Category: Albany

  • Pauly’s Hotel – Albany’s Oldest Bar – Closes, Up for Sale

    The oldest bar in Albany and a music venue for bands of all genres, Pauly’s Hotel, located at 337 Central Ave, has closed and is up for sale.

    pauly's hotel

    Established in 1862, Pauly’s Hotel has been a staple in Albany for multiple generations, located on the corner of Quail St. and Central Ave, where WAMC’s The Linda is located, and The Low Beat stood until 2020.

    Hate to see this. Pauly’s has always been a big supporter of us, and were the first spot in Albany to ever take a chance on us. It’s safe to say without them, we may not have been able to break into the Capital Region as quickly as we did. Hopefully someone takes over this space and keeps it as a haven for independent, original music in the 518! Thanks so much to Shane and everyone else who made Pauly’s a great place to have an indie show.

    Seize Atlantis

    According to the Times Union, owner Kip Finck noted that the 2020 shutdown was a major factor in closing the venue, as a lack of shows meant Pauly’s Hotel did not qualify for the federal Payroll Protection Program grants, which kept many venues afloat during this time.

    Despite extensive renovations after purchasing Pauly’s in 2019, which included a state-of-the-art sound system, the bar sat largely dark for most of the next year and a half because of the pandemic. Adding in a capacity maxing out at 120, booking bands and keeping tickets reasonably priced posed a challenge for Finck.

    Finck told the Times Union, “It was really hard financially, and I was handling everything to do with management and money myself.” Finck believes another, younger operator who is eager to reopen a storied music venue could make Pauly’s financially viable.

    pauly's hotel

    Finck also owned Northern Lights in Clifton Park for 18 years, and still owns the Village Tavern in Scotia, which itself is more than 80 years old.

    The property listing notes that Pauly’s features a fully equipped bar area, an updated sound system, spacious seating areas, and a stage for live performances. The entire building is not for sale – only the business – with an asking price of $75,0000 to own Albany’s oldest bar.

    “It would have to be the right person, the right fit,” Finck told the TU. “Once I find that, there would be a conversation about price.” He invites inquiries at kip.finck@gmail.com.

  • Harp on Lark: Mikaela Davis and Southern Star Shine Bright in Albany 

    During a famous MTV Unplugged performance, Kurt Cobain once sarcastically asked, “What are they tuning, a harp?” His tone somewhat mocking of the instrument, as if it had no place in his rock n’ roll world. For a long while, I may have thought the same thing too, but then a funny thing happened to me on Thursday, December 7.

    That was the night I saw Mikaela Davis and Southern Star perform at Lark Hall in Albany for the first time. Armed with a six-foot-tall harp, a bold voice, and a certain element of mystique, the classically trained harp player-turned-folk rocker completely redefined everything I thought I knew about the instrument, simultaneously shattering whatever limitations my mind may have placed on it.  

    Mikaela Davis and Souther Star made their Lark Hall debut on December 7th, 2023.

    Captivating the audience with a dreamy blend of psychedelic pop, driving folk rock, and a healthy dose of sonic improvisation, Mikaela Davis and Southern Star simply dazzled in Albany. A long-time believer in the group, Greg Bell of Guthrie Bell Productions has often said this is one of his favorite acts and has been bringing them to the Capital Region for years now. Regularly making stops at venues like The Hollow and Putnum Place, this night would mark their graduation to the historic room of Lark Hall. Delivering a dynamic, genre-bending performance full of emotion, beauty, and star-making energy, it was easy to see what all the hype over the talented harp-playing singer and her incredible band was all about. 

    Originally formed in Rochester, Mikaela Davis and Southern Star have been playing together for over a decade. Notably sharing the stage with the likes of Bob Weir and Phil Lesh, Bon Iver, and Circles Around the Sun, the group released their first full-length album as a band, And Southern Star, in August of this year and it’s already showing up on many of the “year’s best” lists. Focusing much of the show on its material, the multi-layered improvisation that also came from it was nothing short of a breath of fresh air and a major reason why they’ve been so warmly embraced by the extended jam band community. 

    Home in the Country: Mikaela Davis and Souther Star made themselves at home in Albany on 12/7/23.

    Casually kicking things off with the melodic one-two punch of “Cinderella” and “In My Groove,” Mikaela Davis and Southern Star had Lark Hall’s undivided attention from the very start. Along with Davis, Southern Star also consists of the McCarthy brothers, Cian on guitar and sax and Shane on bass, Alex Cote on drums, and the talented Kurt Johnson on pedal and lap steel.

    Keeping things going, the infectious single called “Home in the Country” was an early set highlight, as was watching Johnson’s incredible dexterity as he employed a litany of effects and knob turning to his pedal steel rig to create all kinds of subtle textures to accent Davis’s delectate harp in the most sophisticated way.   

    Kurt Johnson of Southern Star had his hands full on pedal and lap steel on 12/7/23.

    After a bit of funky plucking on 2018’s “Get Gone”, “Far From You” would cross over into a more euphoric fairytale-type feel before landing on what would ultimately be the centerpiece of the show, an enchanting and transformative take on the Grateful Dead’s “Here Comes Sunshine.” Showcasing their propensity to improvise just as Garcia and company famously did, the stunning arrangement felt right at home at Lark Hall, a venue that recently expanded to include a Dead-inspired wine and coffee bar downstairs dubbed The Eleven. The lengthy rendition commanded your attention and was enough to win over any of the Heads in the audience who still weren’t sure of the greatness happening before our ears and eyes.   

    Here Comes Sunshine: Mikaela Davis and Southern Star wowed the Lark Hall crowd with their Grateful Dead cover on 12/7/23.

    What started as a chilled-out version of “Leave it Alone” soon boiled over into blues-rock territory before seamlessly finding the opening chords of “Promise,” the second single from And Southern Star. With the crowd fully engaged and swaying to the up-tempo vibe and colorful riffs, the band’s synergy and skill were on full display. As the momentum continued to build, perhaps the most “rockin’” song of the night came next with a jammed-out version of “Don’t Stop Now,” featuring one of multi-instrumentalist Cian McCarthy’s best solos of the night.

    Pausing to thank the audience for coming out and commenting on how nice it was to be playing Lark Hall for the first time, Mikaela then broke the news that she’s already looking forward to coming back in a few months with her pals (and fellow 2023 Lark Hall alumni), Circles Around the Sun.

    Talking from the heart about how special it is to play music live, she also mentioned the best way to directly support touring artists is by picking up some of their merch at the gigs. Davis and Southern Star would then bring the main portion of the show to a close with a beautiful rendition of “Pure Divine Love,” before returning for a luscious encore of “Other Lover” from Mikaela’s debut 2018 album, Delivery.  

    After wrapping up their final show of the year with a hometown throwdown in Rochester, Mikaela Davis and Southern Star already have their sights firmly set on 2024. The band has just announced a full slate of new tour dates alongside psychedelic, Dead-inspired prog jammers Circles Around Sun. The collaborative tour is set to feature several New York dates with stops at Brooklyn Bowl, Ithaca’s Deep Dive, and Buffalo Iron Works.   

    Mikaela Davis | December 7, 2023 | Lark Hall | Albany, NY 

    Setlist: Cinderella > In My Groove, Home in the Country, Get Gone, Far From You, Here Comes Sunshine, Leave it Alone > Promise, Don’t Stop Now, Pure Divine Love

    Encore: Other Lover

  • Coming in January to Empire Live in Albany, The Extreme Music Awards

    The inaugural Extreme Music Awards will be held at Empire Live in Albany on Saturday, January 13. The awards show celebrates the most extreme music acts in the 518 Capital Region of Upstate New York.

    Extreme Music Awards lineup

    The Extreme Music Awards is the conception of Mike Valente of Upstate Black N Blue Productions who then assembled the team of RadioRadioX, Capital Underground, That Fuzzing Rock Show and 518Scene.com. All five of these entertainment media forces joined together to bring the inaugural event to Albany.

    Attendees will be able to enjoy a full concert experience by house band, Uncle SAMM, in addition to watching the awards ceremony. In between presenters, fans can also look forward to a raffle for a chance to win prizes like signed drum heads, guitars, gift certificates, and more.

    Check out the nominees and categories below and get your tickets for the Extreme Music Awards here.

    The Extreme Music Awards will be held on Saturday January 13 at Empire Live on N. Pearl St. in Albany, starting at 6:00pm.

    Tickets to this event are limited and expected to sell out, with general on sale here:

    CATEGORIES & PRESENTERS

    Best Death Metal Band: Chris Pervelis/Kyle Eddy (Internal Bleeding)

    Best Black Metal Band: Mike Score (All Out War)

    Best Doom/Goth/Stoner Band: Matt Byrne (Hatebreed)

    Best Power Metal Band: Gary Holt (Slayer/Exodus)

    Best Progressive/Math Metal Band: Marc Rizzo (Soulfly/Ill Nino)

    Best Hair/Glam/Sleaze Metal Band: Nick Miller (Lethal Lipstick)

    Best Thrash Metal Band: Gary Holt (Slayer/Exodus)

    Best Grindcore Band: Sal Lococo (Sworn Enemy)

    Best Metalcore Band: Danny Schuler (Biohazard)

    Best Punk Band: Lars Frederiksen (Rancid) (Video Presenter)

    Best Hardcore Band: Mike Gallo/Vinnie Stigma (Agnostic Front)

    Best Beatdown Hardcore Band: Ray Mazzola/Mike Valente (Brick by Brick)

    Best Hardcore Punk Band: Jimmy Gestapo (Murphy’s Law)

    Best Metal Video: Drew Stone (Stone Films/The NYHC Chronicles)

    Best Live Performance: Art Fredette/Rob Smittix (RadioRadioX)

    Most Brutal Mosh Pit: Tony Foresta (Municipal Waste)(Video Presenter)

    Best Merch: Michael “Fuzz” Kebabjian (That Fuzzing Rock Show)

    Album of the Year: Ralph Renna (Capital Underground)

    Lifetime Achievement Award (25+ Years in the Scene): Bobby “Blitz” Ellsworth (Overkill)

    Best New Band (Less Than 2 Years in the Scene): Mario & Kim Cangemi (Upstate Records)

    Best Veteran Band (10+ Years in the Scene): Brendan Manley (518scene.com)

    THE NOMINEES

    Best Death Metal Band: Tyranize, Skinless, Invoke Thy Wrath, Intrusive

    Best Black Metal Band: Malefic, Blackbraid, Morticide, Vile Tyrant

    Best Doom/Goth/Stoner Band: Gozer, Ike’s Wasted World, Gunther Weezul, Carnwennan

    Best Power Metal Band: Deveria, Alloy Reign, Frozen Sun, The Antarctican

    Best Progressive/Math Metal Band: Deveria, Psychomanteum, The Phoenix and the Raven, MIRA

    Best Hair/Glam/Sleaze Metal Band: The Erotics, Joe Mansman and the Midnight Revival Band, Untaymed, Mystery Girl

    Best Thrash Metal Band: Hate The Adversary, FACED, Concrete, Ice Queen

    Best Grindcore Band: Escuela Grind, URINE, Horse Grave, Vaginal Fungus

    Best Metalcore Band: Concrete, Oakheart, Faded Line, Downswing

    Best Punk Band: The Hauntings, VinTri Hill, Nick Rossi, Lurking Class

    Best Hardcore Band: Violent By Design, Confinement 413, Halo Bite, Cold Kiss

    Best Beatdown Hardcore Band: Wrong Move, Torn Out, From Within, Adhara

    Best Hardcore Punk Band: Halo Bite, Murderer’s Row, Gusto, Wet Specimens

    Best Metal Video: Alloy Reign – “Blood Demon”, Downswing – “Bound to Misery”, The Antarctican – “I is the Lie”, Freya – “Nothingness or God”

    Best Live Performance: Alloy Reign, Tyranize, Joe Mansman and the Midnight Revival Band, Flatwounds

    Most Brutal Mosh Pit: Invoke Thy Wrath, Concrete, Assault on the Living, Downswing

    Best Merch: Alloy Reign, The Erotics, Malefic, Concrete

    Album of the Year: Psychomanteum – Full Fathom Five, Blackbraid – Blackbraid II, Adhara – Abandoned Future, Urine – Excreta Lotium Miasma

    Lifetime Achievement Award (25+ Years in the Scene): Paul Rukwid, Jeff Caro, John Glassbrenner, Bob Riley

    Best New Band (Less Than 2 Years in the Scene): Alloy Reign, Flatwounds, Confinement 413, Outta My Head

    Best Veteran Band (10+ Years in the Scene): Tyranize, The Erotics, Murderer’s Row, Concrete

  • The College of Saint Rose Announces Closing, Music Industry Programs in Limbo

    The College of Saint Rose in Albany has announced the institution will not operate beyond the Spring 2024 semester, citing enormous financial debt and insufficient resources to continue. The loss is significant for the area’s economy, with many wondering what will happen to the pristine academic buildings and equipment. One of the biggest losses is the valuable Music Industry program.

    The College of Saint Rose was cited by Billboard as having one of the best music business programs in North America, setting students up for success in the fast-paced environment that is the music industry. Those in the program were instructed in three areas of study: songwriting and composition, audio recording and music production, and music business and entrepreneurship. Those interested in the business side of the industry could also enroll in the Music Business program, learning more about music management, publishing, entertainment law, marketing and sales, and more.

    The Music Industry Program allowed students to learn many different and important skills. Featuring state-of-the-art recording studios, students could learn to engineer, mix, and compose music, as well as use the college’s audio post-production rooms, television and radio studios, computer labs, and the showcase studio. Students could even learn how to press vinyl in the analog recording and record-cutting station.

    One of the most interesting parts of the program was the in-house record label Rose Record, which celebrated its tenth anniversary this year. The label allowed students to work in different departments, from engineering entire records or singles, radio promotion and distribution, voting on potential clients, or as the potential artist working with the company. The website for the label states its mission is to “develop an elite catalog and promote original music by creating and collaborating through the innovations of rising talent,” something of critical importance that is now lost with the decision to close the institution.

    The music program required internships, setting students up in some of the top cities in the industry, including Nashville, New York City, Boston, Seattle, San Francisco, and more. Another interesting about the Music Industry program was the senior Capstone, where students create a full-length CD written, produced, engineered, performed, and recorded in the Saints and Sinners Recording Studio. Alumni of the State Rose program went on to work at various places, including Equal Vision Records, Hopeless Records, SONY, ASCAP, Universal, and more.

    The past few years took a toll on the program, with several cuts and faculty changes. News 10 in Albany reported that alumni and adjunct professor at the college, Kelly Bird, is looking into trying to save the Hearst Communications Center, turning it into an independent center.

    One of the biggest losses, besides the music program itself, is the loss of the beautiful and acoustically superior Massry Center for the Arts. It was a creative showcase not only for the Saint Rose community, but for distinguished artists, musicians, vocalists, and orchestras from around the world, featuring 46,000 square feet. Picotte Recital Hall featured geothermal heating and cooling helping to make it more energy-efficient than a comparable, conventionally constructed building. Unfortunately, the venue hadn’t had performances since COVID, leaving the venue now to collect dust until people buy it.

    The College of Saint Rose’s Music Business and Music Industry programs set up many for success, teaching students valuable production, songwriting, management, and business skills to help them in the difficult music industry. Unfortunately, such an outstanding program is being lost with the closure of the institution, and hopefully, those in the program can find another equally good institution to finish their studies.

  • Disco Biscuits “Why We Dance Tour” stops in Albany and Buffalo in March

    Trancefusion pioneers the Disco Biscuits will embark on a lengthy winter/spring tour to start 2024, with shows at Empire Live in Albany and Town Ballroom in Buffalo, named the “Why We Dance Tour.”

    Disco Biscuits to stop in Albany and Buffalo in March
    photo by Brian Ferguson

    With an impressive touring schedule in 2023 – more than 70 shows, with three more lined up for late December – and the return of a Disco Biscuits festival, BISCOLAND, the band is not slowing down in the coming new year.

    The “Why We Dance Tour” includes 13 previously announced dates, and adds 20 more shows, with a few more still to be announced.

    photo by Conor McMahon

    Bassist Marc Brownstein shares the excitement for the band looking ahead to 2024:

    We are so excited for these late winter and spring dates! 2024 starts off with a bang and is filled with amazing venues, some of which are new to us like Stage AE, College Street, and the Brooklyn Bowl in Nashville, while some are old faves like the Kirby, the HOBs in Boston and New Orleans, and ultimately the Tabernacle. We are looking forward to heating up the country from west to east this winter and spring!

    Marc Brownstein

    The Disco Biscuits last performed in Buffalo and Albany in January and February 2023, respectively.

    VIP Packages will be available for all Why We Dance Tour dates as part of this week’s pre-sale and on-sale, and will include early entry to each venue and early access to merch, pre-show soundcheck, group photo with the band, limited edition show poster, and a commemorative laminate & lanyard.

    Tickers are now on sale here.

    Disco Biscuits to stop in Albany and Buffalo in March

    Disco Biscuits “Why We Dance” 2023-2024 Tour Dates

    12/28 – New York, NY – Palladium Times Square (Late Show)
    12/30 – Philadelphia, PA – Franklin Music Hall !
    12/31 – Philadelphia, PA – Franklin Music Hall
    1/25 – Crystal Bay, NV – Crystal Bay Casino Ballroom
    1/26 – Crystal Bay, NV – Crystal Bay Casino Ballroom
    1/27 – San Francisco, CA – The Fillmore
    1/28 – Santa Cruz, CA – The Catalyst
    2/1 – Los Angeles, CA – The Fonda Theatre
    2/2 – San Diego, CA – Observatory North Park
    2/3 – Tucson, AZ – Gem & Jam Festival
    2/5 – Aspen, CO – Belly Up
    2/6 – Aspen, CO – Belly Up
    2/7 – Aspen, CO – Belly Up
    2/9 – Boulder, CO – Boulder Theater *
    2/10 – Boulder, CO – Boulder Theater *
    2/11 – TBA
    3/7 – Silver Spring, MD – The Fillmore
    3/8 – Silver Spring, MD – The Fillmore
    3/9 – Pittsburgh, PA – Stage AE
    3/10 – Charlottesville, VA – Jefferson Theater
    3/13 – Albany, NY – Empire Live
    3/14 – New Haven, CT – College Street Music Hall
    3/15 – Portland, ME – State Theatre
    3/16 – Boston, MA – House of Blues
    3/28 – Wilkes-Barre, PA – F.M. Kirby Center
    3/29 – TBA
    3/30 – Buffalo, NY – Town Ballroom
    3/31 – Buffalo, NY – Town Ballroom
    4/2 – Louisville, KY – Mercury Ballroom
    4/4 – New Orleans, LA – House of Blues
    4/5 – Houston, TX – The Heights Theater
    4/6 – Dallas, TX – Longhorn Ballroom
    4/7 – Burnet, TX – Texas Eclipse Festival
    4/11 – Asheville, NC – The Orange Peel
    4/12 – Nashville, TN – Brooklyn Bowl
    4/13 – Atlanta, GA – Tabernacle
    4/14 – Raleigh, NC – Lincoln Theatre
    6/20-23 – Rothbury, MI – Electric Forest Festival

  • Keller Williams plays to a sold out Lark Hall

    Guitarist extraordinaire Keller Williams drew a sold out crowd at Lark Hall on Saturday, December 2.

    The master of looping has been at it for nearly 30 years, and his following has never waned a bit. From sell out shows at The Egg in 2006 to festival performances all throughout the state with unique projects, Keller always draws well in Albany.

    keller williams lark hall
    Keller Williams at Lark Hall – photo by Dave DeCrescente

    A chatty crowd took in the show on this pre-winter evening, a mirror ball providing subtle lighting that paired well with Williams’ sound and style. Even without his right hand man, Louis Gosain, the evening was full of fun, laughs and surprised, as well as a great deal of experimentation, particularly throughout set one, which would end with a fantastic “Naive Melody.”

    “Freeker by the Speaker” would open Set 2 to great cheers, a segment of “Pets” by Porno for Pyros found worked into the original tune deftly.

    keller williams lark hall
    Keller Williams at Lark Hall – photo by Dave DeCrescente

    A subtle nod to Phish on their 40th anniversary was found in the form of “The Wedge” > “Stash” which segued cleanly into “Scarlet Begonias” and “Gatecrashers Suck,” one of Williams’ best known tunes for the autobiographical nature of the Grateful Dead’s ill-fated Deer Creek, IN run in 1995.

    Whether you prefer Keller playing solo acoustic/looping as he did tonight, or with a unique project like Keller and the Keels, KellerGrass or More Than a Little, his shows are never one to miss when he rolls through. Catch him at Buffalo Iron Works on Saturday, December 9, part of NYS Music’s Jam for Tots series.

  • The Albany Symphony Features Classical and Festive Family Events in December

    The Albany Symphony has a fun, festive lineup of holiday shows this December, featuring events and performances such as The Magic of Christmas, and two shows by world-renowned pianist and Grammy nominee Yefim Bronfman. The symphony organization will get involved this holiday season with a toy drive and collaborations with new and long-time community partners during their upcoming programming.

    The Magic of Christmas

    On December 3, The Palace Theater will present The Magic of Christmas, joined by community partners including The Music Studio, Capital District Youth Chorale, Boland School of Irish Dance, and the Zorkie Nelson African Drumming Ensemble. The performance will feature favorite Christmas carols, sing-a-longs, selections from the beloved Nutcracker musical, and more festive performances for all ages. In addition, Santa Claus will make an appearance for a night filled with family fun.

    David Alan Miller conducting

    On December 9 and 10, the symphony will welcome six-time Grammy nominee Yefim Bronfman to Troy Savings Bank Music Hall, performing a selection of famed classical pieces for Capital Region audiences. A world-renowned piano soloist, Bronfman will present Johannes Brahms’ Piano No. 2, Robert Schumann’s Symphony No. 4, as well as the world premiere of Loren Loiacono’s Beanie’s Chapbook.

    We are so fortunate to have Yefim Bronfman join us for these exciting concerts. He is one of the greatest pianists in the world, and a dear friend of our Albany Symphony. We are always deeply honored that he makes time in his busy schedule to come play with us. Working with an artist of his caliber elevates all of us, and always inspires us to match his brilliance. Hearing the mighty Brahms Piano Concerto No. 2 in the legendary Troy Savings Bank Music Hall with arguably its greatest living interpreter and our brilliant Albany Symphony musicians will be an unforgettable experience for everyone!

    David Alan Miller, Music Director and Conductor

    In addition to the upcoming performances, audiences are invited to participate in a Toy Drive for Mom Starts Here on December 3. The organization will be accepting new and unwrapped toys for the nonprofit that works to support local parents in need of resources and support as they navigate parenthood. 

    Tickets for these events and more information on Albany Symphony performances are available at albanysymphony.com.

    https://www.youtube.com/watch?v=DV3QDd0UZjY
  • Playhouse Stage Company Opens Annual Show The Best Christmas Pageant Ever

    Playhouse Stage Company has opened their 36th season presenting the beloved story of The Best Christmas Pageant Ever. Based on the children’s novel by Barbara Robinson, the musical adaptation will be presented at Cohoes Music Hall outside Albany.

    The Best Christmas Pageant Ever

    The Best Christmas Pageant Ever was first published in 1971, and has since become a children’s classic holiday story. After a nearly sold out run in 2017, Playhouse Stage Company continues to present the show each year for holiday audiences in the Capital Region.

    The Best Christmas Pageant Ever onstage

    The story follows the “horrible Herdmans,” a rowdy family keen on joining the local Sunday School Christmas pageant. With humor, song, and heartwarming moments, the production brings laughter and holiday cheer to audiences all over. This year’s cast features 7 local professional actors, alongside 13 local Playhouse Stage Academy students in age appropriate roles.

    The show will run from December 1-23, with 7PM performances on Thursdays, Fridays, and Saturdays, and 2PM performances on Saturdays and Sundays. Tickets for The Best Christmas Pageant Ever are on sale through The Cohoes Music Hall Box Office, by phone at 518-434-0776, or online at www.playhousestage.org

  • Flashback: Trey Anastasio Joins Medeski Martin and Wood at Albany’s Palace Theatre, December 1, 2000

    There was already magic in the air when Medeski, Martin and Wood took the stage on December 1, 2000 at The Palace Theatre in Albany. The night was cold but the rumors were hot that some very special guests would be joining MMW that night.  

    Medeski Martin Wood Albany MMW Palace Theatre Trey Anastasio

    Those rumors turned out to be true. Elysian Fields founder/guitarist Oren Bloedow as well as Brazilian percussionist Cyro Baptista joined Medeski Martin and Wood for the entire show.  Rumors had been swirling like an upstate snow squall that Phish frontman Trey Anastasio would be there and when He  joined Medeski, Martin and Wood (plus Bloedow and Baptista) late in the second set, the energy of the crowd and the band reached some amazing heights.

    The night began with some ambient improvisation from Medeski, Martin and Wood with special guests Bloedow and Baptista joining from the start. Instrumental grooves set the mood and seemingly took the audience from jungle to the tropics and through various soundscapes before leading in to “The Dropper.” The first pure melodies of the night then followed with “Nostalgia in Times Square.” From “The Dropper” to “Times Square” – the psychedelic journey had begun and the band took the crowd on what sounded like an audio description of a psychedelic experience through New York City.

    One can almost see the different store fronts, streets, alleys, cabs, people and hallucinations as MMW and friends wind their way from Times Square through “Angel Race (I’ll Wait For You)” and “Shacklyn Knights”, the latter featuring some vintage psychedelic 60’s style guitar leads from Bloedow. A heavy trance like percussion jam brought a return to “Shacklyn Knights” before closing the first set with a dark and jazzy “Seven Deadlies,” again invoking the chaos of mixing psychedelics and The Big City.  

    Ticket stub for Medeski Martin and Wood, which featured sit-ins from Trey Anastasio, Oren Bloedow and Cyro Baptista.

    Set two began with John Medeski laying down an eerie organ intro before Billy Martin kicked in a big beat on drums for “Big Time”.  Chris Wood’s bass fueled the opening jam while MMW was once again joined by Oren Bloedow and Cyro Baptista.  The Five-some took the music to deep, dark space before returning to planet Earth via the Jimi Hendrix classic “Third Stone From The Sun” which featured funky grooves and blistering lead guitar from Oren Bloedow and a percussion breakdown.  The crowd erupted as Trey Anastasio appeared and it was announced that “another special guest” was going to join the stage.  The new ensemble, armed with one of the world’s most talented guitarists kicked off with MMW’s “Partido Alto” with Trey adding his signature guitar style. 

    When asked about this show, Capital region resident Maria Levin, who was in attendance said, “Trey playing “Partido Alto” with MMW is still one of the highlights of my live music life.” “We Are Rolling,” “Start Stop” and a haunting, Roky Erickson-esque “Dracula” had Trey and company exploring the far reaches of the universe with a sound that seemed to encapsulate some of the best elements of Phish and MMW.  Jax Why commented in the Facebook group PHISH TOUR 2014, “A superb evening. The “rumor” was not much of a surprise by the time Big Red (Trey Anastasio) emerged for the second set. However, the style and energy in which He played was. It was quite a different sit-in from when Trey joined MMW in Austin, TX about 4 years prior.  Mature jamming and placement with intent and patience.”  Following “Dracula,” Chris Wood captivated the Palace Theatre crowd with a bass solo that set the tone for a jazzy, funky and at times scary “Chubb Sub” that closed out the set.  

    After a standing ovation, Medeski, Martin, Wood, Bloedow, Baptista and Anastasio returned to the stage and sent the fans home into the Albany night with a “Swamp Road” for the ages.  

    The collaborations at The Palace Theatre in Albany on December 1, 2000 would not only lead to an unforgettable night for those in attendance but also change the course of jamband history.  This magical night in Albany was the first time Trey Anastasio and Cyro Baptista joined forces together on stage. Trey would invite Cyro to join The Trey Anastasio Band in 2002. Cyro continues to be a part of TAB to this day.  

  • Baked Shrimp Announce Indefinite Hiatus and Farewell Tour

    The dynamic progressive fusion rock trio Baked Shrimp from Long Island announced in a letter to fans that they are going on an indefinite hiatus, starting in February 2024.

    Before disbanding though, the group is embarking on a farewell album release tour, coming to the Cutting Room, Funk ‘n Waffles, and The Hollow in January and February of 2024.

    Baked Shrimp consists of Jared Cowen (Guitar/Vocals), Scott Reill (Bass/Vocals), and Jager Soss (Drums/Vocals). Together, they channel boundless energy, unique songwriting, and powerful improvisation, weaving into a symphonic odyssey that is their eclectic discography. During the years 2022 and 2023, the group performed over 215 concerts throughout the US and Canada, debuting at renowned events like the Peach Music Festival, Summer Camp Music Festival, Northlands Live, and Mile of Music.

    They have played with the likes of Phil Lesh and provided direct support for the Disco Biscuits, Dopapod, Twiddle, and Andy Frasco & The U.N.

    In their letter to fans, Baked Shrimp expressed gratitude for their fans and to venue and festival owners for “taking a chance on [them].” Going on, they said “These past seven years have been a privilege and honor getting to perform our original music with all of our heart and soul in front of your dancing, smiling, and loving faces from all different parts of the country. The three of us will cherish every one of these moments for the rest of our lives.”

    The band is going separate ways, with each member pursuing their dreams and will still remain active in the music industry. Ending the announcement, the group wishes everyone well, saying “Stay safe, love and respect one another, enjoy the holidays, and we’ll see you for one last tour starting in January at home in NYC.”

    To purchase tickets to their upcoming farewell album release tour, visit here.

    Baked Shrimp Farewell Album Release Tour 2024:
    01/12 – The Cutting Room – New York, NY (Album Release Party)
    01/13 – The 8×10 – Baltimore, MD w/ Greasy Hands
    01/14 – The Camel – Richmond, VA (Umphrey’s McGee After-Party)
    01/17 – Charleston Pour House – Charleston, SC
    01/18 – The Pour House – Raleigh, NC w/ The Hourglass Kids
    01/19 – Live at “The Shop” – Dunbar, WV
    01/20 – Blue Fox Billiards – Winchester, VA w/ Tim Cintron Project
    02/02 – The Drake – Amherst, MA
    02/03 – Nectar’s – Burlington, VT
    02/08 – Funk ‘n Waffles – Syracuse, NY
    02/09 – The Hollow – Albany, NY
    02/10 – River Street Jazz Cafe – Plains, PA
    02/17 – Park City Music Hall – Bridgeport, CT (Final Show) w/ Honeydew