NYS Music 2023

Category: Manhattan

  • In Focus: New York EDM Maxes Out at Electric Zoo 2023

    The 2023 edition of Electric Zoo Music Festival took a turn into the history books this past weekend, with fans encountering hours-long Will Call lines, a main stage still under construction on Friday, and an overflow of attendees on Sunday.

    Add in allegations of overselling the event by a reported 7,000, according to Mayor Eric Adams, and EZoo joins the ranks of Fyre Fest, AstroWorld, Curveball, and Woodstock 99 in the lore of music festivals gone awry.

    It’s unfortunate that the organizers wanted to turn our city into a zoo, and we were not going to allow that to happen. And we will be dealing with them in the next few days based on their behavior and actions.

    NYC Mayor Eric Adams

    Electric Zoo 2023 was produced by Billy Bildstein of Avant Gardner and Cityfox, who bought EZoo creator Made Events, in July 2022 through an investment group for $15 million.

    The weekend started on a low note for promoters, with the stage being deemed unsafe by New York authorities, leading to the full Friday of music being canceled, and refund information shared by Electric Zoo. In a statement, the promoters said,

    Despite our tireless efforts and round-the-clock commitment, we have made the painful decision to cancel the first day of Electric Zoo. This year has presented unparalleled challenges for everyone. The global supply chain disruptions have impacted industries worldwide, and, sadly, our beloved festival has not been immune. These unexpected delays have prevented us from completing the construction of the main stage in time for Day 1.

    Among artists whose sets were canceled on Friday were The Chainsmokers, Excision, Griz and New York born and raised, Eli Escobar.

    Saturday saw the festival delayed gates opening until 230pm, with crowds waiting for five hours (if not longer) for Will Call tickets. Some fans were not able to get into the venue on Randall’s Island until nearly 8pm, leading one outlet to ask, “Is Electric Zoo the new Fyre Festival?”

    Although the EZOO team reassured fans, “Your patience and dedication mean the world to us, and we cannot thank you enough for being part of this incredible community,” fans were not placated, with some having flown in from around the country and world, nowhere to turn but to head home.

    Then on Sunday evening, piggybacking off a cancellation and incredibly long wait times, promoters said the festival was full and could not accommodate any additional patrons. Fans crashed the gates, passing security checkpoints, nearly destroying the entry way on Randall’s Island, frustrated by the actions of the promoters.

    After the disappointment from the cancellation of Day 1, Electric Zoo kept the show running on Day 2, opening the gates two hours later than initially posted. Headliners Timmy Trumpet, Gryffin and the closing finale of Zedd left attendees smiling from ear to ear.

    Perri Sage Photography

    From glitter to sequins, fish nets and strobe light sunglasses, the fans inside were enlightened with character despite the issues outside the gate, showing their love for the electronic dance community.

    To close out Saturday, German DJ and producer Zedd put on an outstanding finale with a crowd full of thousands screaming, clapping and dancing among themselves to some of his hit remixes “Alive by Empire of the Sun – Zedd Remix” and “Break Free” by Ariana Grande (feat. Zedd).

    Perri Sage Photography

    On Day 3 the festival was up and ready to go when the gates opened for attendees at 1pm. While the days prior led to confusion, frustration and disappointment, EZOO was determined to turn it around. The main stage known as Convergence added two more columns to the overhead screens which illuminated the overall feel and experience of the final day.

    However, with more tickets sold than Randall’s Island could accommodate, promoters announced at 6:30pm that no more fans would be allowed to enter, even if they had a ticket. And with this, fans frustration hit its peak, and the gates were stormed.

    Headliners included Tiesto, Major Lazor, a combined set of both well known artists Dom Dolla and John Summit, and leading finale Marshmellow. The on stage visuals of all artists performing reached with psychedelic imagery, strobes of color and front stage flames, smoke and fireworks enhanced the fans’ experience.

    By this point, all stages were flooded with fans from front to back, savoring their last moments of Electric Zoo 2023 and not letting the oversold event and actions of promoters stifle the finale of what was intended to be a magnificient weekend for thousands of EDM fans.

    Perri Sage Photography

    Even with the delays and frustration, EZOO kept the show running for Day 2 and Day 3 to the best of their ability. The event performances left fans ecstatic, and for some the festival was worth the wait, while for others a weekend without music, but for all attendees, it was a weekend for the history books.

    Griffin
    Jaden Thompson
    So tuff so cute
    Brina Knauss
    Timmy Trumpet
    Dom Dolla x John Summit
    Tiesto
    Marshmellow

  • GWAR Releases Final Recording feat. Oderus Urungus, “Tammy, The Swine Queen”

    GWAR have released a 10th Anniversary Edition of Battle Maximus. fully remixed and remastered, this edition features the final recorded vocal performance of Oderus Urungus on the previously unreleased and never-before heard song “Tammy, The Swine Queen.” 

    Tammy the swine queen

    10 years have passed since the release of GWAR’s masterwork known as Battle Maximus, which served as a tribute to fallen Scumdog Warrior Flattus Maximus (AKA Corey Smoot) and was also the last album recorded with vocalist Oderus Urungus (AKA Dave Brockie) before he departed the planet Earth in 2014.

    “Musically, ‘Battle Maximus’ is a great debut work by Pustulus Maximus, and lyrically, it is the final word of lead singer and band founder Oderus Urungus, The record is run through with the desperate, dangerous, and fully bananas imagination of Oderus. In fact, this re-release includes a song so nutty we named it twice, and then promptly forgot to put it on the record the first time around. ‘Tammy, Queen of Dirt,’ or, ‘Tammy the Swine Queen’ is the final performance of the maestro of mayhem, Oderus Urungus, and for our fans, it does not disappoint,” 

    Blothar the Berserker

    This Fall, GWAR declares war on humanity (again) on their upcoming “Age of Imbeciles” Tour. The infamous Lords and Masters of Shock Rock will return to the road wreaking havoc, and laying waste to audiences across the US and Canada this Fall. Shows in New York include at the Palladium Times Square and The Rapids Theatre in Niagara Falls.

    The tour features support from Negative Approach, X-Cops and Cancer Christ on select dates. A complete list of dates can be found below.

    Age of Imbeciles Tour Dates

    10/11: Hampton Beach, NH @ Wally’s*

    10/12: S. Burlington, VT @ Higher Ground*

    10/13: New York, NY @ Palladium Times Square*

    10/14: Reading, PA @ Reverb*

    10/15: Niagara Falls, NY @ The Rapids Theatre*

    10/17: Toronto, ON @ The Phoenix#

    10/18: Cincinnati, OH @ Bogarts

    10/19: Milwaukee, WI @ The Rave

    10/20: Columbia, MO @ The Blue Note

    10/21: Louisville, KY @ Mercury Ballroom

    10/22: Huntsville, AL @ Mars Music Hall

    10/24: Richmond, VA @ The National

    10/25: Raleigh, NC @ The Ritz

    10/26: Asheville, NC @ The Orange Peel

    10/27: Gainesville, FL @ The Fest, Bo Diddley Plaza

    10/28: Pensacola, FL @ Vinyl Music Hall

    10/29: Atlanta, GA @ The Masquerade (Heaven)

    10/30: Orlando, FL @The Beacham

    10/31 – 11/4: Lamb of God’s Headbangers Boat – Sold Out

    11/5: San Mateo Otzacatipan, MX @ Hell & Heaven Festival

    *No X-Cops

    Listen to “Tammy, The Swine Queen” below.

  • In Focus: JVKE Stops at the Rooftop at Pier 17

    Rhode Island born pop-artist JVKE took the scenic stage at the Rooftop at Pier 17 this past Wednesday, August 30th. Fans from all over – and many of them younger kids with their parents – flocked to see the “golden hour” singer put on his This is What Tour Feels Like show. 

    JVKE, photographed by Sarah Hyun

    JVKE, blowing up in part on TikTok for songs like “this is what falling in love feels like” and “this is what sadness feels like,” previously played at Irving Plaza on January 25th. Crafting songs with his producer-brother Zac truly transformed JVKE’s music into the masterpieces they are today. The body-shaking beats, powerful vocals, and intricate piano accompaniments have created a sound so uniquely him. Aside from the beautiful melodies and productions of each song, JVKE’s lyrics touch on heavy subjects like love, heartbreak, sadness, and acceptance in the most unfiltered and gut-wrenching way. 

    JVKE, photographed by Sarah Hyun

    Before the show began, a robotic-like female voice came on and introduced itself as JVKE’s emotional intelligence. The stage was set up like his bedroom, with JVKE even sporting a pair of plaid pajama pants and a black oversized hoodie. As he journeyed through his this is what ____ feels like album—which is divided into four groups of three songs—he made a point to give a small anecdote for each by detailing his experiences with certain people and emotions. For example, during “this is what heartbreak feels like,” “i’m not okay,” and “ghost town,” JVKE described the betrayal and utter hopelessness he felt after his first breakup. Before singing songs “this is what falling out of love feels like,” “catch me,” and “i can’t help it,” he described his initial struggle but ultimate success in moving on from that past relationship. JVKE is truly a talented storyteller, as emotions were at an all-time high throughout the whole show. 

    JVKE, photographed by Sarah Hyun

    During “golden hour,” JVKE sat down at his bedroom desk and began playing the iconic opening notes on a keyboard that laid there. Children eagerly climbed onto their parents tall shoulders, tweens stood on their tippy-toes with poster in hand, and couples slow-danced in the back of the crowd as golden lights lit up with venue. The performance of this song was truly breathtaking. Fans passionately reached out their hands as they belted lyrics like, “I don’t need no light to see you shine” // “It’s your golden hour” // “You slow down time” // “In your golden hour.”

    JVKE ended the night at Rooftop at Pier 17 with an incredible encore and promised to return for another show. He has two more scheduled dates for this run of tour, one in Philadelphia and another in Boston.

  • The Return of New York EDM: Electric Zoo 2023

    One of New York’s premiere electronic music festivals, Electric Zoo, returns for Labor Day Weekend, with the three day EDM festival inviting over 100,000 people to Randall’s Island Park. The lineup of over 100+ artists across five brand new stage design sets is part of the EZOO 2023 expansion on the festival grounds, while presenting the new theme of HyperSpace, promising a bigger and better immersive experience for this years festival attendees. 

    Electric Zoo 2022

    Electric Zoo Festival originated in 2009 and has become one of the largest music festivals in the electronic dance music community. EZOO brings together a variety of electronic artists from across the globe, including various sub-genres that appeal to fans. For the first time ever, Electric Zoo New York has introduced The MegaMirage, the all new secluded immersive stage as part of the expanded festival grounds. 

    The lineup this year rises as bigger and better than ever with artists such as Galantis, The Chainsmokers, Zedd, Alison Wonderland, Marshmellow, Major Lazor, Tiesto, Chris Lake + FISCHER, Dom Dolla and many more well known acts from across the globe. With 100+ acts, this weekend is bound to leave attendees astonished.

    Electric Zoo 2022

    Not only is Electric Zoo stacked with some of the biggest names in Electronic music. Get excited to see the expansive festival grounds, immersive stage MegaMirage and the immense lineup. EZOO is worth the wait and all about the hype this coming Labor Day Weekend, as it returns to homebase here in New York City.

  • Dave Matthews Band Announces MSG Shows On Upcoming Fall Tour

    Dave Matthews Band announced a fall tour across the U.S., featuring two shows at New York’s Madison Square Garden on Nov. 17 and 18.

    Dave Matthews Band

    The headline run will kick off on Nov. 7 in Savannah, GA, and will include a stop in the band’s hometown Charlottesville, VA, as well as Uncasville, CT, and Greenville, CT.

    From their hometown show at John Paul Jones Arena in Charlottesville, the band will donate a portion of proceeds to the resident-led redevelopment of Charlottesville’s public housing. The contribution will add to the five million dollars that Bama Works, Dave Matthews Band, and Red Light Management have already committed to the project.

    Dave Matthews Band’s ongoing partnership with The Nature Conservancy has resulted in three million trees being planted since 2020. This year’s partnership, which will continue with the fall tour, will raise the total to four million trees. Fans can contribute by adding an optional donation of $2 per ticket to plant a tree with The Nature Conservancy’s Plant a Billion Trees campaign. The campaign is a forest restoration effort with the goal of planting a billion trees around the world by 2025. For more details, visit here. 

    Following the upcoming fall tour, Dave Matthews Band will head to South Africa for shows in Pretoria and Cape Town. Matthews and guitarist Tim Reynolds will travel to Mexico’s Riveria Maya in 2024 for their seventh all-inclusive concert vacation from Feb. 15-18. 

    Online presale tickets are available now for members of the DMB Warehouse Fan Association, available here. Citi Bank cardmembers will have access to presale tickets beginning Sept. 12 at 9 AM ET until Sept. 14 at 10 PM ET through the Citi Entertainment Program. For more information visit here.

    Tickets will go on sale to the general public on Friday, Sept. 15 at 10 AM local time.

    DAVE MATTHEWS BAND – 2023 FALL U.S. TOUR DATES

    11/7 – Savannah, GA – Enmarket Arena

    11/8 – Greenville, SC – Bon Secours Wellness Arena

    11/10 – Charlottesville, VA – John Paul Jones Arena

    11/11 – Charlottesville, VA– John Paul Jones Arena

    11/13 – Uncasville, CT – Mohegan Sun Arena

    11/14 – Uncasville, CT – Mohegan Sun Arena

    11/17 – New York, NY – Madison Square Garden

    11/18 – New York, NY  – Madison Square Garden

  • HOKO Live On Tour At The Bowery Ballroom

    The Bowery Ballroom hosted the Brooklyn-born band, HOKO, on the evening of Wednesday, August 23rd. On tour in support of almost monday and the WEATHERS, HOKO branded their name into the minds of their modest but curious New York City audience. This fifteen stop USA tour is HOKO’s first tour debut, and they are making sure to impress along the way. Through the vehicle of their experimental style, they are refreshing the palettes of listeners with a sound unlike anything they’ve ever heard.

    Photograph by Sophie Gurwitz

    Bodies trickled into the ballroom as time climbed towards HOKO’s set. Conversation vibrated across the floor, people expressing their excitement about the headliners and a few eager to watch HOKO’s set, while others volleyed HOKO’s name around with intrigue. 

    When the lights dimmed, everyone’s attention was pulled towards the darkness resting on stage. Blue light hues swirled across faces of the crowd while the band presented themselves on stage. Bass came through the floor, tugging at peoples’ bones, demanding their presence. After a minute long introduction of pure sensation, the first guitar riff electrified the atmosphere to kick-off a night of music.

    Photograph by Sophie Gurwitz

    HOKO opened with their song “Pretender.” Dense guitar riffs and confident vocality drew the audience into captivation. Their sound projected something heavier than the typical pop-rock song. The tones and intensity of the instrumentals almost felt dark – not in a dangerous way but in an enticing manner.

    It was impossible to name a comparable sound to them, they felt fresh. Listeners bounced around artist names, “COIN,” “Bleachers,” “B-52’s,” “Zeppelin.” That vast of a name pool proved testament to their individuality.

    Photograph by Sophie Gurwitz

    It’s difficult to be truly unique in the music industry, to not fall into the coddle of a niche, to not be a genre artist. HOKO has taken the liberty of demolishing musical barriers, and redefining flexibility in relation to their production. Their sound cannot be labeled, for they are rock, they are electric, they are pop, they are psychedelic. They are ever-evolving. As the night progressed, it became evident that something of impressive massivity is to come from HOKO.

    Photograph by Sophie Gurwtiz

    Lead singer, Nathaniel Hoho, absorbed the ballroom’s energy and gave a rockstar level performance. He got in the crowd to mosh with the audience. He climbed atop speakers, and entertained the cameras. He engaged with fans in between songs. Half way into their set, it became hard to believe HOKO had never toured prior to this, for their presence suggested years of being fluid and daring on the stage. Their performance felt too big for a stage the size of Bowery’s.

    Photograph by Sophie Gurwitz

    One of HOKO’s most popular songs, “Candy Eyes,” gripped the evening when it made its way through the setlist. Guitarist and esteemed string player, Jesse Kotansky, brought out his violin for the song. To hear the harmony of the violin with Hoho’s powerful voice was a beautiful display of musical juxtaposition. Versatility receives respect from concert goers. Though a handful of the audience didn’t know of HOKO before the show, they were sure to remember them after the night the band gave them.

    Photograph by Sophie Gurwitz

    Their production value implied experimentation and play as a priority. The boldness, the confidence, the yearn to perform created a high that everyone suspended in. People finally began to move their bodies and sing along with the band, as if they developed a sort of trust with HOKO’s sound. A sureness between the classicality of rock and the future of pop.

    Photograph by Sophie Gurwitz

    Unfortunately, HOKO’s set was merely a half hour long. The show could have carried into the next set and closed out the night, alas Weathers and almost monday had shows of their own to put on. Hoho brought the evening to a clean close when he jumped down into the crowd, parted the mass of bodies in half, and disappeared through the back of the crowd. 

  • Gaye Su Akyol Performing at Bryant Park Picnic

    Bryant Park Picnic Performances season of free, live performances, continues on Saturday, September 9 with the US debut of Turkish musician Gaye Su Akyol, as well as opening act The Secret Trio, presented by Drom. 

    This concert celebrates the music of Anatolia and marks the centenary of the founding of the Turkish Republic.

    Gaye Su Akyol is an Istanbul-based musician and artist, born in 1985. In her work, she redefines the concepts of power, desire, change and rebellion. She creates a universe of imagination, in which she constructs her own “counter-reality” — a world without oppression or injustice. Without alienating from the land she was born into, she questions its representations, defines new symbols, and chases after the practice of transforming a conservative world through collective dreaming.

    Gaye Su Akyol has created her own unique language, taking the contrasts of traditional Anatolian music, Classical Turkish music, psychedelia, surf rock and post-punk, and combining them with her futuristic approach. Akyol, who, in 2014, released her first album Develerle Yaşıyorum (“I Live With Camels”) in 2014, written and composed entirely by herself, defines her music as “universal in concept, local in spirit.” She expanded her audience through numerous concerts and festivals in Turkey, Europe, Middle East and the Far East, with the release of her first international album, Hologram İmparatorluğu (“Hologram Empire”) in 2016.

    The Secret Trio, the opening band for Gaye Su Akyol, is made up of three astounding musicians who came together to create a new type of chamber music with new and interesting approaches to their instruments. Immerse yourself in the captivating melodies and stunning virtuosity of Ara Dinkjian, Ismail Lumanovski, and Tamer Pinarbasi.

    Founded by two immigrant business entrepreneurs, Drom’s mission is to celebrate cultural diversity in the performing arts field. They have provided a physical space for artists from around the world to present their music, art and creative experiments. Drom live by the motto, #DromIsHome. From downtown Manhattan, they bring together a local and global community of like-minded individuals to share art and culture that transcend genre, class, race, and geography. Drom’s programs span diverse artistic forms including music, dance, theater, comedy and its stage is open to the next generation, as well as established performers.

    REMAINING SCHEDULE AT BRYANT PARK

    August 25 – Accordions Around the World: Diana Burco, Suistamon Sähkö, Ragini Ensemble

    August 26 – Roulette Intermedium: Immanuel Wilkins, 75 Dollar Bill, Ka Baird

    August 31 – The Town Hall: Martha Redbone Roots Project

    September 01 – The Classical Theatre of Harlem: Young, Gifted and Black

    September 07 – American Symphony Orchestra: American Expressions

    September 08 – New York City Opera: Romeo and Juliet

    September 09 – Drom: Gaye Su Akyol (U.S. Debut)

    September 14 – Harlem Stage: 40th Anniversary Celebration

    Attendees to Bryant Park Picnic Performances may bring their own food or purchase from on-site food and beverage vendors. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of local artisanal vendors curated by Hester Street Fair.

    For the most current information about Bryant Park, please visit bryantpark.org/picnics. 

  • High Time Over the City: Billy and the Kids at Pier 17 Rooftop

    Grateful Dead drummer Billy Kreutzman, along with a cast of “kids” played a quick two show tour including one night at the scenic Pier 17 rooftop.

    Along for the ride were “new kids” like Daniel Donato and Sierra Hull but also some “kids” who’ve been around the block with Billy like Tom Hamilton and Aron Magner.

    The first set opened up with “China Cat Sunflower” and included crowd favorites like “Truckin” & “Cumberland Blues” closing with “Built to Last.”

    In Grateful Dead fashion the second set was opened up with “Drums”. The band joined the two drummers to play an unexpected Bob Marley cover of “Could You be Loved”. The second set included a Talking Heads cover “Take Me to the River” as well as deadhead favorites like “Bird Song”, “Wharf Rat”, & “Unlce John’s Band,” closing the second set with “Franklins Tower”.

    The crowd roared and cheered for this incredible band. They come back up to play an encore of “Wake up Little Susie” and “We Bid You Goodnight”. 

  • Disco Biscuits Announce New Years Run, Shows in Times Square, Philadelphia

    The Disco Biscuits will welcome the arrival of 2024 in the City of Brotherly Love, with a stop in Times Square at an old stomping grounds under a new name.

    disco biscuits times square

    On Thursday, December 28, the Palladium Times Square (formerly known as Playstation Theater, Best Buy Theater and Nokia Theatre Times Square) will host the Disco Biscuits for a lone late-night show in the Big Apple, their first since December 31, 2019, which was the final show at the then-Playstation Theater.

    Following a night off on the 29th, Disco Biscuits will head down I-95 to their homebase of Philadelphia for two nights at Franklin Music Hall, with Neighbor opening up the night on December 30th.

    An artist pre-sale period begins on Wednesday, August 23rd at 10am ET with password: WHYWEDANCE.

    VIP Packages for the two Philadelphia shows will be available as part of the pre-sale and on-sale.

    Tickets will go on sale to the general public on Friday, August 25th at 10am ET at discobiscuits.com.

    Disco Biscuits Fall 2023 Tour Dates

    September 15 – Austin, TX – Far Out Lounge and Stage *
    September 16 – Austin, TX – Far Out Lounge and Stage ^
    September 20 – Minneapolis, MN – First Avenue
    September 21 – Chicago, IL – Riviera Theatre ^
    September 22 – Milwaukee, WI – Pabst Theater “
    September 23 – Indianapolis, IN – The Vogue Theatre
    September 24 – St. Louis, MO – Delmar Hall
    October 6-7 – Lafayette, NY – BISCOLAND
    October 24 – Burlington, VT – Higher Ground +
    October 25 – Hartford, CT – Infinity Hall
    October 26 – Portland, ME – State Theatre
    October 27 – Port Chester, NY – The Capitol Theatre
    October 28 – Port Chester, NY – The Capitol Theatre
    December 28 – New York, NY – Palladium Times Square
    December 30 – Philadelphia, PA – Franklin Music Hall !
    December 31 – Philadelphia, PA – Franklin Music Hall

    * w/ TAUK Moore (TAUK ft. Kanika Moore)
    ^ w/ Sunsquabi
    ” w/ Steez
    + w/ Lazy Bird
    ! w/ Neighbor

  • The Bones of J.R. Jones Releases Single and Video for “The Good Life”

    New York-based artist The Bones of J.R. Jones have released the single and music video for their newest song “The Good Life,” the third leading song for his October 13 album Slow Lightning.

    Photo Credit – Chloe Horseman

    Preparing for his first project in five years, Jonathon Linaberry’s (best known by his stage name The Bones of J.R. Jones) “The Good Life” arrives alongside a music video featuring actress Maggie McDowell who encompasses many of the song’s free-thinking themes in the visual form.

    Across the music video, McDowell ditches the past and thrives on her own, flees the chaos of a day job, explores the open fields of life, and overall indulges in moments of pure joy, the song’s central message.

    Prior to “The Good Life,” Jones dropped “The Flood” on July 17 and the lead single “Heaven Help Me” on June 20, further setting the stage for the 12-track Slow Lightning coming this October.

    When it comes to the creative process for “The Good Life” music video, Linaberry discusses how he “wanted this video to walk the line of joy and heaviness of life,” utilizing McDowell’s acting skills to create the additionally help build the song’s storyline.

    “’The Good Life’ was definitely a product of me trying to break through and learn to enjoy the moment I am in. Even if that moment is hard. Even if it is frustrating. Even if it feels like treading water, which in my mind is a synonym for death. I suppose I wrote ‘The Good Life’ to help remind myself of that. That we can always find a way out.”

    – Jonathon Linaberry (The Bones of J.R. Jones)

    Serving as his first album in five years and the artist’s first collective release since the 2021 EP A Celebration, Slow Lightning expects to display The Bones of J.R. Jones’ folk talent and evolution over the years.

    On top of the upcoming project are his U.S. and European tour from September 2 to November 18 (including four stops in New York) and an album release show at Mercury Lounge in New York City on October 13.

    The Bones of J.R. Jones Tour Dates

    United States –

    9/2 – Fairmont, WV – Palatine Park 

    9/7 – Buffalo, NY – Ninth Ward 

    9/8 – Pittsburgh, PA – Club Cafe 

    9/9 – Cleveland, OH – Grog Shop 

    9/10 – Ann Arbor, MI – The Ark 

    9/12 – Indianapolis, IN – Hi-Fi 

    9/13 – Chicago, IL – Schubas 

    9/14 – Columbus, OH – Basement 

    9/15 – Syracuse, NY – Funk N’ Waffles 

    10/12 – Washington, DC – DC9 

    10/13 – New York, NY – Mercury Lounge

    10/14 – Woodstock, NY – Levon Helm Studios

    10/16 – Richmond, VA – Camel 

    10/17 – Charlottesville, VA – The Southern Cafe and Music Hall 

    10/18 – Raleigh, NC – The Pour House Music Hall & Record Shop

    10/19 – Charlotte, NC – Evening Muse 

    10/20 – Decatur, GA – Eddie’s Attic

    10/21 – Nashville, TN – The Basement 

    Europe –

    11/8 – Amsterdam, NL – Paradiso 

    11/9 – Luxembourg, LUX – Gudde Wellen 

    11/10 – Paris, FR – No.Pi 

    11/11 – London, UK – Omeara 

    11/14 – Cologne, DE – Jaki 

    11/15 – Hamburg, DE – Uebel & Gefährlich 

    11/16 – Berlin, DE – Kantine Berghain 

    11/17 – Leipzig, DE – Naumanns 

    11/18 –Frankfurt, DE – Brotfabrik