Category: NYC Metro

  • Ireland’s The Coronas Announce St. Patrick’s Day Show at Bowery Ballroom

    Ireland-based cinematic, melancholic pop group The Coronas have supported Bruce Springsteen in front of more than 65,000 people in London’s Hyde Park, played for President Joe Biden in County Mayo during his visit to his ancestral home in Ireland, and made chart history as being the first independent Irish band with three consecutive topping the charts. They have announced they are celebrating St. Patrick’s Day with a special show at the Bowery Ballroom.

    Voted #1 Live Act of the Year by Hot Press Magazine, one of Ireland’s best-loved bands The Coronas has no intention of slowing down, continuing tours in Europe and the States this March. They are fresh off a series of huge summer shows and festival appearances that included the iconic Electric Picnic Festival and Glasgow’s TRNSMT.

    The Coronas is comprised of lead vocalist/guitarist Danny O’Reilly, bass guitarist Graham Knox, and drummer Conor Egan. They are returning to North America to begin a run of shows on March 5, 2024, culminating with St. Patrick’s Day at the Bowery Ballroom. They last toured the U.S., a year ago, but this past March performed at the celebrated pre-Academy Awards “Oscar Wilde Party” in Los Angeles and squeezed in an SRO nightclub show in Hollywood as part of this extraordinary year.

    Last month the band released The Best of the Early Days, a compilation of records from the band’s first three albums, plus a special never-before-released album closer “One Last Time.” All of the tracks were released on vinyl for the first time, in addition to CD format, and via all digital platforms. Four songs each come from their 2007 debut Heroes or Ghosts, their 2009 breakthrough Tony Was an Ex-Con (winner of Best Album at 2010’s Meteor Awards, for which they beat U2 and Snow Patrol) and 2011’s Closer To You, their first Irish chart-topper, all chapters in an extraordinary, near 20-year career.

    We loved listening back to our early albums and remembering the wild times we had making them. The three of us met at school, and we were still kids when we started the band. Choosing which songs to include was the hard part – each of us has our favourites. All of the songs are packed with memories of gigs we played, places we’ve been and the mates we’ve made along the way. We couldn’t make music like that anymore, but we wouldn’t change a thing. Every song has its place in The Coronas’ history. Hearing them together is a reminder of what we’ve achieved and how far we’ve come.

    Danny O’Reilly.

    The new song “One Last Time,” once known as “Bonus Night,” was recorded during the Tony Was An Ex-Con sessions. “We always loved it,” explained Danny, “but at the time we felt that ‘Warm’ was the album’s acoustic moment and having another stripped-back song would have been too much. It has a beautiful string arrangement by James Hallawell. It’s a Coronas gem that I’m delighted we can finally share with our fans.”

    An eighth Coronas studio album is in the works to kick off the next 20 years. For more information about the band, visit here.

    The Coronas Tour Dates

    December 21—Vicar Street, Dublin, Ireland
    December 28—INEC Arena, Killarney, Ireland
    March 5, 2024—Empty Bottle, Chicago
    March 6—Shank Hall, Milwaukee, WI
    March 8—The Great Hall, Toronto, ON, Canada
    March 12—The Foundry, Philadelphia
    March 13—Atlantis, Washington, DC
    March 15—Brighton Music Hall, Boston
    March 17—Bowery Ballroom, New York City

  • Night 3 of Bob Weir & Wolf Bros Capitol Theatre December 2023 Residency

    As the crescent moon descended over the Capitol Theatre in Port Chester, Bob Weir & Wolf Bros delivered a compelling evening of music, marking the third show of their extended December 2023 residency. 

    Bob Weir & Wolf Pack, Capitol Theatre

    Emerging from the rear of center stage, Bob Weir opened the evening solo with his rendition of “Peggy O.”  A solitary figure with his guitar, Weir exuded a contemplative aura.  Every note plucked and every word sung captivated the audience, drawing them into the profound depths of his soul.

    Bob Weir

    The five-night series harmoniously coincided with the festive season, capturing the joyous spirit of the holidays.  With a twinkle in Weir’s eye and his beard all aglow, this musical Kris Kringle bestowed a plethora of gifts upon all the good boys and girls attending the sold-out show.

    Bob Weir & Wolf Pack, Capitol Theatre Night Three

    Enhancing the magical ambiance was a cadre of Santa’s musical helpers, featuring Don Was, Jay Lane, and Jeff Chimenti, as well as The Wolfpack (Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling, Sheldon Brown, Barry Sless), who graced the stage alongside Weir at different junctures throughout the evening, intensifying the magic.

    Bob Weir & Wolf Pack, Capitol Theatre

    The musical choices for the evening spanned a diverse range of origins, featuring both Weir’s original compositions and beloved Grateful Dead classics.  Each song’s energy seamlessly flowed into the next, creating a dynamic musical journey. 

    Bob Weir & Wolf Pack

    Both sets featured compelling covers, including Kris Kristofferson’s “Me and Bobby McGee” and Marvin Gaye’s “What’s Going On,” broadening the musical scope of the evening.  The band’s portrayal of Eddie Cooley’s “The Fever” transcended into a profound and soulful masterpiece.  Bringing the night to a memorable conclusion, the band encored with the timeless classic, “Going Down the Road Feeling Bad.”

    Bob Weir & Wolf Pack

    As the band bid farewell, the capacity crowd journeyed out into the darkness of the night. If anyone among them cast their gaze skyward, they might have captured the sound of a celestial symphony. Voices from above exalting ‘On Dead, on Ratdog, on Kingfish, on Company; Merry Christmas to all, and to all a Rock’n Night!’

    Bob Weir and Wolf Bros., – Capitol Theatre, Port Chester – December 15, 2023

    Set 1: Peggy-O, The Winners, Mississippi Half-Step Uptown Toodeloo, Tennessee Jed, Odessa, Ramble On Rose, I Need a Miracle, Fever, U.S. Blues

    Set 2: Me and Bobby McGee, Man Smart; Woman Smarter, Bertha, Cassidy, The Wheel, Eyes of the World, What’s Going On, Stella Blue, Not Fade Away

    Encore: Going Down the Road Feeling Bad

    Bob Weir & Wolf Bros

  • mxmtoon, Live in Brooklyn!

    On December 15th, the indie-pop luminary mxmtoon/Maia wrapped up her “plum blossom (revisited) tour” in style at the cozy Roulette venue in Brooklyn, her adopted home. Despite her Bay Area origins, the artist warmly acknowledged the show as a second hometown gig, solidifying the special bond she shares with the Brooklyn crowd. The night was a whirlwind of distinctive moments, from a fan capturing the event with a 3DS to the collective knuckle-cracking orchestrated by Maia, showcasing both the uniqueness of her fanbase and her penchant for the offbeat.

    In a touching moment, the emotional crescendo transpired during the performance of “Stuck.” Overwhelmed by a fan project featuring signs proclaiming “you are more than enough for us,” Maia paused and restarted the song, getting overwhelmed with emotion and tearing up a bit over the profound connection her music forms with her dedicated followers.

    The concert became an interactive experience when Maia encouraged the audience to join her in a spirited rendition of “Prom Dress,” a poignant moment of shared emotion. Adding layers of sentimentality, Mxmtoon revealed that “Hong Kong” held a special place in her heart, as it was her mom’s favorite among all her compositions. The setlist, a carefully curated blend of fan favorites and surprises, included an unreleased jewel titled “Sarah,” a clever and quippy exploration of the concept of hate-watching YouTube videos.

    The night unfolded as more than just a concert; it was a narrative journey with Maia providing glimpses into the stories behind her songs. The anecdote about “I Feel Like Chet,” a song where her youthful enunciation led to amusing misinterpretations (like “I feel like shit”), showcased her ability to infuse humor into her reflections. The concert concluded with an encore, featuring a cover of Vance Joy’s “Riptide,” cementing the evening as a nuanced exchange between artist and audience, leaving an indelible mark on all those present.

    Setlist: cliché, the idea of you, mona lisa, sad disco, fever dream, porcelain, i feel like chet, temporary nothing, sarah (unreleased), hong kong, stuck, feelings are fatal, prom dress

    Encore: Riptide (Vance Joy cover)

  • Bobby Weir & The Wolfpack Take Over The Capitol Theatre for A 5 Night Run

    Legendary guitarist Bobby Weir of the Grateful Dead has wrapped up holdng a 5-night run at The Capitol Theatre with the Wolf Bros, featuring The Wolfpack.

    The Wolfpack is made up of the Wolf Bros Don Was and Jay Lane, and Jeff Chimenti, who joined Wolf Bros in 2020 around the time of the forming of The Wolfpack, who are a string and brass quintet consisting of Adam Theis, Alex Kelly, Sheldon Brown, Brian Switzer, and Mads Tolling as well as Barry Sless on pedal steel.

    The second night of the run, Wednesday, December 13, saw the night start off with just Bobby on stage playing an acoustic “Easy to Slip,” and was then joined by Jay & Don, still on acoustic, for a cowboy favorite, “El Paso.” Bobby switched to electric to play “Queen Jane Approximately” before Chimenti came out for a full electric “Hell in a Bucket,” a crowd favorite. The room was getting hot and The Wolfpack came out to play “The Music Never Stopped”, but for Bob Weir, the music has truly never stopped. The rest of set was joined by Ron Carter on stand up bass and featured a dark and psychedelic “Dark Star” and a roaring “Scarlet Begonias.”

    Not bad at all for a Wednesday night! Spirits were high and the second set certainly delivered, starting off strong with “Throwing Stones.” Bobby’s vocals really shined on “Viola Lee Blues” and “Corrina.” This was followed by “Come Together,” an unexpected Beatles cover. Following were delightful symphonic renditions of “China Cat Sunflower > I Know You Rider,” featuring top notch horn solos accompanied with Bob’s iconic rhythm guitar playing.

    Following was a dark and somber “Wharf Rat” with the absolutely iconic Bobby song, “Sugar Magnolia” following. Weir absolutely wails at one point in that song, delivered beautifully but being careful not to blow his voice out before the next three nights at the legendary Capitol Theatre.

    The encore was a rather rare “Liberty,” masterfully delivered. The band took a bow and received a small banner stating “Warning: Genius at Work.” A true spectacle of a night, seeing the legendary Grateful Dead guitarist produce a unique soundscape with familiar material, brining the music to new places and keeping it fresh.

    Bob Weir and Wolf Bros., – Capitol Theatre, Port Chester – December 13, 2023

    Set 1: Easy to Slip, El Paso, Queen Jane Approximately, Hell in a Bucket, The Music Never Stopped, Easy Answers, Dark Star, Scarlet Begonias

    Set 2: Throwing Stones, Viola Lee Blues, Corrina, Come Together, China Cat Sunflower > I Know You Rider, Wharf Rat > Sugar Magnolia

    Encore: Liberty

  • Runaway New York Celebrates Five Years with Balu Brigada and Carlo Redl

    Lifestyle and fashion brand Runaway New York celebrated their five year anniversary at Public Records on December 11 with Balu Brigada and Carlo Redl.

    Runaway New York is a fashion and lifestyle brand owned by Jagger Walk, an American entrepreneur and designer. December 11 was a one of a kind celebration, marking the fifth anniversary and there was no better place to revel in the significant milestone. The evening was filled with remarkable live performances, drinks, and the opportunity to purchase exclusive merchandise. This exclusive night included music, style and a community that converged to create seamless enduring memories.

    Opening artist Carlo Redl is a singer and songwriter based in Miami and Tokyo and regarded as the new “John Mayer” with a pop/R&B twist. Redl incorporates electric guitar and is influenced by 70s rock and classic jazz and heard within his riffs. As a songwriter, one of his many successes was the debut song “Gifted” which charted number one on Billboard Hot Trending.

    Closing artist Balu Brigada is an alternative pop duo from New Zealand compromised of two brothers Henry and Pierre Beasley signed with Atlantic Records in 2022. They are now on their first homecoming tour which supports upcoming EP Find A Way with hit single “Designer” reaching over a million streams. Sibling duo began making music at an early age and officially formed Balu Brigada at the ripe age of 18. The multi-talented brothers have since gained huge recognition and honed their craft with inspired experimentation.

    Carlo Redl and Balu Brigada interacted with the crowd to highlight the celebrated milestone for Jagger Walk and the Runaway New York fashion brand. Putting on quite the show for both fans of fashion, music, art and clearly a night to remember.

  • Dave’s Picks Volume 50 features Spring 1977 Grateful Dead

    For the 50th edition of Dave’s Picks, a special show has been chosen from one of the best Grateful Dead tours, with Palladium NYC from May 3, 1977 taking the honors.

    Spring Tour 1977 had many incredible shows, not including this Palladium show, but also later that week in New Haven, CT, the historic Barton Hall show, and the arguably stronger night that followed in Buffalo.

    5/3/77 was the penultimate show of a five-night run at the Palladium, just a few nights before the Cornell show, and features a seemingly endless run of the Grateful Dead at their best, including monumental renditions of “Eyes Of The World,” “Wharf Rat,” “Not Fade Away,” and “Uncle John’s Band.”

    dave's picks grateful dead

    Additionally, there are some tracks from the final night of the Palladium run, 5/4/77, with tracks including “Scarlet>Fire,” “Terrapin Station,” “Playing In The Band,” and what has come to be widely considered one of the best versions of “Comes A Time” the Grateful Dead ever played.

    This show is only available with a subscription to the Dave’s Picks series.

    Grateful Dead – Palladium, Manhattan – May 3, 1977

    Set 1: Promised Land, Bertha, Me and My Uncle, Peggy-O, Jack Straw, Row Jimmy, Lazy Lightnin’, Supplication, Deal, Good Lovin’, Ship of Fools, Music Never Stopped

    Set 2: Might As Well, Estimated Prophet, Sugaree, Samson and Delilah, Friend of the Devil, Eyes of the World, Wharf Rat, Not Fade Away, Around and Around

    Encore: Uncle John’s Band

  • Interpol Shine As Bright As Ever At Beacon Theatre

    Fresh off a lengthy world tour, Interpol made their way back to New York for two hometown shows at Beacon Theatre on December 13 and 14. The band spent much of 2023 on the road, trekking across North America, Europe, and Australia before wrapping things up abroad with a big festival appearance at Maho Rasop in Thailand. After dazzling the New York faithful on the Upper West Side, Interpol head down I95 for three intimate sold out shows at D.C.s 9:30 Club next week.

    interpol beacon theatre
    Interpol, Beacon Theatre, 12/13/2023. Photo by Joseph Buscarello

    Interpol released their seventh LP, The Other Side of Make-Believe, back in 2022 and have been touring regularly behind the record ever since. The band puts on a master class in staying true to their iconic sound while still pushing boundaries and making exciting new music that seamlessly expands their live palate. Songs from the last record stand toe to toe with the band’s timeless classics from their 2002 debut Turn On The Bright Lights. Kicking things off with the immortalized opening track “Untitled”, Interpol’s signature style reverberated around the iconic Beacon Theatre and ignited the crowd. As the boys moved through a career-spanning setlist, the crowd hung on every note, rarely returning to their seats until theater personnel eventually did turn on the bright lights.

    interpol beacon theatre
    Interpol, Beacon Theatre, 12/13/2023. Photo by Joseph Buscarello

    Just ahead of the release of The Other Side Of Make Believe in 2022, Interpol hit Brooklyn’s Kings Theatre to preview the record. A year apart, the shows at Kings and Beacon had similar setlists yet were still surprising and attention grabbing without ever feeling dull. From the opening notes of “Untitled” to the final, soaring vocals of “PDA”, the crowd at Beacon was hanging on every note as if we were all experiencing an Interpol concert for the first time again. The magic behind a band like Interpol is always making fans feel like first timers, even after two decades of playing the hits.

    Interpol have a special relationship with New York City. Not only is it the city the band was made in, but the city itself is their muse. Turn On The Bright Lights is a love affair with the New York, creating a cathartic experience for the band as well as the audience whenever they play the songs live. Whenever Interpol schedule dates around the city, we are drawn to another performance no matter how many times we have already had it.

    interpol beacon theatre
    Interpol, Beacon Theatre, 12/13/2023. Photo by Joseph Buscarello

    After the shows in D.C., the band take a well-earned break before a busy festival season in 2024. Check out our photo gallery from Beacon Theatre below and head over to Interpol’s website for future tour dates.

  • Billie Eilish and Kate McKinnon Bring Holiday Cheer to SNL

    After having a successful year in the movie Barbie as the “weird Barbie,” former SNL cast member Kate McKinnon hosts this year’s holiday episode, with pop icon Billie Eilish as the musical guest.

    Kate McKinnon Billie Eilish SNL

    In true SNL fashion, the cold open focused on an award show called the Christmas Awards, just in time for the holiday season. No stranger to the cold open, Bowen Yang and Heidi Gardner take the role of the award hosts for the evening. The sketch brought the cast together poking fun at Christmas stereotypes, with the bad gift giver that is grandma, and the one relative who brings COVID to the party.

    https://youtu.be/mjHV7uAq5fU

    Kate McKinnon’s monologue saw her joking about being back at her “old job” at SNL, taking the seat as host tonight, and how uncomfortable she is being herself instead of the weird girl standing next to the hot person. She brought out the piano for a cheery tune, creating a parody of “I’ll Be Home For Christmas,” stating she was forced to sing. Iconic actors Maya Rudolph and Kristen Wiig made an appearance, singing the monologue away.

    https://youtu.be/xZmFyCTNrPs?si=WFHCksdjqCieZKUS

    The next sketch took place at the North Pole, with elves as news anchors, set on the scene of a killer whale attack. Featuring Kate McKinnon as a scared Scot, it showcases how people always take to social media to write thoughts and prayers during a crisis in a silly yet real manner. Making fun of the fact that kids always want dogs for Christmas, SNL created a satirical infomercial with Pongo!, the perfect pet that doesn’t do anything or dies.

    No one will ever forget about the iconic group ABBA, and returning to the screen are Maya Rudolph and Kristen Wiig, with Kate McKinnon and Bowen Yang performing as the group, not missing a chance to do their best Swedish accent impression. Taking their greatest hits, the ABBA parody group remixed their hits, adding Christmas themes. The sketch was full of the cast breaking character, making it even more funny.

    Kate McKinnon brings back her singing with Maya Rudolph and Kristen Wiig again, creating a country tune about Tampon Farm, a fictional place where women grow and harvest tampons. No one could have seen that twist coming, with the audience erupting into a fit of laughter.

    Billie Eilish needs no introduction, the pop icon had a successful year with just one song officially announced, “What Was I Made For?” on the Barbie soundtrack. With several GRAMMY nominations at this year’s award ceremony, and even a Golden Globe nomination for her small role in SWARM, Eilish is just getting started. Just the other night on The Tonight Show, she teased she is working on her next album, with more TBA soon.

    Introducing her were McKinnon and in a surprising twist, Greta Gerwig, the director of Barbie. Billie Eilish sang her hit “What Was I Made For,” with her signature breathy vocals, singing on a stool with her brother Finneas playing piano. With a beautifully added string section and accompanying videos of “girlhood” in the background, the song could bring a tear to anybody’s eye and certainly did mine.

    https://youtu.be/mkqTsLVHwuQ

    The Weekend Update tradition of Michael Che and Colin Jost reading each other’s jokes did not disappoint this year. Each joke was raunchier than the last, leaving most with their jaws hanging wide open.

    Billie Eilish ended her SNL appearance with a haunting cover of “Have Yourself a Merry Little Christmas,” showcasing her soulful and powerful vocals. During the last sketch, she joined McKinnon cosplaying as crazy cat ladies, showing off several cats.

    Just announced on Jan. 20 is Euphoria and Priscilla actor Jacob Elordi hosting, with musical guest Reneé Rapp.

  • “One Hallelujah” 2024 Tour Featuring Gospel Music’s Greatest Voices, Stop In Brooklyn

    The infamous Gospel voices of Tasha Cobbs Leonard, Jonathan McReynolds, Erica Campbell, Israel Houghton, and Jekalyn Carr, have announced their 2024 One Hallelujah tour, with a stop at Kings Theatre in Brooklyn.

    Hailed as the Top Gospel Artist of the Decade by Billboard, Tasha Cobbs Leonard has built her career on larger-than-life performances and powerhouse vocals that will get everyone dancing on their feet.

    Jonathan McReynolds has maintained an incredible voice and a beautifully honest approach to songwriting. He made his way from dorm room performances to Christian music’s biggest stages.

    Erica Campbell is an American Gospel singer, songwriter, talk show host, and First Lady. Specializing in the urban contemporary gospel, Christian R&B, and contemporary R&B genres, she started her music career in 1998 with her younger sister, Tina Campbell, as part of the group Mary Mary.

    Israel Houghton is a GRAMMY award-winning American Christian music recording artist, songwriter, producer, composer, worship leader, and multi-instrumentalist who formed Israel & New Breed, a music group and ministry organization that has produced gold-selling albums.

    Tickets are available now. Artist presales began on Wednesday, December 13, and additional presales have run throughout the week ahead of the general on-sale on Friday, December 15 at Ticketmaster.com

    ONE HALLELUJAH TOUR 2024 DATES: 

    Wed Mar 06 — Boston, MA — MGM Music Hall at Fenway

    Thu Mar 07 — Philadelphia, PA — The Met

    Fri Mar 08 — Brooklyn, NY — Kings Theatre

    Sat Mar 09 — Washington, D.C. — The Theater at MGM National Harbor

    Tue Mar 12 — Charlotte, NC — Ovens Auditorium

    Wed Mar 13 — Raleigh, NC — Martin Marietta Center for the Performing Arts 

    Fri Mar 15 — Miami, FL — James L. Knight Center

    Sun Mar 17 — Jacksonville, FL — Moran Theater

    Thu Mar 21 — Indianapolis, IN — Murat Theatre at Old National Center

    Fri Mar 22 — St. Louis, MO — Stifel Theatre

    Sat Mar 23 — Memphis, TN — Orpheum Theatre

    Sun Mar 24 — Cincinnati, OH — The Andrew J Brady Music Center

    Thu Mar 28 — Evans, GA — Columbia County Performing Arts Center

    Fri Mar 29 — Atlanta, GA — Coca-Cola Roxy

    Sat Mar 30 — Birmingham, AL — BJCC Concert Hall

    Thu Apr 04 — Chicago, IL — Chicago Auditorium Theatre

    Fri Apr 05 — Detroit, MI — Fisher Theatre

    Sat Apr 06 — Columbus, OH — Mershon Auditorium

    Sun Apr 07 — Nashville, TN — Opry House

    Tue Apr 09 — New Orleans, LA — Saenger Theatre

    Wed Apr 10 — Houston, TX — Smart Financial Centre at Sugar Land

    Thu Apr 11 — Dallas, TX — The Pavilion at Toyota Music Factory

    Fri Apr 19 — Phoenix, AZ — Arizona Financial Theatre

    Sat Apr 20 — Los Angeles, CA — YouTube Theater

    Sun Apr 21 — San Francisco, CA — The Masonic

  • Irish Arts Center Announces $3M Naming Gift

    Irish Arts Center (IAC) has announced it will be renamed to JL Greene Theatre at Irish Arts Center, to be dedicated in April 2024, following a $3 million gift from the Jerome L Greene Foundation. 

    Irish Arts Center. Photo by Albert Vecerka/ESTO.

    IAC joins a roster of some of New York’s most prestigious cultural institutions supported by the Foundation, including BAM, The Public Theater, Lincoln Center Theatre, and The Whitney Museum. 

    The Jerome L Greene Foundation gift, which supports the larger scale of programming and operations in the new 11th Avenue facility, builds on recent support from the City of New York ($10 million) and the Irish government ($4.1 million), to support the Center’s future redevelopment of its historic 51st Street home. This donation will help lay the groundwork for the IAC’s upcoming Phase Two campaign to complete the vision for a new Irish Arts Center and secure the organization’s future for generations to come. 

    Irish Arts Center also revealed the Spring 2024 programming, filling its new facility at 726 11th Avenue that opened in December 2021. The opening of this new 21,700-square-foot building culminated a more than a decade-long transformation of IAC into one of New York’s most beloved multidisciplinary cultural institutions on an intimate scale. With a flexible performance space and acoustic design, it provides a new canvas for the presentation and development of performing arts in the city. 

    We are thrilled to join the outstanding portfolio of New York cultural institutions supported by the JL Greene Foundation and to announce this gift in conjunction with one of our most exciting seasons yet. We look forward to many moments of artistry and inspiration to come in the JL Greene Theatre. As we begin our third full year of operation in our new home, we also look ahead to the next phase of our important work: completing our 51st Street redevelopment, and building reserves and an endowment, to complete our vision of a new Irish Arts Center that will be successful and sustainable for future generations.

    Irish Arts Center Executive Director Aidan Connolly.

    “We are proud to play a role in the presentation of world-class Irish arts in New York City,” said Chris McInerney, President and CEO of the Jerome L. Greene Foundation. “Irish Arts Center has proven itself to be an important cultural destination, and the JL Greene Theatre will be host to an amazing array of performing arts for New York audiences.”  

    IAC’s Spring 2024 programming features a wide variety of voices and forms, including the timely new work of political theater Agreement, a beautiful new dance work from choreographer, director, and performer Jean Butler, a residency of internationally acclaimed singer-songwriter Lisa Hannigan, a large-scale exhibition of works by Irish women visual artists, and more. The new season expands on IAC’s mission to present the evolving arts and culture of Ireland and Irish America in an environment of warm Irish hospitality.

    Throughout Spring 2024, beloved recurring programs continue to bring accomplished artists into IAC traditions. Pulitzer Prize-winning poet Paul Muldoon’s variety show Muldoon’s Picnic continues on March 11, April 1, and June 3. In IAC’s Devlin Café, the Café Concert Series brings spirited music out into a social and intimate environment, with Big City Folk Song Club, curated by Niall Connolly returning February 9, March 8, April 4, and May 23, and Traditional Irish Sessions, curated by Tony DeMarco, February 2, March 15, April 5, and May 17. Book Day, for which the Irish Arts Center distributes thousands of free books in New York’s five boroughs in celebration of St. Patrick’s Day, returns for its 12th year on March 15.

    For the season, IAC’s latest exhibition will showcase women artists whose work reclaims traditional physical and cultural spaces using abstract art. Reclaiming a Space, featuring Diana Copperwhite, Erin Lawlor, Helen O’Leary, and Dannielle Tegeder, will be on view throughout the building from January 29 to June 23.

    For more information on the Irish Arts Center, and to see a detailed view of the Spring 2024 programming, visit here.