Phish welcomed legendary guitarist Derek Trucks during the second set of their show on Saturday, August 26 at SPAC. For roughly an hour, Trucks traded guitar licks with Trey Anastasio and jammed on classic Phish songs as well as TV On the Radio’s “Golden Age.”
Photo by Derek Java
The late August shows served as a benefit for the Vermont and Upstate New York flood recovery effort. While rumors of Trucks abounded during the day, only when his amp was brought out on stage following a speedy “2001” did the audience let out an electric cheer for the guitarist of Allman Brothers Band, Derek Trucks Band, and currently, Tedeschi Trucks Band.
Photo by Derek Java
Trucks had joined Phish once prior, in Charlotte, NC on July 7, 1999, for “Funky Bitch” and “Possum,” the latter of which would serve as the encore this evening as well. Additionally, Trucks and Susan Tedeschi were joined by Anastasio at Lockn 2019 for a recreation of Derek and the Dominoes Layla and Other Assorted Love Songs.
Watch Derek Trucks join Phish for “Golden Age,” “Everything’s Right,” “First Tube” and “Possum.”
Phish – Saratoga Performing Arts Center (SPAC) Saratoga Springs – August 26, 2023
The Bowery Ballroom hosted the Brooklyn-born band, HOKO, on the evening of Wednesday, August 23rd. On tour in support of almost monday and the WEATHERS, HOKO branded their name into the minds of their modest but curious New York City audience. This fifteen stop USA tour is HOKO’s first tour debut, and they are making sure to impress along the way. Through the vehicle of their experimental style, they are refreshing the palettes of listeners with a sound unlike anything they’ve ever heard.
Photograph by Sophie Gurwitz
Bodies trickled into the ballroom as time climbed towards HOKO’s set. Conversation vibrated across the floor, people expressing their excitement about the headliners and a few eager to watch HOKO’s set, while others volleyed HOKO’s name around with intrigue.
When the lights dimmed, everyone’s attention was pulled towards the darkness resting on stage. Blue light hues swirled across faces of the crowd while the band presented themselves on stage. Bass came through the floor, tugging at peoples’ bones, demanding their presence. After a minute long introduction of pure sensation, the first guitar riff electrified the atmosphere to kick-off a night of music.
Photograph by Sophie Gurwitz
HOKO opened with their song “Pretender.” Dense guitar riffs and confident vocality drew the audience into captivation. Their sound projected something heavier than the typical pop-rock song. The tones and intensity of the instrumentals almost felt dark – not in a dangerous way but in an enticing manner.
It was impossible to name a comparable sound to them, they felt fresh. Listeners bounced around artist names, “COIN,” “Bleachers,” “B-52’s,” “Zeppelin.” That vast of a name pool proved testament to their individuality.
Photograph by Sophie Gurwitz
It’s difficult to be truly unique in the music industry, to not fall into the coddle of a niche, to not be a genre artist. HOKO has taken the liberty of demolishing musical barriers, and redefining flexibility in relation to their production. Their sound cannot be labeled, for they are rock, they are electric, they are pop, they are psychedelic. They are ever-evolving. As the night progressed, it became evident that something of impressive massivity is to come from HOKO.
Photograph by Sophie Gurwtiz
Lead singer, Nathaniel Hoho, absorbed the ballroom’s energy and gave a rockstar level performance. He got in the crowd to mosh with the audience. He climbed atop speakers, and entertained the cameras. He engaged with fans in between songs. Half way into their set, it became hard to believe HOKO had never toured prior to this, for their presence suggested years of being fluid and daring on the stage. Their performance felt too big for a stage the size of Bowery’s.
Photograph by Sophie Gurwitz
One of HOKO’s most popular songs, “Candy Eyes,” gripped the evening when it made its way through the setlist. Guitarist and esteemed string player, Jesse Kotansky, brought out his violin for the song. To hear the harmony of the violin with Hoho’s powerful voice was a beautiful display of musical juxtaposition. Versatility receives respect from concert goers. Though a handful of the audience didn’t know of HOKO before the show, they were sure to remember them after the night the band gave them.
Photograph by Sophie Gurwitz
Their production value implied experimentation and play as a priority. The boldness, the confidence, the yearn to perform created a high that everyone suspended in. People finally began to move their bodies and sing along with the band, as if they developed a sort of trust with HOKO’s sound. A sureness between the classicality of rock and the future of pop.
Photograph by Sophie Gurwitz
Unfortunately, HOKO’s set was merely a half hour long. The show could have carried into the next set and closed out the night, alas Weathers and almost monday had shows of their own to put on. Hoho brought the evening to a clean close when he jumped down into the crowd, parted the mass of bodies in half, and disappeared through the back of the crowd.
Seize Atlantis, an energetic rock band formed in Glens Falls, released their remaining show dates for their tour, Ruins Rebuilt.
They started as a mere jamming project way back in 2018, with different band members and a different name. But just after a few shows crawled the demanding COVID-19, forcing the band into a 7-month hibernation, where they took this time to rebrand themselves as Seize Atlantis. Since their COVID hiatus, they’ve been on a steady incline of music production.
Seize Atlantis is made up of four music lovers: Mike Dardas (bass and backing vocals), Cody Platt (drums), James Mullen (lead vocals and guitar), and Luc Bourgault (lead guitarist).
With only 10 shows left, you won’t want to miss them. Seize Atlantis will be visiting Glens Falls, Albany, and Lake George.
RUINS REBUILT TOUR DATES
9/2 Glens Falls Charles R Wood Theater
9/9 Glens Falls Mean Max Brew Works
9/16 Albany Fuze Box
9/23 Lake George The Lagoon
10/6 Glens Falls The Grateful Den
10/14 Lake George The Lagoon
10/27 Albany Empire Underground
11/18 Glens Falls Mean Max Brew Works
11/25 Albany Empire Underground
12/31 Glens Falls The Grateful Den
For more information on Seize Atlantis, including announcements, tickets, and upcoming tour dates, be sure to check out their Instagram, FaceBook, and LinkTree.
Bryant Park Picnic Performances season of free, live performances, continues on Saturday, September 9 with the US debut of Turkish musician Gaye Su Akyol, as well as opening act The Secret Trio, presented by Drom.
This concert celebrates the music of Anatolia and marks the centenary of the founding of the Turkish Republic.
Gaye Su Akyol is an Istanbul-based musician and artist, born in 1985. In her work, she redefines the concepts of power, desire, change and rebellion. She creates a universe of imagination, in which she constructs her own “counter-reality” — a world without oppression or injustice. Without alienating from the land she was born into, she questions its representations, defines new symbols, and chases after the practice of transforming a conservative world through collective dreaming.
Gaye Su Akyol has created her own unique language, taking the contrasts of traditional Anatolian music, Classical Turkish music, psychedelia, surf rock and post-punk, and combining them with her futuristic approach. Akyol, who, in 2014, released her first album Develerle Yaşıyorum (“I Live With Camels”) in 2014, written and composed entirely by herself, defines her music as “universal in concept, local in spirit.” She expanded her audience through numerous concerts and festivals in Turkey, Europe, Middle East and the Far East, with the release of her first international album, Hologram İmparatorluğu (“Hologram Empire”) in 2016.
The Secret Trio, the opening band for Gaye Su Akyol, is made up of three astounding musicians who came together to create a new type of chamber music with new and interesting approaches to their instruments. Immerse yourself in the captivating melodies and stunning virtuosity of Ara Dinkjian, Ismail Lumanovski, and Tamer Pinarbasi.
Founded by two immigrant business entrepreneurs, Drom’s mission is to celebrate cultural diversity in the performing arts field. They have provided a physical space for artists from around the world to present their music, art and creative experiments. Drom live by the motto, #DromIsHome. From downtown Manhattan, they bring together a local and global community of like-minded individuals to share art and culture that transcend genre, class, race, and geography. Drom’s programs span diverse artistic forms including music, dance, theater, comedy and its stage is open to the next generation, as well as established performers.
REMAINING SCHEDULE AT BRYANT PARK
August 25 – Accordions Around the World: Diana Burco, Suistamon Sähkö, Ragini Ensemble
August 26 – Roulette Intermedium: Immanuel Wilkins, 75 Dollar Bill, Ka Baird
August 31 – The Town Hall: Martha Redbone Roots Project
September 01 – The Classical Theatre of Harlem: Young, Gifted and Black
September 07 – American Symphony Orchestra: American Expressions
September 08 – New York City Opera: Romeo and Juliet
September 14 – Harlem Stage: 40th Anniversary Celebration
Attendees to Bryant Park Picnic Performances may bring their own food or purchase from on-site food and beverage vendors. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of local artisanal vendors curated by Hester Street Fair.
For the most current information about Bryant Park, please visit bryantpark.org/picnics.
Phish returned to Saratoga Performing Arts Center (SPAC) on Friday, August 25th, for a pair of shows that served as a benefit for victims of flooding in Vermont and Upstate New York this summer. Their first time playing at the historic Upstate amphitheatre since 2019, Phish will record their 24th career show at SPAC, following the show on Saturday night.
Earlier in the day, Phish connected with New York Governor Kathy Hochul, announcing that the band had donated $3.5 million dollars raised from the pair of concerts, to support flood relief for Upstate New Yorkers, as well as Vermonters affected by flooding earlier this summer.
That number is sure to rise, with donations being raised during the shows through the Waterwheel Foundation’s 2023 Flood Recovery Fund, supporting victims and their families, area businesses, and non-profits. The Recovery Fund will support both shorter-term needs and long-term recovery and resiliency projects.
We are so grateful to everyone who donated their time and resources to make these benefits possible, and those that attended the shows or watched online. The joy in the room at these concerts was undeniable. But for the people affected by the flooding, it is an ongoing struggle. That’s why we are continuing to accept donations, raise awareness and distribute the funds.
Page McConnell
With rain in the forecast and a blanket of clouds enveloping the Saratoga Spa State Park grounds, fans arrived early and in great numbers, setting up a Shakedown off Route 50 while sprinkles fell intermittently throughout the evening. Filing into SPAC, fans dispersed to find spots on the lawn or head down to the pavilion, with the first notes of the evening at 8:05pm.
What might look like a pedestrian set on paper was energetic and rocking from the start, with “Kill Devil Falls” and “The Moma Dance” opening the night, the latter finding its familiar home in the two-slot, clocking in at nearly 14 minutes. The trio of “Ocelot,” “The Wedge” and “Mull” packed a punch, especially “Mull” which deftly found a segue into “Punch You In the Eye,” with fans erupting upon the first notes, carrying the energy into “Sand.”
It was within “Sand” that a classic film was paid homage to, as teases and jams based on “We Welcome You to Munchkinland” spiced the jam vehicle nicely, a tribute to The Wizard of Oz on the 84th anniversary of the film’s initial release. This tidbit had fan’s ears perking up, searching their internal database to find where this ditty derived itself from, occuring later in a second set “Chalkdust Torture” and the original recording played outright as the postshow music.
For a band that has played “Somewhere Over the Rainbow” and “If I Only Had a Brain” over the years, including with the legendary Ken Kesey, the band didn’t miss the chance to celebrate an inspiring American film. Drummer Jon Fishman even went so far as to put his hair in a pigtail to mimic a munchkin hairdo in the second set. The incredible “Sand” is a must hear, and led into a set closing “Rock and Roll” courtesy of Lou Reed and The Velvet Underground.
What would amount to a five song second set began with an Anastasio-penned quarantine tune “Evolve,” serving as an appetizer for the feast that was about to be plated. “A Wave of Hope” and “Simple” would pair up for back-to-back 22-minute jams, following in the vein of the excellent recent shows at Madison Square Garden. To follow were a pair of 11-minute jams in “Fuego” and “Chalkdust Torture,” wrapping up a powerful set, a true treat for the many first-timers in the crowd this evening.
For an encore, the first breather of the night arrived as “Wading in the Velvet Sea,” giving way to Kasvot Växt’s “Say It To Me S.A.N.T.O.S.” which has found a home in the set closing/encore slot to send fans on their journey to Oz.
Phish – Broadview Stage at Saratoga Performing Arts Center, Saratoga Springs – Friday, August 25
Soundcheck: My Soul, Fast Enough for You, Wombat Set 1: Kill Devil Falls, The Moma Dance, Ocelot, The Wedge, Mull > Punch You in the Eye, Sand, Rock and Roll Set 2: Evolve, A Wave of Hope -> Simple > Fuego -> Chalkdust Torture Encore: Wading in the Velvet Sea, Say it to me S.A.N.T.O.S.
This performance was a benefit for Vermont and Upstate New York flood recovery efforts and was a free webcast with all proceeds via donation going to those efforts. Coinciding with the 84th anniversary of The Wizard of Oz being released in the United States on the date of this show, Trey teased We Welcome You to Munchkinland (or It Really Was No Miracle) several times in Sand as well as at the end of Chalk Dust Torture, Fish wore his hair with a single pigtail sticking out of the front of his head like a munchkin for the second set, and We Welcome You to Munchkinland was the postshow music. Trey also teased Dave’s Energy Guide on Sand.
Elements Music and Arts Festival comes back for another year by doubling their attendance amount. Located in the woodlands outside of Pocono Raceway right in Long Pond Pennsylvania, makes it a favorite for our Northeast music lovers. This premiere boutique festival experience brought EDM and jam band fans together from August 11 to August 13.
Skrillex, Photo Credit: Maddie McCafferty
Day 1 – Bringing all the Elements Together
This festival looks to connect their attendees with not only the people around them but the world around them. The four main stages are named after the four elements: fire, water, earth, and air. Smaller stages can also be found spread throughout the woodlands.
As attendees filtered into the area the days leading up to the festival, the campgrounds became their own party. People set up camp on the famous NASCAR racetrack where the celebrations began. People brought their own DJ decks, karaoke buses, a take-one-leave-one station and much more. Vendors and artists set up their booths right in this area making it a mini festival before anyone even walked through the gates.
The top-notch music production is the initial factor that brings many folks in but what makes them stay is every other thing this festival has to offer. Among the long-list of perks at Elements is their large-scale art installations, interactive performances, 3D video projection mapping, games, yoga, unique craft vendors, and more.
Early in the day people participated in breath work, an intro to reiki, and jewelery making. When entering the festival the area is filled with a variety of music and entertainment to satisfy just about everyone.
Jam band lovers got their day filled with performances by Pigeons Playing Ping Pong, Lotus, and STS9. House heads had huge headliner John Summit take over the fire stage for a fun up beat show. For all the heavy bass folk found themselves at Mersiv early on and finishing their night with the Belgium kings of wubz, Ganja White Night.
Ganja White Night, Photo Credit: Maddie McCafferty
Day 2 – Bass to the Face
If you weren’t at afters with John Summit all night then you probably were up early from the beating sun. Luckily, so were the festivities. The Saturday fun began with tarot cards, acro yoga, a shuffle workshop and an embodiment flow.
House and techno fans camped out at the fire stage most of day 2. This stage is epic visually due to the pyro coming from the front to the back of the stage. The fire timed with the beat drops makes this stage that much more entertaining even when you don’t know the artist.
Over on the Earth stage is where predominantly headbangers found themselves. This began with young producer Zingara who knows how to put on a great show despite being met with technical difficulties. Her heavy bass and fun environment effortlessly draws a crowd. People at the rail were head banging and those in the back were flowing with hula hoops, poi, and flow stars.
Zingara, Photo Credit: Maddie McCafferty
After Zingara, other heavy hitting artists took over including Daily Bread and Peekaboo. Daily Bread is known for creatively melding vintage and modern sounds to construct an aural narrative. His fans brought in loafs of bread and were handing them out during his set.
Daily Bread, Photo Credit: Maddie McCafferty
PEEKABOO continued to bring the bass with his overwhelmingly energetic performance which was immediately met with a flood of rain. Everyone embraced this weather switch up though because it was impossible not to dance to his heavy-hitting tunes. The downpour made the lasers sparkle, like a scene out of a movie.
PEEKABOO, Photo Credit: Maddie McCafferty
LSDREAM took the the stage afterward, an obvious crowd favorite. He makes his music with healing frequencies and leads with spittruality. Through this he is able to create a positive and high energy flowing environment that people crave to be a part of. About halfway into his set an announcement went over the speakers asking everyone to evacuate due to an intense thunderstorm warning.
The audience left shocked as they filed out of the festival and back into the campgrounds. Everyone waited anxiously for any news when people would be let back in because no one wanted to miss two main headliners who were supposed to perform that night: Subtronics and Skrillex.
Subtronics, Photo Credit: Maddie McCafferty
Luckily, after over an hour fans were being let back in but had to make the conflicting choice of which famous producer they were going to see. With both stages right next to each other you could see everyone in both crowds going wild. Despite a tough night and needing to evacuate for a brief time, this didn’t make people too down in spirits because we still got the showdown of a lifetime. Everyone leaving both sets could not stop talking about the amazing production they just witnessed.
Skrillex, Photo Credit: Maddie McCafferty
Day 3 – Missing One LSDREAM Set Doesn’t Mean Missing Another
Many people were still upset about the outcome of the previous night. This was mostly due to LSDREAM’s set ending early. Luckily though, he planned to hold his signature Lightcode ceremony Sunday morning. People were lined up outside the festival gates awaiting for entrance to the Air stage.
Hundreds of people filed in excited for this mediation event. Sammy spoke on stage explaining the purpose of a sound bath and how individuals can look inward to alter their reality. Sammy immediately created a safe and peaceful space for everyone. He then led the 40 minute ceremony where people laid on yoga mats, hammocks, or relaxed on the ground. It was a great start to the final day at Elements where people could ground themselves and share love with each other.
LSDREAM, Photo Credit: Maddie McCafferty
Leaving light code felt like a breath of fresh air as people met Sammy and explored the early afternoon inside. House artist Jackal Jyve brought in a crowd to the water stage with his upbeat tunes and exotic dancers.
Later on, artists like Yam Yam, Koopmusik, and Skillaton dominated the scene. Rising artist Level Up did just that on the Earth Stage with her love of dubstep. Her crowd was so insane that she had so many mosh pits opening up into each other. Fans left her set dripping in sweat and out of breath.
Level Up, Photo Credit: Maddie McCafferty
Of The Trees followed up this performance with his blend of bass music and rap. Another crowd favorite was REZZ which became obvious as many people wore her hypnotic goggles that day. She may be young but that is not testament to her ability to stand alongside the pros in the bass scene.
REZZ, Photo Credit: Maddie McCafferty
Sunday night ended with performances by Porter Robinson and Chris Lake on the main stages. For those who traveled into the forest though for a final walkthrough found the Wub Hub area booming from artist Chef Boyarbeatz. Those on the side stage were scene holding up Chef Boyardee cans.
Chris Lake, Photo Credit: Maddie McCafferty
Elements Music Festival is nothing short of spectacular. It makes room for connection among people through love of music and appreciation for the world around. Who knew some woodlands in the Northeast could be the next best intimate music festival?
All Photos by Maddie McCafferty
Ganja White NightZingaraZingaraZingaraZingaraLSDREAMSubtronicsSubtronicsSubtronicsLevel UpLSDREAMLSDREAMREZZPorter Robinson
On the heels of 2022’s Brightside album, the The Lumineers have hit the road again. August 22, with James Bay joining the fray, they made their way to Darien Lake Amphitheatre for an evening of Americana music.
After playing small gigs, open mic nights, and struggling to make ends meet under various monikers, The Lumineers were “formed” when an emcee misspoke during an introduction. Although Wesley Schultz and Jeremiah Fraites had been playing together since 2002, a working name never really happened until this mishap.
12 years after their first single, “Ho Hey” was released, The Lumineers now have 4 studio albums, 4 headliner tours, and millions of fans worldwide, in addition to a couple Grammy nominations. Of those millions of fans, a plethora of them showed up for the show at Darien Lake and sang their hearts out.
Before they were able to sing along with Jeremiah and Wesley, fans were treated to 40-minute set from English songwriter, James Bay. Very subdued in his own right, Bay had the attention of the fans who were filing into their seats in anticipation of the nights headliner.
With 3 albums and a couple EPs to his name, Bay has been nominated for a montage of music awards and has won a 7 British music awards since 2015, including Best New Act, Breakthrough Solo Artist, and Best British Solo Artist. Around 7:30pm, he let the crowd know why he has won those awards.
Classic Americana style, Bay rocked his guitar as he opened his set with “Best Fake Smile”. A song seemingly about standing up for yourself and having a voice, topics very prevalent in society.
No, you don’t have to wear your best fake smile Don’t have to stand there and burn inside Oh, oh, oh If you don’t like it
Although an opening act, the fans reactions and ability to follow along make it clear that he is a respected musician and very much a headlining act on his own.
After a 45-minute break to reset the stage and get things in order, the stage goes dark. Intermittently, we get some loud drums from the loudspeakers, timed up with stage lights to welcome The Lumineers. This goes on for about a minute or so as anticipation builds for the band make an entrance. Cell phones up high hoping to catch a glimpse or record a video clip, fans were eager.
Finally, a few minutes later, you can see an entourage of silhouettes making their way into position. The time has come to go nuts. Lights go on across the stage set and Wesley Schultz and crew announce their arrival with 2016s “Cleopatra,” “Flowers in Your Hair,” and the big “Ho Hey.”
With a stage full of musicians, there was never a shortage of entertainment to keep an eye on, or at least try to. Jeremiah Fraites ( drums/percussion, piano, mandolin, vocals), Stelth Ulvang (piano, keys, accordion, mandolin, guitar, percussion, vocals), Byron Isaacs (bass, guitar, vocals), Brandon Miller (guitar, mandolin, percussion), and Lauren Jacobsen (strings, piano, vocals). This line up screams excitement, and The Lumineers brought it all night long, with each musician displaying their talents. There wasn’t a single person here that didn’t bring the energy, and they all had a blast on stage.
Covering a good set of shows at Darien Lake this summer, I have heard some loud fans singing along with the acts. But, let me tell you this. The fans for this show blew everyone else away. There was no competition. During at least three songs, the crowd was so loud, it nearly drowned out the act on stage. Songs like “Gloria” and “Ophelia” were echoed right back to Wesley and Jeremiah as they belted out the lyrics.
Combining pop with classic Americana and a little bluegrass may not seem the norm. However, this group of amazing artists have been making it work for several years now, and there doesn’t seem to be an end in sight. Wesley as gathered a strong support group around him and Jeremiah and the cohesive chemistry you see on the stage is flawless. While I have heard the music before, I would have never called myself a fan. After seeing the performance with nearly 20 thousand other fans, I am hooked. Stage presence, subtle sounds, and high energy are keys to a good show, and The Lumineers put all of that and then some on display.
Set list: Cleopatra, Flowers in Your Hair, Ho Hey, Angela, WHERE ARE WE, Dead Sea, A.M. Radio, My Cell, Slow it Down, Charlie Boy, BRIGHTSIDE, Gloria, Sleep on The Floor, Ophelia, Leader of the Landslide/You Can’t Always Get What You Want, Salt and Sea, Birthday, Big Parade, Donna, Submarines, Remington, Reprise, Stubborn Love
On a hot sun-kissed day in Cortland, music enthusiasts from all corners converged to experience the magic of Seedstock, an annual celebration of music, community, and creativity. The festival, held on August 12, 2023, transformed the picturesque landscape into a vibrant hub of musical expression.
With the backdrop of rolling hills and blue skies, Seedstock welcomed a diverse lineup of artists who brought their unique sounds and stories to the stages. The Forest Stage, shrouded in the mystique of towering trees and dappled sunlight, provided an intimate setting for those seeking a more ethereal musical experience. Surrounded by the natural acoustics of the forest, local artists wove their melodies into the sounds of nature, creating an otherworldly atmosphere that was captivating as it was serene. These stages perfectly encapsulated the festival’s ethos: a harmonious blend of music, nature, and community.
Among the daytime performers was the mesmerizing Miss Tess, a Tennessee-based artist with a history as rich as her voice. A modern-day troubadour, Miss Tess weaves together elements of roots, jazz, and Americana to create a musical tapestry that resonates with audiences far and wide. Her ability to transport listeners to smoky Southern nights and dusty desert highways is a testament to her innate connection with her craft. As she took the stage at Seedstock, her performance became a bridge between the past and the present, transporting the audience on a journey through time and place.
Mike Powell, a seasoned artist with a penchant for folk-infused storytelling, enchanted the audience with his heartfelt tunes and reflective lyrics. With his acoustic guitar and soulful voice, he effortlessly captivated the crowd, weaving tales of life, love, and introspection. Sharing the stage next was the exuberant Fall Creek Brass Band, whose infectious energy and spirited melodies added a vibrant touch to the festival atmosphere. Their fusion of brass and rhythm transformed the sunny day into a lively musical celebration.
Under the canopy of towering trees at Seedstock 2023’s Forest Stage, People People, Metasequoia, and the Rollin Rust conjured an atmosphere that felt like a soulful reverie within the heart of the woods. The band’s music echoed through the dense forest, blending seamlessly with the rustling leaves and the dappling sunlight. The Rollin Rust’s unique fusion of blues, folk, and Americana resonated with the natural surroundings, creating a captivating auditory experience. The interplay of acoustic and electric instruments, coupled with the gritty yet tender vocals, showcased the band’s versatility and undeniable chemistry. All hailing from the local music scene, the band’s authentic and heartfelt performance’s seamlessly melded with the festival’s enchanting ambiance.
Seedstock’s Main stage came alive when local bands Digger Jones and The Unknown Woodsmen, and Unknown Jones – a captivating local artist collective, ignited the stage with an energy that matched the fiery hues of the sunset and . The band’s intricate instrumentation, led by soulful vocals and an array of traditional and unconventional instruments, transported listeners to a realm where nature and music intertwine. The performers all brought their unique sounds that resonated with the festival’s ethos but also took it to new heights, creating an ethereal atmosphere.
In conclusion, Seedstock 2023 was a masterful blend of music, nature, and community. The two stages, each with its own allure, provided a diverse range of musical experiences that resonated with attendees. As the sun set over the valley and the music faded into the night, it was clear that Seedstock had once again planted the seeds of artistic appreciation and unity in the hearts of all who attended.
The Caribbean Music Awards announced a star-studded lineup of live performances for the upcoming event on August 31, boasting many artists of the genre’s biggest names.
The awards will take place at the Kings Theatre in Brooklyn, with performances by Alison Hinds, Jada Kingdom, Dexta Daps, Kranium, Nailah Blackman, Ding Dong, Rupee and Romain Virgo, as well as others to be announced.
Last month, The Caribbean Music Awards announced Grammy Award-winner and Haitian-born Newark artist Wyclef Jean as the host for the event. Along with a full range of live performances, the night of celebration for Caribbean Music will feature appearances from Spice, Baby Cham, Toni-Ann Singh, and more.
Awards span across in 26 categories in many genres, including Reggae, Dancehall, Soca, Kompa, and Zou. Trinidadian group Kes leads with five nominations, including Performer of the Year, Video of the Year, and Artist of the Decade. Following with four nominations are Masicka, Ding Dong, Machel Montano, and Shenseea.
Trinidadian singer, songwriter, and producer Machel Montano will accept the Lifetime Achievement Award for his contributions as a leader of the sound and style of Soca music worldwide. In addition, reggae legend Beres Hammond will accept the Elite Icon Award. The esteemed award commemorates Hammond for his contributions in elevating and enriching the face of Reggae music for decades.
The Caribbean Music Awards will take place on August 31, 2023 at 8pm EST at the Kings Theatre in Brooklyn, and will be streaming worldwide on YouTube.
For the latest updates and information, visit the official website CaribMusicAwards.com or follow on IG @CaribMusicAwards. Get ready to experience the best that Caribbean music has to offer at the Caribbean Music Awards.
Grateful Dead drummer Billy Kreutzman, along with a cast of “kids” played a quick two show tour including one night at the scenic Pier 17 rooftop.
Along for the ride were “new kids” like Daniel Donato and Sierra Hull but also some “kids” who’ve been around the block with Billy like Tom Hamilton and Aron Magner.
The first set opened up with “China Cat Sunflower” and included crowd favorites like “Truckin” & “Cumberland Blues” closing with “Built to Last.”
In Grateful Dead fashion the second set was opened up with “Drums”. The band joined the two drummers to play an unexpected Bob Marley cover of “Could You be Loved”. The second set included a Talking Heads cover “Take Me to the River” as well as deadhead favorites like “Bird Song”, “Wharf Rat”, & “Unlce John’s Band,” closing the second set with “Franklins Tower”.
The crowd roared and cheered for this incredible band. They come back up to play an encore of “Wake up Little Susie” and “We Bid You Goodnight”.
