NYS Music 2023

Category: Manhattan

  • Bittersweet Daze Leaves a Mark in Central Park

    Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.

    With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.

    Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.

    Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.

    In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.

    Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.

    Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.

    Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine

    Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.

    His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.

    When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.

    Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.

    Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman

    mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.

    Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawn and dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.

    mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”

    With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.

    Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”

    Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.

    Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.

    mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa

    Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.

    Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.

    Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.

    With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.

    Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.

    Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.

    “frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.

    Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home

    Encore: Boys Will Be Bugs, Devil Town

    In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.

    You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.

    Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.

  • Freestyle+ Visits Midnight Theatre For A Celebration Of Hip-Hop

    Midnight Theatre will celebrate Hip-Hop’s 50th anniversary by welcoming in Freestyle+ on Aug. 17. Recognized as New York’s premier Hip-Hop improv group, Freestyle+ is set to pay homage to the genre’s fundamentals. The performance will incorporate elements of “MCing, DJing, Breakdancing, Graffiti, and Knowledge.” Audience members will even have the opportunity to join the cast in a show-closing cypher. 

    Brett Beyer Photography

    Anthony Veneziale, Chris Sullivan, and Andrew Bancroft, members of the Tony Award-winning production Freestyle Love Supreme, established the FLS Academy in 2018. The academy looks to foster diverse and creative voices through freestyle rap. Freestyle+ was born out of the organization and looks to fuse influences of Broadway and hip-hop culture. This month’s cast features legend Dizzy Senze, Broadway’s Aneesa Folds, and Rich Midway. They will also be joined by two-time world champion beatboxer Kaila Mullady, improv whiz Steph Rae, and DJ Gedun.

    We believe everyone should be empowered to build resilience in their minds, confidence in their voice, and communities where they feel seen.

    -Freestyle+

    Midnight Theatre is a unique and intimate performance theater located in Manhattan. The 150-seat venue acts as both a versatile space for shows and an entertainment industry hub. Previous acts include Shoshana Bean, Andrew Barth Feldman, Laura Marano, and Raye. Midnight Theatre is also a culinary destination thanks to the venue’s pan-Asian restaurant and bar, Hidden Leaf. 

    Freestyle+ Celebrates Hip Hop’s 50th Birthday is on Aug. 17 at 7:00 pm. Tickets are on sale here.

  • Bryant Park Picnic Performances Continue With Accordions Around the World

    Bryant Park Picnic’s free, live performances presented by Bank of America, continue on Friday, Aug. 25 at 7 pm with Accordions Around the World. The performance promises a wide range of notable performers, featuring Diana Burco, Suistamon Sähkö, and Ragini Ensemble.

    This year’s festival, curated by Ariana Hellerman, includes the Latin Grammy-nominated singer/songwriter Diana Burco, one of Colombia’s biggest stars, performing in the regional vallento style from the Atlantic Coast, Suistamon Sähkö, an innovative electronic quartet, blending Finnish traditional elements with techno, promising an exhilarating dance party, and the Ragini Ensemble, an all-women subgroup within the Brooklyn Raga Massive. They will enchant listeners with their rendition of traditional matrilineal music from the South Asian diaspora.

    Attendees to Bryant Park Picnic Performances are welcome to bring their own food, or purchase on-site food and beverages from venders near the Lawn. All performances promise exciting new dishes and classics from the five boroughs, with a rotating line-up of local artisanal venders curated by Hester Street Fair. Stout NYC offers giant pretzels, gourmet popcorn, amongst other snacks. Additionally, a selection of beet, wine, and non-alcoholic beverages will be available for purchase.

    About the Performers

    Diana Burco, a singer, songwriter, and accordion player, is rising to the forefront of the explosive, multidimensional Colombian music scene. Burco has long held a passion for Colombia’s traditional music, playing and investigating the genre since childhood. Since then, she has taken her exploration to the next level, traveling throughout Colombia in search of the country’s varied forms and expressions, and has studied and collaborated with the masters that interpret them.

    Burco’s deep cultural fluency and wide-ranging contemporary explorations truly mark her as a 21st century troubadour – charting an original path rooted in Colombia’s deep heritage. She has participated in programs and platforms around the world including One Beat Colombia, Ethno World, and MAPAS (Artes Performativas del Atlantico Sur).

    The Arctic Etnotekno act Suistamon Sähkö from Finland gains momentum gig by gig and cheerfully moves through ethno techno and smoke shack sounds to the world of hip-hop. The group favors a boisterous rave atmosphere, synthesizer buzz, rap declarations, and a Soviet-made accordion, making the audience jiggle and the cottage floor shake. The Suistamon Sähkö rhythm universe is a rambunctious mix of primitive primordial force and experimental dance music. In addition to Finnish stages, the Suistamon Sähkö spark has also flown to international arenas in Germany, France, and Russia.

    During their short existence, the group has published three albums and a dozen music videos which have attracted attention. Suistamon Sähkö was selected as the opening act of the notable World Music Expo Womex Tampere 2019 and as the showcase act of the Folk Alliance International in New Orleans in early 2020. In 2022 the band performed as part of globalFest meets TinyDesk.

    Exploring a merging of diasporic songs, matrilineal folk songs, and beat-driven celebratory chutney anthems, the Ragini Ensemble, in partnership with Brooklyn Raga Massive, gathers songs born out of the South Asian diaspora spread wide, fragmented, and reforged in Reunion Island, Guyana and Trinidad.

    Speaking, or rather singing into the aesthetic body of work defined by the “Coolitude” movement, this set is inspired by the legacy of post-indentureship collective memory, nostalgia, and reclamation of joy in the gathering to sing, itself a cultural practice known as “baithak gana.” Tabla player/Electronic artist, Roshni Samlal, violinist/looper Natie, harmonium player/singer Pratima Doobay, and dholak player/singer Kajol Ji re-envision the sounds of their homeland and history.

    Bryant Park Picnic Performances Remaining Schedule

    August

    August 11 – Joe’s Pub: Shaina Taub

    August 18 – New York City Opera: From Vienna to Broadway!

    August 19 – New York City Opera: Alessandro Lora in Concert

    August 25 – Accordions Around the World: Diana Burco, Suistamon Sähkö, Ragini Ensemble

    August 26 – Roulette Intermedium: Immanuel Wilkins, 75 Dollar Bill, Ka Baird

    September

    September 01 – The Classical Theatre of Harlem

    September 07 – American Symphony Orchestra: American Expressions

    September 08 – New York City Opera: Romeo and Juliet

    September 09 – Drom: Gaye Su Akyol (U.S. Debut)

    September 14 – Harlem Stage: 40th Anniversary Celebration

    Additional Performance Information

    For the most current information please visit bryantpark.org/picnics.

  • National Black Theatre Heads Back To Broadway With ‘Purlie Victorious’

    National Black Theatre (NBT) recently announced that it would be joining the production team for the revival of Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch. The venture marks the second consecutive season that NBT will be on Broadway, following its acclaimed production of Fat Ham. Previews will begin on Sept. 7 and opening is set for Sept. 27 at The Music Box Theatre. 

    Jonathan McCrory, Leslie Odom Jr., Sade Lythcott (Credit: Jennifer Broski/Broadway World)

    Artist Dr. Barbara Ann Teer founded National Black Theater in 1968. Recognized as the longest-running Black theatre in New York City, NBT has received Tony and Emmy nominations. The organization aims to produce powerful works of theatre that “shift the inaccuracies around African Americans’ cultural identity by telling authentic stories of Black lives.” NBT also serves as a space for learning, using arts to educate and empower those in the community. Based in Harlem, the Theatre is set to undergo a capital redevelopment project that will transform the space “into a 21st-century destination for Black culture.”

    We are delighted to welcome the venerated National Black Theatre, under the leadership of Sade Lythcott and Jonathan McCrory, to the producing team of Purlie Victorious. Their participation and input into the production seems especially appropriate, since both the play and National Black Theatre… emerged in the 1960’s, during a period of intense social upheaval and cultural reexamination.

    Producers Jeffrey Richards and Irene Gandy

    Legendary playwright, actor, and activist Ossie Davis originally penned Purlie Victorious. The comedy details the story of a Black preacher returning to his small hometown in Georgia. Based in the era of Jim Crow, the preacher looks to save the community’s church and free the cotton pickers working on a nearby plantation. The play premiered on Broadway in 1961 and initally featured actors Alan Alda, Godfrey Cambridge, Sorrell Booke and Beah Richards. For its 100th performance, Dr. Martin Luther King, Jr. visited the company and celebrated the milestone with them.

    Kenny Leon will direct the latest rendition of the iconic play. Actors Leslie Odom Jr, Vanessa Bell Calloway, Billy Eugene Jones, Noah Pyzik, Noah Robbins, and many more set to star Purlie Victorious. The performance will also feature contributions from Tony Award winner Derek McLane who will be responsible for scenic design. 

    United in vision and intention, it is a privilege to partner with National Black Theatre on the revival of Purlie Victorious. Creativity, ingenuity, resources, and a touch of class—our room is better for having them in it!

    Leslie Odom Jr.

    NBT is led by CEO Sade Lythcott and Executive Artistic Director Jonathan McCrory. The group hosts more than 90,000 visitors annually and has produced over 300 original works. 

    Tickets are on sale here. Call 212-239-6200 or in person at The Music Theatre box office. Here for more details and information. 

  • Pop/R&B Artist Sohil Releases NYC Inspired Single ‘Movie Star’

    Sohil, a singer/songwriter, guitarist, and producer, released his new single, “Movie Star.” Accompanied by a music video shot in New York City, the song is a love letter to Manhattan and New York City as a whole. It blends futuristic sounds, horns, Sohil’s vocals, and self-aware lyrics to paint a true picture of the Big Apple.

    Sohil began releasing music to streaming platforms in 2018. Since then, he has released numerous singles and an EP consisting of acoustic versions of several of his songs.

    “My songs all give off a feeling of longing and hopefulness,” Sohil previously said in an interview. “I love lyrics that tell a story and paint a picture for the listener so they feel like they are sitting next to me on my couch while I tell them about a moment in my life.”

    Sohil’s music combines a blend of sounds all across the map, including hip-hop, electronic, and soul. “Movie Star” in particular combines UK drum & bass inspirations with pop belting and a little saxophone thrown in for good measure.

    The music video also acts as a companion art piece to the song. In the video, Sohil sings each line in a different part of the city and truly captures what it feels like to be in New York.

    Listen to “Movie Star” on Spotify, Apple Music, Deezer, and Soundcloud.

  • Symphony Space Announces 2023-24 Season

    Symphony Space announced its 2023-2024 season, bringing artists, writers, and myriad communities together for one-night-only, only-at-Symphony Space events that celebrate the magic and sanctuary found only in the arts.

    Musicians will explore new sides of their work and their influences, and many will also pay tribute to other legendary performers. Additionally, other events will bridge the worlds of literature and performance with artists and authors propelling words from the page onto the stage. In this new season, Symphony Space gives audiences opportunities to experience bespoke events with leading artists in an intimate, one-of-a-kind venue.

    Symphony Space

    Symphony Space is a multi-disciplinary performing arts center where bold programming, presented in a uniquely warm and welcoming environment, forges indelible relationships between artists and audiences.

    Their fundamental mission is to connect art, ideas, and community through their performances and their commitment to literacy and education through the arts. Known for an array of ground-breaking programs, including Selected Shorts, their immersive Wall to Wall concerts, and their innovative Global Arts education initiative, Symphony Space presents a full slate of original, affordable (and free) programming within New York City and in communities throughout the country through tours, public radio broadcasts, podcasts, and virtual events.

     One of the most beautiful things about Symphony Space is we offer performance, literature, and music and embrace our identity as an organization of broad communities. That has been the DNA of who we are since the very beginning, when we were founded on marathon, day-long programming: ‘throw open the doors and invite the community in.’ This season, we’re excited for so many captivating artists in so many disciplines to bring their worlds into Symphony Space.

    Executive Director Kathy Landau

    Events held at Symphony Space typically fall under one of three main categories: music, literature onstage, and film.

    Music

    This season’s musical offerings traverse a spectrum of genres in thrilling and unique live performances. One example in the upcoming season is Black Opry, a home for Black artists working in country, Americana, blues, and folk music. The groundbreaking collective will be in residence from Nov. 9-11. Spring 2024’s resident musician is the legendary Nona Hendryx, whose performances span genres and disciplines, mirroring her multifaceted and ever-evolving six-decade career. Her residency concludes with a special celebration of Betty Davis on May 16, initially explored by Nona at Symphony Space’s Wall to Wall Women of Soul in April 2023.

    The season also features two major events celebrating vibrant, world-changing musical legacies. Symphony Space will host a special celebration of the 85th Anniversary of the influential, music history-making record label Blue Note Records, featuring The Blue Note Quintet, led by six-time GRAMMY Award-nominee Gerald Clayton, with Joel Ross, Immanuel Wilkins, Kendrick Scott, and Matt Brewer. Later in the season, Prince gets Symphony Space’s Wall-to-Wall treatment in a free all-day marathon celebration of his electrifying artistry.

    In numerous concerts throughout the season, audiences can witness both rip-roaring and intimate live acts. They will also have the opportunity to see multiple Grammy Award winners, including Sam Bush and the band Cha Wa. Additionally, Symphony Space’s dynamic concert series Revelry returns after a pandemic hiatus. The Revelry series features local, national, and international artists across musical genres in an intimate venue where interactions between artists and audiences are part of the fun.

    Literature Onstage

    Selected Shorts is Symphony Space’s best-known series. It was conceived over 35 years ago with a simple premise: take great stories by well-known and emerging writers and have exceptional actors perform them live. It continues in Fall 2023, beginning with a sesquicentennial celebration of Willa Cather, hosted by influential documentarian Ken Burns, a longtime Cather fan. Another event includes acclaimed author Min Jin Lee, editor of The Best American Short Stories 2023, hosting a Selected Shorts event curated from the much-anticipated anthology. One of the most groundbreaking and beloved contemporary genre-crossing authors, Neil Gaiman, will also host an evening celebrating Ray Bradbury.

    While Selected Shorts brings literature into the sphere of performance, special literary events this season celebrate beloved performers who have turned to the page to tell their stories. This programming features evenings with five accomplished performers introducing their new memoirs, including Leslie Jones and Seth Meyers discussing Leslie F*cking Jones and icon of the stage and screen Sir Patrick Stewart on Making It So: a Memoir.

    Another exciting event is comedy legend Keegan-Michael Key and writer and producer Elle Key discussing their book The History of Sketch Comedy, which stems from their Webby Award-winning podcast.

    Film

    Symphony Space transports theater and art lovers to some of the most talked-about plays and exhibitions from around the world through its film programming. The NT Live presentations feature exquisitely recorded performances from London’s prestigious National Theatre. NT Live productions scheduled to screen this season include the Chichester Festival Theatre’s production of King Lear starring Sir Ian McKellen.

    The Exhibition on Screen film series takes audiences behind the scenes at the most acclaimed museums and galleries to see how the blockbuster exhibitions come together, with curator interviews, close-ups, and context that goes far beyond the wall text of a typical art gallery. Exhibitions on Screen will include Leonardo: The Works, which details every single attributed painting from the 500th anniversary of his death.

    Additionally, other films at Symphony Space further reflect the institution’s passion for Broadway, music, and literature. During the fall, Symphony Space invites audiences to join the fun for sing-along screenings of 2018’s Bohemian Rhapsody, 1982’s Annie, and 1954’s White Christmas. As part of the Thalia Film series, Symphony Space will screen François Truffaut’s adaptation of Ray Bradbury’s classic Fahrenheit 451, a complement to the Selected Shorts event dedicated to the author earlier in the fall.

    Comedy fans will also delight in the return of Symphony Space’s comedy series that promises to incite heated debate among A-list performers, Uptown Showdown.

    See the list of Fall 2023-Spring 2024 programming to date below. Many programs offer livestreaming options, and discounted tickets for those under 30. Visit here for further details on tickets, programs, and accessibility options, and stay tuned for additional program announcements as the season unfolds.

    Symphony Space Fall 2023-2024 Programming

    September 2023

    NT Live – The Best of Enemies | Tuesday, September 5, 1 pm

    Maria Bamford, Sure, I’ll Join Your Cult | Tuesday, September 5, 7pm

    Sing Along – Bohemian Rhapsody | Tuesday, September 12, 7pm

    Exhibition On Screen – Degas: Passion for Perfection | Wednesday, September 13, 1pm

    Siddhartha Mukherjee, The Song of the Cell | Thursday, September 14, 7pm

    Leslie Jones, Leslie F*cking Jones | Tuesday, September 19, 7pm

    NT Live – Life of Pi | Wednesday, September 20, 7pm

    Thalia Book Club – Ann Patchett, Tom Lake | Thursday, September 21, 7pm

    Amanda Gorman, Something Someday | Tuesday, September 26, 5pm

    Selected Shorts – Ken Burns Presents Willa Cather’s America | Wednesday, September 27, 7pm

    October 2023

    Patrick Stewart, Making It So | Monday, October 2, 8pm

    Keegan-Michael Key & Elle Key, The History of Sketch Comedy | Tuesday, October 3, 8pm

    Exhibition On Screen – Leonardo: The Works | Thursday, October 5, 1pm

    Sarah Cooper, Foolish: Tales of Assimilation, Determination, and Humiliation | Thursday, October 5, 7pm

    Roxane Gay, Opinions | Tuesday, October 10, 7pm

    Uptown Showdown – A Comedy Debate Series: Humans vs. AI | Thursday, October 12, 7pm

    Selected Shorts – The Best American Short Stories 2023 with Host Min Jin Lee | Wednesday, October 18, 7pm

    Sing-Along – Annie | Saturday, October 21, 11am

    Sam Bush | Friday, October 27, 8pm

    NT Live – King Lear | Tuesday, October 31, 1pm

    NT Live – Frankenstein | Tuesday, October 31, 7pm

    November 2023

    Selected Shorts – A Celebration of Ray Bradbury with Host Neil Gaiman | Wednesday, November 1, 7pm

    Thalia Book Club – James McBride, The Heaven & Earth Grocery Store | Thursday, November 2, 7pm

    Andrew Rannells, Uncle of the Year | Monday, November 6, 8pm

    Black Opry in Residence

    • Chris Pierce | Thursday, November 9, 7:30pm
    • Kaia Kater | Friday, November 10, 7:30pm
    • Elizabeth Lubin | Saturday, November 11, 7:30pm

    Exhibition On Screen – Munch | Tuesday, November 14, 1pm

    Thalia Book Club – Sigrid Nunez, The Vulnerables | Tuesday, November 14, 7pm

    Revelry – Jerron ‘Blind Boy’ Paxton & Dennis Lichtman | Friday, November 17, 7:30pm

    Thalia Film – Fahrenheit 451 | Tuesday, November 21, 7pm

    Uptown Showdown – A Comedy Debate Series: Brains vs. Brawn | Thursday, November 30, 7pm

    December 2023

    Revelry – Soule Monde | Friday, December 1, 7:30pm

    Selected Shorts – Roz Chast, While You Were Sleeping | Wednesday, December 6, 7pm

    Revelry – Mile Twelve | Friday, December 8, 7:30pm

    Exhibition On Screen – Manet | Tuesday, December 12, 1pm

    Sing-Along – White Christmas | Tuesday, December 12, 7pm

    Revelry – Stephane Wrembel | Thursday, December 14, 7:30pm

    2024 Schedule

    Thalia Book Club – E.M. Forster’s A Passage to India 100th Anniversary | Tuesday, January 16, 7pm

    Revelry – Cillian Vallely & Kevin Crawford | Friday, January 19, 7:30pm

    Revelry – Queen Esther | Thursday, January 25, 7:30pm

    Revelry – Hazmat Modine | Friday, January 26, 7:30pm

    Blue Note 85th Anniversary Celebration | Friday, February 23, 8pm

    Revelry – JigJam | Thursday, March 21, 7:30pm

    Wall to Wall Prince | Saturday, May 4, 3-11pm

    Nona Hendryx in Residence

    • A Celebration of Betty Davis Music | Thursday, May 16, 8pm

    Additional Nona Hendryx Residency Shows:

    • Thursday, March 14, 7:30pm
    • Thursday, April 18, 7:30pm
    • Thursday, May 9, 7:30pm

    Cha Wa | Friday, June 21, 8pm

  • Allman Betts Family Revival Makes 3 Stops in NY on Fall Tour

    The Allman Betts Family Revival announced its 2023 dates and all-star lineup. The tour kicks off on Nov. 25 in Saint Louis, MO and will be making three stops in New York.

    Allman Betts Family Revival

    The Allman Family Revival initially began as a one-off concert in 2017 at The Fillmore in San Francisco to celebrate the late Gregg Allman’s life on what would have been his 70th birthday. Now entering its seventh year, the tour announced their rebrand from The Allman Family Revival to the Allman Betts Family Revival.

    The Allman Betts Family Revival is stopping at Kleinhans Music Hall in Buffalo on Nov. 29, Beacon Theatre in New York City on Dec. 2, and The Paramount in Huntington on Dec. 3.

    Gregg Allman’s son Devon and Dickey Betts’ son Duane spearhead the tour and hand-picked an array of guests who will perform two sets. One will feature songs by Gregg Allman and the other will feature songs by Dickey Betts. The performances will also include deep cuts from their legendary Allman Brothers Band catalog.

    Performers include Anders Osborne, Luther Dickinson & Cody Dickenson (North Mississippi Allstars), Jimmy Hall (Jeff Beck, Wet Willie), Jackie Greene, Larry McCray, Orbi Orbison, Ally Venable, Devon Allman, Duane Betts, and the Allman Betts Band featuring the Tal Wilkenfeld on Bass (Jeff Beck). There will also be additional artists that will join in select cities including Sierra Hull & G Love, with more to be added.

    The tour will also welcome back The Brotherhood of Light for the otherworldly visuals Allman Brothers fans experienced at the height of their career.

    Tickets and up-to-date information are available here.

    The Allman Betts Family Revival Tour Dates

    November 25 @ The Factory | Saint Louis, MO 

    November 26 @ Brown County Music Center | Nashville, IN

    November 27 @ The Arcada Theater | St. Charles, IL 

    November 29 @ Kleinhans Music Hall | Buffalo, NY

    w/ special guest Sierra Hull

    November 30 @ Santander Performing Arts Center | Reading, PA

    w/ special guest Sierra Hull

    December 1 @ Orpheum Theater | Boston, MA 

    w/ special guests Greg Koch, Sierra Hull

    December 2 @ Beacon Theatre | New York, NY  

    w/ special guests Greg Koch, Sierra Hull

    December 3 @ The Paramount | Huntington, NY  

    w/ special guests Greg Koch, Sierra Hull

    December 5 @ Capital One Hall | Tysons, VA

    December 7 @ Macon City Auditorium | Macon, GA 

    w/ special guests Chuck Leavell, Vaylor Trucks, Melody Trucks

    December 8 @ Gaillard Center | Charleston, SC

    December 10 @ Sunrise Theatre | Fort Pierce, FL  

    w/ special guests J.D. Simo, Melody Trucks and Frank Hannon

    December 12 @ Van Wezel PAC | Sarasota, FL 

    w/ special guests J.D. Simo, Melody Trucks and Frank Hannon

    December 13 @ Florida Theatre | Jacksonville, FL

     w/ special guests J.D. Simo, Melody Trucks and Frank Hannon

    December 14 @ Spartanburg Memorial Auditorium | Spartanburg, SC 

    w/ special guests J.D. Simo

    December 15 @ Ryman Auditorium | Nashville, TN 

    w/ special guest G. Love

    December 16 @ Mobile Civic Center | Mobile, AL

    December 17 @ ACL Live at The Moody Theater | Austin, TX

  • Celebrate México Now Festival Coming to NYC this November

    Celebrate México Now Festival (CMN) will be returning to NYC from Nov. 14 to 21, confirmed at locations in both Manhattan and Brooklyn. Programs are across literature, photography, culinary arts, film, dance, and music. Each is a part of the pipeline connecting the arts and culture communities of NYC and Mexico.

    The 20-year-old festival returned to live programming last year following the COVID-19 pandemic, run by award-winning curator and producer Claudia Norman of CN Management. Most events are free to attend. CMN has thus far showcased nearly 450 artists and partnered with over 150 venues and cultural institutions throughout NYC.

    Confirmed Dates

    Ximena Pérez Grobet: Reading Finnegans Wake – Center for Book Arts, Manhattan – Nov. 14 at 6:00 p.m.

    Ximena Pérez Grobet will take the audience through the nine-year process of creating, editing, and publishing the limited edition of Reading Finnegans Wake. Using a classic edition of Finnegans Wake by James Joyce that was published in 1965, Pérez Grobet unbound the book, carefully cut the text apart nearly line by line, then reassembled it. This resulted in four knitted versions of the text.

    Daniel Ramos: Eres Muy Hermosa – Camera Club of New York, Manhattan – Nov. 15 at 6:00 p.m.

    In the fifth year of collaboration with the Camera Club of New York, CMN will be hosting photographer Daniel Ramos. He will be discussing his solo exhibit Eres Muy Hermosa, which showcases a series of portraits made with a 4×5 large format view camera in bars and clubs at night in Monterrey, North Mexico.

    Mexico Writes Now: An Evening with Carmen Boullosa, Ximena Santaolalla, Naief Yehya, Alvaro Enrigue, and Oswaldo Zavala – The Center for Fiction, Brooklyn – Nov. 16 at 6:00 p.m.

    Some of Mexico’s leading voices in academia, poetry, novel, and essay writing will be assembled at the Center for Fiction, discussing their experiences living and working in NYC. Along with the acclaimed writer Carmen Boullosa, authors Ximena Santaolalla, Naief Yehya, Álvaro Enrigue, and Oswaldo Zavala will read their work and share their favorite Mexican films, photographs, and paintings with the audience.

    Boullosa’s novel La otra mano de Lepanto has been acknowledged as one of the top works of literature written in Spanish in the last 25 years. She has written a dozen volumes of poetry and has published nineteen novels, two books of essays, and ten plays.

    Diana Wangeman and Jesús “Pat Boy” Chablé: The Present and Future of Ancestral Practices – Smithsonian National Museum of the American Indian, Manhattan – Nov. 18, TBA

    A unique event featuring two indigenous creators seeking to preserve ancestral practices through very different forms of art. Diana Wangeman acts in the culinary preservation of ancient records of corn cultivation and preparation through her popular Brooklyn tortilleria and restaurant Sobre Masa. Jesús Chablé, better known as Pat Boy, performs rap in Mayan and teaches others to rap in Mayan, helping to preserve the language.

    A Tribute to Lourdes Grobet – King Juan Carlos I of Spain Center on NYU Campus, Manhattan – Nov. 20 at 6:00 p.m.

    CMN will pay tribute to the late Mexican photographer Lourdes Grobet, presenting the final two projects Grobet finished before passing. The first is Bering, Reunión Familiar, a documentary and a part of Grobet’s larger project on the Bering Strait. The second is Laboratorio de Teatro Campesino e Indígena, medio siglo de historia, a book that Grobet worked on for over 30 years.

    SHIFT with Antonio Sánchez and Bad Hombre, Thana Alexa, BIGYUKI and Lex Sadler; Echoes in Proximity; and Ampersan, Co-Presented with World Music Institute – Le Poisson Rouge, Manhattan – Nov. 21 at 7:00 p.m.

    The only ticketed event as of present, the concert will conclude the CMN Festival. Audiences can expect a showcase of unique, yet contemporary sounds by award-winning musicians that blend genres and styles to create a dynamic music experience. The event will be co-presented with the World Music Institute.

    Tickets for the Celebrate México Now Festival are available here. For more information and for updates on future events, check out CMN’s website.

  • Goin’ Down to the Central Part of Town: Nights 6 and 7 of Phish at Madison Square Garden

    We are now at the end of Phish’s seven-night run at Madison Square Garden, and the band has continued their hot streak, finding new room for jamming in old standards, and then some.

    Perri Sage Photography

    Opening up the Friday, August 4th show with “Buried Alive,” “The Moma Dance” and “46 Days,” Phish was driving out of the gate, energetic and not missing a beat over this 25-minute opening segment. The only lull of the set came in the form of the debut of “Back in the Bubble” and “Bouncing Around the Room,” both of which were, in hindsight, well placed, as the remainder of the set had little room to breathe. “Birds of a Feather,” welcome as always in the first set, which led to a substantial “Halley’s Comet” that followed, with Trey Anastasio changing the lyrics to “I’m going down to the central part of New York City,” his second nod to the Big Apple in the last two shows. On par with the ever so smooth segue found late in the first set on Wednesday, Phish segued fluidly into an ethereal “Roggae,” before sticking the landing of the set with “Run Like an Antelope.”

    Perri Sage Photography

    If there was a theme of playing better than the previous night, the second set maintains that theory, with an immense “Mike’s Song” with a jam that had people wondering, “Is this still Mike’s?,” all while getting deep into the more than 23 -minute jam, which stands to be the second longest version of the song ever. Shrugging off a potential turn towards “Tweezer,” the band eventually shifted into “Sand,” getting even deeper with Trey finding a familiar riff that segued sveltely into the Talking Heads “Crosseyed and Painless.” The lone breather of the set, “A Life Beyond a Dream” gave way to “The Lizards,” well-placed deep in the second set. “While My Guitar Gently Weeps” closed the set, only the third appearance of the Beatles song in the last 10 years.

    During the breather before the encore, the crowd knew what to expect and the band delivered – an encore of “Weekapaug Groove” had the fans as hyped as at any point this run. And when the band could have called it a night, the opening notes to “Fluffhead” kept the crowd cheering on, shouting “Fluff came to New York” along with the perma-grinned Anastasio, an exclamation point on the penultimate show of a legendary run at The Garden for Phish.

    Perri Sage Photography

    Phish returns on Saturday, August 5th, to close the run.

    Setlist via Phish.net

    Phish – Madison Square Garden, Friday, August 4, 2023

    Set 1: Buried Alive, The Moma Dance, 46 Days > Back in the Bubble[1], Bouncing Around the Room, Birds of a Feather, Halley’s Comet[2] -> Roggae, Run Like an Antelope

    Set 2: Mike’s Song > Sand -> Crosseyed and Painless > A Life Beyond The Dream, The Lizards, While My Guitar Gently Weeps

    Encore: Weekapaug Groove > Fluffhead

    [1] Phish debut.
    [2] Lyrics changed to “central part of New York City.”

    With one last night to play with, Phish left very little to chance and delivered a powerhouse Saturday performance featuring a completely unexpected bust out to go out on the highest of notes. After a fan’s wedding proposal and successful engagement on the floor prior to the show, the band seemingly picked up on this and fittingly opened with “Loving Cup.” A shift into “Maze” immediately afterwards produced another spine-tingling crowd roar early on that signaled MSG’s collective readiness. A mid-set “Divided Sky” felt perfectly placed and the “Prince Caspian” that came next followed in the footsteps of other recent ones and went especially deep. “Drift While You’re Sleeping” then wrapped things up in its now familiar set closing spot.

    With one last set to go, and still no “Tweezer” in sight, it was almost a matter of when, not if, Phish was going unleash its second set staple. Fans wouldn’t have to wait long once the set opening “Set Your Soul Free” finished with Trey Anastasio quickly jumping into the signature opening licks of the song everyone was expecting. This “Tweezer” was no certainly no slouch and served as the springboard for Phish to usher in the return of “Guy Forget,” the first time played since 2011, over 400 shows ago. It certainly came out of left field, but Phish stuck with it, making it well more than a tease and turning it into a full on jam, with “Tweezer” quotes continuing to weave in and out effortlessly. As the jam wound down into near ambience, “What’s The Use?” followed, showing just how quiet MSG can get as well when needed. A full scale “Scents and Subtle Sounds” brought things back to life and with it, another discernable “Tweezer” jam that paved the way for “Everything’s Right,” an accurate statement about the evening, and the entire run, as a whole. A brief little “Manteca” quote even managed to sneak in here. After a completely raucous “Tweezer Reprise” that closed out the set, Phish delivered one last classic with a mesmerizing and patient take on “Harry Hood,” closing out the run in style and setting the stage for what promises to be two incredible shows at SPAC in a few weeks.

    Phish – Madison Square Garden, Saturday, August 5, 2023

    Set 1: Loving Cup > Maze, Martian Monster > Divided Sky > Prince Caspian->NICU>Steam, Drift While You’re Sleeping

    Set 2: Set Your Soul Free, Tweezer->Guy Forget>What’s The Use?>Scents and Subtle Sounds->Tweezer->Everything’s Right>Backwards Down The Number Line>Tweezer Reprise

    Encore: Harry Hood

    Photos by Perri Sage

  • In Focus: JRAD at Pier 17 Rooftop

    Joe Russo’s Almost Dead (JRAD) played a sold out show at the Pier 17 Rooftop. Packed with Deadheads and Phish phans eager for the upcoming MSG run, the band’s backdrop was the Brooklyn Bridge & Empire State Building. The venue featured a beautiful, panoramic view of Manhattan, quite the site to behold.

    The night started off with a bang “Playing in the Band” followed by “Mississippi Half Step”. The set included fan favorites like “Bertha” & “Scarlet Begonias”. They closed the set with “Touch of Grey”.

    The second set started off with Scott Metzger shining on “Hard to Handle” followed by a rocking “Here Comes Sunshine”. The second set was incredible and featured songs like “Truckin” & “St. Stephen”.

    The band played “Shine on You Crazy Diamond” >”Not Fade Away” but was cut short as the band was instructed to stop playing. This was not due to the amount of faces being melted, but due to lightning in the area. “Shine on” also  featured a saxophonist Stuart Bogie.

    The band and fans got to enjoy most of the show and quickly scurried out before the rain. This band just keeps getting better and every show is an incredible show. These guys don’t miss!

    Set 1: Playing in the Band, Mississippi Half Step, Music Never Stopped, Bertha, Tell Me Mama > Scarlet Begonias, Touch of Grey

    Set 2: Hard to Handle, Here Comes Sunshine > Throwing Stones > Wharf Rat > Truckin’, St.Stephen > Shine on You Crazy Diamond