The Grooving Classic Rock Legends Tribute band provided an intimate performance at The Egg’s Swyer Theater on Saturday, November 25, 2023.
The show featured tribute bands playing classic rock and pop hits from the 60s and 70s from artists such as The Beach Boys, The Jimi Hendrix Experience, and Creedence Clearwater Revival. Grooving Classic Rock Legends plays at major theaters and festivals throughout the Northeast, recreating those sights and sounds.
This group of veteran musicians have been playing classic rock for decades, specializing in songs from the era. They perform their songs with authentic instruments, costumes, and stage presence, and even recreate some of their legendary live performances. Proceeds from the show went to local non-profit organizations in the community.
The show was a blast for fans of classic rock, who enjoyed singing along, dancing, and reminiscing about the good old days when they played at Yezzi’s. The bands delivered high-quality performances that captured the spirit and sound of the original artists. The band also honored veterans and first responders who attended, by dedicating some songs to them and thanking them for their service. The three hour show was a success, despite the low attendance due to Thanksgiving weekend. The venue was cozy and comfortable, and the staff was friendly and helpful.
Jim Anderson and Gary Weinlein served as promoters, with Weinlein also performing in the show, which had ‘appearances’ from Jim Morrison, Grace Slick. The Doors, Santana and Linda Ronstadt, who brought back memories of Governor Moonbeam, and all the craziness of that time. The night closed with Eric Clapton, a standing ovation and the crowd getting a chance to meet the performers in the lobby.
Over the past 8 years Groovin’ Legends has performed at Proctors, The Palace Theatre and The Egg, donating over $30,000 to local Veteran groups through ticket sales. The Veteran groups include The Gold Star Mothers, Blue Star Mothers, Gold Star Families Memorial at Lafayette Park in Albany, NY, Tri County Council Vietnam Era Veterans, and the Veterans Miracle Center.
Comedian, actor, and podcast host Sebastian Maniscalco has announced his 2024 It Ain’t Right Tour, stopping in New York City, Albany, Rochester, Buffalo, and Syracuse.
Sebastian Maniscalco is the undisputed king of physical comedy, hailed by The New York Times as the “hottest comic in America.” He has been performing for over two decades gaining a massive loyal fanbase. With his tireless work ethic and undeniable talent, Maniscalco commands the crowd with his witty jokes and honesty. During his latest tour, he conquered New York City by selling out Madison Square Garden, Barclays Center, UBS Arena, and Prudential Center. With residencies at the Borgata Event Center in Atlantic City, as well as the Wynn, Encore Theatre in Las Vegas, he continues his record-breaking arena shows that earned him the top spot on Pollstar’s Top Comedy Tours list.
He has also starred in six comedy specials for networks such as Netflix, Showtime, and Comedy Central. Maniscalco’s success in comedy extends beyond the stand-up stage. His talents have translated to film, television, and podcasting. His new series Bookie, co-produced by Maniscalco and Chuck Lorre, premieres in November of 2023 on HBO MAX. The show follows a veteran bookie navigating the impending legalization of sports gambling and the evolving culture that bounces him around Los Angeles.
Credit: Peggy Sirota.
Maniscalco can be seen on the big screen in projects such as the animated feature film The Super Mario Bros. Movie, the Neil Bogart biopic Spinning Gold, and the dramedy Somewhere in Queens with Ray Romano and Laurie Metcalf. In 2023, Maniscalco marked his first role as a leading man when he co-wrote and starred in About My Father, loosely based on his Italian family experience, alongside Robert De Niro. Maniscalco also appeared in Martin Scorsese’s crime drama, The Irishman, and Peter Farrelly’s Oscar-winning Green Book.
Along with TV and standup, Maniscalco currently hosts two podcasts, Daddy vs. Doctor and The Pete and Sebastian Show. He is also the author of the national best-selling memoir, “Stay Hungry,” an inspiring, and honest collection of essays that traces his career from trials and tribulations – to reaching the pinnacles of comedy success.
“Hop on the ‘It Ain’t Right’ tour, where I’ll roast today’s absurdities – nonexistent manners, wallet-wincing prices, and the social media circus,” said Maniscalco. “Join me in laughing at the wrongs in this shameless world!”
Tickets will be available starting with artist presale on Wednesday, November 29. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, December 1 at 10 a.m.
IT AIN’T RIGHT 2024 TOUR DATES:
Thu Jul 11 – Norfolk, VA – Norfolk Scope Arena
Fri Jul 12 – Raleigh, NC – PNC Arena
Sat Jul 13 – Asheville, NC – ExploreAsheville.com Arena
It was inevitable that the band would get something going for their 20th anniversary run, as you just don’t disregard an occasion like that for any reason – you just play. Fans waited for the announcement by the time IT was over, figuring that the band would go on its first Halloween run since 1998, adding to anticipation that the band would put on another musical costume, with endless limits.
poster by Hollie Dilley
However, as the band inspected exactly what the date of the first show was, so that a 20th anniversary was correctly timed, it seems that the date of 10/30/83 was incorrect, even though they had a 15th anniversary out in Vegas of 1998. As it turns out, the first show for the ROTC folks was 12/2/83, and they arranged a four night Northeast run to celebrate, with special guests at the first show, and an elongated show at the final destination, Boston’s Fleet Center, with a myriad of special guests guessed at in anticipation of something spectacular. The Boston show had its highlight in the set break montage video, but no special guests to mention of. Fans were happy though, as it was by far the hardest ticket since NYE 2002 to obtain, and those who were warm inside had no complaints from where they were sitting.
By far the coldest Phish run ever, the shows had snow, ice, wind, and more snow as the band progressed from Nassau Coliseum on Long Island, to the Wachovia Center in Philly, to the Knickerbocker Arena (note: not the Pepsi) in Albany, and the Fleet Center in Boston as part of a four-day run of shows many fans attempted to see all four of. The run could even be characterized as one gigantic show: Nassau was a solid opener, Philly was the bathroom/cigarette/beer break, Albany was the second set heat, and Boston was the after-party.
Outside at all these shows, it was far too cold/rainy/snowy to have a lot scene of any kind, so fans simply piled into bars and parking garages to peddle what they had to keep the tour afloat for themselves, in hopes they might make the next show, and/or home in the coming days.
Artwork by Drew Suto
Some fans felt that this run was spectacular, and perfectly executed, even though others wondered where the spark from summer 2003 went. At least a few older fans looked at the run as sealing the bands fate in their eyes, with the best years clearly behind them, especially after the Vegas 2004 run. Many fans wondered what happened, although Miami might have swayed some opinions in the end.
Nassau featured not only the highly appropriate guest in The Dude of Life on vocals for a rare (and final) ‘Crimes of the Mind’, but also a setbreak wedding of two highly committed fans of the band and each other. Making a Phish show your wedding venue was only done previously at the Clifford Ball, and a tribute to the concentrated community spirit of Phish.
poster by TRIPP
Philly had high-energy crowds a day after Nassau, but execution had some fans wondering what was up. Tom Marshall came up to sing lyrics to ‘Buffalo Bill’, a departure from his regular appearances on ‘Run Like an Antelope’. The Philly show left fan waiting for more indeed.
Albany, the second hometown to Phish, one of the regular tour starts, endings and all-around in-betweens, the Knick was the home to famous Dead shows and disks, as well as memorable Phish shows (see 12/13/97 – Bring on the Dude!). The entire atmosphere of this show was positive, as special guests at the two previous shows made fans wonder who was next to sit in. Following “YEM” in the second set, Trey brought up a very special guest, the band’s first guitarist (aside from Trey), who left the band under mysterious circumstances – Jeff Holdsworth. The original songs that he had written – “Camel Walk” and “Possum” – were played with a degree of both difficulty and success by Holdsworth with the band he left behind almost 17 years ago. A cover of “Long Cool Woman”, by the Hollies was played by the part-time quintet, a tribute to the first show that Holdsworth was playing at. By the time the band broke into Antelope, you could no longer hear Jeff, as his guitar was turned down to inaudible levels, as his playing could not keep up with the boys who ventured beyond the three-year mark. Tom Marshall came up to sing the original lyrics that he penned, and the show ended with a monster version of Hendrix’s “Fire”, again with Holdsworth. Fans were pleased to see him on stage again, but a computer operator in Canada definitely overstayed his welcome that evening in Albany.
However, the overall purpose for bringing Jeff out was a symbol that Phish was and is about family. Boston featured a memorable second set and a video montage during the setbreak that fans clamored to see, particularly since the first notes of Fluffhead were heard in a dormroom video from the early 1980s. This more than made up for a first set that many wondered if anything special would be brought out for the second set, particularly the special guests everyone talked about coming – Santana, the Giant Country Horns, anyone and everyone?! Fishman handed out a cake towards the front row during setbreak for fans to dive into, as many did, regardless of sticky hands that would not be cleaned till after the show. The second set did bring the heat fans were looking for, with monster versions of “Maze,” “Frankenstein,” and “Piper,” that made this show and run well worth it. Regardless, the detractors are present on the vibe/performance of this run, as it was an asterisk to many between a hot summer and even hotter time in Miami for New Years Eve.
Phish – Nassau Coliseum, Uniondale, NY – Friday, November 28, 2003
Set 1: Bouncing Around the Room, Runaway Jim, Ghost > What’s the Use? > AC/DC Bag > First Tube, Frankie Says > Bathtub Gin -> Free
Set 2: Waves > Sample in a Jar > Down with Disease[1], Walls of the Cave, Two Versions of Me, Crowd Control[2], Mike’s Song > I Am Hydrogen > Weekapaug Groove
Encore: Crimes of the Mind[3]
[1] Unfinished. [2] Debut. [3] The Dude of Life on vocals.
Disease was unfinished. This show included the debut of Crowd Control. Trey introduced Mike to sing “his song.” Crimes of the Mind (first since July 10, 1994 at SPAC – 504 shows) featured the Dude of Life on vocals. During the song, the Dude congratulated Phish on their 20 years together, and wished them success for 20 more.
Phish – Wachovia Spectrum, Philadelphia, PA – Saturday, November 29, 2003
Set 1: Wilson > Cars Trucks Buses, Limb By Limb, Dirt > Seven Below, Divided Sky, Fast Enough for You > Julius
Set 2: Twist -> Simple > Taste > Makisupa Policeman[1], Buffalo Bill[2] > David Bowie, Strange Design > Character Zero
Encore: Friday
[1] Keyword referenced waking up in “Hempstead.” [2] Tom Marshall on vocals.
Trey teased San-Ho-Zay in Seven Below, Julius, and Twist. The lyrics to Makisupa referenced waking up “in Hempstead.” Later in Makisupa, Trey commented on the upcoming 20th anniversary of the band, and noted Makisupa as the first original Phish song ever played. Trey also commented on his long-standing friendship with Tom Marshall and said that Tom had written Makisupa when he was a child. Trey brought Tom out on stage and noted that he thought Makisupa was written in 1969, leading Tom to note that we “have a 60’s song.” Prior to Tom singing on Buffalo Bill, Trey noted: “Tom is now going to sing you a song about a boss, a log, and a piece of rope.”
Phish – Pepsi Arena, Albany, NY – Monday, December 1, 2003
Set 1: Chalk Dust Torture, Stash, Guyute, Thunderhead > Sparkle, Wolfman’s Brother > Good Times Bad Times
Set 2: Tweezer -> Also Sprach Zarathustra > You Enjoy Myself, Camel Walk[1], Possum[1], Long Cool Woman in a Black Dress[1] > Run Like an Antelope[2]
Encore: Fire[3]
[1] Jeff Holdsworth on guitar and vocals. [2] Jeff Holdsworth on guitar and Tom Marshall on vocals. [3] Jeff Holdsworth on guitar.
Tweezer was preceded by a Dixie tease. Camel Walk through Fire featured Jeff Holdsworth on guitar. This was Jeff’s first known performance with his former Phish brethren since May 17, 1986 (1,348 shows). Camel Walk, Possum, and Long Cool Woman (first since October 30, 1998, or 180 shows) also featured Jeff on lead vocals. Antelope featured Tom Marshall on vocals.
Phish – Fleet Center, Boston, MA – Tuesday, December 2, 2003
Set 1: Harry Hood > Cavern, Birds of a Feather, Ya Mar, Horn > Piper > Anything But Me, Water in the Sky, Down with Disease
Set 2: Rock and Roll -> Weekapaug Groove[1] -> Tweezer Reprise[2] > Frankenstein -> Kung -> Frankenstein, All of These Dreams, The Wedge, Boogie On Reggae Woman > Cities > Maze, Waste
Encore: Bug
[1] Unfinished. [2] Mike’s Song lyrics sung by Trey.
This gig commemorated the 20th anniversary of the first Phish show. In the audience, a section of seats were roped off to make way for a music stand. The music stand held a three-ring binder that contained lyrics from the Phish canon, but it did not play an active role in the performance. Ya Mar contained teases of The Tra La La Song (One Banana, Two Banana). At the end of Disease, a video screen descended behind the stage. As the house lights remained down, a 25+ minute video was played featuring retrospective highlights from throughout Phish’s career. Before the second set, Mike brought out a tray of desserts and shared them with fans in front of the stage. Highway to Hell was briefly teased by Trey before Rock and Roll. Weekapaug was unfinished. Tweezer Reprise included lyrics (sung by Trey) from Mike’s Song. Appropriately, the post-show house music was the Beatles’ song Sgt. Pepper’s Lonely Heart’s Club Band (which begins with the lyric, “It was twenty years ago today…”).
The vibrant dance scene in Albany is set to be illuminated once again as The Egg and the University at Albany join forces to present the groundbreaking Bill T. Jones/Arnie Zane Company on Saturday, December 2 at 8 pm, part of the Dance in Albany series.
The performance promises to captivate audiences at The Egg at the Empire State Plaza in downtown Albany, marking a return to the Capital Region since their last appearance in 2015.
Founded in 1982, the Bill T. Jones/Arnie Zane Company emerged from an extraordinary 11-year collaboration between Bill T. Jones and Arnie Zane (1948–1988). This partnership not only redefined the duet form but also foreshadowed themes of identity, form, and social commentary that have left an indelible mark on American dance. With a global footprint encompassing over 200 cities across 40 countries, the company stands as a beacon of innovation and power in the dance-theater world.
The company’s repertoire is a testament to its diversity, exploring various subject matters, visual imagery, and stylistic approaches to movement, voice, and stagecraft. Collaborating with an eclectic array of artists, including Keith Haring, Cassandra Wilson, and Jenny Holzer, the company’s intensely collaborative creation process has yielded a rich tapestry of performances.
The upcoming program by the Bill T. Jones/Arnie Zane Company will showcase “Love Redefined” from 1996 and “Story/” from 2013.
“Love Redefined,” inspired by the 1992 commission for the Lyon Opera Ballet titled “Love Defined,” is a powerful ensemble work that embodies Jones’ distinct and poetic style. Set to Daniel Johnston’s whimsical music and featuring décor by Donald Baechler, the performance is an energetic reflection on love and human relationships.
“Story/” is a reworking of “Story/Time” (2012), where chance plays a central role in choreography, music, lighting, set elements, and costumes. Set to Schubert’s String Quartet #14, Death and the Maiden, “Story/” draws from a trove of choreographic material spanning 35 years. The piece explores the dynamic interplay between movement and music, showcasing Jones’ exploration of the dramaturgical possibilities that arise from this interaction.
The Bill T. Jones/Arnie Zane Company has garnered numerous accolades, including New York Dance and Performance Awards (“Bessie”) for various productions. Noteworthy mentions include awards for “Chapel/Chapter” at Harlem Stage (2006) and “Deep Blue Sea” (2021). The company was also nominated for the 1999 Laurence Olivier Award for “Outstanding Achievement in Dance and Best New Dance Production.”
Before the performance, a Prelude talk sponsored by the Dance Alliance will take place at 7:15 pm at The Egg. Mary DiSanto-Rose, former Dance Department chair at Skidmore College, will engage in a conversation with Janet Wong, Associate Artistic Director of the company and New York Live Arts.
Tickets for the performance are priced at $36 and can be purchased at The Egg Box Office on the Concourse Level of the Empire State Plaza in Albany, by phone at 518-473-1845, and online at theegg.org.
Remaining performances in the Dance in Albany series promise a diverse and exciting lineup, including Mark Morris Dance Group (January 25), Ellen Sinopoli Dance Company with Capital Trio (January 27), Monica Bill Barnes & Company in “The Running Show” (February 3), NoGravity Theatre (February 9), Savion Glover (April 13), and Ellen Sinopoli Dance Company (May 18).
On a Friday evening in Albany, The Egg was cooking with bacon inside. Not your typical menu item, but when Kevin Bacon and his brother Michael came to The Egg, things definitely got cooked up during an all-too-brief concert.
photo by Karen Squires
The duo – one, an actor (Kevin), the other an Associate Professor at CUNY Lehman College (Michael) – share a deep love for American roots music, as well as DNA. For a quarter-century the pair have performed around the country playing what they call “Forosoco,” or a blend of folk, rock, soul, and country influences.
The show was short – 80 minutes including the encore – but worth it. Fans seemed content settling in for the show, which didn’t feel scripted, but definitely felt like the same show you’d catch anywhere else this tour. Kevin couldn’t resist making a comment about “a couple of Bacons in The Egg,” joining years of Egg jokes on stage that have even led to live album releases.
Michael and Kevin Bacon
Kevin took turns playing on a conga drum, tambourine and guitar, while Michael played guitar, cello, and autoharp at different points of the evening.
Highlights from the set include the moving “Tom Petty T-shirt,” the countrified rock of “Erato,” an angsty “Take off this Tattoo,” a cover of The Lovin Spoonful‘s “Do You Believe in Magic?,” “Ukulele Lady” with all on ukulele, making this stripped down song was the most soulful of the evening, and “She-Zee-Zee (Easy On My Eyes)”
For the encore, a cheesy “Hands Up” audience interaction song started things off. (Bands, take note: always get the audience involving songs going earlier in the set so they’re engaged early!) And just when you thought it was over, and maybe thought they weren’t gonna play it, the opening notes to “Footloose” began, and the front rows of the audience were up out of their seats grooving along, feet from the actor who made the song famous (apologies to Kenny Loggins). The fans and the band were dancing around, footloose as could be, transported back to 1984, for a moment, if not the evening.
And while the venue staff was a bit overzealous this evening with limiting any video recording (a first at The Egg), here’s a video from The Bacon Brothers at Daryl’s House a few years back.
Four-piece group LikeTheAstronaut released their debut EP, titled Moments Before…. The EP explores electro-pop, folk, and alternative styles throughout the five unique tracks.
The title track of the EP, “Moments Before…” includes key talents in the vocal effects, showcasing the band’s effective collaboration. In addition, it features heartfelt and melancholy lyrics, which add powerful emotion to the opening track.
“Slumber Still” evokes similarities from electronic synth pop, but with a slower beat and swaying melody. Not only does it have a catchy, droning backtrack, it shows promising room for more development in the synth production.
LikeTheAstronaut’s Moments Before… began with John Glenn, as a passion project following the passing of his father and the birth of his child. The collection explores the emotions coming with those events, through folk, electro-pop, and alternative musical influences.
LikeTheAstronaut formed in Albany, with the collaboration of Dave Parker (Stellar Young, Weerd Science, Coheed & Cambria), John Glenn (Stellar Young), Josh Eppard (Coheed & Cambria) and Kyle Hatch (Stellar Young). The musicians work together as a seamless group, forming a promising band with an upward trajectory.
In the world of family fun, Sesame Street has been a go-to for decades. Now, get ready for something extra special as Elmo, Abby Cadabby, Cookie Monster, and the whole Sesame Street gang hit the road in the brand-new live production, Sesame Street Live! Say Hello.
This musical road trip is set to hit cities all across the U.S. and Canada, bringing the magic of Sesame Street to life starting in April 2024.
Sesame Street Live! Say Hello promises more than just a show – it’s an interactive musical adventure. Join in the fun as your favorite characters come to life on stage. Expect surprises, laughter, and all the timeless magic of Sesame Street. This is an experience that goes beyond the screen, bringing the heartwarming spirit of Sesame Street to a live and tangible stage.
This tour is no small affair, hitting major cities from Portland, ME, to Vancouver, and everywhere in between. The kickoff is at Merrill Auditorium in Portland on Tuesday, April 16, 2024, and the fun won’t stop until it’s made its way through more than 50 cities.
SESAME STREET LIVE! SAY HELLO TOUR DATES:
Tuesday, Apr. 16 – Merrill Auditorium – Portland, ME
Wednesday, Apr. 17 – Lowell Memorial Auditorium – Lowell, MA
Thursday, Jun. 27 – Rio Rancho Events Center – Rio Rancho, NM
Friday, Jun. 28 – Pueblo Memorial Hall – Pueblo, CO
Saturday, Jun. 29 – United Wireless Arena – Dodge City, KS
Sunday, Jun. 30 – Budweiser Events Center – Loveland, CO
Tickets for this musical journey go on sale Friday, November 17th, with early access starting Tuesday, November 14th. Don’t miss out – head to SesameStreetLive.com to snag your tickets. This event is for everyone, from the littlest fans to those young at heart.
A brisk fall night on Lark Street was warm and inviting at The Eleven, celebrating its grand opening with a fitting artist upstairs at Lark Hall, pianist Holly Bowling.
photo by Zak Radick
Much has changed in the past decade since Bowling began playing solo shows, having transcribed and performed Phish jams (not just songs, the improv sections too) and gave fresh takes on the catalog of the Grateful Dead, even having appearances with Phil Lesh as one of his friends.
Bowling now enters her second decade of live performances with an evolving solo career in the jam scene, having branched out into Ghost Light with Tom Hamilton and company, played regularly with Greensky Bluegrass, taken part in the immersive Musical Sojourns in Portugal this past October, and brought to life the ever unique Wilderness Series – performing at beautiful vistas within and around our National Park System.
The past decade has been a whirlwind of growth and opportunities, including giving birth to her and husband Jeffery’s first child. Holly Bowling has been about as busy as one can, and shares how she has worked towards finding balance with it all:
One thing I took away from the pandemic was a new acceptance of how to be creative in touring and that there’s a lot of different ways to play music for people. You have to do what makes sense for the situation you find yourself in at that particular time, whether it’s finding ways to create and play music when all the venues are shut down or finding ways to tour that make sense as a parent of a young child. I’m not sure I’d say I’ve figured out how to balance it all. I think finding balance of any kind is a challenge for most touring musicians. It’s a constantly evolving process, and I have to keep reminding myself to find ways to make it work for what my life is today and that what works today isn’t necessarily going to be what worked before or what’s going to work five years from now. And that’s fine – maybe even good.
Holly Bowling
On this evening, Bowling took the stage and performed as she always has, with focus and attention to detail, showing no signs of slowing down a well-paced musical career. Bowling last played Lark Hall with Ghost Light in October 2022, and sought out owner Jennifer Miller to plan a show in the future, with November 11th – 11/11 – being the best date for a show, adding in a nod to the Grateful Dead in the process.
With tube lighting on either side of the stage, a mirror ball above and four colored spots shining down and moving slowly along with the tempo, the stage was set, a grand piano and bench awaiting Bowling.
The first set featured the entire “Terrapin Station” suite, broken up into two sections, opening up with the first half of the song, “Lady with a Fan” and “Terrapin Station,” deep and layered, neatly falling into Phish’s “Fast Enough For You,” with the addition of looping to give the Rift track a new twist. 30 minutes later, the audience offered rousing applause.
With the use of effects pedals processing the piano sound, Bowling illuminated the improvisation jam that led from “About to Run”, and found its way into the rest of the “Terrapin Station” suite, “At a Siding” and “Terrapin Flyer,” finally ending the set with an ever-gorgeous “Divided Sky.” The emergence of a greater scope of sounds from the piano – whether it be with mallets, e-bows, fishing line or pedals – adds depth to the music. Said Bowling, “The piano has always been the instrument that can be closest to a full orchestra and I just want to play with as many sounds as possible.”
The second set opened with a heavy “St. Stephen” where Bowling explored the most familiar parts of the song using a tribal synth sound via manipulation of the inner piano strings, creating a hypnotic trance (accentuated briefly by a police siren wailing down the street.) “William Tell Bridge” developed out of this trance, Bowling playing the inner strings again, the pair of songs harkening the call of “The Eleven,” which would show up promptly at 10:11 (that’s 11:11 without DST). A song very rarely played by Bowling, “The Eleven” gave way to Phish’s “If I Could,” an emotional composition in its own right, and with light internal plucking and looping, Bowling summoned the intro of “Theme From the Bottom,” which took deep turns and twists, eventually fading into “Morning Dew” to close the set.
“Waste” would fall into the encore slot, with Bowling greeting and talking to fans after the show, everyone filing downstairs through The Eleven where Quantum Cosmic Trio continued on with the celebration of a grand opening, a grand performance and a grand pianist.
Set 1: Terrapin Station Suite -> Fast Enough For You, About to Run -> Terrapin Station Suite -> Divided Sky Set 2: St. Stephen -> William Tell Bridge -> The Eleven -> If I Could, Theme from the Bottom -> Morning Dew Encore: Waste
On the corner of Lark and Hudson, one building hosts a great deal of women’s history that continues to be written to this day.
photo via Historic Albany Foundation
Built over 100 years ago, this building served as the location for the 48th Annual Suffrage Convention, as a chapter house for the Daughters of the Eastern Star (the female equivalent to Free Masons), as well as hosting USO events, dances, and a then serving as the eba Center for Dance & Fitness from 1977 until 2017.
Lark Hall, opened in 2021, continues this tradition of music and the arts at Lark and Hudson still being written 11 decades later, with the opening of a coffee house/bar/taproom, The Eleven.
Owner and manager of The Eleven, Jenn Miller, looks at The Eleven as bringing the building vision to full capacity, replacing Lark Street Yoga and Lark Street Mercantile in the downstairs of the building. Connecting to Lark Hall upstairs makes this an ideal pre-show stop, unique among all the choices Lark Street has to offer.
With a staff of four full time employees and another 20 part time between Lark Hall and The Eleven – including Chef Dale Hajdasz and General Manager Neil Benjamin, Jr. – Miller’s experience in the restaurant industry during college as well as many years within the live music scene puts a hospitality driven focus towards the guests, artists and staff. Whether it be the restaurant industry or music industry, knowing how to treat people so they want to come back, and bring their friends, is at the forefront of her business ethos.
photo by Zak Radick
Now is the time of returning
Miller attended college at Eastern Connecticut State University, and would meet her husband, Justin, in Saratoga Springs. The pair married in 2002, having three kids and relocating to Rochester where she earned a Masters in Counseling, then moving back to Albany with their family. Working as a guidance counselor in Rochester, Schenectady and Albany City Schools, after 15 years she looked to move out of education and into something new.
photo by Zak Radick
The Millers are true live music aficionados who have traveled the country and beyond seeing the best of live music and music festivals, as well as their favorites: My Morning Jacket and Phish. When they would return back to Albany, they lamented the music scene not having certain bands and shows, let alone a venue that club/bar bands can graduate from. At first, they joked about the idea of opening a music venue, and soon it became a goal, and then a serious venture.
Since purchasing the building in 2018, the Millers have invested more than $1 million into the space to increase accessibility to Lark Hall, and also received a grant from the City of Albany for further work. Now with two businesses both opened in the past two years, the vision has come full circle, with a dedicated bar/restaurant downstairs and music venue upstairs.
photo by Zak Radick
Now is the time past believing
The Eleven came to be about a year ago when they sought to utilize the vacated Lark Mercantile space downstairs. With a tenant gone and a grant for small business renovation from the City of Albany, they began work on refurbishing the downstairs into a waffle/charcuterie/taproom, something different and not found elsewhere on Lark. Add in a coffee bar, pastries and desserts, it took about a year for the vision to come full circle and be complete, with a grand opening coming on Saturday, November 11, featuring the music of Holly Bowling.
photo by Zak Radick
Dining on small plates of local, French or Italian meats and cheeses, waffles, and Grateful Dead themed sandwiches – “Reuben and Cherise” a fresh take on a classic reuben – the menu is not overwhelming and invites you back to try more of these samplings, carefully curated by Chef Dale. A selection of 12 beers – that’s Eleven, plus (the other) one – from around the Northeast pair well with all culinary offerings, was accompanied the evening of November 3 with a crackling fireplace on the widescreen TV, along with an acoustic set of covers from Jeff Becker.
A décor of Grateful Dead posters, Stealies, Garcia handprints, and classic show posters from upstairs at Lark Hall around the soffit, the Grateful Dead roots abounding through the modern setting in the perfect neighborhood in Albany for it. Chuck Berry, who played Lark Hall in the 1950s, would smile seeing how far rock ‘n roll has progressed, inspiring the genesis of Lark Hall and The Eleven.
photo by Zak Radick
Thought Jewels Polished and Gleaming
Bringing Lark Hall and The Eleven to where they are now has not been easy, as Miller recognizes and recounts the struggles she has experienced as a woman in the music industry. Miller faced an oft male dominated music industry upon the purchase of the building, which led to more skepticism and in-group favoritism against Miller as she navigated getting bands to play at Lark Hall, in the process bringing Albany a needed mid-size venue (current capacity is ~325). Despite opportunities, Miller found a scene less than responsive at first, yet persevered and has proven skeptics wrong, and does so a second time with the addition of The Eleven.
photo by Zak Radick
Working with Dan Smalls and Ed Maier – two promoters covering a great deal of Upstate New York and the Northeast – as mentors to Miller, offering guidance on booking shows and bringing in a variety of acts to Lark Hall. Miller sees the bigger picture of what is possible in the area as a result of this mentorship.
“With the growing scene in Albany, what should be happening is everyone in the local industry – tourism, businesses and promoters – working together to grow the scene for all benefit.”
Jenn Miller
The result is a calendar with a wider variety of shows than any other venue in the Capital Region. This summer, Lark Hall featured a month long residency of musical RENT, and in the past year welcomed Daniel Donato, The Motet, Ghost Light, Circles Around the Sun, The Seapods, LaMP, Karina Rykman, Yo La Tengo, Midnights: A Taylor Swift Dance Party, among dozens of others.
photo by Zak Radick
With a background of a guidance counselor as well as a business owner, I asked Miller what resources she would suggest for ambitious female entrepreneurs who are looking to open their own business or venture. Research through experience, as well as patience, are the keys to Miller, starting with making sure to find your spot in the scene. Beyond that, it is most important to learn the backend tasks that no one sees, as she sees that knowledge and experience to be where everything comes together. Indeed, getting involved and off the periphery is the best start, but diving in and finding a niche can bring greater curiosity and reward.
photo by Zak Radick
Were Miller able to give advice to her younger self, she shares a nod to the Grateful Dead, “Without love in a dream it will never come true.”
Albany’s Lark Street – the “Village in the City” – gains a feather in its cap with the City Winery vibe found at The Eleven, and along with Lark Hall upstairs, this double threat venue on Lark Street brings new life to an old building and neighborhood. Tickets for Holly Bowling at Lark Hall on November 11 can be found here.
The Bacon Brothers are set to play two upcoming shows in New York, as they continue their fall tour lineup across the country. Brothers Kevin and Michael Bacon banded together in 1995 to form The Bacon Brothers, an official name to the musical pairing that has been around since their childhood.
Having released 11 collections of music since then, the duo is looking ahead to two shows in New York State: November 17 at Albany’s The Egg, and November 18 at Westbury’s The Space.
Photo Credit: Jeff Fasano
The Bacon Brothers titled their first album, Forosoco, after their self-described genre, blending folk, rock, soul, and country influences. Most recently, they released “Philly Thing,” a single dedicated to their hometown of Philadelphia. The song benefitted charities Rock to the Future and Kevin Bacon’s own SixDegrees.org.
NYS Music had the chance to interview The Bacon Brothers ahead of their upcoming NYS shows, talking all things music, family, and upcoming projects.
Cara Denton: You’ve coined your own genre – forosoco. As you began your music careers, did you ever feel limited by genre categories, or was it a natural part of your philosophies to work outside those categories?
Michael Bacon: Forosoco is a non-category. Genre distinctions have been a part of popular culture since the radio was invented. It helps the music business focus on narrow marketing strategies that streamline their business model. The key to success in any endeavor is to find out what is different about yourself and get really good at that.
Kevin Bacon: We just go where the song takes us. Sometimes they feel more folky, rocky, soulful, or country. We’ve always said to ourselves let’s not try to stick to a “sound” let’s have our lack of a sound be our sound.
CD: What artists, instruments, or genres of music have shaped your musical education throughout your lives?
MB: I’ve always had two parallel worlds in art music (cello, oboe) and folk music (banjo, guitar ukulele, etc…). As a composer and songwriter, every day I draw from the unique musical ambiance provided by our parents in the house in which the 6 of us grew up.
KB: Wow so many. Starting with Michael and our sister playing guitars and harmonizing. Motown. British Invasion. TSOP. James and Joni. And on and on. I love drums. I had a drum kit in our basement. And congas. Bongos. Etc.
CD: What does playing a show in New York City look like for you? Any pre-show rituals, sightseeing, or food spots you like to hit?
MB: It’s our hometown and beats flying or driving to distant venues. It’s a ten-minute subway ride to City Winery.
KB: Sightseeing?! I’ve lived in NYC since 1976 so pretty much seen the sights. My favorite slice is Joe’s on Carmine if that helps.
CD: Family is a binding force and an important factor in your musicianship – how does that shape your performances, songwriting, or experience as musicians?
MB: Ours is a family business. Families draw apart when they lack connection. I’m really proud, and I take some credit for my brother’s success in the music business.
KB: Family is everything.
CD: Do you have any practices or hobbies outside of music that you turn to to find inspiration or rejuvenate your creativity?
MB: I enjoy sailboat racing, motorboats and crossword puzzles.
KB: Animals and nature. Being on a horse, riding through the hills.
CD: What’s next for the Bacon Brothers? Any new styles, collaborations, or new developments you’re particularly excited about trying?
MB: I’m hoping one of the new songs catches a wave and a lot of people love it.
KB: Very excited about the new record. Never thought we would make this much music!
An ever-musical family, The Bacon Brothers continue to yield tour dates and new music to come. Their recent EP, Erato, released in July of 2022, with five brand new songs. The title track features a belting chorus, resonant guitar strumming, and catchy lyrics. The duo is touring across the country now, with tickets for their shows in Albany and Westbury now available.
BACON BROTHERS UPCOMING TOUR DATES
Nov 11 – Larchwood, IA – Grand Falls Casino and Golf Resort
