with artists like Danny Brown, Justine Skye and Chuck Inglish. She toured with Lil Debbie, opened Webster Hall for Lil Yachty and got Stelios Phili (the same man who helped produce Ferg Forever) to entirely produce her mixtape, Thirst Trap. Without a doubt, she has that New York pizzazz that many covet and few are able to generate.

    Autonomous Maneuverability

    DonMonique discovered her voice through trial and error. Much more than just a face in the crowd – she possesses originality and unmistakable flavor. Hence, a strong-willed woman who thrives upon independence and confidence carries complete control over her trajectory. She takes risks regardless of obstacles, embraces her sexuality and rejects the approval-seeking nature that many feel required to subscribe to in America. Furthermore, with spunk and determination, she emerges noticeably different from other artists and travels along her path with subversive femininity. 

    When it comes to developing songs, DonMonique takes a minimalist approach. By giving the people just what they need and not a drop more, she keeps the fans honest and insatiable. Her clever verses and raspy vocals allow her to wisely navigate the male-dominated industry and reach new wavelengths. As a calm, cool and cozy Brooklyn cat she comes up with music that keeps her audience directly in mind which ultimately boosts her credibility and relatability.

    Hypnotic Radiance

    DonMo provides a rugged, rough around the edges tomboyish vibe. As a hungry artist she provides gritty bars, deadpan delivery and brash rhymes. With a raw persona, she approaches the genre with titillating, enticing, menacing and genuine bars. Being a noticeably distinct person speaks volumes to her audience and those who are in tune take specific notice of her energetic hustle. 

    She stands firmly within the throws of an era where hip-hop connoisseurs continue to witness women gain much deserved respect. As a result, she serves as a symbol of empowerment and advocates about unity for women in the form of uplifting anthems and dialogue. 

    Her first mixtape, Thirst Trap dropped in conjunction with the Hot 97, “Who’s Got Next” showcase. The mixtape title plays on the phrase for social media posts that attract viewers and persuade them into leaving desperate comments. Thirst Trap also relates to the fact that her body of music paired with her physical body and outstanding style leaves the audience thirsty for more.

    Before dropping her album, Black Kate Moss, DonMonique took a hiatus to appreciate the moment and rejuvenate herself in order to supply the best possible product for her consumers. The release date was pushed back so that she could concentrate on herself, reflect via introspection and develop her sound further.

    As a rebirth effort, this move gave her a chance to reevaluate, appreciate the entire process, cherish her gifts and prioritize her health. She continues to innovate and receive incredible reception from her loyal New York fan base. She performed at the Bowery Ballroom and the Meadows last fall. Stay tuned to hear where she performs next.

  • Barry Manilow Gives Music Award to Oneida High School Teacher

    Local Oneida teacher Heather O’Connell has been awarded the prestigious Music Teacher Award from the one and only Barry Manilow for her work as an excellent music teacher.

    Barry Manilow attends the Clive Davis Gallery Ribbon Cutting at New York University on April 05, 2022, in New York City. (Photo by Dia Dipasupil/Getty Images).

    Heather O’Connell has won the Manilow Music Teacher Award for her work as a music teacher at Oneida High School along with $10,000, which consists of $5,000 cash and another $5,000 in “Manilow bucks” to purchase musical instruments for her school’s music program. The Manilow Music Project Teacher Award recognizes an “outstanding music teacher who helps bring music to life for their students,” stated Turning Stone. The Manilow Music Project has given away over 10 million dollars worth of funds and musical instrument donations.

    “I am so humbled and so honored to have won this award to give me the opportunity to help so many students,” said O’Connell. “The $5,000 instrument money is going to my colleagues to purchase instruments for the students, and the other $5,000 is going directly back to the students at the high school. We have a beautiful community outreach program here in our school that I can help to feed and clothe and help kids in our community.”

    O’Connell received several nominations from Turning Stone employees, who helped nominate deserving music teachers in the area. The Manilow Music Project then selected ten finalists, opening up voting online to name the winner. Turning Stone Bingo Supervisor Dezaire Collins was one of those employees who nominated O’Connell.

    “Honestly, [Mrs. O’Connell] was the first person I thought of; she is truly an amazing teacher,” said Collins. “Now that I’m a parent and think back to the joy she brought to my life in music, and now she’s giving it to my kids as well. It’s quite amazing the impact she’s made in our district over these past 30 years.”

    Heather O’Connell.

    Barry Manilow performed on Aug. 19 at Turning Stone, where O’Connell received VIP tickets. Manilow also presented her with the award at a backstage ceremony during the concert. 

    “It is wonderful to partner with our concert venues to identify schools and music teachers in their neighborhoods that deserve this small token of my gratitude, said Manilow. “Many school music programs have either been terminated, or their funds have been severely depleted. I always want to do my part through The Manilow Music Project to keep music in schools.

    https://youtu.be/eW0ut8UVZDg?feature=shared
  • New York Series: Ol’ Dirty Bastard’s “Brooklyn Zoo”

    Standing out as one of New York City’s most unique MCs of all time, the late Ol’ Dirty Bastard’s discography chalks full of city anthems, whether spawning from his time with Wu-Tang Clan or his solo career. Passing away in 2004, the Brooklyn native leaves behind a legacy as one of hip-hop’s best, presenting an eccentric, energized style of rap that couldn’t be recreated by anyone else.

    Ol' Dirty Bastard
    Al Pereira/Getty Images

    Raised in the Fort Greene section of Brooklyn, Ol’ Dirty Bastard’s raspy, crazily spewed vocals paired with his violent lyricism eventually made him a central figure of the majority Staten Island group Wu-Tang Clan and hip-hop as a whole. Made up of himself, Method Man, RZA, GZA, Raekwon, Ghostface Killah, U-God, Inspectah Deck, Masta Killa, and Cappadonna, the group first came together in 1992.

    Enter the Wu-Tang (36 Chambers), the group’s first project would release in 1993 following the immense success of the single “Protect Ya Neck”, highlighting the immense talents he and the rest of the group had in store as one of New York’s rising talents.

    His solo career came to fruition in 1995, as Return to the 36 Chambers: The Dirty Version, would drop on March 28, 1995, chock full of hits symbolizing the city of New York and more specifically his time in Brooklyn. With only Method Man’s solo effort coming out before his, the music industry was able to get its first glance into Ol’ Dirty Bastard’s career outside the infamous group. 

    Ol' Dirty Bastard
    Album cover for Return to the 36 Chambers: The Dirty Version by Ol’ Dirty Bastard (Photo via SoundCloud)

    With Return to the 36 Chambers: The Dirty Version would come one of the rapper’s best performances, an ode to his city and former group through a song known as “Brooklyn Zoo,” as the hidden messages throughout go deeper into his life growing up in Brooklyn and his affiliation with other artists growing up.

    Brooklyn’s Finest

    Produced by himself and True Master, the track “Brooklyn Zoo” shot to the top of his discography following its release a month prior to his solo debut. This serves as the first real taste of Ol’ Dirty Bastard’s journey outside of the group and would end up being his highest-charting single released, peaking at 54 on the Billboard Hot 100 and spending 16 weeks on the chart.

    Accompanying the track are two separate music videos. The most popular one, which features Wu-Tang members throughout the video, sees ODB loitering around an empty apartment building, most likely abandoned, chanting the malicious words of the track.

    A second release, a short film with subtitles, came out with more of a storyline, with the rapper portraying a man completing his prison sentence and transitioning through his life returning home to gang violence. A majority of networks denied air of the film due to its explicit subject matter, but is known as the “Chinatown Version” with much of the film taking place in that section of NYC.

    The music video for “Brooklyn Zoo”

    Considered a hip-hop classic, the single goes deep into the “one-man army” that Ol’ Dirty Bastard calls himself, diving into his life growing up in the streets of Brooklyn as well, directly calling the region a zoo. The song’s many hidden meanings behind the title leave countless interpretations of ODB’s wordplay and past experiences.

    “Shame on you, when you step through to the Ol’ Dirty Bastard, straight from the Brooklyn Zoo”

    Other than its references to Brooklyn’s actual zoo in Prospect Park and the streets he grew up in, the track also mentions the second hip-hop group ODB was additionally a part of, Brooklyn Zu. Having an affiliation with the Wu-Tang Clan, Brooklyn Zu includes some of Ol’ Dirty Bastard’s closest colleagues 12 O’Clock, the rapper’s cousin, Buddha Monk, Raison the Zu Keeper, and others.

    Since the group’s formation around the same time as Wu-Tang Clan, many of the members have been featured on ODB’s Return to the 36 Chambers: The Dirty Version, also releasing their own project Chamber #9, Verse 32 in 2008.

    “Brooklyn Zoo” (Chinatown Version)

    Dissecting the streets of Brooklyn for his listeners, the aggressive track truly encapsulates the one-of-a-kind style of rap/lyricism that ODB brings to the table. The countless New York interpretations behind the name of the track leave fans and avid rap listeners room to experience Ol’ Dirty Bastard’s work.

    “Brooklyn Zoo” Lyrics

    Shit
    Word, I’ll bust that n***a ass right now
    Ain’t no, none of them n***as can’t fuck with me
    What? N***a, you could never fuck with me, my n***a
    I’ll fuck you up right now, what? What? What? (Fuck you n***as)
    Bust your motherfucking ass, boy
    I ain’t no motherfucking joke
    You know who you talking to? (Yo, word up, bust that n***a ass, word up)
    Ol’ Dirty Bastard, you know what I’m sayin’?
    I’ll fuck you up right now
    Yeah, what? What? What? (Serve that n***a, yo)
    He ain’t sayin’ nothin’, fuck him (he ain’t sayin’ nothin’, fuck him)

    I’m the one-man army, Ason
    I never been tooken out, I keep MC’s looking out
    I drop science like Cosby dropping babies
    Enough to make a n***a go crazy
    In the G building, taking all types of medicines
    Your ass thought you were better than
    Ason, I keep planets in orbit
    While I be coming with deeper and more shit
    Enough to make you break and shake your ass
    As I create rhymes good as a Tastycake makes
    This style, I’m mastered in
    N***as catching headaches, what? What? You need Aspirin?
    This type of pain you couldn’t even kill with Midol
    Fuck around, get sprayed with Lysol
    In your face like a can of mace, baby
    Is it burning? Well, fuck it, now you’re learning
    How I don’t even like your motherfucking profile
    Give me my fucking shit, ch-ch-blaow
    Not seen and heard, no one knows
    You forget n***as be quiet as kept
    Now you know nothing
    Before you knew a whole fucking lot
    Your ass don’t wanna get shot (shot)
    A lot of MC’s came to my showdown
    And watched me put your fucking ass low down
    As you can go, below zero
    Without a doubt I never been tooken out
    By a n***a, who couldn’t figure
    Yo, by a n***a, who couldn’t figure
    Yo, by a n***a, who couldn’t figure (Brooklyn Zoo)
    How to pull a fucking gun trigger
    I said, “Get the fuck outta here”
    N***a wanna get too close, do the utmost
    But I got stacks that’ll attack any wack host
    Introducing, yo, fuck that n***a’s name
    My Hip Hop drops on your head like rain
    And when it rains it pours, ’cause my rhymes hardcore
    That’s why I give you more of the raw
    Talent that I got will riz-ock the spot
    Mc’s I’ll be burning, burning hot
    Whoa-hoa-hoa, let me, like, slow up with the flow
    If I move too quick, oh, you just won’t know
    I’m homicidal when you enter the target
    N***a get up, act like a pig trying to hog shit
    So I take yo’ ass out quick
    The mics, I’ve had it my n***a, you can suck my dick (dick)
    If you wanna step to my motherfucking rep
    Ch-ch-bloaw-blaow-blaow, blown to death
    You got shot ’cause you knock, knock, knock
    “Who’s there?” Another motherfucking hard rock
    Slacking on your macking ’cause raw’s what you lack
    You wanna react? Bring it on back (back)

    Shame on you, when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo
    Shame on you, when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo
    Brooklyn Zoo (what?)
    Shame on you, when you step through to (my n***a)
    The Ol’ Dirty Bastard, Brooklyn Zoo
    Shame on you, when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo
    Shame on you, when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo

    What? My n***a
    Shame on you
    Shame-
    Shame on you when you step through to
    Shame on, shame on, shame on you when you step through to
    Shame on you when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo
    Shame on you when you step through to
    The Ol’ Dirty Bastard, Brooklyn Zoo
    What? My n***a

  • Sigur Rós Sell Out Kings Theatre, Dazzles Fans with 41-Piece Orchestra

    Legendary Icelandic post-rock band Sigur Rós played a sold out show at King’s Theater in Brooklyn on Friday, August 18. The band played accompanied by the 41-piece Wordless Music Orchestra.

    Sigur Ros plays Kings Theatre with Wordless Orchestra, Photography by David Reichmann (@davidpresspass)

    The incredible stage design featured a variety of lighting fixtures, both to light the orchestra’s sheet music and to provide a warm visual. A heavy atmosphere floated over the crowd, and fans sat captive in their seats throughout the entire performance. The lights pulsed and danced gently with the ambient sounds of the music. The only interruption from the rapturous ensemble came at the end of each song, when the crowd would let out big cheers.

    King’s Theatre is easily one of the most beautiful concert venues in New York, and provided the perfect setting for Sigur Rós and their orchestra to hypnotize the audience into sheer bliss. This show proved to be an experience quite unlike any other, and there’s no doubt fans will be reminiscing on this for quite a while.

    You can listen to the band’s music here and view their upcoming tour dates here. Check out the gallery below by staff contributor David Reichmann.